#Barbie movie soundtrack

[emjava-art]

What was I made for?

[bookwormgirl123]

movie enola: I can take the heat best believe that’s the moment I shine. Cause every romance shakes and it bends don’t give a damn…when the night’s here I don’t do tears baby no chance. I could dance I could dance I could dance

book enola: think I forgot…how to be happy (something I’m not, but something I can be. Something to wait for…what was I made for?)

[music-catalogue]

[notasoupcompany]

this song is beautiful but such a punch in the GUT!! also no i have not seen Barbie so no spoilers please 🫥

[audiophiliacfan]

She said I don't know if I've ever been good enough I'm a little bit rusty, and I think my head is caving in And I don't know if I've ever been really loved By a hand that's touched me, and I feel like something's gonna give And I'm a little bit angry, well This ain't over, no not here, not while I still need you around You don't owe me, we might change Yeah we just might feel good I wanna push you around, will I will, will I will I wanna push you down, will I will, will I will I wanna take you for granted, I wanna take you for granted Will I will She said I don't know why you ever would lie to me Like I'm a little untrusting when I think that the truth is Gonna hurt ya And I don't know why you couldn't just stay with me You couldn't stand to be near me When my face don't seem to want to shine 'Cause it's a little bit dirty, oh well Don't just stand there, say nice things to me 'Cause I've been cheated I've been wronged, and you You don't know me, well I can't change I won't do anything at all I wanna push you around, will I will, will I will I wanna push you down, will I will, will I will I wanna take you for granted, I wanna take you for granted Will I will Oh but don't bowl me over Just wait a minute well it kinda fell apart, things get so Crazy, crazy Don't rush this baby, don't rush this baby, baby I wanna push you around, will I will, will I will I wanna push you down, will I will, will I will I wanna take you for granted, I wanna take you for granted Will I will

[angelina-ballerinaaaa]

Who Said by Hannah Montana should’ve been on the Barbie movie soundtrack and in the movie

[evermorre]

am i not *HOT!* when i'm in myy feeeeliiiinnngs??

[lokiiied]

OMG

[lesbianskissing69lol]

#10K2024 1-22-2024

1881. Si La Quieres-Selena 1882. Como La Flor-Selena 1883. Yo te Sigo Quierendo-Selena 1884. Que Creias-Selena 1885. Las Cadenas-Selena 1886. Vuelve a Mi-Selena 1887. La Carcacha-Selena 1888. Siempre Estoy Pensando en Ti-Selena 1889. Missing My Baby-Selena 1890. Amame-Selena 1891. Ya Ves-Selena 1892. Aunque No Salga El Sol-Selena 1893. Ven Conmigo-Selena 1894. Yo Te Amo-Selena 1895. Enamorada de ti-selena 1896. La Tracalera-Selena 1897. Baila Esta Cumbia-Selena 1898. Yo Me Voy-Selena 1899. No Quiero Saber-1990 mix-Selena 1900. Despues De Enero-Selena 1901. Enamorada de ti Club mix-Selena 1902. No Quiero Saber-1996-Selena ----- the following Selena Songs Come from a 2012 Remix album filled with the exact same song titles... I have given these titles parenthesis based on my lack of Music Theory, etc. 1903. No Me Queda Mas-Piano-Selena 1904. Amor Prohibido-Acoustic-Selena 1905. Tus Desprecios-Piano-Selena 1906. Como La Flor-Piano-Selena 1907. Fotos y Recuerdos-Trap Mix-Selena 1908. Bidi Bidi Bom Bom (With Selena Gomez)-Selena 1909. Ya No-Merengue Mix-Selena 1910. Techno Cumbia-2012 mix-Selena 1911. El Chico Del Apartamento 512-POP-Selena 1912. Enamorada de ti-Merengue Mix-Selena

back to normal titles that are mostly exact.

1913. Como te quiero yo a ti-Selena 1914. Dame tu amor-Selena 1915. No Lloras Mas-Selena 1916. Salta La Ranita-Selena 1917. Carino Mio-Selena 1918. Corazoncito-Selena 1919. Dame tu Amor-Cumbia Mix-Selena 1920. You Don't Want Me Like That-Rachel Bachner/Xana 1921. Pensando en ti-selena 1922. Sabes-Selena 1923. Soy Amiga-Selena 1924. Moving-Kate Bush 1925. The Saxophone Song-Kate Bush 1926. Strange Phenomena-Kate Bush 1927. Kite-Kate Bush 1928. The Man With a Child in His Eyes-Kate Bush 1929. Wuthering Heights-Kate Bush 1930. James and the Cold Gun-Kate Bush 1931. Feel It-Kate Bush 1932. Oh to be in Love-Kate Bush 1933. L'Amour Looks Something Like You-Kate Bush 1934. Them Heavy People-Kate Bush 1935. Room For the Life-Kate Bush 1936. The Kick inside-Kate Bush 1937. Pink-Lizzo 1938. Dance the Night Away-Dua Lipa 1939. Barbie World (With Aqua)-NIcki Minaj Ice Spice 1940. Speed Drive-Charlie XCX 1941. WATATI-Karol G 1942. Man I Am-Sam Smith 1943. Journey to the Real World-Tame Impala 1944. I'm Just Ken-Ryan Gosling 1945. Hey Blondie-Dominic Fike 1946. HOME-HAIM 1947. What Was I Made For-Bilie Eilish 1948. Forever and Again-The Kid Laroi 1949. Silver Platter-Khalid 1950. Angel-Pink Pantheress 1951. Butterflies-Gayle 1952. Choose Your Fighter-Ava Max 1953. Barbie Dreams-Fifty Fifty 1954. Stop Light-Gloria Gaynor 1955. Anybody Wanna Party?-Gloria Gaynor 1956. Please Be There-Gloria Gaynor 1957. Goin Out of My Head-Gloria Gaynor 1958. I Will Survive-Gloria Gaynor 1959. You Can Exit-Gloria Gaynor 1960. I Said Yes-Gloria Gaynor 1961. Substitute-Gloria Gaynor

[burner2047]

Do you like Barbie? Charli XCX? The 80s? You might like this mashup I made.

Happy New Year!

[meulia]

finally posted a new video lol

[byler-is-endgame7]

[unashamedly-enthusiastic]

Babes, the Barbie soundtrack album is up

I don't know what's more wild

that it's +3hrs long, or

It includes Super Freaky Girl by Nicki Minaj

[midweastindigo]

humans only have one ending, ideas live forever.

Barbie, 2023 dir. Greta Gerwig Collaboration Soundtrack with various artists

[libraryofgage]

Saw the Barbie movie the other day and Billie Eilish's "What Was I Made For" (click the song title to listen to it lol) hit so fuckin different good lord. Anyway, it's perfect for Steve angst with a dash of platonic Stobin and romantic Steddie fluff so ;)

---

Steve is five when he learns that he was made to keep his parents together. At least, that's why his mother made him.

He learns it one night when his father is staying late at the company (before his mother started accompanying him all the time, leaving an empty house and Steve behind; Steve can confidently say his presence did, in fact, fix their relationship: it gave them something to unite against). His mother is three large glasses of red wine in, draped inelegantly on the couch and slurring her words with a glassy film covering her eyes.

"Steven, you were supposed...supposed to make him stay," she says, her fourth glass of wine dangerously close to spilling across the white rug. "An-and he's still gone! What did we do wrong?"

Despite the use of "we," Steve knows very well (even at the age of five) that his mother means "What did you do wrong?" He doesn't have an answer for her--he never will--and that seems to be just one more thing she holds against him.

Steve is seven when he learns that he was made to keep the family name strong and respected. At least, that's why his father made him.

He learns it when his father brings him to work, his stern expression and tense shoulders telling Steve to behave himself, to be seen and not heard the entire day (he did, and it worked a little too well; after falling asleep on the couch, his father had forgotten him at work, leaving him to spend the night in the locked office). His father is sitting at his desk, expensive pen in hand and phone just hung up after a tense conversation that ended with the most genuine smile Steve has ever seen from him.

"Steven, I hope you've been paying attention today," he says, placing the pen on the desk and fixing him with a suffocating gaze. "You'll be working here one day, and I expect you to make something of yourself when you do. You're to be a model man, someone I can proudly introduce to others."

When his father says proudly, Steve knows he means that he can't do that now because Steve has yet to make something of himself. Steve nods once, says a firm but not too loud, "Yes, sir," and his father goes back to work.

Steve is sixteen when he learns Nancy made him her boyfriend for...for a distraction? Because it's what was expected of her? Because she was curious? At least, that's what Nancy seems to be saying.

Honestly, Steve isn't sure she knows, either. But she definitely knows that he wasn't what she wanted, that he wasn't what she expected, that he couldn't live up to the expectations she had made for him.

Either way, he learned it over the course of their relationship, but it all hit him at the very end, when fights and names (idiot, asshole, and dick, to list a few) compounded into a breakup that left him aching, angry, empty, hurt, and desperate to know what he did wrong.

Maybe then he'd be able to save himself from making the same mistake over and over. Because it must be him, right? It must be something he's doing; if only he could figure out what that is.

Steve is seventeen when he learns that maybe he was made to be a shield. At least, that's how he understands the plan Dustin comes up with wherein he calls Steve their tank.

He learns it when they're huddled together at some point, readying to face demodogs and whatever else the Upside Down has decided to throw at them. Dustin is explaining the plan, his eyes bright as he throws around terms Steve can't recognize. "And Steve is going to be our tank," he says.

"What's a tank?" Steve asks, at least certain they don't mean the military kind of tank.

"Like a meatshield, duh," Mike tells him, the explanation short and quick and then disregarded in favor of the rest of the plan.

Maybe Steve should have felt hurt, but part of him is more excited by the fact that he could do well as a tank, a meatshield. He could, in fact, be made for that role. He's great at taking a punch, great at jumping back to his feet, great at putting himself between the kids and whatever wants to kill them.

The only way he could possibly fail at being a shield is by dying, and he doesn't plan to die just yet.

Steve is eighteen when he wonders if maybe he's made to love. At least, that's a realization he has after befriending Robin, getting tortured together, and learning he doesn't need romance to love someone. It's a realization he throws himself into wholeheartedly one day when he looks at Robin and sees her trying to drink a slushie with a Twizzler.

"I think I love you," he blurts out, unable to hold the words in and feeling bad for it when Robin subsequently chokes on Twizzler and Cherry slush.

She spits out the slushie, tosses her Twizzler into the cup, and spins around to look at Steve. "We've definitely talked about this, dingus," she says, narrowing her eyes in suspicion. "You got amnesia or something?"

Steve rolls his eyes and pushes her. "Not like that. I mean, like, a friend. I love you, Robin. You mean a lot to me, and I hope we're still friends when we're 80 so we can make fun of other people in our nursing home."

Robin breaks out into a grin that she quickly suppresses. "Ugh, affection," she sneers, turning her nose up. It lasts all of three seconds before she glances at Steve from the corner of her eye and adds, "I love you, too, dingus."

Steve is nineteen when he decides that he's made for love, to give and receive and bask in its warmth. At least, that's what he decides when he's with Eddie, sprawled across his bed and listening to the mixtape he made for Steve.

They've been dancing around each other for a while up to that point: obnoxiously obvious flirtations, finding any excuse to brush against each other or share space or lean together, creating reasons to hang out with some as simple as "I'm just bored." Steve has been enjoying it; they both seem to understand what's inevitable, and they're just taking their time getting there.

And right now, listening to Eddie sing along to Metallica, Steve thinks that he wants to stop dancing around each other and dance together, instead. So, he turns onto his side, places a hand on Eddie's arm, waits until Eddie is looking at him with a bright smile and curious eyes, and says, "I was made for loving you."

Instead of the joy Steve was expecting, Eddie just looks confused. "How'd you know that was the next song?" he asks.

"What?"

"On the mix tape. I Was Made for Loving You by KISS. That's the next song," Eddie explains.

Steve blinks and frowns. He sits up, throws a leg over Eddie's hips, and settles on top of him. Eddie doesn't look surprised, since it's not the first time Steve has done this. Usually, it just means Steve wants him to pay close attention. "I didn't know it was the next song, Eds."

It takes a few moments for Eddie to fully understand what he means. And Steve gets a front-row seat to the confusion that morphs into understanding that morphs into amazement. "Oh," Eddie breathes, pushing himself up to rest on his elbows. "Could you say it again? I don't think I heard you the first time, Stevie."

Steve snorts but humors Eddie anyway. "I was made for loving you," he says, softer this time and leaning closer.

"Yeah, much clearer that time." Eddie's grin is wide and blinding before he closes the distance between them. "I was made for loving you, too, sweetheart," he whispers back, his words pressed against Steve's lips and searing into his heart.

[fluffy-iroha]

Opening with a parallel to 2001: A Space Odyssey is not only very funny for Barbie but also I think it carries the message of how female directors don't receive the same amount respect for their work male directors like Stanley Kubrick get from the offset. Like I can't name a single female director with the same sort of filmbro cult reverence Kubrick has. (Barbie touches on this again with the Godfather joke too). But also making that statement while premiering the same day as Oppenheimer, mainly hyped because of Christopher Nolan, a male director who has a bad track record with female characters and has said cult following really makes it stronger.