#BEST CASE SCENARIO PEOPLE

[bookishtheaterlover7]

All I got is if she’s not at the VF Oscar party and he is, that’s all I need to know. Chris is A list regardless of how people want to act about it. Those are top tier celebs so I hope this mess doesn’t go that far to have her around actual a listers. I be damned if she’s in the same room as Beyoncé and Danny Glover. 😠

Just think of the best case scenario, where she's not there, An🫶n. It helps. 😁

[a-method-in-it]

You know that Chris Fleming line that goes "Call yourself a community organizer even though you're not on speaking terms with your roommates"?

I honestly think every leftist who talks about the "revolution" like Christians talk about the rapture needs to spend a year trying to organize their workplace. Anyone who sincerely talks about building a movement so vast and all-encompassing that it overwhelms all existing power structures needs the dose of humility that comes with realizing they can't even build a movement to get people paid better at a badly run AMC Theaters where everyone already hates the manager.

[knifearo]

being aromantic is like. hey btw you're going to live a life that is the culmination of most of society's worst nightmares. sorry lol ✌️ but then you turn around and take a really good hard look at it and it turns out that living in that nightmare is fucking awesome and you get to wake up every day and take that fear that other people have and laugh and hold it close until it's a great joy for you instead. and being happy is a radical act that you define instead of someone else. and you're sexy as fuck that's just a fact of life i don't make the rules on that one

[mar64ds]

'maybe my story is too aromantic and no one will get it-' good. confuse allos

[plan-3-tmars]

I'm not a big fan of the interpretation that hinako had no idea about what was going on behind the scenes of kazui's stage, or atleast the feeling I get from how some people talk about her like she was completely naive or in the dark

I mean, half shows their relationship straining quite clearly. they're shown on opposite sides of the room, not even facing each other. I feel like any partner would start to wonder and have doubts about why things aren't the same as they used to be, why their love isn't spending as much time with them anymore and starting to pick up habits associated with Drowning One's Sorrows in (drinking and smoking)

No, I think she most definitely had her doubts. I think she brushed these aside, justifying them with the whole "he would never" shebang, I mean kazui was the one who asked her out in the first place so surely not? Right?

I think it makes her reaction contextualised a lot more, and it makes more sense to me.

This isn't the face of just someone realising their partner has never romantically loved them, it's also the face of someone whose deepest worries, that they brushed away because they trusted their partner, being proven right.

[monabee-draws]

Caitlyn's slow but inevitable decline into facism was painful to watch but it's Vi's tacit support of that that REALLY hurts me.

Cait was raised at the top of the hierarchy and it only took her being the one 'in danger' to flip from sympathetic to the undercity to desperately angry and wanting to return to the status quo where she and piltover are in power/control/oppress the weak 'for their own good.' I expected this to happen from the moment her rhetoric began to shift (us vs them, calling Zaunites animals, general dehumanisation.)

Vi knows that the issue is structural and the structure that's used to exercise violence against the oppressed is the enforcers, yet she still joined them anyway. It's excellent writing but the implications that has for her as a character who has been shown to have strong convictions and morals is so heartbreaking. It feels like her years in prison have eroded at the heroic spark in her to the point where she'll justify anything to return to the past. I keep asking myself how Vi could justify using The Grey as a weapon against the undercity, and her parotting what is probably Caitlyn's justification - that they used it to clear the streets and keep as many safe as possible - just rings so hollow. She felt like a lost soul just vaguely drifting through life in Act 1, and of course she did. She has no one left BUT Caitlyn. She has no place in the Undercity because it grew away from her. Her base of motivation as a kid was to fight for and protect the Lanes and now that the Lanes are gone who even is Violet anymore? If only she could rewind time and restore the uncomfortable uneven past.

Vi and Cait are actually the same person, the only difference is that Caitlyn has the power to enact her vision and Vi doesn't. I'm so sore.

[damianbugs]

why is it literally impossible to find a good damian fic about his life in the league and transitioning to live in gotham without it being littered in weird and boderline racist depictions of the al ghuls. like no RA'S AL GHUL is not abusing ANIMALS to traumatise damian?? do u have literally. any idea what ra's stands for or is ur understanding of him limited to creepy red robin fics (don't even get me started on this very explicitly racist characterisation of ra's). talia is not locking damian in a box. or in a cage. no one is locking the prince to the league of assassins anywhere. that is not happening it would never happen be SO REAL

[maddie-grove]

It just always bums me out when people don’t take Elizabeth Bennet’s desire not to replicate her parents’ marriage seriously. I would argue that a marriage of mutual respect was even more important in an era where a woman’s material well-being was so completely tied to her husband’s decisions, not less.

[onebillionghosts]

man i remember when nevermore first came out i was sad it was so underrated.. but now after all the drama, i wish it had stayed underrated, because a big fanbase (especially one with a lot of minors) ALWAYS brings drama

[isogenderskitty]

i wonder if any of the people who got handed apples during black friday performances ended up awkwardly trying to get backstage to give it back to joey like "d-... does he wanna finish this or what"

i'd be kinda tempted. like. how the fuck else does one navigate that situation??? it would be a waste to throw it away but also YOU can't really finish it because he's had his fucking gob all over it and that's gross. but also would HE want to finish it when some stranger's been holding it in their sweaty mitt for like half an hour?? what do you DO????

[astralleywright]

and if i said that part of the reason a lot of ppl aren't as into C3 is because of the dearth of truly mass appeal M/M options.

[sendmyresignation]

one thing about my steadfast belief in the beautiful inevitably of mc5 is it will remain unwavering because i have been through harder times. i was a believer when no one had faith (2020)

[accirax]

Nene’s Role in Wonderlands x Showtime

The release of The Miniature Garden’s Coral seems to have confirmed some things I’ve recently speculated might transpire in future Wonderlands x Showtime events-- namely regarding Nene and how she may actually be the most important member of the troupe-- so, let’s talk about them! I’ll be using zui’s lyrics video for my translations, so hopefully they’re accurate.

With the past couple of WxS events in mind, it’s easy to see that this 3DMV is also about endings. While the MV begins in a sunny blue afternoon light...

...the characters and set eventually bask in a beautiful sunset orange, signaling the end of the day. The lyrics even mention being “between the end of the blue sky and the beginning of the night sky,” further emphasizing that we’re in the middle of the story. When the sky is blue, the troupe expresses uncertainty: Rui mentions that he feels lost, and Tsukasa, scared. But eventually, Nene admits that, in this beginning period, she was “spoiled by the sound of the waves,” AKA that the commotion surrounding WxS’s formation led to a troupe that became a source of comfort for all of them.

Once the sun sets, there are a lot of “even ifs.” Nene sings about how she’ll continue to sing this song, even if things are starting to look unsteady and she’s not sure if she should proceed. However, by the end of the song, she resolves to "still sing this song” while keeping up a smile.

I think that the fact that Nene says she will sing this song is incredibly important, because, as established, this song is about endings. Meanwhile, back in Mr. Showtime, Tsukasa firmly didn’t want WxS to end, and was holding out until closing time. Rui’s What Sort of Ending Are You Wishing For? and Emu’s Starry Sky Orchestra seemingly both acknowledge an ending as well, but it’s not at all easy. Rui seems to fall into a resigned depression at the thought, keeping a whimsical facade up when the very thought of separating kills him inside. The thought haunts him, MV riddled with hourglasses that he can’t get out of his head. Emu can only tolerate taking the first step towards a breakup with tooth-rottingly sugarcoated promises of eternal togetherness and literally holding hands as they go (I love her btw this is not Emu slander). She never even says the word “end,” only “tomorrow.”

Rui, Emu, and Tsukasa are basically Denialx3. Rui tries to deny his emotions regarding disbanding, Emu tries to deny that the ending is coming at all, and Tsukasa tries to deny that there’s nothing he can do to keep them from inevitably drifting apart. And that’s where Nene comes in again.

Rui’s dream is to perform technically complex shows that will resonate with an audience. He can do that from Phoenix Wonderland. Emu’s dream is to keep the Wonder Stage up and operating forever. She has to do that from Phoenix Wonderland. Tsukasa’s dream is to become the number one world star and make everyone smile. While this would likely take him away from the park, in another story, I could see it being possible that, in the end, Tsukasa decides that making the people in his local community happy is more important than trying to change the entire world. Thus, he could also follow his dream from Phoenix Wonderland, even if it’s not ideal.

But then there’s Nene. Her dream is, and always has been, to perform in Broadway musicals. Broadway is a live performance in New York City. There is no possible way for Nene to get what she wants while staying in Phoenix Wonderland. And that is possibly why Wonderlands x Showtime’s ending is the easiest for her to process.

Now, I’m not trying to say that Nene doesn’t love her friends. She adores them. Her three previous commissions have proven that. It’s the amount of love she has for them that will propel her to make what is actually the best choice for their dreams. Nene is the little mermaid, both when swimming freely the oceans with a beautiful, unstoppable song, and when enduring pain herself to stand with and for the ones she loves. Her friends, in this situation... are coral.

Remember that coral, “blurred” and uncertain in the water and “stained orange by the setting sun”? The miniature garden is Phoenix Wonderland; the coral is Emu, Rui, and Tsukasa; and that coral is stained orange by its desperation to keep rereading the final chapter instead of closing the book for now and putting it away to revisit in the future. Coral, while a beautiful living organism, is also completely static.

Static like stone statues which, at least by my interpretation, is what the rest of WxS turns into at the end of the 3DMV. The three of them (and Kaito) are paralyzed with the fear of the suffering an ending would bring. Only Nene is alive and human to be the one to show the group the benefits it can bring as well.

There are a lot of aspects of this song and Nene’s entire personality that lead me to believe that she will be the one to bring about change in WxS. First, she most often “has the braincell,” so to speak. I don’t think it’s a coincidence that she performs this song with Kaito, the most mature of the WxS vocaloids, either. During April Fool’s 2023, she was put into the Solid Heart class. One might think that troupe leader Tsukasa should be the Solid Heart, and that shy Nene should be the Cautious Heart, but they (accurately) sorted it the other way.

Nene is a very strong-willed person. In other stories, it might be seen as a negative that Nene is always the most hesitant one to get into shenanigans, or that she would even dare to be the one to suggest a WxS split in the first place. What an ungrateful wet blanket Nene is, willing to throw away her friends for the sake of her own selfish dream. But in this story, staying at Phoenix Wonderland isn’t really what will make Rui or Tsukasa happy, and even Emu may have to graduate to focusing on the entire company instead of just one stage someday.

Nene’s friends brought her out of the darkness and into the light of day, and she is so grateful for that. She knows how amazing they are, which is how she knows that they can make more friends and continue to do even more amazing things in the future if they can bear to leave their high school part-time jobs behind and enter the real world, just like her.

So, Nene’s role is to be Wonderlands x Showtime’s guiding light. She’ll tell Rui what sort of ending she’s wishing for, and then console him when he can’t repress his tears. She’ll be the one to hold Emu’s hand while they take that next step into tomorrow. Her three best friends helped her to grow from the loner who operated a robot from the theme park bushes, and she’ll help them step out of that theme park and be who they truly want to be.

There is one other thing I wanted to mention, though...

Tsukasa.

As I mentioned previously, while all three of Rui, Emu, and Tsukasa are in denial, Tsukasa is the most actively in opposition to an ending. He’s also the troupe leader, and the sole creator of the Wonderland Sekai. If someone is going to actively try to stop Nene from suggesting separation, it’s definitely going to at least start with him. But as Nene has already stated in The Miniature Garden’s Coral, despite any opposition that makes her question whether or not she should proceed, she already plans to continue singing her beliefs about a bittersweet yet timely goodbye.

And, their conflict is something that’s basically been foreshadowed from the beginning too, right? Nene has always roasted Tsukasa, giving a counterpoint to his blindingly bright worldview. In upcoming chapters, however, I believe that may start to transform from simple fun banter into a genuine conflict with clear sides drawn...

And THAT’S why ColoPale gave them Childish War.

Nenekasa nation get ready, ‘cause I don’t think this is the last Nene and Tsukasa fight we’re going to see.

[moghedien]

ONCE AGAIN REMINDING YALL THAT DOM AND SUB ARE NOT SYNONYMS FOR TOP AND BOTTOM

TOP/BOTTOM ARE POSITIONS AND JUST DESCRIBE WHO GETS PENETRATED/DOES THE PENETRATING

DOM/SUB ARE TERMS INHERENTLY ASSOCIATED WITH KINK. IF YOU ARE A SUB OR DOM YOU ARE PARTICIPATING IN KINK AND YOU CAN ACTUALLY BE A SUBMISSIVE TOP OR A DOMINANT BOTTOM

STOP CALLING CHARACTERS DOMS AND SUBS WHEN YOU REALLY MEAN TOP AND BOTTOM

[la-galaxie-langblr]

Year abroad declaration of intent due in 12 days and I'm kind of freaking out about it 😭

[vilelittlecritter]

Kel is an idiot and is only the comedic relief of the group: Lame, Disgusting, Unfunny, Complete saturation of his character

The group all shares one collective braincell and are all equally as dumb when together because they are happy: Amazing, completely true, funny, wholesome, keeps these characters integrity and that they have been through so much together but chose to still live life happy together because nothing can separate them