#BASICALLY. TLDR

[starry-bi-sky]

this just in: danny fenton is just as much of a mask as Brucie Wayne? - another danyal al ghul au

Turns out, being placed in a civilian family who have no knowledge of your background is actually detrimental to the health and development of a child assassin due to lack of proper support! Surrounded by strangers in a foreign city, Danyal Al Ghul does as assassins do best. He hides. Espionage is one of many teachings one learns in the League, and it only takes half a day for Danyal to construct a new persona to hide behind: Daniel Fenton.

By the time dinner rolls around, Danyal al Ghul is safely and securely tucked behind the face of Danny Fenton; brand new adoptive child of the Fenton family who came from overseas. A shy, quiet little boy with a thick accent and curly hair, with brown skin and blue eyes, and an avid interest in the stars. The best fictions are always cobbled together in a little bit of truth, it's some of the only truth he ever lets through. He apologizes in a meek voice for his behavior early, he didn't mean to be rude, and he watches the three of them eat it up with coos.

Lies roll like silk against his lips, he struggles to meet their eyes and offers them his weakest, shyest smile. It's too easy. It's easy to go from there.

Danny Fenton, adoptive son, shy and awkward and unconfident but friendly. Who struggles in his classes and isn't the brightest, but tries his hardest. He makes bad jokes and has a quick tongue and a sarcastic mouth. He wants to be an astronaut. He's got the best aim in school, and is a terrifying dodgeball player. He's one of the least athletic kids in his grade.

It's like playing two truths and a lie, but there's only one truth, and the rest are lies. It's easy to pretend when he knows it's insincere.

Danyal Al Ghul, grandson to the Demon Head. Deadly, trained assassin. Has spilled blood, has had blood spilt from. Environmentalist, animal activist. He loves the stars. He owns a calligraphy set. A sharp tongue, an even sharper blade. He's clever, quick-witted, he would be top of his grade if he tried harder. He purposely doesn't.

He misses his family. He misses his mother, and he misses his brother. Mother visits a few times a year, so few times that he can count it on both hands. He cherishes every visit, as brief as they are. It helps remind him who he is.

Sam and Tucker are Danny's best friends. They've never met Danyal, but Danyal's met them.

It becomes routine to become Danny Fenton. As familiar and as easy as pulling on a shirt in the morning. Danyal wakes up and is always first to the bathroom in the mornings; stares at himself in the mirror until he can finally see Danny staring back at him. At night, he locks his door and sheds the mask.

Dying throws a wrench in his mask; splits a crack straight through the porcelain. He's able to smooth it over with sandpaper and liquid gold, but it's a little hard keeping his ghost form under wraps. It instinctively wants to shift to show his true self. Danyal can't have that, he's spent four years as Danny Fenton, he'll spend another four as him as well. Even if the feeling of the hazmat suit in his ghost form feels restrictive, like a too-small shirt suctioned to his skin that needs to be peeled off.

He'll live. Er-- well, you know what he means. It's frustrating however, trying to keep his Danny Fenton mask up even as Phantom - fighting in the air is something he needs to get used to, and the sudden propping of powers throws him off. But he is nothing if not adaptive, and he hates that he needs to slow his own skills down in order to keep pretenses up in front of Sam and Tucker.

The first time Danyal summons a sword when he's alone, is one of the few times Danyal gets to grin instead of Danny. He's fighting Skulker, and from an invisible hilt he draws a katana from thin air. It startles them both. Skulker takes a step back at the smile that spreads across his face.

They're both silent as Danyal examines his new sword.

"Do you know what people like me do to people like you, poacher?" Danyal finally asks him, the accent he began to hide a few months in slipping through. He drops all pretense, dragging the flat end of the blade slow and appreciatively against his palm. It's a good make, and when he cuts it through the air, it slices through like butter. He looks up at Skulker with a smile; "are you ready to find out?"

When Sam and Tucker ask about why Skulker seems so skittish around Danny now, Danny shrugs at them and says with a playful smile; "I don't know, I guess I kicked his butt too hard after our last fight." and he watches as Sam rolls her eyes exasperatedly, and Tucker snickers with his own joke.

By the time he reunites with Damian before their 15th birthday, Danyal is buried beneath so many layers of Danny Fenton that his brother will need a shovel to dig him out. He's not sure what he'll find.

[milligramspoison]

If anyone is curious about the future of the Killjoys show, here’s Gerard talking about it

[iwritenarrativesandstuff]

Killua and the Power of Wishes

Okay going to try and make this coherent because the amount of wish association all through Killua's character development makes me want to chew plaster.

As a fair warning, this analysis ended up being long as hell, and I didn't even include everything I could've said. This is also just one lens to analyze Killua's story arc with, and I feel there are other valid interpretations of some of these moments. This is just one of mine, so keep that in mind please.

One last warning that this analysis does discuss emotional manipulation and abuse, as is par for Killua's background.

Let's set the stage with one important piece of info: Killua's birthday.

Killua's birthday is July 7th, the same day as Tanabata. Tanabata is a folklore-rich festival where according to legend, the two lovers, weaver Orihime and cowherd Hikoboshi, represented by the two stars, Vega and Altair, are allowed to reunite once a year after separation. A popular custom of Tanabata is to make wishes by writing them down on tanzaku, then hang it on a bamboo tree so that the wish might one day come true.

Tanabata is also known as the Star Festival. Please keep this in mind, because I'm going to come back to it.

To finish setting up the lens for this analysis, I'm going to need to dig into the game-changer scene for Killua's early characterization - his confrontation with Illumi at the end of the Hunter Exam, and specifically, the exact nature of Illumi's manipulation of him.

I say "game-changer" because it really is - up until this point, it's kind of fair to not fully know what to think about Killua. Certainly, he seems excited to hang out with Gon (he approached him first, after all) and he's friendly enough, but he's also arrogant and claims to be motivated mainly by boredom. For all intents and purposes, Killua seems set up to be Gon's dangerous yet charismatic rival... but then this scene happens and it completely turns it all on its head.

Because Killua may have mentioned his family was controlling before, but he seriously downplayed the severity of it - likely because he has no point of reference for how awful his situation actually is other than it makes him feel bad and trapped. Illumi's appearance immediately shifts our understanding of Killua from runaway murder kid with annoying murder family to straight-up victim of emotional abuse, and dissolves his cockiness instantly to terror.

What does all this have to do with wishes? Glad you asked. Let's look at some of Illumi's dialogue.

[ID: A screenshot from HxH episode 20 of the 2011 anime. Killua looks up, sweating and conflicted, as Illumi tells him "You don't want anything or wish for anything." End ID.]

This is the crux of Illumi's (and the family's) control. Killua's desires do not align with the family trade. They must be excised from him.

When Killua insists that he does have something that he really wants, Illumi says "Tell me what it is you want", in a mockery of a certain other sibling who would have helped fulfill this wish - Illumi asks only so he can completely dismantle it. And Killua isn't even really surprised at Illumi's words, just heartbroken. You can tell this isn't the first time this sort of thing has happened.

Killua states his wish quite fervently; he really means it. But his words are not rebellious, nor cathartic. Instead, he answers Illumi quietly, as if fearful or ashamed, almost reminiscent of a sinner's confession.

[ID: Two screenshots from HxH episode 20 of the 2011 anime. In the first Killua looks down with a troubled expression, saying "I want to become friends with Gon...". In the second, his face is hidden as he stands with hands clenched at his sides with a spotlight on him. He says "I'm sick of killing people..." End ID.]

It's such an innocent, simple want.

And Illumi proceeds to make him feel like even something so simple is harmful and selfish of him... not to the family, but to Gon.

In a matter of a few minutes, Illumi breaks down Killua's wish by:

Acknowledging this desire, but twisting it into something that will inevitably fade over time, thereby causing Killua to doubt his own conviction and feelings -> "Gon is a novelty, a radiant presence who has piqued your curiosity. No more than that."

Acknowledging that Gon is someone important to Killua, and undermining this by telling him that by his very nature, he will eventually bring harm to Gon, which makes him feel as though Killua cannot trust himself to be a good friend -> "If you try to be friends with him, you will one day want to kill him... because you are, by nature, a murderer." (As a... delightful... bonus, this is also apparently how Silva and Illumi justify their treatment of Killua to him - "This is the essence of your existence and we taught you accordingly." Like they adapted to Killua's nature, instead of them molding Killua into who they wanted him to be.)

Delivering an ultimatum - to fight Illumi and win, or else Gon will die - that Killua is doomed to fail due to his upbringing and the needle in his head. Since Killua doesn't know about the needle, he assumes this is his own personal failure, something Illumi feeds into -> "You're just not qualified to make friends."

And it's the last point that breaks him. The first two shoot down Killua's present wish, but the last proceeds to shatter any hope he might've had of wishing for anything similar in the future - he has told him that his desires are weak, temporary, inherently dangerous to those around him, and worst of all, aren't enough on their own for him to deserve friendship and love from others. And the clincher: Killua feels like all of this is his own fault, that there is something inherently dangerous and wrong with him!

So, it doesn't even matter to Killua anymore if he fails the Hunter Exam. To him, he just failed the only test that mattered.

10/10 manipulation, Illumi. Fuck you, seriously.

Killua's character arc is mainly his quest and struggle to refute Illumi's arguments and to shake off the manipulation and the ways in which his family have molded and controlled him. And by far, the most difficult part of his conditioning to shake off is this idea that he is undeserving of anything more than what he is already given.

It's almost like the family has drilled it into him that wishes are dangerous. How interesting.

Thankfully, however, there are two parties to Killua's wish here - Gon, too, is a part of it, and it is not simply his reciprocated desire to be Killua's friend that saves him, but also his recognition of Killua's situation for what it is (notably, when no one else correctly identified the true issue).

"You know it wasn't his choice. You manipulated him, kidnapping his spirit!"

The ensuing Zoldyck family arc emphasizes that Gon is 100% correct: the main hold Killua's family has on him isn't physical - it's all emotional.

Killua breaks one of his shackles when Milluki threatens to have his new friends killed, but he only breaks the rest when Zeno tells him he's free to go. So, if Killua could break loose at any point, was this still a rescue like Gon said?

Well, yes - just because he absolutely could've broken out physically at any time, that does not mean he could just leave. That's the nature of situations such as this - it's not as simple as "just leaving". Support is necessary, as is actually having something tangible outside the situation to go to - otherwise there is little point to leaving at all. Gon (and Kurapika and Leorio) showing up to free Killua showed him that his wish was reciprocated and allowed him to break one cuff - this is the start of his journey, but he still has a long ways to go. Notably, he again hesitates and closes off when Silva asks what he wants.

[ID: Three panels from HxH chapter 42. In the first, Silva asks Killua "...would you like to see [Gon]?" Killua's expression is complicated in the next panel - he's closed off and uncertain. Silva continues "Be honest, Kil... what do you want?" End ID.]

Killua will backtalk and casually break his shackles and death glare his family... but he's too fearful to voice his wants aloud.

And once again, asked by his father what he wants, he is subtly set up to fail. His wish is granted, but made conditional - "Do not betray your friends", something Killua is regrettably set up to do by virtue of the needle in his head that he, again, doesn't know about. Silva fully expects him to fail and come back home, disillusioned, believing it's his own fault due to his "nature", and trusting in Silva still as a "reasonable" figure in his life.

This condition placed on his friendship is what drives much of Killua's fear and insecurity with regards to Gon for much of the series - the idea that Killua has to earn his right to friendship, and that if he doesn't, he will lose it, one way or another.

It really makes me wish that Killua had actually gotten to hear Gon's views on friendship from the beginning of the Zoldyck Family arc, because it entirely refutes this entire philosophy. He even outright refuses to go through the Testing Gates at first, purely because he thinks the sentiment of needing to prove yourself just to be friends is completely outrageous - he only relents because there is no other way.

[ID: Two screenshots from episodes 21 and 22 of the 2011 HxH anime adaptation. Gon looks up at Illumi and firmly states "[Killua] doesn't need to earn the right to be my friend!" In the second, Gon's face is seen in profile and close up as he asks "Why would you test your friends?" End ID.]

I doubt it would've truly prevented Killua's insecurity from manifesting even if he had heard this, to be honest - his issues with usefulness are very deep-rooted in his upbringing - but still, it would've been nice for him to hear, I think.

However, that's not to say that this exact sentiment doesn't come through in their interactions.

Gon, as Killua's friend, cares about what Killua actually wants and wants to make sure Killua knows that - and that's part of what makes the Whale Island conversation between them really important.

[ID: Two images, both of the same scene from HxH chapter 64, and episode 37 of the 2011 anime. In the manga panel, Gon has turned his head to look at Killua directly, who looks shocked and taken aback, to say "I like hanging out with you." In the anime screenshot, Gon has turned his whole body to face Killua, and says "I think it's fun to be with you." End ID.]

I see a lot of people chalk this up to just Gon being Gon, but it reads to me as much more deliberate than even his usual honesty. He's turned so he's looking directly at Killua, which is a sure way to make his words come across clearly. The lead up to this is Killua, again, not knowing or being able to vocalize what he wants. He doesn't have a goal to work towards like Gon, he only knows what he doesn't want - he's a mix of envious and admiring towards Gon, who knows what he wants and simply goes for it.

But this conversation makes it clear that they have a shared wish - they both want to be friends, and they'd both like to stay together. It's not about earning, to Gon, it's only about if they both want the same thing - mutual, not conditional. There's a nice almost call-and-response type dialogue here, where Gon asserts that he likes spending time with Killua (very directly lol), then shares that Killua is the first friend his age he's had. This prompts Killua to say that Gon is his first friend ever, and that he does have fun with him. And just like that, Gon replies "Then let's stay together!" and pointedly includes Killua's desire to find a goal in their, now shared, upcoming journey.

Overhead, a shooting star appears in the sky. A mutual wish is granted.

[ID: A panel from HxH chapter 64. The night sky is full of stars. In the centre is a shooting star. End ID.]

Hm. Stars. Remember how I told you to keep that in mind, all the way back at the beginning? Their association with Tanabata, making a wish on a shooting star, etc. etc.?

Well, buckle up because this star is going to make you experience so much sadness now.

[ID: Panels from HxH chapter 286. The first is a conversation between Killua and Meleoron where Killua asserts he intends to "go down in flames with [Gon]". When Meleoron looks concerned, Killua brushes off the declaration as a joke. In the second image, Killua is turned away, his outline pale, as Meleoron thinks "Why... did you looks so sad... back there?" The last image is a cloudy night sky filled with stars. At the centre of the panel is a shooting star. End ID.]

Yeah, it makes its reappearance directly after Killua has "jokingly" resolved to die with Gon if it comes down to it, after "since it means nothing to you".

I am assured, in Japanese, the word choice here is 心中 (shinjuu), the word for double suicide, where the intent is to die at the same time in the same manner in order to be reunited in the afterlife. The implication here is that Killua, having increasingly grown insecure in his place by Gon's side but unable to voice this, knowing that Gon is hurtling down the path of no return, thinks back to their conversation under the stars where they both mutually wished to stay together and, because he believes that it is no longer possible for him to help Gon, has resolved to stay by his side in death, and after it.

...holy shit, kid.

[ID: Two screenshots from the 4th ending of the 2011 anime. In the first, Gon and Killua stand back to back as meteors fall around them. In the second, they stand facing away from the audience towards a body of water under a night sky filled with stars - Gon throws a stone, which flashes in the air like a shooting star. End ID.]

And of course, here's the shooting star again in the 2011 anime's Nagareboshi Kirari ending, as well as it being the subject of the song itself and rather explicitly referencing that wish to go on a journey together, to stay together, because... Madhouse hates us. I guess. :'(

What started off as a simple wish for a friend deepened into a wish to always stay by Gon's side. This is largely good at first! Killua is able to explore and experience genuine friendship, to get a taste for freedom, and use the power of his fervent wish to protect his dear friend in order to rid himself of Illumi's needle. However, the more Killua wants, the more he traps these wishes in monologues within his own head and does not voice them aloud. Part of it is that he already feels he's been given much more than he deserves - seeing himself as a creature of darkness and Gon as light - but a greater part of the issue here is not that Killua is afraid to wish for things, but that he is afraid wishing without "compensation" will inevitably lead to horrible repercussions - namely, losing who he loves.

In order to feel worthy of staying with Gon, of earning his friendship, Killua works hard to help Gon achieve his goals, taking on the role of wish grantor, growing to do practically anything needed to support him for seemingly nothing in return - but that's not 100% true. Killua wants at least some appreciation, whether he admits it or not - it's a security thing, and it also clearly makes him happy, even if he's not great at accepting it. He insists in Chimera Ant arc that friends don't need to thank friends, but this declaration always read as very sudden to me or like a rationalization, and it's relevant to remember that this is at the peak of Gon isolating himself and self-destructing before his eyes, and Killua's own insecurity regarding his importance to him.

Killua might not mind doing things without thanks, but that doesn't mean he doesn't like to hear that Gon appreciates him. He clearly does appreciate verbal confirmation of their bond! We know this.

[ID: Two screenshots from the 2011 anime. The first is from episode 61. Killua smiles down at the ground with his hands in his pockets, the colours having gone soft and bright. The second is from episode 70 during the dodgeball match. Gon smiles determinedly in the foreground as Killua looks shocked next to him. End ID.]

Keeping all this in mind, Killua's story, or at least this part of it, couldn't have concluded in a better way than his rescue of Alluka, the wish grantor.

Now, I could probably write an entire other analysis on Alluka and Nanika alone, but for the sake of not making this any longer than I already have, I'm going to go through only a few points. Alluka is incomprehensible to her family because they make no attempt to understand her, with the exception of Killua. The only thing they do seem to understand, when explained to them, is the demands made after Nanika grants a wish - this, of course, fits neatly into their own predetermined views on "earning" and "punishment". However, beyond this, they make no attempt to understand her, and since her power is deemed dangerous and uncontrollable, she is locked away.

They are worried, first and foremost, that Alluka will bring harm to the family, and there's two ways in which this could be true:

As a function of failing to fulfill her requests, of course

Because she, just by existing, threatens the family's status quo

I stated at the beginning that Killua's desires do not align with those of the family business, and he's always apparently been more open to understanding others - he asks Alluka and Nanika questions to understand them, and treats them with respect, while his family are more so focused on subjugating anything that might be a threat. This is what Illumi tried to drill into Killua after all; never fight a superior opponent - everything is about assessments of relative strength, which leaves no room for open-mindedness or getting to know people.

Faced with a daughter who is clearly incomprehensibly powerful, and a son, the would-be inheritor of the family trade, who is showing a disturbing amount of willingness to befriend instead of retreat from her, the family made the decision to excise Alluka not just from where she could "harm" the family power-wise, but also likely to secure their control over Killua, who they then set about practically programming to not have any more wishes for himself, or at least to not be able to vocalize them without fear of loss or retribution.

The family's nickname for Killua is "Kil" or "Killu", which is deeply fascinating to me as a reader - nicknames are expressions of endearment, typically, and I actually don't doubt that here. Killua's family does love him, but their love comes with conditions. He must be molded into the perfect son, and every part of him that doesn't fit must be excised.

So: Killua's memories of Alluka are suppressed with the needle, and she is further cut from his life by dropping the "a" from his name (the Zoldyck children are named like a game of shiratori - Illumi -> Milluki -> Killua -> Alluka -> Kalluto). The nickname is also like a command or order "to kill", which is of course what they want him to do.

Saving Gon through saving Alluka and Nanika forces Killua to have to face down the last and hardest of Illumi's manipulations to shake, and that's the notion that a wish, that kindness and friendship and love, cannot be unconditional without severe repercussions - where the people he cares about get hurt because of him, something he cannot envision being forgiven for.

It's a little sad to me that after spending most of the series struggling against his family's teachings that they didn't lead to Killua betraying Gon at all, as he'd feared... but to him betraying Nanika, by sending her away.

Here is this little girl with a bloodstained past, incredibly powerful and dangerous and capable of amazing feats, treated as some evil thing by those who fear her. But she is kind at heart. Her true strength lies in healing, not killing. And she only takes commands from Killua.

Illumi thinks this is because Killua is the only one with control over her. Killua believes this is because she wants praise. They're both partially correct, but this is not the full reason Nanika does what Killua asks of her.

[ID: Two screenshots from episode 146 of the 2011 anime. In the first, Nanika smiles and says "I love Killua." In the second, Killua looks at her, stricken. End ID.]

Nanika loves him. Everyone has been trying to figure out all these complicated rules and conditions on her wish granting and why Killua is the one exception, but the answer is exceedingly simple. She loves him, and wants to do nice things for him so he can have his wishes granted. It's the only way she knows to get the love that she wants in turn.

Just like her brother, Nanika makes herself useful to earn love and appreciation from someone who accepted her when no one else did.

Even though he knows Nanika just wants to help, he still sees her presence as a danger to the person he sees as pure and innocent who must be protected. He sends her away because her "nature" is to be a threat to Alluka's safety, even if she doesn't intend to be. Killua's fear of Illumi and repercussions causes him to make a horrible mistake.

And Alluka tears into him for it.

[ID: A set of panels from HxH chapter 336. A furious Alluka glares and asks Killua if he made Nanika cry. When Killua stutters, she demands he apologize to her. End ID.]

You tell him, girl.

Oh hey, this looks a little familiar, huh?

"Apologize to Killua!" says Gon to Illumi after Illumi sends Killua away.

Nanika should not be the one punished for the actions of those trying to control her. She certainly shouldn't be forced to leave those she loves, or have to earn love from them.

And neither should Killua.

[ID: Three panels from HxH chapter 336. Alluka yells, tears in her eyes, "If you're going to protect me... you have to protect Nanika too!!" Killua looks shocked, then his eyes widen. End ID.]

It's interesting to me that this is the line that snaps Killua out of his fear enough for him to properly speak with Nanika and apologize. One party cannot receive all the protection, nor can the other only give and give limitlessly.

Killua makes it clear to Nanika when speaking with her that he will protect her, and that she doesn't need to earn affection from people by granting their wishes. He promises they will both be there for each other - Killua will praise her whenever she wants, and not just when she does something for him, but he also doesn't refuse Nanika's desire to grant his wishes. It's mutual, not conditional.

And on the heels of this "betrayal", Killua asks for what he never thought he could receive - forgiveness. And even though Nanika is clearly still very upset...

[ID: Two screenshots from episode 146. In the first, Nanika and Killua face each other, both of them teary. Nanika says "Kay." In the second, he has pulled her into a hug. Nanika is teary, her fingers gripping Killua's back tightly. End ID.]

...she doesn't even have to think about it.

I do think Killua still has a ways to go, but he is in a position right now to learn from his relationship with his sisters about balance - that love is not just selfless devotion, but also allowing those who love you to help you and make you happy too. I think that's what unconditional love is, in a way - supporting and working together with the people you love to make each other's wishes come true.

[nevarroes]

[freakinator]

sorry wemmbu but you couldnt handle s2 zam's transfem swag so minute cucked you instead

[deathshallbethelastenemy]

where you go, i go (2)

TEEN!gojo x FEM!reader (soulmate AU)

TW⚠️: angst, toji being toji, reader thinks about killing someone, gojo is in his tweaked out enlightenment era soooooo gojo a little creepy and eerie

Part 2 of what you see, i see

She had been going through the motions for the rest of the day, she hadn't even bothered to stop by her school clubs, until she arrived home. A sickly sweet scent of pastries attacked her senses the second she entered. Her house doubled as a bakery for the first floor. It was a popular hang out place for people her age especially for couples. There was a parade of them this time - cheerful couples were already sharing their coffees and sugary pastries.

The universe was laughing at her. It had to be. Why else would there be so many happy couples in the store right now? It was pointing and laughing hysterically on the ground saying: "That's what you get for ignoring me! That's what you get for resenting my gift to you!" Because that's what a soulmate was, a gift. A rare and wonderful gift that no one believed in, except for those who have experienced it themselves, and she had lost it; lost him.

She almost cried on the spot.

Her mother waved gleefully from behind the register, her daughter seldom returned it as she went up the stairs. She dropped her school bag in her room besides her desk and, face first, flopped on her bed.

She closed her eyes. Nothing, there was nothing.

Her lip quivered as tears began to sting her eyes, but she couldn't cry. Not when her mother was expecting her to change and put on an apron and help as she always did after school. She could silently mourn him tonight.

She let out a shaky breath. Did she even have the right to mourn him? She had never met him or talked to him. Everytime she thought of him recently was only to insult him or dismiss him entirely. No, she did not have the right to mourn him and she deserved to feel empty on the inside.

She put on a clean apron and slugged her way down stairs with a smile as she took over her mother's place at the register. Her mom kissed the top of her head and beamed at her with a thumbs up.

She never understood why so many people hated working retail, but now, she did. She had to force a smile and treat every customer kindly, all the while, she was dying on the inside.

A man had come in. Tall and insanely buff, a scar on his mouth. He ordered the cheapest pastry on the menu and handed her a wadded up yen. Her blood turned cold when their fingers brushed.

Her mother quickly took the money away from her as she gave her a quick command to check on the oven in the back.

She swallowed and listened to her mom. Her steps were quick as she pushed the double doors that led to the kitchen, she hugged herself.

It was him. It had to be him. That was the man who killed Gojo Satoru. She reached for a knife and gripped it tight. She should kill him. Her soulmate was dead and he was the reason why. She should try and avenge him.

Sheshouldsheshouldsheshouldsheshould-

The oven blared next to her. Her head snapped to it as the knife clattered on the ground, and with shaky mitted hands she opened the oven, and took out the fresh pastries.

Those were dangerous thoughts; thoughts she never thought she would ever have against anyone. She took off the oven mitts and looked outside the circle window of the kitchen - he was leaving and her mother was watching him like a hawk, even when the bell rang sharply with a muffin in his mouth as he walked outside with the rest of the crowd. She didn't know what possessed her to run after him, but she did. Maybe, all she wanted to know was why he had killed Gojo Satoru. Maybe, she wanted this man to kill her too, so she wouldn't feel empty inside anymore.

A blur of a conversation as the words tumbled out of her mouth: "Why? Why did you kill Satoru?"

She didn't register anything other than his gruff voice, "Ah, he had a soulmate. If I were you I'd keep that information to yourself from now on." Uninterestedly, he continued, "You wouldn't want the Gojo clan to know about you. No doubt, they'll try to marry you off to another member of the clan." and then, kept walking.

She didn't hear the interest in his voice when he said to himself, "But she would be worth a lot of money if I did take her to them." He would negotiate a price first to see if he was right about her being worth any money. He would worry about that later, right now, he had a star plasma vessel to turn in.

A sharp tug on her arm is all that stopped her from running after him again.

"______! What were you thinking?" her mother gritted out as she led her back into the bakery. Her mother's voice is strict and unwavering, "Go to your room."

And she did.

She tossed the apron on her desk and kicked her school bag. How was she supposed to live like this with the rest of her entire life half-full?

A sob violently escaped her.

This was how everyone else in the world lived, she realized.

Aching and alone.

Desperate and searching.

Wanted and unwanted.

Now, she was just like everyone else like she had always wanted. She supposed, she couldn't complain.

She laid in bed, wrapped herself in a blanket - trying to keep warm, but she doubted, she'd ever feel warm again as she cried herself to sleep.

She dreamt about Satoru. Flashes of a long chain, of red, of purple, of blood, of a crowd clapping, of someone wrapped in a white sheet, of a long dark hallway.

The universe was laughing at her again. Why else would it give her dreams about him?

An uneasiness settled into her bones. Someone was watching her. The grim reaper, no doubt wearing the face of her soulmate's assassin. If death wanted her, so be it.

She kept her eyes closed.

She saw herself sleeping soundly in death's gaze. She saw the time pass through her window changing from sundown to night as death continued to watch her intently.

Hours had passed.

00:57:39

She wondered at what specific time the grim reaper would take her.

1:13:01

Did it want her to open her eyes?

1:13:10

Probably.

1:13:15

The grim reaper has been patiently waiting for her.

1:13:17

Why keep death waiting then?

1:13:20

Her eyes fluttered open.

Beautiful, vibrant cerulean blue.

It was not death. It was -

"Satoru," she whispered.

"______," he whispered back.

Satoru was sitting down on the floor extremely close to her bed with his legs crossed while his hands rested neatly on his ankles. There was dry blood on his face and on his white dress shirt.

Her mouth moved but no sound came.

"You were crying," he said as he caressed her cheek soothing his thumb along the trail of stained lines that her dried tears had left, "alot."

So, he had seen everything.

She put her hand over his and gently rubbed circles.

Satoru scooted closer to her bed, "I didn't like seeing you cry," his hand trailed up to her scalp, "or frown," and gently ran his fingers through her hair.

He laid his head down on her bed and stared at her with those vibrant, sparkling eyes; eyes that could see everything she could never see.

She touched his cheek gently, "I didn't like not feeling you."

Her whole body shivered. Satoru was here, in front of her, and she was still cold.

"Are you still cold?"

She nodded.

Never letting go of her, he kicked off his shoes and climbed under the blanket with her. He wrapped his legs around hers as her arms wrapped under his uniform jacket.

With his hand still tangled in her hair, he said, "Better?"

His heartbeat had returned to her. They were beating in unison again.

"Better," she hummed. "You?" She asked.

His lips pressed softly on her forehead, "Much better." He tugged her in closer into his chest.

She smiled.

She was warm again.

@whatamidoing89 @mr-underhills-things

Part 1: what you see, i see

Part 3: you know i adore you

Part 4: i'm crazier for you

Part 5: baby, you're the life of the party

Part 6: something's made your eyes go cold

[tonydaddingham]

What is EVERY?

once upon a time, prime did a really rather awesome compilation video of lots of shows and productions that celebrated queer characters and styles, in honour of pride month 2023, and it was good. so good in fact, that it was shared on social media, and very well received. until a beady-eyed watcher caught a little snippet. investigations were made, questions were asked, and what transpired was that this snippet - merely two or three frames - was a prophecy. a prophecy that foretold of a certain event that would soon come to pass in a month and a half, and had the power to break apart entire nations fandom. the prophecy was soon shared across the land, and to protect the citizens from knowing the terrible (amazing!💕 but terrible) truth, a pact was made amongst those who knew. to squash the prophecy, to pretend that it had never happened, and to never speak of it again until it was finally time for the prophecy to come to pass. there were leaks, of course, but for the most part, it was successful. mere whispers in the halls, rumours and hearsay, until it would only be referred to by one name. a name that made gods tremble and the skies open and all the people weep when it was heard. a name pulled from the very prophecy of which it spoke. and that name, was:

[vesperione]

Speaking as a complete Max Jagerman stan,, the way the fandom has completely butchered his character. Did we watch the same show where he has an established god complex making him believe he’s better than everyone else or ,,,

[seasononesam]

I think saying “Sam wanted the normal life, Dean wanted to keep hunting” or “Dean wanted the normal life, Sam wanted to keep hunting” is an over simplification of both their motives but I do think it’s kinda funny when people present Sam wanting to continue hunting and not have that normal life any more as something he has always wanted or as something that’s like an inherent part of his character. Like his feelings on that don’t exist in a vacuum, his past experiences TRYING to live a normal life have not gone well, a lot of the time in a way out of his control.

[ria-starstruck]

thinking about signalis theories and how maybe falke's words are applicable in more than one direction

[badassindistress]

I’ve been scrolling your waistcoat tag and have decided it is time for me to make one for myself! Do you have a particular pattern you recommend for first time waistcoat makers?

Yesssss ha ha ha yessssss! Waistcoats!

I don't have a favourite commercial pattern myself (i drew mine from a dutch menswear tailoring manual from the 70s), but I do have opinions and suggestions:

If you just want a free pattern:

https://www.ralphpink.com/tommy-waistcoat-sewing-pattern/

If you want a very good historical one:

https://www.laughingmoonmercantile.com/product-page/125-download-men-s-vest-1795-1817

(Or any other laughing moon pattern, they have very thorough instructions)

And if you want more advanced tailored and aspirational to me personally:

What I'd look for in a beginner pattern:

No collar yet, figure out basic fit first

A tie or lacing in the back to make fit easier

Some kind of bust dart, regardless of your personal shape (adjusting the dart is an easier way to fit things on yourself)

Hope this helps! Good luck on your waistcoat journey!

[nanihirunkits]

hi.

[pinkeoni]

I feel as though there is a desire to completely dichotomize byler when they don’t need to be polar opposites in order to fit together. They are individuals, but it’s their differences AND their similarities that make their dynamic what it is

[egginfroggin]

*yeets this and runs*

My hand regrets my decision to try for more realistic wings, frankly

Transcriptions:

Mabel Pines - Steller's Jay

Dipper Pines - Blue Jay

fledglings

can't quite fly yet

wing's aren't adult-sized yet

Dipper often forgets to preen

Mabel likes to put glitter in her wings (and Dipper's, when possible)

Dipper collects his primaries to make quill pens

Mabel collects their feathers for crafting

Yeah so I'm just gonna drop this here and uhhhhh run, thanks for checking this, and I hope you have a good day

(program: krita; time taken: about 1 hr 45 minutes)

[darkmagicmirror]

The Dark Magic Symbol and Alchemy

I've been wanting to make this post since before S5 and never got around to it, and I decided hey, might as well try to get it out before S6, at least. SO here it is. I know S6 came out today, but I haven't seen it yet, so shh, this still counts.

So in a Reddit AMA back in 2020, Aaron and Justin answered a question confirming that they drew inspiration for the dark magic symbol from the Rod of Asclepius and the Caduceus.

Just because of Tumblr image limits, I put the screenshot and symbols (linked in the comment) in the same picture, but you can follow the link to the AMA comment and look at the image there if you need a bigger version.

SO I got curious and started looking up some more info...

Here are just the first couple paragraphs of the Wikipedia pages for the Caduceus and Rod of Asclepius.

So at first glance, just like the comment in the original question says, the Caduceus is associated mostly with Hermes, and the Rod of Asclepius is associated with health care and medicine.

But a little further down the Wikipedia page, we get:

Although the Rod of Asclepius, which has only one snake and no wings, is the traditional and more widely used symbol of medicine, the Caduceus is sometimes used by healthcare organizations.

And it turns out that there's an entire Wikipedia page dedicated to the Caduceus as a symbol of medicine. So, already, upon finding this, I found it fascinating that the dark magic symbol is inspired by not just one, but two symbols seen as medical symbols.

Onto the article focusing on the Caduceus as a symbol of medicine, I go on to find this:

I have to come back to the Quicksilver thing, but first off, the being a symbol of alchemy is interesting to me. (Partially because I definitely think of Fullmetal Alchemist and the whole equivalent exchange concept there and the questions about whether people should be messing with life and death and how everything has a price -- all pretty relevant to TDP, but I digress.)

I looked at the article linked in footnote 16, which is titled The earliest medical use of the caduceus, and I found this fascinating image!

Most importantly, this has a single snake with two heads. Which sounds familiar!

I do think it's worth noting that the very first time an example of dark magic is discussed on screen, it's with the discussion of the two-headed snake, being held by Viren's staff. The spell isn't actually done, obviously, but it's the first impression we get of dark magic in the series!

Also I just find it interesting that the article mentions that:

Hermes had some medical roles in that he did assist in conducting the dead to the underworld and also received some credit for relieving plagues and epidemics in Asia Minor.

Another article linked on Wikipedia, called Snake and staff symbolism in healing, brings up the same point, saying:

The caduceus was indeed a magical wand, a gift from Apollo which protected Hermes and enabled him to guide departed souls along unknown pathways to the Underworld, and to awaken the sleeping. The latter aspect was sometimes associated with powers of resurrection — of awakening the dead, and also of curing the severely ill (Schouten 1967:119; Van Rooyen 1982:731-5).

So I just think it's interesting that it all ties into dark magic very well, especially considering that Claudia uses dark magic to resurrect Viren, and dark magic has been shown to be used for healing purposes (such as healing Soren -- both before and during show-canon).

The last mentioned article also goes on to mention the quicksilver thing, so I just wanted to say that I also find that particular point interesting considering that many people theorize that the different types of primal magic may have one underlying magical source that powers all of them, which to me reminds me of quicksilver being considered the basis of all matter.

But wait! There's more!

When I looked at the Wikipedia page for Alchemy, I found this interesting snippet:

An important example of alchemy's roots in Greek philosophy, originated by Empedocles and developed by Aristotle, was that all things in the universe were formed from only four elements: earth, air, water, and fire. According to Aristotle, each element had a sphere to which it belonged and to which it would return if left undisturbed.

This especially reminds me of the primal sources. Also spheres? Really? Funny how the primal stones are shaped that way,

The beginning part of the Wikipedia article also mentions how one of alchemy's aims was to create panaceas to cure diseases, and also that it played a role in the development of chemistry and medicine, which is fascinating!

And then I did decide to look at the Rod of Asclepius page as well, and it talks about how the snake and rod/staff were originally separate symbols.

Both the Oxford Illustrated Companion to Medicine and The New Medicine and the Old Ethics (links are to Google Books) talk about the snake/serpent as symbols of renewal/restoration of health because of how snakes shed their skin. The latter also has this snippet, which I think makes snakes sound like a great dark magic symbol as well:

Back on the Wikipedia page, it also says:

The ambiguity of the serpent as a symbol, and the contradictions it is thought to represent, reflect the ambiguity of the use of drugs,[8] which can help or harm, as reflected in the meaning of the term pharmakon, which meant "drug", "medicine", and "poison" in ancient Greek.[11] However the word may become less ambiguous when "medicine" is understood as something that heals the one taking it because it poisons that which afflicts it, meaning medicine is designed to kill or drive away something and any healing happens as a result of that thing being gone, not as a direct effect of "medicine".

I looked at the source A History of Medicine as well, and this was where it talked about pharmakon:

So it literally talks about magic there, which is really interesting to me.

Anyway!

TL;DR: All that to say that while the dark magic symbol obviously has influence from the caduceus and Rod of Asclepius, I think that the concept of dark magic in general also draws some inspiration from the meaning/history behind both symbols, especially with regards to the connection to alchemy, two-headed snake, and also the connection to healing/medicine.

Which all just contributes to my opinion that I hope the canon universe in the series doesn't eliminate dark magic use in the end but instead puts limitations on dark magic use so it can still be used for the healing purposes as well. And if alchemy ended up contributing to medicine, then... who knows?

... also that's without even getting into how the series refers to Sir Sparklepuff as a homonculus, which:

And the page goes on to mention the "Arcanum of human blood" so... yeah.

Lots to think about!

[t4tails]

im back. kitty picture