#Ayşe Sultan
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This golden headband was first worn by Anastasia Hatun (later Kösem Sultan) in the third episode of the first season of Magnificent Century: Kösem. It was used again in the twenty-seventh episode of the same season on Kösem's daughter Ayşe Sultan.
#Muhteşem Yüzyıl: Kösem#Magnificent Century Kösem#Magnificent Century Kosem#period drama#costume drama#historical drama#Anastasia Hatun#Mahpeyker Hatun#Kösem Sultan#Kosem Sultan#Ayşe Sultan#Ayse Sultan#Ayşe Sultan (Daughter of Kösem)#recycled jewellery#reused jewellery
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✱ Ayşe Sultan (Leyla Feray) — Magnificent Century: Kosem Ep.45
#magnificent century kosem#ayşe sultan#haseki ayse sultan#magnificent century: kösem#magnificent century#mc: kosem#muhteşem yüzyıl kösem#gifs
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morality of her actions aside ayse really gave murad the biggest fuck you possible wow. the shock and dawning realization on his face was cathartic ngl
#don't get me wrong don't like ayse at all but that was hardcore#the last parts of her letter too; 'everything i gave you i'm taking back. i will not sacrifice my children to your anger'#it's fucked up but it did absolutely hit murad where it hurts esp in the wake of gevherhan's death#ayşe sultan#ayse sultan#murad iv#sehzade ahmed#hanzade sultan#muhteşem yüzyıl#muhtesem yuzyil#muhtesem yuzil kosem#magnificent century#magnificent century kosem#mc tag
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Hamide Ayşe Sultan (15 November 1887 – 10 August 1960) was an Ottoman princess, the daughter of Sultan Abdul Hamid II and Müşfika Kadın.
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Haseki Ayşe Sultan, consorte de Murad IV
#ottoman woman#murad iv#magnificent century: kösem#mckedit#haseki ayşe sultan#muhteşem yüzıl: kösem#graphic
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How would Sultan Süleyman mother and sister feel for Concubine reader and their children?? Would they also become yandere for them or no?
Nice question. Hafsa Sultan keeps her distance at first. However, he soon develops yandere tendencies for Concubine and her grandchildren. Hafsa Sultan does a great job at hiding her tendencies. Everyone thinks that Hafsa Sultan loves and protects Mahidevran and Mustafa. Actually, they are very wrong. Hafsa Sultan loves and pampers the Concubine and her grandchildren. He is protective of them. No one can disrespect or harm the Concubine and her grandchildren. He likes to chat with the Concubine and spend time with her grandchildren.
Hatice Sultan develops the first yandere inclination towards the concubine and her nephews. His other sisters also join him in this trend. At the latest, the tendencies of Shahuban Sultan will be revealed. However, all of them are protective against the Concubine and her nephews. The daughters of Hafsa Sultan do not stop pampering and supporting them. All will strive for their well-being.
#yandere magnificent century#magnificent century#yandere suleiman the magnificent#muhteşem yüzyıl#yandere ottoman empire#ottoman history#ottoman empire#yandere ayşe hafsa sultan#yandere hatice sultan#yandere beyhan sultan#yandere şah sultan#yandere fatma sultan#yandere character#yandere historical characters
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VERY IMPORTANT MATTERS
Top of Topkapi (Tier 2)
This is up to Episode 12 of Season 1.
If you don't see someone here, is because the Top 3 were in the previous poll.
No, Hürrem is not here either because so far she just doesn't register for me due to the character (this is not about the actress at all, btw, as isn't the rest).
Yes these are the valid(e) options.
Feel free and encourage to discusse btw.
Respect the hatunlar tho, of course, or Daye will beat you to death.
#magnificent century#muhteşem yüzyıl#magnificent tumblring#magnificent memes#sultan suleyman#ottoman history#dizi review#I will only vote after a few votes are in#this is way harder for me than the last one#ok one of them is a murderer but to fair she's just the only one that succeeded yet#ayse is in competition for the most gaslit character so far#ahmet pasha is the secret fifth option#my feelings here are very conflicted#there will be a men's round in the future#gülnihal deserves special mention because she has wolverine powers btw#gülfem and ayşe are respected members of the “just doing my JOB here” club#Hatice gained massive points after the Dark Sultana moment in episode 12
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Family dynamics on MC: Ayse Hafsa Valide Sultan and Hurrem Sultan
I mean I think I covered my basic thesis statement about them in my longer meta post. In Ayşe Hafsa's eyes, Hürrem is the scapegoat to Mahidevran's golden child until episode 55. Overall I think rather than anything innate to Ayşe Hafsa I think it speaks to how she prioritises the Dynasty and that is what leads her into the abusive pattern that she perpetuates. It's about who serves her and her family best and who could be a threat. So it's a product of her privilege.
Her dislike of Hürrem because of Leo comes from the fact that what happened to him and Hürrem challenges every facet of her worldview.
It means that her happy family is under threat
She can't process the idea that Hürrem didn't betray Süleyman. In her eyes, Hürrem was property. And therefore inherently betrayed him.
It means that Hatice is married to a man who is capable of truly awful things. And she is less equipped to handle that than point 2.
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That and they're both also angry about the marriage and they see it as just Hürrem manipulating Süleyman and putting the Dynasty at risk. While not realising that from Hürrem's perspective going for marriage makes perfect sense.
Something, something about Hatice speaking to Ibrahim almost exactly the same as Hafsa did to servants.
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MAKE ME CHOOSE MEME | @shivrcys asked - Ayşe Hafsa Sultan or s4!Hürrem
#magnificent century#muhtesem yuzyil#ayse hafsa#perioddramaedit#periodedit#weloveperioddrama#onlyperioddramas#*ayse hafsa#*make me choose meme#everyone knows that I love hurrem but not in s4#that's why I chose hafsa :)
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Sultan Vahdettin'in 3. eşi Müveddet Kadınefendi
Babası Kato Davut bey, Annesi Ayşe Hanım'dır. 24 Nisan 1911 tarihinde Sultan Vahdettin ile evlendi...
Günümüze Osmanlı torunuyuz diyenlere benzerltemedim..
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This pink tiara with a pearl drop was first worn by Hatice Sultan in the fourth episode of the first season of Magnificent Century. It was worn again by Mahidevran Sultan in the nineteenth episode of the same season. Gülfem Hatun can also be seen with it in the tenth episode of the second season. The tiara appears again on Mihrimah Sultan in tenth episode of the third season. During the use on her, the pearl drop eventually gets removed. The fourth season saw the tiara three times, first on Nurbanu Sultan in the tenth episode, then on Nergisşah Sultan in the eighteenth episode and lastly on Ayşe Sultan in the twenty-ninth episode.
#Muhteşem Yüzyıl#Magnificent Century#period drama#costume drama#historical drama#Hatice Sultan#Hatice Sultan (Daughter of Hafsa)#Mahidevran Sultan#Gülfem Hatun#Gulfem Hatun#Mihrimah Sultan#Mihrimah Sultan (Daughter of Hürrem)#Nurbanu Sultan#Nergisşah Sultan#Nergissah Sultan#Ayşe Sultan#Ayse Sultan#Ayşe Sultan (Daughter of Şehzade Bayezid)#reused jewellery#recycled jewellery
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Mistakes in the Magnificent Century part III
(title, ranks and traditions)
Some facts might be the same or very similar to the ones in previous parts,but they will be discussed from different angle.
1. Valide Sultan title
As I have spoken in the previous chapters, pre 1520 mothers of sultans were not sultans at all, they were titles as hatuns, though treated with utmost respect. In 1520 as Suleiman the Magnificent ascended the throne, he bestowed the title of Sultan to her mother Ayşe Hafsa, thus making her the first person in the ottoman history to become sultan from slavery. However, for Ayşe Hafsa being Sultan was not the same as the Valide Sultan that we know today. She was sultan yes, and she was the mother, so "Valide" was the proper address,from her children, as it was for every mother in the Ottoman empire, she was registered as "the mother of Sultan Suleiman", therefore in some sense, we can say she was not "Valide Sultan".
The first person,who actually made the "Valide sultan" a thing and officially registered herself was Nurbanu. So, the first Valide sultan with its full meaning was not Hafsa,but Nurbanu, who was registered as Valide Afife Nurbanu Sultan.
2. Haseki Sultan and Hürrem's marriage.
There were more than just several miscon- ceptions about the subject in the show.
First and foremost it was created specifically for Hürrem,so neither Hafsa nor Mahidevran have ever had the title. It also brought another mistake about Hafsa,that I will explain below,but now I will just make clearer how, when and why the status was created.
It was almost definitely created in mid-1534 after the death of Ayşe Hafsa Sultan and was probably legalised by their marriage, which by some sources is mentioned to be in 1533. If this is right, then it would mean, Suleiman married Hürrem before he gave her the status of Haseki and the marriage only freed her,but the most common and for me the most logical version is that after the death of Hafsa Sultan, Suleiman married her and gave her the title.
The death of Hafsa Sultan is a crucial part in the story, nor because she had some kind of objection towards Hürrem or her promotion,but the legal status of Hürrem reached its peak of necessity after her death. As we know, Ayşe Hafsa was a trusted ally and Confidant of uprising Sultan, even during his time as shehzade, so during the campaigns, his mother was the supervisor of the capital and his family, so the sultan could go to war without worrying about what he was leaving behind. However, after Hafsa's death things changed, Süleiman lost beloved mother and most trustworthy person around him, he needed to act immediately,as the campaign was near. He needed someone,whom he could entrust Harem, Family and the capital. His children were little, Sisters(whom by the way he trusted very much) were all married and Hürrem did not have a proper rank. It is said that he also discussed the candidate of high ranking harem servants, one and most promoted one of whom, in my opinion, would have been Gulfem, but he finally found the best possible solution that would affect his empire for centuries. He married Hürrem, gave her the rank of Haseki Sultan and left her in charge of the Harem, Family and the empire.
Hürrem became the first Haseki sultan in history.
Misusage of the title did not and here and there, not only the status and function,but even relevance of achievement was changed here. In the very first episode, Nigar kalfa made it clear that giving birth to a son, was enough to achieve it however, originally only the chosen ones could become Hasekis until its relevance faded during Murad's reign and completely lost exclusivity during Ibrahim's.
Essentially, the original function of haseki sultan was filling the absence of Valide, therefore only Hürrem and Nurbanu can be considered as the "original Haseki Sultans". Later many women were given the status, however the show made it wrong. Mahidevran,Mahfiruz and Halime never held it, however Şevikar, referred as Şevikar hatun in the show, was actually Haseki Şevikar sultan, the fifth Haseki of Ibrahim, three of whom, Ayşe, Mahinerv and Saçbağli, were left out, which is kind of understandable, because they had no importance in plot, unlike Turhan, never became Valide,unlike Saliha Dilaşub and Muazzez and had no influence on Ibrahim,Unlike Şevikar and Humaşah.
Their social standing is also misportrayed in the show, where Haseki ranks below and bows to imperial princesses, while in real life it was the other way around.
3. Daughters of Ottoman Princesses
In the show, we met three daughters of the ottoman princesses: Esmahan,Huriçihan and Humaşah. They are referred to as Sultans,but in real life the daughters of imperial princesses were not called so,instead they had the title Hanimsultan and ranked even below the imperial consorts. The only exception to that was Humaşah, the daughter of Mihrimah Sultan, who received the title and prestige of the Sultan.
4. Harem Kalfa
In the show, they are just giving people the rank left and right. Nigar was already a high ranking, trusted servant of harem,but it turned out that she had only been there for 6 years. Fidan hatun was banished for attacking Sultan,but after a while she returned and became Kalfa, in Kösem melek hatun received rank out of the blue etc.
In real life, however, becoming kalfa was a long process. As we know,there were hundreds or even thousands of girls in the harem,but only a handful of them would become favourites,but what would happen to others? After ten years of being a harem resident some of them would have been transferred from harem and soon married off, some could by freedom, while others, usually the smartest and most responsible ones,would go to a special school that lasted two years, they would revive extensive training, both intellectual and physical, after that they could return in harem as teachers and overseers and if they were good enough they could promote.
There was actually quite a complicated hierarchy of harem servants,not only there were Kalfa's who had duty to supervise certain works like food or laundry(later even coffee),but there were administrative ranks, that they could achieve:
Mistress chief treasurer(Baş Hazinedar usta): she was head of the harem treasury.
Treasurers(Hazinedars): there were other hazinedars as well, who worked in harem treasury. Baş hazinedar usta was their direct superior.
Imperial Kalfa(Hünkar Kalfası): Personal kalfa of the padişah.
Lady stewardess(Kahya kadin/Kethüda Hatun): she ranked below imperial consorts,but her role raised during sultanate of women, when Gülfem and Çanfeda held the office, they were right hand women of Chief Harem managers(Hürrem and Nurbanu) therefore second in command of the Harem.
Senior Kalfa(Büyük Kalfa): Head of Kalfas, she was responsible for literally everything that was happening in the harem, sultans and şehzades treated her with respect and called "my kalfa" or "your grace"
Lady secretary: secretary of administrative organs of harem.
Junior kalfa( Küçük Kalfa): Senior kalfa was their direct superior. They had ranks within( second- ranking, third ranking, novice etc.) They were sometimes teachers and daily overseers.
Çanfeda for example entered the harem with Nurbanu, so in late 1530's or early 1540's. Nurbanu became favourite and went to Manisa, while Çanfeda remained in the old palace, in 1566 she was already a high ranking kalfa in the old palace, when Nurbanu called her. That would mean she was sent to train as kalfa in late 1540's or yearly 1550's, therefore she would have a decade or two to raise in ranks.
5. Princely harem.
In the magnificent century, prince usually gets his harem, whole in Topkapi palace, which is the lie through and through. They went even further and made up with the rule that the prince can not have a child with their concubine until they get their province to rule. Why would they be allowed to have concubines,but not having a child, when contraception is still unreliable.
Actually, their case was far more easier, princes would revive their sanjaks while still very young, their mothers, governesses and close servants would carefully choose their harem and leave the palace with their mother and full sisters. That also brought another mistake in the show. In the flashbacks, we can see Ayşe Hafsa and Hatice visiting Suleiman in Manisa, however Ayşe Hafsa along with Fatma and beyhan left for Manisa with Suleiman in 1512, while Hatice,being 4 years older than Suleiman, got married the same year.
6. Regency
They introduced Kösem's regency as something unheard of,while completely neglecting Handan and Halime.
Handan was the first woman ever to rule as regents in her son's stead. She appointed viziers, discussed political matters and built a trusted circle for her son.
Halime was not officially registered regent but due to the insanity of her son, paşas asked her to rule the state after the rebellion she herself organized.
Kösem's and Turhan's regency is well known, so I will not speak about it.
7. Kösem's wedding
Not exactly the mistake as it is not proven, but as the event is highly unlike, I'll just put it there.
In 1609 it is said that Ahmed had four children with two women,but neither of them were married to him. In the two latters, one form 1612 and other from 1616, the 1612 letter straight out mentions her as sultan's concubine, who he loves the most and in 1616 she is mentioned as juts Haseki,but nothing is said about the marriage( I am not adamant about him not marrying her,I am just saying that it's unlikely, however I admitt she might indeed was concubine in 1612 and after the death of Mahfiruz, Ahmed married her and raised her stipend),however early in Kösem's regency vencians questioned ottoman practice, that mother of sultan was honoured and even given the regency,despite not being married to his father. As we know in Venice and generaly in Europe, source of power for woman was her marriage and not just motherhood. That is a time, when it was "unrevealed" that ahemd married her before he died,(if that latter is to be believed than Kösem and Ahmed did not marry in 1613), now it was actually thought that it was false information used by Kösem to strengthen her position in the eye of Venice as they needed friendly relation with them. That is not widely accepted,but it can be strengthened by the fact that Vencians still did not believe it, so perhaps they knew for sure that it was lie?
8. The death of Halime sultan and Mustafa.
In the show Halime, like many others, is victim of making Kösem seem more powerful, while Mustafa was killed by Murad. In real life, Mustafa died of natural causes, probably because of epilepsy in 1539, he was buried in Hagia Sophia and the coffin was placed in a mosque built for him. Halime is buried next to him and no permission of reburial was asked or granted, therefore Halime was not killed by Kösem, she went to the old palace and lived a long life.
9. 1517-1540
I'll be honest, I don't remember much of those episodes, they were boring and monotonous for me, but what I remember is one part from Kösem's iconic " The state you are talking about is mine" speech. She mentioned that she took over the reins of the state from Ahmed 15 years before the event, well that is a huge lie. Though the show runners tried to make Kösem all powerful, the invincible mastermind behind every single breath people drew in the empire,but she was actually quite powerless from time to time and the period between 1617 and 1623 is one of such. She was still young and inexperienced that time and main powerhouses in the empire were Halime and Osman's faction and she was not the leading force during any of the rebellions, she was allie of Halime, who, according to many historians, had major influence that time and the great impact on Kösem. Some even go as far as claiming that she persuaded Osman to kill Mehmed, so Kösem would take her side.
In short, Kösem did not have reins of sultanate for 15 years,but only about 10.
As I said, I don't remember much about the episodes, but from what I remember, Kösem had something to do with Murad's death. I'll be short on this: that's a lie.
10. Coup of 1648
The show made Kösem something of a filicidal tyrant. However, In real life her tyrannical tendencies appeared only after the death of Ibrahim, which he had nothing to do with. The ones behind the incident were Turhan and her faction. Kösem indeed took part in the Ibrahim's dethronement for the good of everyone,but mainly because she had seen the mad sultan dethroned,but lived. Mustafa had a similar situation,he was dethroned and locked in kafe, while his mother was sent to the old palace, which Kösem was absolutely willing to do. However, Turhan made her move and had Ibrahim executed to get rid of opposition for good, or perhaps because of the old resentment. Things did not go exactly as she had planned though, Kösem became regent and visibly started to avenge Ibrahim's death, it became clear that she was not going to hand over any power to Turhan and after she started to oppose even went as far as attempted dethronement of Mehmed(however she was not going to kill him.)
Therefore the child killing monster the show made her become is straight out a lie. One of her sons died of natural causes and the other was killed by outer forces, that she tried to avenge.
#history#historical drama#16th century#magnificent century#magnificent century kosem#mc: kosem#ottoman empire#ottomanladies#historical events#historical figures#sultanate of women#haseki hurrem sultan#hurrem sultan#nurbanu sultan#kosem sultan#safiye sultan#muhtesem yuzil kosem#historyedit#historical#ottoman sultanas#ottoman history#ottoman#mistakes in the magnificent century
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lol, hafsa saying her one wish from god is to die as soon as possible so she won't live to see how hürrem ruins suleiman... the bombastic and dramatic is in the genes
#drama runs through the mc-verse ottoman dynasty's veins#and when the consorts join the harem the drama enters their cells too#muhteşem yüzyıl#muhtesem yuzyil#hafsa sultan#ayşe hafsa sultan#sultan süleyman#hürrem sultan#mc tag#i ramble
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Same Costumes: Ayşe Hafsa Sultan and Mahidevran Sultan
@awkward-sultana 💓
#hafsa sultan#valide sultan#mahidevran sultan#nebehat çehre#nur fettahoğlu#muhtesem yuzyil#muhteşem yüzyıl#magnificent century#osmanlı#ottoman#perioddramaedit#periodedit#period rp#periodedits#period drama#period#perioddramasource#costume#colorful#flawlessbeautyqueens#femaledaily#dailywomanedit#dailyactresses#dailywomen#tumblr fyp
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It's fascinating how Süleiman's relation to Selim Yavuz evolves throughout the show not just in terms to how similar to him he eventually gets, but also in terms of who notices and calls out a similarity.
We first have the one-trick pony Çafer Ağa, the traitor SS executed for taking advantage of the people in E01, who notes the similar gaze SS has with his father a while before. Çafer is established for that execution alone, so he has no ties to any of our main characters in or around the harem and comes out as distant even from the pashas in the divan, doing his own thing, the traitorous thing we're supposed to condemn, right out of the gate. He gets to appear only to be gone in a blip, we merely pass him by without regard, as we should, as his little plot is not really about him - it's about Süleiman and his first bigger action as a padişah, his first order that impacts the lives of his subjects outside of his family and the harem. It's about him setting a grave injustice right immediately (paralleled with Mustafa's first decision as the governor of Manisa that entails executing Bekir Ağa as well), thus discerning him from Selim Yavuz instead through that decision, through the one who thinks they're somehow similar's own rejection, and the voices of the very subjects SS helped with that decision, claiming that he's different from his father that overwhelm that one foretelling sign of similarity (for now). SS's earlier monologue, pointing at his fear of becoming his father, is also part of this only within the context of E01, as it highlights that SS is still somewhat self-aware enough to at least fear as well as it highlights the very likely possibility even here for SS to become Selim Yavuz.
And then we encounter Beyhan, the wife of another traitor executed for some of the same reasons (Ferhat's traitorous deeds start out similar to Çafer Ağa's with him getting all the money for himself from the people and merchants but then he reaches the wider unrest Ahmet Pasha causes in a whole terrain he's given from the sultan/grand vezier in order for his ambitions to be controlled, if not extinguished, and his loyalty tested), who calls out a similarity of SS's to his father after the execution. She is first established in relation to him, but is now also tied to our main characters; she rarely appears, living her own life out of sight, but the other characters value her and care about her. Ferhat Pasha's execution is most of all about her - we get in touch with her life and inner world as they hang in the balance, so we get invested in the tragic end of her struggle to exonerate Ferhat. That execution is just as well, but her hurt is palpable and poignant, so there's no turning back from its impact. The path is opened for SS's similarity with Selim Yavuz to creep in by the way Beyhan's claim of a similarity is echoed by the rest of the episode: not just by SS's reflection afterwards that's pointedly an E01 callback (that SS can't look away from anymore, no matter how hard he'll try: this indeed is the first decision that'll put him against his family. Süleiman sets a grave injustice right again but this isn't met with everpresent approval), but also by Süleiman acknowledging the similarity himself in his confrontation with Valide about Ferhat in the episode: "If I disregard the laws of the Empire that have been enforced for centuries, my great ancestor Sultan Mehmet Khan and my deceased father, Sultan Selim Khan, will turn in their graves". Before SS wanted to escape from Selim Yavuz entirely, now he wishes to proceed as he himself would, at least this once. The seeds are fully planted.
We move to Ayşe Hafsa, the wife of Yavuz Selim himself, the mother of his children, of Süleiman who has that whole burden on his shoulders, of Beyhan who already has called back the trauma from Selim Yavuz, of Hatice who will call it back in the future (and is next in line), and the person related to everyone entangled in this whole ordeal, so she is put in the position of the middle ground and she succeeds at it, at least until she sees for herself on which way her son is heading. She's a main character we've known from the start, prominent and fully fleshed out with her virtues and vices; her opinion on Selim Yavuz is a new angle we see of her that still complements her, however - she knows Selim Yavuz the best, so she has lived through the full extent of his cruelty and we can absolutely take her words into account. The fact that namely she notices a similarity between SS and Yavuz Selim because of it becomes all the more concerning as that similarity threatens to not only be a one and done deal done out of unambiguous necessity, but to unremittingly extend to an even bigger part of his family, to his own son; a more direct parallel is drawn here, Hafsa has to stand against SS and try to cut that similarity off before something worse happens. After Hafsa does just that in E29 (it kind of parallels their E21 confortation too), Süleiman acts even more unfazed in front of his mother, talking about what he needs to do in terms of his ruling overall and after the confrontation, he directly gets a flashback to his E01 monologue. He's gotten reminders of his fear more than ever in this season so far (the battle for Mohacs, as well as here), so it's almost like the similarity to Selim Yavuz can't help but become more prevalent to SS himself. He wants to escape from it as much as he embraces it more widely. The seeds grow.
We jump to Hatice, the wife of a traitor who calls out a similarity of SS to his father after the execution as well, but what's more, she's not just a main character we've known from the start: she's become SS's closest sister after the death of their mother, his closest figure he leans on; they get to lean on each other. It's namely that closeness, as well as everything we learn about her in every single episode that forms quite a deep and multifaceted character, which ties her not to Selim Yavuz, but to what she's experienced in that period of his reign, the most out of Selim Yavuz's family. These experiences appear to inform her actions right from the very first episodes (before any of Hafsa's reveals that turn out to have retroactively informed her actions), and continue informing her even at this point, as now she's the only character left that is this informed by Selim Yavuz, so she's the only one around Süleiman who can hurt him as hard and give him a hint of his fear now (Beyhan already has and is already done, while Şah never would). Ibrahim's execution is far more nuanced than Ferhat Pasha's both in terms of reasons and in terms of reach: it impacts both Hatice and SS and the rest of their dynamic will be dominated by it as well; it will haunt Süleiman himself until his very last days. And yet when Hatice calls out the similarity to Selim Yavuz, SS doesn't ponder on it after the scene: he waves it away at first glance, but he's already deep within. And he goes deeper and deeper, up until he himself fully faces his father as his Azrael, episodes before the furthest reaching, most unjust execution out of all of the aformentioned executions comes to pass.
The more distant the person who calls out the similarity is to the sultan, the less similar he is to Selim Yavuz at this point. The closer that person who calls out the similarity is to the sultan, the more similar he becomes to Selim Yavuz. When unveiling more similarity, we go from execution to execution (apparently the biggest possible stample of cruelty, what could better recall such a seemingly infamously cruel figure?): from the executed, to the people related to the execution and the one who ordered it, to the executioner himself, all interrelated in many ways. We get more personal investment in Selim Yavuz himself and the characters who name him and all of that is added to the grander stakes and Selim Yavuz's haunting of the narrative's share in them.
#magnificent century#muhteşem yüzyıl#muhtesem yuzyil#sultan suleiman#selim yavuz#beyhan sultan#ayse hafsa sultan#hatice sultan#cafer aga#ferhat pasha
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