#Atlas Magazine

[gooberscollage]

Some Coloring Pages :)

Avatar: The New Master Activity Book, Unicorns Coloring Book, Fun with opposites coloring book, Lil' Bratz super coloring and activity book

[prfm-multiverse]

Smartphone Wallpaper Perfume in VOGUE JAPAN for TIFFANY ATLAS 2013 (1290px × 2796px)

[natlacentral]

Digital Cover: Dallas Liu

As a young actor in the entertainment industry, what inspired you to pursue acting, and how has your journey evolved since your debut?

My inspiration to pursue acting came from my time doing martial arts when I was a kid. Many of the martial artists I knew would pursue a career in stunts after their time in the competition world. A very small number of them would decide to pursue acting though. With my family’s support, I dove into acting without any hesitation because I felt I had nothing to lose as a kid. The biggest question I had for myself was, “Why not?” My journey has always been an uphill battle. After all, the entertainment industry will always be one of extreme difficulty. I will say that since my debut, the most important lesson I’ve learned is to not get upset and be too hard on myself over whatever I cannot control. As long as I’ve prepared myself in the best way possible and given my full effort in it all, I am able to somewhat relax a little bit. My journey has felt smoother since I’ve adopted that mindset.

You've taken on a variety of roles throughout your career. Is there a particular character or project that challenged you the most, and how did it impact your growth as an actor?

I would have to say Prince Zuko has definitely challenged me the most, because it was certainly the furthest I’ve been pushed to in terms of my emotional range on camera. The amount of time spent working on this project was also the longest in my career. I came out of the project an entirely different person. This role has made me a significantly better actor in so many different ways.

Could you provide some insights into the storyline of Netflix series Avatar: The Last Airbender without revealing any spoilers, and what makes this series unique?

As far as plot goes, we are certainly remaining faithful to the original storyline of the animated series, however, we do have some differences in our show that will hopefully give us a separate identity, especially for the people watching who are fans of the animated series. I think what makes this story unique is our storytelling. I feel that viewers will really fall in love with the characters, the plots, and the entire world of Avatar: The Last Airbender because of our wonderful writers.

Could you share any behind-the-scenes anecdotes or memorable experiences from Netflix series Avatar: The Last Airbender or previous project that fans might find intriguing?

On set, Paul Sun-Hyung Lee (who plays Uncle Iroh) looked after me the way Uncle Iroh looked after Zuko. He was always there for me no matter what.

In Netflix Avatar: The Last Airbender; what are the differences and/or similarities between you and your character Zuko? Please elaborate.

When it comes to something that Zuko and I are chasing in life, I think we are quite similar. We share the same amount of fiery passion, and in a way, we become quite obsessive of whatever it may be that we are trying to achieve. Zuko will do whatever it takes to get what he wants just like how I dedicate all my time and energy to a project that I’m working on. The most obvious difference between the two of us is that I am clearly the better firebender.

How do you approach character preparation and development, especially when taking on roles that may be vastly different from your own personality?

I dedicate all my time and energy to every role regardless of how different they might be from my own personality because I want to give 100% in all the roles that I take on.

Are there any specific genres or types of roles you aspire to explore in the future that you haven't had the chance to take on yet?

I’m open to anything and everything. Because I’m still at a very early point in my career and life, I want to do it all!

How do you balance the demands of your career with personal life and self-care, especially considering the fast-paced nature of the entertainment industry?

The time spent with my family and friends balances it all out for me. Whether it’s going out to dinner with them, watching movies, or simply hanging out at home, I am always happiest with them.

You are also known to be trained in martial arts. What sparked your interest in martial arts, and how does it complement your career in acting?

I had always enjoyed watching action TV shows and films when I was younger, so my parents had decided to put me in it knowing that it would make me happy. Throughout my career I’ve noticed a few similarities between acting and martial arts. In martial arts, you start off with choosing a specific style that you want to study and apply the techniques that you learn from it. However, the use of those techniques will vary depending on how that person incorporates themselves into it, and how they adapt to each situation, really making it individualized. Similarly, in acting, you will learn various methods and techniques and apply them to the scenes you are given. And within each character, there will always lie part of your true self. When acting out those scenes, actors infuse them with their personal life experiences as well. Just how an experienced martial artist will react differently in each situation.

What advice would you give to aspiring actors looking to establish themselves in the industry based on your own experiences and lessons learned?

Remain strong! Don’t worry about what others are doing or working on. At the end of the day, there is only so much you can control. Therefore, always give it your best effort no matter the character, scene, or project.

How does culture representation and involvement in community inspire you personally and professionally?

Through hope and love. Whether it is in my personal life or my career, I’m constantly motivated to improve myself as a human being.

Who is your inspiration and why?

My parents. They’ve sacrificed everything for me and given me more than I could ever imagine. I have a hard time understanding how they did it, but all I could come up with was love. The way my parents love my brother and I is unconditional and incomprehensible. I aspire to be like them every day.

Name 3 actors that you would like to work with and why?

The actor that I want to work with the most is William Dafoe. I could give a number of reasons explaining why I love him so much, but more than anything I would just like to learn from him and work alongside him. His wide range of work and different characters is what inspires me the most. Whenever I watch him on screen, it never feels like I’m watching William Dafoe play a character, rather it feels like he really is that character. He fully immerses himself into every moment. I find it to be extremely impressive and entertaining.

Can you share any insights or hints about your upcoming projects or roles in 2024 (besides Avatar: The Last Airbender) that your fans can look forward to?

I enjoy acting and I’m open to anything when it comes to roles and projects, so, all I can say is, 2024 is going to be an awesome year! GR8T

[kideaternomnom]

Guys holy shit I forgot to post this but my uncle does this online magazine thing, right? Well....HE INTERVIEWED THE FUCKING LIVE ACTION ACTOR FOR ZUKO DALLAS LIU.

That's not even all- apparently he knows of my old Zuko phase, so he LITERALLY TOLD DALLAS ABOUT ME AND MY FUCKING EXISTENCE.

MY CHILDHOOD CRUSH GETS AN ACTOR, I RETURN TO MY ATLA PHASE, AND AS I DO THAT ACTOR NOW KNOWS OF MY EXISTENCE.

...LET'S FUCKING GOOOOOO BITCH-

[browsethestacks]

Vintage Comic - Feature Stories Magazine #03

Pencils: ?

Inks: ?

Fox Features Syndicate (Aug1950)

[vlackevil]

We got Nickelodeon magazine showing Kataang evidence:

If you see Katara’s clothes is for book 1, she was development romantic feelings for Aang since the beggining.

[weirdlookindog]

Mystic #24 - Atlas, October 1953.

Cover art by Carl Burgos.

[bodybybane]

Here’s The Actor Cast As Toph In ‘Avatar: The Last Airbender’ Season 2 On Netflix

[stampedpub]

Hello

did you know you could read a very good (and free) magazine about stamps (and other stuff) at StampEd.pub? you can!

...but should you?

[stuffydollband]

Did a magazine interview today where I talked about Taylor Swift and the cabbage guy from ATLA and occasionally my own music a little bit

[fangomusic]

It’s 1997.

Redman, Super Furry Animals, Cake, Natacha Atlas, Hope Sandoval, Morcheeba, AZ & Foxy Brown, Yo La Tengo, Natalie Imbruglia.

[dustedmagazine]

Laurel Halo — Atlas (Awe)

Photo by Norrel Blair

Like a collection of sketched maps of unseen or barely remembered topographies Atlas composer Laurel Halo charts her reaction to time spent in unfamiliar landscapes and cities. She captures that preternatural oddness of being at once part of and apart from life when one is a stranger in town. Minutely observant and slightly bewildered, Halo’s music captures that fugue state between awareness and dreaming where the senses meld into impressionistic sensation. Based on piano sketches written during 2020 and 2021, Halo added guitar, vibraphone and violin whilst working in Paris, London and Berlin. Saxophonist Bendik Giske, cellist Lucy Ralton, violinist James Underwood and vocalist Coby Sey augment the pieces which Halo electronically manipulates into allusive vignettes of atmosphere and mood.

The pieces on Atlas hardly vary in pace or method but with repeated listens they begin to reveal their secrets. Halo smears her piano with haunted strings and layers of echo and reverb to create dense atmospheres through which peripheral sounds suddenly slide across the foreground like a scrap of conversation in the language of a place from which you’ve just returned home. Giske’s saxophone is buried deep in the opening and closing tracks, a presence just out of reach then heard as if through a door that swings open in a foggy street for the ear to snatch at the notes and anticipate the rest. In an uncanny way, you feel you’re reconstructing a tune from a score written in invisible ink. On the lullaby-like “Belleville” Sey’s voice is a mere emanation amidst a swell of strings, a last gasp protest at bedtime before sleep overwhelms. Throughout, the strings act as emotional markers; pensive on “Naked into the Light”, febrile on “Late Night Drive” and “Sick Eros”, multitracked into orchestral grandeur on the title track.

Atlas doesn’t seek to evoke specific places so much as a sense of internal movement that parallels displacement and travel. On first listen Halo’s compositions tend to merge into one another, a blur of impressions like looking down on a cloud dappled landscape or passing buildings through a rain smeared train window. The atmospheres are foggy, drenched but rich, infused with the apparent illogic of dreams whose significance must be pieced together with hindsight from clues obvious and obscure.

Andrew Forell

[thehauntedrocket]

Vintage Magazine - Movie Monsters #01

Art by Greg Theakston

Atlas/Seaboard (Dec1974)

[natlacentral]

DALLAS LIU THRIVES UNDER PRESSURE

Few franchises have captured the imaginations of a generation as wholly as Nickelodeon's iconic Avatar: The Last Airbender, which ran for three seasons during the mid-2000s. Fewer still have demonstrated the series' ability to cross generational divides and maintain a lasting impact on the cultural psyche while continuing to enthrall successive generations as a touchstone of youth-oriented animation. Often regarded as one of the greatest narratives in television history, the show has spawned a massive and dedicated fanbase whose ethical boundaries have been imprinted by the mature yet sensitively portrayed moral quandaries presented therein. The world of Avatar draws upon Asian and Indigenous spiritual practices and traditional martial arts to construct an alternate reality where four nations, each attuned to one of the four elements (water, earth, fire, air), are home to different “bending” abilities—portions of their respective populations are connected to and able to control the element of their nation. The Avatar, capable of bending all four elements and serving as the human manifestation of spiritual light and peace, is tasked with maintaining balance between the nations and the spirit world as well as nurturing prosperity and peace. In its massive scope, the show touches upon a slew of issues including diplomacy, genocide, social responsibility, cultural conflict, ecology, and parental abuse—heavy material for a kids' show.

Given the entertainment industry’s recent streak of adaptations and reboots, it is no wonder that Netflix tuned in to the incredible demand for more Avatar. With the last attempt at live-action adaptation remembered as an unequivocal disappointment—the M. Night Shyamalan-directed 2010 film whiffed on its whitewashed casting and soulless direction—devoted fans followed the casting and production of the new miniseries closely in hopes for a vision truer to form. In the months leading up to the show’s release, conversation picked up immensely. The official trailer racked up over ten million views on YouTube and nearly two hundred thousand shares on Instagram alone, leaving the internet abuzz.

Avatar: The Last Airbender notably features an ensemble of characters who span across generations and the live-action casting follows suit (Gordon Cormier, portraying lead protagonist Aang, is only fourteen). Until now, Dallas Liu—who portrays the banished Crown Prince Zuko of the Fire Nation—had been used to being one of the youngest on any project. His first role was in the 2009 martial arts film Tekken, released when he was only eight years old, and until now he was best known as Shuji, the older brother of Maya Erskine's seventh-grader in Pen15. “Most of the time when I'm going on set, I'm the most inexperienced person. I take the role of a student and try to pick everyone's brain and take in as much knowledge and wisdom as possible,” Liu points out. Now twenty-two years old, he found himself asking while filming Avatar, “‘How can I also be a leader [to the younger actors]?’ [I was] trying to mentor them to become professionals and how to handle themselves on set. I feel lucky enough for them to have let me into their hearts and allow me to take this role of an older sibling they can rely on.”

Although older than many of his fellow leads, Liu also had the opportunity to draw upon decades of experience through multiple seasoned actors in the ensemble, particularly scene partners Daniel Dae Kim (Zuko's father Ozai), Ken Leung (antagonist Commander Zhao) and Paul Sun-Hyung Lee (Zuko's uncle Iroh). While filming, Liu found the older cast members to not only be sources of wisdom but also grounded peers. “Those guys had set the bar for me in terms of what kind of person I wanted to be on set,” he recalls. “It wasn't like people [had to look] up to them. [They] all created an interesting environment where everyone was equal. That's the way it should always be. I think the way people felt valued by them was something I really wanted. I want to be like that, that's a real leader.”

When the show's cast was announced, many viewers were particularly interested in Liu's selection as fan favorite Zuko, an embattled and exiled warrior prince hunting down the titular Avatar in hopes of reconciling with his cold-hearted, world-conquering father, the authoritarian imperialist monarch Fire Lord Ozai. Zuko's character development drives much of the plot of the story, tracing a redemption arc parallel to his coming-of-age in a high-pressure, war-torn environment. Liu's portrayal is pivotal in bringing the story to the franchise's new format and charting a course from brutal angst to principled compassion. The conjunction of the show's immense hype and Zuko's plot-driving character arc resulted in a unique strain of pressure for Liu, himself an avid follower of the original series, in assuming the role.

“The first thing that I ever remember seeing of The Last Airbender was Zuko training on his boat with Iroh. I fell in love with the show,” Liu recalls. “It was one of the reasons I ended up taking part in martial arts,” which he practiced competitively throughout his childhood and led to his acting career after he was referred to audition for Tekken by one of his instructors.

As he considered the scope of responsibility in portraying Zuko and how to apply his own idiosyncrasies to the character, Liu turned to Dante Basco, the original voice actor. Basco, aware Liu had been inspired by the initial show in his youth, encouraged his younger counterpart to embrace the differences between live-action and cartoon animation. “Dante had certainly set a high bar. Instead of trying to match him, try to surpass it, [we] talked about it,” Liu recalls. “He said, ‘What you're going to do is different. By all means, you have your own experience of Zuko from your childhood as well.’”

Liu's precise training and familiarity with action and combat have played a key role in his acting career, as he has joined franchises such as Tekken, Mortal Kombat, and Marvel's Cinematic Universe in Shang-Chi and the Legend of the Ten Rings. Elemental bending is a central component of the world of Avatar, requiring the actors to study several different fighting styles. “They had us learn every single bending style to really differentiate,” Liu says. “We had an understanding so that on the day, they could make a certain shot work and we had to come up with something on our own.” The collaborative nature of the stunt work allowed Liu ample opportunity to impart his expertise to the other cast members. “We were in this boot camp,” he adds. “Helping the kids out, I was having a blast—just hanging out and kicking it because that stuff is like second nature to me.”

That blending of acting and martial arts in Avatar required Liu to reflect on the mortal nature of some of the circumstances in which Zuko finds himself. “You're going to do whatever it takes to come out of that situation,” he notes of some particularly perilous moments that he believes are more impactful in the live version. “I incorporated that into the fight scenes. Even the stunt team was willing to let me have some creative input.” At one point near the end of the season, for example, Commander Zhao tricks Zuko into boarding a boat rigged with explosives, causing Iroh and the rest of their naval forces to believe him dead. In the finale, their conflict comes to a head in a battle to the death; as Zuko is rocked by a revelation from Zhao, the commander goes for the kill. “In the animation, people forget,” Liu adds. “This is a life or death situation!”

If you ask Liu, he and Zuko share a proclivity for absorption in their endeavors. “It's almost two-and-a-half years since we started shooting the show. I've definitely grown more as a person, and when I was growing as a person, that also developed my acting,” the actor notes. “I was like, ‘I'm going to come into work, I'm going to stay focused.’ It wasn't because I didn't like anyone, it was because I was scared of getting distracted. I understood the responsibility and the pressure that came with doing this.”

Avatar: The Last Airbender is now streaming on Netflix.

[solgazelle]

Alignment, Foot Sole Energy Center

The root chakra is the chakra of stability and grounding. This is embodied by strong boundaries and an unshakable knowledge of self. Your mindset is the core of this energy center.

Affirmations

I am strong

I am the artist of my own life

I am on the path of my most successful life

I am happy

[peterlorrefanpage]

A stylized Peter Lorre, Sydney Greenstreet, and Joan Lorring from The Verdict on the cover of Suspense, Vol 1 , December 1949.

This 52-page magazine is from Atlas Comics (which if I am reading correctly evolved out of Timely and subsequently into Marvel).

As far as I can figure, there isn't actually anything with Peter or Sydney or Joan inside the magazine...

...but it's always lovely to see them.