#At least orion look decent

[serrvor]

When your bff colour don't match your energy so bad that even primus can't help😔

[lets-try-some-writing]

Transformers One: My Thoughts and Critiques

Note: This is going to be a very long read, so be prepared.

Before I begin my thoughts on the film, allow me to state beforehand that I will be looking at this film as a standalone film first and foremost. I will not be considering the fact that it is meant to be part of a trilogy until the end of my assessment because a good piece of media should be capable of standing on its own. With that said, minor allowances will be made because of this fact.

Additionally, I will not be applying any other continuity lore to this film review in order to limit my continuity bias (although I will make frequent comparisons). Please note that these are my thoughts and opinions and the fact that I even bothered to write more than a two sentence 'it sucked' with a wail of anguish tacked on means that the film has value. I am merely picky. Obviously, this will have a heavy does of my personal takes thrown in along with genuine analysis, so don't take my assessment as gospel.

From this point onwards, spoilers will be present. Read at your own risk.

The Good

(Me trying really really hard to not accidentally be negative.)

The visuals for Transformers One are, of course, stunning, and the voice acting, as a general rule, is very on point. Chris Hemsworth as Orion Pax and later, Optimus Prime, was a decent decision. I like his voice as Orion, but regarding Optimus? I have opinions that will be discussed later. But for the time being, his voice as Orion gives the character life, emotion, and a great deal of ethos. He's likable and interesting, giving him depth that we have not seen in any other Orion Pax since G1.

Megatron's voice actor was also incredibly well picked. The emotion and tone in his voice was undeniable and gave D-16, and later Megatron, such enthusiasm and vibrancy that I (and likely much of the audience) couldn't help but feel for him in many of his interactions and speeches. I loved hearing how his voice evolved as he went, slowly becoming more aggressive and deep. Elita-One was a reasonable pick when it came to voice actor. She certainly had tone and opinions. Bumblebee's voice actor was very entertaining when it came to giving the character development. Having Bumblebee with such a enthusiastic voice actor made him into someone who had far more depth than he likely would have otherwise.

Sentinel's voice actor was golden. He comes off just the way the movie needs him to be, and it is done quite tastefully, although it certainly doesn't break any molds when it comes to the cliche evil character arc. I adored Airachnid's voice acting. It fit her well and was a polite, but well earned shift from the snootiness seen in other continuities. She automatically has more depth simply because of her voice.

The worldbuilding for Transformers One was well done considering the time limits of the film and the focus that had to be given to other subject matters. There are many issues of course, but overall I cannot fault a single film for not having the length and depth of something like Prime or the IDW comics. The flora and fauna showcased were bright, and at least in the case of the flora, quite diverse. The designs for the few creatures showcased were interesting but not overwhelming, especially for the Quintessons. The shift from inorganic to organic was clear as day with their presence, and highlighted the love and care put into every single frame of the film. It was clear that there was real love shown to each character, movement, and scene. For once, the creators seemed to genuinely care about what they were doing.

The fight scenes were stunning. They flowed incredibly well and made excellent use of the environment and the biological aspects of fighters. The use of partial transformation and transformation in general was something I have never seen given such emphasis in a Transformers film or cartoon, not since Prime at any rate. It was done perfectly in my opinion, and showed an actual understanding of how the characters should move and likely would move in various combat situations.

Onto the actual film. The movie hops right into the action and we, the audience, are given a fantastic view into who Orion Pax is as a character. We see his longing to be something greater right off the bat, giving new fans a solid start for his character. Old fans are also given a nod to various continuities with his character design and his overall knowledge and interest in the archives tied with his station as a miner.

The design of Iacon was a fascinating shift from other continuities, that with everything being underground. And D-16's introduction was well integrated into the scene. His and Orion's friendship is masterfully done, and their interaction on the train gives amazing hints into their past, potential history, and creates interesting lore for an audience to ponder. Their relationship is by far one of the most important and intricate parts of the film. It is a masterclass in setting up a relationship prior to a film or story actually shoving two characters into a setting where more of their traits are showcased. Honestly, we can see so much about both of them from that first scene.

D-16 bailing Orion out of trouble quietly like its normal. Orion going through all the effort to give his friend something of value that is both personal and has money attached. Banter that showcases their depth and rich relationship that also flows smoothly and naturally, like old friends should. We get to see how Megatron will come into being through his adoration of Sentinel Prime and Megatronus Prime. His youthfulness combined with Orion's desire to see and experience everything brings out the best in both characters, giving them reason to be together and to get along.

I will never stop giving my praise for that first scene with D-16 and Orion since it was so tastefully done.

Their work in the mines is well directed and the introduction of Elita is... a thing. (thoughts later)

The lore presented in the mining operations is ingenious as it showcases both Cybertron's situation, lays the groundwork for the knowledge characters possess later in the film, and overall shows D-16 and Orion's hesitant heroism (at least on D-16's part) when they save Jazz from certain death. In some cases, the introduction of new information is masterfully done through the use of referencing demotions and promotions in a manner that applied to the situation in question. The lore regarding energon and the overall loyalty of the miners also demonstrates much of the mindset Cybertron is operating under and is done quite well, as seen with the cogless bots being totally fine with their lack of transformation ability for the most part.

Brilliantly done pre-set mindsets. Especially showcased with Sentinel's message to the cogless leaving them all in sheer awe and cheer. I could sense the villain a hundred yards away, but I could tell that the characters believed what they were hearing, and that in my opinion is a show of how well presented the mindsets of the characters and overall view of the society are.

The race was fun to watch, with plenty of spectacle. Orion and D-16's conversation pre-race showed more of their character and D-16's adherence to the rules vs Orion's desire for something more. Orion leading them through back roads into the race also added more depth to Orion's character which I adored (and was unfortunately underutilized). I appreciated the tricks pulled by Orion and D-16 to win. I also adored the brotherhood shown between them, especially how Orion went through the effort of giving D-16 his chance to be a hero, even if D-16 was hesitant. Their brotherhood in the beginning of the film was honestly one of the best highlights, and distracted me from many other things that I will discuss later that were less than optimal.

I loved seeing how excited D-16 was toward the end of the race, and of course how Orion stopped to help him. Their banter in what I assume was the medical bay was also enjoyable and laid further groundwork for D-16's character.

The scene with Sentinel congratulating D-16 and Orion Pax was suitably filled with awe and stiltedness in equal measure. It played well and showed D-16's character as well as Orion Pax's passion and drive. One thing I will not fault the film for is Orion's devotion to his goals. They were clear and remained so from the get-go along with D-16 admiration (right up until the fifty minute mark).

The meeting with B-127 was unique, and an interesting show into the madness that forms in those who are condemned to the bottom rungs of society, even though it was played for laughs. The introduction of the main plot device was something I have critiques regarding. Although, with that said, D-16 and B-127's reasonings for going were both done pretty well. I like how D-16's reason played off his character and previous history with Orion. Again, the brotherhood between them is key in this film.

The logical leap to get onto the trains was well done and also set up essential plot devices for later. Elita's presence was odd, but whatever.

The fight scene on the train and the rush to stop Elita from telling on all of them was well played for the most part. Her anger made sense and her snark didn't exactly come from nowhere. Her taking of the map made reasonable sense (although I have opinions). B-127 is vaguely humorous at times during their journey, which I can appreciate in small doses. (His cave comment got a vague chuckle out of me.)

The introduction of the Quintessons was well placed in light of the future scene with Sentinel. I loved our main characters maneuvering to avoid detection as it showed their cooperation as a team for the most part. Orion's knowledge of the Quintessons made sense in light of the very first scene in the film (again, it was an excellent start to the movie and laid a lot of groundwork).

There were a few scenes in this film that really kicked me in the feels, and the moment the group enter the cave and find the bodies of the dead Primes is one of those moments. The scene is solemn, not a hint of snark or banter to be found. Everyone is lamenting, thinking. The atmosphere was perfect, and the sheer emotion from D-16 in particular was delightful in its own quiet way. The way he sat before Megatronus Prime was emotional. For once in the rapid fire mess that is TF One, time was taken to let everything sink in. You can see a quiet shift in him, and in Orion there is something that makes the audience note how lost he appears. Elita and B-127 only added to the scene as their usual lines died off, letting the scene simply breathe. It was, in my opinion, very well done. Especially with the music running softly in the background.

Their worldview was shattered in that cave, and I adored seeing it play out.

Alpha Trion's character was done well, very well considering how short of a chance he had to be on screen. He showed proper confusion, but then moved along once he noted the situation. There are things I would change obviously, but his character played its part, and I appreciated how he got to the point and limited his cryptic behavior to an extent. He seemed tired, as he should have. His death was also well timed and I appreciated how much the movie wasn't afraid to straight up off a titular character in other continuities. The scene with the T-cog distribution was also a delight to watch. The animation was very clean and it gave me a whole lot to ponder biology wise.

I must say Sentinel's interaction with the Quintessons was, quite frankly, not surprising. But it did convey its point well. I like watching this noble looking character finally drop his façade fully, bowing before invaders and shocking our main cast (even if the audience could see this coming from two seconds into the film).

D-16 and Orion's first argument hit me in the feels, mainly because I really did understand D-16 far more than I did Orion. He was angry, he wanted justice, and above all else, he looked lost. I was simply enthralled with the way his character started to shift and change, going from passive to aggressive in response to rapid fire hits to his worldview, ultimately leading to a perfectly reasonable bot shattering under the pressure.

Alpha Trion offering the group T-cogs from the Primes was interesting and left me with many worldbuilding related questions. The scene where the group first transform was fun. I liked how the characters were given a chance to show their inexperience and struggles. Disregarding the comedy, it made perfect sense for bots who'd never once transformed to have to learn to do it all from scratch, trial and error. It was fun, especially D-16's leg being stuck halfway into turning into treads.

From here my praise is a bit more limited, but I enjoyed seeing D-16 flex his authority and get his group in line. I appreciated the moment of tension between him and Orion, showing the conflict brewing and yet the lingering brotherhood that had not yet cracked. It was delightful to see the war going on inside D-16 in that moment, the hesitancy and the care for his best friend buried under newfound rage and betrayal. Orion later doing his best to try and check up on D-16 was a delightful touch that only further cemented their struggling companionship as the film progressed.

Seeing Starscream was fun. Shockwave's voice was a nice addition and the extra emotion I find was a bonus. Also Soundwave with unique abilities. Nice.

D-16 beating the ever living snot out of Starscream was fun on its own, at least without considering the context and pacing. I enjoyed Starscream's character and the change to his usual cowardly behavior was, in my opinion, well earned and much needed (at least so early on in this new continuity). Orion's growing confusion and uncertainty was a lovely touch. I also adored how he stepped in, bringing D-16 back to reality long enough for him to spare Starscream and make his declaration.

Just going to throw this in here. Sentinel Prime is peak evil and I loved how cruel he was throughout the entire film. He oozed snooty and evil billionaire. The entire scene with him slaughtering Alpha Trion like some sort of hound, his dialogue, and later his insults toward D-16 were just *chef's kiss*. Him carving Megatronus's symbol onto D-16's chest was downright evil and served to further prove just how terrible he was. It was a great scene with very solid dialogue. Honestly, despite how evil he was, Sentinel was one of my favorite characters simply because he was consistent and his dialogue was very well done without any severe stilted moments right up until the end.

Not much to say about the D-16 capture and the Orion & Elita-One pep talk scene. It happened. More thoughts in The Bad section.

Additionally, D-16 staring death in the face was brilliant. I loved seeing his sheer defiance, and the way he met his potential end with honor even when B-127 was willing to stay down. It spoke so much of his character and his development since the beginning of the film. He went from wanting to hide from fights to actively standing up for his rights.

Orion talking to all the miners was, in theory, and probably on paper, a fantastic scene. It wasn't as grand as it could have been, but I really appreciated the size difference between him and the others combined with his attempts to rally them. His speech was moving and I could see his comradery with his fellows the spark of Optimus Prime within him. I loved seeing him rally his troops, encouraging his people to stand and fight. The miners being all so small really did wonders for the scene though. I know I already referenced the size difference, but seeing all these cogless bots look up in awe did something wonderful, especially with the lighting.

The revelation of the truth was downright brutal. It wasn't done as well as it could have been, but I appreciated it all the same, even if it gave off "I'd kidnap a thousand children before I let this company die!" vibes. (Thank you, Monsters Inc).

D-16 fighting Sentinel and then the subsequent attempt on Orion's part to calm him down was... painful (in a good way). I knew it was coming, I could smell it a mile away, but I honestly hadn't expected the scene to play out as it had. Orion trying to stop D-16 once was expected. Him trying again and getting hit was very him, and very powerful with D-16's response thrown in. Seeing the anger that had been brewing in D-16 fade for a moment to instead be replaced by guilt and grief for a precious second brought me nothing but sheer joy. It was such a turning point for the character, especially when the disbelief in his tone hit. D-16 holding onto Orion while on the verge of breaking down, warring with himself, and then deciding to let Orion fall?

Beautiful.

In that moment, we got to see D-16 metaphorically die alongside Orion Pax, breaking their brotherhood so that Megatron could rise from the ashes and try to bring down everything that led to their paths crossing and ultimately diverging. Honestly, I would have paid good money for an alternate ending where Orion died and stayed dead for a while longer, specifically so that Megatron could have a chance to grieve and contemplate. There was just so much going on in that scene with the music, the loss, and the tension that made it a fantastic visual.

The whole comparison between Orion and D-16 as they changed and morphed was a wonderful thing to witness. I enjoyed Megatron's birth a bit more than I did Optimus's, but that was largely because as Orion approached Primus's core, I personally would have adjusted a few small things to keep the dramatics in place. Megatron's birth however was truly stunning, showcasing his strength, his rage, and his passion all in a few short scenes. The music was phenomenal and only made it all the grander. His speech was simply perfection and I have absolutely no complaints. The concept of Megatron was rightfully embodied there and I was all but squealing in excitement when he made his declaration.

Optimus and Megatron's battle was amazingly done. The fighting and the use of weapons and transformation was spectacular and I have exactly zero complaints regarding the fight scene on its own. Optimus then banishing Megatron from Iacon had its own set of feelings, although, there are things I would change.

Bumblebee's line at the end of the movie was actually funny. It got a very solid chuckle out of me.

The flashback was adorable. I loved seeing the contrast between the bot who D-16 was, versus what he became. A brilliant scene, albeit a tad out of place in my opinion.

I have exactly nothing good to say about the last few sequences of the film. But I will say that Megatron is forever awesome.

With all that said, the music for the movie was phenomenal and made scenes that otherwise would have been simply moving into heart wrenching moments of awe. The Fall is by far my favorite simply because of all the emotional tracks in it. Every time I listen, I see that pivotal scene play out in my mind. Megatron and Optimus's birth, so perfectly contrasted and the emotion played out spectacularly. It's been days since I watched the film, and the emotional value of the music hasn't worn off in the slightest.

The Bad

(Aka, my rant combined with actual critiques)

Oh boy here we go.

Orion is just off. As a character, there's something off about him. He's perfectly acceptable on his own, but there is a lack of substance to him that makes it difficult to find him compelling at times. We never really know why he even gives a crap about the things he does. He just cares about the Matrix and becoming greater because of... reasons. There's no basis for his interests, not like D-16 who expressed in dialogue and actions why he cared about the things he did. He loved Sentinel because Sentinel "saved" them. He loved Megatronus Prime because he was the "strongest Prime who ever lived". Orion's reasoning for caring about the Matrix and freedom in general amounted to wanting to help Sentinel. I mean, it made sense, but it wasn't particularly fulfilling for his character, especially when the rest of the population was perfectly fine with their situations for the most part.

There needs to be reasoning. What happened to him to have him break the mold and try to act out? Why did he break it at all? Orion is obviously an outlier in mentality, and therefore he should have at least been given a single line of dialogue with D-16 to explain his interest, (excluding his declaration of wanting to help Sentinel find the Matrix. That is a mere statement and it didn't give me much of anything to understand why he cared since he wasn't as devoted as D-16). This issue follows him throughout the whole film. He's a bit of a shell at times, although it could have been due to the way his dialogue hit. This lack of foundation for his character made it difficult for me to really feel for him like I did with D-16. When D-16 got angry, I was on his side because I understood where he was coming from. But with Orion? He was always just... there. He expressed emotion and I loved seeing how he shifted, but his growth didn't match the pace the movie set, leaving him in the dust a bit.

It weakened his character drastically.

His voice is also a tad... bland. No offence to Hemsworth, but I just don't think he managed to capture Orion like Brian Tyree Henry managed to get D-16 and Megatron. Orion had his moments, and those moments were spectacular, but his speeches never had any of the depth of Peter Cullen's Optimus or the youth of TFA's Optimus. He lacked something distinctive to set him apart. He tended to sound somewhat blank in certain scenes, almost like Hemsworth had only just been given the script (or was still attempting to be Thor). It was especially bad when Orion becomes Optimus Prime. Where Hemsworth did an arguably fantastic job as Orion, his voice simply didn't fit Optimus. Am I biased because I enjoy Peter Cullen more? Yes. But also, Optimus is a mech meant to show power.

He needed a deeper voice desperately, something that would rattle and have the tone of a true commander, demanding respect even when he's being gentle. Hemsworth was a fine Orion Pax, but Optimus needed to change and become something more in my opinion. They didn't even have to change voice actor if Hemsworth could pull off a bit of range like Brian Tyree Henry did with D-16 and Megatron.

No complaints about D-16's introduction.

Back to the film. The sheer amount of background Easter eggs was fun right up until I started seeing far too many familiar faces in the same place. The world of Transformers One, unfortunately, feels incredibly small. We see Iacon and we see the cogless and Sentinel's servants, but nothing else is really there. It's a strange emptiness. I can tell the film creators were trying to fill the void, but we never got the chance to see those who did more than just mine. Where's the middle ranks? Who is running everything else? Why is every single Autobot a miner? There should at least be a few middle rank bots wandering around. We did see scenes with random civilians at the end, but I would have liked to see a greater range of work involved in Iacon. Even just a medic would have been great. If those things don't exist, then how does the city operate? Where the heck are the other cities? Is there a council of some sort? How is Sentinel running literally everything without an inner circle? We only ever see Arachnid after all.

Honestly, a tad more variety is what we needed. Not to say the variety we got was terrible, but seeing a medic, a random vendor, or even a military drill sergeant in the background would have done wonders I think.

Additionally, there should not be so many familiar bots all in one place. I know this is a new continuity, but it feels weird because there is no way every single big Autobot just happens to come from Iacon because they were ALL cogless miners. If that is the case, that destroys so much depth it's not even funny. I mean, the continuity can do what it wants since its new and has its own lore, but I suppose its a bit of a let down if everyone shares the exact same origin. Additionally, the voice acting for most background characters was... fine. Some scenes were fantastic, like the race where everyone rushes to see the miners on screen. But the movie could have greatly benefited from a few more unique and passionate voices. I wanted to see true anger, REAL heartbreak at the lies that had been fed to the cogless. This is more petty than anything else, but a few more voices and a bit more depth would have been fantastic.

It's only made worse by the fact that the entire film just feels tiny compared to the scale its operating on. One city, one mining area, one train, one open field, one race track, one abandoned base, one rebellion base, and a cave. Sounds good on paper, right? Lots of room to move. But we never see anything about any other part of the world. Not even a mention or a poster on the wall for a different city. It made everything so much smaller and more controlled. That's not necessarily a bad thing film wise, but giving artificial depth through background characters and whatnot would have been great. Even just some chatter from background characters would have served this purpose. Think about Star Wars or Lord of the Rings. Both movies referenced planets and places that came into play later far before they actually showed up, and in only one or two lines. TF One needed such dialogue if it wanted to establish the scale of the world. Unfortunately, we didn't get that.

The first mining scene in the movie agitated me on a spiritual level. Not necessarily because it was bad. I found the actual operation of the scene very interesting, especially seeing how Cybertron reacts to the mining and how the bots go about getting energon. It was downright fascinating watching the trained and trialed methods the crew used to get in, do their mining, and get out. Jazz was hilarious. However, Elita-One murdered the mood for me.

Elita is... an interesting case. I will just say it outright. She serves no purpose within the film that actually means anything. And this fatal flaw reflects horribly on her character. On her own, a bit of snark and anger over her situation and even the arrogance would be good character flaws for her to work past, but combined with her place in the film, it made her nothing short of grating. Every scene she did anything more than fight or offer reasonable commentary was a slow torture for me. There was nothing to give me a reason to like her. She's an arrogant bot who thinks she knows and can do everything, and that bothers me. If there was something for her to have to go through to work past those flaws, then I could appreciate it. But she maintained her poor disposition throughout the entire film with little to no outward changes. It was a wasted character and an arc that was never even given a chance to exist.

With that said, every time Elita turned up and started getting talkative I died a little inside. I am prepared to be crucified for that take.

Elita's attitude after Orion and D-16 saved Jazz was just the worst. Even though I understood her take, she still bothered me with her rudeness. She's a very selfish character if you really look at her, and it shows. Her voice acting wasn't bad, although there were a few repeat lines that got stale fast.

The Iacon race was a fun concept, but Orion's character was again left to exist in a vacuum when he took D-16 to the race. Evidently, Orion knows a crap ton about the underground and travelling discreetly. This skill is never seen again. Nor is his knowledge of travelling quietly on his own ever mentioned after this scene, to my knowledge at any rate. Whatever the case, he was given a hint of lore and then left to go be rebellious for reasons we still do not have a solid foundation for. Honestly, I understood D-16 far more than I did Orion and I think that's a problem in a film meant to be their origin.

I have no real complaints about the actual race. The scene with Sentinel had nothing for me to comment on negatively.

Bumblebee is again, another character who holds little use in the film. I understand WHY he was put in (fanservice and all that), but the way he was implemented was very poor. There were far better ways to incorporate him into the story and actually make him important and telling. Instead, he's just a chatterbox there for jokes and one liners. He's far less agitating than Elita though because at least he has vague chemistry with our main protagonists. Also, B-127's whole nickname sequence should have been cut, or at least sidelined a bit. It really wasn't that funny, and if the crew were trying to show how isolation has gotten to him, the whole fake friends part got that across quite well.

The plot device was ridiculous. Not necessarily in its existence, but in its implementation. You want to have a SOS message from Trion to be the key? Cool. DON'T put it in the actual trash in the most obscure place on Cybertron. The fact that the bloody message survived is a miracle and quite frankly, it felt contrived. There were far better ways to implement the message. Think about Stars Wars and R2D2. Personally, I would have been privy to a bit of War for Cybertron coming into play, or possibly Smokescreen from Prime. That way Bee could actually be useful while still offering the crew their plot device. That said, it wasn't the worst thing and with a bit of grace, it is not a major sin.

The train scene with Elita was actually painful to watch. I despise her so much, and she just made the whole thing agony to get through. I skipped through her kicking the guys around like boyscouts because it was not appealing in the slightest. (I do understand some people like her, but I am not one of them and this is where my bias shows most.)

No complaints about their stint on the roof of the train.

Elita's entire scene on the ground where she gets in Orion's face made me want to strangle her. I can understand her reasoning, but she's so frickin annoying that I simply could not care about her in the slightest. Her lines might have even been funny if she hadn't been such a poorly done character.

Why does she get the map??? Why??? She isn't even meant to BE there??? Orion, why are you letting her walk all over you??? That's your evidence! You can't even trust her! Let D-16 read the bloody thing. He feels like he has the most braincells out of all of them. I get that they were aiming for girlboss and mom friend vibes combined with Elita, but she's simply agitating and I think it would have been far better for Orion or D-16 to lead the way and show more of their character. Actually, let Orion do it. He snuck into the archives all the time. He's a perfect fit for the role and would have given him the chance to show off that foundation that he lacked throughout the entire movie. If they REALLY needed Elita, they could have used the chance to build that oh so lovely ship bait for fans by having Elita and Orion have to work together to successfully read the map. After all, Orion knows all the weird underhanded stuff and Elita was a team leader for the miners. Their combined knowledge could have been a bonding moment AND been useful to the plot later to show why they fight together in a reasonable fashion.

Again, Transformers One feels tiny. There was one creature type shown on screen, and I understand animating is a pain, but even just some shifting shadows as the group walked would have been nice. Would have made things feel more alive and artificially expanded. (again, a petty complaint above all else. Maybe Cybertron just doesn't have a ton of animals.)

No complaints about the cave scene.

So... T-cogs can just be taken from the dead? Is that not a health issue? We see later that Megatron taking Megatronus's T-cog changes him further. Does that imply that all four of the crew are now biologically related to the Primes? If those T-cogs aren't rusted to hell and back after fifty cycles and don't give the crew infections later, this has some startling implications. Less of a complaint and more of my confusion. Seriously, are there no prerequisites to have a T-cog when a bot's original one has been removed?? Does this mean that biological offspring can be a thing via passing on a T-cog?

(I have some worrying thoughts about relationships on Cybertron now because of the shift in characteristics for the crew when they got their Prime inherited T-cogs)

Too much exposition from Alpha Trion. It fit the scene certainly, but the whole film had a running problem of mouthing off and throwing exposition around like candy. It was not done particularly tastefully 90% of the time. In fact, the only exposition that I liked was from D-16 and B-127 because it felt natural for them to explain things as they did. Trion's was cool certainly, and honestly if Orion's first exposition in the archive and then Trion's were the only dumps, I would have been quite happy.

I can't believe the Primes fell as easily as they did. I understand they were ambushed. But how on earth did Sentinel manage to personally cut down several of them when, up until that point, Alpha Trion said they were winning? One sneak attack is understandable, but the rest was a bit unbelievable. Especially Megatronus Prime.

Why is everyone suddenly so chill with killing? I mean D-16 just shot someone to DEATH despite having never raised a hand to pretty much anyone with intent to kill up until that point. Is this a society thing? Cultural? (I am not talking about Orion here. He's a sunflower compared to B-127 and everyone else going off and chopping enemies to bits)

Regarding D-16's arc, it was rapid fire from this point onward. I can see what they were aiming for, but there was a distinct lack of anything to really cause him to fall as far and as fast as he did. Actually, allow me to rephrase. Rather it was that he HAD reason, it was simply too fast paced of a film for me to feel his change and truly cement it in my soul. It stuck and it most certainly made sense, but it was a bit like whiplash when he chose to let Orion fall to his death despite them having gotten along up until that point for the most part.

Orion is an idiot as well. He spent all of D-16's rapid fall into warlording staring at his best friend like a confused goldfish. He did very little to step in aside from try to ask if D-16 was alright and stopping him from killing Starscream. Yes, D-16 was captured and there wasn't a lot of time to do therapy. Yes, the rapid character change occurred literally over the course of like, a day and change, so I can't fully blame Orion. And do I understand why he was so hesitant? Yes of course. The change was super fast. Do I also understand how and why D-16 fell? Absolutely yes. Were both of these characters rushed? Abso-frickin-lutely. The foundations were there and they were fantastic. They just had to be roller coastered to their completion without any regard for the emotional value of pacing their respective shifts away from their previously shared goal.

I do not truly blame the film creators for the rush, but it does kill a lot of the emotional impact that would have come if we'd been given more time to see D-16 and Orion have more and more arguments over increasingly difficult moral decisions.

Starscream and the High Guard are stupid. They are a fantastic concept on paper, but much like half the cast, their implementation was poor in the extreme. They came from nowhere, were exposition dumped into existence, and promptly followed the rando who beat the snot out of Starscream and could have, for all they knew, been an actual spy. For some of the best trained bots on the planet, there was not a single braincell amongst them.

Starscream had so much potential too. But that vanished into smoke twenty seconds into his face getting bashed in. Soundwave looks like a taco. And he acts like one with his lack of substance character wise. Shockwave was neat right up until he got wrapped up into the stupid gag with B-127. It's a dumb joke and it destroyed whatever seriousness was building. Like come on guys, we are at the one hour mark. It's time to get serious or go home. Again, aren't these the High Guard???? Very important very well trained bots??? Why are they acting like savages and petty children? We at least need explanation for that if we are rolling under that rule. They needed more depth desperately. As it stands, they were nothing more than free guns for D-16 to yoink for future movies.

Also, again, Orion the goldfish. Standing there all confused without doing a bloody thing about it. He's so passive in this movie and it infuriates me because it feels like his character arc never picked up the pace like D-16's did at the hour mark. I understand he's going through a lot and watching his bro fall is likely a bit shock to the system, but one would think with how close they are that Orion of all bots would be the one to try and humble his brother in arms. (I am aware he did his best with what time he had, but still). I know that if one of my siblings decided to go all murder hobo on me I would be the first to get up there and throw a shoe at their head. Once more, I do understand that Orion was likely in shock, but due to the pacing of the film, he feels a bit like stale bread right up until he's literally shot.

Neat, a fight scene. D-16 is captured, ooooh that could be interesting- aaaaaaaand there's Elita being the worst again. Great pep talk. Fantastic even. Now I hate her even more because all I am getting is sheer arrogance and not even in a humorous way like Knockout from TFP. Good heavens Elita sucks.

"We won't follow you." *Elita exists* "wE wiLl fOLLoW yOu" - Frag ALL the way off with this garbage. High Guard indeed. High on drugs and low on self-esteem. Elita has done NOTHING to prove herself worthy of being followed, or Orion for that matter. It would make far more sense for the High Guard to just be pissed off and opt to go fight Sentinel on their own since they've lost their new leader and a ton of their troops all in one raid. It would have been majestic for them to straight up decide now or never and lead a charge, and then have Elita and Orion join them with unexpected troops in the form of the cogless.

Again, aren't these guys meant to be the High Guard? Why can't they get into their own city? Surely they have contacts or old knowledge? Actually, why can't Orion bargain his way into their ranks using his knowledge of all things underhanded in Iacon? It would have been a great callback to his scene getting himself and D-16 into the race. I know they sort of went that route by having Elita get everyone in while Orion went to fetch the cogless, but it would have been way more interesting to see them working together in a logical manner and planning their attack. I know there were time constraints, but that doesn't mean they couldn't have worked together for a short period of time and shown either the brutality of the High Guard or their similarities in regards to goals and ideals.

The scene with Orion addressing the cogless was certainly stunning, but it needed more. Emphasis, tone, lighting, music. I think it needed something just a touch grander. Not too much mind you. Orion needed to have come back with a new aura around him, something to really make him stand out aside from his newfound height. This is his dawning moment after all, his first spark of Optimus Prime. If he'd spent some time scheming with the High Guard, maybe he could have had an air of a fledgling soldier, just bloodied and ready for battle. He did punch Darkwing, and that certainly helped, so I will give him a pass in this regard. His speech still would have meant more if he'd been a bit grittier and yet still kind, especially contrasting D-16 who took one life and then never stopped doing that. His compassion was a nice touch, as well as his relatability to his fellows, but there had to be that hint of something more commanding. He had the inklings and I appreciated his first real speech, but the rallying cry was, in my opinion, a tad off. It could have been due to the voice acting. (Seriously though I did love this scene, I just have itty bitty suggestions regarding how it could have been better. And Orion made a funny face halfway through his big pep talk so there's that).

The background character voice acting didn't show quite enough confusion or awe for me to really be sold on the scene. I would have preferred something more akin to the TFP scene where the kids are introduced to Optimus. Shock, awe, excitement, a hint of fear. Those things were present of course, and I understand the miners were tired from doing their million and a half shifts. But a bit more could have been done. More background chatter essentially.

No complaints about the Sentinel and D-16 interaction.

The battle scene was well done, all of them. The Arachnid thing worked, but the big reveal of the truth did absolutely feel torn right off of 'cliche villain downfall bingo'. I would have liked something a tad more original. Just a bit. But it did get the point across well enough so I can't really be upset.

Again with the background characters. It wasn't bad, but where's the RAGE?!? Where is the sheer chaos? It was emphasized later with the battle, but I think that scene with the big reveal needed a bit more violence so show just how unruly the population ended up. It could also make it clear why so many would eventually choose to join Megatron. Give me ONE guy with a Molotov cocktail throwing it at a statue of Sentinel or something. Why not have some of the cogless start attacking their superiors as well as Sentinel's servants, just to show the sheer destruction going on? Please, it would have been delightful and only have taken up like, five second of screen time MAX.

No real complaints about the scene with Orion, D-16, and Sentinel. It was still fast paced, and Orion still felt a bit like a goldfish, but overall the scene was perfect. The pacing is all that made it feel somewhat off.

The birth of Megatron was perfect. Zero complaints.

Once Orion reached Primus's core, the birth of Optimus gave off "Meeeeeeeegatrooooooooon~" vibes from the TFP Movie (Thank you Unicron. Love the voice acting man). Alpha Trion's voice was not doing it for me. It made a grand moment rather cheesy. Personally I think Orion needed whispers, echoes and flashbacks to go along with D-16's increasing violence and declaration. It would have been the perfect time to throw that flashback from the closing part of the film in. Let Orion see a ton of rapid images of him and D-16 along with increasingly loud whispers from all the Primes, cumulating in "Arise, Optimus Prime." Maybe even chuck in visions of the dead Primes, showing bits of their lives as a way to nod to the knowledge contained within the Matrix (if this continuity is going that route anyway. If nothing else, it would look cool and allow each Prime to meet Optimus in a natural manner during his creation). Additionally, that way Optimus can maintain a hint of mysteriousness but also grandeur.

Optimus flying up to the surface like superman.

I get what they were going for, but it was a tiny bit silly. I think it would have been grander for Optimus to have taken a bit longer returning, simply so that he could have the very earth part for him Moses style. I am not entirely sure. There isn't really a right way to fix this scene in light of the time constraints, and frankly the sonic shoot up to the surface did look cool and served its dramatic entrance purpose. I don't necessarily dislike it, but given the opportunity, I would have gone a slightly different route.

No commentary on the battle. It was perfect.

Again, Megatron's character arc was seriously rushed. He needed far more time. I adore him in TF One. He's quite literally the best character in there. But everything leading up to his final moment was rushed and it left me feeling unsatisfied at the end. There was plenty of foreshadowing in small ways, but those didn't start happening until the hour mark, give or take. Also, Optimus banishing Megatron from Iacon?? Why just Iacon??? Where the heck are the other cities?? Do they exist?? I'm spitballing but the whole scene felt ever so slightly off. Megatron limping into the distance didn't feel quite right. I honestly think that in exchange for wounding him, Optimus should have gotten a scar somewhere in return as a reminder of his cause. Megatron got Megatronus's face burned onto him. Let Optimus get a similarly noticeable marking, that way both players show a mark of their fallen friendship.

Sidenote: How does ANYONE know how to fight in this film?? Sentinel, the High Guard, and those with T-cogs makes sense. Orion? Sure. He did a lot of rough housing. Elita? Maybe. Hard to tell with her limited background. But D-16 and B-127? The rest of the cogless? Where did they pick it up? Its a recurring problem. And how does the crew improve so fast? I mean, they know how to fight with their big ol saws from mining, but we don't get to see in anyone except Orion so its hard to believe anything. We are never given a solid time period between the journey to the surface and then back down again, and really I think some of that travel time should have been spent with the group sparring or otherwise bantering about their backgrounds to lay the groundwork for their skillsets.

Regarding the final scene of the film, its really bad. Painfully bad.

(I would like to throw Elita off the nearest structure thank you.)

I get that they are laying the groundwork for more movies, but the flashback was quite forced. It was cute and absolutely had a place in the film somewhere, but not right there. It didn't feel quite right, or at least not with how it was edged into. The narration was just... weird, to me at any rate. The T-cogs being distributed was cool, certainly. But it raises many questions about the logic of it all. It feels dues ex machina. Not in a good way either. Not saying it wasn't cool, but it did feel forced. Like a participation trophy. I would have loved to see the cogless remaining that way and having to collect cogs from wherever Sentinel stored them, or otherwise take them from the fallen. That way they could have more diversity going forward.

That whole ending bit with Optimus and the Autobots running into the sunset was stupid. There is no other way to describe it. The scene gave nothing to the film and I think it would have been spent far better if we saw Optimus and Megatron both gathering their armies while the Quintessons loomed overhead. Megatron watching his warships be built and then him looking up at the sky. Optimus gathering up the cogless and helping them get their T-cogs via Matrix and then also looking upward. Only to then have it end with the Quintessons looming above.

The Quintessons were so underutilized in TF One it wasn't even funny. I don't even really know why they were there. I mean I understand they had to exist for war reasons and Sentinel and all that. But if they are such a threat, then they need to either be driven off so that the Cybertronian civil war can happen, or they need to make themselves everyone's problem so that Optimus and Megatron's spat looks all the worse for the planet.

There needed to be more for the Quintessons. They needed to have played a bigger role or to have been somehow removed from the playing field by the end of the film. Even one scene with them seeing Sentinel falling and then opting to get the heck out of dodge would have served well enough. But they didn't. And for that reason they are just... there. Letting their prized slaves rebel. They won once against all the Primes. Why not do so again?

Also why do they want the energon??? There are too many questions right now and not even the barest inkling of an answer.

The Characters

(A look into every character of note + my edits to their development in the film.)

Orion Pax/Optimus Prime:

Orion's character is quite well done. He has goals, morals, and a personality that shines in the right environment. His adventurous spirit gives him life, and his desperate desire for something more makes him compelling when he's given the opportunity to really flex his morality muscles. He has a bit of fight in him, an eagerness to improve and assist those around him that makes him lovable and fun. Every moment he was on screen was a delight, and there was never any point where I directly despised his presence. He had moments of greatness, and moments where I would have preferred someone consulted Peter Cullen for advice on scenes where more Optimus was meant to show. His arc was steady, but it didn't move quite fast enough to match the pace D-16 set with his rise (or fall). It was clear Orion was meant go from largely trying to become greater for his own personal reasons to instead fighting for something more than himself. The creators were attempting to broaden him, give him more to fight for and more to lose. They were well on their way to doing that, but Orion's arc simply did not move fast enough, leading him to end up feeling a bit static while D-16 steamrolled ahead.

To adjust him, all I would want to see is for Orion to be shown having a more solid reason for his goals. Instead of just wanting to help, perhaps have him witness a hint of the mess on the surface at some point in his youth. Maybe he could mention it to D-16, saying that when he was newly forged, he either witnessed a record or saw a peek of the surface or perhaps some other Quintesson related thing to get him to feel a degree of investment in trying to help. Maybe he found the surface lovely and wanted to travel there. Maybe he heard legends of the Primes and particularly wanted to see them and make sure that they really had fallen. He either needed to show a level of devotion to the cause to match D-16's love for Sentinel and Megatronus Prime, or he needed to be skeptical. I would have loved to see Orion doubt, simply because no bodies of the Primes were ever recovered and old records did not mention the Matrix passing on (or perhaps he is skeptical in general). Whatever the case, giving Orion this foundational skepticism or believe would have allowed him to be more compelling when the truth was revealed.

Then, to match D-16 character arc, Orion should have started to try and take a commanding position earlier. Perhaps he could feel just as betrayed and angry, but instead of being more passive like in the film, his anger could instead be directed as the Quintessons who allowed things to happen as they did. Maybe Orion could feel loyalty toward his people as a whole, making him want to do things correctly and rally his kind together for the sole purpose of ensuring no other could ever enslave them, directly contrasting D-16 who was off to kill Sentinel for arguably more personal reasons. Making Orion care more about the people as a whole, knowing that they have all suffered under the threat that is the Quintessons, all the while D-16 cared more for his specific group of fellows... yeah it would have been delightful. Just, having Orion focus more on the bigger picture as the movie progressed, leading him to maybe mistreat D-16 a bit in his haste to spread the truth rather than get rid of the source of the problem. This way both Orion and D-16 could be given depth, since arguably, both are right in their approaches.

These are, of course, vague edits. And much like D-16, there isn't a ton I would change for Orion. He just needed more time on screen, and more opportunities to be presented with moral challenge and/or chances to lead.

"The line between friend and enemy is not as clear as I once believed. Once it's crossed, there's no going back, because some transformations, are permanent."

D-16/Megatron:

D-16, and later Megatron, was by far the best developed character in the entire movie. A very good thing considering the film is his origin moreso than anyone else's. He had the most growth to go through, and my goodness he went through it fantastically. He started off somewhat meek, mild tempered, and cheerful. He was a normal bot, one just happy to go about his life and enjoy his few passions as an average civilian. But as the film progressed, his character shifted from one of fun and adventure to anger and betrayal. One lie after another stacked up, slowly breaking down his innocent belief in everything he held dear until he had nothing left to stand on. All he could do was direct his anger at something, lest he lose himself entirely. His reasons were all justified, and you could see the way his morality shifted between "I want him in chains" to "you need to get out of my way, before I move you myself." and it was brilliant. Everything about his arc was well formulated, at least regarding showing his shift in character.

All I would have changed is the rate at which he changed. It was very fast paced. And from what I gather, occurred over the course of maybe a day or two. Crimes of passion are a thing, and some change really does happen that quickly, but D-16 needed at least a few more scenes of moral debate. Perhaps a scene in the beginning where he makes a simple choice that Orion's agrees with and then a very similar scene later where he goes directly against his previous choice. He should have been shown arguing with Orion more as the film progressed, and over more and more serious matters. Perhaps it starts with the map, but as time goes on, it starts edging into who to kill, who to suppress, what path to take in laying siege to Iacon, etc. That way D-16 moral shift can come a bit more naturally when he finally beats the snot out of Starscream and later kills Sentinel with no remorse.

D-16, and later Megatron, is a delightful character. There is very little I would change for him. Above all else, he needed more time on screen to shine, and I think that's the best possible critique there could be for a character.

"The age of Primes has ended. No more false Prophets. Follow me, you will never again be deceived! Rise up!"

Elita-One:

Elita-One is the worst offender in the entire film when it comes to horrible character. Where others lacked personality, she got far too much and absolutely zero development for it. She came in arrogant and came out just as if not more so. Obviously, the creators were aiming for her to be a foil for the boys, trying to make her into a more stable and commanding counterpart to Orion's, and later D-16's, rebellious nature. But her extreme arrogance, snarky attitude, and little to no love for anyone else made her presence grating. There wasn't enough of a relationship between her and the boys for me to see her in a more familial light for them, nor was there enough of an indicator of rivalry for her viciousness to not be annoying in its presentation. She was mean, bitter, and overall a pain throughout the entire film. And while there were reasons for those traits to be presented initially, they were obtrusive and took away from the film since they were never again addressed or given proper conclusion. Elita-One had no character growth, and as such, she leaves a bad taste in my mouth. Her relationship with Orion in particular was agitating. She had a backstory at least, and it did contribute to her character, but it didn't help to differentiate her a ton or warrant her arrogance, unfortunately.

Elita-One needed a reason to be so confident in herself that was visible to the audience, not just her forcing her crew to repeat her greatness. Arrogance can be done well, as seen with Starscream and Knockout in TFP, but Elita's just came off as annoying at the best of times. To adjust her character, I would have pre-established her relationship a bit differently. Instead of aiming to be supervisor, she should have been one already. To make her arrogance less annoying, she should have been shown as being affiliated with Orion before her demotion, perhaps as the one letting him get away with all his shenanigans. That way her arrogance plays off as her bantering and simply noting her station, and maybe she flaunts it around a bit, having Orion do her random favors since she won't go breaking protocol, but she knows he will. Their relationship could be one of mutual benefit, perhaps even hinting at Elita having used Orion's help to achieve her station at some point. That way they can be vaguely affiliated and their power dynamic can be somewhat equal since Orion offers a service and in turn, Elita covers his back when he decides to go and wander off.

If the creators wanted to go the ship baity route, or even just make Orion and Elita closer, it could be a thing where Elita was an old friend of Orion's who simply drifted apart after her rise to supervisor. Instead of being harsh with him during the mining scene, she could offer to speak later. Their entire dynamic could be that of ancient friendship, older than even Orion's and D-16 connection. Maybe they were in training together. Perhaps they were on the same mining crew for a while. Whatever the case, making Elita a bit nicer would go a long way, especially if she attempted to cover for Orion yet again after he broke protocol to save Jazz. She could try to cover for her old friend and be punished for it, making her less willing to help later in the movie when her aid is needed once more. Her character could go through serious growth because of this.

Additionally, if this were to be how her character played out, when she's brought to the surface, her lingering arrogance can be crushed like a grape in the unfamiliar environment. Where she once looked at Orion as a bit of a nuisance due to his habit of going places where he really shouldn't have been, she can now appreciate his skill and support him with her own. Maybe as a former supervisor, she's the only one who can read the map accurately, but for that same reason, she has very little skill in traversing the land and translating old indicators on the coordinates. That's where the boys could step in, helping and offering their skills and in turn showing Elita that while she's not the best and never will be, her skills are valuable when applied correctly, just as her companion's skills are as well. They could play off each other in a more meaningful way, helping Elita develop a healthy relationship with her companions and her ego. By the end of the movie, she could end up a bit more like Skybound or Earthspark Elita-One, confident and competent, but mature enough to know when to let someone else take the lead and when her job should be to play support.

She could even serve as a bit of an echo of Megatron, starting off where he ended. Anger, passion, and of course, arrogance. Then slowly she can learn to mellow a bit and apply herself in a far more productive manner. This could let her relate to D-16 as he starts to crumble, giving her more of a reason to be invested in him since as she improves, he starts to fall to pieces. There are many ways she could be played, but more importantly, she needs to be showed having actual chemistry with her companions and changing as a character into someone more mature. She's not a bad pick for a character, but she needed to be tempered, a lot.

"My point is, that your instincts tell you to break protocol for a reason."

B-127:

B-127 is a character that, on his own, doesn't really have a purpose being in the film at all. He's comedic and does show the beginnings of maturity in more serious moments, like when he and D-16 are captured. However, he lacks substance. He's fun, he's peppy, but it feels like a lot of the basis for his presence hinges on old and new fans recognizing his paintjob and knowing who he will become later down the line. He's a rather shallow character, which is not a necessarily bad trait since Sentinel pulled it off brilliantly. But since he is meant to be a main character in this film, I would have preferred he be given a more solid foundation. His actions are fine, his personality is acceptable, but he needed more to work with, a reason for his behavior if you will (since he can't exactly have a reputation to run with, being on sub-level 50).

I think the best way to have introduced him and given him a foundation would be to foreshadow the sub-levels. Perhaps have it be noted that bots go down a few levels and never come back, unfortunate miners who mess up one too many times. (maybe D-16 reminds Orion of this potential fate). Instead at staring at smelters, B-127 could be introduced as a scavenger. Rather than be down so many levels doing essentially nothing, perhaps show him weaving through discarded rubbish in huge heaps before they can be incinerated, taking bits and pieces that he likes. This way his random assortment of knowledge can make sense. It can explain his madness in a slightly more believable manner. Seriously, if B-127 knew how to get out, why wouldn't he leave at some point to seek out companions? Better it be that he's trapped, and now that he's got new companions, he feels totally fine accepting them and showing off his collection of trinkets since they are all prisoners together. He could state he's been down there for a very very long time, maybe making him the oldest out of the eventual group of four. This would explain why he has the plot device later, and if he shows off more confidential reading/viewing material he's collected, his knowledge base and animalistic fighting style make more sense.

It would give him a foundation as someone more feral, easily surprised, and excitable. It would give him unique skillsets, such as scavenging and self repair. If needed, he could even be the team's makeshift medic. Maybe B-127 could even have a broken T-cog instead of missing it altogether, showing that the practice of removing a cog was imperfect for a time, and since his removal failed, they disposed of him. Yet another hint of what is to come. His introduction scene would be about the same length too, since all that would change is the setting. It would also give all three time to bond since B-127 doesn't know how to escape, but has resources, which would allow D-16 and Orion to put their heads together to get them all out. It would also create a sense of loyalty for B-127, encouraging him to stay with the group. No changes need to be made to B-127's personality, just a shift in scenery.

"Are you serious? This is the greatest day of my life! I get to work for the government!"

Starscream:

Starscream's appearance in this film, much like Elita's presence, served little to no purpose. He existed purely to provide D-16 a chance to exercise his brutality and growing passion for rebellion. However, with what little time he had on screen, he presented an incredibly unique version of the character. Gone was the cowardly behavior seen in almost every single Starscream to have ever been produced. This Starscream appeared to be a highly competent character, willing to fight and die for his cause. He showed determination, energy not seen in any other Starscream. I can't exactly say he was the most intelligent character, a shame considering his station. But the embers of something more that he presented were fascinating, and in my opinion, a delight to witness.

I would have liked to have had his foreshadowed earlier. Personally, I think a great way to have hinted at his presence would have been to make him a bit of a martyr. He could have been blamed for the betrayal of the Primes, with Sentinel pinning their fall on the High Guard and Starscream in particular. That way, he could have been foreshadowed via D-16 absolutely hating him for his "betrayal" and also served to hint at the High Guard's power later. Additionally, if Sentinel made it so the High Guard looked like they'd sold out to the Quintessons, him going to the surface would be even more "Dangerous" since he'd be fighting "traitors". All the more for him to have lied above, and more to keep everyone off the surface.

Bonus if Starscream actively has a warrant out for him, as evidenced perhaps by chatter from background characters or maybe even Darkwing calling D-16 and Orion Pax "High Guard/Starscream sympathizers" for their rambunctious activity. Through this slight shift, Starscream's later appearance could be far more meaningful and make him an ally of note, especially if its mentioned that he and his people have been attacking energon trains for sustenance and to mess with Sentinel. Starscream's intelligence can be shown, as can his former ties to the Primes, all by adding a line or two depicting his presence.

"Two options for you! One, we slowly dismantle each of you one bolt and screw at a time, and really make sure you feel it. Or two, in exchange for a quick death, you give us intel on the energon trails, access to the mines, or anything else that could hurt your Boss, Sentinel Prime."

Soundwave: Soundwave can hardly be called a character in this film. He exists. That's about all he has going for him. He looks like a taco and has all the personality of one, that being none at all. There was so much potential for him, but he got a grand total of perhaps three lines before he became background noise. Jazz had more lines than Soundwave. Jazz, the cogless background character. We know nothing about Soundwave except the fact that he's with the High Guard and apparently important enough to have been in the records. No explanations regarding his abilities, no backstory, no reason behind his connections. Nothing. He's a familiar name for old fans to gawk at and does little else.

If Soundwave is going to be in a film, I feel like it is law for him to play at least a semi-important part. Even if I didn't know Soundwave from other continuities, he would still be seen as highly underutilized. Personally, I think he would have done so much better serving as an agent of Sentinel Prime who turned when he learned the truth. He could have been right at Sentinel's side whenever he was in the city, offering reports on other cities and their struggles to obtain energon but ultimately being waved off. This could help with the small setting feeling and give Soundwave character through his hesitance and concern for the rest of the population. It could be fascinating to see Soundwave loyally follow this Prime, despite his concerns, and then be betrayed with the knowledge that his world and his people have been enslaved by the one he thought was their savior. This way, he would have a very valid reason to hate Optimus when he comes into being, and consequently have a reasonable desire to join Megatron.

"Scanning electrical impulses: He speaks the truth."

Shockwave: Thankfully he's less of a taco. Unfortunately, he only has a bit more personality than Soundwave. We also know exactly nothing about him and he suffers from the same problems as Soundwave personality wise. We've got next to nothing to work with, not even a title. He also comes off as a bit of a potato since the very first thing he did when threatened by Elita of all bots was to bend the knee. It does tell us about him, but its not done tastefully and as it stands, Shockwave has the personality of a small child who got his favorite toy stolen from him.

Much like Soundwave, if one is going to use Shockwave, he has to at least have had some sort of impact in the past, if not the present. I would have liked to have seen him possibly have been the one who assisted in removing cogs from the newly forged. It is an essential part of their structure, so I imagine there is a certain degree of delicacy involved. Or barring that, why couldn't he have been the High Guard's medic or scientist and studied the process and uses of the Transformation Cog? That way, he would have a plethora of knowledge and be very invested in Sentinel's downfall since he knows the truth of the matter. Perhaps he feels guilty for having assisted. Maybe he was banished for trying to do too much. There are a thousand things that could be done with even a hint of such a backstory. Heck, maybe he could be the one to have a small mountain of cogs to offer cogless bots during the battle against Sentinel. Or if we want to maintain the emotional value of the bots fighting without their cogs, have Shockwave offer up images of piles upon piles of destroyed T-cogs or something for evidence. There is a lot of potential for him that was never realized, and all it would have taken is a line or two to establish him and his usefulness to the Decepticons later.

"He wouldn't stop talking."

Sentinel Prime:

Sentinel's character was, quite frankly, delightful. There were no redemptive qualities about him, and I personally found that to be perfect for his character. He was cruel, prideful, vicious, arrogant, and everything else I expected from a cliche villain. And yet, despite being cliche, his voice acting combined with his stable character portrayal always had me adoring how terrible he was. Whenever Sentinel came on screen, I was excited to see him because I knew how he was going to act, and I was thrilled to see it play out every time. I knew his personality, and yet how he went about his activities always exceeded my expectations. Personally, I adored how smug his dialogue was, right up until the very end of his life. It sold him as being the worst, even if he wasn't breaking any new ground with his character. Sometimes you just need a character who sucks as an individual. I appreciate that the movie was willing to make him irredeemable, unlike other iterations of Sentinel Prime who at least had a slightly non-selfish hidden motive somewhere in their backstory. There's nothing I would change about him, not in the slightest, at least not without adjusting the entire movie and rewriting it from the ground up. He fits. Simple as that.

"What truth? That I plucked your cogs from your newborn chests, forced you to mine so that I could pay off the Quintessons, and live like a King?"

Alpha Trion:

Alpha Trion was a fascinating character with so much potential history and lore attached to him. I am quite sad he didn't get more of a chance to shine, considering his past and his status as the last living Prime. He did serve his part in the movie, quite well might I add. But he could have had more. He was so very tired sounding, lost even. He seemed to care for our main cast and offered so much wisdom, and yet had so little time to actually impress it upon the main characters. He died with honor and what times he did have the chance to speak were well put together. However, I would have liked to see a bit more of him, personally. A bit more character, spice if you will.

I would have given at least one digit on my right hand to see him train our group of four, or at least begin guiding them back to Iacon so give them more time to talk. His presence could have accentuated the fallout between Orion and D-16, showing their shifting ideals when compared to the pure goal of Alpha Trion. Perhaps he could be the one to try and guide the group into working as a cohesive unit. And perhaps his slaughter could be one of those things that drives D-16 and Orion apart now that they no longer have a stabilizing force to keep them from arguing over what to do with their evidence. Honestly, I'm thinking something Uncle Ben combined with Uncle Iroh for Alpha Trion would have been a perfect way to introduce him, make use of him, and ultimately offline him in a meaningful manner. But again, time constraints are a real issue and I understand the problems the movie had giving everyone time to breathe.

"I failed you, old friend. You deserved so much better than this end."

Arachnid: She's a fascinating character who I personally would have loved to see more of. The times she turned up on screen were always noteworthy, and the fact that her intentions were largely unknown gave me a feeling like she was this movie's Soundwave. She didn't need too much development because her role in the movie was perfectly structured. She was Sentinel's right hand, his eyes and his hands. She is a perfect example of a character who doesn't need much exposition or backstory simply because she fulfills her role perfectly. We can make assumptions and still have room to speculate, but her character doesn't feel like a vacuum or like its missing some grand piece. Would I have appreciated a hint more for her thought? Yes.

Personally, I think hearing rumors of Sentinel's frightening right hand might have given her the final touch she needed to be a solid character in my book. Just some bots being in awe as she walks by with Sentinel, or perhaps Orion recognizing her from some old text from the archives. That way she could come onto the scene with a reputation. Or barring that, a sense of dread. That said, I did enjoy her introduction and I have no real critiques of her. The character is built well for the time she's on screen. I enjoyed her far more than I did Elita-One which should tell you all something. A girlboss character can be done well. Look at Arachnid and her combat prowess and intelligence. Elita was just a poorly done, slapped together attempt at giving our main cast flavor.

"I see everything."

That One Random Quintesson: It looked neat. Very intimidating in its own weird way. Certainly uncanny considering the metallic scenery. Could have used at least a line or two to sell the evil. I personally would have paid money for the Quint to talk in gibberish and for Sentinel to somehow understand because that would show just how long he'd been working for the Quintessons.

Jazz: We saw him a grand total of perhaps five times and I love him. No complaints. He's very Jazz and maintains his Jazz attitude throughout every single scene he turns up in. I especially love him during the scene where Orion rallies the cogless. He looks so confused and yet so happy later one when he gets his Transformation Cog.

"Little? There's nothing little about you."

Darkwing: DARKWING DUCK- I'm kidding. Darkwing's character had little to no depth, but he served perfectly fine considering his role in the movie. An aggressive enforcer of some variety, evidently high ranking enough to be in the Iacon 5000. He's got enough flavor to him that I'm sure someone in the fandom will decide he is their blorbo and run with it. He's not breaking any new ground, nor are his lines anything noteworthy. He simply is, and considering his role, it suites him.

"You are no cog bots with limited options. Report to waste management immediately."

Background Characters in General: Nothing really of note. They existed and served their purposes. I appreciated the fact that no two bots were the same appearance wise. It made Iacon feel more lived in, a trait desperately needed considering how small the world felt. Seeing so many familiar faces was fun.

The Plot

(An assessment of the story overall & its holes.)

The plot was fantastic, at least with all the random unneeded scenes not considered.

There were quite a few themes present, most of which were at least touched upon. Honestly, the journey to discover the truth was a wonderful overall plot. I have very few complaints about the way the story set out. Two miners who, by accident, are cast away and gain an inkling of the truth. This in turn sending them on a quest to uncover said truth, only to have their worldview shattered. It's simple, and at the end of their road, their differing ideas regarding what to do with the truth are what drive them apart.

There are some things that don't add up, such as the time it takes the crew to actually get from Point A to Point B at any given part of the film. Time is a real issue in the movie. If we had only been given the illusion of more time passing, some of the pacing issues might have been less in our faces. Additionally, there are a few inconsistencies.

The boys being chucked down fifty sub levels because the plot needed it to happen. The plot device just happening to be there for reasons. How B-127 and the boys know how to get anywhere is beyond me. Elita being at the exact train they need to board at the exact right time is a bit off. The t-cog situation is interesting and I can't help but wonder how that whole mess really works. The High Guard popping out of the ground like cabbage patch kids. D-16 suddenly choosing to betray his best friend for reasons that were not given enough time to justify.

It's just a lot of smaller things that added up, when combined with the pacing, to create something a bit off. However, overall, the base story attempting to be told is very solid, only needing to be tweaked and refined to add further depth and give characters reasons to be there at all.

A very solid 7.5 - 8/10 movie when viewed overall.

The World Building

(Current questions & Information + musings)

Cybertronians don't bleed, unlike other continuities.

I find this fact downright fascinating. When characters are killed, they don't bleed. TFP bled, pretty sure other continuities did as well. Except for G1 at any rate. It's an interesting take since energon appears to be a liquid, not crystal, on this new version of Cybertron. That leads me to believe that it must be pure energy since the moment it is taken in, it appears to go straight into powering the bot in question, rather than flowing through their veins. They are far more machine like, and I have had that fact grow on me a lot. Less alien, more mechanical.

The cogless had their cogs removed before coming online. Where are said cogs now?

It really is fascinating to think about. Sentinel had all of these T-cogs removed, presumably thousands upon thousands of them. I have to wonder, were they destroyed? Stored away in case on of the bots allowed to have their cogs needed a new one? If they were thrown away, how did no one notice or snag a few? There are many questions regarding how this big biological aspect of the cogless was kept from them.

Where are these bots forged? No Well of Allsparks was mentioned, at least to my memory.

It was stated that the first Primes came from Primus's core, which adds up since they are the closest this new continuity has to demi-gods. I would say that it would be likely that bots just clamber on out like the Primes did, but considering how fricking long that fall was for Orion, I have my doubts. Personally, I'm thinking this continuity probably is going the hotspot route where bots just kinda pop out of the ground in certain places. They obviously aren't climbing since they weren't online for their T-cogs to be removed. That leads me to believe that they likely form in hotspots and are cultivated until they are ready to come online. This would give Sentinel plenty of time to do a little removal all easy peasy.

Cycles are years. Days are days.

Interesting take on time, but ultimately kind of useless on its own. Lots of human time terms are used, so it seems cycles is just in there for alien factor. A unique take all the same though. I like it.

Primus is mentioned and acknowledged, but there is no mention of Unicron whatsoever.

It's really quite fascinating, but not particularly surprising considering the setting TF One takes place in. Many bots are uneducated, and with the fall of the Primes, it could very well be that no one knows about Unicron anymore because the threat he posed paled in comparison to the Quintessons. It could also be that Sentinel might have had any records about him removed in order to keep the population afraid of one threat, rather than many. It's not as thought Sentinel can deny Primus exists. But Unicron? Can't see it? No need to believe it. Still, it will be fun to see if Unicron ever comes up.

The war with the Quintessons is stated to have gone on for thousands of cycles, and yet there are few ruins. Just how devastating was it? How powerful are the Primes?

I am of the belief that long ago, Cybertron was an empire. There were cities everywhere and the surface was most likely covered in defenses. Most likely, the Quintessons whittled away at Cybertron's surface population, hence the war going on for so long and the people retreating underground into their creator's shell. The Primes appear to be powerful, but they were most likely scattered across the surface to try and limit the damage done by the enemy. The war was likely very close to be lost after millennia of being continually under siege when the Primes finally fell. In a sense, Sentinel likely did buy Cybertron time, but he also doomed them by destroying what history they had that might have helped them.

Are there other cities on Cybertron? There has to be, considering how large the planet is, but the offered energon to the Quintessons tells a different story. What happened?

We don't have enough information to make a good guess, but I personally believe, as stated above, that most cities were likely wiped out. Those who survived fled underground, meaning that most cities are either few and far between, or they are so sprawling that 'Iacon' encompasses far more area that we are led to believe. The offering of energon could have possibly been so small because it has been so long. Maybe, once upon a time, the offerings were far larger since more cities could bring energon in. It's hard to tell.

Is Cybertron in a post apocalyptic state?

I think so. Considering the ruins on the surface, the suppression of the masses, and the struggle to get energon, I do think that Cybertron is sitting in such a state when the movie is happening. The setting scene in Transformers One, and Iacon in particular, appear to be the last gasp of a dying race after what could have been a siege lasting up to thousands upon thousands of years.

T-cogs evidently have a certain amount of biological alteration involved in their acquisition.

This can be seen in Megatron when he takes Megatronus Prime's T-cog. Personally, I think this says something about the use of a T-cog. Some appear to be more suited toward combat whilst others have other uses. It appears to be Cybertron's version of the genetic lottery, since up until one gets a T-cog, it seems as though it is quite impossible to determine alt-mode or abilities. Look at Jazz. He didn't get his little door wings until after he got his T-cog. This has a lot of implications for T-cog inheritance too. Is that a thing that can happen? Does it affect various bots differently? Many many questions.

Does the T-cog have an effect on the mentality of those who inherit it? Was Alpha Trion aware of this when he chose which T-cogs to give to the crew?

I honestly think it's impossible to know at the moment. We don't have enough lore to make a solid assessment. But I would like to think it at least has some effect on the bot in question when they get a T-cog that was not originally theirs. Again, look at Megatron. Maybe Alpha Trion selected the Primes with the most adaptability for a reason. Perhaps some of those latent traits present themselves in their new wielders. I don't know, but I would very much like to.

Cogless bots are essentially children.

They are smaller, slower, and from the looks of it, less liable to fight against those larger than them (although that could just be common sense.) They don't appear to be less intelligent or anything, but I do imagine the T-cog is a sort of wakeup protocol for bots. It diversifies them, allowing for specialization. So yeah, from the looks of things, they might as well be children frame wise.

No noticeable spark chambers. Instead, we have the slot for T-cogs.

I find it downright fascinating that instead of having a way to expose their sparks, the TF One bots instead expose their slot for their T-cog. There's not a ton I can gather from this lore except for the fact that this must mean sparks are likely farther into the frame and more protected, and like a human heart, probably not meant to be seen.

(Also the smut writers are going to have to get creative)

There are different Primes this time around. Still Thirteen of them, but a few old and new faces from various continuities.

I have no clue what it implies for the most part, but from the looks of it, we aren't going to have an IDW/TFP Arisen any time soon. All the Primes are named, have faces, and are confirmed to be dead. There's no mystery here about some secret resurrection Prime goofing around in the background. I like it personally, even if it does limit the more mythological aspects that could be present in this new continuity.

There don't appear to be any sort of familiar or mentor-mentee social structures on Cybertron. We also don't see anyone who acts young enough to possibly be newly forged. Does this mean everyone comes online with basic knowledge? Or are they put through bootcamp before even entering society?

Again, I'm thinking the bots are raised like cabbage patch kids, grown and watched over wherever they form until they come online. Then, most likely, the cogless just kinda figure it out, IDW style. Same goes for the rest of the population.

How are the cogless selected for their fate? Is it random since Sentinel removed their T-cogs before they even came online?

It's a good question that I would like the answer to. Most likely, it's a numbers game. Special traits don't appear to present until a bot gets their alt-mode, leading me to believe that the cogless are selected based purely off how many miners are needed at the time.

D-16 gained a weapon via being angry. Do all bots have that? Is it a stress response? Or is D-16 special like that?

Again, the T-cog question. It feels like it's related to biology somehow, but I don't have enough info to make a solid guess.

The Matrix is referred to as an entity. Why is that?

No bloody clue but I really hope the dang thing talks or has some sort of unique ability aside from being an extra battery that gives Optimus a really cool axe.

The bots have eyelids and tongues.

It makes sense that they have them. I just think it's neat.

Some bots have real names. Other do not.

I have no clue what this implies, but I am running under the assumption that there is either a criteria to meet to get a name, or bots just pick their names and roll with it.

The Ending + Implications

(How I think things will go from here in future films.)

The ending scene was ridiculous and felt chucked in there above all else (note: I am referring to everything after the t-cogs are distributed). However, it did offer a hint of insight into what is coming in the future.

Based on what Transformers One presented, and the fact that it has been stated that it will (if all goes well) be part of a trilogy, I have a few predictions for the coming films. Of course this is all speculation because the movie ended on a rather open ended note without much foreshadowing for what is to come, at least on the surface. So take this as my musings above all else.

Firstly, the Quintessons are going to be removed or otherwise sidelined as a threat. Optimus's line regarding the Quintessons at the end of the film leads me to believe that they were more of a plot device than anything else, and I expect them to become even less prominent going forward. I simply cannot see them being the BBEG of the trilogy considering the layout of the movie. Although it is very possible that they could serve as a minor antagonist to push the war along in later films.

If things continue as they are and the creators keep to the origin story vibe, then I see the second movie as likely focusing heavily on the war and its rapid fall into sheer chaos. I expect it to be fast paced, just like Transformers One. So quite likely, it will be a series of battles, schemes, and Megatron marching his armies while Optimus desperately tries to rally his people and fight back.

The second movie will probably be split between Autobot and Decepticon perspectives, Avengers Civil War style if I had to guess.

We will likely see Megatron gathering troops and capturing territory while Optimus fortifies what land Sentinel previously controlled in order to try and limit conflict (and promptly fail).

Optimus will go through some arc or another that gets him to fight seriously, but considering this is Optimus, he is probable to maintain his attitude of 'I can fix him' at least to an extent. Although, considering how he sent Megatron away, we may be surprised going forward.

We are going to be introduced to key Autobot and Decepticon characters throughout the second movie. Prowl, Jazz, Ironhide, Arcee, and others. Starscream, Soundwave, Shockwave, and the rest will likely get actual development.

There will probably be at least one peace talk that goes south the instant Optimus dares to breathe in Megatron's general direction.

Elita is bound to get more screen time than she deserves.

Bumblebee will earn his name and either have his voice taken from him, or he will end up forcefully silenced through some other means, perhaps a vow or trauma. Depends on how mature the creators want to make him in the future.

Megatron will probably end up seeing Orion as having died in some capacity, either that, or he will see everything Optimus stands for as a betrayal of their shared history and a insult to the suffering of the cogless.

The third movie will likely end with both factions abandoning Cybertron during a great exodus (if they are trying to follow G1/comic canon vaguely.) I simply don't see the films moving to Earth since that's been seriously overused over the past twenty or so years.

I anticipate the introduction and or the alteration of previously well known characters throughout all the films. Since the creators have been willing to adjust the origin as much as they have, nothing is off the table.

Those are all the predictions I can make at the moment considering there has been very little to work with foreshadowing wise.

My Suggested Adjustments

(My thoughts for an ideal TF One which stays within the time limit, keeps to the established plot & acknowledges the future existence of more films.)

Now, again, before I begin my edit rant, I will try my very best to keep to the plot of the film and not go off track. I will be offering edits, not a rewrite (yet). Also, most of this is just musing and things I would like to see, not professional writing. Take with a grain of salt. That said, here's what I would adjust.

I would add a few lines of dialogue during D-16 and Orion's chat on the train to hint at Orion having a fascination with the surface and/or skeptic attitude toward what they've been told backed with a desire to check things out for himself. This would be just to build a little extra character. Additionally, during their chat, D-16 can remind Orion that the surface is dangerous not only because of the Quints, but because the traitors are up there. The wild High Guard, now gone mad. Orion can wave him off, stating he's not going to become like Starscream before moving onto his discussion about how he has a feeling like he's meant for something greater. The conversation can then continue as normal.

Remove Elita from the mining scene in the beginning. Have someone like Ironhide be the team leader so that his gruff personality can really drive home just how dangerous their job is before they even get started. Instead of Elita's rant, Ironhide can again remind his group about the risks of their work and maybe even discuss how someone got his or her lower half crushed in the last tunnel collapse. The group can then rush to get to work, with D-16 and Orion being all buddy buddy about it. D-16 and Orion can greet a few of their fellows, maybe assisting a bit in order to bring in more familiar faces. A brief pause can occur for Elita to look down on the group from her position overseeing things. She and Orion can share a brief look/nod/salute/gesture that D-16 can then mock and Orion can use to remind his brother in arms that Elita is an old friend, nothing more thing less. Elita can then call down, ordering them to get a move on before they get in trouble. Ironhide can then get the group hustling into the tunnel. This would solidify Elita's place of power while also introducing other characters and the harshness of the work.

The mining scene can go on as usual, but when the rescue happens, Elita can jump down and order Orion and D-16 back, maybe yelling something like: "Pax, D-16, pull back! I won't ruin my record with three deaths in one day!" in order to cement her deep care for her position. And once they make it out safely, Elita can check Jazz over for a moment before getting in Orion's face, D-16 probably trying to not be involved. There they can share some dialogue that shows Elita's exasperation with him, but also her fondness. Perhaps something like this:

"How many times have we done this Orion? I can't keep letting you break protocol!"

"Even to save a few lives?"

"We are miners. Danger is part of the job. Your recklessness is a liability."

"Even though it saved you from that tunnel collapse last cycle?"

"That is beside the point Orion, and you know it. You really need to develop some self-preservation skills."

Then of course Darkwing can jump down and fire Elita, only this time instead of being as sudden as it was in the original TF One, Elita can instead be fired for letting Orion and D-16 off yet again AND sustaining an injury to her team (RIP Jazz's leg). She can fight back, saying that lives were saved despite the breech of protocol. Darkwing can then shoot her down again even when Orion steps up to try and take the blame. This way, Elita can have the final straw moment with Orion, her expression being bitter as she has her rank badge ripped off. Her dialogue with Darkwing can hint that this is not the first time she's let things slide, hence the demotion. She can look at Orion and D-16 in sheer anger, shaking with rage as she murmurs about how hard she worked for this position before shoving past both of them. This would make her less agitating as a character but still give her ample room for snark and anger while maintaining a connection to our main cast.

When Sentinel gives his message to the people, D-16 can get just as excited TF One canon, but Orion can be a bit skeptical. The scene with Elita can influence him, making whatever skeptical nature he'd developed all the more real. Perhaps, as a bonus, Sentinel mentions that the winner of this race will get to request something from him/get a new rank. Seeing this, Orion will then want to get in both to try and prove a point, and to hopefully make it so that he can get himself and those closest to him to a high enough rank to make a difference. His hope could be that if they won, he could request better oversight in the mines and a chance to show their grievances. D-16 can still, of course, not want to be involved when Orion implores him to try and be something greater.

The race scene can stay as is, only changing to show Soundwave AND Arachnid by Sentinel's side. But when the duo are in the med bay, Ratchet can come by to fix these two idiots up. Instead of being cogless, he can be one of the higher ranked bots and perhaps serve Sentinel personally. While Orion and D-16 have their little banter session, he can work on them and probably tell them to shut up before the Prime arrives. Perhaps he also comments on their poor repair, wondering if the mines have medics. D-16 and Orion can state that they do not, earning Ratchet's anger since he assumed they at least had basic health care. Maybe he even tells them to watch their mouths, or perhaps praising them for their stupidity and being mildly in awe of it. This could set him up as an ally later.

The discussion with Sentinel can go as it does in canon, but when he leaves with Arachnid, it can be Soundwave who is ordered to 'remove' them. Soundwave can hesitate, looking at the duo and then at Ratchet would could try to object since he would know what is coming. Soundwave, ever the loyal aid to his Prime, could then call Darkwing in to take D-16 and Orion to their fate. Soundwave can even look genuinely upset at the scene, his fists all clenched up as the duo cry out in confusion. Ratchet can curse, and the scene can end with our two heroes being thrown down to sub-level fifty where no one without an alt mode with wings can escape.

Down in sub-level fifty, it can be a horror show. A huge set of incinerators where huge conveyor belts are transporting waste to the fires without end. Maybe there are even a handful of bodies amongst the mix, miners and other cogless. D-16 can continue to believe it must have been some huge mixup, perhaps getting all angry about it before B-127 appears from the rubbish, looking terrifying and scuttling over to them. He can get all up in their faces, maybe touching them to ensure they are in fact alive before his mask lifts and he goes right into being himself. He can have his nickname moment, but it can be mixed in with him showing the duo around the fires, giving them some warnings like:

"Don't mess with the bodies, those tend to be infected."

"Watch where you step! Don't want to miss energon by accident. It's rare down here!"

"With you two here, I won't have to worry about accidentally ending up on the conveyors while recharging!"

B-127 can ramble for a bit, much to our duo's horror. Then he can show them his makeshift residence, made of trash and other things. Inside can be all sorts of wacky things, including STEVE. As he's showing off his collection and gleefully pointing out things from various cities he's found, D-16 can marvel at a few of the older wartime relics Bee has and Orion can sift through Bee's stack of random reading and viewing material. As D-16 tries to smile through B-127's eager explanations of how he found things, Orion can note the symbol of the Primes on one of the small disks B-127 has. Bee can notice and exclaim how he found it on the body of someone from the High Guard forever ago. At that, D-16 can recoil, but Orion can turn the disk on.

The message can be revealed as normal, and again, Orion can convince D-16 to go despite the threat. Being trapped underground, they decide to give it a shot. B-127 sadly points out that he's been down in the sublevels for actual cycles and he's never been able to get out, not without a T-cog. At this point, he can show off his damaged T-cog, taking it from one of his shelves for all to see. The duo can be quite confused as Bee states that he came online with it broken, mentioning how he felt someone trying to mess with it before he was thrown into the sublevels. Orion's suspicions can grow, D-16 can become more adamant that something OTHER than Sentinel is going on here, and from there, they can use B-127's things and tools to work their way out. Perhaps they construct a grappling gun, or otherwise use old material to tower their way up to a vent on the far wall. D-16 can undo all the screws with some difficulty as the conveyor belts below them threaten to drag them into the fires. But with time, they can quickly crawl their way out, perhaps with D-16 grabbing Bee before he can fall back into the rubble below.

From there, Orion can use his knowledge of all things underhanded to begin guiding them up toward the surface. D-16 can add his input by feeling for wind currents and whatnot. All the while, B-127 can tell them he's heard of a train depot nearby, considering maps and other things that fell into the rubble with him + shaking over head occasionally.

Once they get to the depot, they can try to join the masses of miners loading up the train carts. Attempting to blend in, they grab grates and try to move quietly and just, not emerge from the train once they get on it since they know its heading to the surface. But as they are waiting to load, they encounter Elita. She engages with them, attempting to stop them as a form of retribution and even arguing that she's saved their hides one too many times. Orion, despite his respect for her, pushing his group on. They push past Elita, discarding stealth in favor of leaping into the train before it can take off. Elita, still upset and desperate to stop them from causing more harm, throws herself in after them with the intent to stop them. The doors close before she can, and in anger, she pauses, and books it toward the front of the train to try and halt it. Being smaller and nimble, she dodges attempts to grab at her, even knocking a crate over which hits Orion. As they make it to the surface of the train, D-16 and Orion lag behind, but B-127 manages to slow Elita down by grabbing her leg long enough for Orion to also pull himself up and grab her arm before she can hit them.

Then the traintop scene can play out as normal.

Once they are thrown to the ground, Elita can still get up in Orion's face, but instead of losing her cool, she can instead grab him, take a few breathes, and say something along the lines of this:

"Orion, since they day we met, you've been a thorn in my side. Always getting me intro trouble whenever you decide to run off with your go-bot buddies and make a scene."

"I know. And I'm sorry. But this... this is beyond any of that. We could find the Matrix, Elita. We could do what Sentinel hasn't been able to. We can save our home."

"And that is the only reason I haven't tried to punch you yet, Pax. But if this mission of yours fails, if this is all some grand hoax, I'm taking you and your pals back to Iacon and getting my rank returned to me."

"That's fine, because I quite firmly believe that this is the real deal."

"It better be, or you can bet your bolts I'm never going to let you live this down."

"I wouldn't expect anything else."

Orion and Elita share a moment of reconciliation before they both look over the map together. Leaning on each other for support as they follow the coordinates. All the while, D-16 and B-127 comment on the scenery, and helping their group avoid various hazards. D-16 might even note how there aren't an High Guard rebels, a fact that leaves him suspicious, especially as the group passes through increasingly frequent ruins, all inhabited by the bodies of bots who bear the symbol of the High Guard, or the long dismantled old Cybertronian army. D-16 might even see how it seems as though a few of the High Guard were actively trying to defend civilians, as evidenced by the bodies. This leaves him thoughtful, less angry.

There should be a few flashes of the group taking cover as strange creatures move on the surface. B-127 can pause to gather up some abandoned weaponry from an old base, earning commentary from Elita-One about how she never knew they once had so many cities on the surface. It should be a somewhat solemn march, and as they go, they can practice with their haphazard firearms by shooting as various targets to acquire what energon they can and to scare off random creatures. Orion notes the cities they pass through, listing off names he's read in the archives and being saddened by the fact that they lost so much. D-16 becomes more and more upset as they go, seeing the bodies and wondering why Sentinel hasn't recollected abandoned resources or otherwise given the dead a bit of respect in light of the fact that they haven't seen a single enemy so far.

The scene running from the Quintesson scanner can continue as normal, and the group can rush to the cave as they watch the huge ship loom overhead. The cave scene can also continue as normal, only this time, the group can be even more distraught since they've seen the remnants of their old empire and already have doubts. Awakening Alpha Trion can go as normal, as can Sentinel's discussion with the Quintessons.

D-16 and Orion can get into a slightly more heated debate than normal when they return. Orion exclaims his desire to have the people get their justice, making sure everyone knows their loss. D-16 can agree, but their argument can occur when Orion makes it clear that the people come before getting revenge on Sentinel. This does not go over well with D-16, and although Elita and B-127 attempt to step in, Orion and D-16 begin to argue more furiously until at last, Alpha Trion steps up and pushes them apart gently. Probably saying something like:

"Primus has a plan for all his creations. Do not judge too quickly, instead, act with wisdom and foresight."

Trion can offer the values of his fallen brethren, encouraging D-16 to act as Megatronus Prime would, as a guardian of the people, their voice and their sword. In turn, he can urge Orion to follow after Prima or Zeta, telling him to use his noble spark to be a voice of reason. He might turn to the Elita and B-127, but then he notes that they are low on time. From here, Trion can give the group the T-cogs of the fallen Primes and hurriedly usher them out as Arachnid draws near. The escape progresses as normal, and Orion and D-16 again have their debate. Orion stands his ground a bit longer, showing a hint of anger. But remembering Alpha Trion's words, he consoles himself and D-16 by stating that he trusts D-16, which in turn diffuses the tension.

The group can move quietly, with Elita being solemn and B-127 a bit shaken up. Orion and D-16 discuss what they plan to do as Elita watches for enemy units and B-127 hurries ahead to scout. As they talk, it becomes clear that Orion wants to rally the people and spread the truth first and foremost. Meanwhile, D-16 wants to strike hard and fast, a tactful assault meant to end Sentinel. They can worry about the truth later in his mind. They argue for a while, and as they fight, Orion can get a bit aggressive, leading D-16 to push him. As they tussle, they end up tumbling, and despite both B-127 and Elita telling them to shush and trying to pry them apart, the group are unable to evade the High Guard soldiers that surround them. they aren't given a chance to fight back before Shockwave orders their capture.

The scene with Sentinel and Alpha Trion can go as normal.

The group can wake to Shockwave assessing them, noting that their T-cogs are not biologically theirs. He finds this interesting, and since they are of interest, he prepares to remove said T-cogs/perform other surgeries to see if they are a new flavor of spy. D-16's fears are confirmed for a moment, up until Skywarp and Thundercracker stop him, ordering Shockwave to bring the prisoners to Starscream. The name rattles the group, causing them all to bunch up in momentary fear. But when they are brought before him, Starscream looks at them all in intrigue. He questions them, asking why they were on the surface at all since its essentially a barren wasteland. Shockwave points out their T-cogs, and Starscream finds it suspicious. Skywarp and Thundercracker guard the group, one with a gun to B-127's helm to keep him quiet.

Starscream steps before the group, scarred and battered, maybe even a little sickly looking from lack of energon. The rest of his soldiers aren't much better. He assesses the group before concluding that they aren't spies, merely newbuilds who got too curious for their own good. Not wanting them to go back and spill the beans about the High Guard, Starscream offers them a place as soldiers in his ranks, confirming that they fought against Sentinel, not the Primes. He also makes it clear that he will require the group's information regarding energon, that being his major reason for keeping them at all.

At his point, D-16 can step up, angry and unwilling to serve another false prophet. He refuses to bow to a mech who fled, and then their battle goes on as normal. D-16 proceeds to hold Starscream captive, stopping Thundercracker and Skywarp, Starscream's lieutenants, from acting and ordering the rest to attack. He declares his desire to fight, to strike back against the enemy while they still can. He points out their weakness, their lack of energon, and describes his experiences in the mines. Knowing they served the Primes, D-16 repeats the tenants of Megatronus Prime taught to him by Alpha Trion, rallying the High Guard. The High Guard, seeing his passion, and after watching him beat down a few more bots eager to stop him, agree to follow his lead. Starscream is allowed to live, only because Orion steps up and grabs D-16's blaster. They have a moment of tension, but it fades as D-16 throws Orion off and declares that he knows the mines and can guide them in for an assault on Sentinel. The High Guard, having little to lose and finally having a chance to fight, are eager to serve.

Orion can then step up, upset that D-16 cares more about vengeance than the truth. D-16 states that they can share the truth later, once Sentinel is dead. Elita steps up to calm Orion, urging him to not be rash and compromise. B-127 attempts a similar method with D-16 and urging him to at least take time to plan. Orion and D-16 do not back down, and just as Orion asks for them to at least take time to discuss things, the attack from Arachnid occurs.

The battle goes as normal, but in its aftermath, Thundercracker, Skywarp, and Shockwave remain, along with about half their troops. Elita tries to get Orion up and going, reminding him of how his nature has saved bots time and time again in the mines, and how his instincts brought them there, to their newfound truth. She comforts him with a quick hug, urging him to get back up now that they have information to spread and friends to save. Orion agrees, and speaks with Thundercracker, Skywarp, and Shockwave. He bargains temporary leadership by offering the same information D-16 had, the way into Iacon. The High Guard are hesitant, but they follow if only to have one final hit at Sentinel before their end. They are all sickly anyway, and Thundercracker can note that without Starscream, they don't have much motivation anyway.

The group can board up on a train that passes by, throwing out the crates and loading soldiers instead. Elita takes control of the bridge with the help of Shockwave who guides her through security protocols. When asked how he can do that, he simply states that he once served Sentinel, keeping it vague and maybe stating he was his head scientist at one point and that his credentials are still valid since he was assumed dead. It could be something like that. And Shockwave can get them past security without issue. Thundercracker and or Skywarp rally the troops as Orion leaps from the train, making his way toward the mines.

There, he can speak to his fellows. Covered in soot, grime, and ash, he can hold a gun given to him by Skywarp before his leap, and he can make his grand speech. There, the miners are hesitant even after being told the truth. But Ironhide and Jazz can step up, offering their belief and support. Seeing that, other faces from the mining scene earlier in the film come forward, willing to fight. Orion tells them to gather up their tools, to fight for their freedom, and from there, the miners also raise concerns about their wounds. At that point, Ratchet can step forward, stating that he can help. Orion is in awe, but is even more shocked when he gets word that Soundwave of all bots is offering aid and supplies. More soldiers join the miners, eager to fight. Ratchet can smile, picking up a pistol and declaring that he, Soundwave, and a few others have had enough of turning a blind eye to the injustices committed by Sentinel and his kind.

D-16's interaction with Sentinel goes as normal, although Starscream does pipe up along with B-127, attempting to save D-16 neck as he refuses to bow. After Sentinel carves the symbol and Arachnid points out their incoming enemies, the scene can shift to show cogless, not cogless, and High Guard soldiers alike all pouring onto the premises. Sentinel can demand to know why their defenses are lowered, turning to Soundwave in anger. Soundwave for his part can then betray Sentinel openly, showing his distaste and getting a solid punch in before he's thrown across the room. On the ground, Ironhide can be seen directing soldiers alongside a future Decepticon of choice, perhaps the Stunticons or Constructicons help him tear down some walls or other defenses. Ratchet can also be seen working with a few of the cogless and offering covering fire as Jazz and Prowl rush forward to get in a few potshots with their far too large weapons.

The battle progresses as normal, and Orion manages to get the truth out as per usual. The scenes shift to show bots all across the city swarming in anger, breaking things and fighting anything or anyone that looks like they might follow Sentinel. Elita and B-127 celebrate and Orion orders them to go assist with controlling the assault in order to capture Sentinel's followers and limit the chaos. They agree and rush off, but Orion soon finds himself in the battle with D-16 and Sentinel.

The Fall goes as normal, only having a bit more aggression on Orion's part as he pleads with his best friend, begging him to at least wait until the people can judge Sentinel themselves. They are fighting for freedom of choice, and he tries to dissuade his friend for D-16's sake. Unfortunately, the Fall goes as planned, and D-16 lets Orion drop after he comes to the conclusion that it would be better for Orion to die here than to witness what he's going to do next. He may even tell Orion as such, calling it a mercy. Then, he lets him fall.

Megatron rises as normal, and Orion is brought to Primus's core. There he hears whispers, contrasting Megatron's speech. Orion hears the Primes speaking to him, each murmuring softly and quietly showing him visions of times gone by between him and D-16, a final goodbye of sorts. Then, it ends with the Matrix bestowed, and Optimus Prime is born as a chorus of voices calls his name. He rises to the surface as Megatron starts shooting at Elita and B-127, Soundwave joining him along with Starscream who covers his back. More future Decepticons rally around him, helping him in his rampage while the cogless and Ratchet try to limit the crossfire. It all ends as Optimus Prime comes forth.

Their battle can then progress as normal, with Megatron being banished. Optimus can still be sorrowful, but something hardens in his gaze as he turns away from where Megatron fled. He had his moment to let go when he took the Matrix, and now he's ready for war. He gathers his allies, looking over the devastation and up toward the surface. Elita comforts him quietly with a smile and a hand on his shoulder. B-127 notes Optimus's new height and points out the people below, the cogless all watching in awe. Elita encourages him to speak, and Optimus does just that, rallying his people one more time with encouragement and a declaration that they must move onward, to reclaim their freedom and their world.

He raises the Matrix high, and energon again flows. The people are thrilled, and soon they each begin to step closer to the streams of energon. The cogless lean close, and their T-cogs are returned to them. The movie closes with Optimus's narration about how their battle is not yet over, and how it has merely begun. All the while, Optimus is shown getting his people in line, Elita standing proudly by his side as he begins to organize his troops. Ratchet smiles and pats him on the shoulder, Ironhide flexes and picks up a blaster, Jazz gleefully flutters his door wings. The people salute and cheer as Optimus passes. The scene then changes to Megatron with the High Guard, rebuilding their destroyed ship. Megatron welcomes new recruits from Iacon into his ranks.

Everything ends with the two leaders looking up toward the surface, ending with Optimus overlooking their world and seeing a Quintesson ship flying away as he gives his closing narration.

This is roughly how I would adjust the movie, minus all the itty bittie things that would have to be brought up with the animators and voice actors. But plot wise, these are my adjustments. It would lay the groundwork for future films and also establish character lore early. So yeah, enjoy my take.

Arguments Against My Critiques

(Q&A against Strawmen. More of a joke than anything else don't take it too seriously.)

The movie is aimed toward a younger audience. You shouldn't be so serious with your review.

The movie had Megatron quite literally tear a mech in half. On screen. No cuts. It also dealt with the slaughter of actual Primes and touched dark themes like slavery and the beginnings of an Orwellian society on Cybertron. Sure, it had jokes and gags aimed at younger audiences, but this film was created with so many Easter eggs and callbacks that I cannot find it in myself to believe the creators were aiming for a children's film. They made it for Transformers, a franchise forty years old. When messing with such an old franchise that has always touched delicate and serious themes throughout all its media, you have to consider old and new fans alike.

Thus, I feel no inclination to be nice in my assessment. This is a film that's trying to reach all Transformers fans, so I will assess it as a full and proper movie.

The studio only had 75 million dollars and a tight time limit for the film. Can't a few allowances for pacing issues be made?

No, no allowances cannot be made. A good piece of media should be able to stand on its own, and a well constructed film should be capable of cutting excess fat in order to keep the movie on track. Transformers One was trying to do the seemingly impossible by shoving an entire origin story in one film. While I think it was possible to have been done tastefully, as seen by the glorious scenes spread throughout the film, they failed to make the pacing make sense.

They had roughly and hour and forty minutes to make their story happen, and far too much of that time was spent on meaningless characters and scenes. If that time was reallocated, the film could have dealt with much of its pacing problems. It probably wouldn't fix everything considering the tight timeframe for such rich characters, but it was doable.

Additionally, 75 million is MORE than enough to make a quality film. I doubt funds were an issue here. Although they might be going forward.

Orion was in a state of shock and couldn't be expected to act perfectly considering the situation. And D-16 anger made perfect sense so there is no need to criticize them both so harshly.

I partially agree. I can't judge them too much because on their own, these traits of theirs are expected and in fact, good for their development. Unfortunately, due to the pacing, D-16's combustive rage and Orion's passiveness came off as rushed and somewhat childish on both Orion and D-16's side. I judge them harshly because their arcs feel like whiplash, or in Orion's case, unfinished. I'm willing to give D-16 a little room because his arc actually arced, it did its thing and finished in a convincing manner (disregarding the pacing). But Orion? Nah. I judge him and D-16 because they could have been so much more given TIME.

The plot wasn't that bad. The progression made sense on paper and each shift in the narrative led into the next scene without much trouble.

I'm sure it did! I really am! If I were writing a novel with this plot, it would make sense when blocked out! But the presentation of an idea is what defines it. Transformers One had a perfectly acceptable outline, I'm sure. But the pacing threw the entire thing into a blender and topped it with mustard and kale. Because of the pacing, the plot itself started to fall apart, especially with excess bloating in the form of unneeded scenes and characters. It's a shame since I'm certain that given enough time and proper progression, the jerky scene shifts could have been made spectacular.

The High Guard could have worked. They really could have. But they needed foreshadowing and time. The same goes for a lot of things in Transformers One.

Why are you so harsh with Elita-One? She finally got some spotlight and had a chance to shine!

A shiny turd is still a turd. Next question.

You can't expect every background character to have depth or for there to be a thousand cities for the cast to traverse.

True enough! But to that, all I can say is: Environmental factors.

I don't need to see Kaon, Tarn, Helex, Uraya, Polyhex, Rodion, or any of the other cities seen in various Transformers lore to know they exist and feel the world is bigger (And if they don't exist in TF One then it would be a great hint at the horrors inflicted by the Quints to state that there are no other cities anymore). All it would have taken was a bit of background lore and attention to detail to make me and other viewers feel like there's more to Cybertron than a cave, a field, and a city. A few posters on the walls, some background chatter from side characters, maybe even Bumblebee mimicking various accents from around Cybertron since he's meant to be comic relief. Heck, just show various flashes of bots in other cities being shooketh during the big reveal with Sentinel and suddenly the world feels so much more lived in.

And for characters? I don't need Soundwave's entire biography to feel he's rich. Look at Arachnid. I know next to nothing about her but she feels alive. All the side characters needed were important side roles and a few actions worthy of note. Think of TFP Soundwave who hardly ever centered but was always there. Always doing something to assist the main story. It really shouldn't be that hard to make a world feel alive. Just attention to detail.

Why does the voice actor for Orion/Optimus matter so much? What's the point in focusing so much on it?

It matters because there is a distinct change between Orion Pax and Optimus Prime. Frankly, you could have anyone be Orion because Orion is the origin. But when it comes time for him to grow, to become more? That's when its time to put on a warface and give Optimus Prime a voice that matches the name. Optimus Prime isn't just a name, it's a title, it's a long string of powerful characters each showcasing empathy and strength in equal measure. If Optimus's voice is not distinctive or powerful, his resonance as a character is seriously damaged. Now why don't I share this opinion for Megatron? Because Megatron doesn't have a frickin relic in his chest. Megatron is a voice for the people. Megatron is the embodiment of strife and anguish. His rage and his passion is what gives him distinction, not necessarily the commanding tone of his voice.

It's a difference in character that makes me care so much about the voices for Orion Pax and Optimus Prime so much.

Why bother with such a long review at all?

Because Transformers One is the first not-garbage to come out in over a decade. (No, I do not like Earthspark. That's a whole other animal and I don't think I'd have the willpower to actually watch the thing again for a review of this length.)

I want to give this film the respect it deserves by showing my every thought for it. I want to show people that despite all its good and bad features, its still something to think about and acknowledge. I don't want something this groundbreaking for our beloved franchise to go down the drain because people were too apathetic to care or too blinded by new content to use their brains and help develop better things going forward.

Final Note

(Best film ever? No. Great addition to the Transformers Franchise? Yes.)

Transformers One was a masterclass in setting a scene and establishing relationships. Everything in the first ten to fifteen minutes of film was brilliant in regards to setting up the world and our main characters. Even if I weren't a Transformers fan, I would care about the brotherhood between Orion and D-16, or at least understand it. The visuals were stunning but not too intrusive and the film was clearly made with love. The characters that were given screen time were fleshed out as much as they could be considering the constraints. And while a great many things were very out of place and made no sense logically, at least within the rapid fire time frame that is the film, the overall movie was enjoyable right up until the meeting with the High Guard, at which point things became a bit contrived.

The plot was whack considering the film's short run time. Some things were very janky. The Quintessons weren't shown nearly enough or given sufficient presence. But again, lots of this was just a side effect of not having enough time to get things rolling slowly and properly as they should have been. It was a kick back, binge on popcorn, and scream at Easter eggs type movie.

If you want something colorful to look at and a half decent set of characters to enjoy, go right on ahead and watch TF One. You certainly won't rot braincells like you would watching some of the Bay films, but I can't in good concious say that TF One is better than older things like Prime. It is a brilliant concept that needed more time. It needed probably a two and a half to three hour runtime to set up, to get the ball rolling in a meaningful manner, and to establish the broken friendships and rivalries in a far more intimate manner. The concepts are lovely, the scenes are well done, but its a pity that it was cut so short and so many things were shoved together when they could have shone on their own in the proper setting.

There was so much there, and yet so much missing. So many pieces that fit well and yet so much more that was cast aside altogether. It is an imperfect thing, but this movie isn't a bad introduction or addition to the Transformers franchise, not in the slightest. Its a new start, a chance to make things better for this fandom and its abysmal run of bad movie after bad movie developed in Bay explosion style topped with far too much emphasis on humanity.

I believe that while TF One isn't going to be my personal favorite, or even the next big thing for the time being, it sets a new standard. No longer can we be fed garbage, because now we've been given a chance to look at something better. Hopefully, TF One will set the groundwork and foundation for far better films and shows going forward, giving this fandom new life and redeeming our sullied name as the big explosion robot fanatics.

TF One is flawed, but its a start. It's a fledgling attempt to make something new and interesting in a show business that is dead set on killing creativity and squashing anything of quality in an attempt to press an ideology. It is the baby steps shown by people who care. People who want to see the movies they never got. I will not fault it or the creators for existing. It may not be Lord of the Rings, War for Cybertron, Transformers Prime, the comics, or other big names, but it is a hope for the future.

It's not a bad movie. It was simply born in a bad time.

With that said, I'd recommend watching it at least once, if only to get a glimpse of what we have gotten and to have hope for what we might get going forward. I certainly intend to fill in holes with fanfiction, but that's just part of fandom, is it not? Enjoy this new piece of media, but don't take it too seriously. It's flawed just like everything else, but can be taken for what gifts it brings.

"We could have built the future together."

"I'll build it myself, after I tear down everyone in my way."

[miradanii]

More Transformers Spoiler thoughts...it's a jumbled mess.

1. I don't know why I didn't catch the rocks in the mines were moving on their own for the first time.

2. Also, I noticed and kept laughing way too much when someone said the word MINERS. Like I can't. It's the point where I wish there was a secondary word for it so I can stop giggling when someone on screen refers to them.

3. Silverbolt and Jetfire are in the race!!! And now gives me a shit ton of questions aside from the organic life that's on the surface of cybertron.

4. they did a close up shot of Optimus grabbing on to D-16 when he's about to go off the edge of the road. Had an ouch in the moment.

5. I wanted to watch this movie again cause someone pointed out how D-16 licks his teeth before fighting Starscream and...yeah wow one side of me appreciates small details about a character. Like think of Chihiro in Spirited away putting on her shoes and after standing up tapping the tip of her feet so the shoe feet's right before walking off. There's a lot of mini actions characters kinda do that you might miss and it's just wonderful attention to detail....and the other side of me just wanted to witness this man's tongue for myself because I did not catch it the first time. Because my first thought seeing the screenshot was...."they have tounges?" And I see it right?

I won't comment further.

6. Watching a second time had me pay way more attention to D-16's decent and inevitably to become Megatron. Cause I have seen some of the criticisms. Of maybe it coming out of nowhere or could do a bit more and yeah maybe? It felt much smoother second time around.

7. I also didn't realize Sentinel was the one who told him to "Rise Up" and not even like 10 minutes later D-16 uses it in his grand speech/as Megatron in the aftercredits. Orion making such a bad move to tell him not to be like Sentinal just ahhhh. So this reminded me of a show that did the same thing, a friend turning evil before their eyes, but despite being a good person, she says all the wrong things in the moment. Literally everything wrong.

Orion begging D-16 not to be like Sentinal is not what should even be said at the moment. It just made him more defensive and double down.

8. Facial expressions that are ingrained in my head

-B-127's face when D-16 is arguing with Oron nearly insulting B in his face.

-Orion's really sad during the second half of the movie

-Megatron's optics slightly dimming for a few seconds when Optimus tells him that he's banished from Iacon.

-Elita's change of expression when they reach the surface and Optimus looks at her though in the trailers seems romantic (knowing the history of Oplita) but it's more relief and a I told you so kind of way????

9. I like Elita more now. Her dialogue is what uplifts it for me, mostly in the realm of a supervisor in desperate need of a promotion. Idk if you work 9-5 or a nightshift that spans 10 hours her dialogue is really funny to me.

My least favorite trope is when there's just "girl that is competent and kick ass". For once, Transformers One doesn't let that bother me.

Pretty much due to all the characters having the same level of combat knowledge or scenes punching Orion because it's funny. Arguably Elita-1 doesn't heave weapons like the dudes, and is a fucking bike...and she's pink but overall it's not like there's anywhere in the film that remotely mentions any type of sexism or "girl needs to prove something". She was kinda already doing that with her job until she got fucked over.

Having at least another character relating to her goals in the movie helps too. She and D-16 emphasize wanting to rise the ranks and fear demotion/living through it.

(Now that I think about it...Elita hinting to becoming close to Optimus after Megs is more entwined in the story than I thought. It feels like a slow friend switch and then B-127 is also there).

I wanna see the movie again so I can she Elita-1 and D-16's interactions. Cause I can't think of any specific ones at the top of my head aside from the fight at the end.

10. I love B-127. I think he's a bit older given his immediate knowledge of the High Guard (idk)??? Yeah it's a gag pointing out WaveWave but I like it's his character moment where he just contributes to knowing something.

[youngerfrankenstein]

Popping in briefly because I finally watched Transformers ONE!

It. Is.

OKAY! It’s pretty fun. Thoughts under the cut.

I was not wrong about a lot of the humour being quite bad. Not that there weren’t also moments that made me laugh but enough made me eye roll to not mention it. B-127 did get the worst of it, with perhaps one joke near the end that had me losing it while mostly wishing he was mute in this movie too.

It also really fell into the trap of what seems to be a lot of modern Transformers media trying to cram in as many iconic catchphrases as possible. It gets exasperating. Make a new one. That said there were a lot of little referential moments that made me smile! Like Wheeljack’s one major contributing factor to the story being accidentally blowing something up.

Story was alright, but felt really rushed to me. Like I get that they had an hour and a half to get everyone at least adjacent to their starting positions, and they did the best they could. But it still felt off. Particularly D-16 given his fall felt less like a descent and more like finding out one awful truth and plummeting off a cliff to become turbo-Hitler. Though I will say they do a decent enough job given the parameters. Things like Orion immediately going “okay how do we help everyone else?” and Dee going “I want personal revenge.” Highlights the main differences between them and why one of them is cut out to be a leader. Also things like Dee being the one to always stick to protocol and will be the leader whose style is very much “do as I say or die.” I will say they did a good job of actually making D-16 and Orion feel like friends with the limited time. Which is good, because I don’t know if the movie could have worked otherwise.

Nothing particularly surprising either. Though it’s kinda to be expected. Guessed Sentinel sold out Cybertron to the Quintessons well before the movie came out. And fortunately they don’t really expect you to care about robot politics besides “Sentinel Sucks”, though looking back I’m not sure why I was worried. Also I think he’s my favourite character. I’m a real sucker for fun villains as is probably very clear by now, and he is very fun. Even if the engineered confession was cliché. Part of this is probably also because I tend to like Jon Hamm. Which I guess brings me to the cast.

If I’m being totally honest the voices for none of the main four really work for me? Brian Tyree Henry is definitely the one who works the most to his credit. Hemsworth is… fine. He’s fine. He could be a lot worse. Though other than them most of the cast works well for me. Though I do still wish there was more respect for voice acting as an actual career by Hollywood. That said Soundwave’s voice was done well and that is all I ask.

As for things I just straight up enjoyed the animation is REALLY good. And I really like a lot of the designs! The bots, the train, THE QUINTESSON SHIP!!! Also kind of like the whole Fisher King thing Cybertron seems to have going on

[Cinematic Parallels]

And the fact it’s constantly transforming. The ACTION! So well done. All I really wanted was a thrilling punch-up between Optimus and Megatron and I GOT IT! There’s also the frequent use of blatant irony which is MY cringy dialogue trope! Favourite of course: “No more false prophets!” <- False prophet seconds before robot Jesus shows back up.

(Perhaps irony is not quite right but it did make me smile.)

And the most minor one, Oppy getting the Castlevania axe subweapon.

All in all I do hope we get a Transformers TWO. I think there’s more story to be told in this universe, it feels somewhat fresh. And I think with a bit more space to flesh things out it could be quite good! Also I just want to see the gang fight the Quintessons. (Big Quintesson fan here. #bringbacktheG1origin)

Was it the best Transformers film? No. That’s still Bumblebee, and by a country mile.

But was it a good time for the kids?

Yeah, I would think so! Mission accomplished.

[indignantlemur]

hello, I have a bit of an odd question. For each species culture in Star Trek do you think would fit in Star wars? I think the andorians and Klingons fit with the mandalorians. What do you think?

Have a nice day.

Hello! This is a fun question!

I'm gonna narrow the scope a little, because if I did every Star Trek species we'd be here forever, but I'll try to hit all the main ones.

Andorians: I could see Andorians fitting neatly into the realm of Pantoran or Chiss characters pretty easily, and what little we know about the Chiss feels a lot like it could parallel Andorians in their earlier, more isolationist histories. I particularly feel like the rigid social structures of the Chiss and their military philosophies would fit quite nicely with Andorian values. Likewise, Pantorans share some similarities with Andorians, like exceptional hearing and coloration. Additionally, the tradition of garnering tattoos to indicate family and allegiance amongst Pantorans does feel similar to Andorian chitin patterns.

Humans: Humans across all universes are pretty much the same, let's be honest. If you take an average Star Trek Human civilian and plonk them down on an average Core World in the 'Wars universe, they'll do just fine.

Vulcans: Of all the species, I feel like Vulcans prove to be excellent candidates for Jedi recruitment, but that's not actually a species, so: Kel Dor. Hear me out: they have sages, they're largely mysterious, they are on the whole very force sensitive (psychically powerful) and they keep much of their culture and traditions to themselves. It's a stretch, admittedly, but I think it kind of works.

Trill: Phydolons feel like a good match. They're a symbiotic species which form a kind of gestalt consciousness between a mammalian host and a fungal symbiote, who value wisdom and spirituality.

Klingons: The Noghri might not feel like the most immediate option to come to mind, but bear with me. Noghri are skilled warriors who utilise technology and an array of natural weapons and defenses, place high value on honour, and function societies built upon familial clans. It's not as much of a stretch as you might think, looking at that. Just as the Klingons are honed for war, the Noghri are uniquely suited for combat - though the Noghri are most well known for being assassins, rather than front-line warriors.

Orions: The Falleen, hands down. Green skin, dark hair, known to use powerful pheromones to influence others, regularly associated with major crime syndicates... it's hard not to see the parallels. It's tempting to say Twi'leks here, but honestly I feel the Falleen are a much better match.

Ferengi: Muun in general, and the Banking Clan in particular. Muun are extremely intelligent and naturally gifted at mathematics, and while the Banking Clan gives them something of a negative reputation, most Muun are pretty decent folks. Sounds familiar? Wildly different physiologies aside, I think the Ferengi and the Muun have a surprising amount in common.

Tellarites: It would be incredibly lazy to say Gamorreans here, so I won't. Truthfully, with the minimal lore on Tellarites that we have to work with, finding an equivalent for them in the Star Wars universe is a bit tricky. I'd be inclined to say the Gran, perhaps, for their colonial tendencies and agricultural leanings, but even that feels very weak to me.

Mandalorians: Mandalorians are not a species but diverse individuals who follow a shared creed, and therefore I don't feel it sensible to include it with any of the above options which are based on species. Additionally, there are at least four kinds of Mandalorians, which further complicates the issue: Death Watch, the Children of the Watch, the True Mandalorians, and the New Mandalorians. Your choices narrow down to child-abducting-hyper-militant-terrorist group, weirdly-genetically-homogenous/militant-pacifist group, militant-but-mostly-reasonable-and-kinda-culty group, and a virtually non-existent faction of militant golden-age-Mandos-cut-down-before-their-time. With all of these, your mileage may vary wildly. I could see Vulcans being attracted to the New Mandalorian philosophies, I suppose, and Andorians would probably be all over the True Mandalorian option, but it's hard to say more beyond that outside of individual circumstance.

Thanks for the ask!

[the-boy-who-drank-the-stars]

unedited excerpt from my black brothers angst fanfic

if anyone cares

“Absolute filth! Disgusting! Disgrace to society!”

Regulus schooled his face into a monotone, expressionless look as Walburga paced in front of him, face flushed with fury, positively seething. “How low the Ministry has sunk!” she cried. “To invite those Mudbloods to a gala-”

Behind her, perched on the arm of the couch, Sirius rolled his eyes. Crazy old bat, his face clearly said. And while Regulus agreed with Walburga, he did have to admit her raving was getting tiring. 

“Yes, yes, dear, a true disappointment indeed,” said Orion placatingly. Their father stood by the fireplace, the cup of Floo Powder in his hands. “Shall we go now? We’ll be late if we dawdle any further.”

“Mudbloods! At a pureblood gala!” Walburga fumed. “Absolutely unacceptable!”

“How horrible,” Sirius whispered sarcastically, and Regulus bit his lip in an attempt to hold himself back from slapping his brother. 

“Dear,” said Orion. “Think of how bad it will look if we’re late.”

And just like that, all the rage and indignation seemed to drain out of Walburga. She deflated, and for a moment, Regulus almost felt sorry for her. It couldn’t be easy, watching the Muggle scum slowly take over the wizarding world. “Yes,” she murmured. “Yes, yes.” She reached up to touch the dark curls piled on her head, in an elegant bun. “Does my hair look alright, darling?”

“Nothing less than perfect,” Orion reassured her, though it was clear he couldn’t care less and was just relieved his wife had finally stopped ranting. “Shall we leave now?”

“Yes, of course.” Walburga turned, and Regulus almost flinched, wondering if she might go off on another tirade. Was it his hair? He was sure his appearance was decent enough. 

But instead, in what should’ve been an improbable act of affection, she simply placed a gentle kiss on his forehead. “Finish your homework, and perhaps I’ll take you to Uncle Alphard’s tomorrow,” she said. “If you need anything, Kreacher is there.”

Her words were almost startling- Regulus couldn’t recall the last time she had been so tender towards him- but he just nodded and said obediently, “Yes, Mother.”

Walburga turned to Sirius, who was watching her through slitted, suspicious eyes, as if he were also wary of her drastic mood change. She did not offer the same kindness as she had to Regulus. Instead, she spoke coolly, “Don’t do anything foolish.”

Sirius gave a sullen shrug, and if Regulus didn’t know better, something like a glimmer of hope vanish from his eyes. Her face darkened. “At least answer me, boy,” she snapped.

“I won’t,” he shot back in the same crabby tone- then he swung himself off the couch and stalked towards the staircase, his shoulders hunching as they always did when he got irritated.

[ang3l0fde4th4ndd0gs]

Random Idea For A Fic That I Had

Word Count: 1023

Gist: If Regulus and Sirius were left their Uncle's fortune with a clause that excluded their parents and an urging to get out of England after graduating Hogwarts.

Dumbledore's A Decent Fucking Person AU!

Sirius sat atop the velvet cushion of his jewel encrusted throne, the drapes on the castle walls fluttering in the wind coming through the broken glass of the windows. The only thing he’d been willing to pay for so far had been his seat, he was adamant that if he were to live in this insane environment, he would at least need some comfortable place to rest. His mother had lost her mind when he walked out of the house after the Ministry had informed the Black family of his uncle’s passing. She was furious that Alphard had done such a thing, that he had left the one child that she swore wasn’t good enough to be the heir to Black family’s fortune everything he owned. 

Well, it wasn’t really favouritism that sparked this idea. Alphard had always hated his brother and his cousin. He knew Sirius did too, he knew that Sirius would get out the way that he did. So, when he took his own life at age 40, he left everything to Sirius, including this damned castle that sat atop the hill across from Orion and Walburga’s vacation home in London. 

When Walburga found out that Sirius was the sole inheritor of the fortunes her cousin had gained over his lifetime of work as an Auror and a Chemist, she tore the place apart, looking for anything she could take. Sirius of course, wouldn’t have that. He was only fifteen but still, he sent a message directly to the headmaster of Hogwarts, explaining everything in as much detail as he could. Walburga looked absolutely terrified for once in her life when she found that Dumbledore was on his way there now.

Which led him to where he sat now. The sound of his mother’s shrill screams as Dumbledore walked up the path which led to the castle doors began to fill the room. Sirius kept a smug smirk on his lips as he watched the old man walk up to his mother. 

“Madame Black, I see we meet again.”Albus said, looking down his nose with judgement in his eyes at Walburga who only stared back with the rage of a thousand suns in her eyes. 

“What do you want this time? To steal my sons from me again?”Walburga snapped at the headmaster.

“I want justice for what you’ve done to your sons’ newfound home. Sirius has informed myself of all of your most recent wrongdoings toward him and young Regulus. I have decided they don’t need any more of it.”

“How dare you!”Walburga shrieked.”I’ll have-”

Dumbledore cast the silencing curse on Walburga with a gentle flick of his wand. “You will leave those boys alone. They have done nothing but work to please you and your husband and frankly, I’ve noticed the toll that your treachery has taken on the two of them.”

Sirius could only stare at the white-bearded teacher in confusion. The heir was stunned at the knowledge about his home life that the man held. Before he could say anything, Dumbledore simply picked Walburga up and left with a slight bow to Sirius. Regulus, who was hiding behind the pillar next to the doors came running over to him. 

“Is it over? Is she gone?”he asked almost silently, his usual poise and sophistication now replaced with a quiet, child like innocence.

“I… I think so. I hope so. I wasn’t expecting any of that.”

“Where’d he take her?”

“Away, apparently.”

“She ruined it… all of… everything…”Regulus mumbled.

“Uncle Alphard knew she would do something like this. But, I’ll fix it. I always do. I think he put a restoration spell in his letter anyways.”

Sirius stood up from his seat, stretching as an attempt to wake himself up from the whirlwind that just happened. He took the letter from the back pocket of his ripped jeans and skimmed through it to find the restoration spell that Alphard built into the castle before he died. Sirius performed the spell, effortlessly as Regulus watched with wide-eyed wonder. 

The deep purple drapes that hung over the windows, rolled down, their colour restored and their golden borders gleaming once again, the beautiful stained glass windows depicting images of gardens and forests seemed to fit back together like puzzles, the rugs on the ground rolled back into place, their matching greens and purples returning and the doors all seemed to repair themselves after Walburga’s rage. 

“This should be simple. As long as our parents don’t get ahold of the castle, it could be ours. Two teenagers with a hold on the castle is probably not exactly legal but, noone can legally take it away either. And believe me, Alphard left more than enough to give us an amazing life since his parents and a few other members of the family left their fortunes to him before he died.”Sirius rambled to himself as he sunk back into the comfort of his throne. 

Regulus climbed into the matching seat beside him. “This was never your thing, Sirius. You would rather live in some ratty apartment in America than in some extravagant castle. What did Uncle say? Did he say we had to keep it or…”

“He said that it would be wiser if we got out of the country after we graduate. So I assume that means we should get rid of this place too. I would rather go through it first, I’m sure we’ll want his journals and stuff.”

“Your friend absolutely would. He seems to enjoy studying all of that.”

“Oh I’m sure that Remus would be thrilled to have journals filled with the ramblings of our old geezer uncle.”Sirius laughed.

“He actually would.”Regulus whispered.

“How would you know?”

Regulus stayed silent, not answering his brother’s question.

“No matter.”Sirius said, regaining his confidence. “Now that we have a place of our own, we might as well use it.”

“How do you mean?”

“A party of course, we could sneak people out off of school grounds in the middle of the night. I doubt we would get caught.”

“Yeah… a party sounds fun…” 

Sirius jumped up from his seat and practically ran up to the study to write his best friend, James a letter. 

Note: I don't know that I'll actually finish this one but I was just bored and wanted to come up with something to write. I'm probably gonna work on my usual nonsense but I've also just been trying to get back into mass writing fanfics because honestly I used to do that. I might continue this one to just turn into like a random microfic that I post on ao3, not like a long fic. I don't really like writing super long books or anything. I might also try and write another chapter for one of my series or something. I don't know, I've begun to ramble again.

[ilovescaredysquirrel2]

Inside Out 2 was decent (possible spoilers)

Okay so I don't really get hyped for Inside Out 2 as much as everyone else does, but I'm not denying that it was a cute movie, it had it's pros and cons. It's nothing special, though. I enjoyed the fist one and I love the new characters in the sequel. I'll start with the pros because there's more cons.

Okay, so I mostly love how they didn't push any romance tropes, other than Disgust hitting on that video game guy (that i noticed Anger and Fear kind of checking him out as well) and personally I think giving Disgust a love interest was out of character for her, but it worked. I mean, she's usually disgusted at everything but seeing a hot purple hair anime warrior calms her down. I actually LOVE how they had Riley crush on a video game character an not a boy at her school, I was so happy about that. Those of you who wanted Riley to be lesbian, I'm so sorry! I'm okay with that personally, even though I support LGBT, because I think it's more relatable for me the majority of girls watching that they didn't make her a lesbian. Maybe Disney will make a lesbian protagonist someday? And if not, maybe a better movie company will! Also, there's no romance between any of Riley's emotions, yay! It doesn't make sense if there was! Also, I like how they referenced to Dora the explorer in a funny, lighthearted way, instead of making fun of it in an offensive way. I hate when people make fun of innocent kids shows to be offensive, I really think they referenced to Dora just for laughs. Also, Anxiety's a decent character. I like her, personally. I like the idea of Disney not having real villains anymore, because not everything is just pure bad or good. Anxiety was just an antagonist and it's okay, she also got redemption too.

Now for the cons... and this is gonna be long. Okay, I DO NOT SUPPORT DISNEY! I mean, I don't think this movie should be the thing that brings Disney/Pixar back from their dark ages, but I'm not hating on the Inside Out 2. I do think it's overrated. My biggest complaint was the fact that THEY STOLE CHARACTER DESIGN FROM ANOTHER MOVIE and here's the pictures to prove it

Yeah, that dark secrets character looks almost exactly like Dark from Orion and the Dark, a movie that came out BEFORE Inside Out 2! and those of you saying "but they were working on both movies at the same time" WRONG! The movies were released at least 4 months apart and Disney does often rush their recent projects like they rushed the making of Wish! Another thing, the human animations in Inside Out 2 looked a little less rendered, while the emotion animations and facial expressions were PERFECT! Also, is it just me or does Riley sound younger in this sequel than she did in the first one? Which it doesn't make sense since she went through puberty, right?

In conclusion, the story is pretty decent but I don't think it's worth spending money to see in theaters. If you really desperately want to see it in theaters, fine! I prefer watching it online and don't forget that the free websites exist. The illegal copy of the movie (you know, the hidden camera recorded version with the slot machines) is on the free websites like Actvid and Kisscartoon. Go ahead and watch it on there if you're like me and you're just watching it because of extra free time, and you don't really want to give your money to the Big D.

Anyway, I'm basically neutral on this movie, feel free to state your opinion. Again, I'm not a Disney fan and yet I'm not denying that this was an okay-ish movie. I just don't think it's worth seeing in theaters when you can watch it online for free and Disney won't be robbing you.

[nova--spark]

Decepticons becoming human you say?! Well I have some head cannons for you!!! (Don't have to use them but ill offer them up incase you want to turn the decepticons human)

Megatron had came along many strange things in his journeys but one thing he didn't expect was to find an exiled cybertronian sorceress. He had been able to sympathize with Quintessas plight since he too was in (self imposed) exile. It seemed like they'd get along well until Quintessa revealed what she did to Team Prime. Megatron, ever the diplomat, immediately demanded she change them back. But instead she decided to turn Megatron, and all who were once associated with him, human. She also exiled them all to earth. Though they didn't all wind up in the exact same place. They all ended up around Jasper (She sent them there to cause Team Prime even more grief)

Megatron ended up in the middle of the city, he was disoriented and only vaguely remembered what happened. A kind couple took him in and it turns out that couple had a child who talked about her social studies teacher Mrs. Pax. After a bit more prodding he found out Mrs. Elita Pax had a librarian husband named Mr. Orion Pax. Megatron immediately took that as an opportunity to fuck with his oldest friend and rival. He took up a job at the same school under and alias (you can pick out their human names). And for weeks it drove Optimus and Elita crazy since this new teacher looks and acts so much like Megatron but it’s not like they can just go up and ask him. At the moment they only had proof of Knockout turning human, not every former decepticon. So it’s possible this is just some human who has an uncanny resemblance to Megatron. Smokescreen spends a lot of time spying on the new teacher trying to get proof of his real identity. The kids love Megatron and he’s surprisingly patient with them. Despite only choosing this career path to fuck with his old friends he ends up growing protective of his students.

Knockout had already been on earth when the change occurred so imagine his horror when one day he was just human. Some of the autobots (Wheeljack and Bulkhead) took this moment to tease Knockout about his predicament since he laughed at them. Given Knockouts previous profession you think he’d end up in the medbay with Jack, June, and Ratchet. But with his lack of medical license he can really only work as an assistant which isn’t his style. He ended up finding his true calling when Miko introduced him to makeup. Part of me wants to make him an influencer but if you don’t want that he could just be a makeup artist. His makeup is more on the avante garde side (which is to be expected from an alien). But it’s popular none the less.

StarScream was not only sent to earth but Quintessa also managed to wake him from his coma. He woke up right outside the base HangerE was located in. He was surrounded by guards questioning what this weird looking human was doing here and if they needed to call an ambulance. Miko came out to see what was going on and as soon as StarScream saw her he immediately ran off. It didn’t take long for everyone to realize that the weird looking guy was StarScream and that all of the decepticons have been turned human. (Also giving Op and Lita proof that Megatron was the new teacher at their school). StarScream spent a decent amount of time evading the government and Team Prime but is eventually caught by Team Bee and dragged back to Jasper where Team Prime gives him two choices. Help them find a way to reverse this or spend the rest of his time as a human in a jail cell. StarScream used to be a scientist (at least he was in G1, not as sure about Prime and TFwiki was uncertain) so his knowledge could be useful.

Soundwave was pulled from his other dimensional prison and found himself in a body that was incapable of speech. He wandered around Jasper until he found Megatron who brought him to the human autobots. He now spends his time helping on the tech side of things while learning sign language from Raf and Bee.

Shockwave woke up on the outskirts of Jasper. Back on Cybertron, Knockout has tried to contact him for help finding a way to reverse what had happened to Team Prime. He had ignored his messages, deeming it not his problem. But now it was his problem. And the most logical course of action was to regroup with Team Prime and try to find a cure for this. Team Prime was hesitant to take him in but Knockout argued his knowledge surpassed his, Ratchet, and Starscream’s knowledge combined and it would be foolish to turn him away, especially when he was offering his help willingly. So he ends up working with StarScream under a very close supervision. And funnily enough him and StarScream actually started getting closer. Neither would call the other a friend (they’re both far too prideful for that) but they start gaining a begrudging respect for eachother

Arachnid probably deserves her own post but needless to say, she managed to get off the moon. And now that she’s back on earth in her new human form she’s not just coming for Jack but all of the kids. They’ll make good trophies for when she returns to Cybertron 😈

This is a fantastic idea, i will be using it, and a great way to remind

Mortal Machines =/= Reborn Spark Prequel

They happen in separate timelines because shenanigans reasons!

Enjoy folks, because this will in fact be h i l a r i o u s now.

And to make it easy

Megatron: Steel Gray hair with the faintest golden touches and left completely down, deep violet eyes, tanned skin marred in scars, stands at 6ft 9

Knockout: Slicked back red hair, immaculate pale skin, well dressed and made up with make up to compliment his scarlet red eyes, stands at 5ft 10

StarScream: Black and grey hair, with faint red streaking, a handful of scars with pale skin and crimson red eyes, standing at 5ft 11

Soundwave: Dark ebony skin, and his face unknown as he wears a mask a majority of the time, but was spotted in one instance to have lavender eyes, he wears his dark indigo hair in braids and stands at roughly 6ft 4

Shockwave: Dark skin, and deep red eyes, he has only one that functions, the other scarred and blind. His hair is not very long, but is pulled back neatly. He stands at an imposing 6ft 6

Airachnid: 5ft 5, lightly tanned skin near black hair with the lightest hints of royal purple and gold, magenta eyes, flawless make up and the eerie sense that she is more than just a human. One could even say they've noted fangs in her smile.

[honeybewrites]

Hi @honeybewrites ! Thank you for the tag ✨

Can you tell me a little about Pancakes? 💫

Sure thing!! Also, going ahead and shouting out to @kaylinalexanderbooks and @orions-quill as both of you guys have asked about Pancakes as well!!

Most of my files as I mentioned as just scenes. Pancakes is a scene about, um, pancakes and how 703 eats them for the first time. I'm not very good at explaining things, so I just attached a portion of the scene. Supposedly, it's to take place in book 1 of EoWC.

P.S. I think I've posted snippets from this scene before, so a couple lines might look familiar, but it's been rewritten since then... I think.

703 walked into the main area of the ship. There was a pleasant aroma of food. Or she assumed it was some kind of food. Master Airvix still needed to eat after all. He was in the small kitchen. His back to her as he worked at the stove. A plate was stacked high with some circular, puffy food. Pancakes if she wasn’t mistaken. There didn’t seem to be much batter left in the bowl. “Breakfast is almost done, then we can discuss the plan.” Master Airvix didn’t bother turning around to look at her. “You can go ahead and sit at the table.” It almost seemed like a request, but she knew better than to think that. No matter how it was phrased or the tone of voice used. An order was an order. So she sat down. “I hope there’s more detail to this plan than the last one.” His voice remained light, but it still made her squirm at the critique. “I Jumped you from one motel to another,” she tried weakly to explain her planning. “That involves precise coordinates.” “Oh, does it? I thought you just put in some general location and it shot you there. Doesn’t Bridging technology work like that?” Not in the slightest. Mostly because it wasn't strictly technology. Sure. The Mors were working on Bridging technology, and they had a few that worked decently, but it was by no means ready for mass production. “I’ve never used any technology like that so I suppose I don’t really know.” He hummed as he pulled fruit from the small refrigerator and plates from the cabinets, finally setting everything on the table. It looked delicious. Two plates of pancakes. Bowls of blueberries, strawberries, and raspberries. There was syrup and powdered sugar and a can that said whip cream. It was surprising how much food there was. Though 703 wasn’t really sure how much food normal people ate. She was more surprised when he pushed a plate of pancakes towards her. “If you don’t like pancakes there’s some eggs in the refrigerator too and I can make you an omelet?” He looked at her, clearly expecting an answer. “I… don’t need food.” This was some kind of test, right? Master Airvix seemed fond of those. First a name, then her injuries, then questioning her ability to do her job properly, and now this. Perhaps Master Gerd had instructed him to do it. To ensure she was being a faithful Asset. "You haven't eaten in the past two days." Master Airvix pointed his fork at her, pausing from filling his plate. "I expect you to eat this time." She couldn't argue with a Master. But... this was clearly some kind of test. Right? She wasn't supposed to eat on missions unless to uphold her cover. Nor was she permitted to eat any food prepared without her supervision. Far too easily spiked. "I'm on a mission. I don't need food." She tried again to deflect in fruitless hope that he would leave the situation alone. He waved away her answer though, chewing a bite of pancake he had drenched in syrup, whip cream, powdered sugar, and every berry on the table. How anyone could eat that pile of death inducing sweetness was beyond her. "Those nutrient formulas they give you before a mission aren't the same. I mean, I know they keep you from needing to eat and what not, but it's not like you can't eat. Besides, you should at least eat while we've got food. Who knows when we'll be able to make something like this for the next couple of weeks. And there's no way in the Seven Realms I can eat all of this by myself." Slowly, hesitantly, she took the plate. Eyeing him. Gingerly, she started to eat. He didn't seem the least bit concerned. And the pancakes... Ancients. They were the best thing she'd ever put in her mouth. Soft and rich. It was like eating the Realms' most delicious pillow. Rarely, did she eat proper food like this. It was only ever for pretense. She couldn't risk being poisoned. Now that she was thinking about it, she couldn't recall the last time she'd had real food. It had just been nutrient formulas for as far back as she could recall. Maybe before... no. There was no point thinking about those times.

"Here, try some powdered sugar." Master Airvix leaned over the table, shaking out the fine, white powder onto her pancakes. Her pancakes. She still couldn't understand why he was allowing her to eat. Insisting on it really. She was just an Asset. She had thought the powdered sugar would be too overwhelming with the pancakes, but it only made it better. She could still taste the pancakes clearly, but now there was the the extra puffiness of the sugar. 703 tried not to seem overzealous, but she was shoveling the pancakes in her mouth, far faster than what was considered proper. Master Airvix might decide he didn't want her eating anymore. He could take them away whenever he wished, and she was permitted to do nothing. She was only an Asset, and this was a luxury Assets weren't given. "Have some of the berries too." He pushed the bowls towards her. "I'm not going to be able to eat all of those and they certainly aren't going to last the whole mission in that fridge." She didn't hesitate this time. Piling all three berries onto her plate; half of them went straight into her mouth before she even added them to her pancakes. She loved fruit. It was one of the few real foods she eat somewhat regularly. When you were out in the wild, you had to find your own food. She could eat the fruit alone and be content. But when she added them to her pancakes? Oh, it was heaven. The sweetness of the berries and powdered sugar, combined with the fluffy pancakes was more than enough for her to kill for.

[bakuzen-xiv]

FFXIVWrite2024 (Day 5): Stamp

“A letter for you, Z'len.”

The miqo'te turned around at the sound of his name. In front of him was the hyur who did administration at the Arcanist’s Guild. Theo, he finally recalled, with a pang of guilt for forgetting his name—especially after assigning the unfortunate man babysitter duties.

The guy, a few years younger than Z'len, never seemed too happy about their surprise visits. Yet he still made the effort to entertain Orion while Z’len handled a job. He couldn’t pawn Orion off on Yellow Bream all the time, after all. She had a tavern to run, and its patrons weren't exactly decent folk.

The pang of guilt inside his heart grew bigger.

Theo was holding something towards him. Looking down, it appeared to be an envelope, pristine paper with an elegant wax seal hiding its contents. He hardly ever received letters. Even if he did, he wouldn’t be able to read a word.

His past tribe expected him to hone more practical skills, such as hunting or scouting. Those were the skills that served the tribe and their Nuhn’s whims. Frivolous matters like education would only distract him, they explained. Z’len didn’t get the chance to argue otherwise before he was ousted.

He’d taught himself some after he left, of course. It was easy enough to write his name or read the street signs scattered around Limsa, though he could recall those from memory by now. To keep himself sharp, he sometimes sat down with the newspaper to test himself. See how many words he recognized, counting them up to see if he had gotten any worse.

Handwriting was a pain in the ass. If people wanted to say something to him, they could say it to his face, he argued. Fuckin' cursive. His tail brisked at the thought of it, whipping side-to-side before he could restrain himself.

He coughed in an attempt to cover up his irritation, looking up at the Hyur who was still holding the letter out to him. Wide eyes looked back at him, a wide, toothy smile, rosy cheeks matching rosy hair. Z’len swore the guy belonged in a spring meadow—surely he’d be a better fit there than he was here in Limsa. No wonder he always hid among the books, he thought to himself.

Z’len reached out, taking the letter out of his hand with a casual “What’s this, then?” He tried to keep his voice neutral, like people would when they got letters and because they were not filled with dread at the expectation of reacting to it.

Theo made no effort to explain himself, so Z'len turned his attention back to the letter. He turned it around in his calloused hands, unable to recognize the seal it carried.

As he looked closer at the symbol stamped into the wax, he realized it looked nothing like those he’d seen before. An amateur-carved seal, he thought to himself, the uneven lines barely forming an “O” within the hardened wax. He frowned and looked back up at Theo, who only gestured with excitement for him to go on.

“Alright,” Z’len shrugged, unsure how long he felt like humoring this guy. It was the least he could do, after making Theo look after his son as often as he had. The guy would be in for a surprise, though, if he expected Z’len to make any sense of his letter.

Opening the letter up, his breath hitched.

“Oh.”

Many possibilities had crossed his mind—perhaps it was a heartfelt letter from Theo pining for Z'len's love, or a commendation from the authorities for his excellent contributions to society. Far more likely would be a warrant for his arrest, considering his day-to-day activities, but he’d crossed that one off the list when he saw Theo’s beaming face.

“To be honest, Zlen... He was supposed to give it to you himself. But his nerves got to him, I suppose. I pray you won’t fault him for him.”

The words were like dull background noise as Z'len adjusted the way his hands held the paper, moving to cradle it like it was worth a million gil. His eyes glanced over the tell-tale sign of a child’s clumsy writing, awkward squiggles floating across the page with great intention and terrible execution. Worse than his own, he thought with fond appreciation for the symbols he could not make any sense of.

Slowly, he held his thumb at the opening line. Different misspellings of his name were crossed out several times, followed up by that combination of letters he’d first taught himself a decade ago: Z’len.

And at the bottom, a combination he'd only taught him a few years ago: Orion.

He stared at it, quietly.

“Orion wrote this?” he asked, wanting to hear confirmation of that which he already knew.

Theo hummed in confirmation.

Z’len quickly rubbed a sleeve across his face to fix his blurring vision, unexpected tears wetting the fabric. “Orion can write,” he repeated, incredulous and proud and joyful.

“Yeah,” Theo grinned, sharing the father’s excitement.

“I don’t know how to fucking read this!” he shouted, a smile still plastered on his teary face.

Theo laughed. “We can work on that!”

Z’len squeezed the young guy’s shoulder, careful not to hurt the frail hyur. It seemed it was time for him to learn his letters after all.

[dragons-in-spaceee]

hello friend. Take this as an invitation to rant about whatever you want :)

YAYYYYYY :)))

okay so this is completely non fandom related lol I just went on a deep (ish) dive the other day about astrophotography! So as you know I do take pictures of space but I’m like the absolute beginner of beginners lol. My current equipment is a tripod and a decent camera and that’s it for photography, so I wanted to see what I’d have to get or what other techniques I could use to progress further. The biggest problem is exposure time - you need a longer exposure to capture the light needed to show the details of such faint objects as nebulae and galaxies, but a longer exposure creates star trails due to the rotation of the earth (nooooo). Also a higher magnification emphasises star trails. There are two ways to combat this: one is time consuming, the other is expensive. The first way, the one I’m going to try first as i do not have money to spend currently, is to stack photographs. I’m going to have to look more into the specifics of how this works once I have the time to try, but essentially you take a lot of short exposures of the same object then layer them all together in the right software to effectively produce a photograph of a much longer exposure. Luckily for me there are at least two recommended softwares that are free (yay!!!) and seem to work well from what I’ve seen, so I’m going to give it a shot at some point. The main thing that seems complicated is apparently you have to have different types of shots to layer? Dark ones and light ones and all sorts so I’ve got more to learn. I will be relying on the Sky At Night astrophotography explainers for this! For the exposures I am aware of the 500 rule: you divide 500 by your focal length (amount of zoom) times the crop factor (intrinsic to the camera) to get the maximum length of exposure time without trailing. I currently go over this limit sometimes as I don’t mind a small amount of trailing, but if I want sharp photos for layering I’m going to have to pay it more heed, which unfortunately means a larger amount of exposures is required to create the final image. Anyway, the second way to combat star trails is to use a tracking mount - a motorised tripod that tracks the movement of the stars across the sky. These are stupidly fucking expensive but by god do I wish I had one as it means you can almost expose for as long as you like with zero trailing. At that point your enemy becomes keeping the contrast high so, as the Sky At Night magazine highly recommends, most people still stack photos and do editing even with a tracker, but again it is not necessary with a tracker if you get the right settings. Plus less photos to stack. Currently, my plan is to first try stacking with my current equipment, then long term to buy the following equipment: 1) a tracking addition for my telescope tripod, 2) an attachment for said tripod that allows my camera to sit on top instead (ie so then the tracker kills two birds with one stone), and finally 3) an adapter for my camera to attach to the telescope itself, essentially becoming one huge zoom lens. In total this could cost up to £1000 so this is very much long term goals but THINK OF THE PHOTOGRAPHS I COULD TAKE!!!! For now, I’m waiting till the sun finally lessens its grasp on the sky and the nights darken again (as, I cannot emphasise how much it does NOT get dark AT ALL here in summer), then my targets will (probably) be the andromeda galaxy, Orion Nebula, and Pleiades for my first attempts at stacking!

[aquadestinyswriting]

Writing Snippet: A 'What If?'

Alright, so I did a bit of "speculative" writing for the Destiny's New Servants campaign before I took over as GM, trying to figure out where the first GM was going with the story. I've lost most of that writing due to changing laptops and being careless with file transfers over the years (make sure you back up your work kids), but I found this one hidden in the depths of my external hard drive about a month ago.

I vividly recall writing the following piece over the course of about a week. I started the morning after the session where Starhammer died because I wanted to remember every detail of that session, then just... carried on with my ideas of what might happen next.

Now, I was also wondering how best to have Merri leave the picture once I took hold of the reins of the campaign at this point. I had an idea of what I had planned to happen back in Fangthane, but the fact was, the first DM was not going to go easy on us, and it was very likely at least one of the characters would die in the fight against Darkhide. We also knew that Darkhide wanted to rip open the portal to the Pit again, and we'd used up all the God Clay that was left on Titan; what the hell were we going to do if he succeeded? So I wrote something to cover that exact scenario. It all becomes a bit self-indulgent, but that's part of why I like it so much. I apologise in advance to anyone using screen readers, I couldn't think of a decent way to split up the different sections of the story. I'll change it once I come up with something that isn't so much of a pain in the backside for you.

This fairly long piece covers the aftermath of Starhammer's death then skips forward a bit, just as a heads up. The speculative stuff starts after Merri's conversation with Elowyn and Enezeage.

Tags: @druidx, @sparrow-orion-writes , @homesteadchronicles, @warriorbookworm, @mariahwritesstuff, @writeblrsupport, @ashirisu, @thesorcerersapprentice, @blind-the-winds, @freedominique

Elowyn grumbled as Enezeage shimmied down the wall and back onto the street. She got down as the half-orc rolled his shoulders,

“Should we go in after them?” he asked, cracking his knuckles. Elowyn shook her head,

“No, first we need to find Meredith and find out if she wants to press charges.” She said firmly, “We can’t just go in and start arresting people.” Enezeage grumbled, but nodded and looked up the street, noticing that the Celestial Dog had paused in front of what seemed to be a grove of trees. He pointed to it,

“What’s that?” he asked. Elowyn wracked her brain for a moment,

“That’s the Grove of Obad-Hai.” She replied, cautiously running up to it and stopping as she saw a very pale and shaken looking Meredith come out of the trees, along with a man in dark brown clerical robes. The man bowed slightly to the Woodling and turned to Meredith,

“Remember what we said, Daughter of Moradin.” He said sternly, before melding with a nearby tree. Elowyn made a face as the Grove seemed to retract and create a firm barrier around the outside,

“I hate those trees.” She muttered, before turning her attention to Meredith. Upon seeing the look on the Dwarf’s face, she rushed up to her and wrapped her arms around her shoulders,

“Meredith, oh by all the Gods, what happened?” she asked as the other woman began to shake, quite violently, the Woodling noticed. Meredith’s breath hitched as she tried to speak but couldn’t seem to quite manage. Elowyn rubbed her shoulders, “Come on Merri, talk to us.” She said in as soothing as voice as she could manage, waving a hovering Enezeage back slightly. Meredith took a few shallow, shaky breaths and clutched the book she was carrying to her chest tightly,

“St–Starham–mer… he’s– he’s dead.” She finally managed to choke out, tears streaking down her face as the events of the whole evening finally hit her. Elowyn’s hands stopped abruptly, staring at the dwarf with wide-eyed shock,

“Wh–what happened?” she asked in a low voice. Meredith hugged herself tighter,

“The beer… the traitorous swine, he spiked the beer wi–wi’ ooze.” Elowyn’s heart dropped into her stomach,

“Oh no.” she moaned, bringing the traumatized dwarf into a tight hug, “Merri, I’m so, so sorry.” She said, tears stinging her own eyes. Enezeage grunted,

“What about those robed dudes?” he asked gruffly. Elowyn sighed and nodded, gently pushing the dwarf back so she could look at her again,

“I take it those guys showed up when you came outside?” she asked. Meredith nodded,

“Aye, they wanted tae know who I wis an– an’ whit I wis doiin’.” She replied, her voice raw, “I summoned the dug when they drew their swords an’ chased me doon the street.” She finally met Elowyn’s eyes, “They s–said they were bounty hunters.” Elowyn nodded,

“Right ok, Merri I have to ask you this because it’s important.” She said her tone turning a bit firmer, “Do you want to press charges against those guys?” she asked. Meredith fell silent for several long moments, chewing her bottom lip as she thought the question over. Finally, she slowly shook her head. Elowyn bit back a growl of frustration,

“Are you sure? We can get these guys arrested and taken off the streets.” She said. Meredith glanced down at the floor,

“I– It’s no’ worth it.” She said quietly, “D– dinna take this  the wrong way, but… I dinna trust that they won’t just get away’ with it.” Elowyn sighed and forced Meredith to look at her. When this was accomplished she pointed to her badge,

“You see this badge?” she said, “That means that I can go arrest those hooligans and get them locked up and make sure they never get out onto the streets again.” Meredith gave the Woodling a sullen glare,

“Then why don’t ye tell that to the officer who tried to kill me when they paid him off.” She retorted bitterly. Enezeage growled,

“Let’s just go take care of them, Elowyn. We know what they’re doing is wrong anyway.” Elowyn looked up at the Monk and shook her head as she came to the realisation that perhaps Meredith might be right,

“No, if Meredith doesn’t want to press charges, then we have no choice in the matter.” She told him firmly. She turned back to the Dwarf, who was still huddled into herself, “Are you sure you don’t want to press any charges?” she asked. Meredith nodded,

“Aye, it’s not as though anyone's gonna waste their time with the only dwarf left in the city anyway.” She muttered darkly. Elowyn sighed heavily,

“Alright.” She said, “Can you at least remember what this officer you ran into looked like?” Elowyn made up a mental image of the man as Meredith described him and nodded firmly. She recalled that he was likely one of the Road Wardens.

‘Right then, looks like I’ll need to go have a word with someone’s superior officer.’ She thought to herself, gently looping her arm around Meredith and guiding the poor woman away from the Grove,

“Come on then, let’s get you home.” She said gently, motioning with her head for Enezeage to take point. The Half-Orc grumbled, but did what he was silently told, tucking his arms into the sleeves of his own robe as the little group finally began to make their way back to Acacia Avenue.

~*~

Meredith rocked back on her heels with a sigh, she was devoted to Moradin, no question about that. However, even as she reached for His grace this morning, there was… nothing. The hollow feeling that was left behind after Starhammer’s death was hitting the young dwarf hard. Darkhide was still a massive threat that needed to be taken care of, but could she even be of any help to the others at this point? That she could not reach her God scared the cleric, although she knew it was unlikely that Moradin had forsaken her it was still disconcerting to receive no response to her daily prayers.

‘Not only that, but the High Priest and Archlector will have felt the shift by now as well.’ She thought to herself as she got up and made her way downstairs to the kitchen.

~*~

Orock had held a lovely service to Starhammer’s memory, Meredith thought, but that she could not hold a proper Dwarven ceremony upset her more than the knowledge that the older dwarf was gone. Elowyn, bless her, had tried to help but the Woodling just could not understand just how deeply Dwarves held their traditions. Unfortunately, even if there had been a body to bury, Moradin was not available to grant any Blessings and Meredith doubted that Throff would want to stick around either. Meredith was still nursing the first mug of ale she had been handed, unable to really bring herself to drink all that much, when a lanky human came rushing into the back room,

“Elowyn! We got a situation at the Garden of Galana!” Farren yelled as he dodged an irate Khord Inititate whose drink he had knocked over. The Woodling was on her feet instantly,

“What kind of situation?” she demanded, kicking Enezeage in the shin to wake him back up and rounding up the rest of her group. Farren grunted,

“Apparently, a bunch of men in black cloaks have a problem with the church’s High Priest and are trying to get into the Garden to ‘have a word’.” Elowyn frowned,

“But why would they…?” Elowyn muttered, trailing off as she realised what the problem was. She glanced over to Meredith, who had grabbed her mace and Book of Moradin and was looking over at the Paladin expectantly. Elowyn sighed and turned to Farren,

“Has the local Watch House responded yet?” she asked. Farren shook his head,

“The Captain in charge said something about it being an ‘ecumenical matter’.” He said, clearly not happy with that explanation. Elowyn frowned and turned to Meredith,

“You’re staying here.” She said simply, gesturing for the rest to follow her. She expected to hear an angry exclamation and to be asked why, so when it didn’t come, Elowyn looked back over her shoulder with a worried frown. Meredith had gone back to her seat, without comment and was back to staring into the mug of ale she had been nursing. Orock frowned as he looked between the dwarf and Woodling, and made his way to stand behind Meredith,

“I’ll keep an eye on her.” He rumbled, “You’d better get going.” He said, laying a large hand on the dwarf’s comparatively tiny shoulder. Elowyn nodded,

“Once we’ve sorted this whole thing out, I’ll get someone to come back and get her.” She said, running out of the Plot Hook and making her way, with the rest of her companions to the other side of the city.

~*~

Elowyn almost skidded to a stop as she finally made it to the Garden of Galana. She had expected that the Abouna would use some clerical magic to keep the area safe. What she hadn’t expected was the sight of a tall human Wizard with auburn hair and spectacles, standing in front of the entrance to the Garden, holding back a very irate group of humans in black cloaks.

“Step aside!” the leader of the people in black cloaks hissed, “There’s a stunty in there that has a very good price on his head.” The Wizard snorted,

“I’m giving you gentleman one last chance to leave before I get upset.” She replied evenly, gripping the Yew staff in her hand a little tighter. Elowyn smiled a little,

“Hey Derren, what do you say we let these fine men know who they’re back-chatting?” she asked, looking up at her partner. Farren, catching the look in the Woodling’s face, grinned,

“Yeah, why not?” he asked, grabbing his cosh. Elowyn looked back at Felix and Enezeage,

“You guys stay back here with Aurri and grab the ones that decide to scarper.” She said, “I think Abouna Shiverstaff and Grand Wizard Frigidwake are a bit more likely to try pressing charges so we can nick this sorry lot.” Enezeage grinned around his tusks and nodded,

“Finally.” He growled. Felix brought his hands into a casting position and nodded. Elowyn looked up to Farren again and nodded, casually walking around the group of men until she came around to the front.

“Is there a problem, Grand Magus?” Elowyn asked, using her best ‘on the beat copper’ voice. The leader whirled around, a little panicked as he suddenly seemed to realise just who it was he was up against. Selene smirked a little and looked over to Elowyn,

“Good afternoon, Officer O’Toreguard, Officer Breakwood.” She greeted happily, “I was just asking these fine gentlemen to leave the area.” She explained, “They seem to have this ridiculous notion that they can collect a bounty on the good Abouna’s head, despite Toreguard Law clearly stating that all religious figures are under the full protection of the Drakemarie Empire.” She added. Elowyn tapped her chin thoughtfully,

“Really now?” she asked, turning to the group of humans, “What do you lot have to say about these accusations then?” she asked politely. The leader, who had backed off, glowered at the Woodling,

“Seems like there was a bit of a misunderstanding.” He said in a low voice, “We weren’t aware that the… dwarf that was in the area was the High Priest of the church.” He said. Elowyn looked at her fingernails and tutted,

“Well you see, that’s a bit of a problem. I was under the impression that the few Dwarves still in the city were still protected from murder and abuse under general Toreguard Law, not just the religious figures.” She said, glancing up to her partner, “Officer Breakwood, what do you think?” she asked. Farren tapped his cosh against his boot,

“I think you’re right, O'Toreguard.” He said, “I don’t recall any news about changes to the law, I think I’d remember if someone said something about Dwarves being fair game.” The leader of the other group backed up some more,

“Well, we’ll just be on our way then.” He said, turning around in an attempt to get away, only to find that the people at the back had already been either knocked out or frozen in place as they tried to flee. Enezeage cracked his knuckles,

“Hullo there sunshine.” He growled, grinning somewhat menacingly. The human grunted as Farren grabbed his wrists and cuffed him. Elowyn turned to Selene,

“Well at least now we can get this lot booked once we get them to the nearest station.” She said. The Wizard nodded,

“I believe I can help with that.” She smiled. She looked up to a nearby rooftop and whistled. Almost immediately a large magpie flew down and fluttered onto her shoulder. Selene tickled the bird under his beak, “Chrackle, take this down to the nearest Watch House, we need a couple of wagons to take these fine gentlemen there.” She said, quickly taking out a slip of parchment and quill and making a note. The magpie chuckled as she tied the note to its leg. Selene rolled her eyes,

“After you get back. Stop being greedy.” She chastised. The magpie chuckled again as it flew off. Selene looked at the group of men, who were being rounded up by Farren and Enezeage, then turned to Elowyn,

“Thank you for the help Elowyn.” She sighed, pushing her glasses up her nose, “I didn’t want to have to resort to casting anything to scare them off.” Elowyn nodded as she leaned against the outer wall around the Garden, watching as Farren read the whole group their rights

“I know, at least I’ve managed to get a hold of these guys now.” She sighed, shaking her head. Selene frowned down at the Woodling,

“What happened?” she asked in a low voice. Elowyn shook her head sadly,

“These guys don’t know it, but Enezeage and I know exactly what they’re about. Merri sent a Celestial Dog to find us because she was in trouble. She ran into these guys last night and they chased her all the way from the Dwarven District to the Grove of Obad-Hai.” Selene frowned,

“Why didn’t she stay in the temple?” she asked, “Between them she and Starhammer should have…” Elowyn was shaking her head again,

“Starhammer’s dead Selene.” The Woodling said, her voice tight. “By the time ‘Zeage and I got there, the temple didn’t look too good either.” Selene sighed heavily and pushed her glasses up her nose,

“Egrim’s not going to be pleased with the news.” She muttered, “Once word reaches Fangthane about that, every dwarf in the vicinity is going to get called back there and Father Shiverstaff only just got this place back up and running.” The two women watched as a paddy wagon rumbled up the street and the robed men were loaded onto. Chrackle landed on Selene’s shoulder with a satisfied croak. The Wizard fished out a regular gold coin from her purse and handed it to the bird, who chuckled happily. The captain of the nearby watchhouse approached and saluted Selene smartly,

“Do we know if the High Priest wishes to press charges?” he asked. Elowyn stepped forward,

“Elowyn O’Toreguard, watchhouse eight sir.” She greeted smartly with a salute of her own, “If you will allow the Grand Wizard and myself an hour or so to talk to the Abouna about the matter we can let you know as soon as we can.”  The Captain narrowed his eyes slightly, but nodded,

“Very well then. I will get these lads back to the watchhouse while we wait.” He said stiffly. Once he was gone, both Elowyn and Selene frowned in concern,

“ Do you think they might get away with it after all that?” Elowyn asked quietly. Selene sighed,

“Almost certainly.” She replied heavily, “But we can’t dwell on that right now. I think we’d better let Egrim know they’re gone.” The Wizard looked expectantly at her familiar, who croaked in acknowledgement and fluttered to a heavy vine. The bird cocked its head for a moment before tapping on the wood. After a moment the vines retracted and another Woodling popped her head out of the door to the church,

“Elowyn, Selene?!” she exclaimed, rushing out and pulling the Paladin into a hug, “Oh, I’m so glad you’re safe! I was so worried!” Selene smiled and nodded in greeting, while Elowyn hugged the other woman,

“I know mum. Look, can we come in and see the Abouna? It’s important.” Oakrose nodded,

“Of course dear, come on in, all of you. I’ll get the kettle on.” The whole group were ushered inside and told to wait in the refectory. Selene held up a hand before going inside. She quickly gestured and muttered a few words, a silver shimmer hanging in the air for a few moments before dissipating. The Wizard nodded, satisfied,

“That should keep out any further, unwanted guests.”  She said as Oakrose gave her a concerned look. The older Woodling shrugged and went back to work while Selene joined the others. After a few moments a dwarf with a wood-brown beard and blue(?) eyes bustled into the room. He seemed relieved to see who had shown up,

“Ta fer gettin’ rid of’ those idiots out there.” He said giving everyone a grateful smile, “ I wis off a mind tae ask the Council what the bloody hells they were playin’ at an’ getting’ help from the Druids.” Selene shook her head,

“You honestly didn’t think I would leave you to deal with those hooligans yourself, Egrim?” she asked. The dwarf waved his hand,

“Ach! I ken you would’t Sel, ye’re pretty much the only one on tha bloody thing that's no’ a backstabbing–” Elowyn held up her hand,

“Ok I think we get the idea Abouna.” She chuckled, “The ‘idiots’ as you call them, have all been arrested on various charges so they shouldn’t be bothering you again.” Egrim snorted derisively,

“Until they’re all released again in a week, tops.” He retorted. He shook his head upon seeing the expression on Elowyn’s face at his comment, “Dinna get me wrong, child, but I’m no’ blind nor deaf. Aside from myself, yon wee cleric friend an’ a handfull o’ Slayers, there’s no one else left this side o’ Fangthane.” He pointed out. Elowyn’s face fell,

“If I can get enough evidence…” She said desperately. The dwarf sighed heavily,

“Elowyn, lass, I ken ye’re tryin’ yer best, but ye’re only one of a very few that actually care about this.” He nodded to Farren, who was making up a fresh rollie. The human shrugged,

“Hate to break it to you kid, but ours is the only Watchhouse that was still going anywhere near the Dwarven district.” He lit the cigarette and took a drag, “I think the Council are pretty much just looking the other way until it all ‘blows over’, especially since we’ll be under siege by a massive horde of undead in about a day or so.” Egrim barked out a humourless laugh,

“’Blows over’ he says. Bah!” the dwarf went over to a nearby ale cask, drew himself a tankard, checked the contents and took a swig, “Given what happened last night, they’ll be lucky if they’re no’ fightin’ a fresh war immediately after this.” Elowyn’s eyes went wide and looked between the Abouna and Selene,

“But why would they do something like that?” she asked plaintively. Selene sighed heavily,

“Mostly because the whole city has likely been placed on the Fangthane Book of Grudges, Elowyn.” She explained, “From what Edwin told me the last time I contacted him, the Low King is under a lot of pressure from the displaced dwarves that are now living there to get some kind of retribution for the people that have lost their homes, livelihoods and even family members.” Elwoyn shook her head,

“But Starhammer wasn’t even killed by this Brotherhood of the Cleave. They were still outside and waiting when Merri came out of the temple.” She protested. That earned her a confused look from the Abouna, who paused while taking another swig of ale,

“Wait, what?” he asked, putting his tankard down, “So if those bastards weren’t responsible, who was?” Enezeage snorted,

“From what Meredith told us last night, it looks like it was that Grinbeard guy.”

“Grimebeard? Garl Grimebeard?” the dwarf asked, looking between the rest of Elowyn’s group. Elowyn nodded,

“Yeah, turns out he had forsaken Moradin and was poisoning people with Oozes disguised as beer. I thought we took care of him?” she asked looking over to Felix and Enezeage. Felix shook his head slowly,

“No, it was one of the other members of his family, remember?” he replied, “The others had long gone by the time we took care of the Clay Golem created out of that poor gnome and the Oozes in the cauldrons.” Both Elowyn and Egrim looked like they were going to be sick,

“We never got around to trying to find the rest of them.” Elowyn muttered, “I honestly thought it was Garl we took care of and the rest just scarpered.” She buried her head in her hands. Selene looked over to Egrim with worry,

“What’s the matter, Egrim?” she asked. The dwarf sat down heavily,

“I’ve been in contact with Fangthane a lot recently, fer obvious reasons. I wis wonderin’ aboot tha rumours goin’ about around some folk goin’ missing’ recently. I don’t think the activities of ol’ Grimebeard has been limited tae Toreguard.”

“You think he might be responsible for the disappearances?” Selene asked. The Abouna nodded,

“Ragnarsson mentioned somethin’ about finding some bad beer in the Cathedral’s cellar. I didn't think anything’ of it at first, even dwarven beer goes bad if it’s kept long enough, but…”

“They’re trying to get rid of every Moradin worshipper they can.” Selene muttered, “But why?” the wizard looked up at her old friend, “We need to get word to Fangthane about this, now.” She said firmly, “

“There might be a problem with that, lovies.” Oakrose said as she came into the refectory, handing Egrim a scroll. The Dwarf unrolled it and quickly read through it. He crumpled the parchment not long after,

“Bollocks tae that.” He swore, tossing the balled up parchment to the floor. Selene sighed,

“Let me guess, all communications out of the city have been forbidden, including all scrying and other magical means?” she asked lightly. Elowyn groaned as the dwarf nodded with a weary sigh,

“An’ afore ye ask, I rather think they’ll include familiars as magical objects.” Selene snorted,

“I’m well aware of that Egrim.” She snipped, “Luckily, if there’s one thing Alexis did manage to teach me in the time I travelled with her, it’s to never just rely on one or two methods of communication. That and to never kowtow to a giant red lizard who thinks he’s smarter than you.” She added. Elowyn frowned in confusion,

“What are you going to do?” she asked nervously. The Wizard honestly scared her sometimes. Selene sent the Woodling a reassuring smile,

“Just going to visit an old friend to ask for a bit of help.” She said, “But first, I think I’d better go and fetch your cleric. She’ll be safer here.”

~*~

Much, much later

Darkhide laughed maniacally even as the last of his life seeped from him,

“You’re too late.” he coughed wetly, spraying blood, “The portal is open, the way is clear. A– and you have no God Clay to– to save you.” He chuckled, his throat gargling. Elowyn dropped to her knees, despair written all over her features. Enezeage had bowed his head and placed his hands in his sleeves, while Felix cried out in anger and anguish. Quintin closed his eyes and prayed silently to Correlon Lorethion for a swift death. Meredith, however, struggled to her feet,

“No.” she growled, wincing from the beating Darkhide had given her earlier, “I am not admitting any sort of defeat to you.” She spat, glaring at the Necromancer. Darkhide grinned darkly,

“Do I need… to remind you girl? Moradin… is dead.” He said, now gasping for air. Meredith snorted, looking over at the giant rend in the earth in front of the group.

“I heard ye the first time, ye bag o’ wind.” She said flatly, “But ye never said anything’ about Throff.” She added, glancing back at the dying human. Darkhide frowned momentarily, then his eyes widened,

“No.” he croaked, his last breath finally leaving him as he attempted to reach out towards Meredith, who was staggering over to the portal’s edge. Elowyn jumped to her feet,

“Merri? What are you doing?” the Paladin yelped, racing up next to the dwarf. Meredith looked down at the chasm with a determined expression,

“Finishing’ this.” She replied. She looked up at Elowyn, “Take the others, and run.” She commanded, “If this doesn’t work, ye’ll need tae evacuate as many people as ye can from the Plains.” Elowyn frowned and shook her head quickly,

“But what about you?” she asked. Meredith sighed and glanced back at the chasm,

“That doesn’t matter.” She said quietly, she looked back up at the Woodling sharply, “Now get goin’!” she snapped, a ripple of power washing over Elowyn. The Paladin tried to resist, but found herself unable to. She glared back at the dwarf, even as her feet took her away, tears stinging in her eyes. Meredith watched her friends leave, guilt tearing at her heart,

“I’m sorry.” She muttered, “But this is my burden to bear.” The Inquisitor turned back to the portal, took a deep breath and knelt. She took a moment and then began to cast,

“Throff, gentle Mother of my people, know that I do not make this request of You lightly. I am fully aware of the cost involved and I will pay it.” She prayed, gathering up as much power as she could muster, “Please, grant me the strength to close this abomination, to heal this world that has been wounded so badly already.” She begged, tears stinging her eyes. After a moment, Meredith felt the earth beneath her ripple slightly. She smiled softly; there may not have been any spare God Clay left, but wasn’t Titan made of the stuff? The Dwarf closed her eyes tightly, pushing yet more power into the spell, feeling it drain her very soul as the earth finally began to move, closing the portal to the Abyss. Demons, who had been making their way up from the bottom of the Pit, screeched as slowly, their means of escape closed in around them. They pushed back and the spell wavered.

Meredith was almost completely tapped out, black spots obscured her vision as she felt the resistance,

“No,” she breathed, “I–I am not letting…” her breathing became shallower as she tried to push yet more power into the Shaping spell. It was then she felt a gentle brush on her shoulder. She blinked back the blackness creeping into her vision and looked in the direction the touch had come from. Stringwhiskers, limned in a golden light, twitched his nose at her,

“We know what you doing.” He squeaked, “We come to help.”

“You got this Merri, keep going.” Alphonse’s voice encouraged from somewhere behind her. Looking around at the faces of her deceased friends and travelling companions, Meredith nodded and glared at the portal, which was slowly pushing back open. Gathering up what little strength she had left, the dwarf pushed it all into the spell. The earth rumbled violently as the two opposing forces clashed, but finally, with a deafening ‘boom!’ the portal snapped shut. The hand of a Balor that had been unlucky enough to get in the way, wavered then disintegrated into dust on the wind as everything finally settled. A weak ray of sunlight lit up the ground where the portal had been and a bird flew over and perched on the out of place hammer that glinted as the clouds above Castle Dire finally broke.

When the Command spell finally wore off Elowyn and the others, they were most of the way along the road to Toreguard. Almost immediately, the Woodling spun around and began marching back up the road towards Castle Dire,

“When I get a hold of that girl, she is getting the earbashing of the century!” she snarled. Felix tugged on her arm nervously,

“What was Merri even doing?” he asked. Elowyn shook her head,

“The stupid woman’s probably trying to close the portal by herself.” She replied. Enezeage strode in front of the Woodling,

“Then maybe, it’s a good idea to do what we were told?” he suggested. Elowyn was about to give the Monk a scathing reply, when the earth under their feet rumbled. Felix squeaked and grabbed a hold of Quintin’s leg. The Elf staggered a little at the sudden gesture, but was quick to find his footing again. Enezeage grabbed a hold of Elowyn’s arm as the Paladin fell back with the sudden movement, a large, squat sea of calm amidst the chaos. Felix looked around in awe as the tremor ceased,

“Whoa, someone’s either being really stupid or really brave to try casting this big a spell.” He said, his eyes wide. Elowyn frowned and checked to see if there was anyone evil nearby that was attempting to cast something new. The only hint of red she found though, was a brilliant glow up where the portal had been opened.

“OK, ow. Remember that big ass portals to the Abyss don’t need to be checked for Evil.” She muttered as she blinked her vision back. Felix shook his head,

“It’s not an arcane spell.” He called as another, larger rumble shook the road beneath them. He waited until the new tremor had passed before continuing as he studied the lines of power only he could see, “I think… yeah, it’s Divine Magic. It’s all white and gold.” Elowyn paled and looked up towards Castle Dire,

“Merri, what are you playing at?” she whispered. Aurianna mewled from her perch on the Paladin’s shoulder,

“I think she’s trying to use a Shape spell to close the portal.” She said quietly. Elowyn frowned,

“How? There’s no God Clay left, right?” she asked, now beginning to panic. Enezeage hummed as he realised something,

“That’s true,” he rumbled, “but what did Titan make the world out of?” he asked. Elowyn’s eyes went wide as an even bigger tremor rumbled through the earth, causing everyone to lose their footing. Once it was over, a massive ‘Boom!’ rent the air then… the earth stilled. The group looked at one another questioningly as they got up. After no further tremors came along, Elowyn rushed up the road as fast as her legs could carry her, at least until Enezeage hoisted her onto his shoulder and ran the rest of the way for her.

Once they reached the top, the group looked around in shock. Darkhide’s body was still pretty much exactly where it had been left, as had the bodies of the other Cabal members and the undead. There was, however, no sign of the portal. Or of Meredith. Elowyn was let down as Enezeage looked around in confused awe,

“MERRI!” Elowyn called desperately. She ran around the grounds of Castle Dire, looking for any sign of her old friend, “MEREDITH!” She ran around the rest of the huge courtyard, “Meredith Gruksdottir, you get your ass over here right now!” There was no reply, aside from the croaking of the ravens that had come along to feast on the dead. Quintin quickly came around the corner,

“Elo, I think you need to come have a look at this.” He called. The elf looked confused and upset. Elowyn rushed over to him,

“What’s going on?” she asked. The Ranger held out an elaborate mace. It was made of the best Iron and etched all over with Dwarven Runes. Meredith’s warmace. Elowyn reached out to touch it, but quickly withdrew her hand,

“Where did you find this?” she asked sharply. Quintin turned around and nodded to the courtyard behind him,

“Next to the edge of where the portal should have been.” He replied heavily, “We’ve looked everywhere in the area. There’s no sign of her besides this.” Elowyn glared at the elf,

“There has to be!” she snapped, her voice tight with emotion as she ran over to where the portal had been less than an hour before. Quintin sighed and followed the Woodling at a more sedate pace, tickling a raven that had landed on his shoulder under its beak.

Elowyn reached the knoll where the portal had not long before torn a hole through reality to the Abyss and looked around desperately, tears streaming down her face. The rest of her party finally arrived in the area, looking as lost and confused as the Woodling felt. She looked at each other them, still hoping there was something, anything else. Slowly they shook their heads. Cragspine approached the Woodling, who was now hugging her knees into her chest and sobbing. He gently touched the Paladin’s hand,

“Meredith might not be here, but portal is gone.” He said in a low voice, “This place saturated with Divine Magic, she obviously successful.” He pointed out. Elowyn really didn’t take too much comfort in the little Kobold’s words. The Dwarf, despite some of her faults, had managed to more or less survive their entire journey and had been a welcome, steady presence when everything had, as they often said to one another, ‘turned to shit’.

“It’s not fair.” She sniffled, “Why did all the big stuff have to fall on just her?” Cragspine shook his head,

“The Gods are fickle.” He reminded her, “Come, we go tell big human peoples news.” He said gently, tugging on the sleeve of the Woodling’s overcoat. Elowyn lifted her head and slowly shook her head,

“You guys go on ahead, I need a minute.” Cragspine looked back at Enezeage with a questioning expression. The Half-Orc nodded and shooed everyone else back to the road to Toreguard. The Monk turned to Elowyn,

“Don’t be too long.” He rumbled. Elowyn nodded as he turned around and followed the others. When she was finally alone, Elowyn knelt on the grass and prayed,

“I hope you managed to find wherever it was you wanted to go.” She said, fresh tears making their way down her cheeks, “You really do have a bad habit of wanting to outdo yourself though, don’t you?” she laughed, “I will personally make sure that what you managed to accomplish today is properly recognised though. Maybe once word gets out about it, people back home will stop being such dicks to Dwarves again.” She looked at her hands, which were balled up on her knees, “I’m going to really miss you. I mean, it’s no fun being the only girl with a bunch of men and who am I going to complain about Gorgeous with now?” The Paladin sighed heavily, “Sleep well, Sister. Hope you’re waiting with a mug of decent beer by the time I join you up there.”  She said with a faint smile. The Woodling pulled herself to her feet and looked up at the sky above her, saluted and finally left.

~*~

Even though it was well after dark by the time Elowyn and what remained of her party got back to Toreguard, General Strucker was waiting at the gates for them,

“Did you manage to stop him?” he asked, clearly nervous about the answer he was about to receive. Enezeage, who had picked up Darkhide’s body on his way back, dropped it at the General’s feet,

“There’s the evidence.” He grunted. The General slowly grinned at the sight,

“So it’s over.” He breathed, “At last.” He gestured for one of the guards with him to take the body, “Get that to the Wizard’s Tower, no doubt they’ll want to make sure that there’s no chance of him being resurrected or have any other means of coming back.” He ordered. Two of the guards saluted, picked up the body and carted it off immediately. The General frowned as he looked the group over, “Hang on a minute, what happened to your Dwarf friend?” he asked. Elowyn stepped forward, Meredith’s mace in her hands,

“She fell closing a new portal to the Abyss that Darkhide managed to open before he died.” She said quietly, “If it’s all the same to you, General, I’d rather explain the situation in front of people who know more about magic than I do.” She requested. The General’s face fell as he regarded the beautiful weapon and nodded,

“Indeed. Come, I’ll arrange for a full Wizard’s council in the main Council Chambers for you. Grand Magus Frigidwake is something of a night owl these days and I’ve no doubt she’ll want to know exactly what happened.” He said. Felix coughed, getting the man’s attention,

“You might want to call on some of the religious leaders as well.” The gnome said, “Meredith was, after all, a cleric of Moradin.” The General nodded again,

“Duly noted, Master Gnome, I shall take note of that. But enough, I rather think you all deserve a bit of rest before you get bombarded from all sides with questions.” He said rather more gently, “We’ve arranged for you to stay in the Plot Hook overnight so that you can have a bit of a lie in.” Everyone nodded tiredly, following the General to a rather large and luxurious carriage and piling inside. By the time Orock showed them all to their rooms, they were all already mostly asleep and dead to the world by the time their heads hit their pillows.

~*~

Elowyn found herself feeling oddly calm as she waited outside the main council chambers the next morning. Perhaps, she thought, it was the absence of the Merchant’s Guild, or maybe it was because she had a decent night’s sleep for the first time in what seemed like forever. No matter what the reason, she walked confidently into the large chamber, alongside her friends, who also seemed far more at ease. Selene smiled at the group warmly as she took her seat at the head of the chamber and waited for the rest of the Wizard’s Council and Toreguard’s Religious Council to sit. This done, she leaned forward in her chair,

“Elowyn O’Toreguard, Paladin of the Light and Sergeant of Watchhouse 8, Northwest Precinct, can you please explain to the council what, exactly, transpired at Castle Dire yesterday morning and afternoon?” she asked calmly. The Woodling nodded and stepped forward, telling the combined Head Wizards and Religious leaders of the fight with Darkhide and the rest of the Cabal, of Darkhide’s apparent defeat then his opening of a new portal to the Abyss that was made permanent with the sacrifice of what seemed to be the population of a nearby village. She then went on to explain how, despite being beaten bloody and almost to death earlier, Meredith, Inquisitor of Moradin, had refused to admit defeat and sent the rest of her party away.

“We’re not sure what she did,” Elowyn said, her throat tightening at the memory, “but whatever it was, she managed to completely and utterly seal the portal. The only thing we could find of her when we returned to Castle Dire, was her warmace.” She finished, gesturing to the item, which had been placed on a plush cushion on a table near the front of the room. The Head Priest of Pellor stood and regarded the mace with a curious expression,

“I must admit, my fellows and I felt a very large pull of Divine Magic just before the earthquakes started.” He said, looking around at his fellow High Priests, who were all nodding, “How this single cleric accomplished such a thing is… well none of us have been able to work it out.” He admitted, “Normally a large ritual has to be involved to pull such a large amount of magic into a single area.”

“Perhaps I can help with your query.” A voice quavered from behind Elowyn. She frowned as Selene’s eyes went wide and the Wizard stood with a hasty, deep bow. She looked over her shoulder to find a very elderly dwarf come into the room, escorted by several beardlings and leaning heavily on an elaborate metalwork staff. Elowyn bowed deeply as well, though noting with worry that the old dwarf appeared to be quite unwell.

“Archlector Vanskleig, it is a real honour to have you visit us.” Selene said, her tone worried as, she too, noted that the old dwarf was clearly unfit to have travelled such a long distance, “Someone get him a seat!” she snapped as she hurried down from her position to assist the beardlings in helping him to a chair that was conjoured by a junior wizard. The elderly dwarf smiled warmly at the Wizard as she knelt in front of him,

“Do you require anything, Archlector, a drink of water perhaps?” she asked Vanskleig shook his head,

“No, child. I am here to find out what happened yesterday.” He replied evenly, “I am afraid I do not travel well using portals.” He added. Selene nodded and stepped back, looking over to Elowyn,

“Elowyn, dear, can you quickly summarise what happened at Castle Dire again?” she asked. Elowyn, despite how soul sick she felt to recall the events again, nodded,

“Of course, Grand Magus.” She replied. Taking a moment to centre herself again before repeating what she had told the Council. Once she was done, the Archlector nodded,

“You recall that Meredith was a Shaper, correct?” he asked. Elowyn thought back to when the group had visited Fangthane the first time and nodded,

“Yes, Your Holiness, I do.” She replied, “However, I do not see how that would have helped matters.” She admitted. Vanskleig smiled, his grey eyes twinkling,

“Ah, but it does help. Quite a lot actually.” He replied with a weary chuckle. He looked around the rest of the Council, “The ability to Shape is a rare one.” He said, “It only occurs once in every three or four Dwarven generations, and has only ever been found in one family line.” He explained, “Few know of the Redhammer Clan, but when they were exiled from Fangthane we believed the ability to Shape had been lost to the worshippers of Moradin and Throff forever.” He tapped his chin thoughtfully, “That is, until young Meredith Gruksdottir displayed the ability; at a very young age as I recall.” He shook his head, “The gift of Shaping is a blessing from Throff, She who found the Magic Clay. It would seem that when the portal to the Abyss was opened, Meredith realised that the only way to close it permanently was using what had since become known as God Clay.” He explained. Selene shook her head as several voices piped up,

“Wasn’t it used to seal up the portal under the Wizard’s Tower?”

“I didn’t think there was any of it left.”

“Where would you even get the stuff from anyway.”

The Grand Magus sighed and slammed her staff on the floor,

“If you must ask questions, do so one at a time!” she snapped, “I should not need to remind any of you about good manners!” The High Priests and Wizards who had stood up to ask their questions all at once sat back down, looking suitably embarrassed with themselves. Selene turned back to the Archlector, who was chuckling,

“Ah, now that’s the young Wizard I remember hearing about ten years ago, I did wonder what had happened to her.” He noted with a warm, grandfatherly smile. Selene bit back an embarrassed laugh as the Archlector proceeded to look around the Council Chamber again,

“As to your questions. Yes, there is no more spare God Clay that we know of, however is not Titan made of the stuff?” he asked. Before anyone could answer, he was talking again, “From what has been described, it would seem that Throff, upon seeing the calamity that was unfolding, granted young Meredith a chance to use Titan itself to seal this new portal.” The Archlector sighed heavily, “Of course, such a casting requires a significant cost.” He looked over to the mace at the far end of the room, suddenly seeming so much older than he already was, “Clearly young Gruksdottir felt that the price asked was worth the safety of Allansia, if not all of Titan.” He said, his voice low and heavy with grief. Silence reigned as the enormity of what had actually happened settled on the rest of the Chamber. That one lone dwarf had sacrificed everything to prevent a disaster worse than had occurred ten years ago from happening again was, clearly, quite a lot to take in. Selene nodded gravely,

“Thank you, Archlector. It looks like we all have rather a lot to reflect upon. Especially given the behaviour of some of the city’s people towards the Dwarven people as of late.” She stood and regarded her fellows, “I think it would be best if we took a recess for the next four hours. When we get back, we will discuss what needs to be done to properly celebrate and honour those who have already given this city so much.” She glanced over to Elowyn and the others as she spoke, striking her oaken staff on the floor and sweeping out of the room. Elowyn ignored the mumble of conversation going on as she approached the Archlector and knelt before him,

“Your Grace, I have a couple of questions if I may.” She said quietly, Aurianna quickly scampering up beside her. The Archlector regarded the Paladin and nodded, waving off his beardling assistants,

“I’ll be alright, I will call when we are done.” He assured them gently. The eldest of them bowed politely and ushered the other outside, knowing that this was a private matter. Elowyn smiled gratefully to the old dwarf,

“Thank you.” She said. Vanskleig motioned for her to sit,

“It is no trouble, child. You are clearly worried about something and wish for guidance. I would be a poor cleric to ignore such a request.” He assured her. Elowyn shifted uncomfortably,

“Darkhide said during the fight against him that… he said Moradin was dead.” She said, trying not to avoid the subject, “I assumed he was merely trying to scare Meredith, but before we left the city, she mentioned that she had not been able to reach Him.” She looked up at the Archlector with worry, “Was Darkhide telling the truth? I thought Moradin had merely forsaken Toreguard following Starhammer’s untimely death.” Vanskleig sighed heavily and leaned back in his chair thoughtfully,

“As a friend of Meredith, I feel safe in letting you know what has happened.” He said, “However, this information is to go no further than us unless it becomes something that needs to be dealt with.” He told her firmly. Elowyn nodded, hugging her knees to her chest by now,

“You have my word Archlector.” She said. The elderly dwarf nodded, satisfied,

“The Dwarven people are currently in crisis, my dear.” He explained, “There is much upheaval occurring at the moment both in Fangthane, and until recently, here in Toreguard. As a result of what has happened here of late, Moradin’s followers have become… unsure of themselves and their faith is wavering. As a result, Moradin is less powerful than He would normally be and is attempting to consolidate Himself.” Vanskleig sighed, “My faith in the Dwarf Father is as strong as ever, my dear, however, I am old and while I have a replacement, I worry for my people following my passing.” Elowyn nodded,

“That’s– That’s some heavy stuff. But I am glad to know that Moradin still exists. It eases my heart just a little.” The Archlector smiled,

“You cared very deeply for her, that much is clear.” He said in a low voice, “When I return to Fangthane, I will ensure that young Meredith is properly remembered by all under the mountain. While she passed far, far too young, she was devoted not just to Moradin, but to her people and her world. Take strength in the knowledge that you knew Meredith for who she truly was, not the legend she will obviously become.” He advised. Elowyn nodded, wiping at her eyes as they welled up again,

“Thank you Archlector, I will.” She replied, getting up and bowing, even as the Archlector called for his assistants.

~*~

Later:

“I ‘eard a little about what happened.” Mrs Higgins said quietly once everyone else had left the kitchen, leaving the Woodling alone with her thoughts. Elowyn looked up at the house’s matron,

“I think the news has made its way most of the way around the city by now.” She said with a weak chuckle. The old human fished out an envelope from the pocket in the front of her pinnie,

“Miss Meredith left this with me before you left to go to Castle Dire.” She said quietly, “Said I should give it you when you got back.” Elowyn took the envelope, her hands shaking slightly as she regarded the firm, almost runic strokes of her old friend’s handwriting. The Woodling nodded to Mrs Higgins,

“Thank you, can you go and fetch me a pot of tea? I think I’ll probably need it after reading this.” She asked in a small voice. The maid nodded in sympathy,

“I’ll go fetch a small pot of brandy to go with as well, dear.” She said, bobbing in a curtsey, before bustling off to the other end of the large kitchen. Elowyn stared at the unopened envelope for several long moments, both longing to read the letter inside, and not yet willing to acknowledge that the dwarf was never coming back. Finally, she broke the wax seal on the back and took out the parchment inside:

Dearest Elowyn,

If you have received this letter, then that means the inevitable has happened. Whatever form this has taken, know that I do not want you, or any of the others, to blame yourselves. When Moradin comes calling, I kind of have to answer Him, right? I wanted to let you know just how much the time we have managed to spend with one another has meant to me.

I know that you love your city and pray to Moradin and Throff both that, once time has had a chance to dull the wounds left behind by this most recent conflict, that our people can live in peace with one another again. I trust that Justice will be done for the atrocities that have been committed, and know that, somehow, you’ll be right there in the middle of it. Please never lose sight of that goal, for I know that it might be the only thing that you have left to cling to when the shadows gather and fate feels like it’s ripped everything and everyone out from under your feet. I tell you this as a reminder. In these last days before we finally face Darkhide, the Light that you have brought into my life has been the only thing keeping me going when I truly believed that I had lost everything.

Even though we have had our differences in opinion, know that I have ever seen you as a Sister and, therefore regard you as kin. No matter the challenges that lay ahead of you, know that I am proud to have stood by your side as you grew from a simple Officer of the Watch into a Paladin that has learned the hard way how to lead and inspire others. Even as both of our peoples face dark and uncertain futures I know that you will be there to help light the way to a better future for all.

Should you ever have need to pass through the lands around Fangthane in your travels, please take the enclosed with you.  It will identify you as a close and trusted friend of the Dwarven people and ought to keep you and your travelling companions safe despite the Grudge that will likely be in place by now.

Stay safe òrdugh piuthar and while I hope to meet you again when you finally pass to this next life, I hope it is a very long time coming.

May the rocks stay ever true under your feet,

Meredith, Daughter of Gruk, Son of Ovak

Inquisitor of Moradin 13th level

The sheafs of parchment shook and drops of water splotched the ink as Elowyn finished reading through the letter. Meredith had clearly known that it was unlikely that she would survive the fight against Darkhide. The Woodling frowned through her tears as she realised that there was something else still in the envelope. She gingerly shook whatever it was out onto the table, her heart breaking even further than she ever thought possible as she regarded the item. It was a simple Mythril necklace with a finely crafted dwarven Warhammer attached to it. Both were covered in intricate dwarven runes. Meredith’s Holy Symbol. Elowyn had seen the dwarf use it often enough to Turn the undead to recognise it immediately.

[fiendishfyre]

Artists/Fic authors self rec! When you get this, reply with your favorite five fics/artworks that you've made, then pass on to at least five other writers/artists. Let’s spread the self-love! ❤️

This is a tough one, cuz I don't think I like my stuff enough but I'll try! 1) I like this james and sirius artwork I did here. James nose is cute and that's my fav part! 2) I like this Sirius Black I drew because he looks actually decent and like a guy (I am not the best at drawing guys) Even his face looks good! Here. 3) My deerhunter (Orion/James, OJ, OrangeJuice XD) fic! It's such a rarepair but I am proud of it and just happy I wrote it even if it's only for a very small, niche audience, I can enjoy it for myself. Here. 4) My Snack/Snirius fic! I love that ship so much, even if lately I haven't been on the biggest Sev brainrot. Sirius dethroned him (for now, I go back and forth) but this ship is gold and I liked the fic I wrote of it, soulmates au, they weren't too pleased with being soulmates. Hahhahaa. Here. 5) This Blackcest/Starcest fic with orion/Regulus/Sirius solely because I got myself to write an ot3 which I hate cuz too many limbs. Ugh. Here. Thank you for this! Loving what you make is tough. I am finding that picking bits helps, maybe you don't like the whole thing but there are aspects that you can feel good about and that's worth it.

[hasarjunadoneanythingwrong]

Besides Arjuna who do you think is the best Archer?

-anujra (mirror dimension arjuna)

Ok stupidness aside I think arash is 100% up there as a viable contender. The arrow he shot literally traveled for days before landing and also ended a war with no bloodshed so he’s at least worth being considered l.

While rama isn’t given an archer class in fate bc of (insert lore) and for my own sanity I don’t really want to include every other guy who could class as an archer I feel like not including a god known for his sheer skill in archery would be remiss. In all honesty, he would probably be better than arjuna if he was allowed to be an archer.

Durga is one of those ones where her being classed as an archer isn’t really my first pick for her but also saying she wouldn’t be at least as good as/better in archery than arjuna would also be kind of ridiculous, so I’d also say she’s a possible choice? That being said, most of her more notable stories where she defeats enemies typically involve some kind of spear so if you wanted to say she was more focused on that I wouldn’t disagree either.

If Artemis was more artemisy she would easily be up there as she was a goddess of hunting known for her skill with the bow, but fgo doesn’t really focus on that as much with orion having more of the archery skill. I actually read something the other day that suggested her fgo version was conflated more with Selene which tbh did track with me given her situation

If altera was more atilla like she COULD be a contender bc the Huns were known for their skill in mounted archery but as it is she hasn’t really shown anything to indicate that’s something she’s good at. I don’t really count the candy cane sheep thing.

Tametomo is also decently strong, I think sinking a ship with a bow is a pretty cool feat. I wouldn’t really put it on the same level as arjuna’s own skills (looking at you FATE GRAND ORDER) but he definitely was talented and powerful

Bhima and karna were also both very good archers! I don’t know if they were on the level of arjuna but they both could easily class as one and dominate some of the other archers. Ashwatthama was also very good but by his own admission in the Mahabharata he didn’t think he was on the same level as arjuna.

Kama would be another one who would be very good at archery, although her ability is less ‘martial prowess’ and more ‘does it a lot as it’s her job’ so that may effect things

None of this matters tho bc sei shonagon clears 😤😤😤

[eclipsejynx]

An Outed Secret.

So, this one's a bit weirder than what I usually write. I just wanted to post something. Also, I just chose random names.

Summary - Nathan bullies the shit outta Simon. Usually. So, when someone reveals a huge secret of Simon's that changes his life, Nathan goes completely bat-shit.

TW - Swearing, bullying, harassing, outing someone's gender, transphobia

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

It was never a surprise to find Nathan kicking Simon’s ass.

Complete opposite, they were. Simon was more creative and constantly scolded to act “normal” in the views of others. He was always different. Nathan was more harsh and stern, always following expectations of being strong and cruel. Even as opposites, they always cross paths.

And shit always hit the fan.

Nathan would always torment Simon, even for the smallest things. Accidentally sit next to his desk in physics? Punch in the face. But no one ever batted an eye. Not cause they were scared of Nathan, no. Because no one cared enough about Simon to be worried.

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

It was another chaotic day in Black Diamond High School; A prestigious school, usually for the highly academic kids or the rich ones.

Simon was the mix of both.

Simon’s father was an important figure in the government, and his IQ was higher than most. It didn’t help his situation, being intelligent. It just made him more of a target for thinking differently.

Simon sat down at a desk in Chemistry, hours more preferred class. Most of his “friends” were here. At least, people who tolerated him.

He fiddled with his pencil, eying the clock warily. Nathan sat at the other end of the classroom and prayed it would stay that way. The teacher should be coming in a few minutes. “Just stay unnoticed,” he mentally told himself. Sadly, Nathan wasn’t the only one who found Simon weak and pathetic.

“Aww~ Is the freak sitting alone?” He heard a cackle and slowly turned around to face him. It was Orion, his second least favorite. Ruffling his hair, Orion gave a shit-eating grin. He plopped down on the seat next to Simon. “So, freak,” Orion started, making Simon flinch. Freak was his least favorite insult. Mostly because he believed they were right. “I heard that… you have a little secret? Is it true?” Simon looked at Orion in confusion, wondering what he was hinting at. Orion rolled his eyes, huffing.

“Is it true you’re a girl?”

Simon dropped his pencil, making the entire class’ attention go to them. Orion snickered at Simon’s horrified face. “So it is true! You are a girl! Ha!” He started laughing, and most of the class joined. Insults were hurled at him, calling him tranny, freak, and girl. He put his head on his desk and covered his ears, failing to see Nathan glaring at Orion.

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

The next few days at school we’re shitty. There was no sugarcoating it. The ones who were decent to him abandoned him, not wanting to be a victim. His locker was vandalized with trans slurs and swears. Almost everyone threw insults through the hallway. When he went to the male restroom, he was thrown out for being a “pervert.”

Life sucked.

Today was no different, in full honesty. Simon was shoved against a locker, groaning in pain. “Can’t believe you’re this pathetic, girly.” Wincing, he was face to face with Orion. He quickly punched his stomach, making Simon yelp in pain. He clutched his stomach, the surrounding crowd laughing. Orion yelled insults, the others joining. Simon curled into a ball on the floor, crying silently. He looked up enough to see Orion about to throw a punch at his face.

At least, until someone pushed Orion away.

Orion was shoved before he could deliver the punch. Simon looked in the other direction, realizing the person was Nathan.

Nathan just saved Simon from a punch.

Nathan just saved Simon from a punch.

Glaring, Orion got up and grabbed Nathan by the collar. “The fuck was that for?!”

“For being a dick!” Nathan quickly punched Orion in the face, causing him to let go and clutch his jaw in pain. Orion was seeping with anger, tackling Nathan to the floor. People quickly flooded around them, attempting to get a close-up view of the fight. Simon got up and pushed his way to the front. Nathan was on top of Orion, pulling at his hair and clawing at his face. Orion was grabbing his shoulders, desperately trying to push him off. Orion had a bloody nose with a black eye forming. Nathan had a slap across his face, but nothing too major.

Simon could see in the distance a few teachers and officers sprinting to the scene. They shoved the other students out of the way and pried Nathan off. Still, Nathan was trying to resist and punch Orion. Some teachers had medical kits, trying to put ice on his black eye.

Simon gasped, recoiling when Nathan tried to punch the security guard. He slowly backed away and rushed out of the hallway.

The thought of Nathan fighting Orion lingered in the back of his head.

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Later that day, everyone avoided Simon.

It confused him. I mean, a few hours ago, everyone was beating him up, calling him slurs, and even threatening to reveal even more personal information. Now everyone ignored him. Some even looked scared or threatened by his presence. He shrugged it off, going on with his day. It was quite nice not being harassed every second of the day.

While walking past a hallway, there was another, smaller crowd. He was about to walk past, having enough drama for now, but heard a familiar voice.

“You little shit.”

Simon paused. Was that—

There was a bang against the locker. He could hear someone whimpering and trembling from fear, along with the flashes of photos and video recordings. Curiosity got the best of him, and he shoved his way through. Looking at the scene, he saw Nathan holding some girl by his collar against the locker. Simon recognized her as one who poured her yogurt on his head in the cafeteria. Nathan slammed her body into the locker again and growled with anger. “Fucking answer me! Did you do it?!” His grip grew tighter, the girl shaking while her friends watched. Nathan scoffed, pushing her to the ground. Her friends helped her up, but they were all visibly scared. He looked at the girl sympathetically. The girl and her friend group glared at him but stopped immediately when Nathan gave them a death stare. They scurried off, and the crowd slowly dispersed when the action ended. Simon was about to leave until a hand grabbed his shoulder.

“Simon.”

He jumped slightly, turning around. As he guessed from the deep voice, it was Nathan.

“N-Nathan, hi, Nathan, hi!” Simon stuttered and stammered, still nervous and socially awkward. He was always scared of Nathan. Just because he saved his ass earlier today doesn’t mean he’ll forget everything he did for years.

Nathan rolled his eyes, glaring at Simon. Still, there was something more in his eyes. Nathan never let go of his shoulder, keeping his grip tight, yet loose. His eyes softened when he saw how nervous Simon was. “Is it true?” He asked.

“What?”

“Are you really trans?” Nathan muttered, but his voice lingered with understanding. Simon let out a heavy sigh, putting his hands in his pockets. “It’s… a touchy subject.” Nathan looked deep into Simon’s eyes, finding nothing but the truth. “Right.” There was an uncomfortable silence between them, knowing it was a serious and personal topic.

Nathan looked like he wanted to say more, but decided against it. He suddenly grabbed Simon into a strong hug. It felt forced, but Simon thought it might be because he hadn’t had a hug in a while. It was quite awkward. Bring in a hog with someone who punched him in the face.

Still, it’s the thought that counts.

Nathan pulled away, and Simon swore he saw him slightly blush. Nathan did a fake cough and folded his arms. “I… I have to go.” He moved past Simon, probably going to his next class. Simon just stood there, thinking about what happened. So, his bully is not transphobic, hugged him, and blushed?

He shrugged it off, walking in the opposite direction. The blush was probably from embarrassment, right?

Right?

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

i just randomly wrote this a few months ago. And then I found it, and decided "why not?" Anyways, I don't like it, but I said the same thing about Caretaker and I got a few comments that they loved it, so I don't know if I should say it again. Anyways, bye darlings!