#As you can see‚ I am always thinking about The Characters

[angelltheninth]

Arcane Characters Make Food for You

Pairing: Jinx, Vi, Caitlyn, Maddie, Ekko, Vander, Silco, Sevika, Viktor, Jayce, Mel x Fem!Reader

Tags: fluff, established relationship, domestic fluff, kissing, making food, teasing

Ko-Fi | Rules | Fandoms and Characters

A/N: I already wrote this on my old blog but now is a good time to re-write it.

Jinx knows how to cook pretty well, surprisingly enough. Or maybe not so surprisingly given how she's always the one making things and experimenting. However that also means she might make some really weird meals.

It's something you'll have to deal with if you're with her and might have to develop a strong stomach. She already has it because she grew up in Zaun and ate a lot of different things. For you she wouldn't recommend some of them yet and she will try her best to make something that you'll like. And she won't get too offended if you don't eat her cooking right away.

"I made ya some breakfast, ta-da! It's a little sticky but don't worry, eat your fill and I'll clean up the mess later. Don't look at it like that, it might not look pretty but I promise ya it's so good. I could eat this every day. I hope I'll get to eat it together it with ya every day, sugar."

Vi doesn't know how to cook because she never had the opportunity to learn. The first few dishes are bad, like really bad, almost burn the toast and eggs type of bad but Vi she isn't the kind of person to give up. She'll keep trying until she gets it right.

There have been times where she did burn things and she won't let you eat it since it's not right. She wants you to have the best of the best, even if she didn't. Might get a little distracted when you're in the kitchen with her so she prefers to cook by herself even if you're there with her. Regardless of how many times she gets it wrong she at least wants to learn to cook your favorite.

"Yes, this is burned toast but this time it's not my fault, it's yours. Well you're the one who walked in here looking all cute and distracted me. One kiss is all it takes if it's from you, sweet stuff. Sit down and let me do this right and if you do you'll get something sweeter than this."

Caitlyn knows how to cook really well. She did grow up with people doing the cooking for her however she was curious and wanted to learn how to do it on her own. She's a very hand-on learner, now she can use some of her skills to make you happy.

She gets up really early anyways so she might as well make breakfast for the both of you. The first time she brings you breakfast in bed she thinks your reaction is cute, the way you stare at her, eyes wide and drooling over the food. For her it's not odd to have breakfast in bed. And if you stick with her you'll get used to her pampering you. Be sure to tell her how the food tastes.

"Good morning, darling, I brought you something. See, I didn't just brag about my cooking skills, this is me showing you I can cook. Showing off? Suppose I am a little bit, it's not my fault you didn't really think I would bring you breakfast in bed."

Maddie can cook some dishes but she can cook them well. Her skills aren't anything impressive but they don't need to be because she can get take out too. But she is more than happy to share what ever she makes with you.

She falls back on take out more often than she would like to admit. However not when she invites you over to her place, then she will put her best foot forward. A lot of that is because she wants to impress you hard, but it also gets her to work on her skills either way she wins. She keeps looking at you very intently while you take that first bite. Thankfully she doesn't seem to do a bad job if your smile is anything to go by.

"I'm not weird for watching you eat, it's called being smitten, gorgeous. Anything you do is interesting to me, you know that by now. This isn't empty flattery. I already got you to eat my cooking, I don't need to butter you up at this point."

Ekko isn't the best cook out there, he will be completely honest with you. While he does know the basic things you can't really expect anything fancy. If anything he focuses more on the dish being filling than tasty.

The thing about him cooking for the two of you is that he can only do it on his free time, which isn't a lot. Therefore he wants to make it a bonding activity. A cute date of sorts, mostly in the late evening when the rest of work is done. Sometimes he will try to surprise you but its hard when his living space isn't that big and everyone knows everything in the Firelights. The gesture counts.

"There wasn't much time so it's pretty simple, but at least it's your favorite, Firefly. No, I actually finished the new project, I had extra time to kill. Please, don't thank me! It seemed only right for me to make you something after you cheered me up this morning."

Vander knows how to cook really, really well. He kids to raise, and he was on his own for a very long time, he had to become a good cook. Plus he makes awesome drinks, being a good cook was a bonus skill for him.

He's always the first one to wake up and start the day in the Last Drop and he always makes breakfast for everyone. Not just breakfast but every meal, his kids need to eat a lot, there's always a little left over for later. Even if he feels a little sleepy himself he at least wants to put something on the table. It's the dad instincts in him. And husband instincts, hopefully.

"Don't ya even think about sneaking up on me right now, darlin'. I've got a pan full of sizzling hot oil in my hand, I don't want it all over us. Hugs are fine, I always love ya being close to me, but keep your hands to yourself. We both know ya get handsy in the morning."

Silco didn't know how to cook before he adopted Jinx, since then he's had to learn. It wasn't easy but now he does know a lot and he can impress the woman he's dating. Now when you stay over you can expect good for for your date, and good food when you wake up.

When the dating gets more serious he lets you help him cook, but until then he pretty much does it on his own. Jinx will go nowhere near the kitchen alone, not after that one explosion. He does have a list of recipes that he makes the most. And a few that he made up. Sometimes ingredients are hard to come by so he needs to improvise.

"Pass me the flour would you, love? This time I will follow the recipe, yes, the last time there was a bit too much sugar in there. I know you liked it but it's not the healthiest thing now is it? Fine, call me a worried dad, I know you think it's attractive."

Sevika isn't able too cook that well, she never was, she always liked others cooking for her though. However when you tease her about it she takes it as a challenge. And you know damn well that she doesn't back down from a challenge.

Curses a lot when she messes up, though you can bet that she's not gonna let food be the thing that beats her. When you walk into the kitchen it's a mess which will take a while to clean up. But at least she managed to make the dish this time and it's quite good. For her hard work you give her a very passionate kiss and that just makes her wanna work harder. That's the best reward she can ask for.

"One kiss for at that work, doll? I think I earned myself a little more than that, maybe you on the table instead of all this food. Yeah, I know it's gonna get cold, you're right. Can't let all this hard work go to waste, but when we're done we have to work all that food off."

Viktor doesn't have as much time to cook as he could if he worked a bit less. Not that his skills are award worthy but he can make a few things, at least in his opinion. Give his cooking a chance.

When he was a student in the academy he had to learn how to make quick meals and that is where most of his strength is. Just very simple dishes but he knows how to make them well. There are times when he himself forgets to eat so he makes sure he gets a good meal when he can. If you're part of that that's even better. Having you eat his cooking makes cooking more fun.

"If you think cooking this is so easy then you make it will you, beautiful? Ah so now you like it, I see how it is. I'm just kidding, I love making food for you when I can. But if you want to make it yourself please let me do a taste test first. I promise to be brutally honest, just like you are with me."

Jayce has absolutely no skills in the kitchen unless you need him to fix or build things in there. He knows this too and will admit it right away. Trust him he is much better in science than in cooking food.

That being said he will join you in the kitchen when you cook. He takes an interest in it because the way you cook makes his mouth water. When he learns about what your favorite food is he wants to lean how to cook it. However he does this in secret because he wants to surprise you. Sure enough he's able to get the biggest smile out of you when he presents you with your favorite meal.

"I learned it secretly, all for you, babe. Well I am quite good with my hands and I enjoy working, that was just another excuse to learn. Of course I don't have an ulterior motive for it! But if I did... and if it was kissing... would you kiss me for doing a good job?"

Mel is actually an amazing cook and knows a ton of recipes. Including your favorites of course. Do you really think she'd invite you over and offer you nothing to eat?

It's been a long time since she had to cook for anyone but herself but she's not bad at it at all. She has high standards when it comes to good food specifically because she holds herself to high standards. It doesn't matter how simple or complicated the meal is. When she invites you over and offers to make you food you better believe you're eating good that night. Not strictly food either.

"Beloved, slow down a little, the food isn't going anywhere and neither am I. We have all night. Every time I make food I do so because I want to enjoy a good meal, and you should too. And please be careful, I don't want you to choke, on the food that is."

[sherewrytes]

𝔹𝕣𝕠𝕜𝕖𝕟 ℙ𝕚𝕖𝕔𝕖𝕤, ℝ𝕪𝕠𝕞𝕖𝕟 𝕊𝕦𝕜𝕦𝕟𝕒 1

↳ Sukuna x f! black reader

Summary: After the death of his grandfather, Sukuna Ryomen is left to shoulder the weight of his family, caring for his younger brothers, Yuuji and Choso. As he withdraws into grief, his relationship with Y/N, his girlfriend of a year, begins to crumble. When Y/N discovers the truth about his grandfather’s passing during a heated argument, it leads to a painful breakup. Now, both are navigating life apart, but Sukuna’s heart aches for Y/N. Determined to win her back, he must confront his pain and find a way to break through the walls he’s built. Can he rekindle their love, or is it too late?

contents: heavy angst, modern au, 18+, smut, dark romance, drug use, talks of depression and similar topics. (a lil )

fic warnings. ooc, profanity, mental health issues, toxic relationships, cheating, explicit smut, serious drug use, mentions of depression + more to be updated as story progresses.

Please read with proper discretion. this is a work of fiction. all characters are written to portray roles that are necessary to the plot and are in no way a reflection of their canon counterparts.

Chapter Playlist:

Chapter 1: Rolling Stone

The blaring of the alarm cuts through the dim haze of the bar like a knife. I squint at the glowing screen, rubbing the sleep from my eyes. My shift is over, but it feels like the world is just beginning again. The sounds of laughter and clinking glasses fade into the background as I gather my things, the weight of another night spent pouring drinks and avoiding questions heavier than the bottles I’ve been slinging.

What the hell am I doing here?

I didn't need this job—my grandfather left a decent savings, more than enough to keep Choso and Yuuji set for college. But I can't touch it. Not yet. The thought of dipping into that fund makes my stomach twist. It's for them.

It’s always been for them.

So, I picked up this stupid job I hate, slinging drinks for people who don’t care about anything but getting wasted.

“Another night, another dollar,” I mutter to myself, a bitter grin creeping onto my face.

The familiar faces of patrons blur as I head to the door, but the fleeting laughter and boisterous conversations wrap around me, a reminder of the normalcy I’m missing. I should be out there, living it up, but instead, I’m trapped in this monotonous cycle of work and regret.

It’s been eighteen months since Jin died, and three weeks since I lost Grandpa. Shouldn’t I be over this by now?

“Just need to keep my head down,” I say aloud, shaking my head. “Keep the money coming. They depend on you, Sukuna.”

I step outside into the night, the cool air hitting my face like a splash of cold water. The streets are alive with the sounds of nightlife, but they feel like a distant echo, a life I no longer belong to. I light a cigarette, inhaling deeply, letting the smoke fill my lungs, trying to drown out the nagging thoughts in my head.

Y/N…

She’s been my anchor since my world turned upside down. I think about the year we’ve spent together, how she’s become the one bright spot in my otherwise dreary existence. But there’s a heaviness between us that I can’t shake. I haven’t been fully present, and I know it.

“I’m trying, dammit,” I whisper, the words almost lost in the rustle of the wind. “But how do I explain this?”

What if I lose her too?

My thoughts spiral. I’ve built walls so high, convinced that keeping her at a distance will spare her from the wreckage I’ve become. But every time I see her smile, it’s like a reminder of everything I’m not—of the light I can’t give her because I’m too busy drowning in my own sorrow.

You’ve done enough of this pity party, Sukuna. Just let her in. She wants to help. You can’t keep pushing her away.

But it’s easier said than done. Every time I think about opening up, about letting her see the raw mess I am, a voice in the back of my head reminds me of the risk. “What if she can’t handle it?”

What if she leaves?

With a heavy heart, I crush the cigarette butt under my boot and head toward my apartment. I can’t let her see how much I’m struggling. I won’t burden her with my pain. But the truth is, I don’t want to be alone anymore. I’m tired of pretending everything is okay when it’s not. I just want to talk to her, to feel that warmth radiating from her, even if it’s just for a moment.

As I approach my front door, I can see the lights flickering inside. Yuuji and Choso are likely glued to some video game, oblivious to the world outside. I shove the door open, the familiar creak echoing in the silence.

“Hey, I’m back,” I call out, forcing a casualness into my voice I don’t feel.

“Finally! We thought you fell in,” Yuuji replies, his voice full of that youthful energy that’s both infectious and exhausting.

“Yeah, as if. Just needed to pay the bills,” I respond, but my heart isn’t in it. I head to the kitchen, grabbing a bottle of water, chugging it down like it’s the last drop of sanity I’ll ever have.

I should call her. Just see how she’s doing. She’s been so patient with me, even when I’ve been a complete jerk.

I pull out my phone, the screen lighting up with her contact name. My finger hovers over the call button, hesitation creeping in.

What if she’s busy? What if she thinks I’m pathetic for calling her now?

“Just do it,” I whisper to myself, the words barely escaping my lips. “You can’t keep hiding.”

With a deep breath, I press the button, and the phone rings. My heart pounds in my chest as I wait, hoping she picks up, praying she won’t judge me for the mess I’ve made of everything.

“C’mon, Y/N. Pick up.”

After a few rings, her voice breaks through, warm and inviting. “Hello?”

“Hey, it’s me,” I say, the tension in my shoulders easing slightly at the sound of her voice.

“What’s up? Is everything okay?” she asks, concern lacing her tone.

“Yeah, just finished work. Thought I’d check in on you,” I reply, keeping it casual, though the truth feels heavier than I can articulate.

“Just hanging out. You sound tired,” she notes, and I can almost picture the way she frowns when she’s worried.

Always so damn perceptive.

“Yeah, long night,” I admit. “How about you? You doing okay?”

“Better now that you called,” she replies, her words wrapping around me like a warm blanket.

I need this. I need her.

“Maybe I’ll come over. I could use some company,” I say, trying to sound casual even though my heart races at the thought.

“I’d like that. Just… come over when you can,” she responds, and I can hear the smile in her voice.

“Okay, I’ll see you soon,” I say, ending the call.

As I toss my phone onto the couch and lean back, I realize how much I’ve needed this connection. For all my reckless decisions and the way I’ve pushed her away, there’s something about her presence that makes the world feel less heavy.

Maybe I can do this. Maybe I can let her in.

I head to the bathroom to shower then to my room to change, scrolling through my phone I scrolled through spotify and played P5hng Me A*wy/Mike Shinoda and Linkin Park. I pulled out an old band tee from Bring me to the horizon and some ripped jeans. In the back of my draw I see some Xanax in a baggie. I pulled it out and popped one then a half I had from sometime before. 

I should really quit this at some point…..but not tonight. 

As I step out from my room into the living room, feeling a renewed sense of clarity, the front door creaks open. Choso strolls in, his expression a mixture of nonchalance and mischief that immediately puts me on high alert.

“Hey, where have you been?” I ask, trying to keep my voice steady, but I can’t mask the irritation creeping in. I left him home with Yuuji, expecting a quiet night, and instead, I get this.

Choso shrugs, the dim light from the hallway casting shadows across his face. That’s when I catch a glimpse of something on his arm—ink, the kind that shouldn’t belong to someone barely eighteen.

For fuck’s sake.

I sigh, the tension in my chest tightening as I stride over to him, my heart pounding with frustration and concern. “What is this?” I snatch his arm, pulling it closer to examine the tattoo. It’s a crude design, something that looks like it was done in a rush, the lines jagged and uneven.

“Where have you been?” I demand, my voice low and sharp. “I left you home with Yuuji. Did you really think sneaking out was a good idea?”

Choso tries to pull his arm back, but I hold firm, scanning his face for any sign of remorse. Instead, I find a mix of defiance and pride that only stokes my anger further.

“Dude, it’s just a tattoo,” he says, a hint of rebellion in his tone. “I wanted to do something cool, you know?”

“Cool? You think getting a tattoo looking like you did it in a back alley is cool?” I hiss, my frustration boiling over. “You could’ve gotten yourself hurt or worse! What the hell were you thinking?”

He rolls his eyes, his teenage bravado coming out in full force. “It’s not a big deal, Sukuna. Everyone gets tattoos. I just wanted to be like you. You’re the one with all the ink.”

I let go of his arm, realizing the weight of my own hypocrisy. But I can’t back down now. “You think I’m some role model? I’ve made plenty of mistakes. This isn’t about me; it’s about you making smart choices! You’re not ready for this—”

“What, you mean you think I can’t handle it?” Choso snaps back, his youthful anger flaring. “I’m not a kid anymore. I can do what I want!”

“Yeah, well, you’re still living under my roof, and I’m still responsible for you,” I remind him, my voice strained but firm. “So until you can pay your own bills, I expect you to follow some rules. This isn’t a game, Choso. Tattoos can have consequences you’re not thinking about.”

Choso crosses his arms, his defiance cooling slightly as he looks away. I soften my tone, fighting the urge to explode. “I just… I don’t want you to end up regretting something like this. It’s not as easy to remove as you think. And if Yuuji knew you left the house, he’d freak.”

Choso’s eyes flicker with guilt for just a moment, but he quickly masks it. “I’m sorry. I just wanted to try something different. I didn’t think it would be a big deal.”

Not a big deal?

I lean against the wall, running a hand through my hair in frustration. “Look, just promise me you’ll think about your choices next time, alright? You’re not just a kid anymore, but you still need to act like one sometimes.”

“Fine. I promise,” he mutters, though I can see the annoyance simmering beneath the surface.

“Good. Now go shower and study and cover that thing up. You don’t need to show that thing off to everyone.” I start to walk back to the couch, but Choso grabs my arm, stopping me.

“Wait.” He looks me in the eye, something earnest in his gaze. “What if you’re not here? What if you get tired of taking care of us and just…leave?”

The question hangs in the air, heavy and charged. I open my mouth to reassure him, but the truth is, I’m terrified of what he just said.

What if I do?

“Listen, Choso,” I start, searching for the right words. “I’m not going anywhere. I lost too much already. You and Yuuji are all I have left.”

“Then stop acting like it doesn’t matter,” he shoots back, and I can’t help but feel the sting of his words.

I swallow hard, staring at him, wishing I had the right answers. “I’m trying, okay? Just… let me figure this out.”

He nods, but I can see he’s not fully convinced. “Alright. Just don’t go disappearing on us, okay?”

With that, he heads off toward the bathroom, leaving me alone with my thoughts once more.

I can’t disappear. I won’t. But what if I keep failing?

With a heavy heart, I plop back down on the couch, staring at my phone. I wonder if I should call Y/N again. Maybe she’d have something to say that would make all of this feel a little less overwhelming.

As I sit there, I can’t shake the feeling that I’m not just fighting for myself anymore. I’m fighting for Choso, for Yuuji, and for Y/N. I need to find a way to hold it all together.

Somehow. I have to.

I plop down on the couch, the weight of the evening still heavy on my shoulders. The faint smell of cigarettes and whiskey clings in the air. 

Jesus, it stinks in here

 Just as he begins to find a moment of peace, Yuuji plops down next to him, grinning as he passes over his lighter and a pack of cigarettes.

“Here,” Yuuji says, his voice light, almost playful.

“Stay outta my shit, man,” I grumbles, though I can’t help but feel a hint of amusement at Yuuji’s carefree demeanor.

Yuuji chuckles, unfazed. “Where’s Y/N? I didn’t see her at Grandpa’s funeral.”

The question hangs in the air, and for a brief moment, I feel the ground shift beneath me. I had meant to tell Y/N about  grandfather's passing—she had been there for me through so much—but the weight of it all had left me feeling paralyzed.

It wasn’t important that she was there…

I shifted uncomfortably, feeling the guilt settle like a stone in my chest. “It wasn’t important that she was there,” I muttered, trying to brush it off.

“But isn’t she important to you?” Yuuji presses, his tone shifting to something more serious.

I fell silent, the question echoing in my mind.

Is she?

I reach for a cigarette, pulling it out with slightly trembling hands before lighting it. The flame flickers in the dim light, illuminating my features for a moment as I inhale deeply.

“Dude,” Choso pipes up from the hallway, his voice laced with annoyance. “You said no smoking in the house.”

I rolled his eyes, exhaling a cloud of smoke toward the ceiling. “Cut me some slack,” I snapped, though I can’t ignore the tiny voice in the back of my mind telling me that I should be setting a better example.

The deep feeling that I’m forgetting something tugs at me, like a whisper just beyond my mental grasp. But then again, if I forgot it, it probably wasn’t important. Right?

Yuuji is staring at me, a knowing look in his eyes, but he doesn’t say anything more. Instead, he leans back against the couch, looking comfortable in the silence that stretches between them.

“Things have been rough, huh?” Yuuji finally says, his voice softer now.

“Yeah,” I replied, flicking ash into a nearby tray. “You could say that.”

Choso saunters back into the living room, arms crossed, eyeing Sukuna. “You really should talk to Y/N, you know? She cares about you, and it’s clear you’re going through something.”

I glared at him, irritation flaring. “I don’t need you two playing therapist. I’m handling my shit.”

Choso raises an eyebrow, unimpressed. “Handling it how? By ignoring everything? By pushing everyone away? Because that’s not working.”

The truth stings, and I shifts in my seat, the tension coiling tighter. “I’m not pushing anyone away,” I shoot back, though I know it sounds hollow.

Yuuji breaks the tension with a laugh. “Yeah, you are. You could at least let her in a little. She might surprise you.”

The idea sits heavy on my chest. 

Could Y/N really surprise him? Could she handle what he’s been dealing with?

What if she can’t?

I take another drag, the nicotine coursing through me like a desperate lifeline. “Whatever, man. Just drop it.”

Choso opens his mouth to argue, but Yuuji nudges him with a chuckle, and they both fall into an easy banter, leaving Sukuna to his own thoughts.

Maybe I should call her...didn’t I call her…can’t fucking remember. 

But the longer I sat there, the more I felt that familiar weight pressing down. The feeling of forgetting something important resurfaces, and I can’t shake it off.

As the night drags on, Sukuna fights the urge to reach for his phone again, knowing that if he does, everything could change. But at the same time, it feels like he’s on the edge of something—something he can’t quite see but knows is there, waiting for him to make the first move.

What the hell am I doing?

I flicks the cigarette butt into the tray, the embers glowing as it lands.

“Hey,” I said, breaking the comfortable silence, my voice rough. “What if I mess everything up? What if I don’t know how to make it right?”

Choso and Yuuji both turn to me, surprised by my admission.

“Then you figure it out,” Yuuji replies, his tone steady. “Just like you’ve always done. Just don’t shut her out.”

Maybe it’s time to stop running and start fighting. For once.

With a deep breath, Sukuna decides it’s time to stop overthinking it. He picks up his phone, staring at the screen, ready to reach out to Y/N.

This is my last chance...but I’m exhausted right now. Fuck!

Yuuji’s POV

Sukuna's exhaustion finally takes over as he sinks deeper into the couch, his body curling into itself. The low hum of the television fills the room, blending with the sound of his steady breathing. He drifts off, lost in the chaos of his mind.

Meanwhile, Yuuji glances at the sleeping figure of his older brother, a frown creeping across his face. Curious and a bit worried, he reaches for Sukuna's phone, its screen illuminated in the dim light. He unlocks it and starts scrolling through the messages, his brow furrowing as he realizes how many texts from Y/N have gone unanswered.

“Dude, look at this,” Yuuji says, wandering over to Choso, who’s leaning against the doorframe, arms crossed and a bored expression on his face. Yuuji holds the phone out for Choso to see, displaying the countless messages from Y/N that Sukuna has ignored for the past month.

Choso glances at the screen, then rolls his eyes. “Mind your own business, Yuuji,” he replies, a hint of annoyance in his voice.

“Seriously, though,” Yuuji presses, a touch of frustration creeping in. “He’s been ignoring her for so long. What’s going on with him?”

Before Choso can respond, Sukuna’s phone starts ringing, the sound piercing through the quiet. Yuuji’s eyes widen, and he instinctively silences the ringer, a mix of concern and curiosity flashing across his face.

“What should we do?” Yuuji asks, looking at Choso for guidance, a bit of desperation in his tone.

Choso shrugs, his expression unreadable. “Mind our own business. It's not our place to interfere.”

Yuuji sighs, glancing back at Sukuna, who remains blissfully unaware of the conversation happening around him. “But I like Y/N. She’s cool and puts up with him,” he points out, gesturing to his older brother, still sleeping on the couch. “She deserves better than this.”

Choso lets out a breath, his frustration shifting to something softer as he considers Yuuji’s words. “Yeah, I get that. But what do you expect us to do? You think we can just barge in and demand he talk to her?”

Yuuji's eyes narrow, determination hardening his features. “Maybe that’s exactly what we should do. He needs a wake-up call. This isn’t just about him anymore. He’s got people who care about him—people who are worried.”

“Like you?” Choso scoffs, but there’s no real bite in his tone. “You think that’s going to make a difference?”

“Maybe,” Yuuji replies, his voice firm. “But if we don’t try, then we’re just letting him push everyone away. We can’t let him go down this path alone.”

Choso hesitates, the weight of Yuuji’s words sinking in. He knows Sukuna is struggling, knows that beneath the bravado lies someone broken and scared.

“Okay, let’s wake him up, then,” Choso finally concedes, pushing himself off the wall. “But if he gets pissed, that’s on you.”

Yuuji nods, determination burning in his eyes. “Yeah, well, it’s better than sitting around doing nothing.”

Together, they approach the couch, the weight of their intentions hanging in the air. Yuuji crouches beside Sukuna, gently shaking his shoulder. “Hey, Sukuna. Wake up, man.”

Sukuna stirs, groaning as he squints against the light. “What the hell?” he mutters, running a hand through his disheveled hair, still half-asleep.

“Time to get up,” Yuuji says, his tone serious now. “We need to talk.”

Sukuna blinks, confusion clouding his eyes as he tries to shake off the remnants of sleep. “Talk about what?” he grumbles, irritation creeping in as he stretches.

“About Y/N,” Choso interjects, crossing his arms again as he leans against the wall.

The mention of her name seems to clear the fog from Sukuna’s mind. “What about her?” he asks, sitting up straighter, instantly alert.

“You’ve been ignoring her, man,” Yuuji says, his voice firm but compassionate. “She deserves better than this.”

Sukuna’s heart sinks, the familiar guilt clawing at his insides. He opens his mouth to protest but finds no words.

“I don’t want to hear excuses,” Yuuji continues, determination etched on his face. “You need to reach out to her. She cares about you, and you’re pushing her away. We can’t just sit here and watch you do this to yourself.”

Sukuna looks between the two of them, the weight of their concern crashing over him.

Maybe I’m not the only one hurting here.

“I… I know,” he finally admits, his voice barely above a whisper.

Choso steps closer, his expression softening. “Then what are you waiting for? Call her. Don’t let this go on any longer.”

Sukuna glances down at his phone, the screen still displaying Y/N’s name. What am I waiting for?

With a deep breath, he picks it up, the decision weighing heavily on his heart. Maybe it’s time to stop hiding and start fighting for the people who matter most.

Sukuna’s POV

I glance down at my phone as it lights up again, Y/N’s name flashing across the screen.

Not again.

I let it ring, barely registering the sound as I mumble to myself, “I’ll talk to her tomorrow.”

But the ringing doesn’t stop. I grit my teeth, a sense of dread bubbling in my stomach. “For fuck's sake,” I mutter, watching it ring again.

Why can’t she just give me a minute?

When the phone vibrates for the third time, I finally snap. “Fuck!” I answer, irritation spilling over as I press the phone to my ear. “What?”

“Where the hell have you been?” she shouts, her voice cracking like a whip through the line, the frustration palpable.

I wince, already regretting picking up. “I’ve been… busy,” I respond, my tone defensive.

“Busy ignoring me?” She scoffs, and I can practically see her rolling her eyes, her frustration radiating through the call.

This is so typical…

I take a deep breath, trying to calm the storm brewing inside. “I’m not doing this right now, Y/N. It’s not a good time.”

“Not a good time? You’ve been dodging my calls for weeks! What the hell is going on with you?”

Weeks… The word hits me hard, the weight of it settling heavily on my chest. I can’t keep running from this.

“Look,” I start, my voice low, “my grandfather is dead.”

Silence falls on the other end, thick and suffocating. I can almost hear the gears turning in her head.

“...When’s the funeral?” she finally asks, her tone shifting from anger to concern.

“It was three weeks ago,” I reply, the admission tasting bitter on my tongue.

“Three weeks?” she whispers, disbelief lacing her words. “And you said nothing?”

“I'm handling it, Y/N!” I bite back, the frustration boiling over. I can feel the anger and grief bubbling up, the remnants of my grandfather’s absence clawing at my throat.

I don’t want to talk about this. Not now.

Her silence feels like a dagger, cutting deeper than any argument we've had before. “This isn’t how you handle things, Sukuna,” she finally says, her voice shaking.

“I’m not doing this dumb shit with you tonight,” I snap, the heat of the moment overwhelming me. “I’m hanging up.”

And with that, I cut the line, the sound of the call ending echoing in the stillness of the room.

What the hell was I thinking?

My heart races as I throw my phone onto the couch, the silence that follows feeling deafening. I bury my head in my hands, fighting against the emotions swirling inside me.

She doesn’t understand. She can’t know what this feels like… The anger, the pain, the constant ache of losing my grandfather and not being able to show it. How could I have told her?

I lean back against the couch, the weight of everything pressing down on me.

Just give me time…

But as I sit in the dim light, the loneliness creeps in. The silence is heavy, and I know I can’t keep pushing her away. I want to reach out, but the fear of exposing my vulnerability paralyzes me.

I close my eyes, wishing for the chaos to settle, for a moment of peace to wash over me. But it doesn’t come.

Tomorrow, I’ll talk to her. I’ll figure this out.

But as the minutes stretch on, I realize the truth—if I keep this up, I might lose her for good.

Ding.

I sigh, my heart sinking as I open my eyes, dreading that it’s another text from her. I reach for my phone, bracing myself for the disappointment, but I feel a wave of relief wash over me when I see the name flashing on the screen. It’s not Y/N.

It’s Toji.

I’m five minutes away and I got pizza and weed.

I throw the phone back onto the couch and turn to Yuuji and Choso, who are in the kitchen, their heads craned toward the door, eyes wide with anticipation.

“Zenin is coming over,” I announce, trying to keep my voice steady.

Yuuji shrugs, a nonchalant expression on his face. “And I don’t give a fuck.”

Choso snickers, and I can’t help but wonder,

Who raised this kid?

“Yuuji,” I say, my tone firm, “you’ve got school tomorrow. Head to bed.”

He rolls his eyes, but I can see the weariness creeping in. “Yeah, yeah, I know.”

I shift my gaze to Choso, who’s been sitting quietly, but I know he’s been feeling the pressure of finals coming up soon. “You need good grades to get into university, too. Go study or some shit.”

He raises an eyebrow, a playful grin tugging at his lips. “I will, but it’s hard to focus with you two around.”

Great, more attitude. “If you can’t handle the distraction, then take your study materials and go somewhere else.”

“Not a chance,” he says, laughing as he grabs a bottle of soda from the fridge. “Besides, I want to see what Zenin brought.”

I shake my head, the corners of my mouth twitching upward despite my efforts to maintain a stern facade. “You two are impossible.”

The door swings open a moment later, and Toji steps inside, a broad grin on his face, pizza boxes stacked high in his arms. “Guess who brought dinner!” he calls out, the aroma wafting through the air and instantly making my stomach growl.

“About damn time!” Yuuji jumps up, rushing over to help him with the boxes, while Choso just stands there, his eyes gleaming with excitement.

I lean back on the couch, watching the chaos unfold. This is a welcome distraction. I can feel the heaviness of the earlier conversation with Y/N slipping away, if only for a moment.

Toji, pulling out a baggie of weed from his pocket and tossing it on the couch next to me. “Let’s get this party started. It’s been a rough week for all of us.”

Yeah, rough doesn’t even begin to cover it.

But I nod, grateful for his presence, even if he’s a walking headache sometimes.

Maybe this is what I need—just a bit of normalcy, a moment to breathe.

I watch as Toji sets down two boxes of pizza on the table, and he turns his gaze to me, studying my face.

“Where’s Y/N?” he asks, his tone casual, but I can hear the underlying concern.

I stay silent, reaching for the weed instead, the familiar ritual of rolling a blunt providing a momentary escape. As I begin to roll, I feel Toji’s eyes on me, a bead of sweat forming at the back of my neck.

“What?” I finally snap, my voice edged with irritation.

Toji sighs, crossing his arms over his chest. “Guess we’re doing this.”

Yuuji, ever the meddler, chimes in with a grin, “Y/N broke up with him.”

I shoot him a glare, my hands stilling. “She didn’t.”

“Sure sounded like you guys were about to,” Choso adds, his voice matter-of-fact, as if I hadn’t just dismissed Yuuji’s comment.

I lean back, rolling my eyes. “So you’re both minding my business now?”

Yuuji shrugs, that infuriating smirk still plastered on his face. “Of course.” He smacks his lips exaggeratedly, just to piss me off even more.

Toji raises an eyebrow, curiosity piqued. “What happened?”

I take a deep breath, the memory of our earlier fight flooding back, sharp and painful. “We got into it,” I say, my voice low. “She called me out for ignoring her, and I... I told her my grandfather died.”

“To be fair,” Toji interjects, “that’s a pretty big deal.”

“I know!” I shoot back, frustration creeping in. “But it was the way she said it. Like it was my fault I hadn’t told her sooner. I just—”

I stop, running a hand through my hair, feeling the weight of it all settle on my shoulders. “I didn’t want her to worry. I thought I could handle it. But I’m just a mess right now.”

“You can’t just shut her out,” Toji says, his voice steady, and I can tell he’s trying to keep me from spiraling. “You need to let her in. She cares about you.”

“Yeah, but does she really? Because it doesn’t feel like it right now,” I mutter, frustration boiling beneath the surface.

Choso exchanges a glance with Yuuji, and I know they’re thinking the same thing. 

You’re fucking this up, Sukuna.

“Look,” Yuuji says, more serious now, “maybe just talk to her. Apologize or something. She might be pissed off, but she’ll listen. She always does.”

“I don’t know if I can face her after that,” I admit, the confession hanging heavy in the air.

Toji slaps my shoulder, pulling me from my thoughts. “You don’t get to hide from this. Just be honest. You’ve got to get your shit together, man.”

I nod, taking a deep breath, the reality of it all sinking in. “Yeah, you’re right.”

The weight of my decisions looms over me, but amidst the chaos and noise of the kitchen, I can feel the glimmer of hope.

Maybe I can fix this… maybe it’s not too late.

I finish rolling the blunt and take a moment, grounding myself. “Alright, enough about me. Let’s eat before it gets cold.”

Yuuji and Choso dive into the pizza boxes, their laughter echoing around me. And for a moment, the laughter drowns out the noise in my head, the worries about Y/N fading to the background as I join them.

My phone rings again, cutting through the brief moment of normalcy. I glance at the screen and see it's Y/N. My stomach drops at the sight. I switch the ringer off again, desperate to avoid this conversation.

Toji, however, doesn’t miss a beat. He watches the phone and answers it. “Hey, what’s up, Y/N?”

I can hear her voice through the speaker, sharp and clear. “Where’s Sukuna?”

Toji shrugs, glancing at me. “He’s around. Is there something you need?”

I feel the air shift in the room as Y/N’s voice crackles through the speaker. “Tell him to come get his shit from my place.”

My heart drops.

She isn’t doing this right now.

 The weight of her words hits me like a punch to the gut.

Toji pauses, clearly surprised. “Are you sure about that?”

“His grandfather died,”

 Y/N responds, her tone unyielding. “And?”

And? 

The anger surges through me, hot and raw. I mouth to Toji to pass me the phone, but he shakes his head, his expression saying it all: 

Don’t. Just let it go.

“Y/N, you know it’s not that simple,” Toji says, his voice steady but laced with caution. “He’s going through a lot right now.”

“Yeah, well, so am I,” she snaps back, frustration dripping from her words. “I can’t keep doing this, Toji. He’s been ignoring me, and I’m done. Just tell him to come get his things.”

I can feel my heart racing, the anger boiling beneath the surface.

She really done with me?

Toji glances at me again, gauging my reaction. “Y/N, I get that you’re upset, but maybe you should talk to him instead of kicking him out. You guys have been together for almost a year.”

“Exactly! Almost a year and I feel like I’m in this alone. I’m tired of waiting around for him to decide he wants to talk to me. I deserve better than this.”

Does she really think I don’t care?

“Okay, but…” Toji starts, but Y/N cuts him off.

“No, Toji. I’m not going to keep making excuses for him. He needs to take responsibility. If he doesn’t want to be with me, then that’s his choice.”

I’m clenching my fists now, the frustration spilling over. I can’t just let this happen.

“Just pass me the phone,” I finally say, my voice low and dangerous.

Toji gives me a hard look but eventually relents, handing me the phone with a reluctant sigh. I can feel the weight of the moment pressing down on me.

“Y/N,” I say, trying to keep my tone even, but it cracks slightly, betraying my anger. “You really want to do this right now?”

“What do you want me to say, Sukuna?” she replies, her voice steady yet tinged with hurt. “You’ve been ignoring me for weeks. You think I’m just going to sit here and pretend everything’s okay?”

“I’m not ignoring you!” I shoot back, frustration bubbling over. “I’m dealing with shit, and I thought you’d understand. My grandfather just died, for fuck’s sake!”

“Then talk to me about it!” she retorts, her voice rising. “I can’t help you if you shut me out. I’m not asking for much; I just want to know you’re okay.”

“I’m handling it, Y/N,” I insist, my words coming out sharper than I intended. “But you don’t get it. You don’t know what it’s like right now.”

“Then make me understand!” she snaps. “Stop pushing me away!”

I can hear the desperation in her voice, and it’s like a knife twisting in my gut.

“Y/N, I…” I start, but the words fail me.

What do I say?

But before I can finish, she sighs deeply, the sound heavy with resignation. “Just come get your stuff. I can’t keep waiting for you to figure this out.”

“Fine,” I reply, my voice quiet. “I’ll be there.”

She doesn’t respond, and the silence stretches between us like an unbridgeable chasm.

“Y/N…”

But it’s too late. She hangs up, leaving me with nothing but the echo of our argument hanging in the air.

Toji and Choso watch me closely, the weight of their scrutiny pressing down. I want to scream, to lash out, but instead, I drop the phone to my side and run a hand through my hair, feeling the tension coil tighter in my chest.

The weight of the argument hangs in the air, thick and suffocating. With a heavy sigh, I pass my car keys to Choso. “Go pick up my stuff.”

He raises an eyebrow, shaking his head. “Nah, bro. You’re doing that on your own. I’m not getting in that mess.”

I scoff, frustration boiling over. “Seriously? You think I want to deal with this shit alone?”

“Yeah, I do,” Choso replies, crossing his arms defiantly. “I don’t want any part of that drama. You can’t just ignore her for weeks and expect her to roll over when you come crawling back.”

“Whatever, man,” I mutter, pushing myself off the couch. I turn to Toji, who’s watching us with a bemused expression. “I’ll be back in an hour.”

“Yeah, yeah,” he says, waving me off. “I’ll keep an eye on these two losers over here.” He messes up Yuuji’s hair, earning a frustrated grunt from the younger guy.

With a heavy heart and a storm brewing in my chest, I head to my car. The engine roars to life, but it does little to drown out the chaos in my mind.

 What the hell am I even going to say to her?

[mamaclownhunter]

I read a few but I am kinda soft for the idea of System!SY but like a player in a Video game.

Specifically I am thinking of the game Off! Where the player is their own entity the character it kinda aware of.

So SY dies and wakes up when Binghe lands in the abyss. He is given the objective to help Binghe out of the Abyss and steer him towards the best ending!!!

SY is excited because he!!! Gets to help Binghe!!

Binghe is pissed his seal came off and now he is being ordered around by some green spirit. His powers are still sealed and slowly being released by said kinda annoying ghost.

The worst part other then the Ghost being overly excited to be in Hell and seemed to be too elated about one of the worst fucking moments of his life-

The Ghost is actually fucking helpful. ‘Shen Yuan’ (what a fucking joke to give him a ‘Shen’ as a guide) knows more about monsters and their weaknesses, has an idea on what is edible what isn’t, he knows what plants to avoid, what areas are safe- and he also seems to genuinely want to keep him safe.

SY has a the video game advantage of either knowing when attacks are coming or knowing how heavy an attack will be. He also knows what Binghe can do at anytime/is controlling the attacks to some extent- either pokemon style or like the game OFF! Where is auto attacks or manual where Binghe can’t attack unless SY! Chooses.

For the first little bit Binghe resists or does the opposite where SY directs him only to- shockingly- get hit.

So I feel like for the longest time they were just at odds and bickering before SY puts it on auto and just plays it like a turn based game. Like for him sometimes time is slower except for Binghe, so he has faster reactions and honestly is more in canon with the “protagonist halo”. Where he can spend points and has his own little influence if things are dire otherwise he is more or less following his favorite protagonist through the story.

And Being such a big Binghe fan he is more than happy to just Let Binghe have the power only taking control when things look dire. He is the biggest hype man, offering information and support, offering insight or knowledge only him as a strange green figment that only Binghe can see.

He vanishes when Binghe flirts with women though. He goes off and explores or watches monsters, he hated this aspect of the book and if Binghe wants then he should- he only gets protective and sticks around if he feels like Binghe is getting taken advantage of- (though the first few times Binghe snapped at him and told him to scram- so he did in his own pissy fit) they go right back to Bickering but fuck SY still cares and he kinda likes how he can see this part of Binghe’s story.

They can’t go far from each other (I am thinking about as far as camera can scroll out) but SY can turn off audio and stuff on his side.

Though eventually Binghe just starts to trust SY. If SY says right he is moving right, if SY says between the eyes his sword is inbetween their eyes, if SY says run and hide he vanishes from the field. Because for all the bitching, raging and ranting- Binghe does notice a lot is on his sake.

And you know…. In the Abyss he isn’t alone. He isn’t figuring this shit out by himself he has someone who floats next to him asking what he wants to improve. Attack? Speed? Health? He has someone that he can mentally connect with and they just both viciously attack low IQ villian and plots where only they can hear.

The angst that the only person to interact with SY is Binghe. Who he can’t hold when Binghe has nightmares, who he can only heal if he has the resources and to produce medicine/fast heal, but is also the only person who sees and hears SY. So if he is ignoring SY- SY is alone- and I think deep down he is a social person. Binghe is subjected to a flood of questions SY wants to ask.

And Binghe has one person who cares about him and is always at his side (even forced SY never implies he feels forced in fact he seems always excited to be next to Binghe)- and Binghe can’t touch him, can’t feed him (‘I would love to try your food- but I can’t.’), can’t cherish him.

SY who is nice, who is considerate, compassionate, he cursed like he lives in a brothel and rages like a demon- but he also scolds Binghe for ignoring people, he snaps when Binghe doesn’t actually help- just takes what he wants and leaves, he believes Binghe is so much better for the world if he only got over himself and stopped thinking with his rage and anger. He thinks Binghe is smart, he thinks Binghe is strong, he thinks even half demon- Binghe is meant to be good.

What a kick in the stomach.

They can’t touch but Shen Yuan is trying his fucking best to get Binghe through hell. He apologizes for bad calls, he gets better himself, he takes his hands off the reigns but I think there are times he can’t help it. They fight, they talk, they are together.

Shen Yuan always loves Binghe and maybe he still ends up a little blackened but Binghe is quietly determined to make SY corporal. Pull him from that control panel and somewhere Binghe can hold him close. Maybe tuck him away in a nice little cottage where there is a little farm and greenhouse with all the plants SY can tend to, bookshelves filled to the brim with books and stories, in a place where SY can see all sorts of creatures to his hearts content.

The “Video Game” character being protective of their “player”

SY being a rage gamer also is so funny to me, Binghe is the only one he hears the absolute filth and insults SY throws at their enemies and frankly he either repeats it or relents that he isn’t as creative.

Binghe maybe not aware of his protagonist halo but aware of the little green ghost who can just barely manipulate the world if Binghe is in enough trouble. Shen Yuan being the only one who gets quests and updates of things Binghe needs to do and being limited on what he can tell Binghe.

The soft apologies when SY can’t control where they go or what happens can only help Binghe respond.

This is long and I am still pulling thoughts but I am slowly getting brain rot

[eupheme]

I wanted to stary of by saying I love your graphic blog as well, and also your writing. Top tier. I was wanting to know if you had any tips for writing smut? You do it so well, please teach me!

hi anon, you are too kind and I am so honored that you asked me! I actually have a list of resources that have helped me linked below, and then I added a couple more personal tips under the cut (and if any writer moots see this & want to add on, please do! I am always looking for tips and ideas!) 💖

— Smut Thesaurus by @/prurientpuddlejumper

A collection of words to describe body parts, sexual acts, and types of dialogue

— Writing Tips & Pointers by @/prurientpuddlejumper

Tips for choosing words and describing actions and emotions

— The Ultimate Guide to Writing Smut by QuinnAndersen

I have this bookmarked - includes an expansive list of body descriptions, actions, feelings and is so helpful!

— 6 Tips for Erotica by S.A. Crawford

Covers the basics - has some good tips about setting up scenes and descriptive writing 

— Writing a Smut Scene by @/youneedsomeprompts

Great quick reference of prompts, descriptions, and words you can use to set the scene 

— 10 Tips for Writing Good Smut by @/saltyshiro

Love the tip about reading other fic and writing empathetically! 

— Smut Words by @/hollandsmushroom

a collection of nsfw-related words

and then some of my own thoughts are below:

For smut, I love the build-up and setting the scene - establishing where they are and how they got there, the longing, and all the emotions that come with it.

And then using that to get into the characters heads. Even when it’s pure or short pwp, knowing what kind of scene it is, how they got there (are they finally giving in after weeks of flirting? or is it a lazy, early-morning indulgence?) helps establish the mood and what sort of feelings and pacing I should be thinking about.

I feel like the “show don’t tell” advice works really well here (or, a version of it). Blend their inner thoughts and how they’re feeling with what’s physically going on - lean into the five senses.

I like adding desperation, too - gruff characters letting go when they finally can lean into their desires, that “can’t get enough” is so fun to write (while keeping in mind characterization).

Writing smut can get repetitive - to switch it up I make notes of different positions I think would be fun to try (something that’s been so fun in my poly wade/reader/logan series). You also don’t have to write out every single beat of what’s happening.

Don’t be afraid to add dirty talk - mix it in, use it as a reaction to what’s going on. And don’t be afraid to get filthy if that’s what you want to write!

If you happen to feel a little embarrassed while writing, that’s totally okay and don’t let it get to you! It’s tough to put yourself out there, but just keep putting words down! We’re all out here peddling smut and it’s nothing to be embarrassed about.

Most important is to write what you enjoy!! And what you are comfortable with - never feel like you have to include a certain kink, etc, for your writing to be enjoyable. As long as you’re having a good time writing it, then that’s really all that matters.

And when I was starting (and even now) I return to fave fics and books and see how scenes are paced and how certain acts are worded, or what made me like that moment so much (and then how I can incorporate similar vibes using my own words and writing style) 💖

I hope this helped a little bit! If there’s something specific you’d like to know or if you have more questions, my inbox is always open!

[luesmainblog]

i hope it's okay to add my thoughts as well, as this is something i think about a lot as a System(multiple people in one body, which the majority of people see as inherently a delusion) and a Kinnie (essentially "i was this character in a past life". again, most people consider that delusional).

it does not matter how stupid or obviously fake the delusion sounds to you, and it is not your responsibility to bring someone back to reality. in many cases, that can actually be worse for them, not better. what matters is, are they Functioning? do they need help from you in this moment to function? if they are distressed, how do you alleviate the distress? you do have to pick your battles carefully when it comes to delusions. it's relatively easy to show somebody, based on evidence, that they are not turning into a werewolf. it can be much harder to convince them they aren't poisoned, especially if there is no food left to test and no rational reason why they would be. but you know what you CAN do? put a bunch of black food dye in a drink, give it to them and tell them it's activated charcoal and that'll disrupt anything they've ingested. hell, if they're not currently on any oral medication, you can give them the real thing. yes, it's treating the delusion as Real, but it's also performing a harmless action to make them feel safe again. "monster spray" type shit. one that people in other mental health circles may be familiar with is the delusion that you are an evil, horrible person who just poisons everything around you and is better off dead. this one is often hard for people to deal with, because it can come from a number of different places, each with their own approach needed. of course for a normal highschooler you can usually just ask them if they've done [terrible thing someone real did] and when they say no you can declare that CLEARLY they can't be the worst person in the world, then. sometimes it comes from intrusive thoughts that a lot of people are uncomfortable talking about; convincing someone they're not terrible just because they fantasize about fucked up shit is largely an excercise in teaching them that actions are what actually matters, which many people inherently disagree with due to their upbringing. but i honestly think the hardest one has to be people who've ACTUALLY done something wrong - or, at the very least, people who are convinced they did in a past life or another dimension. because with them, you have to focus on moving forward as a better person and living with the guilt, and that one can either be a lot to ask, or it can be extremely frustrating because you don't personally believe this guy was actually dracula, so why is he so worked up about killing people who were not real? sorry, big wall of text; my point is, there are some delusions where if you want to address them and help, you need to be prepared to be uncomfortable and possibly even grapple with some genuinely hard questions. or, you can try and find a way to distract them from their thoughts. it won't always be possible to reality check someone, and you need to be okay with that if you're going to be close with a delusional person.

and i've said this before, but i'll say it again: who cares if the lady at ihop thinks she's cleopatra stuck in the present. what does it matter? let cleopatra work at ihop, it's not your business. if it's not hurting you, and she's managing the stress of time travel just fine, leave it be.

also, i feel like this should go without saying, but one of the worst ways to make someone's distress even worse is to accuse them of faking their mental health issue. seriously, the amount of times i have seen somebody have an anxiety freakout like OP describes and be told "you just want attention, you know damn well there's nothing wrong with the food, sit down" is genuinely heartbreaking. if that's ever happened to you, from the bottom of my heart, i am offering you a full serving of your favorite food.

I want to add to the post I just reblogged about delusions and how to help people with them, but op was specifically schizophrenic, and the last time I tried to share a related story on a post like that, a different OP got extremely angry that I didn't have an identical disorder to them and accused me of derailing, so I'm making a new post.

I have severe anxiety. The things you can believe when you are going through an acute anxiety attack or panic attack can be so extreme they can be classified as delusions. I've been convinced I poisoned myself, I've been convinced I had rabies, I've been convinced a building was going to burn down, I've been convinced my blood was full of bug eggs that were going to hatch and kill me.

Doctors and family members who have helped me the most were people who took those fears seriously, who examined me no matter how irrational my fear was, and who told me why, based on what they observed, my fears were unlikely to be true.

Instead of "you can't possibly have rabies", it was "the dog is vaccinated, so it can't have rabies, and the skin where it nipped you is not broken."

Instead of "Of course your blood isn't full of bug eggs" it was "bug eggs would have hatched by now" which was so coldly logical it completely snapped me out of my panic.

Instead of "I'm sure you didn't poison yourself", the doctor looked at the bug spray and the ingredients and listened to how I used it and said "based on your exposure, you haven't been poisoned".

[thestrangestthlng]

Thoughts and prayers rants...

So, now that I've had almost 48 hours to marinate on this and cycled through my emotions, I am in a much better headspace to talk on the whole 9-1-1 of it all.

But this bears repeating: We fell in love with Tommy because he made Buck fall in love with Evan.

So, first and foremost, I've decided that canon stopped for me at 8x05. lol. I am going to continue with my BT train like that shit show didn't happen. And for me, for a while, I am going to let the show end there. I will go back, probably after the hiatus, but not how I was. I do love all the characters on this show (some more than others) and I still want to be able to see their journey, but I need a break from that manipulation stunt. I'm still going to share all the positive BT stuff I see and all the beautiful Lou content I see.

Secondly, now that I am over the initial hurt of the breakup, I'm just mad. We were manipulated intentionally with 8x05 for us to feel worse when the break up happened. That was unnecessary. And that was cruel. And I know that a lot of this is because it was the icing on a shit week. Emotions were already raw due to the election and it was reallllllyyyy bad timing for this, but that doesn't make the way they did it okay, just that it can explain why there was such a strong reaction for many of us, on top of the completely justified anger.

Breakups happen, and that's okay. If it was the end of Tommy's time on the show, that's okay. I am a Buck girlie and I always will be. But... the breakup was reductive, stereotypical, and just poor storytelling. I get they want to leave doors open a crack, because you never truly know, but turning him into an OOC stereotypical biphobic gay man is disgusting. You had this beautiful thing and you shat on it. I am going to do another post about my personal relationship with groundbreaking storylines next.

That was a miscommunication. That was a breakup where someone chases after you and is like wtf actually just happened. It felt like whiplash, because that is not how breakups are formulated in media. You know how else you could have written him out of the story?

At the date (and the basketball tickets are actually a really sweet touch when you think about it) Tommy could have told Buck that he got a job offer in another city or state or that his parents are ill and he has to go home to take care of them and asked Buck to go with him. At the apartment, it could have been buck telling him that as much as he could see a future with him, he can't go with him.

Would it have sucked? Yes. But it wouldn't have induced this amount of rage.

For over six months Lou and BTs have been at the receiving amount of a ton of vitriol. And that's not to say that there weren't antagonizers on this side of the fence or that BTs never did anything wrong, but this isn't a both sides bullshit piece. People can suck everywhere, but only one "side" harassed an actor and his family with death threats, he read about the "stoning" calls, used slurs on a regular basis. All of this persisted for months for it to turn out that he was the only one who seemed to give a shit about the story and it's representation. There honestly doesn't seem like there would have been anyone better for it.

You know what's ironic? It was the Buddie's hate and vitriol that pulled me into fandom and made me love Tommy and then Lou. When they would run their mouths, I would look into it and I found a man who genuinely seems like (he is still someone we don't know) a wonderfully kind, sweethearted, genuine man. He looks like a bundle of light and his smile can warm even the coldest hearts. So their vitriol made me a fan. So thanks BoBs.

Buck and Tommy wasn't just about Buck's queerness and definitely not about "wanting to see two white men kiss". It was about our love for Buck. We saw him happier and more fulfilled than he's ever been. We see his life being lived and full of love and stuff and joy.

Again:

We fell in love with Tommy because he made Buck fall in love with Evan.

And you know what, not matter how reductive and all the phobics that breakup was, they can never take that away from us.

[loulovingho]

Here is the thing:

This season has been very weirdly written. Not only with rushed storylines, but also with the way they are writing their characters and dynamics, and also the way the found family sentiment almost feels gone.

It lowkey feels like, for some reason, they’ve stopped knowing how to write these characters and these dynamics. They react to things in ways they wouldn’t have before (and without habits an experience that makes it so now this is their response), they’ve seemed to have regressed, they don’t care about things they would’ve before.

And again, I know we all focused on the BuckTommy of it all (because you’re telling me that Buck, who was spewing bee facts in 801, hasn’t done research on queer history or queer rights after discovering he’s bi??) , but this can be applied to everyone else as well. They’ve stopped having scenes of the characters actually interacting and talking about their issues, we don’t see the firefam outside of emergencies… everything feels so messy.

I think that’s why, overall, this season feels very weak and disappointing.

I think you've got it! It almost reads like a show where half the cast doesn't get along with the other half. I am NOT saying that's what's happening, by the way! I know they always talk about how much they get along and love each other. All I'm saying is, the way the writers are writing it, feels like they're separating things too much. Instead of giving us a big storyline where everyone works together, they're shoving like 5 different storylines in where you're jumped from one spot to another every 2-3 minutes.

You can't get invested in any of it. The second you start to feel something, you're shoved onto the next thing.

I still think about how pointless Gerrard was. He was not the asshole we saw back in season 2. It would have been a great moment for Buck's bi arc. Recognizing homophobia for the first time. Seeing what it's like to be on the receiving end and having to deal with it. Or having an actual fallout to Gerrard taking Buck under his wing.

Everything has been stunted... except for fucking Brad who won't fucking go away!

[oathkeeper-of-tarth]

Time for a long Aylin ramble, because I haven't indulged in a while.

I'm actually really invested in Aylin being an aasimar! I do not think it is a misnomer or mistake, as I've seen people suggest. She was referred to as a celestial explicitly in some older builds of the game, but this was changed at some point during development. And I noted aasimar enjoyer Oath, quelle surprise prefer it this way for a variety of reasons. Primarily, I think, because it lets her be larger than life, have a touch of that other-worldliness and otherness, while keeping her very much "of this world" still, very (physically and otherwise) present and part of the prime material plane, and ultimately far more human than I believe even she herself would sometimes like to be.

To bring up the most basic and rules/mechanics-bound "creature type" level of categorisation, as an aasimar she is a humanoid, and not a celestial - outsider. Her outsider status is absolutely there and a goldmine of things to explore, but that's a different post sitting in my drafts for far too long that I'll get around to one of these days (but for now you should read this post that I love). Yes, she is in a very real sense above it all, she will outlast everyone around her and whatever she gets involved with. We also get to see her dramatic poetic archaic speech idiosyncrasies (Ho!), her odd sense of the passage of time, and, of course, her oft-discussed and joked about apparent lack of filter or regard for current social graces.

(Endlessly amused at her just going: I'll do it when my mum tells me to.)

All things combined, Aylin feels more like a being of two worlds to me than a guest visiting this one, even as she is called the emissary of a goddess. She embodies a blending and an odd balancing act between the lofty divine and the mundane, duty and preordained purpose and personhood, and touches on the many ways this balance can be tipped. A classic D&D aasimar struggle, really, and a well I am happy to keep returning to.

Balthazar: She was a unique specimen even before I began my work. Aasimar. A god's blood united with mortal flesh.

She honestly isn't even that far from a regular aasimar stat- and ability-wise - Aylin does have several special abilities, but these are flavoured as blessings from her divine mother instead of an inherent property of her as a creature - though, notably, Aylin herself at one point claims she is always reborn because "it is [her] nature".

“Blessed with the favour of a goddess, Nightsong cannot be permanently killed. When unconscious, at the start of her turn she recovers 1 hit point.” “Nightsong will be resurrected by the powers of Selûne whenever she dies.”

Importantly, she does not get to reincarnate, or get a new body, or flit away to her "home plane" or anything like what celestials get to do. She is anchored to this one physical existence (again, very human of her), tied and limited to this one body as it painstakingly repairs itself over and over and over (to a sometimes extreme extent, e.g. the all but outright stated regrowing of amputated body parts in a frankly horrifying context), insistently and indomitably but ultimately imperfectly. And I think that's part of why the kintsugi design drives me utterly wild, why her immortality setup is more interesting to me than, say, a mutant healing factor, or something like the characters in The Old Guard. Her history is pretty literally engraved on her skin, and when she, in the role of a power-granting artefact and the object of a ritual sacrifice, tells you she will feel every wound you inflict upon her, it is so easy to believe her. And I'm not even that invested in physical suffering, just that it means it's all still very palpably there, forever, and she doesn't get to magically restart with a clean slate in this sense, nor does she get to forget past lifetimes as some creatures like devas do. It's just a flavour of immortality I personally find far more engaging than most.

(I mean, yes, I am also a known hurt/comfort sucker and if you're going there in order to set up a scene where she's, I dunno, getting doted on by Isobel who's invented new scar tissue pain relief massage techniques, you know I'm going to be all over that.)

I'm also not sure I'd say she can just pop over to Argentil to hang out with her mum at will. I mean, planeshifting is not that hard to achieve, and also she can just… ask Selûne, ultimately, I guess. But I wouldn't say she has spent much time there, and I think she takes her role as Selûne's champion and representative in the Realms too seriously and too much to heart to be away from them for very long.

Which also calls to mind the issue of the obvious and "simple" answer to Isobel's eventual death - namely that with Isobel picked up as a petitioner soul they'll all just go live out the better part of an eternity in Selûne's realm. Probably in some form they will - it's never guaranteed, but this time, yeah, probably something like that will happen, and there will be, as Melodia says, no loss, only temporary separation. But I'm really not into just handwaving or stripping away most of the mortal/immortal pairing issues inherent in the relationship. If we're going for the "hang out in a different plane of existence forever" option, I think at one point Aylin would have to "complete" her duties and lay down her sword, in a way, and pick between Faerûn and the Gates of the Moon - meaning she herself is effectively moving on to a completely new phase of her existence as well.

And while Selûne carving a lovely marble statue and bringing it to life and similar takes are fun and beautiful and interesting, I'm very invested in an Aylin who was born, raised, and had to actually grow up and learn and be trained. I have a ton of headcanons of Aylin being a weird glowy baby at some point (with all the Disney's Hercules jokes I've seen folks make, of course), being entrusted to a series of Selûnite enclaves and temples and cloisters, hounded by Shar and her agents pretty much all her life.

(Neither here nor there, but Aylin also comes off as a fairly "young" immortal to me - note that I am basing this on absolutely nothing but a general impression and there's no actual hint anywhere about how old she really is. Just vibes.)

To finish up, I'd like to shout out Isobel, and the big humanising factor she is presented as. For instance, a very concrete bit of motivation for Aylin to eventually "humanise" her perception of time, if nothing else.

Aylin without Isobel is horribly depressing to me mostly because she seems to distance herself from her humanity and err on the side of holy duty (see: her epilogue letter, ouch). And Isobel is definitely the person who (invaluably, imo) explicitly and consistently insists on Aylin's humanity and personhood, who cares for her as a woman and not a divine weapon, who actually treats her well-being as a priority, and who understands her so very well and so deeply. Who does acknowledge the gloriously resplendent Dame Aylin, daughter of the Moonmaiden herself in all her awe-inspiring presence and occasionally amusing foibles, but who never fails to look past the titles and fronts even Aylin herself is so keen to put up, and focus on what lies behind it all.

A moment that sticks out to me in particular is her bemoaning Aylin's disregard for her own safety, then actually getting very angry if you suggest Lorroakan can't hurt Aylin:

Isobel: Even after all she's been through, she thinks herself unstoppable - invincible. It all feels like recklessness to me. Player: Lorroakan can't harm her. Have faith. Isobel: He can harm her. Just as Ketheric did. She'll survive it, but she can suffer like any of us - and for longer.

Using Isobel's words verbatim is a good conclusion to my thoughts here, I think: the truth of Aylin being "singular among us all" coexisting with all the ways Aylin is "just like any of us".

And now I'll pay the cute Aylin screenshot tax one last time.

[stellar-solar-flare]

Hehehe, I knew where this was going from the summary but yet, seeing it unfold on page was just delightful!

I don't often go for post-Endgame fics, even AUs, but I was definitely reeled in by the way we saw, even in this one short chapter, about how there are so many issues because of everything that happened with the whole Thanos ordeal. And I love Pepper as the force that is trying to help all these people and put the influence and budget of Stark Industries to work - that feels like such a great way to honor Tony's legacy, and something he would want to happen when he's gone.

“Well, then let’s talk about it. You know I’m here for you, whatever you need. I don’t know how you think I can help, but clearly you’ve got an idea.”

And I mean this is like 100% Steve jumping in before he even knows what's going to be asked of him - I mean, yes, Pepper knows who he is and wouldn't ask anything that is against his morals but also I love every instance of Steve just being the sentence 'I am here to help, what can I do?' in a physical form.

"That's exactly why you'd be perfect, Steve. You're not entrenched in the political machine. You have a moral compass that's unwavering, and a desire to help those who need it, no matter what.”

I like her reasoning, and also I ADORED the way Steve immediately jumped to think if he's good enough for this and qualified, how he's a soldier, not a politician... A man that first thinks about the responsibilities instead of the power is a man after my own heart.

"You've shown that you're willing to stand up for what you believe in, even when it costs you everything.”

Honestly if this isn't just Steve Rogers' character in one singular sentence, I don't know what is. I love your way of writing him, the characterization is just astronomically good. You get him and I'm always delighted to find writers whose characterizations I can get behind.

I also adore the idea of him getting a good team this time, and the support, instead of just being flung headfirst into a world he does not understand (glares at canon). And the fact that Pepper also mentioned Nat's sacrifice in addition to Tony's felt like the cherry on top - I am still salty over the way they sort of glossed over her death in canon and I'm glad it's being spun as one reason for them to try to make the world a better place in this fic.

I am delighted with this, thank you so much for sharing! What an interesting idea and a wonderful characteriztion, and not to mention that your writing is so smooth and seamless that it's really gripping! I am definitely looking forward to diving into the next parts and finding out how Reader plays into all of this.

Red, White & True - Prologue

Characters/Pairings: Steve Rogers (future x curvy Millennial Female!Reader), Pepper Potts Word Count: 1.3k Summary: "There was an idea..." Words at the heart of what brought the Avengers together. Steve Rogers is no longer an Avenger, having retired after The Snap and passed his shield along to Sam Wilson, but Pepper Potts has a new idea to bring Steve back out of retirement - but in a totally different arena.

Content/Warnings: none

Notes: This takes place in a post-Endgame scenario where Steve stays and generally most of TFATWS happened.

↠ Main Masterlist | Aspen's Ask Box | Field Guide to the Forest

PROLOGUE

[MAY 1 - Upstate New York]

“You know I’m always happy to come out to the farm,” Steve says, rinsing the last plate and handing it to the strawberry blonde woman so she can dry and put it back on the shelf. “I love to see you and Morgan. But what do you want to talk to me about, Pepper?”

Pepper gives him a tight-lipped smile. “Let’s go to the study,” she answers, and leads the way to the back of the modern but rustic home. She takes a seat on the couch and motions for Steve to sit on the other end.

“I was sitting right here when Tony stood over there,” she nods her head toward a spot in front of Steve, “and told me he figured out the science of time travel.”

Steve’s chest aches at her words. “Pepper…”

She holds up a hand to stop him. “No, don’t apologize. I told him that was amazing and terrifying. Then we sat here together and really talked. He told me he could stop, put a pin in it, that part of him wanted to bury the idea in a lock box at the bottom of the lake. But I reminded him that we were lucky not to have lost each other in the Blip and so many others weren’t.”

She pauses for a moment and looks to the mantle where there’s a small, retired arc reactor on display. Steve waits for her to continue.

“When I started working for him, I had no idea where it would all lead. I certainly didn’t have aspirations to date my boss or become the CEO of Stark Industries. Tony will always be the love of my life, and each day that goes by, each month, each year, I miss him, but the missing hurts less. What’s left is the whisper, the urge of the legacy of everything that’s still here and what I can do with it. I haven’t been idle, but I’ve been trying to ignore my own time travel issue, if you will.”

Steve can hardly hold himself back from scoffing. “The medical research, the humanitarian initiatives, the scientific advances you’re still spearheading, it’s just not really enough if you can’t solve for world peace,” he jokes.

Pepper cocks her head slightly. “The thing is, I have an idea of where I could start on that last one.”

Steve’s eyebrows knit together, and he studies her face. “Okay…” he knew his voice was conveying his curiosity but also his trepidation.

“Stark Industries helps a lot of people, but there are things I can’t help no matter how hard I try there. The world is in a bigger mess than science can help, only so much can be done with humanitarian work, and there’s an area that’s haunting me because I’ve tried to stay out of it for as long as I could, and I just don’t think I can any more, not and still sleep at night.”

“Well, then let’s talk about it. You know I’m here for you, whatever you need. I don’t know how you think I can help, but clearly you’ve got an idea.”

“I know you retired one suit, but I’d like you to think about another.”

“Pep-”

“Not that kind of suit,” she interrupts. “There are still some good, decent people in politics, but money has poisoned so much of what goes on - lobbyists, special interests, politicians needing to fundraise. But I’ve got money. I could fund a campaign.��

Steve frowns. “What exactly are you proposing?”

“I need a candidate, and there’s no one I would trust more than you. I want to finance your campaign to run for President of the United States.”

Steve's eyes widen, and he feels as if the air has been sucked out of the room. His mouth opens and closes, but he can’t think of any initial words to come out. He stands abruptly, his legs carrying him to the large window overlooking the serene lake outside. The late afternoon sun casts a golden glow across the water, creating a stark contrast to the turmoil in his mind.

"President?" he finally manages to croak out, his voice barely above a whisper. He turns back to face Pepper, his brow furrowed deeply. "Pepper, I... I don't know the first thing about running a country. I've been a soldier, an Avenger, but never a politician."

Pepper leans forward, her eyes bright with determination. "That's exactly why you'd be perfect, Steve. You're not entrenched in the political machine. You have a moral compass that's unwavering, and a desire to help those who need it, no matter what.”

“And sometimes I failed.”

“It made you wiser every time.”

Steve plants his hands on his hips and sighs. “Pep, I’m just a kid from Brooklyn who wanted to serve his country.”

Pepper leans forward, her eyes intense and earnest. "And you've done that, Steve. You've served this country in ways most people can't even imagine. Think about what you could do as President. The impact you could have, the changes you could make. You've always fought for what's right, even when it wasn't easy or popular. That's exactly what this country needs right now."

Steve turns back to the window, his mind racing. He thinks of all the battles he's fought, the sacrifices he's made. Could he really make a difference from the Oval Office? Or would the political machine chew him up and spit him out?

"What about my past?" he asks, still facing the lake. "The Accords, going rogue, all of it. It would all come out in a campaign."

He hears Pepper stand and approach him. She places a gentle hand on his shoulder. "Your past is part of what makes you the right person for this, Steve. You've shown that you're willing to stand up for what you believe in, even when it costs you everything.”

He can feel Pepper's eyes on him, waiting for a response. He takes a deep breath, trying to organize his thoughts.

"I appreciate your faith in me, Pepper. I really do," he begins, still facing the lake. "But this isn't like leading a team into battle. The complexities of running a country, the constant scrutiny, the compromises you have to make... I'm not sure I'm cut out for that."

"Steve, that's exactly why you'd be perfect for this. You understand the weight of responsibility. You've made tough decisions under pressure. And most importantly, you have a clear vision of what's right and what's wrong."

Steve turns to face her, his expression conflicted.

“I won’t lie to you,” she continues, “the public scrutiny will be worse, but it’s not something you’re unfamiliar with. Just like before, you’ll have people singing your praise and people ready to crucify you just for sport. But we’ll face it head-on. You won’t do any of it alone. We’ll put together a team of friends, people we trust, experts and strategists. We’ll find people outside our camp who will challenge us to make the campaign stronger. And when we get you in the White House, no president leads alone. You have a history of seeing the value in the people around you and bringing teams together. It’ll just be fighting a different fight.”

Steve thinks over her words. “In a different suit.”

She smiles. “You’ll do it?”

“Answer one more question for me.”

Pepper nods. “Anything.”

“Why do this?”

Steve sees the conviction settle in her entire demeanor, and that shift alone convinces him the rest of the way, but her words cement his resolve down to his core.

“Tony and Natasha didn’t sacrifice just to leave something broken behind. It’s time to help put things back together and try to leave a legacy of something better.”

go to chapter one: MANHATTAN & BROOKLYN

This is an idea that sparked in during the huge sleepover I hosted in July 2023, and it's been tantalizing me for a long time, but now the muse is finally ready to play with it! gee, I wonder why...

I can't wait to bring you along for the ride! This story will have 3-4 chapters, depending on where I split up the narrative. I anticipate about a chapter a week.

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I do not do tag lists, but FOLLOW @buckets-and-stories and TURN ON NOTIFICATIONS to be updated any time I publish a new work!

[breadvidence]

I've dithered over making this post because I will feel incredibly silly if everyone else got this on the first go-through rather than the—Lord alone knows how many times I've read this particular scene, actually—but there I was, me and "The Seventh Circle and the Eighth Heaven"—as you do, for idle and entertainment, and I reach

If you will allow it, I will come to see her. I assure you that I desire it greatly. If I had not cared to see Cosette, I should not have made to you the confession that I have made, I should have gone away; but, as I desired to remain in the place where Cosette is, and to continue to see her, I had to tell you about it honestly. You follow my reasoning, do you not? it is a matter easily understood.

And realized that despite the character stating his reason right there in the text I have misunderstood badly. I took Valjean's intent with this confession and in his behavior afterwards to be separation from Cosette, that his desired outcome is to die alone, that he struggles against his love of her to reach that solitude, but it's—not. He says earlier that it's not, as well.

Stay, the unfortunate point is that I have a thread in my heart, which keeps me fast. It is when one is old that that sort of thread is particularly solid. All life falls in ruin around one; one resists. Had I been able to tear out that thread, to break it, to undo the knot or to cut it, to go far away, I should have been safe. I had only to go away; there are diligences in the Rue Bouloy; you are happy; I am going. I have tried to break that thread, I have jerked at it, it would not break, I tore my heart with it.

The thread—to Cosette. He can't separate himself. He would not have to make this confession if he could simply leave her. Therefore he has to confess to Marius for two reasons, as I see it: (1) a big dramatic compulsion to honesty about his symbolic status as one who cannot live in the family of men, sure, but (2) like, real literally, he cannot live in the house. Valjean is practical, he makes arrangements, he's smart, his confession draws from the saint but I think it's also the thief, and what does the thief need? A co-conspirator. Both morally and practically he's averse to living at the Rue des Filles-du-Calvaire, and with both Cosette and her "master" Marius pushing him to move in, he'd have to move totally away, as he's certainly not going to give in—but now he's got Marius' backing to allow him to stay at the Rue de l'Homme-Armé, and he can exist in the in-between space he's always occupied, there in the back courtyard of Cosette's life.

I always wondered at Valjean's vacillation—that he says "To-day, Cosette passes out of my life; our two roads part. Henceforth, I can do nothing for her.", then begs Marius for the right to visit her. But he didn't change his intent at all; he was always keen to visit, to live on the crumbs that scatter from the table. He simply can't pull up a chair.

Marius' passive-aggressive attack on that thread, the destruction of Valjean's heart, Valjean is complicit in accepting that, yes. But he did not come into this parlor looking for that outcome.

🤦‍♂️

[hollowed-theory-hall]

hello! i was wondering whether or not you can envision someone as better suited for tom/voldemort since i remember you saying neither harry nor hermione would be a match — them being the most popular two characters shipped with tom. and on that note, what do you think about bellatrix and voldemort? pro/against?

i tend to get a bit blindsided by the sheer obsession she has for him, honestly. i mean… i feel like she would be willing to shape herself down to the last atom to what appeals to him, if he ever were to show any true interest, and that’s very… sad.

Hello 👋

Thank you for the ask and as with all ship asks, ship what you ship, these are just my subjective opinions.

Now, what I said about Tomarrymort is that I don't think they would realistically get together and have a functioning relationship, I didn't say it wasn't fun. Like, I love Tomarrymort, but only if the relationship is a messy push and pull that makes everyone (both involved and uninvolved) miserable.

Now, as for Bellamort...

Do I think they had sex at some point in canon? Maybe. Like, that's not the most absurd thing about CC for me, so I consider it plausible.

Do I think Voldemort actually likes Bella romantically? Not really.

Do I think their relationship works like an actual equal functional relationship? Not one bit.

Do I think their relationship is entertaining and interesting? I mean, clearly, many people do, but I don't like Bellamort.

Like, it really doesn't interest me. There's a reason I only like Tomarrymort when there's a push and pull and Harry and Tom are portrayed as the equals they are. Like, I don't like Tomarrymort where Harry is completely submissive to Voldemort and Bellamort for the same reason — these aren't the kind of relationships that make Tom interesting.

I like both Tom and Bellatrix a lot as individuals, but I don't think a romantic and/or sexual relationship between them pushes their characters to interesting places. They are both stagnate in this relationship and, for me personally, that just doesn't interest me.

Like, Bellatrix is completely submissive to Voldemort nodding her head excitedly and panting after him: "Yes my lord! Whatever you say, my lord!" And this is not the type of dynamic that'd push either character towards growth. They don't push each other into a character arc, which is what I usually like my ships to do.

Additionally, this dynamic basically means Voldemort always gets what he wants, and Bellatrix is happy with it, as you said, she'd shape herself for his every whim. This isn't a relationship between equals. It's a relationship where she worships him and he doesn't respect her or care about her as a person. Like, at all.

The dynamic we see from them in the books gave me the impression Voldemort cares about Bellatrix. He doesn't want her to be hurt or to die:

Bellatrix’s gloating smile froze, her eyes began to bulge: For the tiniest space of time she knew what had happened, and then she toppled, and the watching crowd roared, and Voldemort screamed.

(DH)

But he cares about her like how you care about your favorite pet. He relished in giving her orders and having her submit completely:

“Master, I am sorry, I knew not, I was fighting the Animagus Black!” sobbed Bellatrix, flinging herself down at Voldemort’s feet as he paced slowly nearer. “Master, you should know —” “Be quiet, Bella,” said Voldemort dangerously. “I shall deal with you in a moment. Do you think I have entered the Ministry of Magic to hear your sniveling apologies?” “But Master — he is here — he is below —” Voldemort paid no attention.

(OotP)

He doesn't actually care about her being hurt if it's not too bad, he doesn't care about her feelings or apologies, especially not when Harry is right in front of him — his obsession, his one failure. Bellatrix takes a backseat, basically always. He doesn't care about her all that much. He cares and respects her like a loyal dog, not like a person he has a relationship with.

He also relished in humiliating and embarrassing her. He likes making fun of her in ways Bella clearly does not enjoy, which isn't something you'd do to someone you love:

“I’m talking about your niece, Bellatrix. And your, Lucius and Narcissa. She has just married the werewolf, Remus Lupin. You must be so proud.” There was an eruption of jeering laughter from around the table. Many leaned forward to exchange gleeful looks, a few thumped the table with their fists. The great snake, disliking the disturbance, opened its mouth and hissed angrily, but the Death Eaters did not hear it, so jubilant where that at Bellatrix and the Malfoys’ humiliation. Bellatrix’s face, so recently flushed with happiness, had turned an ugly, blotchy red.

(DH)

she's desperate to please him, to tell him everything she thinks he wants to hear and she happily lets him treat her like fucking dirt. I don't find a relationship like that compelling, as I said, Voldemort would never change for Bellatrix and Bellatrix honestly deserves better than this. He even lets other Death Eaters jeer and laugh at her, this is not a romantic relationship.

Like even if he had sex with her, it was purely physical as he just doesn't care about her as a person like this. As more than a faithful servant (which he enjoys making fun of, as he does so for many of them).

And he is unwilling to show her real, unintentional weakness or ask her for help:

“My Lord, let me—” “I do not require assistance,” said Voldemort coldly, and though he could not see it, Harry pictured Bellatrix withdrawing a helpful hand.

(DH)

He does trust her with one of his Horcrux as the cup is kept in her vault and she seems to know what it is:

“Be quiet! The situation is graver than you can possibly imagine, Cissy! We have a very serious problem!” She stood, panting slightly, looking down at the sword, examining its hilt. Then she turned to look at the silent prisoners. “If it is indeed Potter, he must not be harmed,” she muttered, more to herself than to the others. “The Dark Lord wishes to dispose of Potter himself. . . . But if he finds out . . . I must . . . I must know. . . .”

(DH)

He trusts her loyalty, and she is one of his preferred Death Eaters (he doesn't hate her like he does Wormtail, Tom appreciates courage and loyalty, which are both traits Bellatrix possesses) but he clearly doesn't trust her with his backstory in the first war:

“Shut your mouth!” Bellatrix shrieked. “You dare speak his name with your unworthy lips, you dare besmirch it with your half-blood’s tongue, you dare —” “Did you know he’s a half-blood too?” said Harry recklessly. Hermione gave a little moan in his ear. “Voldemort? Yeah, his mother was a witch but his dad was a Muggle — or has he been telling you lot he’s pureblood?” “STUPEF —” “NO!” A jet of red light had shot from the end of Bellatrix Lestrange’s wand, but Malfoy had deflected it. His spell caused hers to hit the shelf a foot to the left of Harry and several of the glass orbs there shattered. [...] “He dared — he dares —” shrieked Bellatrix incoherently. “— He stands there — filthy half-blood —”

(OotP)

She doesn't really know who Voldemort is. She worships the persona of Voldemort. She loves his lies and masks. She doesn't actually know Tom Riddle. And I don't think she could accept and love the real Tom Riddle behind the title of Voldemort — the poor but brilliant nerdy half-blood who craves recognition. She would find him pathetic.

It's basically Hinny, isn't it?

She adores his persona and fame and what people think he is without actually knowing or understanding him. She changes her personality to fit what she thinks his girl needs to be because she is so focused on being with him. And He likes that she doesn't get in his way and lets him do and say whatever without crying about it but doesn't care about her or her feelings nearly as much as people think.

Bellamort is just Hinny with a different skin, and I never liked Hinny.

Like Hinny, they don't know or understand each other, and it's clear Bella and Ginny care about Voldemort and Harry more than the boys care about them. Like, yes, Harry would be devastated if Ginny died, but he'd get over it way faster than he did about Sirius. Same for Voldemort, he cares about Bella, but not as an equal he understands and cares for the feelings of. Voldemort got over Bella's death fairly quickly as well, he's way more focused on Harry.

So, with all of this, who do I think is the best pairing for Voldemort?

If we're talking about canon characters who are actually characters in the books? Then Harry is my top choice. Harry is the only one Voldemort would see as an equal and can actually push and change Voldemort as much as Voldemort changes him. There is no other character in canon, I believe, who would be able to do this to the level Harry could. Their dynamic is just so mutually obsessive and tense that a relationship like that can't not change both of them in a myriad of interesting ways.

Though, I was thinking about it, and Severus/Voldemort have potential. Voldemort clearly respects Sev and his opinions more than the average Death Eater:

Snape did not speak. “Perhaps you already know it? You are a clever man, after all, Severus. You have been a good and faithful servant, and I regret what must happen.” “My Lord—”

(DH)

He cares about him and regrets having to kill him:

Harry saw Snape’s face losing the little color it had left; it whitened as his black eyes widened, as the snake’s fangs pierced his neck, as he failed to push the enchanted cage off himself, as his knees gave way and he fell to the floor. “I regret it,” said Voldemort coldly

(DH)

Voldy is willing to forgive Sev for things he'd kill most for. They have so much shared experience (poor, muggle childhood in incredibly abusive environments) that would allow them to understand each other. They probably both get frustrated over pureblood idiocy. Both are intelligent and share many interests, like they're both magic nerds who'd talk all night about magical theory...

So, I think, under the right circumstances, Severus is a pretty good pairing for Voldemort.

The only real downside is that depending on when they get together, they'd push each other to be more extremist and overall worse. Like, they'd push each other to have less empathy for other people if they get together, say, during the first war. Well, it might not be a downside. It really depends on how you look at it.

If they get together in the second war, it's different, and in my opinion, more compelling and interesting for both of them. Like, pairing them up after Voldemort's return and after Sev already turned traitor opens so many interesting avenues. I mean, Sev was someone Voldemort actually regretted killing, that was remorse there, wasn't it? It means Severus could push Voldemort to change in a way Bellatrix doesn't. Because Voldemort respects Snape in a way he doesn't respect Bella. I mean, think about how many times Voldemort shut Bella down when she kept insisting Snape is a traitor — it's clear he values Snape more than he values her.

If we're also looking at side characters we don't know as much about, then we have some more options.

@iamnmbr3 has convinced me that Alphard Black/Tom Riddle is an option, and I have been very compelled by it. We don't know much about Alphard, but that never really stopped me because what we do know is interesting.

We know he is Sirius' uncle. He was born after Walburga but before Cygnus, probably closer in age to Walburga. So, I headcanon he was born in 1927 and was in the same year as Tom Riddle.

We know Alphard was a Slytherin since Sirius mentions all his family was in Slytherin, which would include his uncle. And we know Alphard was burned off the family tapestry when he gave Sirius money when Sirius ran away from home.

This leaves us with a character, who's cunning, capable of listening to his older sister Walburga go off about whatever without making the fight worse but has a spine to stand up to her bullshit when it's actually important. This gives him the right characteristics to be able to wrangle a character arc out of a romance with a younger Tom Riddle (and perhaps the older one, too).

He's a pureblood who's open-minded enough to support Sirius and not hate muggleborns (probably). He likely has the subtlety necessary to fix Tom without Tom feeling like he's being fixed. Alphard, used to his very eventful family, is an expert in dealing with dramatic people (like his siblings) and how to undercut their drama instead of pushing them further into their position (which is what Harry would do, for example. Harry and Tom would keep pushing at each other while someone like Alphard would be able to just remove the heat from the argument and allow it to not get as extreme).

Again, it's not much to go on, but it has so much potential.

(Also, @iamnmbr3 has this post about how Voldemort’s violence became worse in 1979, which happens to be the same year Alphard Black died, and while I don't agree with all the points made there, I find it to be a super fun concept)

Voldemort/Lily also has potential. She's smart, stubborn, academically inclined, and has the right rough edges to have the kind of push-and-pull dynamic with Voldemort that I like with Tomarrymort. Lily is probably the kind of witch Voldemort could grow to respect as well. I don't think he would've agreed to spare her for Snape if he didn't respect both of them. JKR also said he tried to recruit James and Lily, so, he was aware that she was talented.

I think, though, Lily/Voldemort would be slightly better than Harry/Voldemort in some aspects. Lily isn't as hot-headed as Harry. Lily's anger is usually much colder, which I feel would work better with Tom just because she wouldn't push all his buttons (just most of them). She would still push him into a character arc, but it would be a gentler nudge than if Harry did it.

My only real rule when shipping Tommy Boy is that he can't be shipped with someone mediocre, he'll just steamroll over them completely, and that's not as fun, in my opinion. He needs a partner he can grow to respect and see as an equal (or close to it) and that has the spine to stand up to him, otherwise, he'd just keep getting what he wants, and I think that's the opposite of what Voldemort needs in a relationship.

[simp-ly-writes]

Breaking Character

─────── · · A Smosh Fanfic

Pairing: Gentleman!Boyfriend!Spencer Agnew x gn!Partner!Reader

─ · · SUMMARY: You try your hardest to beat Gentleman Spencer at his own game of saying increasingly outlandish comments while trying to get him to break character!

─ · · TAGS: gender-neutral pronouns, part social-media au, established relationship, fluff, suggestive themes, attempt at humour.

─ · · MASTERLIST | TAGLIST REQUEST | WORDCOUNT: 1,736

─ · · A/N: Asks are closed for a little while but that you to this amazing ask was from an anon! 🫶

─────── · ·

"Hello all you lovely watchers behind the screen, now I would usually save such corse words for the bedroom but you all appear lucky at the games table tonight," you cast a smile and wink towards the camera. Adjusting your wig before taking a drag out of your long fake cigarette. Your goal today was to get your boyfriend, Spencer, to break Character today in a video.

"As you can see, I am joined by a handful of my friends, especially this special friend beside me, remind me of your name again, dear?" you ask with a slight tilt to your head as you eye Spencer form his top hat down to his suspenders.

Spencer tries to hold your look before breaking under your stare, instead turning his back to you and turning fully towards the camera. "Good-day to you all, I am a gentleman here to play quite the crass game. Monopoly: Cheaters Addition, now I believe my wife would have something to say about this, but I wouldn't remember the names of any of them!"

"Ah'll tell ya what, mister, you're staring to sound like my fifth husband, couldn't remember my name while spending quality time with me inside the room nor outside. Now that I think about it, I can't seem to remember his name... maybe I should start to remember yours, m'sure a man like you would like that~" you tease yet keep to your chair observing as Spencer rolls his shoulders and turns to face you head on in character. By the wild look in his eyes, you can tell you are getting to him and by the end of this, you would be sure to hold him in the palm of your hand (in character of course!).

Disregarding your later statement, Gentleman Spencer clears his throat before replying, "And what type of man is your fifth husband, dashing and a rich-lad I would presume for something as gorgeous as you?"

You giggle to his words, hand reaching over the table to pick your piece, "Well, how am I s'possed to know? I'm only on my fourth but I'm sure he'll be out of the picture soon. I like to think I ran him dry in more ways than one-" Spencer begins coughing again before leaning down to erupt in laughter as does the rest of the cast and crew.

"Well, If yee two are done fucking around, It is time to introduce I- Thee masterful wizard thee-self, me" Shayne introduces his character, pointed a crocked finger and eye between the two of you. You shrug, taking a drag of your cigarette.

"Do tell me dear when it is my turn next, you see games of strategy are not for people like me- right?" you coyly state to Spencer who nods his head, still not ready to go back in character as you can see him taking in deep breathes to keep himself form falling into another pit of laughter and all you can do is smile, wiggling your eyebrows for all of that to go to hell.

"And it appears that the most intelligent always wait to go last. Names Tinky-Winky and I'm here to win. Should be easy with the table we have here tough-" Amanda tries to get the game moving before you put in one last jab.

"I wouldn't be to sure about that, what did you say, Rinky-Pinky?-?

"Tinky-Winky," Amanda clarifies with an eye-roll that you match with more exaggeration "Yes, tink-wink, whatever you're called just know that I will enjoy watching you all lose."

"Whatever you say, mobster," Amanda quips before quickly going over the rules as you place your head in your hands, blowing the hair out of your face.

─────── · ·

As the game progressed into the early stages, whatever civilized conversation you all tried to ensure at the start of the game was out the window, now full-blow yelling and screaming at one another as even the staff backed away, watching as the chaos exploded through the room and you all reverted fully into character.

"HEY! You just cheated!" Tinky-Winky Amanda screamed out to you, pointing their purple-gloved mitt in your face.

"Cheated?" You faked innocence, batting your eyelashes while speaking in a high pitched tone, "I would never cheat, thats something I save for me and my husbands!" you retort, now also standing up from your seat, hands gripping the table as you lena forwards to exaggerate your point before Spencer is pulling you back down to the table.

"Now I just don't like anyone putting their hands on my without me sayin' nothin' but I do like the feel of your hands, keep me grounded would ya? I'm forgetting my manners here with this lad," you mumble to the Gentleman beside you as he blushed bright red before starting to pull his hand away, coughing and choking on a reply only for you to hold in hand in position on your arm with a wink before returning your stolen money back to the bank and starting the new round.

"Penguin man! You seem a strange and pathetic fellow..." you off-handedly comment towards Spencer as Amanda takes her turn.

"Well yes, it comes from-" Spencer begins to speak before you continue your sentence.

"...I like that in a man," your voice drops to a sultry tone, head leaning against his arm enjoying the way Spencer sputters into nervous laughter and grips your hand.

─────── · ·

You noticed just how close Spencer had come multiple times during the filming but he had yet to call for a break, you were so sure of it at the start but had yet to get back to that point besides a few blushes and loaded looks your way but you stayed determined nevertheless.

Taking a long drag from your cigarette, you imagined it casting a hard cloud around and past Spencer head as you watched him take his turn, awaiting yours next. "Remember to win," you quiped with a sarcastic tone.

"I'll keep that in mind, dear. Now do be one and let this man concentrate," he replied with a playful glare in your direction before getting a snake-eyes that would nearly bankrupt the gentleman when landing on the dumpster wizards Shayne's hotel. "Fuck!" Spencer swore, tossing his top hat behind himself in outrage.

"I think the man needs to concentrate even more, I could help you~" you tease, picking up the top hat and placing it gently back on his head. Spencer only shakes his head once the hat is firmly back on. "I'm sure my mistresses are better-suited for such works, whatever would your husband think?"

"So outrageous of you to think my husband would do the thinking..." you mumble before picking up the dice in your hand and extending your palm with them towards Spencer. "Blow on these here die would ya, doll?" you ask as Shayne yells over the table, currently in a headlock from Tinky-Winky. "I thought it was custom to get the working women to blow your dice!?"

"Well he might be no dame but you're a dime in my eyes doll," you throw back without missing a beat.

"Ah-well. I may have a dime in my money bin! They make for a leisurely swim-" the Gentlemen comes into conversation as you are quick again to come to a response, "Would ya take me for a dip sometime then? I would love to see what else ya bring to the table?"

Spencer blinks, not wanting to look you into the eyes just yet and talks towards Amanda, "You know, I really can't say for certain, but do you think it's possible they're in it for the money and not my shining personality or physical connection?

And you do not allow time for Amanda to get a word in, knowing that now more than ever will get Spencer to crack his character, "It's not the money that I have my eyes on, sugar. I heard a little something about aerodynamics and clothes that I'm looking to test, and that test seems definitely responsive..." you end with a smirk watching as Spencer stands and turns around to face the wall.

"OKAY! OKAY!" Spencer admits to defeat as you stand up and cheer, running to hug him from behind as you both sway back and forth. "I made you loose character~" you sing-song.

"Yeah, yeah you did. Good job, lovely," Spencer groans before you both are told to re-take your seats and finish the game properly. To everyone surprise the Dumpster Wizard Shayne somehow ended up winning by pulling a Angela and stealing all the money as you were celebrating your boyfriends defeat in good fun.

"There is no way you could have won, I demand a recount!" you announce, throwing all your bills to the table. "And here I thought you weren't in it for the money," Spencer teases back. "Shut up, its only an added bonus," you snakily reply only to ultimately accept your defeat.

"Well, thank you all for sitting through this shit-show. We hope you join us again-" you begin to outro. "But not again for this exactly," Spencer cuts you off and clarify as the video fades to black by the sound of all your combined laughter flooding the studio once again.

─────── · ·

🔔 Smosh Games just posted! watch now?

─────── · ·

Gentleman's Rules: Cheaters Monopoly!

Smosh Games ✓ [Subscribed] 👍 32k | 👎 7.78M subscribers 109k views 5 days ago only the politest of games... click to read more

998 Comments

username01 Spencer really out here acting all hot and flustered- simply adorable!

username43 The group of characters I never knew I needed, all we were missing was Chosen!Trevor and Angela to really round out the chaos of this episode!

username88 So in love with this Monopoly: Cheaters Edition- I never want it to end!!

username21 so... gentlemen's Just Dance when?

↳ username46 OMG YESSS, THIS HAS TO BE MADE A THING!!

username03 i love how determined (name) was to get Spencer to break character and how good he took it!

username94 really love how (name) was the one to make all of Spencers outrageous comments appear like the normal ones in comparison to theirs.

username77 Wait so i'm confused, im a new smosh fan and are these actors acting like they're dating or are they already together????

─────── · ·

─ · · SPENCER AGNEW TAGLIST: @lisiliely @missflufffanfics @little-stitious-studios @thejourneyneverendsx @sibsteria @lizzylynch1 @babble2 @delaneyburghardt @thevintagefangirl @uniquely-haunting @maricarorp @sarahskywalker-amidala

[thequasarwinds]

YES I SAW THIS AND HAD TO SPEW MY THOUGHTS- I also feel this applies to Eury as well! I absolutely DESPISE how this fandom either has to blame him or Odysseus. When it’s not that black and white

To address what you said here- I think it’s a matter of different definitions! As I use sweetheart to typically describe someone who’s well- very sweet! Not soft. Odysseus is a character that knows how to do what it takes to survive (his entire arc was kind of learning that). He’s not overly soft or mushy. A Sweetheart to me is someone who would give their ENTIRE world to their loved ones. Someone who doesn’t stop giving. Someone who’s just very loving and/or caring. At least to put it as simply as I can (Sarah Heathcliff and Thatcher Davis from TMC are also both characters I’d describe as “sweethearts” but they certainly aren’t soft characters especially Sarah)

I don’t want to get into a deep dive on Odysseus- dissecting the lyrics and his character (though I definitely can- I just don’t have the time to right now).

but Odysseus is an inherently selfless and sacrificial character. As well as someone who always tried to do what was best for everyone. He was just continually cornered again and again. Forced to make a choice between bad and worse. that’s why you see me describe Odysseus (AND THIS APPLIES TO EURY AS WELL) as barely having any actual control/agency/choice throughout his odyssey

of course a cornered cat is going to swat. You cornered it! And of course that cat’s going to start biting if you go ahead and declaw it as well.

honestly Odysseus isn’t even a character I’d say I have the most experience in with analysis (that’s be my twin @seasonalmoss they’re the main Odysseus person when it comes to analyzing him and properly portraying him in our AUs) but he is a character I am VERY passionate about people getting right. (In EPIC specifically- always remember Epic is different from the odyssey)

Hit reblog if you see that Odysseus has acted as a monster, been seen as a monster, thinks of himself as a monster, but has never actually truly been a monster.

[lairofsentinel]

Since this user's posts seem to have been deleted in previous opportunities I copy-paste their words here because they express exactly what I feel about this game. Dragon Age has died, unfortunately.

I'm a big time Dragon Age lover and have enjoyed every game in the series. Personally, I think Inquisition is the best in the series. And I was excited for Veilguard right up until I actually began playing it. Now, I want to clear things up at the start as to what I look for and believe makes a good Dragon Age game. To start, I DON'T CARE ABOUT COMBAT. I. Do. Not. Care.

You can make it Origins tactical. DA2 fast tactical. DAI hybrid. God of War action, I don't care. Dragon Age has always had combat that was...fine. A nice distraction and breakup in between the bits I actually care about: narrative ROLEPLAYING, story, characters, and exploration. I don't give a crap how great the combat is if the narrative roleplaying and writing are poor, I'm not playing BioWare titles for amazing gameplay. I am here for the story, the characters, and the roleplaying. Truth is, for a time I considered DATV's combat to be the best in the series.

And this is why I feel the game is a terrible Dragon Age, because it lacks or fails to respect those elements concerned with narrative roleplaying, story, characters, and exploration. Now, in many reviews and online videos you'll hear some reference often to the drop in writing quality. And a lot of time people will incorrectly say that the writing with the characters is to "modern" or "Marvel quippy" or not "dark" enough. I think these people are wrong, they recognize there is a drop in writing quality from previous games but aren't able to articulate why that is.

Dragon Age has never adopted any sort of faux medieval speech and vocabulary (though we'll get into this more later). This is a series that used "epic fail" as a thing someone uttered in the very first game. It's always had anachronistic dialogue and banter. So why is it such a drop then? Why is it considered poor? Simple. This is a game that does not believe in the world it has setup for over a decade. It does not believe in or engage properly with its own world and lore. I mean, look no further than the title "The Veilguard" a phrase that is never uttered by anyone in our group, and further proof it was a last minute marketing change. Compare to Inquisition where the title is apparent from the start in the game and has actual meaning.

You see, characters in DATV do not feel or react to events the way they should based on the lore. Why is no one constantly asking what the hell the Inquisitor is doing? The Inquisitor is kind of a BIG DEAL when it comes to Solas and Elven Gods, my Inquisitor drank from the WELL OF SORROWS! So why are we sitting around thinking at the start, "hmm lemme think who I can contact who might know more." The Herald of Andraste! They know more Rook, the guy that is technically your boss. The Inquisitor! Who else have you been working for this entire time? Who do you think told Varric to recruit you?!

But even removing the Inquisitor, the Elven Gods being real and also near synonymous with the old Tevinter Gods is kind of a BIG DEAL. It was only a theory fans crafted long ago that slowly revealed itself to be true. And it completely upends known religious dogma on all sides. Yet, why aren't people we meet going through a massive existential crisis? For instance, the Veil Jumpers we initially meet were presumably told off-screen about Fen'Harel, and are seemingly cool with this massive knowledge alone. But then we talk about those two other Gods being released and they're like, "well, shit those two aren't good." As if they have any clue if the fables about those Gods are real when we previously just upended everything they thought about the Dreadwolf! Why are you acting like this is another Tuesday?! Your entire religion is wrong. In that same conversation, Strife notes "Solas might be a bastard, but compared to the Evunaris? Let's just say they weren't know for being kind rulers."

My brother in Anduril, what are you talking about! Elven religion teaches that Elgar'nan was so beloved by the Earth that it "the land brought forth great birds and beasts of sky and forest, and all manner of wonderful green things." And that he fought the jealous Sun that tried to burn the land and all beasts away. Custom says that he and Mythal, "created the world as we know it" after defeating the Sun. He is literally described as one of the "good" Gods. WHY ARE YOU ASSUMING HE IS EVIL! It's like finding out Satan is real, but not as evil as have come to believe and then being told Jesus Christ is back and a devout Christian going, "well shit, that can't be good." WHAT?!

The same goes for Andraste and the Chant of Light, it took me 30 hours of playing before ONE character mentioned Andraste and the implications with the Chant and it was never brought up again. Our entire party is seemingly made up of unphased atheists. Now compare to something like Inquisition which explored this aspect HARD and was amazing for it. You'd get into great debates with religious figures and party members about the implications of Corypheus actually being a Tevinter Magister of old. And you'd talk about what it means towards the religious dogma preached and how much is true. And these intense political and religious discussions are present in every previous game, and not confined to a single conversation with one party member where it is seemingly resolved.

These conversations do not happen in DATV because there is no depth to the writing or engagement with the world. The Elven Gods are evil and need to be stopped. That's it. We don't need to think about the implications this has on Dalish customs and religion. Fuck it, all the Dalish are going to still wear their Vallaslin slave brand tattoos. Let's forget about Trespasser implying Solas was removing them from followers coming to join him. Let's even forget they were likely all told at this point that they are slave brands, nope still going to wear them yet speak blasphemy with every sentence against our Gods. No one cares about Andraste or The Maker or the Chant. Big deal if these Elven Gods contradict the overwhelming majority religion in Thedas. Not a single party member has religious or cultural objections to killing the Elven Gods; not a problem. Not one single elf wants to join Solas in tearing down The Veil and getting immortality again?

Again, let's forget about Trespasser setting up Solas gathering MANY Elven followers from Dalish clans who would be super inclined to join him after experiencing CENTURIES of discrimination and slavery by humans. The better question is what Elves wouldn't join Solas at the start? And what Elves wouldn't look at the other two Gods and go, "meh, maybe we should give them a try. They can't be worse than humans, right?" In DA2 you had elves joining The Qun to escape the discrimination of humans, but not ONE ELF wants to join Solas or Elgar'nan? Those Ancient Elves in the Temple of Mythal? I guess they all died, right?

This extends to EVERY single element of Dragon Age that previously had depth to it, it now has been completely removed. Those murdering Antivan Crows? Oh, they're just good Italian Mob Family that protect their city. Tevinter? Yes, it has poor people, but we're trying to do better. Oh, slavery? No, no we don't show that here. The Qun? The what now? No, they are all Antaam now, and so that means they are all generic evil warlords. No, they don't even attempt to follow their own hardcore view of The Qun like when Templars split from the Chantry, they're just warlords now that like plunder. Dwarves and their rigid Caste society? We don't do that here. Elves and racism across Thedas? Elves used to experience racism? News to me, what's a Shemlen? Never heard of that term, we like all humans. Pirates? That is insensitive, we are Lords of Fortune and we are sure to return any cultural artifacts found to their rightful owners; it belongs in a museum after all. The fucking Fade and spirits? Wait, you mean its different than generic fantasy spirit world? I'm sorry, that's too complicated here.

This either intentional disregard of the lore or plain ignorance also extends to environmental design. The asset reuse from Inquisition is particularly hilarious and must speak to the developers not having time after the switch from MP. Why are the same statues found in Val Royeaux in DAI also in Tevinter and Antiva? Why are those stupid Fen'Harel Wolf statues EVERYWHERE? Even in the catacombs of other Elven Gods! There are no statues of Elgar'nan or Ghilan'nain. Nothing for June or Anduril. Dirthamen. Falon'Din. Nothing. No, the only Gods that seem to get statues are coincidentally the ones who already had assets created for DAI or past titles that could be reused. Hmmm.

This continues into character designs too, why do the Veiljumpers and Shadow Dragons all dress richly? They are supposed to be poor as fuck. There's a codex entry about Veiljumpers finding a lost cache of old ancient elven armor and weapons and so boom they all get to dress like High Elven Lords and not the dirty, poor, wandering Dalish clans they are supposed to come from. Why do this? There isn't even an attempt to explaining why the Shadow Dragons, an organization supposed to be secretive, has branded clothing in bright rich colors and fabrics for all members. Naturally, it must be incredibly difficult for Tevinter authorities to not identify them.

This lack of depth and verisimilitude, naturally, affects all the characters. Because in this game you cannot roleplay and you cannot ask questions. In Dragon Age Inquisition, once you started the game, you could immediately interrogate Varric about what happened to every DA2 character despite the Inquisitor never meeting them, you know because it respects its players. You could speak to shop keepers, blacksmiths, your horse master. You could interrogate every single person to learn more about them and the world. The same goes for your player character in DA2 and Origins. You show in Denermin and find yourself knee deep in a quest to help Wade the Blacksmith craft the perfect armor. Here you can't actually speak to a single shopkeeper to ask questions and get some lore bits. You can't ask party members questions about their background, religious beliefs, upbringing, their factions, etc. You can't ask any returning characters any questions either about what they've been doing. Enter a brand new area? Great, you're not asking anyone questions about this never before seen place.

How does a lost Dwarven thaig survive every single blight? How are their immortal lichs in Neverra? How long has that been a thing? Why haven't they told anyone about the Elven gods or any other knowledge they've accumulated in an immortal lifespan? If immortality is so "easy" why can't Solas just do that to restore the Elves? Why are the Venatori, Tevinter Supremacists, following Elven Gods? Wouldn't that be a major identity crisis? Why would Antaam, who still preach the Qun, follow an Elven God that speaks blasphemy with ever breadth? Sshhhh, no questions. You get what is directly told to you and that's it, no follow-up questions.

Party members do not conflict with each other or interrogate each other's beliefs which is why their banter feels inconsequential and meaningless. Lucanis is a assassin, he kills people for money. The same organization that marked Zevran for death for failing a contract. The same one that took him as a kid and trained him to murder, often brutally, for coin. And yet no one really seems to care. He's just a nice Italian assassin from a nice assassin organization. Who cares. Let's instead talk about cooking, at length. Harding, a devout follower of Andraste, has no qualms with Elven Gods wreaking havoc on known religion. We get one conversation you can tell her to believe what she wants, and that's the end of that debate. Bellara also gets about two whole conversations about the conflict concerning her Gods wreaking havoc, both easily resolved. We don't need to think about any larger implications or doubt her loyalty when the Elven pantheon are seeking to restore her people that have been discriminated against since forever. Emmerich, a necromancer of Neverra, apparently has no religious belief. A codex entry even states that those of the Mourn Watch don't know where the soul goes after death. They don't like to think about it. Buddy, Mortalitasi belief is literally that our souls return to the Void alongside The Maker, but to keep balance a exchange must be wrought with The Fade to allow a spirit to house the now empty vessel. How do you not know the religion and customs of your own faction and land? This man has a whole quest line about funerary rights, yet not ONCE mentions religion and what he believes happens after death?! Sshhhh, no questions. No thinking.

Hey, remember The Fade? Remember how mages go to dream there every night. Remember how The Black City is always visible there? No? Well, we don't either. You won't see The Black City in The Fade. You might see it in The Crossroads in a closed off section, even though it is NOT The Fade. Oh, we're going to have you physically enter The Fade in multiple quest lines and no one will think it's a big deal. No, you still can't see The Black City. Now, The Fade is reduced to nothing more than your generic fantasy spirit world. It has none of the previous rules and lore that bound it before. Demons can bind to non-mages and we won't attempt to explain it. Solas fucks with The Veil and not a single mage notices a change in their dreams when they sleep at night. No biggie.

Lastly, let's return at last to the actual minutiae of writing. I stated at the start the writing isn't bad because of Marvel quippiness, which the series has always had. I was partly lying. Yes, the series has always had anachronistic dialogue. It has had meme language in its own previous titles. But, it was just that, a small joke here and there. For the most part the series actually tried to use it's own sort of "older" speech patterns. I think a perfect example has to do with Taash, she eventually finds her own identity and declares she is proudly "non-binary." Literally stating, "so, I'm non-binary." I have no issue with this sort of inclusivity in Dragon Age, it's what the series is known for. Yet, why does that sound wrong? Simple, it's far too anachronistic. It doesn't belong in Dragon Age. In Inquisition, Dorian let's us know he's gay. But he doesn't say, "I'm gay!" or "I'm a homosexual" those terms would not exist in his world. Instead he says, "I prefer the company of men."

And it's these little subtle changes in writing that makes it feel all the more different. We went from "I once ventured in to The Fade to serve the Old Gods of Tevinter in person. I found there only chaos and corruption. Dead whispers. Now I shall return under no name but my own, to champion withered Tevinter and correct this blighted world gone wrong. Pray that I succeed, for I have seen the throne of the Gods. And it was empty."

To: "Well, shit. That can't be good."

So, what do we have when all is said and done? Well, we have a decent generic fantasy action game. An intentional attempt by the developers to remove every edge from the world of Dragon Age in place of a very simple, easy to understand world with not much depth beyond what you see. You don't need to think, just play and have fun. This is beyond turning a MP game into a SP game, which so blatantly obvious in this game. DA2 was developed in 16 months, but is carried strong by its writing. You see, nothing prevented them from just acknowledging their own world they created. It costs very little to write around what already exists. Even if you can't make no assets or redesign the world. Writing is cheap and having characters voice these elements is not as costly as a redesign. No, they chose to remove the edge in every element because this was design intentionally for the masses with easy to understand world and zero depth.

But I wanted to play Dragon Age. I wanted to get into intense religious debates with party members as known lore is completely upended. I wanted to debate Elvish clans deciding to join Solas or the other Gods due to their treatment by human society. I wanted to debate the ethics of necromancy with the Mortalitasi of Neverra's Crypts. I wanted to engage in intense debating with Solas on the ethics of his goal. I wanted to see Tevinter react to a real push for anti-slavery and actually see the slavery in the slave capital of the world. I wanted to butt heads with the Antivan Crows and call them out for the murderers they are. I wanted to see the Black Divine and debate the Chant of Light with them. I wanted to speak to the Archon of Tevinter and see how he felt about the Venatori's past efforts in Inquisition. Hey, what happened to Meredith Reborn in Kirkwall and her idol and Red Templar worshipers? Forget about it.

We got none of this. I got a game that is pretty much disrespectful of its own world. I waited 10 years for this? Why even bother if this is the result? They may as well have just killed every previous character we ever knew, including Solas, offscreen and started anew with this game. Because as a Dragon Age game and sequel, it's terrible and no returning character is how they should be.

And when we get to the ending, that's pretty much what they did. Everything you did in all the past games? Well, that was pointless. Everyone is probably dead. King Alistair. Gaspard. Celene. King Bhelen. The Arl of Redcliffe. The Divine. The Circle of Magi. The Templars. The Seekers. Everything, everyone, and every organization that existed in the South is likely dead and destroyed. And now Dragon Age can become what they wanted, a generic fantasy IP.

But I just wanted to play Dragon Age.

[wings-of-fire-confessions]

I know that some people in the Wings of Fire fandom complain about how Tui based the IceWings on tiger moms (a stereotype commonly applied to East Asian mothers) and I know that that and the model minority stereotype for Asian-Americans that is common in American media is terribly containing and reduces an entire community to this monolith of mean parents and unhappy, but high-performing children, but I personally like how IceWings are based on my group, even as much as the stereotypes hurt me. You may write this off as dumb, but it's possible to feel proud of something similar to your culture being depicted while disliking how your culture is seen in the media.

When I read about the IceWing experience in canon and fanon, I feel seen. It's probably due to the fact that I've only found one or two books starring East Asian protagonists that I personally feel show the experience I've grown up in and am used to, and even overall AAPI month tends to get overlooked on the social media I use (tumblr). Now I'm just wofbrained enough to project on fictional dragons because they've been based on a stereotype that gets applied to my community. You'd think that I need to touch grass and search for more books, but I'm happy that IceWings and I have something in common.

Nowhere else do you see the portrayal of feeling both locked and contained in the identity that everyone else has imposed upon you, and so has your community, and so has your parents, and so have you imposed on yourself, but also proud of it when the concrete results come in, all the As, all the comments that you're high-performing. There's the portrayal of feeling that some aspects of that identity are something to be proud of, but there are also the darker parts that you know are bad: the bigotry (where parents say the racist things out loud, straight to your face), the constant competition, the empty feeling from complying with your parents wishes and the fact that you've been doing it for so long that you don't even know your own. There's the feeling of always being inadequate in comparison to your peers. There's the feeling of occasionally wondering what it would be like to not be part of your group, and just be happy with Bs and be able to have a social life and actually hang out with friends outside of school.

While people say that Tui made the IceWings stereotypical as hell, I like what she did with her IceWing protagonists and other characters. We see Winter, who lost his family, but can do what he wants as a scavenger researcher, which is something that feels like a realistic possibility in my community- pursuing your dreams, but losing familial support. But, he can follow his dreams. We see Crystal, who ran away to be with Gharial, a MudWing, and it's reminds me of how falling in love with someone that you community says you shouldn't have but being happy with them is possible. There's Lynx, who reminds me of the classmates that I should have competed against, but became friends with instead. There are all the Caribous, who show the more fun parts of IceWing culture outside the palace, where IceWing dragonets sing and read and listen to stories and eat together, which shows that the IceWings aren't a monolith. There's Glacier, who genuinely loved her daughters, even though she was likely distant from them as a queen, which shows how beneath the strictness, the love is there, even if it's not apparent at first. There's Snowfall, who's from the younger generation and wants to change things for the IceWings. While Tui initially wrote the IceWings based on stereotypes associated with East Asian-Americans, her IceWing characters show how they're much more than that. To me, that reminds me in a way that we student, second-gen children of East Asian immigrants are more vibrant and faceted than how media paints us (emotionless, uncreative, studious, deferent to authority, etc etc).

Now, I'm going to say that not everything that IceWings do is what Asian-Americans do. I haven't heard of anyone making their son kill the other one to regain their status. Given how people like to reblog these confessions and openly address the anons with their disagreements and this ask will probably get a bunch of accusations directed at it that weren't part of my original intention, I would like to reiterate that this ask is my personal opinion as one Asian-American out of the 19.9 million+ of them here. If you personally disagree, please direct me to all the way better forms of representation that I know are out there but can't find so I can stop projecting on fictional dragons. Someone wrote on tumblr how what's empowering to one person comes off as demeaning to the next when it comes to representation. Thank you for receiving my confession that wouldn't do well at all off anon. That is why this blog is here.

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[disaster-j]

What really pisses me off is people insisting the break-up doesn't make sense as its own thing when it's so clearly in-character for both of them

Buck has been in a serious relationship with a man for six months but hasn't said the word bisexual. We only know that's His Label bc Oliver Stark calls him bisexual outside of the show. Buck has had what seemed to be a perfect fairytale relationship with Tommy bc Tommy made him feel so safe and comfortable and taken care of that he just let everything else about his coming out journey kinda simmer on the back burner.

And, hey, there's nothing wrong with taking your time with that. But considering the scene at dispatch where he still couldn't talk about his sexuality in concrete terms, clearly he hasn't processed it much, if at all. Buck is the guy who dives deep into research at the slightest opportunity, him knowing so little about queerness and queer culture six months into a serious same-sex relationship isn't just out of character but a clear sign that he simply hasn't done any work to explore his sexuality for himself outside of his relationship with Tommy. Whether the writers intended for it read like that or not doesn't matter very much, bc that's exactly what I'm seeing here.

And, again, that alone as a reason to break up with someone is extremely shitty but that's also not what happened.

Tommy clearly has a history of isolating. He's been hurt a lot in the past, we don't need to know the details to know he's a deeply wounded man who spent most of his life guarding his own heart from the world. He told Buck and the audience over and over again, "I look confident. I look sure. I am comfortable. But it took hard work. I wasn't like this before. This is new. This is good but this is scary. I'm working on it I'm working on it I'm working."

He can see that Buck views him as something more, something better, than he thinks he is. Buck loves Tommy, Buck was infatuated with Tommy. Tommy was this perfect guy in Buck's eyes. And that scared Tommy. It intimidated him. But he kept going bc it wasn't a big deal and he could always remind Buck that hey he's just a guy, a guy who had done things wrong for a long time. But Buck never fully grasped it either. Likely bc of how good Tommy made him feel, he struggled to fully grasp that things with Tommy couldn't always be so perfect and good and safe.

They don't talk about that but they keep going bc they like each other bc they're falling in love bc until that six month mark they were both still fairly distracted by how good it felt to be together to really, seriously consider the ramifications of ignoring those not-so-little things they didn't want to face right then.

And then suddenly it's been six months and they're clearly both in love and they're both clearly not ready to be acknowledging that at all. It's been six months and they're just trying to match each other's pace but have never talked about what that pace actually is and then suddenly they're talking about how Tommy used to be engaged to the woman who taught Buck what a real relationship meant and they still aren't even ready to acknowledge they're in love but Buck is already asking to move in together and talking about marriage and they haven't even said i love yous and Buck can't even utter the word bisexual out loud but he wants to jump into living together and fusing their lives together.

But he's not ready for that. As far as Tommy can see he's not ready for that. And if he's asking for something so big when he can't even say the word love then maybe, in Tommy's mind, he'll never truly be able to say it. Maybe they'll keep going like this. Living together and being together but Buck can't face his sexuality as its own thing and Tommy can't face how his trauma affects their relationship and eventually it'll be too much and maybe Buck still wouldn't want to say it and Tommy would push him away like he pushes everyone away and then they'll be right back to that moment, weeks or months or years later, with Buck wanting more but not able to say those words and with Tommy wishing he'd left before it hurt so much.

And sure it hurts to leave now but at least now he's early. Now, Buck hasn't wrapped himself around every piece of his life. Just his heart. At least now he'll hurt but he won't have to move just to get rid of the scent of Evan Buckley perpetually lingering in every corner of his home.

Buck loves Tommy so much he can't imagine a future without him. Tommy loves him so much he can't imagine a future where he gets to keep him.

The break-up makes all the sense in the world. It just doesn't make sense that the break-up wouldn't force them to work on their respective issues and bring them back together stronger in the future.