#Artist of the Week | Explore Tumblr Posts and Blogs

blakbonnet · 2 months

Text

AUTHOR OF THE WEEK: @clairegregoryau 💕

Everytime the topic of fandom kindness and community comes up, of helping each other out and fostering a quiet corner where people can be themselves, most people in our little fandom think of Claire. She's written over a million words of OFMD fic and read even more, and you can always see so so many recs over on her twitter. Incredible good vibes, and an author who truly lives to lift other authors up. She also does SO SO much for fic authors over on the OFMD Fic Club server <3 And she was incredibly kind and shared her entire writing process with me:

What's your writing process like? Do you start with the beginning or the end? Do you write in order or as the scenes come to you?

I’m a huge advance planner, which is a process that has developed for me over more than 25 years of writing original fiction. I’ll get whacked with a story idea, then I’ll sit down and set out the central kernel of that idea, and where it needs to start, where it needs to end, and what the turning points need to be to get there.

A lot of the time I use a three-act structure, largely because Jenkins has talked about OFMD using that structure (one example here). So that makes it easy for me to hold to the canon beats when I’m writing AU stories, or to mirror them in canon-era stories, which is also something I try to do most of the time. With long experience (and now 1.7 million words of OFMD fic written (!)), I find this part of the process really easy. I’ll usually do that plotting by hand-writing out my notes, because it really fires up a different part of your brain.

Because I am such an advance planner, I do tend to write in a completely linear way from start to finish (I also pretty commonly post my long-fics as I write- each chapter goes up as soon as it’s finished and has a final editing pass). Punching through it in a linear way, knowing the ending that I’m working towards and being enthusiastic to get there, really keeps me motivated.

I do all of my writing in 30-minute sprints at the OFMD Fic Club Discord, where we’ve built a lovely and LOUDLY enthusiastic writing community that anyone is welcome to hop into 24/7. For those who find the constant chat a bit overwhelming, we also have a Quiet Focus Sprints channel. Again via long practice, I’m a very fast writer, but that’s accelerated a lot more over the last couple of years, paradoxically because I couldn’t write the way I used to anymore.

I was diagnosed with an autoimmune disease that includes some fun brain impacts at times, and it’s really hit my working memory especially. I used to be able to hold all the strands of a complicated story together in my head as I wrote, but now I can’t do that as easily. So that’s why the outline is important for me, so I never lose track of the idea- I’ll also do a quick outline at the start of each chapter I’m writing that notes what needs to happen, and then I’ll write in what I call layers, getting down whatever I can first, and then doing sweeps back through it to add internals, narrative detail, sensory details and so on. I make a LOT of notes and square brackets as I go to remind myself of things to look at later.

I also use a plot matrix [Twitter thread, Example Matrix] that you may have seen floating around- I mostly use it to keep track of plot details that have already happened within a story, so that I can check it out at a glance, but I will sometimes plan certain elements in advance (as in the case of Tree Change, which covered 87 of the 93 Kinktober prompts last year across 12 carefully planned chapters). There’s always space when I’m writing for the characters to surprise me within that plot framework- as a final plotting thing, once I’m at the halfway mark I’ll often plot backwards from the planned end to make sure that I’m on course, and to see what I need to adjust.

Favourite trope or headcanon you like to explore while writing?

I really like to dig into the friends-to-lovers trope that sits at the heart of the show. The Ed and Stede relationship reminds me immensely of my own- like Rhys and Taika as friends, we’ve been yes-anding each other for over 25 years (all of my least hinged fic ideas come from bouncing thoughts back and forth with my husband), and it’s been a steady mix of constant silliness, curiosity, and care. We’re best friends first and that’s one of my favourite things about Ed and Stede, that they are, too.

What I really love about it is the vulnerability of these two people who’ve been hurt so much by others in the past, who’ve never been fully appreciated for all the things that they are, and in each other they find the one absolutely perfect person who just gets them, and it makes all the difference. It’s always fun to play with that and variations on it in fics, and it’s usually the beating heart of my stories.

Whose voice is easier to write - Ed or Stede? Why?

I want to say that I find them both equally easy depending on the story. Ed as a character speaks very much the way I think- he has that ADHD buzz, the high swear level, and a very AoNZ turn of phrase that’s also very familiar to Australians (like me). Writing Ed is like turning the inside of my head out and it always flows easily.

But I have always said that I see myself in both characters in equal parts, so I find Stede pretty easy to write as well. I feel like I pretty solidly understand him as a person, with his history of rejection and his commitment to trying anyway, and trying to be kind, and letting himself be fascinated by things, from piracy to books to moths to Ed (that one’s not hard).

Your personal favourite thing you've written that you'd like more people to read

This is a near-impossible question with 69 OFMD fics up on AO3 😅 I really do love them all, and I have a lot of smaller one-shots that haven’t been read as much, but overall I’m incredibly lucky with readership and so so grateful for everyone who enjoys my work.

But my recent Reverse Bang fic The Broken Lines is hugely important to me and I think it’s probably one of the best things I’ve ever written anywhere. It’s set in the aftermath of the First World War (my professional zone of expertise), and features a Stede who’s lost his voice, his memory, and as far as he knows, his Ed. He gradually remembers what happened with the help of the crew and another Ed, who appears in his mirror from 1719, searching for his own Stede. It was a beautiful collaboration with artist Gerlinde to begin with, but I also got to work with one of my longest-term writing friends Jill @followedmystar as my beta, and then with Boy, who made a truly transcendent podfic that I can’t yell about enough.

What is the one word that you think you use a lot?

I think the word I have to zap more than any other is “actually”, and there are still a million of them in there when I’m done. The main reason is that to stick close to canon voice, I try to incorporate a lot of the less iconic/ more ordinary turns of phrase that the characters use a lot in their speech (I’ve watched every episode of the show… way too many times), and both Ed and Stede actually use “actually” a surprising amount. I just use it an even more surprising amount 😂

(This just sent me on a QUEST to find a specific number because I am that kind of nerd- Stede says it 15 times in S1 and 12 in S2, and Ed says it 8 times in each, for totals of 27 and 16, many of them in distinctive moments; it just gives that little buzz of recognition for me. I started out screenwriting before I moved to prose, so my writing tends to lean pretty strongly on having a recognisable, almost audible voice to the dialogue, as well as a cinematic visual style for the big adventures especially).

Do you have a beta reader? Have they made you a better writer?

I quite deliberately don’t use a beta reader for most of my OFMD fics, because being in this space is an exercise in recovering from lifelong paralysing perfectionism around writing especially. I’ve spent so many years not finishing original work because it never feels like it passes the invisible bar for perfection that exists in my own head. So when I started writing OFMD fic, I set out to accept good enough as good enough, and to get back to enjoying writing as fully as I can.

Obviously this means that my work could be better, but I’m actively working on letting that thought go and loving everything I’ve made just as it is. When I have worked with beta readers on projects that require them, like the Reverse Bang, it’s been with friends who I trust and adore, who I know will listen to what I need (cheerleading, mostly), and will do their best to work with me on improving the story without letting me spiral into hating it all because it wakes the perfectionist beast back up.

That doesn’t mean I’m without regular support, or that I’m not trying to improve my writing! I read an absolutely insane amount of fic, and I’m always in awe of the talent we have on this ship, and always learning from what other people do well. In lieu of beta readers, we share snippets of work all the time in our sprints team, so I get feedback there; I also get it from readers in progress, who often give me a sense of what’s hitting the way I hoped and what needs a bit of tweaking. I also have lovely group chats and individual friends like Kerry @communionnimrod and Lis @ghostalservice and Jill who I can run to if I need an opinion on whether an idea feels right or not, which I will often ask.

I’m very very careful with my writing, but in a couple of rare instances readers have also DMd me to note spots where I’ve inadvertently included something that doesn’t reach the sensitivity standard I’m aiming for. I’m always grateful for that gentleness and bravery in reaching out and I’m always happy to change something or to add tags or notes as needed.

Why OFMD 🥹

I watched the whole show in one hit a week after the final episode aired, and I loved it immediately, but I thought I was going to be normal about it. The unravelling into complete, unrelenting obsession happened gradually as I rewatched it with my husband and teen, then again, and again, then started to read fics and hunt up art, then started joining fan spaces, and then dived into writing my first fic in two and a half decades (all original writing between The X-Files and here), thinking it would also be my last.

I’m still here, still writing constantly, and a major portion of it is the show and how distinctly it reflected all the many parts of me, some of which I’d never seen so clearly before. I had a tough childhood in a few different family respects. I didn’t understand that I was neurodivergent until I turned 40 and my own kids were heading for diagnosis, and I’d been rejected constantly throughout my life for being too much. I was a high achiever who was in the process of crumpling under pressure right when I watched it, and while I’d been figuring out my sense of my own queerness for a few years, I’d never had a community that helped me feel at home with that.

And in the end it’s the community that’s been the reason I’ve been fully sucked into fandom for the first time since my teens- the writing in this space is top-tier wonderful, and the community is such a found family, just like the Revenge. Being able to write and have people actually want to read that writing, being able to cheer others on and hype their work, being able to help set up the OFMD Fic Club Discord and make it a safe spaceship for so many people, has been incredibly fulfilling and lovely.

Please head over to @ofmdlovelyletters (who also made the header) and send your love to all your favourite authors (and authors of the week 😈 watch that blog for some special letters coming your way)

#aotw #author of the week #artist of the week #clairegregoryau #ofmd #our flag means death #writing

61 notes · View notes

blakbonnet · 3 months

Text

[graphic by @ofmdlovelyletters]

AUTHOR OF THE WEEK @xoxoemynn

I've loved featuring some of the most incredible artists in the fandom for the AOTWs, and thanks to Connie's (@spirker) big brain, this week is dedicated to some of the most beloved fandom authors. I hope everyone will go and check out their fics, maybe discover some new works or give extra love to older beloved fics. There will be 3 authors featured this weekend, please give it up 🥁 for the first one: Emy who we all love.

When I think of an author whose writing feels like a warm, lovingly prepared bowl of soup by someone who wants you to eat and eat well: I think of Em's fics. It's impossible to imagine this fandom without her - not just her words but everything she is and does for her friends. I also strongarmed her into answering a few questions for me (kidding, she was very gracious, I kept harassing her to send the answers over 😌 I have no shame):

What's your writing process like? Do you start with the beginning or the end? Do you write in order or as the scenes come to you?

First comes the idea, which usually presents itself as “haha, wouldn’t it be funny/weird/wild if XYZ… wait a minute. I think I might be serious about that.” Once I’m pretty confident I’m actually going to write the story, I make a channel for it in the private Discord I created to keep myself organized. I’ll start jotting ideas down — doesn’t have to be in any particular order, just tone, beats I want to hit, any particular detail that’s pushing its way to the surface that’s demanding the story be told, and also grab any links, images, music, whatever, and stash them away for inspo later. I almost always have to create an outline for myself, even if it’s just a few bullet points, because otherwise I tend to just sit there spinning my wheels. If it’s a longer story, I’ll create a pretty fleshed out outline, and may also supplement it with an emotions matrix to keep track of the characters’ evolving mindset throughout the story. Tragically, I’m very much someone who needs to write in order. I’ve tried skipping around before, but inevitably I start feeling the tension of “well, how can I possibly write Scene 10 if I don’t know exactly what happened in Scene 5?” But if there are some scenes that feel more vivid to me in the brainstorming phase, I may write a few sentences just so I don’t lose that energy.

One Ed/Stede headcanon that's very dear to you and you love to explore it when you write.

I don’t know if I have one specific one. I generally treat them as my all you can eat buffet and like to play with different ones all the time, depending on my mood. But I’d say my “tell,” if you will, is taking some kind of ridiculous concept (being horny for clocks, running a sleepaway camp for singles, tooth fairies) and sussing out the Big Emotions, which often do circle around learning to be vulnerable in front of the one you love.

Whose voice is easier to write - Ed or Stede? Why?

When I first started writing OFMD fic after S1, I would have said Ed. There was something about that vulnerability and raw heartbreak that I found really accessible, perhaps because I was finally coming out of the fog of my own recent traumatic breakup. But as I spent more time writing and in the characters’ heads, I realized it’s actually Stede. I see a lot of myself in him, and have discovered getting his voice right is a rather cyclical process: the more I understand him, the more I understand myself, and the more I understand myself, the more I understand him.

Your personal favourite thing you've written that you'd like more people to read

I’m going to cheat and list two. The first is The Merry Strays of Lighthouse Sanctuary, which is my heart story. It’s not the first thing I wrote for this fandom, but it feels like it. I wanted to write a fic with a setting that felt to all the characters the way so many of us felt about the show itself — a place of hope, where everyone is loved and accepted and celebrated for exactly who they are. The second, which is definitely a harder sell due to the subject matter, is All Of These Lines Across My Face, which is the most personal thing I’ve ever written that I think has taken on a new, more meta meaning since the cancellation. Love is eternal; it changes everything it touches for the better. Ed and Stede’s world was forever changed because they loved each other; our world was forever changed because we loved OFMD.

What is the one word that you think you use a lot?

Exquisite. But it’s NOT MY FAULT. They ARE exquisite!!! What am I supposed to do, just call them pretty? They are EXQUISITE!

Do you have a beta reader? Have they made you a better writer?

YES! My beloved Hugo (@monksofthescrew/offsammich), who I’ve been working with since Merry Strays. I used to say I’d only use a beta if there was something I was particularly worried about in the story, but honestly Hugo makes everything I write SO much better that I don’t consider a story complete until her eyes are on it. Brainstorming the initial idea, helping me get unstuck in writing, pushing me to look at a scene from a different perspective, fixing all my verb tenses… truly could not do it without her.

Why OFMD?🥹

I found OFMD at a very transitional point in my life, when I finally started to feel healed from a few big traumatic events but didn’t know what to do now that I’d emerged from the fog. I experienced some panic that I had wasted too much time and the world had moved on without me while I was still struggling. OFMD showed me that it’s never too late, that you can always have a second (or third, or 300th) chance, that you deserve to be loved for exactly who you are, and, most importantly, that there’s always hope. It was like someone gently took my hand and said “I don’t care what your brain/society is telling you, there is a beautiful future in store for you, and you deserve all that it brings you.” These days it’s rare to find something with a message like that, that’s equal parts fierce and earnest. It’s something beautiful and precious, and I’ll be holding onto it forever. ❤️

Please head over to @ofmdlovelyletters and send your love for Emy and all your favourite authors (and authors of the week 😈 watch that blog for some special letters coming your way)

#artist of the week #writing #aotw #ofmd #our flag means death #author of the week

65 notes · View notes