#Apollo? is that you? RACHEL??!?!

[stephofromcabin12]

Now I wont say any names and I can’t post the asks because it’ll technically be a spoiler but just know:

Two (maybe just one) of you got hit hard by Apollo’s dodgeball of prophecy lmao

[seagull9111]

happy birthday again percy i hope you have a great time with whoever the fuck i feel like shipping you with today

[gnomeonamelon]

Hiya! For the sake of reference, Rachel is 21 during the events of Heroes of Olympus (set in 2012).

The rules I set myself to for my redesigns were explained in Part 1 where I did The Trio.

Story related ANs Below!

Rachel's role in the story would be very similar to canon, she meets Percy by chance, and he introduces her formally to the world of gods and monsters. Percy does have a crush on her and she entertains the thought of it sometime in the future, but it never goes anywhere.

After the Titan War, their relationship slides comfortably on a sliding scale between partners in crime and little brother/big sister. She has a good head on her shoulders and just seems to know what to do even before becoming the oracle.

In Heroes of Olympus, she's still prominent just separate from Percy and the Argonauts. She's a narrative foil to Octavian and would absolutely destroy this man. She and Clarisse are to CHB what Octavian and Reyna are to The Legion.

Rachel is also the one that sends Thalia, Grover, and Ana Dakkar (daughter of Neptune) to the ancient lands (instead of Reyna) to retrieve the Athena Parthenos.

Eight years later, by the time of Trials of Apollo, she is 29. Clarion Ladies Academy and university (an: unknown) are long since behind her. Without the constraints of her father's expectations, she has fully embraced her identity as The Oracle, living at camp full time and being the third person in charge alongside Nico and Will. She gives out quests (both of the classic demigod variety and sending out satyrs where they're needed) and is generally a kind if honest ear to the campers.

As for Trials of Apollo, I have yet to finish the series (I'm halfway through The Dark Prophecy) so I'll have to come back to this once I do. For now, just know that I want her to have a more prominent role in this series (more than any other) as she has some of the most personal stakes of anyone.

[yoolia8001]

Toa Discord server inspired

less goo

[oranglesswrld]

finally get to share my spot art for @campsapphozine 💞 these were for @zukkaoru's reychel qpr fic and so much fun to work on!!

you can find the fic here please check it out!!

[literallyjusttoa]

Some rules are meant to be broken.

(Mortals not shown bc they are hiding in Apollo's broom closet: Reyna, Thalia, Lavinia, Shel, Austin, Jerry, Yan, Gracie, Georgie, Jo, Emmie, Leo, Calypso, Percy, Annabeth, Sally, Paul, Lu, Coach Hedge, Mellie, Paolo, Sssssarah, Lityerses, Hunter, and Olujime)

[valewritessss]

Every time someone says they hate Annabeth and Percabeth in the sense that they think they’re toxic, I have to start guessing if they ship Pernico, Percy x Apollo, and it pains me to say because I know people get mad but Perachel.

[echo-stimmingrose]

Hades removed the curse on the Oracle only after he found out Rachel hit his father in the eye with a plastic hairbrush.

[fruggin-bitch]

Procrastinating by way of making an hour long playlist of songs that make me think of Rachel Elizabeth Dare so I can think about her all the time is my new hobby

I love her

[panevanbuckley]

rachel is an honorary apollo kid. apollo would die for her, she literally fights nero by his side. but she totally gets closer to the apollo kids (and nico, since he's also been adopted by cabin 7) and they include her as one of the family. you can't change my mind

[genericpuff]

Lore Olympus just pulled off the biggest whiff in webtoon history.

I promised I would choose one of two headlines and of course, this is the one we wound up with. But should we really be surprised? Rachel herself seemed to be telling on herself down to the minutes leading up to the finale, fully confirming to us that yes, she's been writing this comic at the last minute, by the seat of her pants, for ages now.

(that second one was literally posted TWENTY FUCKING MINUTES BEFORE THE COMIC UPDATED.)

Welp, let's get into it. Possibly the last essay I'll ever write about this dumpster fire of a comic (but probably not, let's be real LOL)

CONTENT WARNING: DISCUSSION OF SEXUAL ASSAULT AND FASTPASS SPOILERS FOR THE SERIES FINALE AHEAD!

Holy crap, where to even start with this. I knew it was going to be bad. I knew it was going to be rushed. I knew it wasn't ever going to live up to what I had hoped it would be years ago when I was still a diehard fan.

But I didn't think it was going to fall quite this hard. Despite bracing myself for the worst, Rachel has once again let my expectations down through a final display of explosive mediocrity and disappointment.

Yes, the episode is called "You're Welcome", and yes, that instant "ick" you're feeling is the exact same as what we're all feeling. This title plays into the dialogue later, but what a shitty, lowkey mean-spirited title for the series finale.

Now, before we get into the actual episode, the WT ads for this are just... so desperate and misleading.

They are trying SO HARD to hype up something that isn't there, and at the last minute to boot, because Rachel definitely hadn't written any of this ahead of time.

First off, the bit about the gods being in "eternal chaos" of course isn't a stake worth worrying over because Gaia literally does away with Ouranos in the first 5 panels.

Did you really think I was joking about that 5 panels thing?

That's it. That's the death of Ouranos. As mysteriously and quickly as he arrived, he was gone, after Gaia ripped out of him what appeared to be some purple sunny side up - but it's actually, in fact, Apollo.

And that's when we start to get some of the worst dialogue I've ever seen throughout LO. Remember when I said LO's dialogue was like Shenmue 3? Welp, the finale decided to continue that tradition and further fuel the suspicion that this entire thing was written by ChatGPT.

Oh, by the way, that "thank you, ma'am" was Artemis' first and last line of the episode. So once again, just like in Episode 248, we're completely robbed of her reaction to Apollo being a rapist piece of shit and the character development she could have had as a supporting character. The women in this "feminist retelling" really couldn't be more half-baked.

Gaia stumbles upon Persephone, and I'm not even gonna fucking bother showing the panels where Gaia says it's time to "make things right" because they literally don't matter. Why don't they matter? Because Rachel just had to get in one more pointless time skip.

We're shown a sequence of pointless images that I'm not gonna show as I don't want to waste my image limit on them, depicting Hades having a sad day because his small wife isn't with him and oh nooo what could have happened?? Did Persephone finally divorce him ??

Nah, we couldn't possibly have an actually happy ending in this comic. Instead we get a completely pointless phone conversation between Hades and Hecate-

Not only is the grammar particularly bad in this episode, but the actual script-writing is atrocious. We literally did not need this phone conversation to happen because-

-we're cutting BACK TO THE PRESENT THAT WE JUST CUT AWAY FROM FOR A 3 MONTH TIME SKIP. FOR NO REASON BESIDES SHOWING HADES BE SAD OVER SOMETHING THAT ACTUALLY ISN'T THAT BIG A DEAL, AS YOU'RE ABOUT TO SEE.

I- I LITERALLY HAVE NO WORDS. I HAVE NO WORDS TO DESCRIBE WHAT THE FUCK THIS IS. ALL I CAN HEAR IN MY BRAIN IS THE LEGEND OF ZELDA ITEM GET MUSIC-

-BECAUSE THIS WHOLE THING SUDDENLY SOUNDS LIKE SOME CONTRIVED FETCH QUEST. WHAT DO YOU MEAN HADES AND PERSEPHONE HAVE PROVEN 'TRUE LOVE' IS REAL? WHAT DO YOU MEAN THEY HAVEN'T USED 'LOVE' AS A FORCE FOR DESTRUCTION?? ARE WE FORGETTING THAT HADES MUTILATED A GUY IN THE NAME OF 'LOVE'? THAT PERSEPHONE LITERALLY INVADED THE HOME OF HADES' CANONICAL FIRST WIFE BECAUSE SHE FELT MILDLY THREATENED BY HER?

This whole concept of "true love" that Rachel is trying to convey feels so juvenile especially for a series that has sold itself as being mature and thought-provoking and progressive.

HAHAHA SO FUNNYYYYYYY why does Rachel write like this. this is, at best, the writing of a 13 year old on fanfiction.net, which I SHOULD KNOW, because I WAS ONE OF THEM. BUT I'M 28 NOW AND RACHEL HAS ANOTHER 10 YEARS ON ME.

Okay, this is the part where I'm CONVINCED Rachel either just mashed this into the episode in the MINUTES leading up to its release, or she used ChatGPT or something. Because NONE of this dialogue makes any sense. Beyond how stilted and lifeless it is (seriously, this dialogue reads like something from Empress Theresa) Gaia is clearly meant to 'replace' Erebus here which I SHOULDN'T HAVE TO EVEN EXPLAIN IS SO FUCKING DUMB, but ALSO what is even Persephone trying to communicate here? "That is true, but it was a deal I was willing to make and ties me to the Underworld. Please don't change me." What? Gaia hasn't even insinuated that she's going to do anything to Persephone, why is Persephone immediately jumping to this conclusion? What does 'changing' her mean? Is she asking Gaia not to force her to sacrifice something (which she never did)? Or is she asking Gaia not to strip her of her Underworld status? Because again, why is that even something Gaia would do?

Maybe this is harsh but I'm pretty sure even Empress Theresa is more coherent than this, what in the flying fuck is Gaia talking about?

"I can just see the potential for conflict! To relieve you from the burden of the whats, the hows, and wheres." Like... okay, first of all, that second sentence isn't even a complete sentence, it's a dependent clause left hanging, but also what the fuck does this MEAN. Is she EXCITED for the conflict but then contradicting herself by saying she wants to relieve Persephone of that conflict? Or is she saying she can see the conflict it would cause for Persephone to have to perform duties in both realms and trying to insinuate that she's going to relieve her of those complications?

Here's what I think happened - I think that second 'sentence' wasn't supposed to be a sentence, but the start of the sentence to the next panel-

So with that theory in mind, the sentence becomes, "To relieve you from the burden of the whats, the hows, and wheres, you are to spend three months in the Mortal Realm to do spring and the rest of the year in the Underworld. That seems fair to me."

It's still a very poorly written line of dialogue, but at least with that fix in mind it makes sense. But man, you can really fucking tell this episode was submitted at the last minute because that's a serious syntax error that should NOT have happened in this two-time-Eisner-winning comic.

Errors aside, it's clear that Rachel is following through on having Persephone spend only three months in the Mortal Realm, rather than the traditional six. There ARE other translations that have that number closer to four, but those four are the time she spends in the UNDERWORLD, meaning she's always spending either equal or MORE time in the Mortal Realm. Of course, Rachel doesn't want her self-insert small wife power fantasy to actually have to be separated from Hades despite this being a retelling of The Abduction of Persephone, so instead of her spending three months in the Underworld, she's now spending them in the Mortal Realm, literally doubling the MINIMUM amount of time (four months) she was originally meant to reside in the Underworld.

But oh no, apparently those three months are STILL NOT SHORT ENOUGH FOR PERSEPHONE-

Of course, Rachel "Retcon" Smythe had to have her cake and eat it too. I always worried something like this was a possibility, but I never thought she would actually prove me right - not only is Persephone only separated from Hades for three months out of the year, but actually he can visit her any time he wants to, so really, they're not separating at all.

I think Rachel needs to look up "reunion" in the dictionary, because if you can visit each other any time, then that means the 'reunions' are no longer special occasions. This completely removes any semblance of depth or meaning from all of the storytelling leading up to this, all of it with the expectation that this was a retelling of the Abduction of Persephone, because that's what Rachel said it was going to be. At this point it's safe to say that Rachel has zero business attempting to "retell" mythological stories, because she doesn't even seem to grasp the concept of why they were written the way they were to begin with. Either that, or she really just doesn't care, and the only reason for making LO a Greek myth comic at all was to propel her career.

This also brings me back to those promotional ads, the other one that posed the question, "Will sacrifice be enough to bring these two back together?"

This is stating the obvious, but I need to make it perfectly clear - Hades and Persephone have never sacrificed a single thing. The only thing they could POSSIBLY quantify as a "sacrifice" is "not being tied at the hip for a few hours", because even Persephone going on the equivalent of a work trip next door is apparently enough to make Hades sad as we saw in the 3 month time skip panels. Why is Hades so sad and lonely if he can visit her any time? Why is he acting like he hasn't seen her in years when he's actually on his way to reunite with her? Why is Hecate calling to ask him if he's "okay" as if he JUST got separated from her, but actually he's about to literally go to the Mortal Realm to reunite with her?

Hades hasn't 'sacrificed' a damn thing, neither has Persephone. They've both always gotten exactly what they wanted, even at the cost of breaking the story's own established rules. Their 'sacrifice' is equivalent to what billionaires think are 'sacrifices' when they can't buy another yacht or go on that third overseas vacation for the month.

And even outside of this episode, when have these two ever sacrificed anything?

I've tried so hard to think of what sacrifices have been made by the characters within LO, and I genuinely can only think of one - and that was when Artemis chose to go to the Mortal Realm with Persephone instead of staying with her family in Olympus. That was a genuine, selfless sacrifice, made by a character who has been shelved in favor of focusing on the self-centered pink and blue airheads.

Being forced to be apart for a couple days to do the equivalent of a day job and whining about it the whole time is not a 'sacrifice'. Neither of these characters have ever sacrificed anything, they just feel like sacrifices because they have the integrity and empathy of soggy cardboard.

sigh Anyways, we're back in the present and Hades and Persephone immediately decide they're gonna have sex because ofc, and then we get this gem of a panel-

MMMMMM

FUNNYYYYYYYYYYYYYYYYYYYY JOKE

For some reason it's just a common thing for people to just be in Hades' home, and they can't seem to get any privacy as a result of this, but I digress. Turns out they still need to have that coronation for Persephone.

There is... so much wrong in these three panels.

First, to state the immediate issues - why the fuck are they mentioning Apollo at Persephone's coronation? Like first of all, no shit Apollo isn't gonna be there, but also, if this is supposed to be an event for and about Persephone becoming Queen of the Underworld, then why in the WORLD is Apollo even being mentioned? This is supposed to be a "feminist retelling" where the victims are empowered and heal from their trauma, but LO once again can't try to show any sort of positive growth for the victims without bringing up the assaulters and giving them screen time. It just goes to show that Rachel's idea of "healing" is purely rooted in the revenge, and not the growth. It's a very high schooler approach to this subject, hellbent on showcasing how all the meanies from the past are losers now and life just sucked for them forever, but inadvertently proving its own point that the victims haven't and can't move on because the narrative is spending so much time on caring what's going on with the abusers. It's the "I don't care! Look at how little I care! I'll prove it to you by putting in the effort of showing you how little I care!" approach, it doesn't really feel like moving on.

It's not about how Persephone and his other victims could have grown and healed, no, Rachel always needs to highlight just how much worse the bullies and haters and abusers are doing to make the victims seem like they've healed by comparison. Don't get me wrong, I can understand wanting to showcase the downfall of a character like Apollo, but this just... isn't the right context for that? Because it's once again taking attention away from the victim to focus on the abuser. It's once again spending screentime on the voices of the oppressors rather than the oppressed.

And speaking of, what the fuck is this punishment even? I knew Rachel wasn't gonna be able to resolve this plotline properly, she never had the capability to, but ... community service? Are you fucking for real? What is this even a punishment for even? Was this EXCLUSIVELY the SA, or does this ALSO include his attempts to overthrow Zeus by poisoning him, nearly killing Daphne, Eris, Eros and Psyche, trapping Eros and Psyche in an enchanted basement, and framing his father's 'death' on his half-sister? Because if so, how in the world is anyone content with community service? He hasn't even been turned into a mortal, HE'S STILL A GOD, so what's to stop him from going "WE'LL MEET AGAIN, SPIDERMAN" and trying something else? How is this a reasonable resolution in ANY context?

This is why I talked at length about what an issue it was to hide what Apollo really admitted to. Because now we really don't know what exactly he confessed to, and thus we can never really see the point of views of the victims outside of just Persephone - and we still don't even get Persephone's, because she just walks away from him and then he gets eaten by Ouranos and next we see of him is him doing community service! Once again, any emotional development that could be given to Persephone and the other victims is stripped away to make room for the point of views of the oppressive men. In this, the two-time-Eisner-winning "feminist comic" that is LO.

And that brings us to the "where are they now" segment. Yes, as we all feared, there's a "where are they now" segment, and it's as rushed and underwhelming as we ought to have expected it to be.

There is just... so much to unpack here, and yes, all of it is delivered in the dumbest way possible that only raises more questions than answers.

So Rhea and Metis are just back and we're not gonna talk about the implications of them being alive again?

Dionysus is a 3 month year old in the body of a teenager / young adult, and his mom is just alive now because Hades conveniently got his hands on more ambrosia and brought her back to life offscreen? But somehow Triptomelus and Hedone are still child-sized relative to their ages?

How did they 'heal Zeus'? And why is he so content with losing his power as King and Apollo being sentenced to community service after making an attempt on his life? How does he feel about the letter that Hera gave him? Did he even read it?

Where the fuck is Hebe in all of this? Is she okay? Do people still think it was her who put Zeus in a coma? Or did Apollo confess to that, too?

You're telling me Hera and Echo are just in a relationship now despite the fact that Hera is literally racist towards nymphs and there is ZERO reason for them to have a relationship in the comic beyond the fans making gratuitous headcanons out of it? How is Rachel, a bisexual woman, so bad at writing actual lesbian relationships and giving them the same amount of attention as the heterocis ones without shoving them into the background as props for insincere queer rep? And what about Hera herself? How did she overcome her role as the Goddess of Marriage to finally divorce Zeus?

"Ares is still a dog!" Haha! Ares is still a Persephone simp! Happy end!

Why is Eros just standing there smiling at the camera struggling to be seen past Hedone who's just floating right in front of him? You're telling me there wasn't a better place to put her out of that entire panel?

"Hades and Thanatos have been making more time for each other. Sometimes they even have a conversation." I'm sorry, is this supposed to be funny? The man abused Thanatos for years, treated him as just a lowly employee when he was literally his adopted son, and now you're trying to play it off as a joke that they're "making more time for each other"? What the fuck is this?

TGOEM disbanded? Why? What about the women who were genuinely a part of it?

Also, Artemis and Selene are just good friends now because reasons? Because they're both affiliated with the moon, I guess? Why is Selene even in this comic-

"They are still looking for Kassandra". Who? And why? This feels like such a last minute addition to acknowledge a character that the comic spent WEEKS foreshadowing only to have her finally appear as a pointless McGuffin, but it's so last minute that it does nothing. I'm assuming it's Eros and Psyche looking for her, but like... why can't they find her? They're gods, tracking down one mortal shouldn't be that difficult LOL ???

And also, where the fuck is Leto?? You're telling me she was an accessory - maybe manipulating Apollo, maybe not - but we don't see what happened to her? Is she just back to being a social outcast then? jesus christ this comic isn't finished-

Kassandra is where the "where are they now" sequence ends, and we're treated to one final horribly written dialogue scene between Hades and Persephone, where they tell each other how much they love each other in a desperate attempt to convince the audience that this is, in fact, a romance.

There's this thing in romances called chemistry, and if you're good at writing it, you shouldn't have to write dialogue like this. You should be able to see how much the characters love each other through their actions, through their small behaviors around each other. It's not always about what they say out loud, it's about what they don't have to say, because when two people really share that close of a bond based on love and trust and chemistry, words often aren't necessary.

Hades and Persephone do not have that chemistry. It has been apparent for years now, but this final exchange really is the nail in the coffin. There are no microexpressions or subtle emotions, no subtlety in their word choice, and nothing unique setting their voices apart. It's all just "wow thank you for being such a wonderful amazing partner, you are amazing and I love you" word salad that has to do all the heavy lifting for the completely non-existent chemistry that's been at its absolute worst throughout this entire season.

And worst of all, despite this story trying so hard to be focused around Persephone, around her story, her trauma and her healing, her voice... it's still all just about Hades. In the end, she's thanking Hades, and forcing him to say "you're welcome". All of it is trying so hard to convince us that Hades has been a positive addition to her life, that she 'owes' so much to him, but we've obviously seen plenty throughout the comic that begs to differ. And even if he were a better person than he is, it still doesn't change the fact that once again, the men are being held up above the women, with the women being grateful to the men who choose them. LO can try its hardest to convince people that it's feminist, but it is, at best, reinforcing the very same structures of the patriarchal system that it claims to despise and rebel against.

We do get one line from Hades acknowledging Persephone's part in the relationship-

-and it falls so fucking flat because it's still about him and what she does for him, and because nothing about their relationship was built on any sort of organic chemistry. There was a lot more chemistry back in S1, but it was still predicated on Hades lusting after a vulnerable 19 year old girl.

Yep, and that's it. That's the end.

Except it isn't because Rachel wanted to try and be smart by including an 'epilogue' that's really just stretching the episode out pointlessly for another few panels. And of course, we had to get another time skip, just a final dose of salt in the wound, this time to years ahead when we inevitably had to reconnect with Persephone and Hades in the future after Melinoe was born.

To recap, Melinoe doesn't remember... because Hades had Morpheus erase her memories.

This plotline has really started to give me the ick because it actually feels very familiar. Bear with me here, because I'm gonna go on a bit of a tangent about my own original work, but it's because I wrote a plotline exactly like this years ago.

There's this... turning point, in Time Gate: Reaper, when the main character Uzuki is kidnapped by a Reaper (see: undead) who wants to experiment on her in the hopes that he can somehow gain her abilities to bond her soul with others (which later allows her to literally possess people after she becomes a Reaper herself). Mitsuhiro, the male deuteragonist who kickstarts the plot by telling Uzuki she's got a limited amount of time left to live (which he knows thanks to his magical death timers that mark themselves on his skin), feels an immense amount of guilt after finding out she was kidnapped by the Reapers (at this point she's been gone for three months), as they were originally after him; he worries that she was made a target simply due to him associating himself with her, and vows to rescue her.

With the help of some other spunky teenagers and anime trope characters, Mitsuhiro does eventually rescue Uzuki - but for the three months she had been gone, she had been tortured, abused, and experimented on, causing her mind to split and for her to lose any sense of awareness of who Mitsuhiro or her other friends were. She was no longer herself after the hell she had been through.

Mitsuhiro's solution to this is to have Springlock - another Reaper with motivations that are not yet clear to the cast - erase her memory. This is not a light decision that comes without consequences - for the remaining duration of the story, Uzuki is plagued by night terrors and panic attacks, unable to really remember what happened to her aside from whatever brief flashbacks her brain recalls in its haze of memory loss. She is traumatized, both physically and mentally. She has lost three months of her life and memories, and doesn't know how to explain why she's covered in scars that are still healing, why she's missing organs, why she's now blind in one eye, and why the sound of scraping metal and ticking clocks gives her panic attacks. Mitsuhiro has convinced her friends that she's suffering from memory loss due to trauma, but only he knows the truth that he forcefully took her memories away from her, without her consent. This was not the right choice to make. It was not noble of him, it was not a grand gesture of love, he made a decision on her behalf without her consent that has now resulted in her becoming a nervous wreck. Sure, she still would have had PTSD if she remembered what happened, but at least she would know why and could then seek adequate help. Without those memories, she has nowhere to begin to heal. And so we see the consequences of this throughout [AFTERBIRTH] and even the upcoming Thread of Fate. It is a long-term problem that is not going to be solved overnight, especially not with Mitsuhiro withholding information from her.

Reading about Melinoe having dreams about her experiences trapped in Tartarus with Kronos ... it felt familiar enough that I had to talk about why the insinuations of this are so fucked up. I know there are people who are gonna handwave it away as "she's just a kid", "these are gods so what does it matter", etc. but ... it just feels like such an oversight to have Hades effectively erase her memory of her trauma and then hint at them still being present in her mind through her dreams. She did not ask for that. And the fact that she's now dreaming about it all does not bode well. But we're supposed to think Hades made the correct choice, regardless.

But none of this is effectively expanded on or explained, because we get one final scene of Melinoe and Demeter visiting Persephone, who has just given birth to... Makaria?

So it turns out Persephone and Hades are just able to have biological children now. Don't know why, but of course they both look exactly like Hades.

What I was really confused by though is the fact that it's Makaria and not Brimos. Do you remember Brimos? The child that was foreshadowed in Hades' original fantasy dream sequence about his future children about Persephone?

Either Rachel completely forgot about him, or she saw all the criticism over the fact that Brimos isn't a confirmed child of Hades and Persephone (rather, an epithet that can apply to basically any Underworld god including Persephone and Hades) and that her "research" was dependent on a book she read when she was 13 and decided to axe that. But she went to the effort of establishing that all the dreams Hades had were , in fact, canon visions of the future, so good job Rachel, you created yet another plothole on top of the hundreds of others.

And that's where the series ends, on a final nuclear-family-photo of Persephone, Hades, Melinoe, and Makaria. Of course, Dionysus and Thanatos aren't present in this shot because this is Lore Olympus and only biological children count /hj

Why Rachel couldn't move the "the end" portion to THIS part, I don't know, but I'm also expecting way too much of the person who finished this 20 minutes before it was due.

So that's it. Six years and that's what we get. I didn't expect much, but I was still incredibly disappointed, as were many others who walked away from this dazed and confused. Maybe it's all the "haters" deserve at this point. But what of the fans? While many of them are celebrating this ending at best and tolerating it at worst, I can't help but think of the fans of this comic who hung on for so long in the hopes it would "pay off", just for it to go out as gloriously as a wet fart.

As for me, I have such mixed feelings about Lore Olympus ending, but none of them pertain to the comic itself. Most of what I'll miss from this comic isn't the comic itself, but the people who have made reading it every week so fun, the artists and writers who have enriched the content with their own interpretations of what could have been, and the experiences of being part of such an amazing community made up of people who are as long-term-obsessed about this piece of media as I am.

I get people who ask me a lot if it's "worth it" to be so engrossed in the LO slander, who assume that I'm going to "regret" ever being a part of it all... but from where I'm standing right now, I couldn't ask for a better view.

Even if I didn't love every minute of it, everything I have here I owe to this comic. This stupid, wonderful, boring, amazing, pile of shit comic.

[raphael-angele]

Nico's Big Sisters

I have this headcanon that while Bianca is away, the cabins take turns looking after Nico and he gets to stay with them.

Nico, crying: Thaliaaa!!!

Thalia: Nico? What's wrong?

Nico: *incomprehensible babble*

Thalia: Okay, okay, calm down. Tell me what happened

Nico, pointing to some Hermes kids: Tho- Those boys stole Three.

Thalia: *looks over at the Hermes kids tossing around a dog stuffie with three heads*

Nico: I told them to give it back but they wont. And they kept making fun of it

Thalia, rolling up her sleeves: Just a sec

Later:

Thalia with dirt all over her and slightly bloodied fists: Here you go, Nico. *hands over Three*

Nico: YAAAAY! THANK YOU, THALIA!

---

Nico: Reyna...

Reyna: Yes, Nico?

Nico: I fell down the track and I scraped my knee and hands *shows his hands*

Reyna, sees his injuries: Aww, c'mon let's go get them treated.

Dakota: OW! FUCK! REYNA! ONE OF THE HUNTERS JUST SHOT ME ON THE SHOULDER WITH AN ARROW

Reyna: WALK IT OFF!

---

If Zoë lived:

Bianca: Zoë

Zoë: Bianca, hello.

Bianca: You remember my little brother, Nico.

Zoë: Oh, yes, of course. Nice to see you again, little one

Nico, standing next to Bianca: *shyly waves*

Bianca: Nico made something for you. *whispers to Nico* come on, you can give it to her.

Nico, slowly approaches her: *hands over a jar of paper stars*

Zoë: *takes jar of paper stars*

Nico: Thank you for looking after my sister

Zoë: Well, you're very welcome, Nico. This is a very beautiful gift.

---

Nico, entering the Aphrodite Cabin: Piper...

Piper: Hm? Oh, hey, Nico. What's up?

Nico, shyly whispers to her: Can you make me look pretty?

Piper: Why do you want me to make you look pretty?

Nico, fidgeting with his fingers: Will asked me out on a date

Piper and almost all of the Aphrodite Cabin: *gasp*

Piper: Alright girls, we got a code Apollo! Let's move! Move! Move! Let's get this baby ready for his first date!

---

Annabeth: Alright. C'mon, Nico. Time for bed

Nico: Aw, okay. *climbs into bed*

Annabeth, sitting beside him: What story do you want me to read to you today?

Nico: We haven't finished the one about the big cat, the mean old lady, and the box yet.

Annabeth: ...you mean The Lion, The Witch, and The Wardrobe?

Nico: Mhm. We stopped when Edmund went to the mean old lady's castle.

Annabeth: Ah! Then The Lion, The Witch, and The Wardrobe it is!

---

Nico: Rachel!

Rachel: Oh, hey, Nico. Did you need something?

Nico: No, not really. I was making something and Percy said that you might like it. *hands over a box*

Rachel: *takes box and opens it* What is it?

Nico: It's paint! The Demeter kids let me plant sometimes in their garden and I get the flowers and I made them into paint!

Rachel:

Nico: See? The blue one is from Morning Glory flowers, the red one is made from Roses, the yellow one is made out of Marigolds, the orange one is made from Poppies, the purple one is made from the Lilacs, and the green one I made from Leaves!

Rachel:

Nico: :D Do you like it?

Rachel: This is the sweetest thing anyone has ever given me ༼☯﹏☯༽

---

Mark, training Nico: Alright. Here's what's gonna happen. You want a candy bar?

Nico: *nods*

Mark: It's on that table over there. *points to table behind him* To get it, you need to get past me first.

Nico:

Mark: Now, I'm bigger than you. So you need to be smart and think of how-

Nico: *punches Mark in the groin, and pushes him to the side, then goes over to the candy bar*

Mark, on the floor, clutching his groin: Oh, good gods!

Nico, can't open the candy bar: *goes over to Clarisse and shows her the candy bar* Open, please

Clarisse:

Nico: (´｡• ◡ •｡`)

Later during Capture the Flag:

Clarisse: Alright, listen up! If anyone wants to mess with this kid, know that he is under my protection. You wanna mess with him, you go through me first!

Nico: *holding Clarisse's hand, eating a candy bar*

[anotheroceanid]

Triton “I’m not particularly interested in my half-blood brother’s life, I just think…” ‘s opinions on some of Percy’s relationship outside the seafam:

Chiron: Should’ve been more careful with Percy, but overall okay given Chiron being an obviously underpaid and overworked old man

Grover: He likes him. It’s pity he didn’t marry Polyphemus, it’d be nice to have him in the family and maybe he would convince good old Polyphemus to start a healthier diet

Luke: Bad thing he betrayed Olympus, blah blah blah, but in a positive light he left camp before Percy’s hero worship turned into something more 👍

Annabeth: She… oh… okay… I guess I can’t write that, Triton. I’ll leave it here that you are strongly against her near your brother. What? No, I won’t say that either. What does Athena and Pallas have to do with this… Okay, enough. Next!

Apollo: Again, I can’t write that. I cannot call the god of sun a [redacted]!!! Okay, I’ll leave the message. Directly quoting Triton (not my words, Triton’s) “I know things about you, cradle robber. Don’t make me come for you!”

Hermes: Not bad. He’s happy that at least one god has restraining. Keep distance, either way. In fact, STOP visiting Percy with presents you were NOT allowed to gift him with.

Thalia: Surprisingly alright about their friendship, laments that she is the daughter of who she is, but she’s got points since she doesn’t like her father much, too.

Hazel: Best half-blood around (after Percy, ofc), says he’d like to have her and Frank over to dinner any day at the palace.

Frank: Basically family, he totally approves of Percy’s friendship with him. Pity he’s Roman and child of Mars, “no one is perfect, I guess”

Nico: In the name of Lady Amphritite, Lord Triton is asking you to eat more healthily. Mostly okay and “Don't crush on Percy again, if you know what's good for you.”

Jason: Roman. Jupiter. Multiple hisses… I don’t know what he meant with it, but whatever.

Beckendorf: He’s ranting for three hours about how great Beckendorf was. Terms such as “Honorary Percy’s Big Brother” were used.

Rachel: Very nice mortal. Poor taste in patrons, though.

[alnair-jpg]

Olympics AU Info dump!

First, I am blown away by how much love the series is getting, thank you all so much! I do really enjoy all the comments and reactions in the tags. Know that they all delight me and the only reason I don’t reply to everything is because there are so many! But I read them all 💕

General questions:

Can you draw the designs or concepts? Write fanfic in this AU?

Yes of course! I’d love for you to tag me if you post them so I can see

Do they all know each other?

At first, I would say no- with the exception of Nico and Will (they’re developing a whole backstory in my head that I cannot and will not stop.). But they all meet in the Olympic Village after the opening ceremonies and quickly become friends. They all try their best to attend each other’s events. (Someone please tell me how Percabeth becomes a thing. Please. 🙏 )

Why didn’t Percy win gold?

Percy was an Olympic medalist in swimming before moving to diving. After competing in several swimming events and feeling like they were all just small variations of the same thing, he wanted more of a challenge. He chose diving to stay rooted in to the water, but to add a new dimension to his bodily awareness and control.

What’s Annabeth and Luke’s rivalry?

They most definitely trained together, and it was Luke’s skill that motivated Annabeth to aim for the Olympics. But, she wanted to compete for her home country, Greece, which Luke thought was just a shortcut since there was a clearer path to an Olympic team in a smaller country. Annabeth is constantly trying to prove to him that she would have made it to the top of the sport either way.

Also, apologies to the IRL fencers out there for the inconsistency. I know fencing is a gendered sport, and Annabeth’s gear/style are inconsistent, please forgive the oversight ☺️🫶

Volleyball?

The whole Hunters of Artemis are a volleyball team (that apparently has no country 😅). Thalia ends up the captain. When Reyna moves on from tennis they welcome her with open arms.

Rejected sports

Will as a runner. Canonically, he’s super fast, but just having him as a sprinter didn’t fit with his personality.

Will as a pole vaulter. Specifically the guy that lost because he was ‘blessed a little too much’ and knocked down the bar. I will not explain further.

Will as a gymnast. He was this || close to being a gymnast essentially modeled after Steven Nedoroscik, I had the sketch and everything. (I shared it here!) But when an anyonomous ask clued me into the sick medical team uniforms it all fell into place from there. (Thank you no-longer-anon @helyeahmangocheese !)

Percy in anything equestrian related. I see him not having the patience for all the formality of it all, but he definitely crashes Hazel’s shows and chats up all the competition (the horses.)

Annabeth on a sailing team. Also, related to that, Reyna on a sailing team. It was a fun idea, especially for Reyna and her history with pirates but ultimately it was really hard to capture in a few illustrations.

Nico in several winter sports. For consistency mostly. He could fit for a lot of winter sports - ice skating and snowboarding are my personal favorites.

Leo as a shooter. He would most definitely build his own gear and make tweaks to his weapon. Which would get him immediately disqualified.

Jason in discus. Jason as a basketball player. Golf is just… fitting. 😂

Other Characters I’ve been thinking about

(that may have art in the works… and may not actually be athletes!)

Clarisse

Meg

Grover

Rachel

Lester / Apollo

Mr. D

Chiron

[lilislegacy]

if you’re ever having an argument with someone who’s saying that book percy jackson is not a conventionally attractive person, i have the only quote you need.

(i am talking strictly about older book percy, like 17+ percy, but most quotes below describe him at at age 16 and some under)

if nothing is enough to prove to them that percy is attractive…

if annabeth’s huge crush on him from day 1, her saying “he’s good looking” in the demigod files, her constantly saying he’s adorable and has beautiful eyes, isn’t enough for them…

if percy being one of very few heroes sent to calypso’s island, amongst only the greatest heroes, because he’s someone who calypso “can’t help falling in love with”, and when he’s surprised she falls in love with him, calypso says “if you could see your face… of course you.” if that isn’t enough for them…

if nico falling fast and hard for him at a young age, i mean percy was literally his gay awakening, and older nico even calling him “cute” to his face after he’s over his crush, isn’t enough for them…

if piper calling him “cute in a scruffy way” isn’t enough for them…

if rachel badly wanting to date him after not even knowing him long isn’t enough for them…

if reyna, with her standards, immediately making a move on him isn’t enough for them…

if leo referring to percy as a “handsome” guy in HoH, not to mention how intimidated by and jealous of percy he is, isn’t enough for them…

if hazel saying she thought he was a “god in disguise” when she first met him, saying he has an “aura of power” and the “good looks of a roman god,” isn’t enough for them…

if little meg immediately getting a crush on him isn’t enough for them…

if kinzie, one of the amazons, cornering him and then telling him “if you ever need a new girlfriend… well, i think you’d look great in an iron collar and an orange jumpsuit,” (a line i personally found to be… a very adult thing for rick to write lol) isn’t enough for them…

anyway, if somehow they can’t take a hint, and none of that is enough for them

then this is all you need

what is apollo the god of? many things. the sun, light, poetry, music, etc. he’s associated with things of beauty. he’s attracted to true beauty. he admits it many time in his series. apollo is arrogant and full of himself, especially at the beginning of his series. hes extremely judgmental of people’s physical appearances. he will flat out call someone ugly just because they’re not conventionally beautiful. he calls any acne ugly. a little bit of tummy flab is horrendous. his standard of beauty is impossibly high. but guess who he calls attractive? i think you know what’s coming

ladies and gents, i give you a quote form the trials of apollo, book one, the hidden oracle

if APOLLO, with the absolute harshest and most brutal judgement of people’s attractiveness, says that percy is a man of handsome features - not “okay” or “somewhat attractive” but HANDSOME - there is no denying that he is a conventionally attractive character. book percy jackson is, canonically, a very good looking guy.

feel free to comment any quotes about him that i forgot to include :)

[mrkeatingsblazer]

The Prophecy [Oh, Was It Punishment] Part Two

Apollo x Child of Hermes! Reader

Part One Part Two Part Three

It has been six months and seven days. Six months and seven days since the war against Gaia. Six months and seven days since Rachel has made a prophecy. Six months and seven days since Lord Apollo has been missing. Not even his children have heard a whisper from the God, not even a glimpse in a dream and while Demi-Gods are used to being ignored by their parents, it is never to this extent; it is never with this God.

You’ve found yourself with the three Apollo campers a lot, trying to comfort them during such a peculiar and unknown time. No child should have to worry for their parent. Will Solace especially has taken the blunt of the hardship. Being so young and taking care of both the wounded from the war and his cabin since the Battle of Manhattan has taken a toll on the kid. You find yourself relating to the younger boy immensely. When Luke left and you were finally claimed, Chiron made you the head of the Hermes cabin. Though unlike you, who has been out of camp more often than not and was allowed to appointed the Stolls the title of Co-heads, Will has been burdened with being alone with his responsibilities since he was 13. You watch him now, folding and unfolding bandages repeatedly out of a nervous habit. The frown on his face was subtle but still there. He could have been finished up with inventory an hour ago but chose not to.

“I think we’re done Solace,” you say from atop the infirmary counter, letting your feet swing back and forth.

“You can head to dinner, I’m fine here. Thanks for the help,” his tired voice mumbles in response.

“Kid, you’ve rewrapped that one bandage like 8 times now, I think it's been wrapped enough,” you say quirking your brow.

Will sighs, placing the bandage down before turning to you, “will you stop it with the kid thing, you’re only 2 years older than me.”

“2 and a half,” you point at him with a scalpel that was lying beside you and smirk, “and I’ll have you know I’m a legal adult William.” He looks you up and down and snorts. His expression quickly converts back downtrodden, as if that momentary joy was a mistake. Along with the fact that his father is gone M.I.A, camp has been more depressing than usual. Kids were going missing, and no one understood why; one of these kids being your little brother and Will’s best friend, Cecil. You watch as he shuffles around like a stray kitten, you’d never pity him not when you can relate. Hopping from the counter, you walk over to him and seize his arm, yanking him towards the door. It was a comical sight, with Will being almost 2 heads over you.

“[reader]- Hey!” he gently tries to get out of your grasp but fighting two wars made your grip nothing less than steel. You continue to push the boy towards the door

“Don’t even Solace,” you scold as he tries again to get away from you, “we will be going to dinner and after that we will be going to the campfire whether you like it or not.” you yank open the infirmary door and shove him out, “and hey, maybe a certain son of Hades will be there,” you smirk as the blonde turns bright red. He grumbles, rubbing his arm but compiling and following you to the dining pavilion. It was adorable to see the kid with his crush, especially due to who it was on. You’ve known Nico since he was an annoying but excitable little 10-year-old and Will even longer, neither of them have had a good childhood, most demi-gods never do. In a way, you were living vicariously through them. You did that a lot. With Annabeth who got with Percy, your old crush, Piper and Jason, Hazel and Frank. You couldn’t help but wish you had what they had or in the case of the former, who they had.

You remember your days on the Argo. When there were no battles or group meetings, you were subjected to sit and watch the love emulating around you. For a while you thought the countless couples around you meant something, that because they were all members of the crew and got together, that for sure meant you were to get with the last single member, Leo. He thought so too. After his little thing with Hazel, that even now you don’t try to understand, you felt as though something was forming between the two of you. At one stage you found yourself hanging off him more than you were around Percy and Annabeth. You couldn’t help but be attracted to his mind, his creativity, his light. Your two best friends encouraged the blooming relationship between the two of you, even with Percy not liking Leo a whole lot, and so did the rest of the crew.

Everything changed after he came back from Ogygia. He came to you first after he returned, making you feel special in a sort of pitiful way. Expecting a grand reunion, you were instead greeted by his starry eyes as he spoke about another girl- no not a girl, a Goddess, who had him returned to you utterly smitten. Your heart broke as he told you he was planning to find her again. When you were given the truth by Eros, it made sense in the end. Leo being sent to Calypso was the Fates way of ensuring you remained loveless and killing him was just a way for them to remain cruel.

You sat through dinner at the Hermes table, which was smaller than it ever has been in years. Connor was beside you flinging peas at Clovis who would jolt at the impact before dozing off once more. Nico Di Angelo was sitting at the Apollo table, next to a blushing and, surprisingly, flirting Will Solace. You sighed looking around at all the missing campers, be it they left for college, died during the wars or as of late, were lost to Gods knows where. Even the rising moon seems dimmer than it should have been. You wonder if that was on purpose, was it Lady Artemis’ way of showing her sadness for her twin brother? Was she also in the dark as much as all of us?

By the time the campfire rolled around, you just wanted to retire to your cabin, but chose not to, for the sake of your sibling, Will Solace and yourself. As Austin was doing his cover of ‘My Sweet Lord’ by George Harrison, you heard rustling coming from the forest behind you. At first you passed it off as nothing more than a noisy nymph. It was when you heard a yell did you twist your ring, transforming it into your sword. The object was gifted to you before you even knew of your parentage, by an original member of the Argonauts, Atalanta. You recall the words of the swift footed women, who aided you during your mission to save both Lady Artemis and Annabeth; “never let a man take you unless he can keep up,” she winked before racing off. Many other campers joined you in seizing their weapons, Nico and Clarisse come to either side of you, swords ready. Two figures stumbled out of the forest, neither were recognizable. The taller seemed to be giggling and relying on the smaller to carry their weight. As they came closer you could make them out. A small Asian girl with black coke bottle glasses was cursing the taller brunette boy. He was gangly and average; you deemed him instantly not a threat.

“Hold! Who goes there?” Chiron boomed.

The boy gave a wobbly grin along with a shaky wave and replied, “oh, hi! I’m Apollo!” before collapsing to the ground