#Andy Greenwald

[fght-ff-yr-dmns]

Shelfie

[vriska-serketboard]

A section about Thursday & Geoff Rickly from a book my dad gave me for Christmas ft. some of my annotations

also here’s the book:

[callmeblake]

(via Makenzie (makenzie0401) - Profile | Pinterest)

When you find a pic from a shoot and get all exited and then realize all they did was remove Bob, and I doubt this is theirs. 

Most image search results for this cut link to a slightly different version on wattpad: 

 Photo Credit: Andy Greenwald, 2006 

 See the magazine article this photo in full and in color was in here

And a cut of just that color photo here.

[stzero]

honestly i almost feel more conflicted about all this than i did before precisely because it can't just be written off as basic nostalgia bait lol. like, okay, ya got me with the high effort promo and recontextualization, i'm not gonna pretend like i'm not invested in seeing how this all plays out. but seeing the level of creative energy at play does have me wishing it was going towards something totally new & fresh

[boing-o]

I will personally not be listening to the (supposed?) leaks although it will eat me alive until I die. MCR are one of the few bands I'm interested in where, although they are not exempt from criticism, I can respect the members as people. And knowing what I know from interviews about the context of TPK's unrelease, I would rather honor the band's vision for their own discography.

Even if I did listen, I wouldn't be able to wholeheartedly enjoy myself because of that guilt in the back of my mind. It would eat away at me more than if I abstained.

This isn't to shame anybody who did or still wants to listen. G Way is not heartbroken on the floor because a teenager listened to his unreleased song from a decade ago. I do think we should all think before we expose ourselves though, not only about what it means to the creators but what it will mean to us.

[scullysflannel]

new podcast episode about the leftovers finale just dropped !!

[sendmyresignation]

and that is why! you're the only one here i respect!

dhskfhf this is actually my least respectable opinion. part of it definitely comes out of an occasional contempt for punk (sorry it's just who i am) like i simply do not think a genre of music is so completely dictated by things like ideology that clearly defined musical lineage or community can just be ignored (unless it's a political small subgenre: rabm, riot grrl, nsbm, etc). punk is a huge umbrella term at this point. like as soon as new wave happened (or even before when punk music had an initial pop success in the uk) the tension between "popular" "mainstream" and "underground" "radical" remains ambiguous. is blondie punk? is the ramones? is billy idol? punk has always been tied to pop music bc punk is a conservative genre (in a musical sense- its looking back to pop before hippies and 70s studio rock). it just doesn't seem worthwhile to me to refuse these kinds of struggles and connections, esp when it loses the effects of the industry and the creation of diy infrastructure and the current state of music business like that all still matters in punk and was shaped by people moving within and outside of the narrow confines of genre

[mikyapixie]

20 years ago today Hi Hi Puffy AmiYumi premiered on Cartoon Network!!!

I can’t believe it’s already been 2 decades since this show came out!!! I’m still huge fans of them even if they’ve spilt up!!!🤩🤩🤩🤩🤩

[angstics]

just got sellout :) “someone who isnt me” is next in my music-related book collection

[dustedmagazine]

Listed: Glassine

Glassine is the musical moniker of Baltimore-based producer Danny Greenwald. Greenwald’s most widely known release to date is probably 2015’s No Stairway, an album crafted out of field recordings taken inside the retail chain Guitar Center. His most recent release is Radial,a collaboration with Horse Lords drummer Sam Haberman, reviewed in last month’s Dust. Tim Clarke wrote that Radial “veers between malfunctioning electronica (“Up, Together, Reach”), throbbing ambient drone (“St. Pete”), clattering percussive workouts (“Brushes in Woodstock”), and what could almost pass as vaporwave (“Behind a Seatbelt”).” For Greenwald’s contribution to Listed, he chose 10 things that have inspired him other than Nirvana.

Pink Floyd — “Bike”

I used to hang out with this guy in high school who ate a lot of acid. Now he is a Hasidic Jew. We were close. He made high-quality iron-on decals with a fancy printer he had sent to a church across the street because he bought it with a stolen credit card. He made a t-shirt that said on the front, “I’ve got a mouse and it hasn’t got a house, I don’t know why I call him Gerald.” And on the back, it said, “he’s getting rather old but he’s a good mouse.” When I first heard the song “Bike” I thought it was the stupidest thing I had ever heard. It’s obviously brilliant and I was a dumb kid and Syd Barrett is my favorite guitarist. Watch him shred.

Jason Urick — Husbands

Husbands by Jason Urick

The first show I ever enjoyed that only used a laptop was Jason Urick performing in some warehouse in Baltimore. I would go see him play in various other venues with unclean floors, but I’d usually lie on my back toward the front. Everyone would stand kind of far back from Jason and his laptop in the way you’re probably picturing, but I would lie down. His seamless textural transitions are a guiding light. I listened to Husbands on headphones 1,000,000 times lying on my back. In bed, usually.

The Microphones — Mount Eerie

When I first heard this album, it blew my mind. I knew all of Phil Elverum’s previous albums, but this was on some whole other trip. It’s my favorite Microphones record. Me and my friend Brian would listen to it in its entirety in his driveway in his small Toyota Yaris in Pikesville, Maryland, at like 3am. I LOVE the line that goes, “you’re soccer balls on knees.”

“I know you’re out there, You’re lanterns on lakes / I know you’re out there, You’re soccer balls on knees... through your skirt I see... your legs gracefully / I know you’re out there, you’re swaying and pleased / I know you’re out there, you’re vultures in trees / I know you’re out there In mountainous peaks.”

Cass McCombs — “AIDS in Africa”

This song taught me an incredible lesson about the usage of metaphor and allusion in songs. Listen to the entire song — then do some research — then think about the line, “Survivor cells are chanting ‘Ali, Bomaye.’” I used to write a lot of words; however the lesson has very much crossed over into how I go about textural arrangements, field recordings, samples, and what have you.

My mom, Donna Greenwald

Outlook, “Anthem Annie”

My mom sang the National Anthem at every Major League Baseball stadium. I’m not a big fan of the song, however I was able to travel across the country on a train because she was able to wrangle corporate sponsorships in the ’90s for her “National Anthem Tour.” Only an amazing lady could pull off something like that. Self-PR in the days of phone books and small-town newspapers. Learn more about Donna Greenwald by listening to this podcast episode I made about her.

Horace Andy — Dance Hall Style

Once when I was 15 or so I walked into The Sound Garden, a record store in Baltimore, and asked what I should listen to. The person walked (almost urgently) to the reggae section in the back of the store and handed me Dance Hall Style on CD. Horace Andy looks so cool on the cover. Also, I intrinsically had a lot of trust in the person who helped me because he also looked very cool. Lyrically, the album is very heady. And his voice is so expressive. The production sounds like outer space in the mind of an extremely sensitive man.

MF DOOM and all of his monikers/collaborations

Daniel Dumile was the cleverest person to walk the earth. He was an insanely talented and underappreciated producer. He was an immense talent and the world is less enjoyable without him. He felt like the most distant stranger that I kind of knew from someplace. He helped me get through some really difficult times.

Own his own throne, the boss like King Koopa On the microphone he flossed the ring (“Super!”) Average emcees is like a TV blooper MF DOOM, he’s like D.B. Cooper

Grateful Dead — Dark Star, Rotterdam Civic Hall, Rotterdam, Netherlands 5-11-72

I grew up on the Dead. Here is a 48-minute version of one of my favorite songs. I don’t have anything more to say about it.

“Shall we go, you and I, while we can through the transitive nightfall of diamonds?”

Panda Bear — Person PItch

Also a great non-album track recorded at The Ottobar in 2007

Person Pitch was a game changer for me. I was already into atmospheric and druggy music that sounded like waterbeds, but this record utilized discernible samples, like skateboards and infants crying. Panda Bear turned all his samples into clay and treated them like weather patterns. I saw him perform at The Ottobar when the album came out. He used two SP303s (which were actually used to record the entire album) and a small mixer on stage with a very organized row of SmartMedia cards. Here is the tour poster hanging in my studio. I colored parts of it because I was working at a summer camp and had unfettered access to an array of markers. Also, I love his voice and Person Pitch is a play on Pet Sounds. That’s cool. Also, WZT Hearts opened and Jason Urick was in that band.

CELESTIAL WHITE NOISE | Sleep Better, Reduce Stress, Calm Your Mind, Improve Focus | 10 Hour Ambient

I fall asleep to this every night.

Björk — Unravel

This is one of my favorite songs. Everything about it. Heartbreaking. The End.

While you are away My heart comes undone Slowly unravels In a ball of yarn

The devil collects it With a grin Our love In a ball of yarn

He’ll never return it So, when you come back We’ll have to make new love

[skeletoncrevvs]

spin, vol 20 no 9, sept 2004

words: andy greenwald photo: jelle wagenaar

[sebastianswallows]

Not that I had any hope left, but dreadful news is coming out about the planned HBO series of Harry Potter.

The main writer for the first season, a nobody called Andy Greenwald, apparently hasn't "read all of the books" and is lamenting "JK Rowling's maniacal control over the source material", because he thinks making a faithful adaptation of the books would not be to his tastes.

He even agrees that a faithful adaptation would be HBO's best chance at success with an HP series, but he doesn't want that. Because he believes it is the duty of a showrunner to "teach" the audience.

Honestly, thank fuck for JKR's maniacal control.

[dj-of-the-coven]

"Emo isn't a genre--it's far too messy and contentious for that. What the term does signify is a particular relationship between a fan and a band. It's the desire to turn a monologue into a dialogue, to be a part of the art that affects you and to connect to it on every possible level--sentiments particularly relevant in an increasingly corporate, suburban, and diffuse culture such as ours. Emo is a specific sort of teenage longing, a romantic and ultimately self-centered need to understand the bigness of the world in relation to you. It takes its cues from the world-changing slap of community-oriented punk, the heart-swollen pomp of power ballads, and the ghee-whiz nostalgia of guitar pop. Emo is as specific as adolescence and lasts about as long.

"In short, everyone has their own emo. It's too contentious, too stylistically and generationally diverse to be a genre, too far-reaching to be a subculture. Emo is an essential element of being a teenager. it is the sound of self-making. Emo--or whatever you call it--doesn't happen on the stage and it doesn't happen in the diary. It happens somewhere between the two. It is the act of reaching out towards something larger to better know yourself. It's the desire to make yourself bigger by making yourself a part of something bigger.

"[...] Emo is seeking a tangible connection out of intangible things. it's the painting that you stare at because it makes you calm; it's the book you read and re-read every year because it reminds you of childhood[.]

"Emo is the music you carry with you[.]"

--- Nothing Feels Good: Punk Rock, Teenagers, and Emo by Andy Greenwald, pages 4-5

[dear-indies]

full list of biden letter 2:

Aaron Bay-Schuck Aaron Sorkin Adam & Jackie Sandler Adam Goodman Adam Levine Alan Grubman Alex Aja Alex Edelman Alexandra Shiva Ali Wentworth Alison Statter Allan Loeb Alona Tal Amy Chozick Amy Pascal Amy Schumer Amy Sherman Palladino Andrew Singer Andy Cohen Angela Robinson Anthony Russo Antonio Campos Ari Dayan Ari Greenburg Arik Kneller Aron Coleite Ashley Levinson Asif Satchu Aubrey Plaza Barbara Hershey Barry Diller Barry Levinson Barry Rosenstein Beau Flynn Behati Prinsloo Bella Thorne Ben Stiller Ben Turner Ben Winston Ben Younger Billy Crystal Blair Kohan Bob Odenkirk Bobbi Brown Bobby Kotick Brad Falchuk Brad Slater Bradley Cooper Bradley Fischer Brett Gelman Brian Grazer Bridget Everett Brooke Shields Bruna Papandrea Cameron Curtis Casey Neistat Cazzie David

Charles Roven Chelsea Handler Chloe Fineman Chris Fischer Chris Jericho Chris Rock Christian Carino Cindi Berger Claire Coffee Colleen Camp Constance Wu Courteney Cox Craig Silverstein Dame Maureen Lipman Dan Aloni Dan Rosenweig Dana Goldberg Dana Klein Daniel Palladino Danielle Bernstein Danny Cohen Danny Strong Daphne Kastner David Alan Grier David Baddiel David Bernad David Chang David Ellison David Geffen David Gilmour & David Goodman David Joseph David Kohan David Lowery David Oyelowo David Schwimmer Dawn Porter Dean Cain Deborah Lee Furness Deborah Snyder Debra Messing Diane Von Furstenberg Donny Deutsch Doug Liman Douglas Chabbott Eddy Kitsis Edgar Ramirez Eli Roth Elisabeth Shue Elizabeth Himelstein Embeth Davidtz Emma Seligman Emmanuelle Chriqui Eric Andre Erik Feig Erin Foster Eugene Levy Evan Jonigkeit Evan Winiker Ewan McGregor Francis Benhamou Francis Lawrence Fred Raskin Gabe Turner Gail Berman Gal Gadot Gary Barber Gene Stupinski Genevieve Angelson Gideon Raff Gina Gershon Grant Singer Greg Berlanti Guy Nattiv Guy Oseary Gwyneth Paltrow Hannah Fidell Hannah Graf Harlan Coben Harold Brown Harvey Keitel Henrietta Conrad Henry Winkler Holland Taylor Howard Gordon Iain Morris Imran Ahmed Inbar Lavi Isla Fisher Jack Black Jackie Sandler Jake Graf Jake Kasdan James Brolin James Corden Jamie Ray Newman Jaron Varsano Jason Biggs & Jenny Mollen Biggs Jason Blum Jason Fuchs Jason Reitman Jason Segel Jason Sudeikis JD Lifshitz Jeff Goldblum Jeff Rake Jen Joel Jeremy Piven Jerry Seinfeld Jesse Itzler Jesse Plemons Jesse Sisgold Jessica Biel Jessica Elbaum Jessica Seinfeld Jill Littman Jimmy Carr Jody Gerson

Joe Hipps Joe Quinn Joe Russo Joe Tippett Joel Fields Joey King John Landgraf John Slattery Jon Bernthal Jon Glickman Jon Hamm Jon Liebman Jonathan Baruch Jonathan Groff Jonathan Marc Sherman Jonathan Ross Jonathan Steinberg Jonathan Tisch Jonathan Tropper Jordan Peele Josh Brolin Josh Charles Josh Goldstine Josh Greenstein Josh Grode Judd Apatow Judge Judy Sheindlin Julia Garner Julia Lester Julianna Margulies Julie Greenwald Julie Rudd Juliette Lewis Justin Theroux Justin Timberlake Karen Pollock Karlie Kloss Katy Perry Kelley Lynch Kevin Kane Kevin Zegers Kirsten Dunst Kitao Sakurai KJ Steinberg Kristen Schaal Kristin Chenoweth Lana Del Rey Laura Dern Laura Pradelska Lauren Schuker Blum Laurence Mark Laurie David Lea Michele Lee Eisenberg Leo Pearlman Leslie Siebert Liev Schreiber Limor Gott Lina Esco Liz Garbus Lizanne Rosenstein Lizzie Tisch Lorraine Schwartz Lynn Harris Lyor Cohen Madonna Mandana Dayani Mara Buxbaum Marc Webb Marco Perego Maria Dizzia Mark Feuerstein Mark Foster Mark Scheinberg Mark Shedletsky Martin Short Mary Elizabeth Winstead Mathew Rosengart Matt Lucas Matt Miller Matthew Bronfman Matthew Hiltzik Matthew Weiner Matti Leshem Max Mutchnik Maya Lasry Meaghan Oppenheimer Melissa Zukerman Michael Aloni Michael Ellenberg Michael Green Michael Rapino Michael Rappaport Michael Weber Michelle Williams Mike Medavoy Mila Kunis Mimi Leder Modi Wiczyk Molly Shannon Nancy Josephson Natasha Leggero

Neil Blair Neil Druckmann Nicola Peltz Nicole Avant Nina Jacobson Noa Kirel Noa Tishby Noah Oppenheim Noah Schnapp Noreena Hertz Odeya Rush Olivia Wilde Oran Zegman Orlando Bloom Pasha Kovalev Pattie LuPone Paul & Julie Rudd Paul Haas Paul Pflug Peter Traugott Polly Sampson Rachel Riley Rafi Marmor Ram Bergman Raphael Margulies Rebecca Angelo Rebecca Mall Regina Spektor Reinaldo Marcus Green Rich Statter Richard Jenkins Richard Kind Rick Hoffman Rick Rosen Rita Ora Rob Rinder Robert Newman Roger Birnbaum Roger Green Rosie O’Donnell Ross Duffer Ryan Feldman Sacha Baron Cohen Sam Levinson Sam Trammell Sara Foster Sarah Baker Sarah Bremner Sarah Cooper Sarah Paulson Sarah Treem Scott Braun Scott Braun Scott Neustadter Scott Tenley Sean Combs Seth Meyers Seth Oster Shannon Watts Shari Redstone Sharon Jackson Sharon Stone Shauna Perlman Shawn Levy Sheila Nevins Shira Haas Simon Sebag Montefiore Simon Tikhman Skylar Astin Stacey Snider Stephen Fry Steve Agee Steve Rifkind Sting & Trudie Styler Susanna Felleman Susie Arons Taika Waititi Thomas Kail Tiffany Haddish Todd Lieberman Todd Moscowitz Todd Waldman Tom Freston Tom Werner Tomer Capone Tracy Ann Oberman Trudie Styler Tyler James Williams Tyler Perry Vanessa Bayer Veronica Grazer Veronica Smiley Whitney Wolfe Herd

Will Ferrell Will Graham Yamanieka Saunders Yariv Milchan Ynon Kreiz Zack Snyder Zoe Saldana Zoey Deutch Zosia Mamet

[daltony]

Tony Dalton, who plays Lalo Salamanca on ‘Better Call Saul,’ joins Chris Ryan and Andy Greenwald to discuss what it was like to shoot some pivotal scenes from the final two episodes of Season 5.

[sendmyresignation]

partially incoherent thoughts at the moment but it is very interesting that the kind of tumblr esque “punk is ___” (insert kindness, insert being against the counter culture insert taylor swift) is, to me, very much an outgrowth of the vagrant records emo boom tying punkandemo as a concept into something mainstream and fundamentally earnest and curated and about feeling alienated moreso than angry or political or even diy, however that makes you feel. like personally i vibe a lot more with the vagrant model than than the victory one and do agree about the band-first approach of egan. but i think we are forever dealing with the repercussions of his rhetoric, the way he found “a new definition of punk in the rejection of the rigid orthodoxies of self-proclaimed punk” (greenwald; nothing feels good) moreso than the bands he signed or even the music they made because it became a calling card of the third wave and warped tour bands