#And why would I stay with that person like she does with akio?

[the-cooler-king]

the mortifying ordeal of being fully perceived.. . I still haven't figured out how to talk about it and I'm realizing more every day I'm still pretty fucked up over what happened to me when I was 15

[chaos-of-the-abyss]

akio and the coffin

it’s fascinating how akio both literally IS the coffin of ohtori academy and, simultaneously, is trapped by it. ohtori academy is in many ways a manifestation of the ugly side of adolescence, of clinging on to something in your past and refusing to move forward in your life. every character has something they continue to hold on to despite the fact that they ought to let it go for the sake of growing and maturing. for example, saionji has his inferiority complex regarding touga, his refusal to let go of the simplicity of their childhood together when he felt that they stood on the same ground, and that touga saw him as an equal. everything he does in the series is an attempt to make himself feel as though he is finally on equal grounds with touga. if he would only stop tying his self-image to the perception that touga is somehow above him, that touga looks down on him, then he would be able to let go of that sense of inferiority and move on. but he can’t. juri refuses to let go of the pain she feels regarding her past with shiori, and continues to see shiori as someone who is “innocent”, albeit cruelly - someone who is unknowing of the pain she causes juri through her actions when in fact, shiori in seducing the boy she thought juri loved was deliberately acting to hurt her. if juri would only realize and accept the true intentions behind shiori’s behavior, then she could get one step closer to understanding shiori, to being understood by her, and moving past the pain of shiori’s betrayal. but she can’t. 

most of the characters, except utena and anthy of course, remain in ohtori by the end of the show. while they’ve all made progress in “maturing” thanks to the events they experienced throughout the series - both saionji and touga’s as well as juri and shiori’s relationships have gotten visibly better, as shown in the final medley of scenes - they still have more growing to do, hence why they remain in ohtori academy until their time comes. one day, the show suggests, they might also revolutionize their own worlds - their own selves - and finally leave the coffin of ohtori behind as well. 

so where does that leave akio? i think he can be said to literally be the coffin of ohtori in that he is explicitly shown to try to manipulate others into remaining stagnant, to clinging on to whatever toxic things they are struggling to process and come to terms with, though this is of course only shown via the characters he most directly interacts with. naturally it comes across most clearly with anthy, although i think utena and to a less direct extent, touga, are the other two people who are the most straightforwardly influenced by him. when it comes to anthy, she clings to her love for the person her brother used to be, the older brother who, at least as she perceived, was kind and caring and wanted to protect people. to protect that older brother, she willingly took on the hatred of the world, and continues to endure the pain of it to this day for what is implied to be centuries. but akio has shown time and time again, through the repeating dueling cycles, that if he was ever kindhearted and genuinely caring, those parts of him are gone now. i do believe he cares about anthy to an extent even now, but whatever affection he has for her is paltry in comparison to his desire to reclaim his power as prince dios. it’s for that purpose that he set up the entire dueling system, for which he freely allows duelists to treat anthy like a prize and an object. and additionally, because anthy is so integral to the power he has now in ohtori, he uses emotional, psychological, physical, and sexual abuse to keep her tied to him. he’s willing to not just let her wellbeing come last, but puts it at the bottom of the list of priorities, and actively tears it down himself for his own benefit. anthy knows all this - but because she still holds onto that love that she had for who he used to be, she stays with him and does his bidding. and that’s what akio wants. he is the coffin, wishing to keep people in their states of despair, conflict, and pain, therefore ensuring that they are compliant and vulnerable to his manipulation. 

at the same time, akio is trapped by the coffin like everyone else. he, like all the other characters, has something that he ought to move on from for his own sake as well as the sake of the people around him: his goal to reclaim his powers as prince dios. akio has failed in this goal every single dueling cycle that happened before the show’s events, and as displayed in the final episode, he definitively fails the one that takes place during the show as well. he can attempt the cycle over and over and over again, redo and tweak and modify the dueling system however many times and in whatever ways he wants - it’s all useless. there is no sword that can break open the rose gate. there is no way to reclaim his powers. they’re gone, that part of his life is over, and if he accepted that fact, it would allow him to move on and heal from what he experienced. but he can’t. at the very end of the series, right before anthy leaves ohtori for good, he’s typing away just as diligently as he ever did and, completely oblivious, tells anthy that he’s rewriting the rules of the rose crest, that he’ll be counting on her again. and i didn’t pick up on this until rewatching the episode, but it really just hits you then how utterly stupid he looks, working so hard and speaking so confidently about the upcoming dueling cycles as if any of them are ever going to matter in the slightest. i love anthy’s response to him too; i love the subtle but at the same time so blatant scorn in her words: “you really don’t know what’s happened, do you?” because once again, throughout all this, akio has learned nothing. he hasn’t realized it’s useless, what he’s trying to do; he hasn’t realized all the effort and pain and anguish he’ll cause in people for yet another dueling cycle will never make any difference. he is unable to come to terms with the reality that he will never have his powers as prince dios back. he refuses to move on. 

akio is the coffin of ohtori, wanting to keep others in stagnation and regret. he’s also trapped by the coffin, incapable of maturing past his own stagnation and regret. and it really, really says something that all of the other major characters of the show, who have been in ohtori for far shorter a time than he has, have been able to make visible strides in their growth. anthy, who is the only one comparable to akio in terms of duration at ohtori, revolutionizes her world and leaves. meanwhile akio, as deluded and self-unaware as he is, hasn’t made a single step of progress in all this time. the only thing he does is call in bewildered desperation after anthy as she finally leaves him behind, still totally clueless as to what has happened. 

tldr; i once saw an author say one of her characters represents inertia, in fact he is inertia. i think that’s a spot-on explanation of akio, at least in terms of what he symbolizes in the story. i want to beat him in the dick with a cactus

[transmascutena]

okay so i love drawing parallels between characters -- and i especially love drawing parallels between characters who seemingly have nothing in common -- and in a show where every character is a mirror of one another, i think kozue and utena might be the two who are the least alike. so i wanna talk (ramble) about them.

what does it mean that kozue and utena both have an injured ankle on their 'date' with akio?

i think it has something to do with restricted movement meaning restricted agency.

utena's injured ankle means she can't walk on her own, which means she would not be able to escape her situation if she wanted to. kozue on the other hand can walk, and chooses to go in the car, but i think they're both ultimately in a similar situation of believing they have more agency than they do in their relationships with akio.

kozue is more convinced of this because she's used to using romance and sexuality to get what she wants. she believes that she is using akio just as much as he is using her, and is fine with that arrangement (this is, i think, similar to touga's mentality. they both believe they're getting something out of their relationships with akio, which is why they stay.) but, of course, no matter how nefarious your intent is, it will never make up for the power imbalance between a child and an adult.

utena is... well it's more complicated. i don't think she's at all aware of what she wants, and she certainly does not think that akio is using her. (if anything she might think she's using him, and feels guilty about it.) she doesn't stay despite the abuse, she stays because she doesn't know about it. kozue knows akio is a bad person and doesn't care -- utena thinks he's a good person. akio takes advantage of both of these things in a pretty similar way. he makes all of his victims think that they are entirely in control of their own actions, even when they aren't. he makes kozue believe she is just as selfish as he is, and he makes utena believe that everything he does to her is her own fault. both of these things also conviniently serve to make sure neither of them ever tell anyone. (not entirely true. kozue does tell miki on his car ride, but it doesn't end up mattering at all)

then there's how they each got their injuries. utena's was either directly or indrectly akio's fault, depending on interpretation, whereas kozue's came from a decision she made that had nothing to do with him. i think this mainly reflects that kozue is not part of akio's plan in any significant way, whereas utena obviously is. he needed to personally restrict utena's agency, whereas he only took advantage of the way kozue has limited her own agency via the choices she makes (and the structure she lives in that pressured her into said choices, of course. i hope i don't sound like i'm victim blaming.) this again ties into kozue being able to walk despite her injury where utena can't -- kozue is much more free to leave her situation.

[wouldyoustilllovemeifiwasacar]

Help me figure out some ep 37 stuff keeping me up at night please

I'm mostly thinking about her ring and the shredded end of the world letter.

Episode starts with her, presumably having stayed up contemplating all night, alarm goes off Utena takes off her ring and drops it carelessly. But why?

I personally don't believe that she blames Anthy for what she saw, I have my reasons that I'm happy to discuss at another time, just for context this is where I'm coming from.

The ring is supposed to symbolize her nobility and to her, her connection to the prince so could her takig her ring off then mean she doesn't care about the prince anymore? We do see Touga later remark that she isn't going for the prince, she's going for Anthy. I also wonder if she takes it off because she feels like she's failed to protect Anthy like she swore she would. She's kept fighting the student council members who wouldn't see her as a person, then the black rose duelist who sought to kill her, she thought she'd won too and no one would try to take Anthy again only to discover that the real threat was under her nose the whole time and it can't be fought by knocking a rose off his chest and they can't ask for help because they have no one to turn to that can help them. This makes sense to me but I'm curious to hear other thoughts. If this is the case though, Utena takes the ring off in defeat, not in scorn.

Anthy presents her with a letter from End of the World. She says that her brother loves her too and she wishes they could stay like this forever. Utena rips the letter up and scatters the pieces all around the room. It can look like she's lashing out at Anthy, but I'm not sure I think so, I think she seems more like she's lashing out at her situation but it puzzles me still. Her spoken goal was always to meet her prince again but we've seen that motive falter as she grows closer to Anthy and starts to almost remember her. She never wanted to revolutionize the world.

Maybe it's what Touga said when he talks to Akio about how she chose a real man over her fairy tale prince in a sense. Maybe she tears the letter up because Anthy is more important than her prince? Maybe she knows that she'll only find Akio if she goes. Idk but she's clearly upset and we see her do a lot of thinking this episode while barely sharing any of it.

Anthy tries to jump off the roof and Utena pulls her back. Is this in direct response to Utena taking the ring off and shredding the letter? The whole point of the duels is to free Anthy from her endless torture but the duelists don't know that, which would make sense then as Anthy is the one who's taped the letter back together so she must want her to go(but does she for her own sake of because of Akio though??). It's also after this that she's changed her mind about going back.

Idk, it seems less like a fall out/make up episode to me and more of a character's lowest moment type episode for both of them. If Utena takes the ring off and rips the letter means that she thinks she's failed to protect Anthy and realizing a paradigm shift where she doesn't care about the prince anymore, maybe then picking the ring and letter back up means she's willing to give it another try and this time solely for Anthy?

So much rambling, please pitch in with thoughts, I'm just trying to figure stuff out sorry about all the probably typos;v;

[horse-girl-anthy]

Anthy as a Personification of Cruelty

short essay under the cut

both Enokido and Ikuhara have spoken of Anthy as a symbol of reality, or character used to signal that reality is entering the drama. as reality is cruel, Anthy must be cruel, and she is aware of many cruel realities. she is the rose, the beautiful and short-lived flower, which grows in tandem the cold thorn of disillusionment.

it's not a mistake to read Anthy as having personal feelings; in fact, much of the anime is about uncovering and allowing her to express personal feelings. even though she is often ambiguous and remote, the audience is clearly given glimpses into her worry, fear, despair, unhappiness, and pain, as well as love, hope, and desire for connection. what makes the characterization so compelling is that in tandem with Anthy-the-character operates Anthy-the-symbol, or Anthy-the-plot-device. the story revolves around her humanization and freedom from the narrative, yet within each script, Anthy is used like a puppet to keep the story moving forward.

Akio is a similar character, and at first, it seems they are serving the same aim of bringing reality into the drama, as Akio shows the duelists "the End of the World." a less interesting show would have stopped with him. it could have been a story about how the world is a corrupt place, the strong take advantage of the weak, and at the end of the day, that's all there is. but at the true "End of the World," the end of the show, who does Utena find? Anthy. Akio kept everyone running in circles; Anthy brings the system crashing down. why is this?

I think that Akio represents "false reality," while Anthy represents "true reality." in a way, they are both stunted and immature, but Anthy, by her very being, her knowledge of the Swords of Hate, is beyond Akio; she has an alien, unimaginable perspective, due to truly knowing what suffering means. Akio doesn't suffer on an profound level, he's just driven himself to self-pitying madness. basically, he's making Anthy's problems about him and his failure to be the prince.

so Akio is the false god who keeps his adherents dazzled by false enlightment, but can't impart true change; in fact, he resists it. resisting change is also a part of the growth process. perhaps Anthy and Akio are siblings because they both must "work their magic" for the narrative to play out. the "false maturity" stage presented by Akio may be the necessary prescedent to Anthy's "true reality." however, as Akio demonstrates, it's possible to just stay in false adulthood forever. Akio refused to touch Anthy's true self, or the swords that plagued her (unless he could use them for his own power). he wouldn't share her suffering; he was afraid of the cruelty she embodied.

the show is essentially about Utena and the other characters moving closer and closer to awareness of suffering, often represented through Anthy, but eventually swallowing up Utena. the final conversation of the Student Council focuses on the cruelty, coldness, and unfairness of the world, which they know will fall upon the selfless.

the cruelty that Anthy embodies is not malevolent when seen this way. it is something that must be faced in order to truly grow up. it hurts to experience it, but it is in fact is the only way to leave Ohtori. Anthy ushers in both Mikage and Utena's difficult graduations, for instance. she is hated for the truths she carries, but her cruelty is not without purpose. she cannot see a world beyond her suffering, but without her, there would be no way to reach that other world. this is because suffering is inherently a part of life, along with many other cruelties, such as separation and death.

I'll end with a quote from my favorite novel, Tehanu: "he would learn [pain] again and again, all his life, and forget none of it. And therefore he would not [...] do the easy thing to do." this perhaps gets at the core of the issue: Akio does the easy thing, the thing that costs him nothing, because he does not know pain. Anthy has to bear pain alone, and so her world revolves around her suffering. Utena learns pain and will never turn her eyes away from it again, and Anthy, no longer alone, can step into a world with a future. true maturity is reached in communion with others, and a true adult is someone who can take in the world as it is and continue living. heroically and with style, when possible.

[miyukihoshizora]

Finished the Dragon Quest III remake.

That was damn good. Gameplay-wise, it's tried and true, and it has that added complexity in teambuilding that feels just right. I did feel like physical attacks were kind of worthless for most of the game, until the final boss gauntlet that kind of forced my mages to turn into Healall/Philosopher's Stone spammers. But hey, I didn't even scratch the surface of the vocation system, and I didn't even explore the postgame yet, I don't doubt it keeps getting more interesting.

Oh, also, the monster wrangler stuff? Fantastic addition. Like obviously the Monsters subseries exist because people love these little freaks, but I'm glad this is also a thing in the core series.

So, now, can I be a bitch about the story of a game that came out eight years before I was born?

Spoilers obviously.

I've always said Dragon Quest excels at episodic setpieces where Final Fantasy was better at big overarching narratives (with the exception of DQIX which I think nails boss these aspects), and it remains true here, and it annoys be because it didn't have to be. I have problems with the way DQIII had all the pieces on the chessboard and still manage to land on the Go to jail space.

They went the extra mile to flesh out this game's narrative compared to the NES version, but at the same time, I feel like they were not committing hard enough to making this the deeper narrative about family and duty that it could have been.

It does everything right as a prequel to DQI and II. I know it's cliché but I adored that the entire last stretch of the game served to establish the rest of the Erdrick trilogy.

Highlight of the game for me were Ortega and his wife, they did all they could to sell us on the tragedy of that family, which is part of why I am mad this plotline "culminated" with Ortega's death. They didn't add anything about the price of saving the world being making our mother suffer the way our father did.

Heck, for a remake that loved to focus on our mother's sadness and the way her cheerfulness is just a facade, it SUCKS that she is still unnamed.

I really wish we spent more time establishing that killing Zoma would sever the connection between the two worlds, because that would have made a pretty straightforward confrontation with our cackling robed blue skinned weirdo, yknow, personal??

Zoma too I feel is definitely a missed opportunity. He stays a very stock big bad through the end, when I feel they should have made him a narrative foil to Ortega. Maybe have him interact with both him and the protag more, heck maybe have him seek a son of his own, work this into a story about letting the world / your kids evolve without you.

Akio Otsuka (at least I think that's him?) put his heart in this wonderfully threatening performance, I really wish it was for a villain that had more to do, to say, and to bring to the narrative.

Because, yeah, as it stands now, the game's story kind of rings hollow despite wanting to be so much more, and they really don't have the excuse of "This is a NES game" when the NES FF trilogy was Lord of the Rings in comparison. Heck, the DQIV DS remake fixed that thematic dissonance with Psaro, why couldn't this one do the same?

So yeah! I am mad that all our mother got for her troubles was three seconds of wistful staring at the window in the credits when that shit should be what the plot is about, but I loved this game, otherwise I wouldn't be disappointed in its underwhelming epilogue.

AT THE VERY LEAST. There's that postcredit scene that sets up Hargon as the next threat!! And it looks like he has reasonable reasons for wanting to rule the world and won't just be Cackling Robed Dude #78289999 again!! That means the I&II remake is probably giving us story divergences, maybe give a better reason for Malroth to exist at all, and I'm honestly looking forward to it.

[amplexadversary]

More Utena. Ep 23, 24

holy shit we go from Mikage treating Utena as if she's Tokiko, to hey, Mamiya isn't showing up "in-person" anymore that's a break in pattern, to Mamiya actually looks completely different than he does in Mikage's mind, to actually, it would be "looked."

I guess that explains why the Mamiya that Mikage saw doesn't look anything like his sister.

That does not explain though why he looks like Anthy, Akio, and the Prince. It could be similar to the way that several duelists seem to be projecting someone else onto Anthy. Though I think maybe Mikage is projecting more onto the prince sitting atop whatever that "egg" is. The one who possesses Utena.

Now instead of a rebuilt hall that 100 people and a professor died in, the "memorial hall" remains nameless, and in ruins, and no one was hurt?

Wait, WHAT. Not!Mamiya is

We just went from a reveal of "Mamiya doesn't actually exist" to "actually, the fake Mamiya is real, but now we're implying Mikage somehow isn't," to "also, jsyk, Fake!Mamiya is actually Anthy????"

I guess that explains why she kept disappearing??? And why Not!Mamiya looks like Akio and Anthy. Does that mean Mikage's intent to "kill" her might have been forcing her to stay in the "Mamiya" persona indefinitely?

Also, Mikage "stopped time for himself" in a way that Akio could use??? That was kind of sandwiched in between other reveals but that's also weird??? I'm not sure if that's just referring to Mikage being delusional or if there's something else to it? Maybe in a way that explains some of the reality changing going on?

--------------------------------------------

After watching episode 24, I feel like I understand what's going on even less.

We've harkened back to some of the shadow chorus imagery we've seen before (the simian-hunting robot, the ufos), and learned that Tsuwabuki is one of those people writing cow tf on deviantart.

And that he's more stalkery than previously shown.

Normally with characters like these two who are both kind of creeps I'd be going "the two of you deserve each other, pair up," but... we kind of have demonstrable evidence that that wouldn't keep the awful behavior to each other.

Also Tsuwabuki is like, 10 (which is also kind of the reason why I feel more sorry for him than for Nanami. Like, they're both operating at a similar level of terrible decision making, but one of them has had more time to grow out of it than the other.)

[schrijverr]

Tomorrow Will Be Different 6

Chapter 6 out of 26

Instead of managing to meet up later, Oliver has to keep running with Akio. The only way to keep them safe is to go public with Oliver being alive, leaving him back home in charge of Akio, while Tatsu and Maseo are still in the wind

In this chapter, Oliver talks to his family for the first time in three years, slowly realizing what life might be like now.

On AO3.

Ships: none

Warnings: none

~~~

Chapter 6: Getting to Call Home

After their handshake, Lyla and Oliver work on his backstory. He tells her about Sara and how he borrowed from that and they work from there. Akio gets clued in too and Oliver leaves him with Lyla to practice the story while he gets his DNA taken to prove he’s Oliver Queen.

Letting Akio out of his sight still makes him anxious. He’s done it daily, but then he left him somewhere where no one knew where he was. Now he’s surrounded by people that can betray him at any turn. Lyla isn’t out the hot seat in his mind yet either, but she is the only person he has for now, so letting Akio stay with her for a second is the first step.

It doesn’t take them long to swab his mouth and bring him back to the conference room. Akio is entirely unharmed, nodding along to what Lyla says.

“Has Lyla been nice, Akio?” Oliver interrupts, making his presence known.

Akio’s eyes snap to him immediately and Oliver swears the kid relaxes slightly with him there. It does something to his chest that he doesn’t like to think about. Akio smiles: “She’s a better story teller than I thought.”

“That’s good, buddy,” Oliver smiles back, walking over and ruffling Akio’s hair, plopping down in the seat next to him, leaning back yet maintaining a good view of the room.

Lyla gets up, straightening herself out. “Akio is going to do just fine. I’ll have the embassy release a statement that it is you the second your results come in. An abbreviated version of your story will go out to the press along with it, but you’ll probably need to give a statement once you’re back in Starling.”

Oliver gives her a nod to show he understands.

“I’m trying to get Akio’s digital footprint altered to match the story. It might take a bit internally, but no one should find anything,” Lyla continues. “I am working on getting him the proper papers for you to take with him, but I have a lot to do. It would be great if you can ask your mother to start pulling strings too when you talk to her.”

“My… mother?” Oliver frowns, not sure where that comes from, anxiety curling up between his ribs once more.

Lyla frowns right back. Her voice is cautious yet professional as she replies: “Yes, I assume you’d want to speak to her. She’s been on hold with the embassy ever since the news broke. I had her blocked until I could get here, but you’re free to talk to her now.”

“Oh… uhm, yes, of course. I’ll- I’ll talk to her,” Oliver says, forcing a smile. He doesn’t know why talking to his mom seems to daunting. Two weeks ago he was so excited to actually speak to her again, to go home. Where is that feeling now?

A little awkward, Lyla says her goodbye, telling him she’ll get someone up here with a phone to call back.

Then she’s gone and it’s just him and Akio again.

Ever observant, the kid asks: “Why are you being weird about talking to your mom? Don’t you miss her?”

“I do, I do,” he says, because he does. He has dreamed so long of going home, of being back with her. And with Thea. It has kept him going on more days than he’d like to admit.

However, the idea of talking to her just seems like an impossible task, because he knows it will never be the same as it once was, no matter how badly he wants it to be. He has seen that they’re broken too and he knows that there is very little left of him. And he can’t hide that from them. Not entirely.

But at the same time, he will have to hide so much from them. About who he has become and what he has been through. None of it are things he can tell them. All he’ll be bringing home is a shell of their loved one and targets on their back, unless he’s not careful. He’ll be dragging up all sorts of things that all of them have tried to forget, rebreaking things that had mended. Creating new fractures that he might not be able to mend.

How does he explain that to Akio, who looks at him with those innocent, unbroken eyes, asking: “Then why are you being weird?”

Oliver scratches the back of his head, going for sheepish as he says: “Well, when I left, she told me not to do anything stupid. Stupid is kind of all I’ve been doing.”

Understanding appears on Akio’s face and he nods sagely, which makes Oliver smile genuinely. He agrees: “You have been kind of stupid. But I won’t tell.”

“Thank you, buddy,” Oliver says fondly, actually feeling a bit better about calling his mom.

Almost as if on cue, there is a knock on the door. Oliver immediately snaps to attention, putting a hand across Akio so that he can pull him back within seconds. Then he registers Naomi standing there, holding a phone.

He takes it with a slightly fake smile. The nerves he had just soothed come back in full force and the arm that had shot out to potentially protect Akio now turn into a half hug for support as he presses the right button and holds the phone to his ear, whispering: “Mom?”

“Oliver, is that- is that you?”

God, he was not ready to actually hear her voice again, speaking to him. Emotions wash over him and tears leak out of the corner of his eyes. “Yes, mom, it’s me. I’m alive.”

“Oh my beautiful boy,” his mom cries and he knows she must have tears on her face to match his own. “Is… Is your father a- a- alive?” she asks.

Oliver closes his eyes for a moment. Despite all he’s been through, this is one of the hardest things, he has ever had to do. “No. No, uhm, he- he and Sara… They- they didn’t make it.”

His mom starts crying audibly now and Oliver’s heart breaks as he listens to her. Unconsciously he hugs Akio closer, needing the closeness. He’s thankful Akio doesn’t protest, but instead leans into the touch. They’ve grown quite attached to each other, and as much as Oliver is there for Akio, Akio is also there for him, though in smaller ways.

It doesn’t look like his mom will stop crying, blubbering something about not being able to imagine what he must have been through.

Oliver isn’t sure how to proceed or what to say. He used to be so good with words, talking himself into whoever’s pants or out of trouble, but he hasn’t needed anything but his body in years, so he finds himself very lost.

Fortunately, he doesn’t have to find a solution, because Moira’s crying grows softer and a new voice comes over the line. “It’s damned good to hear your voice, man. Your mom needs a moment, she’s been doing everything since the news hit. Just tell me what you need and I’ll take it off her plate.”

“Tommy Merlyn,” Oliver finds himself grinning.

“The one and only,” Tommy replies back, grin also audible in his voice. “Normally I’d say don’t wear it out, but I’ll make an exception for you.”

“You’re gonna regret that,” Oliver jokes. Talking to Tommy has always been the easiest, no matter what. Even a kidnapping and three years of distance haven’t changed that. It’s a nice reprieve from talking to his mom.

“I doubt that,” Tommy says. Then he turns more serious: “But are you good there? They’re taking care of you?”

“We have food, central heating and I’m pretty sure we can get a shower soon. That’s already a lot, man,” Oliver says. “I’m good, I just need you to do something for Akio.”

“The kid?” Tommy asks, sounding surprised.

Oliver can’t blame him for that, but he’s already going to be different, might as well throw himself into being responsible. He’s not letting Akio down, nor Tatsu and Maseo. “Yeah. I’m looking after him until his parents are rescued too. I need you to pull all the strings you can so he can come back with me. I have temporary guardianship, but it’s nothing official with a judge. Hard to come by when you’re a prisoner.”

He can tell by the pained noise that his attempt at a joke hasn’t landed. Though, it’s entirely possible that the idea of him being a guardian of anyone is enough for someone’s body to try and strangle itself.

“Oh. Wow. You’re serious about the kid, huh?” Tommy’s voice still sounds a little like he’s choking, but he’s obviously trying to keep the sheer disbelief out of his tone. He’s unsuccessful, but Oliver appreciates the attempt.

“Yeah, I am,” he says, because there is no other answer to give. “Can you do it?”

“I mean, if you’re sure…” Tommy is obviously giving him room to back out.

“Tommy. Can you do it?”

His tone must have been stern enough, because Tommy replies: “Yeah, I can do it.”

“Good. Thank you,” Oliver smiles victoriously. “His name is Akio Yamashiro. Do you want me to spell that for you, so you can write it down? He doesn’t have a passport right now and he’s from Japan. He’ll need a visa and some documents. I’m sure I can ask someone here for a good picture to use, if you need it.”

“I’ll see what I can do,” Tommy says, sounding a little overwhelmed. Oliver doesn’t blame him, he was also very overwhelmed when he found himself responsible for Akio out of the blue. He can’t imagine having to deal with bureaucracy about it and is glad to shove that onto Tommy.

He gives Tommy all the information he has and can give, before the other repeats how good it is to hear from him. Then they say their goodbyes, with Tommy saying he’ll give the phone to Thea so he can catch up with her too.

If possible, he feels more anxious about speaking to Thea. However, all the anxiety washes off of him when he hears her exclaim: “Ollie!”

“Speedy,” he feels himself grin. He hasn’t said that in forever.

Akio frowns and says: “Your sister is named Speedy?”

Oliver covers the mic for a second and says: “She’s named Thea, I just call her Speedy. Like I call you buddy sometimes. It’s a nickname.”

“That is a weird nickname,” Akio says.

“Maybe,” Oliver shrugs.

“Ollie? Are you still there? Who are you talking to?” Thea’s voice pulls him back to the phone. He can talk with Akio about the strangeness of his little sister’s nickname later.

“I’m here, Thea. I’m here,” he assures her.

“God, Ollie. I can’t imagine what you must have been through. But I knew you couldn’t be dead, I just knew,” she cries.

He gets the feeling he’ll hear something along the lines of that quite often in his future, but he doesn’t even care. His baby sister is talking to him. She’s okay. Alive. After seeing her in Starling and hearing Amanda’s threats, he can’t help but be relieved she’s alright.

“I’m also glad I’m not dead,” he says. “And I’m okay, really. I want to know how you are. Is everyone alright? Is mom?”

“Mom is okay, just overwhelmed. It’s nearly four in the morning here,” Thea answers. “We had to wait all night to talk to you.”

Oliver cringes slightly. He never wanted to put them through that. “I’m sorry. We needed to give our statements, before they let us speak to you. They wanted to know what happened so they can start finding Akio’s parents and the others on the ship.”

“What… What happened to you?” Thea asks softly, as if the lack of volume will make the question less loaded.

“A lot,” he answers after a moment. “I’ll tell you when I get home, okay, Speedy? I’ve had a crazy day and I don’t want to talk about it right now.”

Thea sounds reluctant as she says: “Okay…”

“Thank you,” he replies, sounding as sincere as he feels. He doesn’t want to go into anything, real or fake. He hopes to avoid it as much as he can and them respecting that would be great. “Now tell me about something boring. Something mundane. How was school today? Do you still wear your hair in pigtails?”

“Oh god, don’t remind me of the pigtails,” Thea giggles, complying with his request for some normality.

His mom feels up to it after a bit and Thea puts it on speakerphone, allowing the three to catch up for an hour or so.

Oliver manages to get into it as time passes and they move away from topics related to him. It is almost like he never left and the three of them are watching a movie together while Robert Queen is out on a business trip. They always used to do that to cheer mom up.

However, his good mood is instantly replaced by worry when he feels and hears Akio start crying next to him. He interrupts Thea’s story with a: “I’m sorry, give me a second guys,” then mutes his part of the conversation.

He jostles Akio gently from where he is leaned against him and softly asks: “Hey, buddy, wanna tell me what got you down? Why are you crying?”

“I- I- I miss my parents,” Akio sobs, tears coming fully now.

Oliver’s heart clenches at the confession. It must be hard on the kid, listening to Oliver reconnect with his mom, while Akio’s parents are still out in the wind. Oliver feels the guilt welling up inside of him. He’d gotten so lost in his own joy that he forgot about Akio. He can’t let that happen again.

“Of course you do, Akio. That’s only natural,” he says, pulling the boy closer and wiping his tears away with his dirty sleeve – they really need to find a shower soon. “You can be upset about missing them, but Lyla is going to do all she can to find them, yeah? You won’t have to miss them for long.”

“Are you sure?” Akio asks, voice still wobbling and new tears replacing those Oliver had wiped away.

“Yeah, buddy, I’m sure. You and I, we’re going to go on that vacation to my city early and your parents are going to join us the second they can,” he tells him. “Being separated is hard, but they would never just leave you. It might take a while, but you’ll see them again.”

“Promise?”

“I promise,” Oliver nods, hoping desperately that he can keep it.

He can still hear his mom and sister over the phone, asking what is happening, but he knows he’s going to have to cut it short. He can reconnect all he wants when he gets home. Right now he has to get Akio clean and into a bed, today’s excitement has obviously wiped him out, both physically and emotionally.

“I’m still here,” he says, picking the phone back up and taking it off mute. “Me and Akio are going to shower and sleep a little. We’re exhausted. And, by the sound of it, so are you guys. I’ll talk to you when I can. Okay?”

It’s clear neither his mom nor his sister are very happy with that, but he works steadily through the goodbyes, before hanging up.

Once that is done, he gets Akio to his feet, saying: “Come on, Akio. Let’s see if Naomi can get us a proper shower and clothes. You are starting to stink.”

The jab is weak, but Akio manages a watery smile at it, jabbing back: “Are you sure it is not you that you are smelling.”

“Probably,” Oliver grins, slinging an arm around Akio’s shoulder and leading him out of the room. He’s not perfect, but he’s starting to get the hang of this whole being responsible for someone thing… He thinks at least.

[carbootsoul]

omg please talk about saionji and utena and i want to know ur thoughts

ack anon i am. kissing u on the mouth rn thank u so much for asking !!! a fair warning before i write anything else: i have a stupid and inexplicable amount of affection for saionji kyouichi and this response will probably be kinda biased toward being understanding of him. don't get me wrong he is still very much a bad person throughout a lot of the series BUT he's also 17. anyway this got long bc i have many thoughts so its under the cut

my big thought about the two of them is that they're foils for each other! both to illustrate utena's good qualities and to point out what went wrong with saionji.

the main place we see similarities between them is their feelings toward both anthy and touga. saionji and utena are the only duelists to duel FOR anthy as a person rather than the power she wields. they're also the only two people that touga ever expresses unguarded affection toward, the only people with him in the church scene, the only people who reject him (other than nanami, whose rejection is more complex imo), and the two targets of his manipulation in season one. wakaba refers to them both as her prince and they both express at least the potential to be friends with her, they're both dragged into some kind of relation with akio through someone they're close with (saionji only for a few short scenes but the camera one does make me a little queasy), they're the only duelists to lose a duel and then rechallenge the winner. they're also the only characters to be "expelled" (not quite textually in utena's case, but the girls at the end of the last episode speculate that she was expelled for "getting in trouble with the chairman"). finally there are some vague thoughts i have about saionji's rose being a very pale green, which is a complimentary color to pink (while his hair is a deeper green, mirroring touga's red hair).

in terms of their personalities being similar it's mostly just the fact that they're both jocks and they both do the baffled face a lot which i think is fun from them both :) same 'interacting with nanami ever' expression. the two BIG things they have in common personality wise is their tendency to insist that their view of the world (especially!! their view of what is good for anthy) is correct, and obliviousness (especially to their privilege and the way it acts on other people, especially anthy). utena grows out of both those things, though, and they're two of her main points of character development throughout the series.

obviously, the differences between them are quite a bit more obvious. saionji is mostly used (especially at the beginning of the series) to contrast utena and to provoke her into protecting anthy. he's abusive, controlling, and cocky where she is... just cocky, and only sometimes. saionji is less aware of 'adult things' than utena (in some ways he's more childish than nanami- the scene that comes to mind is the one with the exchange diary, where utena worries that saionji is making sexual advances and saionji obviously has no idea what she's thinking. tbh i hold that saionji didn't really know what sex was before his car scene which is both funny and v upsetting to me). saionji is unwilling or unable to change the parts of himself that harm other people (or unaware of the effects of his actions) whereas utena, throughout the series, constantly does her best to be a better person and i love her so. so much. not-prince of my heart. also he has green hair and she has pink hair :) also he sucks so bad

anyway now that i've established their similarities and differences, here's the heart of my argument!! at their core, utena and saionji are very similar people (the church flashback rly illustrates this imo but maybe thats just bc children r all similar) but, because saionji grew up with power that utena didn't, he's. uh. who he is. (his eyes are purple, a color associated with akio's control. akio.. uh. patriarchy man.)

saionji's role in the show isn't just as the personification of rape culture, but as a statement on what the patriarchy DOES to teenage boys who don't notice their privilege. he is quite obviously less aware of his power than touga or akio are (they both use sex as a power tool, and both take advantage of the fact that they, as men, have power in most situations. saionji also takes advantage of this but it seems much less conscious on his part- again the scene with the exchange diary comes to mind. he is looming over utena-as-anthy but not in an attempt to scare her, but just bc he's found that when he is big and tall, people do what he want). this is shown especially in what we see of saionji when he's staying with wakaba! he's a much better person when he doesn't have this institutional power as close to his fingertips, even when he's unaware of this lacking. he goes back to being a douche the second he leaves, to, which is where his personal problems come into play.

saying that saionji is how he is just because he was born into privilege is way more forgiving of him than the narrative is or i would be, because the other bit that contrasts him with utena is his unwillingness to see or acknowledge his privilege. the fact that he's unaware of the bits and pieces of society that come together to give him that power over anthy doesn't absolve him, because he still takes advantage of the fact that he can do whatever he wants to her and he never tries to understand why. he sees that if he's engaged to anthy she will love him unconditionally (what he's looking for throughout the series) but he never tries to connect the dots between the power he has over her and the fact that she says she loves him. a scene that i think is rly interesting is the one in touga's last few episodes where touga and utena are talking and saionji comes and lies down in anthy's lap- it's such a small thing but i think it does a really interesting job summarizing his character! he actively seeks out affection/the love he wants from anthy and, because of the power he wields, she gives it to him. he's content with this, because he refuses to see the power dynamics that make her let him nap with his head in her lap. he allows himself to keep the safe blanket of his privilege, even when it hurts everyone else. utena sees that she has power as the rose bride's fiance and she (eventually) works against the powers that be to change that.

anywayyy that was a lot lol and im not sure it makes a ton of sense??? but those r what i've been thinking about! really it boils down to like. saionji would be a much better person if he took a feminist theory class with a completely open mind. and then he and utena could be friends :) the other thing it boils down to is that both utena and saionji's best and worst characteristics are being stupid as fuck BUT utena tries to learn and saionji refuses to. thanks again for sending this ask!! i hope my response made some sense haha

[shojo-sylveon]

The Symbolism of Dios - Revolutionary Girl Utena

Okay so this is something I wrote a couple months ago. I didn’t want to post it on my main blog but now that I have this side blog I thought I’d post it. I was really confused on the character of Dios when I first watched Utena, and upon reading other people’s interpretations of him online, I found that I didn’t agree with any of them. So I started making an outline to figure out my own interpretation, which eventually turned into this little mini essay. If anyone agrees or disagrees you are welcome to provide commentary, I most certainly do not claim to understand the enigma that is Revolutionary Girl Utena in its entirety but this is just my understanding of Dios/Akio. I apologize if the formatting on this is a mess, I wrote this in google docs to organize my own thoughts.  Spoilers ahead. Trigger Warnings: abuse mention

Dios means “god.”

Dios represents: childhood fantasies, an idealistic view of men as “princes” which separates them from their wrongdoings, childhood innocence Episodes evalutated: 13, 34, 39

Notable: When the power of Dios assists Utena in each duel, the outline of Dios starts to look more like Akio as the episodes progress. In the short scenes where Dios appears he begins to look more like Akio as the scene progresses. Anthy sees Dios in Utena.

I believe Dios “died” when Akio was “born.” Anthy sealed away “the power of Dios” in order to stop him from using his power to help others which would only result in his demise, and Akio perpetuates this idea that if he were to regain the power of Dios, he would once again become Dios, but this is not so, and he knows that. Anthy did not seal away Akio, only his power, as he continued to exist. Dios changed to Akio, not because he lost his power, but because his own spite consumed him. To blame Anthy for “sealing away this power” along with his “nobility” is simply a scapegoat he uses so he can continue being a piece of shit. Everything Akio does is in pursuit of power. Akio pursues the power of Dios so he can be more powerful, not so he can regain his nobility. Akio knows he may never regain that power, and he is okay with that. Failure just means he can continue “stay in his comfy coffin” where he lives in a never ending timeline where he is in control and profits off of Anthy’s suffering. He uses the promise of obtaining the power of Dios to comfort himself and maintain control of Anthy. 

The power of Dios is not obtainable to Akio. Without his nobility, which he chose to abandon, he can never again hold the power he held as someone with pure intentions. Questions:

1. Is Dios his own person? Is he a ghost or spirit of some sort? 2. Does Dios truly have good intentions? The ending of the series shows us that there are no princes, and there are no damsels in distress. These are all just idealistic fantasies believed in by children. Utena could not become a prince, not because she was a woman, but because the only person who could save Anthy was Anthy. 

 Utena’s First Encounter with Dios:  I believe that this encounter was with Akio, taking on the form of Dios to help perpetuate the “princely” aesthetic, while it is possible that this vision is some fragment of the memory of Dios, as created by either Akio or Anthy (similar to Mikage’s memories creating a reality), I think Dios’s behavior feels much more on brand with Akio and his motives in this scene. Dios eggs on Utena to become a prince and save Anthy, although there is something about his demeanor which is cold and uncaring, it is not that of a loving concerned brother. Akio sees the “nobility” in Utena’s empathy, and thinks she may be one who can help him regain his old power, which is why he manipulates her into becoming his pawn. Episode 13: 

Here we see Akio talking to Dios; himself. He says the seal on the power of Dios is beginning to break. Dios “glares” at him, and Akio, unphased, says it will benefit them both. One question that really weighed on me here was, who is the Dios we see here? The castle itself where Dios is “sealed” is only an illusion, created by Akio himself. Based on this information, I believe this whole conversation takes place in Akio’s head, and the conversation is with himself. Perhaps Akio knows that his old self might claim to feel disgust with his current lifestyle and actions, but it does not bother him in the slightest, and claims that the power of them being one again would equally benefit them both, implying that power is what the old Dios also would have wanted. If this is correct that Dios is simply inside Akio’s head, it explains how Akio continues to have control over every single aspect of everything that has happened thus far. He continues to manipulate Utena in pursuit of her nobility, hoping it will break the seal on the power he desires. He also continues to spark some sort of hope in Anthy, reawakening her memories of what her brother once was, allowing Akio to further convince her that with the power of Dios, he could once again be that memory for her, which obviously cannot happen but it helps to keep Anthy under his control. The Sword of Dios, and the Power of Dios which possesses Utena: 

The power we see in the duels raises another question: Is this truly the power of Dios? Or is this too Akio’s power? Perhaps he is mimicking Dios’s powers by insisting that these duels are noble. If it is Dios’s power, why does Dios eventually turn into Akio? Once again Akio has shown he has supreme power over everything that happens at Ohtori, especially within that observatory dueling arena castle place of his. I believe everything we see is created by Akio.

Episode 39: Once again, we see Dios in the mysterious Merry-go-round scene. Dios is supposed to be attempting to comfort her, but this time Dios is pushing her to give up, and he speaks to her in a very patronizing way. This is not a prince who wants to motivate a young noble woman to help him save his beloved sister. I believe this is just another image created by Akio to manipulate Utena.

More on Dios: Dios is always drawn with wide child-like eyes at the start of his scenes, that get thinner and start to look more like Akio’s as the scene goes on. Many abusers start out seemingly kind and loving, and that’s how they rope in victims. It’s fair to note that Dios himself was a child in the beginning, though after losing his power he grew up and became corrupted, blaming Anthy for the loss of his power. Yet, like other abusers, I do not believe Dios was ever the perfect idealistic prince he was painted to be. Perhaps this is what Anthy remembers him as, perhaps what he acted as, but as he grew up the evil surfaced. Dios likely always took pleasure in the power he had and the way women demanded his attention, the position of power he held over those he helped. It was these seeds that completely corrupted him as he matured into an adult. 

Questions Revisited:

1. Is Dios his own person? Is he a ghost or spirit of some sort? No, he is simply a vision created by Akio to further remain in control. 2. Does Dios truly have good intentions? 

No, not only are the visions we see all of him actually just Akio, but I do not believe that even the original Dios was truly pure of heart. Anthy never needed a prince, she needed to love and believe in herself, and to be loved and believed in by others. If Dios was truly a perfect man, he would have been aware of this, but the perfect man simply does not exist. 

[ashintheairlikesnow]

Akio’s Idea

CW: Some vague past noncon references, discussion of traumatic events, referenced minor whump, referenced Oliver being gross as shit - all vague, Akio Gets An Idea, modern slavery

(Lisa Huang appears in Teenage Dream)

“Thanks for driving down here, Lisa.” 

“No problem.” Lisa Huang pushes her glasses back up on her nose, sitting back in the hard plastic chair in the side room with its large conference table. The faint sounds of the gym are still audible here. Lisa’s got one ankle laid over the other knee, hands behind her head as she looks around. The heavy knit cap on her head is a deep saturated orange, the rest of her clothes a mix of faded gray and blacks. It makes her look, just a little, like she’s wearing a pumpkin on her head. “I needed to meet my sister for lunch some time this month, so I figured, two birds one stone. The drive down was really pretty, anyway. Wow, the gym has hardly changed at all, has it?”

“Not really.” Akio gives her a half-smile. He’s in his own casual clothes, just a hoodie over a t-shirt and jeans. He feels like she’ll see his heart beating, the way he shifts from foot to foot. Lisa was always good at reading people, better than Akio’s ever been, anyway. “New equipment, new kids, but… you know. You probably didn’t exactly get lost.”

“Ha! No. I could have walked to this room with my eyes closed.” She gestures at a large framed photo across the room, settled along a wall between two windows. “They haven’t even changed the team photo. We were, like, kids when we went there.”

Akio looks over his shoulder.

He’s right in the center of the photo, next to the old governor, smiling brightly for the camera. On either end of the line, their coaches. Spread throughout the center, all of them, a range of ages, wearing matching windbreakers and gym pants, smiling. All of them, smiling.

One of them, missing, presumed dead.

“Yeah, Mark’s still really proud of that, I guess.”

“I remember. That crusty old guy’s what got us the WRU sponsorship. Mark just about had a stroke when they wanted to do that whole marketing campaign with us.” Lisa laughs. Akio doesn’t. His nerves are shot, and he doesn’t want to make small talk about WRU. Not knowing what he knows. Not with who’s waiting in the hallway.

Lisa seems to pick up on his reticence. Her laughter fades, and she tilts her head, some of her black hair brushing along her shoulder. “Aki? What’s up, man? I haven’t talked to you in, like, six months and then you ask me to come down to the old gym and say it’s super important but you can’t say why on the phone. Talk to me, man. I don’t mind being here, but if you’re going to propose, I have some real bad news about how thoroughly I am not going to do that. Nothing personal, I don’t want that mess with anyone else, either.”

That does pull a laugh from him, and Lisa relaxes slightly. “Don’t worry, Lees, I’m not asking you to-... anything me,” Akio says, heading for the doorway to the conference room. His palms feel sweaty. His palms never feel sweaty. He can swing through the air and only feel the perfect rush of what his body can do, he can land on his feet, he broke an ankle once without a sound, but now… now he’s scared.

Scared of what he’s going to show her.

Scared of how she could react.

“I’m actually sort of dating someone,” Akio confesses, after a pause. “I mean. I think we’re dating.”

“Honestly, you not knowing if you’re dating someone or not is the most Nakamura thing I can imagine,” Lisa says cheerfully. “You haven’t changed much, either.”

Has he not? He feels like a whole different person since he found Tristan again. Like he’s aged ten years in a few weeks. A new anger burns under his skin, fury at grieving the loss of a boy who was never actually gone.

“What’s his name?”

Akio stops, hand on the doorknob, and turns to look over his shoulder at Lisa’s impish little grin. 

“Oh, fuck off, Aki, you think I didn’t know? We practically lived together at the gym. What’s his name? Is that why you wanted me here, to meet him maybe?”

“His name’s-... uh, his name’s Ben. He’s not here, but. Okay, so. There’s something I needed to show you today. I want to show everybody from the old group, but… but I wanted to start with you.” He can feel heat in his eyes, unfamiliar fear making his pulse thrum. Something in his expression makes her own smile fade.

Lisa Huang leans forward, dropping both feet to the floor. She watches him, dark eyes traveling over his face. “Aki? What’s wrong?”

Akio laughs, a little helplessly. “Just… so much is wrong, Lisa.”

“Talk to me, Nakamura. What’s going on?” Lisa’s concern is open, and genuine, and he can’t think of any way to answer except just to open the door, glancing to where Chris is waiting sitting on a bench in the hallway, and gesture him inside.

Chris comes in slowly - he’s nervous, too, and one hand grips tightly to the oversized plastic feather necklace he’s always wearing, rubbing his thumb over the carved vanes. He’d be less recognizable, Akio thinks, if he still had the long blue hair and not the short copper. As it is, he’s all giant green eyes and narrow chin, black compression shirt under a loose oversized blue one, black jeans, wearing his friend’s old black-and-white checked shoes. 

Lisa glances at him, and he’d be less recognizable, maybe, with blue hair, but Akio sees the color drain from her face as she takes in a man who is, as far as she knows, a very dead boy. She moves to stand, gets halfway up, drops back down into the seat again. “Aki-” Her voice catches, cuts off. “Akio, what-... who is-”

“Lisa.” Akio’s own voice is rough, staying close as Chris steps inside further, then stops. His thumb rubs at the plastic feather, his other hand curves over his stomach, gripping into the fabric of his t-shirt. “This is-”

“Tristan fucking Higgs.” Lisa cuts him off, getting to her feet again. “He’s-... Aki, Tristan’s-”

“A little less dead than we were supposed to think he was. This is, um. Christopher Stanton.” When Lisa looks at him, eyebrows furrowing, Akio shakes his own head in response. “He was Tristan Higgs. Our, our Tris-... but he ended up-”

“Lisa,” Chris says, suddenly, the name slotting into place in a mind where memories still slip and slide out of his awareness seemingly at will. They stick or they don’t, and Akio doesn’t know what makes the difference. His eyes light up, and he takes another two steps forward, then stops when Lisa flinches slightly back. “Lisa, um, Lisa… Lisa-... you, you, you you did, um, you did, you were good at the uneven bars, were, you you you-you… you wore the, the same ponytail holder every time you did a meet.”

Lisa’s eyes fill with tears, the glitter of them visible even across the room, and her hands come up to cover her mouth. “Oh my God,” She whispers. She sits back down, but it’s more like her legs simply stop working, dropping so heavily the chair creaks beneath her. She keeps whispering, oh my god, oh my god, over and over, her face ash-gray, her eyes locked on Chris’s face. 

“Wha-... what…” Lisa takes in a breath, and then another, and Chris moves closer to her, bit by bit. Neither of them is able to close the last foot or so of distance, and Akio watches them, his own lips pressed together into a thin line. He’d expected her to deny it, to call this a joke, to call Chris an impostor, but-

Lisa was the one closest to Tris, other than him.

Lisa remembers him well enough to see him in the older, more angular face in front of her, knows him well enough to hear in his speech and the way his fingers tap carefully on his own skin - finger-twist tap tap tap - that it’s Tristan, through and through.

“What happened to you?” Lisa manages. She sounds like she’s choking on the words.

Chris rocks a little, uncertainly, his eyes drifting to look to the windows, the walls, drifting over the framed team photos over the years. “My, my, my parents-... after-”

“I remember that. But you-... you had to go live with someone-”

“My, my aunt.” Chris’s eyes find the old photo of the team with the governor and lock on. His pale eyebrows come together a little, frowning. Something in his face goes distant. “She, she, she… she gave me up.”

Lisa looks at Akio, who nods. “It’s true, as far as I can tell. He went to stay with his mom’s sister, and then… WRU.”

“After he ran away?”

Akio swallows, and shakes his head. “He, uh. He says he never ran away.” He doesn’t mean to talk for Chris, but Chris is moving away from them, staring at the photo on the wall, wandering towards it and away from he and Lisa entirely. “She, uh. She sold him.”

Lisa jerks forward, as though she’ll be sick on the floor, and closes her eyes. “That’s not possible,” She says, in a low voice. “That can’t be what happened. They would-... nobody would do that to someone, nobody would-”

“They did it to him. He didn’t even know who he was, Lees. They gave him a new name and did that thing where they take all his memories and they sold him to someone.”

Akio knows the look on Lisa’s face. Her mind is spinning, overwhelmed. He knows the feeling, he’s cycled through it a hundred times now, his body and brain working to understand that while he was crying in his bed missing his best friend, visiting his parents’ fucking graves to leave flowers for him, Tristan was locked up somewhere, not even knowing who he was.

“But WRU only takes people who sign up on purpose.” Lisa’s hands drop. Her mouth barely moves. There’s almost no sound to the words. 

Akio takes in a breath, glancing over at Chris, standing in front of the photo of the team at the governor’s mansion. “So, I asked, he says-... that’s a lie. They… steal people. Or people get given to them, like Tris was.”

“Who-... who did they sell him to?”

“Him. I was, was, was sold to him.”

The two of them look over to where Chris is pointing at the center of the photo. Akio moves over to him, Lisa pushing herself up to follow on his heels. 

Akio’s eyes follow the line of Chris's arm, to his index finger pressed just lightly against the glass covering the photo in the frame. Lisa jerks in a breath.

“You’re fucking kidding me,” She says, voice flat, almost empty, the emotions struggling to catch up to the pile of information building up. “That’s-... that’s the governor that got fucking murdered-”

“Right before he was supposed to testify against WRU,” Akio says, blinking. “I remember. Our coach was super pissed because of the publicity. He had some kind of bombshell something that was going to-... oh. Oh shit.”

If Chris hears either of them, he doesn’t show it. He just keeps looking at the man in the photo, tracing the line of his face with his fingertip. 

"Right there," Chris says. “I was there.” His voice is nearly drowned out by the sound of creaking, of shouting, of bodies in the air or on mats coming in through the open door. Behind them, out in the practice area, nothing changes. Everything is the same, with Tristan and without him. Life went on.

Life goes on.

Here, though, the silence draws out, as Akio and Lisa stare at Chris's fingernail, with a star sticker stuck to it, and at the photo of the old governor, the one who died, with his arm around Akio's shoulders. Here, time stands horribly still. 

"What do you mean-... you’d been… I mean, we had been told you’d, um, that you’d… you know-"

"Under the, the, the desk." Chris taps lightly on the glass. The desk was right behind them, in the photo. His finger is tapping just behind Akio's legs. "I was... right, right, right there. He, he, he, he liked that no one ever saw me. I was there.”

Akio looks at the smile on Governor Branch's face and remembers how his skin crawled at the man's too-friendly touch. How he’d kept asking questions about Tristan, pushing until Akio had gotten upset. How he’d joked with them and Akio had gone home and taken a shower that nearly burned him from the heat just to feel clean for reasons he couldn’t explain to himself. 

How the governor kept asking about Tristan.

"I'm going to be sick," He whispers. Akio Nakamura, smiling gymnast, is standing right in front of the fucking desk. Oliver's hand curved around the ball of his shoulder and he's leaning in and, oh god, they're all smiling, all of them.

Their coaches had been so happy for the photo op.

“Tristan-” Neither of them correct Lisa on the name. “Are you-... are you saying you were under the desk when this photo was taken?” 

Lisa’s in the photo, too. She’s off to the side, not really looking at the camera, smiling tightly. Lisa never liked photos, and she didn’t even want to go to the governor’s mansion that day. Her hair was longer then. 

“Probably. Some… sometimes he would, um, he, he, he would, he would… make me wait in his, his, his room.”

“Gross,” Lisa says, weakly. “How-... how old were you?”

Chris blinks. He’s lost, Akio thinks. Inside his head, inside the memories he can’t hold on to very well. Grasping on with slippery fingers to images and thoughts that someone will have to remind him of later. “They, they, they, they told me to say I-I was eighteen.” He presses his finger directly over Oliver Branch’s face, digging the flat of it in until a smudged fingerprint nearly obscures the man’s face entirely. “They beat me un, until I said it.”

“WRU did?”

Chris nods. 

“But you weren’t…”

“No.”

"Why would Governor Branch buy-... But why..."

"Too pretty," Chris whispers. "Too, too, too pretty for... for, um, for for anything else. He, he, he… wanted young." There's a healing wound on his forehead sure to scar and his green eyes are dark and Akio should move, before he throws up on the photo.

He can't. He keeps staring at the desk, like if he tries hard enough, he can step in and tell a younger version of himself Tristan isn't dead, he's right there, just look. Just look. Just look.

Tris was right there the whole time.

While Oliver Branch looked at Akio Nakamura like dinner laid out for him on a plate, he had Tristan under his desk, and when they left he probably pulled him out from under the desk and-

Akio has to turn away, then, jamming his hands into his hoodie pockets and walking away, to the window, breathing in and out as he stares at the cars in the parking lot outside. His blood rushes in his ears, pounds through his temples. His fingers pulse.

Behind him, Lisa asks Chris about his life now, and he answers, in his familiar stammer that Akio had missed so much when he had to live without it. He talks about his brother, going to college.

All of it is-... good, that Tristan rebuilt, that he has people now, a family. But he had a family then, one he should never have had to lose. 

Akio has to let them talk, because he’s afraid if he opens his mouth he’ll start screaming.

How many people has this happened to? Akio knows the company line. People disappear into WRU sometimes, running from debt or criminal charges or homelessness, and they get a whole new life. 

But he knows the other side of it now, too. He knows Chris - he knows his dead best friend was never dead at all. He knows what happened to him. He’s met a houseful of others - Chris’s older brother with a pretty smile who told him none of us ever want it, not really. The other quiet brother who has a scar on his neck he won’t talk about. The others who stared at him when he came over, terrified to get close to him, scared he’d turn them in.

Akio has started looking at the street kids he sees sometimes and wondering who ran away from WRU and who’s going to end up there. 

He’s started to wonder if it has to be that way at all. 

When he trusts his voice again, he says, “Did-... did WRU know you were-... weren’t willing-” It’s stupid, he knows better, but he wants - he wants so badly - for it to have been some kind of terrible misunderstanding. If it is, he tells himself, he can pull back from this.

If it is, he can focus on Tristan, he can walk away from the rest. 

“They, they, they call us ‘underagers’,” Chris says, and he still doesn’t look away from Oliver Branch’s face. “We, we, we have special rooms. They… know. We’re... we, we, we... we sell for more. After I, I waas rescued they, um, they they they sent people once. To take me back. My, my, my brother kept me safe.”

Akio feels a rush of heat that threatens to burn him alive in his own fury. WRU has been giving the team money and marketing opportunities and bullshit since-... since they met the governor, who had been the one to hook them up with WRU in the first place, and… and the whole time he’d known what happened to Tristan, he was what happened to Tristan, Governor Branch and his oily fucking voice and his stupid jokes and he had Tristan the whole time.

WRU knew.

They know.

They’re still doing it, probably, hurting people like Chris, sending fucking SWAT teams after them if they get out. How many people are out there hurting like this?

There’s an idea that’s been building in the back of his mind. Foggy, barely-formed. But as his anger lights him up, Akio feels the pieces coming together. Speaking up, speaking out, telling people what happened to his best friend will probably ruin his career. It could ruin his life.

But there are a lot of people like Tristan Higgs whose lives are already ruined. A whole lot more whose lives will be if nobody ever stops it. 

If he’s going to speak out, he might as well make sure everyone is listening.

“Lisa, do you still speak to the girls from the Canadian team?”

She nods, frowning. “Yeah, I speak to a bunch of different people still. Why?”

Akio looks over at Chris, at Tristan Higgs’s face. The last day he saw Tristan was at his parents’ funeral, wearing an ill-fitting suit and rocking against the weight of grief, his aunt saying it’d be awhile before he could come back to practice.

He’d never returned.

Then the texts stopped, then his aunt said he’d run off, then she said they’d found his body. Then then then. One lie after another, so she could fucking sell him. So WRU could make money off someone who needed help, who Akio couldn’t hear crying for him, for someone, for anyone, to get him out of this. 

Akio turns back, and to Lisa and Chris he’s nearly a silhouette of darkness backlit by the light from outside. 

“What if we-... what if we make it so WRU can’t do this anymore?”

“How?”

“I have an idea. Just... what if we make it so nobody can ignore what’s really happening anymore?”

---

Tagging: @burtlederp , @finder-of-rings , @endless-whump , @whumpfigure , @astrobly @newandfiguringitout , @doveotions , @pretty-face-breaker , @boxboysandotherwhump  , @oops-its-whump  @cubeswhump ,  @whump-tr0pes  @whumpiary @downriver914 @vickytokio

[yandere-mha-blog]

Chapter 7: New lease on life

words: 2335

You weren't headed towards the police station but the building of the Hero public safety commission, so they were liars as well, it was very fitting for them. When they did stop they grabbed you by your arm and harshly pulled you out of the car.

“Wouldn't you normally take me to the police station?” You said

“We would if you weren’t involved with a high stack villain.” The man said, “Also word of advice, start talking right away to avoid the negations.”

“What?” you asked looking very confused as the two of you went into an elevator and he pressed the down button

“I thought you would be smarter than this, weren't you in school to become a surgeon, to think you would throw that all out.” He said, you rolled your eyes, as the elevator dinged and he escorted you down the hall outside a door where someone was waiting and he handed you off to them and left down the hallway, the other guy opened the door and shoved you down on a seat

“Stay still if you make any movements we won't hesitate to take drastic measurements.” He said leaving the room, how classy of them. You waited, and waited and waited some more before someone came in a familiar face.

“Hello again (last name).” The president said

“OH it's you, you know you didn't have to do the whole sending a squat team and escorting me off-campus in the biggest way possible,” you said

“I think you have bigger things to worry about.” she said putting the note down “I think you know what this is.”

Way to be caught between a rock and a hard place.

“What about it?” you asked

“We know this was front eh nighthawk, and the whole thanks for not snitching on me, I found very interested.” She said, “Now we need your cooperation.”

“Why would I do that?” you asked “I don't like you guys very much, so far you have arrested me twice and brought me to some shady underground interrogation room.”

“(name) the Nighthawk isn't someone you want to get mixed up in, we know he killed Akio, now tell me the whole truth.” “You really want to know the real story?” you asked

“Very much so.” She said

“Well okay, there I was trying to get some girl out of being assaulted, and Akio jumps on me and started strangling me, I was going to die, but then what happens, suddenly he is off me and pinned to the wall, this Nighthawk told me to leave and to take the girl,” you said

“So you were lying to us?” she asked

“You guys have exactly proven you are the most sympathetic people.” you said “But I don't know anything about him.”

“Why didn't you report him, or tell the police?”

“Not like they would have taken it seriously.” you said “and then once I left the police station, you go and stalk me and get so many of your employees hurt.” “I too am curious as to why he attacked them, they weren't after him.” She said

“Ask him not me, oh wait you can’t,” you said

“(name) we can have you put in jail for a very long time if you refuse to cooperate.” She said

“I’m calling your bluff, if you wanted me in jail you would have taken me there instead of here, I anti helping you,” you said

“Guess we have to convince you to cooperate another way,” she said getting up and leaving, as two men came in and grabbed you again dragging you off to another lower level and strapped onto a chair.

“Do what you need to get her cooperation.” The president said as another man walked in

“Quirk?” he asked, you stayed quiet “I’ll ask you again, quirk?”

“Why does it matter?” you asked, he raised his hand and placed a stinging slap across your face

“One more time your quirk?” he asked, you didn't answer and he placed another slap across your face, you just spat on his shoe.

“Fine be that way.” he said looking at your file.``He said, “Okay, you have talons, you flex your fingers and sharp knives like talons emerge from under your nails.”

“IF you had my record why the hell are you asking me for it?” you said, as he got out pair of pliers

“This should do it,” he said and you balled your hands in a fist, guess these people here saw you as nothing more than an accomplice to murder.

“Shit shit shit.” Hawks was thinking to himself as he was flying to the HPSC, this wasn’t good as he landed in an alleyway, it was hard to sneak around when you had two giant pairs of redwings on your back. They took you during the day something down there was near impossible, just what exactly were they planning, he knew they had taken you down to the sub-basement, well it was impossible for him to sneak down there without getting caught, he knew of one guy who would be able to get him down there and yoink you out of there in one piece, he didn't like who it was though.

As hawks flew down to a seemingly abandon bar he was confused, he looked at the card that the guy who was covered in mist said saying if he changed his mind come here, Hawks was looking around the location and seemingly nothing, he didn't have time to waste so he banged on the back door if this was some sort of sick joke he wasn't laughing, he was just about to leave when a black portal opened up, guess that was the cue to go in.

“Glad to see you have changed your mind.” He heard and looked towards Kurogiri

“Well not really changed my mind, I am not interested in joining any type of group, I need a favor.” Hawks said

“Forget it.” He heard another voice saw who was at the end of the bar, he never got used to the hands covering his face, didn't it smell.

“Now Tomura this is where negotiations come in.” Kurogiri said, “Still If you are expecting a favor from us without expecting us to ask something of you, I am afraid you are flying too high.”

“Because the lack of oxygen is messing with your brain,” Tomura said

“Hey look here, I am all for repaying favors here.” Hawks said

“Well, we don't need you.” Tomura said, “I already have my ace in the hole for the first plan of attack.” Tomura said “And I have more than enough players for it. You are too late, now piss off.”

“Okay...harsh.” Hawks said, “But think of me as a backup plan.”

“I already have a backup plan.” Tomura said, “Still I suppose having you as a player in the future would be useful, but what exactly is your favor you want from us?”

“Well I kinda got this person mixed up and the HPSC is keeping her in the sub-basement, and I can't sneak in that far.” Hawks said, “Look you hate heros', I hate who they work for.”

“What exactly is your goal here?” Kurogiri asked

“I want to see the HPSC crumble.” Hawks said, “But now it's just personal.”

“Hmm, tell you what bird brain, if I have my Kurogiri teleport you down there and back, you will owe a favor no questions asked, got it.”

“Got it.” Hawks said

“Kurogiri, you know the location of the sub-basement right.” Tomura asked

“That is correct but chances are once my quirk is activated down there it will set off an alarm, you will have to move quickly,” Kurogiri said

“Well, that's what I'm known for.” Hawks said

You were seeing white from pain, your left hand was shaking as blood was dripping out from under your nail, you looked over in pure shock, you saw your left thumb talon laying on the desk, so this was their plan huh, rip your nails out till you agree to work with them. You were just about to pass out with pain when the man slapped you across the face again.

“Wake up, don’t be passing out on me, now you want to have your right one out next, or your left pinky finger?” He asked, “Or we can skip all this and you can just be corporate.”

“If...if you think, for one second I am going to be anything but cooperative with you after you ripped out my talon, you must have something wrong with you,” you said as you were dry heaving

“Okay, pinky finger it is then.” He said, you gritted your teeth as he presses your pinky talon out right before a loud blazing alarm went off

‘CODE RED, CODE RED, INFILTRATOR ON THE SUB-BASEMENT LEVELS’

The man who just ripped your talon off ran out and locked the door and this must of been your lucky day, your hand was shaking front he pains till you heard a loud ‘thunk’ again the door which could only assume to be a body before the door opened and you saw hawks

“There you are-Holy fuck what the hell did they do to you!?” Hawks said looking at your thumb that was dripping blood, you had better days, he was horrified but not surprised as he ran over and tried to undo the straps that were keeping you on the chair “OH screw it I'm taking the chair, hey I kind of need to portal now.”

To your shock, you managed to get out of there and we're in a weird bar, maybe the pain was making you hallucinate, still, as hawks were tugging on the straps Tomura spoke up

“I thought you said it was someone important, not your damn girlfriend.” Tomura said, “Like someone who was actually useful.”

“She is important to me.” Hawks said getting your arms undone then working on the ones around your ankles “And she isn't my girlfriend either.”

“Well, you got her back so now you owe us Hawks.” Tomura said

“I know I know I'm not one to go around breaking my word.” HE said as got out and looked at your hands “Oh those ...can’t believe this.”

“Well whatever you're going to go on a rampage about isn't going to happen here, Kurogiri you can send them away now,” Tomura said as Kurogiri opened a warp gate

“We will call for you when we need it,” Kurogiri said as hawks slung you over his shoulder

“Noted.” Hawks said stepping through and finding it a bit odd that they knew the location of his hideout, not that he stayed in one place for long. You still looked out of it, what happened in there all he knew was that your thumb was bleeding and you were in searing pain, he had some sort of pain medication around here right?

He sat you down on the floor as he was searching around.

“Hawks….what are you doing?” you asked “Who were those guys, and where the hell am i.”

“One question at a time please.” Hawks said handing you a glass of water and some Tylenol

“I'm going to need a strong opioid for this,” you said but taking what you could, you did take the medication.

“(name) what exactly happened down there?” Hawks asked pointing to your left thumb

“Oh that...they wanted my cooperation for something but when I refused, they took out one of my talons,” you said

“....they did what?’ Hawks said trying to remain calm, you just nodded your head

“My left thumb talon, the guy ripped it out, he was going for my pinky one but luckily you came in time.”

“I saw some guy leave the room you were in and I thought him against the door, didn't know he did well...that. He said pointing to your thumb

“I’ll be okay, I just need some bandages.” you said “But where the hell am I?”

“Well at my place.” Hawks said, “I don't usually hang around one palace for long so it's a little under furnished, I'll go try to find some bandages.” Hawks said as you nodded your head using your shirt to put pressure on your injury. Hawks came out with some gazes and you took them from him. “You want some help?” He asked

“I know how to wrap up wounded better than you.” you said “Don't take that offensively but the number of scars on your arms shows that you don't exactly know how to treat a wound.”

“Haha well, you're not wrong.” Hawks said, “So what are you going to do now?”

“What do you mean, according to them I'm an accomplice to murder, of one of the most dangerous villains in japan, got broken out by a said villain, I can’t just go back to school after this.”

“That's kind of what I'm referring to, you don't know anyone in the underground that you can just crash with-”

“Ahem.” you said staring him down “Sorry buddy but as of now you are kind of stuck with me.”

“Ohhh I see, that makes the most sense, and since this is my fault, okay I'll take you under my wing.”

“Stop with the bird puns.” You said “Look I'm not exactly the most athletic type, but I am smarter than most, so tell you what, you keep me from the HPSC, I'll be your medic.” you said

“Well that sounds like a sweet deal, you would be valuable there aren't a lot of medics in my line of work.” Hawks said doing air quotes around the word work.

“So look you keep me from getting arrested and provide me with basic food and shelter, 'll help in what way I can in your goal, along with being your medic, do we have a deal?” you said sticking out your right hand

“Sounds like a deal.” Hawks said shaking your hand, this was the start of your new life.

[princeoftheroses]

Since you want asks, PLSSSE I want your Utena TH0ughts. WHAT is your favourite black rose episode? actually how do you feel about the black rose arc in GENERAL

black rose arc, black rose arc, oh black rose arc!!! by you adding how do i feel about the arc in general you are unleashed me to make a long post giving my very disorganized thoughts about this arc.

a couple of people call it a filler arc? i guess technically it is because it does not directly contribute to the main storyline and it wasn't in the manga and also the ending of the arc sort of makes it so the whole arc kind of didn't happen???

but also i think if a person labeled it as a filler arc they are kind of missing the point?? even if it doesn't contribute to the main plot (which it absolutely DOES but i'll get to that) it adds so much nuance to the characters of utena.

you get to see side characters and how they tick!! some of which like kozue and shiori become very important later as they become miki and ruka's rose brides in the akio arc! (side note : what was up with ruka he just kind of showed up and disappeared lmaooo)

also, it adds to akio! (tw warning for only the next paragraph, i'm talking about akio so you can except me talking about grooming and abuse)

not only is this where akio is introduced, but he is always so omnipresent. it was ... honestly really terrifying to see how chill he acts with utena here. of course the real grooming begins in the akio arc but you can see how he starts here. how he kind of builds himself as anthy's cool older brother that utena can trust and ask for advice for... but we the audience know that he CANNOT be trusted as even know we see him being shady af in the background. i really feel like if we skipped straight from the first arc to akio arc a lot of the creepiness of akio would not have been realized because of ... just how NORMAL he akio acts to utena. he's charming, he's smart, and he overall is somebody utena SHOULD be able to trust bc we should all be able to trust an immediate family member of a best friend , but of course the world doesn't really work that way. anyway akio tangent over because BOOOOOO akio (he honestly terrifies me so much because of how many predators like that exist and you can meet without realizing their intentions)

BACK TO BLACK ROSE ARC

one of the main reasons i feel like this isn't a filler arc, at least not in the traditional sense of the phrase, is because it builds a lot character relationships. something that i didn't like when i first watched revolutionary girl utena but now is one of my FAVORITE things is that for a while we don't really get a straight forward utena/anthy episode. because their relationship doesn't need to build in an episode, it just slowly builds over time. we just see these two causally existing and they just start to trust each other.

in the akio arc we get to see just how close utena/anthy have gotten over the series because of their late night conversations. like how if the black rose arc didn't exist akio wouldn't have been as impactful, if the black rose arc didn't exist it would feel more sudden how close utena/anthy have grown imo.

this arc adds a lot to the world as well. as long as the students stay inside of school they will not grow. dead people wander the halls thinking that they are still alive. these two facts contribute a lot to utena theorizing and analysis (mainly, the ideas that ohtori exists within a plain of frozen time literally because of anthy's magic and metaphorically because the cast is very cozy in their coffin) and i could not thank this arc for that enough. not only are these very cool ideas that may or may not have inspired elements in my own story (i can neither confirm or deny that one of my oc story is heavily inspired by utena) but they just add so many layers!

this arc also felt necessary because of the new duelists??? if we went straight from the first arc to the akio arc then it would've kinda gotten very tiring to see the student council constantly duel and lose to utena (with the exception of touga's sole victory to utena in the first arc before she duels him again and wins) but these new duelists possessed by the black rose are very interesting!

if i did have to make a compliant about this arc, though, i will say that at times the stories felt very disconnected to each other. while it was very funny for utena to not even know who keiko was when she dueled her, it would've been nice if sometimes the arc of the black rose duelist intertwined more with utena. as the arc goes on, the student council is on alert and is trying to figure out where the black rose is coming from, but they never really try to ask utena about it and utena never really tries to get involved? she just is chill until she gets the note to go to the duel arena to fight the black rose duelist. i don't really have a solution on how to fix this? maybe have the student council member that the black rose duelist takes the sword from be more involved? idk.

the villain of this arc mikage also really fascinates me??? i... really like him??? but not even as a villain ... i just really pity him. the realization he has in his duel with utena that everything he has been doing is for nothing because mamiya is already dead .. that always really hit me? the horror in his voice when he starts to recall the truth in his false memories.... for some reason, this is one of the most terrifying parts of the show for me. the realization that something you were doing, something you were doing that might've been awful but you were doing it because of somebody you care about deeply and love, it was all for nought. how much time he has wasted...

even before his duel with utena, there's this moment when after he got punched by utena he says something like "if she hadn't seen my duelist ring and challenged me to a duel, she could've killed me" or something like that, he's just so pathetic and i feel very bad for him but at the same time am too disconnected to him to truly feel empathy for him... that's some TOP TIER shit

overall, this part of the show is one of my favorites. the only part i like more is the last few episodes because it makes me very emotional.

NOW FOR THE SPECIFICS

favorite black rose duelist: honestly? wakaba. the girl deserves it this is stress relief for her. not only is this duel very emotional as i don't think we've ever seen utena refuse to duel somebody (at least not in the way that she does in this episode) but just the SHEER emotion.

i'm a real sucker for fighting the person you care about the most which is why the dark signer arc in yugioh 5ds is the best yugioh arc and this just really takes the cake in this arc. utena always shows concern for the black rose duelist because they are clearly people in pain who were not able to properly duel with their grief which let mikage manipulate them, but it's taken to a new level here.

the way that after the duel is completed, wakaba comes home to her empty dorm where saionji used to be but now isn't always gets me. she's just such a lonely girl and that's never really resolved for her. a lot of the other duelists have a optimist note to end on (kozue asking miki for a milkshake, shiori and juri saying hello to each other as they walk past, keiko being friends with nanami again, etc.) which is why the fact that wakaba is more alone now then she is ever... it is a feeling i can relate to an almost embarrassing amount.

favorite episode: COWBELL OF HAPPINESS, NANAMI TURNS INTO A COW-

ANTHY YOU GLORIOUS TROLL-

favorite episode that isn't cowbell of happiness: i'm very torn between the landscape scaped by kozue and thorns of death. shiori and kozue are both very interesting characters that i like a lot. but i'm going to go with thorns of death for now, as while i really like the landscape scaped by kozue, i think my preferred miki/kozue episode is their episode in the akio arc. meanwhile i like thorns of death way more than i liked whispers in the arc (mostly because i just do not really care that much for ruka, but azure paler than the sky was a banger and he was in that?) i just loved the feeling of seeing shiori the girl juri loves so much and juri's reaction to seeing her. the way my heart was wrenched when black rose shiori mocks juri... it really did hit different. but the hopeful ending did make me feel a lot better. i do like the way that juri out of all the student council members is the one closest to self actualization and this really sets that up even if there is still a bumpy road until then.

honorary mention: the boys of the black rose and kanae as a black rose duelist are both really great. i feel like if this wasn't the arc opener it would've had more room to stretch its legs and show how horrific it could've been. kanae is a girl i feel really bad about and similar to wakaba, i don't really think her episode was a very optimistic ending for her especially since akio probably killed her later in the show?

honestly the minute akip appeared on screen, engaged to a girl who HASN'T EVEN GRADUATED and is also emotionally manipulating her so much and having his little sister manipulate her too... throw the whole man away

tl;dr - the black rose arc is very good and i like it a lot, the ending of the arc really fucks me up, somebody give mikage & all the black rose duelists therapy, throw akio in the garbage, and this show probably exists in some sort of time loop / frozen time space as a metaphor for the whole coffin thing but you can probbaly find people smarter than me talking about that.

oh and go rewatch cowbell of happiness it's great

[meikoxia]

30 Days of VnC: Day 19

19. What crossover would you love to see?

1. Shoujo Kakumei Utena.

I have the problem that everything I see, I related to SKU.  Especially if it is about the deconstruction of the victims, leaving them to see as white lotuses and showing real people who are affected by the impotence of their situation (If I remember correctly, the phrase "white lotus" comes from China, and is used to refer to a character who suffers from many difficulties and injustices, but who still manages to maintain a pure and innocent personality, without any hint of evil. Just like the white lotuses that are born from the mud but rise to the surface.  They put a name to this stereotype, so I can criticize it cruelly).  I think it would be very interesting to explore the personality of the characters but from the SKU perspective.

 And actually I don't know if maybe Jun didn't make references to this anime.  After all, Anshy and Jeanne's clothes are half similar.  Both cause you to mistake them for weak or sexually pure characters when they are just the opposite.  At least on Facebook, there were several people who believed that Jeanne would no longer be a strong character just for blushing at Vanitas' harassment.  A clear sample of an ideology "show your emotions = weakness".  Both are completely controlled by an authority that everyone considers to be a good person (Ruthven / Akio).  They both have relationships with people who unconsciously use them to feel superior.  Vanitas doesn't need to explain, but I think Domi and Lucas do too.  They are both in positions where they have no decision-making power, mainly because of their lack of knowledge about the complicated aristocratic world, and feel inferior about it.  They think that pretending they don't have this weakness keeps them safer, and then they saw someone who believed them.  Since Jeanne is kind and did not hide her weaknesses, they believed that she was defenseless and should protect her "innocence".  But not showing her the filth of the world is plunging her into ignorance.  By showing her a sweetened reality, they don't let her out of their control.  They also don't risk stepping out of their comfort zones and therefore less allow Jeanne can do.  But since they are not cruel, they believe that they are correct.  They are not bad people, but this is not right.  They do not ask for her opinion and idealize her.  Neither of them came up with the idea that Jeanne could enjoy going for a walk and eating, they also assumed that she was more shy than she really is.  In fact, therein lies Vanitas' mistake.  Although he wanted to feel superior to vampires, at no time did he want to guide her to her ideology, he did not try to hide how ugly the world is and it did occur to him to resort to the things that she likes, although it was only by manipulation.  He probably has the same caring opinion as Domi and Lucas, only he decided not to follow that in order not to form strong bonds.  That is the mistake that makes Noé and Jeanne stick to him like gum.

 Itself, the whole dark side of Anshy is very similar to that of Vanitas.  All that obsession with control and taking advantage of others.  But they both do this because they feel weak and don't want admitted.  They are angry and resentful, but at the same time want someone to save them, they just don't consider themselves worthy of it.  Much less will they explain why.

 Finally, I also see things from Utena in Domi and Noé.  Just as Utena helped Anshy of her ego, Dominique does that with Jeanne.  Both seek to imitate someone who left a great impression on them, but do not question whether that is healthy.  Both believe that they either act strong or act feminine, they cannot find a middle ground where they feel comfortable.  They are both protective of the people they love.  And Noé, he and Utena looks like the noblest but they do not reach the unrealistic extreme expected of them.  Both constantly ask themselves what is right.  Both are innocent but seek to help and mature.  They are both brave.

So I think that a clossover in which both groups interact or in which the VnC characters live in the SKU world would be very interesting.  Even one in which Utena and Anshy stay a few days in the same hotel as Vanitas and Noé.  At least, when the end of the manga will arrive, I want to make an analysis relating them.

2. Gekkan Shoujo Nozaki-Kun

Another clossover I can think of is with Gekkan Shoujo Nozaki-Kun.  Put the characters, normal, but in that school.  So Nozaki looks for inspiration for a new manga and chooses them.  And he write Jun's omake from the School AU.  I would love to.  Let him ask Domi and then she tell him to write about Jeanne and Noé, but it seems to Nozaki that they both spend more time with Vanitas so he chooses him.  He also changes Dante's gender to make her a gossipy best friend.

[seasaltmemories]

Utena/Anthy

General:

Rate the Ship -  Awful | Ew | No pics pls | I’m not comfortable | Alright | I like it! | Got Pics? | Let’s do it! | Why is this not getting more attention?! | The OTP to rule all other OTPs

How long will they last? - After all they went through with Ohtori I’m a sap who likes to think they grow old together

How quickly did/will they fall in love? -I think Anthy was the first to feel a spark after Utena’s rematch against Touga, she didn’t truly accept it as love though until she had to watch Akio seduce her.  I think Utena was always attracted to Anthy/found her pretty but suppressed that shit down, more romance started to bloom near the end of the Black Rose arc and being the dumb jock she is, I don’t think she knew she loved her until the final episode

How was their first kiss? - Sloppy and kinda gross, but the cherry on the top to their reunion

Wedding:

Who proposed? - Utena, but Anthy is the first to bring it up

Who is the best man/men? - maybe Miki if by then they had reunited after Ohtori and he had grown out of his possessiveness, can definitely see this spot staying empty though

Who is the braid’s maid(s)? - Wakaba definitely, Juri maybe, Nanami if and only if after Ohtori they’ve rekindled an actual friendship

Who did the most planning? - I feel like it was a joint thing they were both kinda useless about in different ways, Utena had to initiate for any plans to get made, but when it comes to making decisions, it was Anthy who did most of that

Who stressed the most? - Utena bc I think Anthy would just be apathetic about the actual ceremony

How fancy was the ceremony? - Back of a pickup truck | 2 | 3 | 4 | Normal Church Wedding | 6 | 7 | 8 | 9 | Kate and William wish they were this big. (After all the stress got to them they settled on a courtroom marriage but they still got dressed up and had a small, private reception afterwards)

Who was specifically not invited to the wedding? - Akio

Sex:

Who is on top? - Switch often

Who is the one to instigate things? - At first for anything to get done, Anthy had to pin down Utena herself, afterwards Utena tends to start things physically most often but Anthy still uses innuendo and teasing to put the idea in Utena’s head

How healthy is their sex life? - Barely touch themselves let alone each other | 2 | 3 | 4 | Once a couple weeks, nothing overboard | 6 | 7 | 8 | 9 | They are humping each other on the couch right now

How kinky are they? - Straight missionary with the lights off | 2 | 3 | 4 | Might try some butt stuff and toys | 6 | 7 | 8 | 9 | Don’t go into the sex dungeon without a horse’s head

How long do they normally last? -I think they take their time and are lazy about it, they’re less interested in reaching an orgasm and more enjoy just the exploration and play of it

Do they make sure each person gets an equal amount of orgasms? -they’re very insistent on making sure the other orgasms yet are likely to let things slide for themselves

How rough are they in bed? - Softer than a butterfly on the back of a bunny | 2 | 3 | 4 | The bed’s shaking and squeaking every time | 6 | 7 | 8 | 9 | Their dirty talk is so vulgar it’d make Dwayne Johnson blush. Also, the wall’s so weak it could collapse the next time they do it.

How much cuddling/snuggling do they do? - No touching after sex | 2 | 3 | 4 | A little spooning at night, or on the couch, but not in public | 6 | 7 | 8 | 9 | They snuggle and kiss more often than a teen couple on their fifth date to a pillow factory. (At every chance they get they like to hold hands)

Children:

How many children will they have naturally? - 0

How many children will they adopt? - I don’t see them having kids in general but for the purpose of this meme, through some fairytale manner they find/get stuck with one

Who gets stuck with the most diapers? -Anthy takes care of them without a word

Who is the stricter parent? - they have the same set of rules, but Anthy is a lot harder to manipulate and fool

Who stops the kid(s) from doing dangerous stunts after school? - Utena bc Anthy is just confident in herself that if worst comes to worst she can keep them from dying.

Who remembers to pack the lunch(es)? - Anthy

Who is the more loved parent? - both are well loved, but I think Utena would def be the “fun” parent/good cop

Who is more likely to attend the PTA meetings? Utena would try to go to a few, and whenever she makes an appearance all the other moms swoon

Who cried the most at graduation? - Utena

Who is more likely to bail the child(ren) out of trouble with the law? - Anthy bc as long as you don’t bring her specific rules she is cool with most things (still returning to Anthy after breaking one of her rules would not be a pleasant experience)

Cooking:

Who does the most cooking? - Over time Anthy can make decent meals but still specializes in snacks and deserts so Utena picks up the other half

Who is the most picky in their food choice? -Utena

Who does the grocery shopping? - Anthy

How often do they bake desserts? - Often Anthy is experimenting with another new recipe

Are they more of a meat lover or a salad eater? -Utena is very much a carnivore, Anthy has little preference but is much more willing to go with a salad

Who is more likely to surprise the other(s) with an anniversary dinner? - Anthy

Who is more likely to suggest going out? - Utena if it is her turn to cook and she is tired

Who is more likely to burn the house down accidently while cooking? -Utena is more clumsy, Anthy’s mistakes are more explosive

Chores:

Who cleans the room? - Anthy

Who is really against chores? - Utena knows they’re important but can have a procrastinating streak

Who cleans up after the pets? - Anthy

Who is more likely to sweep everything under the rug? - Utena

Who stresses the most when guests are coming over? - Utena bc that is when her motivation kicks in

Who found a dollar between the couch cushions while cleaning? - Anthy is more likely to clean up the loose change

Misc:

Who takes the longer showers/baths? - Anthy, it is one of the small luxuries she comes to allow herself

Who takes the dog out for a walk? - Utena, they run together

How often do they decorate the room/house for the holidays? - they don’t go crazy but try to make things festive for major holidays

What are their goals for the relationship? - to be happy together for as long as they can

Who is most likely to sleep till noon? - Utena

Who plays the most pranks? - Anthy in her subtle way

[totally-normal-boy]

Utenalysis #1: Utena ISN’T Dumb

Every Revolutionary Girl Utena fan has heard jokes about how Utena is dumb. Most of us have made our fair share of them as well. However, However, even though she is an innocent character with a (sometimes frustratingly) optimistic attitude, she is not stupid. She’s an intelligent teenage girl being deceived by two very skilled manipulators who have exploited her desire to be part of a family. Anthy and Akio are actively discouraging her from asking questions about her situation, just like society actively discourages people from questioning unfair systems. To say that Utena is stupid oversimplifies an interesting character who is just as complicated as the rest of the cast.

In the Student Council Arc, Utena demonstrates that she is a clever person. At the beginning of the series, she asks perceptive questions that show she is looking for the right sort of information to help her figure out what is going on in the duels. In the second episode, she asks Anthy how she could be involved in the duels but still not know how they worked. This shows that she was suspicious about Anthy’s role in the duels, but she doesn’t get the answers she needs because Anthy deflects the question in two ways. First, she asks Utena why she wears a boys’ uniform, which Utena responds to by saying “because I like it." But then, after that, Anthy asks Utena if she’s bothered by having her and Chu Chu around, which leads her to introduce Chu Chu to Utena. This is not one, but three, different manipulation tactics. Anthy makes Utena come up with the answer to her own question, then she makes her feel guilty for asking it in the first place, and last she distracts her with a silly monkey.

However, even as Anthy discourages Utena from asking questions about the dueling games by giving her vague and confusing answers, Utena tries to use logic and reason with Anthy. From episode 3 up until episode 12, Utena tries to encourage Anthy to make more friends. This is a combination of her desire to give herself a sense of self-worth by “saving” Anthy and a projection of her own desire to be less lonely. To do this, Utena tries to be straightforward when talking with Anthy. In episode 3, she tries to explain to Anthy how her lack of friends is a problem instead of just dragging her along to the school dance. This is presumptuous of Utena because she is imposing her values onto Anthy. However, it does show how Utena is not completely oblivious. She is intelligent enough to understand that she needs to engage with Anthy's opinions.

Utena proves that she's smart in an academic sense, along with just an interpersonal sense in episode 4. In this episode, Wakaba tells Utena that she usually gets good grades in spite of doing poorly on her most recent test. This represents how even though Utena is a smart person, her intelligence will not help her succeed in the dueling games. Akio designed the dueling game so that it only benefits him. So, intelligent people like Utena and Miki, the duelist who is the focus of that episode, may believe that they can beat the system. However, Akio and Anthy are manipulating them both, and neither of them will be able to outsmart the system.

One of the biggest reasons that many fans think that Utena is dense or unintelligent is because she doesn’t pick up on the incestuous nature of Anthy and Akio's relationship. However, Utena has been bonding with Anthy since the beginning of the series. She has been bonding with Akio for almost as long because she started to view him as a mentor figure during the Black Rose arc. While it is impossible to deny that Utena genuinely views Anthy as her friend at the start of the Akio arc, many people forget that Utena also views Akio as her friend.

While the audience knows Akio is an evil person, Utena does not. She sees him as an intelligent older man who treats her as his equal, even though he is the Chairman of the school. While the audience knows that he is the Ends of the World, Anthy tells Utena that her brother knows nothing about the duels when Utena first meets him in episode 14. Utena starts lying on Anthy's behalf which incentivizes her to not connect Akio with the duels. If she did that, both her trust in Anthy and the illusion of her normal friendship with Akio would be broken.

Additionally, Utena does not find any reason to distrust Akio throughout the entire Black Rose Arc. While Akio is undeniably grooming her during this arc, he does not do or say anything to make Utena so uncomfortable that she will stop spending time with him. He is biding his time so that it will have the maximum negative emotional impact on her when he finally does take advantage of her. But to Utena Akio is smart, kind, and in a committed relationship. On the surface he seems like decent guy. He’s the Chairman of the school, but he’s young and cool, so she simultaneously sees him as both a friend and an authority figure. One could argue that she even sees him as a role model because he is simultaneously both someone who defies convention and lives up to the archetype of the prince. He has the power to be whoever he wants without being judged for it, which is something Utena wants as well. However, Utena wants this freedom so that she can define her own identity, while Akio uses this freedom to abuse other people.

Utena is drawn to both Akio and Anthy because Anthy lets her be a prince while Akio lets her be a “totally normal girl.” She can have both of her fantasies at once when she’s with the two of them by living in two separate worlds. The world of the duels lets her feel like a savior, especially after she protects Anthy from multiple people who were threatening to kill her in the Black Rose Arc. Even though Utena doesn’t remember the duels after this arc, she does still remembers protecting Anthy from the student council, none of whom respect Anthy’s autonomy. Utena never questions whether or not she respects Anthy's autonomy because she has been conditioned not to question her involvement in the duels. Anthy has encouraged Utena to try and fulfill the role of the Prince because that is part of her role as the Rose Bride. While Anthy gives her a chance to fulfill her dream of being a prince, Akio gives her the chance to feel like she is still a regular girl in spite of that. She gets the power that comes with being a prince and the societal validation that comes with being the princess.

By the time that Utena moves into the Chairman's office, she has good reason to purposefully avoid admitting that Akio and Anthy's relationship isn't as wholesome as she had originally believed. Early on in the Akio arc, Anthy apologizes to Utena on Akio's behalf, because she is worried that she was offended by him referring to the three of them as being family. However, Utena tells Anthy that it made her feel good because she doesn't have any family herself. As much as she genuinely values Anthy’s autonomy, she does want to uphold the system of her being the Rose Bride. While she wants to improve the system so that Anthy has more freedom, she does enjoy how the system gives her a sense of belonging she never had before. Later, she realizes that sense of belonging comes from her relationship with Anthy, and not her status as part of Anthy and Akio's family. However, by this point, she has yet to realize that because Akio is using the fact that she lost her family at a young age to manipulate her.

While the audience has known the truth about Akio and Anthy's relationship since episode 14, Utena didn't even start spending much time with both of them at once until she moved into the Chairman's tower. In addition to this, she does not have a framework for what a healthy family is supposed to look like since she grew up without one. Even if it doesn't seem like Anthy and Akio have a normal sibling relationship to her, Utena doesn't feel like she has the right to criticize them for that. They’re the first family she’s ever been part of and Utena seems to be uncomfortable with the general concept of empathy. She often shies away when Wakaba is extremely friendly with her, so one can assume that any sort of closeness feels unfamiliar to her. Also, the fact that she still believes she is helping Anthy keep the duels secret from Akio probably makes her feel like an invader in their family.

When Nanami moves into the Chairman's tower, Utena using her as a sounding board to validate her opinions about the true nature of Anthy and Akio's relationship. If Nanami agrees that they are a regular pair of siblings, then it must be true. However, if Nanami disagrees with her, Utena can blame Nanami for looking for evidence that Anthy feels the same way about Akio that she does about Touga. In episode 32, Utena tells Nanami that she thinks Akio and Anthy are sleeping in the same bed because they are "really close siblings." She already knows that Nanami thinks there is something incestuous about the relationship between the two siblings based on the conversations they had in the previous episode. So, if Nanami validates her theory now, then everything is all right. She doesn't have to reevaluate the way she's been living her life up until this point. She can have a family.

In the end, all that Utena wants is to overcome the pain of losing her family at such a young age. In episode 37, Anthy tells Utena that she wants herself, Utena, and Akio to stay the way that they currently are forever. But that's not Anthy's fantasy, it's Utena's. Utena is tired of feeling alone. She’s tired of feeling like she isn’t strong enough. She doesn’t want to have to rely on some man like a delicate princess, but she doesn’t really want to be a prince either. She wants to know that she can be free from those roles without being completely alone. And eventually, she does find that in Anthy. Even though their relationship was never perfect, they learn to see each other as people. They find freedom and companionship in each other, and that’s what makes their relationship beautiful.