#And unfortunately I think it’s because sometimes we don’t SEE certain characters as disabled

[skellseerwriting]

My sister pointed out that Hook wouldn’t be able to play bass for my band au, so I did a little research…

It turns out he can!

[dragynkeep]

crwby's ableism towards yang.

when yang became disabled at the end arc of volume 3 by adam, the oncoming arc of exploring her new disability & trauma from the event was important for a lot of fans, especially her fans who were disabled or had ptsd themselves. before yang we had only had secondary characters who were disabled, most of who were villains or antagonists.

while v4, in my opinion, suffered from a lot of teething pains due to the change to a new engine, the loss of monty taking root as this was a new volume written without him, etc; it also had a lot of potential to explore the girls characters now that they were hyperfocused. yang was one i was most excited for in my first watch of rwby because i’m disabled, i have cptsd amongst other mental illnesses & i was eager to see this representation. they had actually given their main character a disability; a lot of creators won’t do that.

the arc we actually got was passable. there wasn’t much focus on other symptoms of ptsd besides the cliche  /  default ones of trauma flashbacks being triggered & nightmares. i even personally think that they gave yang her prosthetic far too early in her journey, to me it felt like they couldn’t write her as “capable” without giving her a replacement arm that was far better than the original. but i waited, i thought that they might surprise me & unfortunately they didn’t. yang in the past few volumes has had her ptsd all but erased in the narrative since her flirtations with blake arose, & the way they’ve handled her disability & prosthetic leaves so much to be desired. & considering the implicit & sometimes outright ableism laden mentalities from the crew behind the scenes, we should’ve seen the warning signs.

the sexualization of yang’s prosthetic.

sexualization in regards to disabled people is so often a “two sides of the coin” situation. we suffer both desexualisation & hyper sexualization in regards to our disabilities in different avenues, usually in relation to our race, gender, conventional attractiveness in regards to eurocentric norms, etc.

a major example of this is the question posed in the 2014 rtx convention; “does yang’s new arm have a vibrating function.” on the surface, not an outright offensive question but it doesn’t take much introspection to realize that this feeds into some really gross mentalities around disabled people.

it doesn’t even make sense considering that the arm was commissioned for her by ironwood, a grown ass professional man who knows her father. jokes are jokes but the insistence by certain parts of this fandom that a ship between them is pedo behaviour, this comes off as odd & only that these things are okay when they can be used to sexualize yang.

barbara’s enthusiasm about this opportunity to sexualize her character, which she’s done since the beginning of the show; also comes off less than flattering when barbara & miles in commentary for volume 4 said that there wasn’t a lot of focus on yang’s arc with her prosthetic because it was “boring.” so the actual in depth exploration of yang’s emotions as a newly disabled person can’t be explored because two able bodied people don’t think it’s interesting enough, but the ability to sexualize her prosthetic when there is already a long & loaded history behind that is okay? this just reeks of them not actually caring about crafting a story representative of irl disabled peoples struggles but instead settling for a lukewarm, shallow reflection while furthering tropes & mentalities that only further dehumanize us.

in these jokes, yang isn’t a disabled person any longer, she’s not even a person who’s reclaiming her sexuality as a lot of disabled people struggle with  —  she’s an object. a joke. & it reeks of fetishization, especially since this is a part of yang that comes from incredible trauma & should be used to help her heal, but instead the writers, barbara & the fandom are mostly content to do anything but allow that & instead further harmful tropes of disabled people.

the yang shirt & barbara’s commentary.

rt’s merch has never been fantastic but the amount of “mistakes” made with yang’s prosthetic concerning shirts of her post v4 where her prosthetic is “forgotten by accident” is ridiculous. she is the main character & when they were called out for the first hoodie where her arm that should’ve been her prosthetic, was a flesh arm; the response was even more damaging.

when it was pointed out that yang’s arm had been erased in the merch, barbara responded on twitter that they would revise the design & fix it only when a new set of merch was produced; 

Have seen a few questions concerning Yang’s arm. Her right arm is the mechanical arm, and this was an unfortunate, accidental oversight that we all somehow missed during the process; it was not intentional whatsoever. This will be fixed should we ever restock/remake this shirt.

aka, when the current t-shirt sold out. which, it still hasn’t to the current date of posting. & that is an incredibly dense, tone deaf response to disabled people pointing out that the mains disability was erased from the merch & would not be replaced until rt had got their moneys worth anyways. rt gaining money instead of actually fixing their wrong was more important, but this was completely different to another situation where they had recalled a shirt featuring blake & adam with the titling “lovers quarrel” over the pair. upon receiving backlash that it glorified the abuse & belitted how serious it actually was, they pulled the shirt from the store. so what, glorifying abuse is across the line but being ableist isn’t? where is the line drawn? there’s no consistency with rt & that ends up feeling like some forms of bigotry are okay & some aren’t.

& this is not the first time yang’s arm has been forgotten, hidden or otherwise ignored in merch or even straight art for the show. it seems to be a worrying consistency & that’s disturbing; especially since so much of yang’s draw for fans was her status as a disabled woman.

even in concept art her prosthetic is barely allowed to be visible, if shown at all.

which then comes to the current incident that spurred me onto making this post; erin’s actor au art piece where  yang was drawn without her prosthetic.

a lot of people defended it under the guise it was an actor au & that it “was a cast gift, not meant for the public” but these are piss poor excuses. if it’s an actor au, why is blake still allowed to have her ears, ruby still having silver eyes, weiss & her scar? & the cast gift doesn’t hold up the moment erin posted it publicly & essentially just told all disabled people with a prosthetic that yet again they don’t matter.

to erin’s credit, she did fix the art piece & that’s good. it’s the bare minimum but it’s good. what wasn’t good was the rwby fans who acted like people were making a threat on her life or “harassing her” for pointing out that she had fucked up in the first place & that they aren’t obligated to accept an apology. this is a consistent issue in rt, there have been too many “mistakes” for us to just take them at their word & trust this won’t happen again because it has & it continues to happen. fool me once, fool me twice, y’know?

however there was an additional issue to this piece in which erinn forgot yang’s prosthetic  —  a major part of her character arc & has been for years  —  but still managed to reference the long queerbaited bumbleby ship with the bee pen on blake’s script. this is a special slap in the face because it deals with two facets of yang’s character, her confirmed identity as a disabled woman vs her potential identity as a queer woman. once again it’s been shown by the show runners, the artists & the fndm at large that yang’s potential queerness will always take precedence over her confirmed status as a disabled woman & that’s disgusting. it shouldn’t be a fight between them if both were confirmed facets of her but they’re not. yang is not confirmed queer. she is confirmed disabled & has been for six fucking years. these mistakes are not mistakes, they are conscious decisions or just outright laziness & both are inexcusable.

to put this into perspective for able bodied fans who accused disabled people of “overreacting”; yang has been disabled in the show longer than she was able bodied. she became disabled at the end of volume 3 & we’re upcoming to volume 9 now. so imagine if an artist were to continually “mistakenly” draw emerald as white. that would be just as offensive & ignorant & annoying but instead, once again, disabled people are framed as overreacting & making a fuss out of nothing which is a microaggression against marginalized people anyways. stop invalidating our voices, stop telling us we’re making a big deal out of it when you don’t understand.

yang’s disability for a ship, not her personhood.

there’s no denying that there is a lot of meta out there around yang & her disability; however a lot of it isn’t even about her as a person ... it’s about bees. the framing of yang & her disability has gone from her losing a part of herself  —  that should’ve been very much paralleled with her & tai’s loss of summer in their talk together  —  to instead a source of angst fuel for her relationship with blake.

yang isn’t the centre of her own arc; instead it really becomes that blake overcompensates helping with yang & infantilizing her because of her own guilt that yang “lost her arm protecting her against adam”, which yang is rightfully annoyed at. blake wasn’t there when yang actually needed her, she didn’t need blake to baby her now when she’d done all the hard work mostly on her own & then with the help of weiss. but it ends up going nowhere. they have an argument & then the next time we see them together, they’re acting lovey dovey on the bike & there was no exchange in between where yang was allowed to validate her hurt & anger at blake for abandoning her when she was at her lowest; no matter how justified blake thought her actions were.

once the two actually “make up” in the show, all mention of yang’s disability goes away. her ptsd symptoms are nil, her arm has no mention & yang for all intents & purposes, behaves just like she did pre losing her arm. her prosthetic itself allows her to fight better than she did when she had two flesh arms. being disabled is not all about suffering but there is a difference between disabled angst porn & accurately reflecting the lived experience of a disabled person. but once bees resolved their angst, there was no need for anymore of yang’s disability to actually impact her more than it marginally had when it was used for the ship.

& the “it’s just extra” comment set my teeth on edge for so many reasons. in a volume where the writers had done everything in their power to equate disability & prosthetics with inhumanity, in their own words from the commentary, taking away yang’s ownership over a part of herself & labelling it “just extra” is incredibly tone deaf & harmful. her prosthetic isn’t just extra, it’s part of who she is, it’s what allows her to adapt to an able bodied world. it’s what saved her life when adam tried to moonslice her out of existence on the cliff. without that prosthetic, yang wouldn’t be here to denounce it & further an ableist narrative that disabled people are “more than their prosthetics or mobility aids”, that we should be more than that & fit an able bodied norm to be better. it’s disgusting.

this was a very long post & very emotionally tiring to make but it had to be. because i doubt rt will prevent themselves from being ableist in another measure in the future surrounding yang or one of the other multiple disabled people on the show. as is, i hope this can illuminate some people in the fndm on the persistent issue with ableism in rwby, & especially with yang as a whole; because we’re tired. we’re tired of having to deal with these constant microaggressions & instances of ableism in a fandom when we had a character that showed so much promise in the beginning.

we just want able bodied people to do better.

[gb-patch]

Ask Answers: July 10th

I really let asks get away from me lately. I was super focused on working on that Patreon Moment. With that done I can finally think about doing other things, so here’s a new collection of answers!

Thank you for sending in questions everyone ^^.

For the new Patreon moment, will you be able to reference it in step 4? Or just like a tiny nod to it if you pick certain choices?

There won’t be. I’m sorry if you were hoping for that! The Patreon moment is meant to be entirely optional, it’s not something that gets you extra content in the main game.

Is the new CG artist the main one now? :0 I’ve noticed theres been a difference in the art style recently. Is the old CG artist still going to make art for the game? :0

The original artist still makes CGs for the game sometimes, but he mainly focuses on character sprites.

Are you going to put the NSFW our life moment on a website other than patreon? I would love to get it but I can't use patreon atm.

I don’t know. I'm afraid we can't release the Patreon Moment on a normal game storefront because we can't mix 18+ content with our family friendly game. If there's some other place similar to Patreon where it's not the normal type of full-scale public content releases we'd consider using that, but I’m not sure if there is another site that’s better than Patreon in that regard. I'm sorry.

Out of curiosity, in all of your games so far, which characters in each were the most fun to write? They obviously don't have to be your favorite characters!

Buffalo Seer in AFA, really everyone in XOD/XOBD is pretty equally entertaining to write, The Guide in LoV, and Cove in OL!

idk if you accept "personal" questions, but is there anything you've been watching/ listening to lately

Mostly, I’ve been watching/listening to Authortube videos as of late! It’s people who talk generally about the process of how books become traditionally published and/or share their own experience as they attempt to be published. I don’t have an interest in writing normal text based books, but it’s really interesting to hear about that world. I’m listening to a video about royalties right now as I answer these asks.

Will one of the desserts we get to pick be fudge? That'd be such a cute reference! 

Haha, yeah, it should. Unless I completely blank on it and forget when trying to include the various referential food options.

I don't know if this has been asked previously but what would be the approximate heights for the presets MC can choose from Step 2 ~ 4? Are there any measurement you had in mind? Sorry if I didn't make myself clear kk I've been struggling with my English lately 💀 

I don’t know, ahah. I didn’t have any numbers in mind for that. So it’s whatever you imagine it is!

I noticed a bug with the Patreon moment when it comes to what your character wears. When Jamie and Cove are kissing while my character only had dresses selected, I had both the option to remove the dress or to remove the shirt... Picking one of the options to interact with Cove, after he removed his shirt, it had Jamie remove their shirt followed by ther pants despite only having dresses picked. 

Thank you for reporting ^^

I keep refreshing steam to see when the new doc for xobd will be released. I noticed you haven't posted anything about it in quite some time. Would it be possible to ask about a timeline/potential date? (If it's even this year—) I know you and your team are probably working super hard, I'm just super curious! ~Thank you!~ 

There are more stories done, I just haven’t gotten around to publicly releasing them. Hopefully I will have a chance to spend the time on that sooner rather than later!

hello!! i’m not sure if it’s an update but i’ve just replayed our life and at the end i can’t propose to cove anymore? :(( i’ve actually tried playing twice but the options are not there anymore, did you guys remove the options? i’m sorry if you’ve answered this before!! thank you and have a good one :) 

I’m afraid things haven’t been changed or removed, so I think you might’ve accidentally picked the wrong things somewhere along the way and locked yourself out of being able to propose by mistake. Sometimes you meant to say you want to get married but instead you mis-click and have it so the MC isn’t thinking about marriage or something. All I can suggest is starting from the beginning of Step 3 and making sure to follow the steps listed in the FAQ. I’m sorry for that.

Did yall remove some of the options for when youre making out with Cove in the charity moment? I could've sworn you could grab his bonkadonk and its not there anymore 

This is the same situation as the above. We didn’t remove things and you’re not wrong that there are sometimes those options. But there are various choices you have to make to get those options and it sounds like you accidentally missed something. If your relationship isn’t long-term, you can’t do it for example.

HI IM SO EXCITED I CAN FINALLY GET THE STEP 3 DLC 

Thank you for getting it!

Is Shiloh super totally straight bc I’m very gay and a huge Shiloh fan, would my man make an exception?😩

Sadly, he is one of our super straight characters. I’m sorry.

Hi, I have a very dumb question. In Step 2 does Cove not wanna share his drink with us at the mall (or rather why he stops drinking it) because it's an indirect kiss? Or is it like ...weird to him to share? Because if I remember right he eats off our spoon in the birthday scene right? 

Yeah, he’s awkward about it because he likes the MC and it feels very personal to share a straw with his crush.

Hi! If you don't mind me asking, who is the artist for OL2? Their style is so pretty! 

Thank you for saying so! This is her Twitter- https://twitter.com/redridingheart

Do Beginnings & Always and Now & Forever exist in the same universe? 

Yep! XOXO Droplets also exists in the same universe. It’s one big GB Patch world, haha.

Do Pran's parents regret the way they raised him? Do they feel ashamed of it?

No. They’re the type of people best cut out because they’re not gonna change. Which is why Pran does go very limited contact when he’s an adult.

Hi! I just wrapped up my second playthrough of Our Life, and I absolutely adore it, but I had a question. I went to the gallery and found I was missing 2 CGS (specifically Step 1-3 and 2-3) and I had no clue where they would've shown up. Which moments are those found in? 

You get it by telling Cove about his dad offering you money to be his friend in Step 1 and Step 2. You can’t get both in one playthrough, since you can only tell Cove the truth once. I’m really glad you liked it!

Hi hi! Please, how tall is Baxter and Derek? Love the game so much and I can't wait to see more! 

I don’t know, aha. I think Baxter was around 5′10 and Derek was like 5′8/5′9, maybe. I really am not one who has specific heights for things in mind.

is adult cove a bottom, top, or switch? 

A switch, though would choose the top if he had to pick.

I was wondering if there is a way to transfer save data? Even if through the game files. I wanted to be able to transfer my save data from my desktop over to my laptop so that I could continue playing right where I left off from but I'm not entirely sure how to go about that. 

If you save the save folder/persistent data of the game from your desktop and put it into the game folder on your other device, that could work.

Hi! Is it possible for us to know the date when our life: now and forever comes out on steam? Sorry if you've mentioned it before but I haven't seen it and I'm looking foward to that happening and just wanted to know :) 

It’s gonna be a long time, I’m afraid. There’s no estimate right now.

I started playing Our Life with my sister a while ago, and I think you guys should know that we discovered your secret. >:)

L from death note and Cove are clearly the same person, and this whole game is just an origin story!!

I’ve never seen that show so I’m sorry to say I don’t understand the connection/reference you’re trying to make. I’m pretty out of the loop when it comes to media. I don’t watch movies or TV.

Will OL2 have options for disabled MCs?

I understand if it's too complicated, just curious

Unfortunately, it’s not really something we have a plan for. We couldn’t finish the game if we tried to include every disability and have it be meaningful. It’d just be too much content to create. But if we decide to only include a few, how would we choose which disabilities get to be represented and which are left out? I don’t know. It’ll probably have to be something we don’t include as an option again, sadly. I’m sorry.

playing our life > anything else 

Haha, I’m glad you’re enjoying it.

Honestly, I would like to thank Our Life for helping me come to terms with my sexuality. Before, I never would've actually thought that it was possible to like boys romantically and still be asexual. Almost all of the BL visual novels I've read had unskippable sexual content in them and it honestly just didn't click with what I feel. I'm glad I found Our Life. I love the game, the developers, and this fandom so much. Now, I can safely come out as homoromantic AND asexual (at least anonymously here anyway; my parents are still huge homophobes 😂). 

Aw, it’s great to hear you felt comfortable being yourself in the game! That’s wonderful. I’m really sorry about your parents, though.

Will the demo for OL2 be on android? Really not sure if I could wait any longer than I have to aha 

Yeah, it’ll be available for Android once we eventually release a demo!

Do all these reveals perhaps mean development is progressing ahead of schedule? Please let that be the case I'm already obsessed with Qiu 

No, sorry, aha. Art comes along much faster than script/programming-work for us. It’s gonna be a long time before the game is a finished thing you can actually play. But at least we can look at the beautiful images.

Hey! First of all I wanna say I reallllllyyyyy loooovvveeee Our Life and XOXO Droplets! I have over 300 hours of playtime on Our Life… Anyways, I was just wondering, are the Derek and Baxter DLCs going to come out at the same time? If not, which one do you plan to release first? :3 

They will come out separately and Derek will be first! Glad you like the game.

I keep replaying Our Life to get every possible iteration and I am loving it <3 I was wondering if Cove gets locked out of his confession because MC was talking to Lee, would it be possible to confess to him in step 4? 

Yeah, you can avoid the confession in Step 3 and then get it in Step 4.

Hi, my Cove wears bracelets through step 2 and 3 but I still don't get an option to give him a bracelet? I didn't even know that was possible until I seen someone else ask about it lol 

Hm, did you use the Cove creator? Maybe there’s a bug where using the creator to add bracelets doesn’t fulfill the requirement to give Cove a bracelet in Step 3.

Wait, I'm dense, when does Baxter appear in step 2? Is it from big park firework? I feel so bad since i really love Baxter and waiting to buy his dlc. 

It’s in the Soiree Moment. You have to be just friends with Cove, indifferent, or crushing but not ask Cove to the dance at all. Then while there you can find someone new to dance with. But if you bring Cove to the dance while crushing, the MC won’t wanna dance with anyone else so you can’t get the scene.

In step 2 when we go to the soiree I made my mc go alone and baxter chooses the mc to dance, i'm curious, why did he pick the mc? sorry if this has been asked before! 

Because the MC looked to be around his age, seemed to also be searching for a partner, and had nice legs. A perfect option for him.

I read some of the FAQs, and I saw that we could tell Baxter about the condo that he rented there was previously the mean old grandparents. how do we get the mc to tell him that? 

It happens in the DLC Moment “Late Shift”. If you don’t have a job you instead get a longer scene with Baxter.

I don’t know if you’ve addressed this or not, but are you planning on paying voice actors for our life: now and forever? 

Yeah, we pay our VAs in all our projects.

hey can i ask how you did the moments thing in ol? im trying to get into making visual novels and while im VERY sure its out of my comfort zone and all that atm i kinda wanna know just for the future, bc im p sure it would work well for something i wanna do :O but its also fine if you cant say for other reasons :> 

I’m afraid I’m not sure what you mean. Are you asking how we programmed the screen or something script related? Adding Moments like that is pretty straightforward, though. You just have buttons that open to different labels and then the scripts are essentially individual short stories/vignettes. Good luck with your VN!

Since Autumn becomes gender fluid later in the game, will there be a character who remains as he/him to romance in game? 

OL1 has the he/him LIs, OL2 is all about other genders.

I don't want to impose on your creative plans, but a parrot could possibly make a good pet in an OL-type game? They're pretty long-lived and likely to still be thriving by the end even if the MC got them back in step 1. 

I do appreciate the suggestion, but I’m afraid it’s not likely going to happen. I understand there are technically some animals that could theoretically live long enough to last the whole game that or we could have the MC only get a pet after some years have already passed. But the many things that would have to be considered/accommodated for makes it just something we probably can’t manage adding. I’m sorry.

As time passes will we be able to see Qiu and Tamarack's other stage arts as well?

They are both so cute i can't wait to be friends with them!

Yeah, we’ll show content from other Steps in the future. It’ll be a little while from now, though.

Can you date Cove and still have your family comfort you in the car?

You can’t get Cove’s Step 3 confession scene if you have the family comfort you in the car. But that’s not the only way to date him. You can get together with him earlier in the game or later on in Step 4.

Is Mc always going to be the one walking down the aisle or could Cove do it? Also could you choose to have one of your moms walk you? 

No. Cove wouldn’t want to walk down the aisle like that and the MC automatically respects that. And the MC also gets to have their preferences respected, so it’s up to you whether they want to do an aisle walk or not. You also can pick who, if anyone, walks with you.

Once step 4 is out, will you be able to go the whole game on crush/love without either of you confessing? 

Yes, as long as you tell the game you don’t want to progress the relationship. Even in Step 4 it won’t force you to officially get together.

Howdy, so in Step 4, there will be any Romance with Derek that is not part of any dlc? 

He’s only a friend unless you get his romance story.

Will the step 4 in OL2 be one big step or are you considering moments? 

Step 4 is just an epilogue in both games.

hi kind of a weird question but!! we know tht cliff doesn't start dating again but. wht abt flings? like does he ever do 1 night stands or anything? thank u!!!!!!!!!!!! 

Nope. Cliff has a very small interest in sex. If he’s not in a real relationship with a partner he’s crazy about it simply isn’t something he feels a need for, so one night stands wouldn’t even cross his mind.

sorry if you've already answered this, but i was wondering if there were plans for there to be bonus love interests in OL2 like how we have derek and baxter in OL1.

Maybe! There are side characters who could be given romance stories, but whether or not it will happen depends on funding and how long everything else takes to finish.

I don't know if i'm allowed to ask about ol2 here yet, if not u can ignore this or answer it later. My question is can you date one of them and be good friends with the other? I don't want to be strangers with the other bcs i love them both a lot :<

Yes you can!

what patreon level do i have to be to unlock the nsfw moment? im on the $5 one right now, will that give me access to the moment, or just access to the moment progress? 

That’ll give you access! Tier 2 and anything higher allows the player to download it.

[immaturityofthomasastruc]

Lila Rossi: I’d Say She’s a Good Villain, but Then I’d Be Lying (300 Follower Special)

Deception and cunning are easily two of the most important traits an antagonist could have. It shows that even if they don't have the strength to overcome obstacles, their wit is more than enough. This kind of trait is why characters like Lex Luthor, David Xanatos, and Princess Azula are so beloved, simply because of how intelligent they can be as villains and pose a real threat to the heroes.

It's clear that the Miraculous Ladybug writers want Lila to be seen as this, but the writing seriously fails to back that claim up.

Easily one of the most controversial characters in Miraculous Ladybug is Lila, mainly for the writing surrounding her. But there was a time where she was actually more of an ambiguous character, mainly for the lack of screentime she had until Season 3. But unfortunately, the more appearances she's had have painted a very poor portrait of an antagonist.

Lila's Tragic and Sympathetic Motivation for Hating Ladybug

Lila's first appearance was at the tail end of Season 1, “Volpina”. She was a new transfer student from Italy, and quickly made friends with a lot of her classmates for the lies she told, including being friends with Ladybug (which Alya blindly believed without doing any research like any excellent journalist). But because of how close she was getting to Adrien, Marinette, in a rare act of selfishness, transforms into Ladybug just to chew out Lila for lying about knowing her, humiliating her in front of Adrien. And this is the only motivation we get for what Lila does afterwards.

I'm not saying that it's wrong for Lila to get upset at Ladybug for doing this, and I like the moment of weakness Marinette has, but this is literally the only explanation we get for Lila deciding to side with Hawkmoth, a literal terrorist. As much as I hated the way the arc turned out, I could still understand Chloe siding with Hawkmoth, as it was clear that Hawkmoth was manipulating her and taking advantage of her ego. Lila? Ladybug's mean to her one time, and that inspires her to conspire with a complete stranger who brainwashes people to attack the city, which endangers innocent people and causes God knows how much in collateral damage if not for Miraculous Ladybug fixing everything.

I just don't get how a single negative interaction with someone is enough to conspire with a literal supervillain. Even in Season 3, when Marinette and Lila truly became enemies, it was because she risked exposing all the lies she told, which could damage her reputation. Sure, it's petty, but it makes sense for Lila to want to keep up the illusion. If she was simply an antagonist to Marinette in her civilian life like Chloe was before “Miracle Queen” , I'd be fine with that, but the writers clearly want her to be seen as on the same level of evil as Hawkmoth. I'll get into why that doesn't work later on.

Why Lila is an Excellent Liar

In my Master Fu analysis, I had pointed out that despite all the flaws he had, the narrative insisted on portraying him as an incredibly wise mentor. The same problem applies for Lila as well. We're supposed to see Lila as an expert manipulator and liar, but her lies are insultingly obvious. She always claims to be friends with celebrities and does all these awesome things, and in an age where we can have almost any question answered thanks to the internet, nobody ever stops to question her.

It's even more frustrating when you hear Lila talk about saving Jagged Stone's cat, when Jagged Stone is established to be very fond of Marinette (evidentially more than his own daughter), and nobody ever points that out. I think if Lila's lies were more stories about her travels around the world than outright lies about real people, it could have worked. It'd still be hard to believe, but it's something.

But this is a problem with writing shows aimed at children. As much as we hate writers who need to spell out things to kids, sometimes, they just don't understand some of the media they consume. Seriously, I never got this joke in SpongeBob as a kid, and I can't believe Nickelodeon actually approved this.

So the dilemma when writing a show with children in mind is finding that sweet spot between assuming your audience can figure it out, but not being too vague in your details. It's even harder when you need to find a way to convey the fact that someone is lying without being too obvious. Unfortunately, the show clearly fails to do that

Okay, this is going to sound like an incredibly weird thing to cite, and I only know about it because I used to know someone who was a huge fan of the franchise, but the movie Monster High: Friday Night Frights does a better job of subtly explaining to the audience that a character is lying. Please, just hear me out.

The movie follows the main characters competing in their high school's roller derby for the season after everyone on the usual team gets injured, and the championship match is against another school whose team tends to cheat to win matches. How they manage to do this without getting caught is anyone's guess. While the main characters are practicing, their coach, Clawd, notices a spy for the enemy team taking video of them to study their moves. In response, he calls over one of the athletes, Operetta, to chew her out for her showboating attitude. In reality, he's alerting her to the spy. Only using facial expressions, he clues her, and by extension, the audience, in on the fact that they know what the opposing team is trying to do.

This soon leads to Operetta pretending to tell the enemy team about their secret plan for the championship match, which was really an attempt to outsmart them to gain the advantage in the final stretch. The brilliance of this is how the audience is informed of this with no dialogue, and there's no scene afterwards spelling it out for those who don't get it. It manages to convey deception without being too obvious that Clawd and Operetta are being deceitful.

I think if there were more subtle hints to show the audience Lila was lying, she would be seen in a better light. As it is, Lila's lies are just pathetic, and it's ridiculous that everyone believes her. Which leads me to...

Lila, the Master Manipulator

I once read a Star Trek: Voyager fanfic that poked fun at the series by claiming that the reason a lot of the dumber episodes like “Threshold” and “Twisted” happened was because one of the crew members was an alien who unintentionally produced mood altering pheromones, with Captain Janeway actually realizing they were all high because of said pheromones, while two of the unaffected crew members were wondering what the hell they were doing before they found out the cause. Why do I bring this up? Sometimes, it feels like Lila is an unintentional parallel to the alien in that story.

Like so many characters, it's clear the show desperately wants the audience to view Lila in a certain way, but her actions do very little to actually back up that claim. When she's not using lies to tell stories about so many famous people she knows like her uncle who works for Nintendo, Lila is using strategies to manipulate everyone that are so obviously deceptive, the Thermians could pick up on them. Everyone and their mother knows how ridiculous a lot of what Lila does in episodes like “Chameleon” and “Ladybug” are, and I've talked about them before, so I'll try to be quick.

First off, as someone who had access to accommodations through high school and has had assistance in college so far, there is no way in hell that Ms. Bustier should take Lila's tinnitus at face value in “Chameleon”. If a student has a disability that could interfere with the education process, physical or developmental, not only does the school have to evaluate their performance, and determine if they're eligible for an Individualized Education Program, or IEP, but her teachers would have to be notified in the first place. As her primary educator, Ms. Bustier would be part of the team to oversee Lila's IEP and determine what accommodations she needs to help her learn better with her tinnitus and arthritis. But because the writers don't know what Google is, they just ignore it,  assume that Lila can just say she has a disability, and have everyone believe it. Even when Eric Cartman pretended to be disabled to compete in the Special Olympics, he put in more effort to look the part, even if he looked like a caricature.

Then there's the fact that that in “Chameleon”, everyone just believes Lila when she says Marinette stole her grandmother's necklace when not only is said necklace from the Agreste line of jewelry, but Alya, who is Rena Rouge, can't pick up on the fact that it's a fake. All she does to justify these lies is come up with a sob story about how nobody believes her, yet nobody ever tries to defend Marinette except Alya one time, and it was after she got expelled.

Or what about in “Oni-Chan”, where Lila thinks having Kagami kill Ladybug while claiming she'll back away from Adrien is a good idea? Let's say Oni-Chan does kill Ladybug or at least take away her Miraculous, what then? We know Lila wouldn't go through with this promise, and as soon as Kagami sees her harassing Adrien, she'll be ripe for akumatization again. Overall, not a great plan.

And yet somehow, this last example is what made her worthy enough to become one of Hawkmoth's most trusted agents. I'm just going to say it: Lila is not a good fit for the power of illusion. Whenever she's Volpina or Chameleon, she always goes out of her way to make a big show instead of being subtle with her deceptions. “Chameleon” is the worst offender, as even though Lila gets the power to shapeshift into someone else, instead of being discreet and cornering people into kissing them and gaining their appearance, she just runs around to get Ladybug's attention instead of being subtle. Even Felix had the bright idea to pretend to be Adrien to catch Ladybug off guard. How do you lose to something that happened in “Felix”?

Despite all of these screw-ups, we're still supposed to see her as this master of deception worthy of allying with Hawkmoth in both his supervillain and civilian form, when really, she's a terrible liar on the schoolyard and on the battlefield.

Why Lila is an Important Character

In the grand scheme of things, Lila just isn't as important of a character that the show loves to parade her around as. She's nothing more than a plot device used to raise the stakes in an episode, given how much reality seems to bend over just to accommodate for her lies. Even when the show alludes to her being part of bigger things, like her deal with Adrien, or her rivalry with Marinette, they don't even go anywhere.

She just feels pointless when you remember Astruc's brilliant idea to force Chloe into being the final Akuma for the season while Lila isn't even mentioned once. She only really makes appearances whenever the writers feel like it, which is why it’s hard to take her seriously. Why should I take this character seriously as a threat if the writers refuse to take her seriously as a threat? Why build Lila up as a big threat and not give her a major role in the finale? Why even include her in the show in the first place when you could show Chloe being more manipulative to fill in the plots Lila plays a big part in?

As of the time I am writing this analysis, four episodes of Season 4 have aired, three of them have been about lies or deception, and Lila hasn't been mentioned at all. It honestly seems like she won't appear unless the writers need a easy way to drive up the conflict, so they can justify it by saying that Lila's “superpower” of lying is more powerful than the common sense of everyone else.

I'm sorry this post was shorter than the last one, but compared to Master Fu, there's not that much to say about Lila that I haven't already said. Even the show barely gives her any attention, so it's hard for me to really find a lot to talk about.

[doctorbunny]

MILGRAM theory time: Haruka!

This isn't going to go super in depth (famous last words) but there's a few heavily debated parts of Haruka's MV I want to share my findings/thoughts on because I think this is my new special interest and during my quest to get best boy's song to 1 million views I have been looking over his first MV with a fine tooth comb so to speak.

Disclaimer: As the Jackalope said in the "This is the MILGRAM" trailer, we don't necessarily know everyone's crime from just the first video, its possible that a lot of things will be re-contextualized in the second MV, however I am not psychic or bilingual and thus will only be working with content released before August 20th 2021 and translated into English (which could cause some language/cultural details to be lost on me as translation is not a 1 to 1 process).

TW for discussions of ableism, child abuse, murder and animal death. Also this is really long so sorry to all the people that follow me for non-MILGRAM stuff

Firstly, I want to start on the topic of Haruka as a person. He is disabled. He does not have 'the mind of a child' (although he is 17, making him legally a minor in both North America and Japan). He is not just 'child-like'. And he is not mentally ill (well he might be, in the sense that many disabilities like Haruka's have strong comorbidities [where a person has two or more conditions but neither directly causes the other] with anxiety, depression and PTSD, but usually when I see people talk about him 'struggling with mental illness' they go on to refer to aspects of his disability). Sometimes on tumblr, people like myself, will see canonical traits written into a character and identify them as being traits associated with our disabilities/mental illness and headcanon them as such. Sometimes this even involves saying things like "It's basically canon!" Although we understand that these characters were probably not the result of a writer intending to write a disabled person. When I say that Haruka is being written as a person with a neurodevelopmental disability, I mean the writer intended to write a disabled character and wrote them in a way that they wanted the audience to pick up on. As an autistic person (which is one of many neurodevelopmental disorders and also something I probably didn't have to specify because who else would be writing an essay about a series they got into a few days ago at 11 o'clock at night) I really like how Haruka has been written so far. There's definitely some parts of him that have been exaggerated so abled normies can pick up on his disability (namely how his MV 's main motif is really child-like drawings) but the writers also included a lot of smaller details I appreciate like how it is noted he avoids eye contact when talking to other people and is depicted as nervously pulling at his sleeves in official artwork, or how he says he finds his prison uniform (which has tight straps) 'relaxing' and when he gets nervous/tense, he will dig his fingernails into the palm of his hands. (These last two potential being examples of 'self stimulation' [aka stimming] where a person seeks out specific sensory stimuli in order to help regulate their nervous system/emotions, in this case the tight uniform creates a comforting, secure feeling [you may have heard about some people preferring to sleep under weighted blankets for this reason] and digging nails into his palms sounds uncomfortable/painful but is done in an attempt to deal with a greater sensory discomfort caused by the situation/environment) I also appreciate the depth he is written with, he struggles to communicate verbally but in his MV and interactions with other inmates is shown to have insecurities, opinions and a consistent thought process (this is all basic character stuff but unfortunately not always present in disabled characters)

Also I want to add that (in terms of what we've been shown so far) Haruka did not kill anyone because of his disability/mental illness. Disabled people are not inherently more innocent than abled people. But there is no disability/mental illness where a symptom is that you kill people and real people have to live with the stigma when you speak carelessly and suggest things like "Haruka is the kind of mentally ill person who kills people as a cry for help" 🧂 (or at the very least real people have to read BS like that and cringe). TL;DR Haruka is less child-like and more onion-like (as in, he has layers) 🧅🧅🧅

Now is the actual theory stuff, oops:

Every prisoner in MILGRAM is supposed to have committed murder in some way, obviously considering Yuno just had an abortion (which i personally do not consider an act of murder) whilst Mu literally stabbed someone to death, this definition is stretched a bit. But it is not agreed upon yet who Haruka killed/how many people he killed or why he killed.

In his MV he is shown to have chased after his dog into a forest, seen something off-screen, then beaten something into a messy pulp with a rock. Some people think the dog is a red herring and that Haruka actually killed his mother/the girl from the fireworks show/his brother. I do not agree.

First: I believe Haruka when he says he doesn't have a brother. The MV literally starts by Haruka looking in the mirror and then switching between the him now

and a really similar looking younger child who just so happened to be a key feature of his memories (I don't have the vocabulary to explain it but its like cinematic parallels that establish this is the same person at different points of their life)

Its not impossible that this is Haruka's secret younger brother, but i think its unlikely. I saw someone saying they had to be different people because Haruka looks less happy than the child but like, most 17 year olds are less visibly happy than when they were 7 (or however old the child is meant to be). Life happens.

So when Haruka is shown pushing the child around and eventually strangling him, this isn't meant to be literal (homicide or suicide), but a representation of how conflicted Haruka feels about his younger self, who may have committed the murder (if you've ever been kept awake cringing at memories of something you said in the past and wishing you could go slap some sense into your former self, this is like that but 10 times more self loathing). The lyric "I am always repeating yesterday," implies he might think about this specific past event a lot.

Moving on, its pretty well accepted that Haruka's parents were abusive in some way and Haruka internalised a lot of it: he constantly apologises, he says in his interrogation questions that his one wish come true is that "[he] want[s] to be loved" and describes in his MV how when he couldn't find the words he was looking for ("you're unfair") one of his parents "would get angry at me and say “You’re hopeless.”". He seems to know its unfair but also still says he 'loves' his family, possibly mistakenly believing it is his fault, but also showing an awareness of his situation (and how his parents might behave).

Now, the MV is stylised in a way that makes certain details unclear, but there is one clear detail showing that Haruka's dog was killed

This is the first close up of Haruka and the dog. Haruka's mother is just out of frame supervising, but they look pretty happy. Notice how the puppy has a silvery chain for a collar. Somehow, this dog gets out of the house but only Haruka is shown chasing after it (whether his mother was searching elsewhere or didn't bother following her disabled son into the forest is unclear). Either way, young Haruka is now in the forest, unsupervised.

By the time he finds the dog, there is already blood, suggesting it was initally attacked by something else.

is this a sigh of relief from a boy whose finally found his beloved pet or a jealous weakling glad that nature took its course and he is finally free of that meddling mutt stealing all his mummy's attention? /j

I think this shock at the discovery that 'there is blood on his hands' could imply that rather than literally getting the blood from his dog, Haruka has seen his already injured dog and realises that if the dog got out because of him (he is previously shown to be aware his parents seem to blame him for everything) then he is the reason his dog is injured/dying and will be blamed for it. (this scene plays over the lyrics "It’s fine, though it’s really not It’s really fine, though I don’t really think so When I tried to understand it, You’ll make that disappointed face again" suggesting he is trying to avoid making his parents disappointed and letting the family pet escape into danger is something that could make them very disappointed)

now we get into rock murder (this is present-day Haruka implying that this is either: not how the scene really played out; the writers really wanting the audience to know that this was Haruka's doing and not someone else's; or this turns into a separate incident that happened much later [although note that the red sky and blue moon is the same as when young Haruka first appears at the start])

b the corpse is beyond mangled now, but its clearly the dog because the silver chain collar is still there, to the right of the body. (circled in red for your convenience :3)

My hypothesis is: Haruka didn't set out to kill his dog, but upon finding it injured (we don't know the severity aside from bleeding and also it not being able to run away from Haruka kneeling down above it w/ a big rock so it could range from treatable with a lot of vet help to already on death's door, TBH I don't think Haruka would know the difference) He knew he'd be blamed for this; made into a villain who let the poor puppy come to harm. He panicked and killed the dog out of some idea that it would make him the victim here (since he'd be found crying over a dog corpse, which might make a parent go comfort him rather than getting angry about what could've happened to the dog). This is over the lyrics: "I cried, I screamed I wanted to be a pitied and loved weakling I was in denial, I was in denial I just had to make sure I’ve become a victim, I’ve become a victim" (there's another theory that he was also jealous of the dog, which could work here too, since this is not some calculated plot; rather its a rash decision) This ties in with his Japanese song title (translated as Weakness) which is a play on a phrase sort of like "The strong eat, the weak do not" to become "The weak are eaten by society" or "The weak eat each other to survive" [once again I am reminding everyone this is based on second hand information from the youtube comments section (from users mitchki and Alphaistic) because I do not speak Japanese] This second meaning (The weak eat each other to survive) makes sense under the reading that Haruka killed his dog in order to 'survive' making his parents disappointed for the dog escaping.

Miscellaneous points:

We don't know where Haruka's necklace came from yet, it must be a gift since the most expensive thing he's ever bought was cotton candy. The younger child in the video isn't wearing it and neither is his mother or the girl in the purple dress.

Haruka's home seems quite big, at the start we can see a large flower garden outside the window and there's a forest in walking distance. This might suggest his family is quite wealthy

Haruka probably did go to school at some point as homeschooling is not a legally accepted as an alternative to public schools in Japan. (However it is estimated that up to 5000 families homeschool, this is uncommon) A lot (about 62%) of Japanese schools apparently have a 'special needs' classes and there are about 505 schools focused on educating intellectually disabled students (although I do not know which sort Haruka would've needed as whilst intellectual and development disabilities can be comorbid they aren't the same). Now, if children aged 7-14 don't go to school, their parents receive a fine, but its possible that if Haruka's parents are wealthy, they just paid it to avoid sending him to school. (This might imply they wanted to hide him or were generally ashamed of him in some way) However high school education (for students over 14) is not legally required and its likely that even if Haruka went to elementary/middle school, he hasn't been around people his own age in at least 3 years. As he seems quite lonely and glad that the other prisoners give him attention.

I don't think Haruka's parents are divorced and if they are, its not his father who left. Haruka mentions in the 30 questions that he thinks he disappointed his father. But still includes him as part of his family ("My father and mother and me"). A theory I've seen is that his father was disappointed by his son being disabled and left. but developmental disabilities (especially in non verbal and semi verbal children like Haruka) can be diagnosed before the age of 3, so I feel it is unlikely that Haruka would bring up his father if he left that early in Haruka's life

All MILGRAM prisoners have covered one of DECO*27's older vocaloid songs (DECO*27 is a well known producer who composes the music for MILGRAM) Haruka covered 'Two Breaths Walking' (https://youtu.be/puXLfVWrz2Q) which is about a boy's first relationship and how his mother's jealousy set him up for failure as the relationship becomes toxic (specifically it has some very funny out of context lines like "Whose breasts are you sucking on now?") so yeah, mommy issues: the song (Also: some people say in the song, the boy kills the girl at the end, but this isn't literal, TBW is the first of a trilogy of songs about the same relationship, it is followed by Android girl then Two Breaths Walking: Reloaded and the story resolves with the couple reuniting as adults and getting in the relationship again, although its not necessarily as abusive as before, its still implied to be codependant ending on the line 'We should live like oxygen tanks, sucking breathe from the words each of us exhale, until our last breathe')

In all seriousness, the scene where younger Haruka is walking through the city with his mother but it keeps repeating until older Haruka pulls the younger one away might indicate an attempt to focus the happier memories of his parents (since this is also over the lyrics "Why is it breaking? Tell me why? Please don’t change If I tried and couldn’t say it, You would get angry at me and say “You’re hopeless.”" which depict a worse scene) I think both his parents are still physically present but have become far more emotionally distant, not giving him as much attention, which exacerbates his loneliness from not having any friends his own age to talk to

And if one of his parents did leave? I think its likely his mother since she is shown disappearing out of his reach after the dog-incident (inferring she got angry/disappointed in Haruka anyway) This could also be where he got his necklace from: Its something his mother used to wear (although this is 100% a guess) and that's why its shown to be important to him

This one is just me, but i didn't realise until a rewatch that when Haruka is watching the younger him and the girl running together, the background has fireworks. Haruka mentions fireworks being a key memory to him so I wonder if this was one of the first/last times he got to make a friend...

On three separate occasions in the interrogation, Haruka mentions not liking animals. Despite this, he is depicted as sleeping with a rabbit plush and on his birthday art (I'd include that too but tumblr only allows 10 pictures per post, so here's a link) he is standing next to a giant blueberry and strawberry cake with two bunny themed biscuits at the side. Through my experiences of seeing Japanese fandom art on pixiv, sometimes rabbits are used to insinuate a character is cute and timid in fanart.

Meaningless details: Haruka sleeps with his necklace on; he sleeps on a bed and not a futon; at first I thought he woke up holding his plush's hand but his hand is merely next to the toy; and considering the state of the pillow and blanket, I wonder if he moves a lot in his sleep or if the is just because in this case he seems to be waking up from a nightmare about the dog incident...

Final note: I've spent so many hours writing this I don't remember if i was building up to any big finale or not but I hope you enjoyed reading this! Feel free to add on in the comments/reblogs.

[animerunner]

I don't want Eda to get magic back, it would suit the TOH narrative, since it treats magic not like just some superpower.

But I just want to offer a new angle to consider. Some people want disabled character to be relatable, they want to be seen like that. And some people want disbaled character to be 'cured' or get some other fix as a wish-fulfillment. Like there is always a way to bounce back.

Also wouldn't Toph be like that? She is disabled, but she compensates with her earthbending to the point you often forget she can't see. You don't forget it completely, with the way she behaves and how sometimes she gets into situations she can't deal with or relate. But for a blind person she practically doesn't struggle. In the big picture.

Yeah there is enough issues with inspo as a whole. And as someone who has been used as inspiration and has friends who have been used as inspiration.

Including the literal 2x winner of the Boston Marathon being told she’s inspirational for just getting out of her car (yeah that was an actual thing that happened)

I feel like we have more than enough characters that fulfill the wish quota. And it honestly seems to do more harm than good right now

Maybe eventually if society would understand we don’t exist purely to provide inspiration for them. The trope could work on a non harmful scale

But right now there are far too many problems unfortunately with it as a whole.

And I get wanting to be seen like that. I see a lot of myself in Eda. But as I’ve said before there’s a lot of issues including the above about giving Eda her magic back.

Onto Toph-

I can’t remember if I talked about Toph on here or not. I know I did on TikTok. I don’t think I did.

But the main point here is earthbending still is more of a standin for an aid. Than I would call a fix.

And as I’ve said before in relation to some of the odd sentiment involving Eda getting a prosthetic having an aid does not make you suddenly not disabled.

And if your used to using an aid. And know how to use it well it can seem like there is a lack of struggle.

But how much your aid helps doesn’t change at the end of the day your still disabled. This isn’t supposed to be a competition (and I know you didn’t mean it that way but there are people who will view it that way) and the idea of someone is less disabled or ‘fixed’ because they know how to use an aid to navigate around their disability to a heavy extent

Opens up its own issues and discussions in the community.

Having an aid help to a certain point is not the same thing as curing a disability.

And this feels like we’re starting to go into the models of disability (societal vs medical). Which is a whole convo I’m not really in the mood to have right now.

[hmslusitania]

Honestly, I don't hate Ana (Taylor is a different story but we'll get to that later) I'm just not sure about her relationship with Eddie. Like you pointed out before, her way of talking to/about Christopher and her whole limiting of what he could do was a little...I'm not sure how to put into words how it made me feel. Then came the whole thing of Carla and her infamous quote and the relationship just seemed more shakey than before.

Taylor though... 👀 Again, like you said, she is quite derisive and for no good reason. Like I didn't like how they made Buck seem like he was pining after her and that she didn't even care for him. Friendship wise maybe they could work out (she doesn't seem like an asshole) but relationship wise (even without shipping Buddie) she's- I don't think she's good for Buck (and he deserves the world).

Also, I feel like their attraction was sort of forced (especially in the beginning). Buck went to thank her for not showing the whole clip and Bobby's high version and she said that her station stopped her. She had such little regard for the 118 because she wanted to 'be a reporter her whole life' and 'show the true story behind the people that save the city' and Buck calls her out on it and shows he's genuinely hurt, but her cameraman tells them to get a room? I'm sorry? Did I miss something? Like I'm sorry your dreams made you a shitty person.

I had to replay that scene to see if I actually did because what the fuck? Taylor admitted to wanting to hurt his family and air their secrets out just so that she could get a better job at her station and Buck's gonna wanna sleep with her?

Even while she was filming, she had little regard for them and while some of them wanted to talk and actually said really heartfelt and motivating things, Bobby didn't want. But all she could think about was her story.

Why does Buck like her again? Other than the fact that she's pretty and 'exciting'?

Sorry for the rant (though it could be longer but I hate typing on my phone🥴) I just really ha- dislike Taylor and sometimes Ana.

I've said basically everything I can say about Ana at this point without harping on the point. It's a bad match. Eddie's entire goal in life as we've seen it is to create a good life for his disabled son and his current girlfriend is ableist. It's not a good start or continuation for a relationship.

And then there's Taylor.

So here is my honest, possibly least popular opinion: I don't care about Taylor. I don't hate her. I don't stan her. I have...zero investment in the character. For a solid month after the finale aired, I had her both tag blocked and content blocked because I got so tired of scrolling my dash and seeing multiple posts in a row along the theme of "If you hate Taylor here's why you're wrong and also an awful person <3" followed immediately by "Here's everything wrong with loving Taylor" and so I just. Blocked all of it. Because my ideal amount of time spent thinking about Taylor Kelly is zero. Unfortunately, the show and fandom are determined that this is not to be.

I don't think any of her fans are running around being all "yes girlboss girlpower!!" about her actions and commentary about her desire to air the full tapes about Bobby at the end of Dosed (unless they also really hate Bobby, but I don't know any of the people who fall into that slice of venn diagram so I can't say). I recently rewatched the majority of season 2 for a fic and I also spent that entire storyline in Buck, Actually being like "Okay, so you keep saying you like her, Buck, but what, exactly, do you like about her/know about her other than she was going to use your dad for canon fodder?" And then she leaves him with his pants down in a parking lot and we do not see her for two seasons.

And with season 4 Taylor, I think part of the divisiveness comes from her change in character since season 2. For people who are inclined to like her, I think it's really easy to fill in the events that have led to character development, and for people who are disinclined to like her it's equally easy to be disgruntled and miffed about it because in many ways she comes across as an entirely different character. And then for people like me who aren't inclined in either direction, it's easy to be like "huh that was a sloppily executed relationship start they added that also contradicted Buck's character arc for the rest of the season."

But, y'know, it's fandom. There's always going to be a random side character who certain factions will cling to as the light of their lives, and there's always going to be a random side character who certain factions will hate always forever without question. It's just really annoying when it turns out to be the same character.

[army-of-mai-lovers]

Re: misogyny in atla fandom post. I’m a butch/gnc woman and there’s so few representation for women like me. I really relate to toph and admire her for being androgynous and masculine but still being a woman. She shows that there’s no “wrong” way to be a woman and that you can reject gendered expectations and still be female. She’s the only character I’ve ever been able to relate to for this. I feel like it’s kind of misogynistic when people HC her as a trans guy or non binary with they/them pronouns. I’m all for HCing characters as trans, but with toph it feels weird.

She’s constrained by the expectations put upon her for being a girl in a patriarchal society and also being disabled, and how those two intersect. But her acceptance of being disabled & and a girl and breaking the stereotypes pushed upon her for those facets of her identity is the whole point! And as a disabled gnc woman, I feel like stripping her of her womanhood bc she’s masculine/androgynous is the same as stripping her of her disability because she’s strong. Idk

This is a really interesting perspective, anon! Outside of tumblr, I’m a prospective gender studies minor, and in my gender studies classes we have this practice called situating. Basically, I explain who I am, so you know where I’m coming from. Esp wrt things like race, gender, and sexuality, you can read and learn and listen to other people, but you’ll only ever truly know your own experience, and it’s important for people to know that’s where your perspective on a certain debate is coming from. So, hi, I’m Arthur, I’m an afab nonbinary person who uses they/them pronouns, my gender expression is very much in a period of flux because I don’t have the ability to socially or medically transition as much as I’d like, so, at least for right now, most people interpret me as a sometimes gnc cis woman. Because I’m most often interpreted as a cis girl, even though that is not who I am at all, I experience misogyny, and that is unfortunately part of my trans experience. That doesn’t give me the authority to speak over women at all, but I do think it was a large part of me noticing the misogyny in this fandom and deciding to write what I did (and I’m so glad it resonated with you!) All of that colors the way I view gnc characters, as well as trans/nonbinary characters, and misogyny, within fandom and without. 

So, now that you understand where my thoughts are coming from, here they are. I definitely think it’s transphobic to hc Toph as a trans guy if you are not transmasc yourself. I’ve never seen trans guy hcs for Toph, but the idea of cis ppl equating this canonically cis girl character to someone who is unequivocally, indisputably, a guy, makes me super uncomfy. If there’s a trans guy out there who really relates to Toph and wants to create and develop that hc in a way that works for you, be my guest, but I do not have the authority or the desire to make trans guy Toph hcs. 

As for the nonbinary thing... I will admit, they/them Toph hcs make me feel seen, probably the same way you feel seen by Toph as an unapologetically androgynous/masculine cis girl. I answered some asks a couple weeks ago about lesbian hcs, and in that I talked about how since both lesbians and bi girls are underrepresented in media, hcs that might make one group feel seen and valued are gonna make another group feel erased, and I’m not really sure how to resolve that. The same goes for hcs around androgynous afab characters: butch women and afab* nby folks have so little representation that hcs that make one group feel seen are going to make another group feel erased. As a afab nonbinary person who uses they/them pronouns, who has never connected with any concept of womanhood despite sometimes having a pretty femme gender expression, I do relate to Toph a whole lot. I’ve also had to navigate (and am still navigating!) a minefield of gendered expectations in a patriarchal society, and talking and listening to and reading about other trans people, it seems to be a pretty integral part of the trans experience (not that there is one sole trans experience, we’re all very different, but that’s a topic for another time). The gender binary is, after all, a central feature of Western white supremacist patriarchal constructions of gender, and if you deviate in any way, whether it’s through being gender nonconforming, or through being trans/nonbinary, you’re probably going to have to fight really hard to exist and survive and feel confident in your body and your expression, because society is constantly sending you the message that you are deviant and thus not worthy. And it’s nice to think of your favorite character as having some of the same experiences you do. 

I will say, I see they/them Toph headcanons more often than I see they/them Katara or they/them Yue, and I’d encourage people to really dig deep and think about why they’re more comfortable hcing an androgynous character as being nonbinary than they would be a more obviously feminine character (especially since nonbinary folk come in all gender expressions). I also would just love to see more transfem hcs! People for whatever reason seem way more comfortable hcing male characters as trans guys than they do hcing female characters as trans girls (and the reason is transmisogyny--Mae @transtenzin made a post about this a couple months ago about how most transfem atla hcs are characters like Smellerbee, while transmasc hcs can center around more major characters like Zuko or Sokka--a wonderful post that I would link to if tumblr’s search function weren’t absolute shit.) 

But at the end of the day, I am going to have to disagree with you on thinking of nonbinary Toph hcs as misogynistic, because I know as a disabled afab nonbinary person myself, I’ve dealt with a lot of the same struggles that Toph deals with in the show, and I’m sure there are a lot of other afab nonbinary folks who feel the same way. However, I understand feeling frustrated by people hcing a canonically androgynous female character as nonbinary. I hope what I’ve said here can offer you a little insight into the other side of this, and I so appreciate you offering me insight into your side. 

Another thing to note: while I haven’t seen trans guy Toph hcs, I have seen people hc Toph as a he/him lesbian. He/him lesbians are of course a valued part of our community, and I applaud any and all he/him lesbian Toph hcs. Pronouns =/= gender. 

Tl;dr don’t hc Toph as a trans guy unless you are a trans guy and even then I would tread lightly, gender and transness and representation is complicated and I’m not entirely sure how to resolve conflicts between different groups of marginalized people who are trying to find rep in opposing hcs of the same character, and imo hcing Toph as nonbinary is not misogynistic (but my opinion is not the final word on any subject!) Also, we stan he/him lesbians. 

*amab nby folks of course also receive very little rep, probably even less than afab nby folks, and that is a very important conversation to have, but seeing as 1) this ask was about hcs for an afab character, and 2) I am not amab and therefore very unqualified to lead a conversation about hcing certain characters as amab or the larger field of amab nby rep, I thought it best to focus on afab nonbinary people in this post. 

[keanureevesisbae]

The alluring charm of Henry Cavill - Chapter 1

Summary: Adelaide Park meets Henry Cavill for the first time and she is obviously very nervous. 

Henry Cavill x Adelaide Park (ofc)

Wordcount: 3.5k

A/N: If you want to be on the taglist, just let me know. And please let me know what you guys think. I’d love to hear your thoughts about it 😘 

Masterlist // Introduction // Next chapter

I’ve never been to Italy before. Actually, before I was a renowned actress, I never came outside of LA. Growing up, my parents never had the money to go to a different city, let alone other countries. My vacations were spend solely in our small one room apartment back in Los Angeles by myself.

My parents were never rich. My dad worked long hours in a factory every single day, but earning just enough money to pay the rent and for me and mom to eat. One night, I saw him scraping the packages or our plats clean, so he had something to eat as well. After I saw that, I never ate all the food off my plate, because I realized that my dad was working the hardest, but was eating the least.

It always broke my heart to see both of them struggle. My mom used to be a cleaning lady, but after she got fired, she became a live-in nanny, which basically meant that from my sixth birthday, she was barely home anymore and I had to raise myself.

Hours on end I was alone. Back in school I barely had any friends—correction: I had no friends at all—and when I came home from school, I’d sit outside to do my homework, because dad didn’t have enough money to get a second set of keys.

I never complained about it, because I knew they were trying and I learned all too well from that one time when I asked for a Barbie doll back when I was five and I kept crying about it, because other kids had Barbie dolls and I was the only one who didn’t. My mom got so mad, that she grabbed my empty plate and threw it against the wall, while she was screaming something about how ungrateful I was. Mom never got mad, she was always admirably calm and collected, even when life got in the way like it did with us. Seeing her like this, meant she was serious and I never said anything about something like that anymore. I never asked for anything, at all.

Don’t get me wrong, I love my parents and I am so thankful for everything they taught me and did for me. It may have been a hard time, but every year for my birthday, they gave me something. It was always something I really needed, but I always appreciated how they went out of their way for me, wondering how many meals they skipped for this present.

It all became worse when I finished high school at the age of nineteen. I was older than everyone else, since I read so slowly and didn’t even understand it most of the time, causing me to get behind on many classes over the course of the years. Besides, our school wasn’t known for having the best results overall, so the fact that I didn’t score well, meant I was blending in with the rest.

I was working in a diner, because I wasn’t smart enough at all for a scholarship, when my mom got in a terrible accident, when she walked back home and she was hit by a car who ran through a red light. She was paralyzed from her waist down and besides the high hospital bills, she also needed psychical therapy, something that unfortunately isn’t free.

With what my dad and I were earning together, we couldn’t even pay two percent of those costs. I was thinking about putting myself up on a sugar daddy website, but I know I couldn’t lie to them, when I would come back with a lot of money. Besides, my dad was always very strict about what mom and I could and couldn’t do to make money and sugar daddies were off limits. He told me multiple times—even after mom’s accident—that we had nothing to worry about. That he would take care of it.

But I had something to worry about, because my father wasn’t getting any younger. He had been working too hard for too long and all he wanted, was staying with his wife, who he still loved so so much, despite everything they had gone through. I took up more shifts at the diner, only slowly coming to terms that, even with the tips I was receiving, it was never enough to cover the bills.

In about two months, my mom would be discharged from the facility, if we hadn’t paid at least something significant.

One day, I was walking back home from work, when I saw a huge billboard, with a message that a studio was looking for someone to star in one of the biggest sitcoms of that time: Remembering High School. Apparently, one of the new main characters (who was an adult) was having a flashback from when they were in high school—the main premise of the show. And that character happened to be an Asian lady.

I went in and decided I would try it out. I mean, I had no acting experience and solely did it to earn some money, but being Asian American was apparently enough and that was the beginning of my acting career.

At first the amounts of money I made were not enough to cover the medical costs, but it was enough to delay further payment and my mom could stay in the facility.

For years I had difficulty with reading, let alone reading out loud, with an audience, but somehow on the set, I could forget about that. I could finally be someone I really wanted to be. For a few moments I could forget all the sorrows and worries I had resting on my shoulders.

The first five weeks, I’d combine my new acting career with my job in the diner, but after awhile I became a recurring character and for a whole year, I was part of the cast. I remember walking into my mom’s room, showing both her and my dad the first episode I was going to star in. ‘I’m from Minnesota,’ was my first line and the beginning of a very promising career.

My parents were so proud of me. My dad didn’t even care about the money I made at first, because he was so happy that I was doing something that from the looks of it, I actually enjoyed.

Over the years, I’ve come to love acting, but no one knows I do it because of my family. Actually no one knew about my family situation and since I have zero friends, even in the industry (because I barely talk about my personal life and I never budge, even when the try to pry information about it. My co-stars are acquaintances, almost like neighbors: you know one another, but you don’t know them), no one is aware that every penny I earn, goes directly to my family.

Nowadays I make millions, but I’m mainly spending it on my mom, but also on other people who are paralyzed and need psychical therapy, but were in the same boat as my family and my parents met over time in the facility. Money doesn’t mean a lot to me and these people can use it a lot better than I can.

Besides, my parents worked so hard for me growing up, this is the only way for me to pay them back. Despite not having any money themselves, nor stuff, they always taught me to share, to make sure that other people are well taken care off.

The flight from Japan to Italy moved along pretty quick, but maybe that’s because I was traveling first class. My latest movie took place in Japan and though I loved it there, I really want to see what Italy is like, after spending eight months in a lousy hotel in Japan.

After becoming an actress, I went to a lot of great places for shooting movies. I went to Suriname, Canada, Spain, Australia and this time it was Japan. I’m so blessed that I get to travel, knowing really well that other people are still struggling with what I used to struggle with. Sometimes I donate the earnings of a movie to movements that catch my eye, that help kids in certain areas of California with their school work, and with access of clothes and food. I always donate anonymously, not wanting to seem like a philanthropist who is doing this solely for her own image.

I always think that if you really care about something, you would do it without earning praises.

Participating on ‘The Celebrity Project’ wasn’t something I would normally do, but when they reached out to me, I was actually delighted that I was going to be part of this. Maybe I could finally show the world that I’m not as stupid as I appear in interviews.

Being a loner, a slow reader and probably has multiple learning disabilities (if I actually got tested, but the tests were too expensive and no one at school seemed to care and I’m actually too embarrassed to get myself tested now I’m a twenty-five year old), I often come off as an airhead and it’s my own fault really. I do give them enough stupid material to go on about that accusation.

However, I’m really nervous. I mean, I’m going to work together with Henry Cavill. He is charming and sounds so intelligent. When I was done filming and back at my hotel room, I’d watch his interviews, because I wanted to know what I was going to work with. The way he is so articulate and he obviously knows what he is doing, makes me feel even worse about myself. I’m a total disaster and already a burden to him I presume.

I’m sitting in a taxi, waiting for traffic to calm down a bit. It’s early in the mornings and thankfully I got to make myself a bit more presentable in the plane already. I notice the tiny camera’s being strategically placed in the car. It really begun, I think to myself. I’m part of a reality show now. ‘How are you feeling, miss Park?’ the taxi driver asks. ‘I recently heard about this program.’

‘I’m a bit nervous,’ I say, wondering whether or not he is payed to to talk to me about this. I rummage through my purse, hoping I can find my lip balm.

‘Are you looking forward to work with Henry Cavill?’

That name alone makes me nearly make me shit my pants already. ‘Yeah, he seems like a nice man, so I really look forward to work with him.’ And I sure as hell hope that I won’t let him down.

The drive to the hotel is about an hour, but it feels like time is going by a whole lot faster.  The chauffeur talks about his family and how his wife is actually a fan of my movies and has watched every single one of them. I took a few pictures with him and signed the inside of the cracker box, because that was all he got with him for me to write something on.

After I said goodbye to him, I’m told that I should go to room 346. With my suitcases with me, I step into the elevator, a cameraman close by. They told me that at one point, these cameramen would just be invisible to me, but I highly doubt it. They are only with us during the assignments. In the cars and at the place where we’re staying, the camera’s are hidden.

When I’m in front of the door, I take a deep breath.

I can do this I think to myself. I have starred alongside other talented people. My first real role was playing Keanu Reeves’ daughter, I was Angela Bassett’s assistant and I also had some pretty steamy scenes with David Castañeda, after his Umbrella Academy days. I can handle being around Henry Cavill, right? I knock on the door three times and I open it a bit, peeking my head around the door.

I can conclude that I’m severely underdressed. I’m wearing a simply jean short, white crop top with some lace on the borders and socks with the same lace details as my top, paired with white sneakers.

I look like a slob, compared to Henry, who seems like he stepped out of a Disney movie.  His white blouse, off-white pants and those loafers. The only thing that is missing, is his yacht with the name Serenity.

A smile creeps up on my face, as I step into the room, rolling my pink suitcases with me, because he actually looks approachable.

‘Hi there,’ he says with a small smile on his face. He walks up to me, holding out his hand. ‘I’m Henry, nice to meet you.’

I can’t help but blush. He is so charming and his accent makes him so posh. I place my hand in his and it almost disappears. Not to be that girl, but my size kink is activated right here and now. ‘Adelaide,’ I say. ‘Uhm, it’s nice to meet you… Too.’

I curse my tongue.

‘How was your flight?’ he asks, as he gestures to the couch for us to sit on.

I take place right next to him and I feel like a child sitting next to her dad. Why is he so massive? ‘It was okay. Yours?’

‘It flew by.’

I raise my eyebrows. ‘Was that… a pun?’

Henry chuckles nervously. ‘Maybe, I’m sorry.’

I look around me. The hotel room seems okay, but I bet we’re not going to stay here for long. I stare at the silver tray in front of us, with a set of keys and an envelope with our names on it.

Henry takes the envelope from the tray and holds it in front of me. ‘You want to read it?’

I shake my head. ‘No, you go.’ The whole idea of reading out loud without practice, makes me want to vomit. Before the table reads, I use this program that will read everything for me, even using the right intonation. I stay up for way too many hours for that, because once I’ve heard it, I made notes, I can better read it.

Back when I was doing ‘Remembering High School’ I had the woman who played the adult version of me read it to me, because I had to portray the young her and keep her character in mind. Since she was an established character on the show, she had certain ways of saying things I had to copy. She never knew the real reason I wanted her to read it out loud for me.

He cocks an eyebrow, but then opens the envelope. He clears his throat, before a dramatic reading of our first assignment rolls out of his mouth. How can he make a simple note sound so… Sensual, almost? His deep and dark voice, making it sound way more intense than it actually is. I wouldn’t mind if he read my scripts out loud for me.

‘Dear Adelaide and Henry, the adventure of ‘The Celebrity Project’ has officially started,’ he says, tilting the card a little, so I can read a little bit with him. It’s a nice gesture really and I appreciate the thought. ‘We have provided you with a nice car, to drive to the little cottage, specially arranged for the two of you. Tomorrow will be a nice day for you to relax (because you two are both severely jet lagged we presume) and the day after that, you’ll be expected for your first assignment. Enjoy the car ride and remember: look out of your window every now and then. We are aware that Henry is really handsome, Adelaide and you’ll be forced to only look at him, but nature can be beautiful too.’

I scrunch up my nose. That last sentence seemed so forced and this is exactly the reason why I don’t like these types of survival, borderline reality shows. It’s not reality. It’s this forced setting, hoping to get people to believe that this is how real life should look like.

And I don’t like deceiving people like that. I almost regret participating.

‘Right, well, we might as well just go,’ he says, his tone flat, maybe just as annoyed with that last sentence as I am. Probably even more so.

◎ ◎ ◎

Why is there a pink carseat in the passengers seat? I mean, I’m not the tallest, but I’m definitely not that tiny. I look around us, only to see no member of the crew around. This is great. I want to take the seat out, because I don’t want to sit on it, but it’s securely fastened and only with a different set of keys, I can undo it.

And of course I don’t have that.

I really regret being here.

However, I still sit on the carseat, because I don’t want to sit in the back because I’ll get carsick and when I see Henry’s cocked eyebrows and a poorly hidden smirk, I simply say: ‘Don’t.’

Okay, maybe I do understand why they put me on a carseat, because this man looks so enormous and otherwise I’m simply non existent. He starts the car and simply drives off. I don’t know whether or not I should say something to him, because I feel like we should talk.  I mean, that’s why the camera’s are here right?

‘What is your newest movie about?’ Henry asks.

‘About a woman escaping from her past and she moves to Japan, when one day an old friend becomes her new manager,’ I say.

‘Romantic comedy?’

‘Of course.’

He nods. ‘You don’t get tired of doing those?’ he asks.

Yes, I do get a bit tired of them, but there are two things: for starters, just like those romance books (that I would buy my mom one for her birthday every year, because I knew how much she loved those), romantic comedies sell really good. And no one wants me for something else. I feel like directors don’t trust me with big roles, like Rose in Titanic or someone else major. Besides, I’m Asian American, when was the last time one of us got a major part in a movie that’s not a romantic comedy?

But I don’t want to seem ungrateful and it’s a nice stream of money coming in every time and that’s basically all I want.

‘No,’ I say. ‘It’s okay. You shot something new… new movie… Right?’ For fuck sake, Adelaide, you were doing so well.

‘I did, actually,’ he says. ‘It’s something I’m very excited for. It’s more of a dramatical part.’ I listen to Henry, as he is talking about this movie. How he plays a single dad, trying to figure out this parenting part with his daughter, when his brother and sister-in-law pass away and he has to take in four monsters of boys in his house. The way he talks about this, I notice a shimmer in his eyes. ‘I’m sorry,’ he apologizes. ‘I let myself go there for a second. It’s just I’m really excited about this movie.’

‘No, I get it,’ I say, as I look out of the window. I let out a deep sigh, as we drive over the sandy roads. Before I can say something else (as if I knew what), Henry hits the break and like the cliches in the movies, he holds out his arm in front of me, as the car comes to a halt.

There are four dogs and one owner on the road and the man screams something in Italian to us. Clearly we were supposed to stop for him. ‘Shit, sorry,’ Henry mumbles, as if the man could hear that.

His warm hand dropped to my bare thigh and with my pointer finger I tap him on the back of his hand. ‘Excuse me,’ I say.

‘Oh no, terrible sorry,’ he says quickly, retracting his hand. ‘What do you think the cottage will look like?’ Henry asks, when he pulled up again, not driving as fast as he did before.

Shrugging I play with my water bottle. ‘I don’t know, but I think I know one thing.’

It takes me a while before I can get the words out of my mouth, but Henry doesn’t force me to say anything, by asking something like: ‘Care to let me in?’ He actually lets me find the words and it feels nice not to be rushed into saying something.

‘I bet there is one bed that is large and comfortable. However, there is also one uncomfortable couch, too small for you. So people want to see whether or not you are a… gentleman and offer to sleep on the couch.’

‘You think?’ he asks frowning. ‘A bit far fetched, don’t you think?’

When we arrive at the tiny cottage, we walk inside. It’s nice decorated, warm colors mixed with nice hints of different pastel colors. My eye falls on the very uncomfortable looking couch that is pretty tiny if Henry is supposed to be sprawled out on that, but we don’t know what the rest looks like.

After a small tour through the house, we have come to the conclusion that there is indeed only one bed. I look over my shoulder, my eyes meeting Henry’s. ‘See?’

Taglist: @thelastsock​ // @jolly-polly​ // @henrythickcavill​ // @maan24​ // @diegos-butt​ / @agniavateira​ // 

[autisticchicc]

Autism and Love

TW: Mentions of physical and emotional abuse, drug-related metaphor

Love and obsession, for me, are separated by a very thin line. Even if I weren’t autistic, I know I would still love fiercely, but I also know that autism has a profound effect on the way that I feel and express love.

In my life there have been numerous occasions where I thought I was in love, and I often still debate with myself about whether I have ever been ‘in love’. Nowadays I tend to take the view that love is something very personal, and just because it doesn’t last doesn’t make it any less valid. Being someone who is still on good or even great terms with all of my ex partners, I’d say I absolutely loved them at one point in my life. Maybe I still do love them, but I live a strictly categorised life. That love is now a purely a platonic love that comes from knowing and trusting someone for a long time. That ability to categorise so strictly is something some of my exes have had a hard time coming to terms with, I am quick to move them into the platonic love category and keep them there. Once someone has been placed in the platonic category, they do not leave. I don’t get back with ex-partners, and I don’t actually think its possible due to that strict categorisation.

My very first boyfriend sent me a message the other day asking if I ever still think about him. I replied honestly and said that I do not. I think that this comes from the strict categorisation too. If you are my friend, I think about you, but not that often. I have a lot of things happening in my head at all times, a sensory cornucopia that is exhausting to sort through, a conscious stream of five or six trains of thought, and my special interests. Special interests are a really intriguing factor in the context of autistic love, because I believe that the intense focus and adoration we treat our interests with absolutely translates to the people we fall in love with.

Anyone who has been close friends with me while in a relationship knows how insufferable I am when I love someone. I talk about them at any given opportunity, for longer than the other person probably cares to hear about it at times. When I love someone, they become a source of great inspiration, I find the characters I write resembling them, I could spend hours editing pictures and videos of them, my artwork is littered with their image. Love, for me, is an all-encapsulating thing. It invades every aspect of my life, consciously or subconsciously. They become the most beautiful person in my eyes, I drink in their image as though dehydrated. Curiously, even things I perhaps did not like about them before suddenly become things I look at fondly. Something about that shift from like to love, it is a very powerful shift for me.

Ironically, I’m not very forthright with my expressions of love. After mulling it over for years, I’ve realised that I’ve been conditioned to believe that love and pain go hand in hand. When you love someone, you must expect them to hurt you. At least, that’s what I thought until I deconstructed why I thought that. I had become accustomed to people weaponising my love for them, using it to blackmail me emotionally or to excuse physical abuse. As such, although I feel so deeply for the people I love, I am always very anxious about showing it in ways that can be used against me. I don’t show them the story or the art that I created inspired by them, for fear that they might think me obsessed for spending so much time on something pertaining to them.

I get very embarrassed when performing acts of service for my partners. I enjoy tidying and cleaning a lot, and I often want to do it for my partners to make their lives easier, but I get scared that they will think I’m being subservient and that they can take advantage of me. When I see my partner enjoying something or fostering a talent, I desperately want to invest in it, buy them tools and find resources so that they can develop it further, but am scared that they will think me strange and over-enthusiastic. I’m the kind of partner that loves extremely hard, and wants to express it as such, but I cannot quite get over the shame.

I have only recently been able to engage in non-sexual physical touch without flinching. Learning that touch is your love language when you have been shying away from it for years is a strange thing. It almost feels like a betrayal of sorts. Why was I denied this thing that I love for so long? And the reality is, it was a part of that fear. I have to be vulnerable with someone in order to allow them to touch me. Vulnerability has never come easily for me, although I always desperately wanted it. Finding someone that I can entangle limbs with, that I can kiss and hug on a whim, that I can show physical affection in my ‘weird’ autistic ways with has been very therapeutic for me. For the first time, I feel like I can have vulnerability and touch without it being thrown back in my face. It feels desired and reciprocated, not only do I want to touch and hold this person, but they want to touch and hold me too.

Another lesson within that has been ensuring that while I maintain my tough, outer visage, I am honest about needing to be soft and fragile sometimes. I have always been forced into being strong and resilient, it was never a conscious choice that I made for myself. I was forever pushed to be strong for other people, constantly making sure that those that needed me didn’t have to see me struggling or breaking under pressure. I never had someone I felt I could truly cry in front of, ugly, drunken sobbing type of crying. At least not without feeling judged or treated like a flight risk. Having someone I can be unapologetically sad in front of and they don’t force me to be strong for their own comfort feels so alien to me, but the relief it fills me with is immense. I am no longer pretending, and I am no longer embarrassed to be fragile. I can break down in front of this person and they will never question my strength.  

While crying and vulnerability are certainly an obvious hurdle for plenty of people in relationships, for autistic people there is the added stress of getting used to unmasking in front of a partner. I didn’t get diagnosed for a very long time, which will tell you just how good I am at masking. As a Hispanic girl, a lot of my behaviours weren’t reprimanded too much. Being loud and aggressive is normal in Spanish culture, and oftentimes isn’t even interpreted as aggression the way it is in the UK. Conversely, I did terribly with the tactile nature of social interaction in Spain and among Hispanics. I didn’t want to kiss strangers or even family members on both cheeks, I didn’t like having my cheeks squeezed by old women, and I didn’t like people touching, grabbing, or shaking me. But I was unfortunately forced to do it for my own survival. I don’t know if the sentiments around disabilities have changed in Spain, but the way I remember it in the part I grew up in was that they weren’t talked about. I didn’t even know what disabilities were until I came to the UK.

In England, pretty much every aspect of my behaviour was reprimanded; my loudness, my ‘aggression’, my opinionated disposition, my lack of a filter, my inability to understand my classmates’ feelings… The list goes on and on. At a certain point, I learned to just hold in a lot of my personality until I got home. What I didn’t realise that I was actually holding in some instinctive behaviours in privacy as well, I would flinch and stop if I noticed myself stimming, my face would go red when I couldn’t verbalise properly, and I often found myself practicing facial expressions in the bathroom mirror because I was self-conscious that I wasn’t doing them ‘correctly’. I started my own personal journey so to speak about a year ago to completely unmask, alone. I still cringe when I catch my arms pulling up into ‘t-rex’ form or if I start verbally/physically stimming, but I’m slowly becoming less ashamed of myself.

Consequently, unmasking in front of someone else has been incredibly nerve-wracking. The ‘issue’ (I say issue but it’s quite the opposite) is that I’m so comfortable in my partner’s home that I unmask without even realising it. Something I’ve noticed however, is that half the time they don’t. When my fingers twist and rub against each other, I glance up nervously to see if I’m being watched. No one has even glanced at me. I stammer and mess up my sentence, or my mouth fails halfway through, and yet even then no one laughs or looks at me strangely, they just wait for me to rectify or finish the sentence. I wonder if part of me still thinks I’m under the ultra-critical gaze of my secondary school peers, expecting to be torn to shreds verbally over my quirks as I always was, but it never happens. I have to constantly remind myself that I am well liked here, and my quirks are something people are fond of now.

Overall, love as an autistic person is intense and difficult, but an experience that is so all-consuming it feels almost like you’re on some kind of drug. I’m a very logical, science-based person, but love is one of the few things that still feels remotely magical to me. It can draw me out of my cold, black and white world and into an illogical whirlpool of emotion. I rarely act on emotion alone, but love is something that certainly has the power to make me do so. It embarrasses me a lot, it makes me feel out my depth, it makes me behave in ways I normally wouldn’t, but I’ll endure those feelings any day for the reward. I still have a long way to go before I can properly express myself to a partner, but one day I’d really like to be able to show them all my projects inspired by them, and the true level of sappiness I’m capable of (lol).

[offbeatcappuccino]

It’s Okay To Not Be Okay Review

Its Okay to Not Be Okay (2020) Cast: Kim Soo Hyun, Seo Ye Ji, and Oh Jung-Se 

Streaming Platform : Netflix

 Trigger Warnings (in the show)  : Fear, Violence, Abuse, Suicide, and Workplace Harassment* (I’ve decided to include trigger warnings in this review in order to emphasize their importance and hopefully encourage their use especially in entertainment since we only tend to rate movies and tv shows based on their maturity level, but fail to provide a disclaimer for trigger warnings)

Background:

It’s Okay to Not Be Okay stars Kim Soo Hyun (KSH) , Seo Ye Ji (SYJ), and Oh Jung Se, as well as a plethora of supporting characters, who honestly all did an amazing job with their roles. Kim Soo Hyun is one of the biggest stars in Korean entertainment. He’s had a successful career in both movies and tv shows. Some of his other well known shows are Moon Embracing the Sun, Love From Another Star, and Dream High. I’ve watched some of KSH’s dramas before and one notable aspect is that he’s one of the few mainstream Hallyu actors that I’ve seen who play characters that show who frequently challenge the norms of masculinity that are often exhibited by stereotypical male lead roles in other K-dramas ( e.g. Producers). I think SYJ’s previous roles (Lawless Lawyer, Save Me) also really challenge the gender roles imposed on women and the characters she plays are bold, confident, and intelligent women not afraid to challenge systems of oppression. Synopsis:

It’s Okay to Not Be Okay really is another drama that shows these two actors pushing themselves to once again play challenging and unconventional characters. Its Okay to Not Be Okay is advertised as a healing drama and its a touching tale that revolves around the lived of  Moon Gang-Tae, Moon Sang-Tae, and Ko Sun Yeong. Sang-Tae ( Oh Jeung Sae) is a thirty five year old man with autism, and Gang-Tae (KSH) is his younger brother and primary caregiver. Gang Tae also works as a nursing assistant for psychiatric hospitals. Because of a traumatic event that occurred in the past, Sang Tae suffers from PTSD and has an intense fear of butterflies. Due to this, the brothers are forced to move every spring to a new city, which has often come at the cost of happiness for both brothers as they struggle to settle down and live peaceful lives. Ko Mun Yeong ( SYJ) is a successful children’s book author with anti-social personality disorder, who has also had a traumatic childhood and also suffers from PTSD like symptoms on a daily basis. How these three characters meet and how they open the door for healing and choose to move on from their past experiences is what forms the crux of the story Pros: Depiction of Mental Health : I really want to applaud this show for bringing issues like co-dependency and normalizing the importance of self care for those who are often the primary caregivers for their loved ones. I also loved how the writers of the show also challenged many of the ableist narratives that our society puts forth about disabled individuals through the character of Sang -Tae. Seeing Sang Tae not only be a crucial main character for the show, but also showing his own journey of self empowerment and healing is refreshing to watch. Also, kudos to the show for destigmatizing many of the mental illnesses that Hollywood has unfortunately misrepresented like manic disorder, anti-social personality disorder, substance abuse, and multiple personality disorder.

Storybook Themes & Cinematography : Every episode on the show is named after a fairy tale and the ending and sometimes the beginning uses really creative animation and narration that beautifully convey the theme of every episode. Also, the show really employs this really beautiful contrast of dark and light throughout each episode and also has some really outstanding “gothic” architecture that I found to be really pleasant to watch. 

Character Development: Many K-dramas tend to be plot focused rather than character focused, which means that many of the characters are flat in that you don’t really see them grow and change into different versions of themselves. I really like how this drama really focused more on character and you could really see the growth in some of these characters and get to know them as though they were real people beyond simply being a medium through which a plot line  is carried out and fulfilled. 

CHEMISTRY!!! : The chemistry between Ko Mun Yeong and Gang-Tae in this show ( more towards the middle-end) literally gave me goosebumps. These two have more chemistry than the actual field of chemistry. The attraction between these two is stronger than an ionic bond y’all ( sorry for the chem references). I’ve never seen two people act more  in love with each other than these two. Its so convincing that thousands of fans worldwide ship these two together and I swear if these two ever end up getting married in real life, I would not be surprised. Their relationship is so wholesome and amazing and ahh!!! Cons: Depiction of Harassment: Mun Yeong’s interactions with Gang Tae come off as extremely problematic in the beginning of the show because a lot of her behavior could be classified as harassment. This is was especially pronounced in one scene in Episode 3 that was kind of a hot mess and that particular episode actually ended up with over 50 complaints sent to the Korean broadcasting regulatory committee.

Mun Yeong initially does come off as problematic, but many individuals have argued that her character was exhibiting usual characteristics of someone with ASPD, as ASPD affected individuals do struggle with understanding concepts like consent. While I don’t think this completely  justifies her behavior and I don’t think the show is trying to justify it either, I think that particular scene could have been shot in a better way and that the show could have benefitted from a disclaimer in the beginning of the episode clarifying that the creators don’t condone this behavior.   This scene definitely did throw me off first, but I really think seeing Mun Yeong work through her toxicity and trying to be a better person is worth sticking to the show. Depiction of Therapy: For a show that talks about mental illness, I would have loved to see more scenes showing  the characters (especially Mun Yeong) talking to the psychiatrist ( one of the main supporting characters) on the show. I understand that the creators wanted to focus on the romance fluff, but I think it was important for them to show that healing involves not only having a strong support network of family and friends, but also licensed mental health professionals. 

Slow Pace: Because the show is more character focused than plot focused, the first few episodes, your not really sure where you’re heading because while there is a mystery element in the show, the main focus of the show isn’t to solve the mystery or fulfill a certain adventure. However, I did not mind there not really being a clear plot in the show as I felt the acting, humor, and seeing the characters experience different aspects of life was really entertaining. Also, this issue resolves itself towards the end. 

[ellatheneonlight]

Hello again.😀

For the autism ask meme, I would like to know:

1, 5, 12, 18, 36, 38, 41, 46 and 49?

I know that´s quite a lot, but I find this topic really interesting. Especially because in real life, I know no one with autism (at least as far as I know), so I would really like to hear a bit more about it, especially from someone who actually have it, because I think what you and people like you can say about it, is much more worth than something that I just read in a book (unless it was written by an autistic person, of course🙂).

Also, I hope the questions I picked are okay for you. If there´s something you don´t want to talk about, then just tell me so and don´t answer the question, that´s completely fine with me.😊 I don´t want you to feel pressured to talk about something, you´re not comfortable with.

Hello hello hellooooo! :3

I absolutely appreciate it when people like to know about autism, it really makes me happy because then it feels like we're understood and seen as human beings!

It's completely okay to ask anything about autism with me so don't worry I'm not offended! :D

Anyways...let's get to the questions!

(1) How old were you when you found out you were autistic?

I got diagnosed with autism when I was 4 years old, but I didn't care that I had it, yes my mom told me that I had autism but I didn't think about it until I was maybe 10, but even when I was 10 and now I don't think about it that much!

(5)What do you wish more people knew about autism?

OOoooo there's a lot I wish people knew about it!

Like that we're not all super genius people who're the best at math and that we have no social skills and barely if ever socialize with people.

Yes, I know that there are some people with autism who're like that I won't deny it, but I would say that many of us (including me) love socializing but it's sometimes hard for some of us to read social cues like when someone doesn't wanna listen to what you're saying, etc.

A lot of us are either of average or a little bit above average IQ.

Some of us are either average in math or not so good, like me for example...I'm absolutely HORRIBLE at math like I still have to use a 3 graders math book that's how bad I am at math XD

and that not all of us have sensory problems like me I don't have any sensory problems, yes I do feel disgusted about certain sights and smells but I think most people would feel the same.

And that not all of us have anxiety, like me I don't have anxiety.

I can't come up with much more at the moment! x3

(12) Do you headcanon any characters as autistic? If you want, tell us why you headcanon them as autistic.

I don't exactly headcanon him as autistic but I do think that he has some autistic traits and that is the legend Bubba Sawyer.

Yes, I know that he's intellectually disabled with very unfortunate circumstances and I do believe that most of the behavior is because of disability but let me tell you the autistic traits he has.

1. He has trouble with socializing like you know, he speaks gibberish and has a hard time explaining things (Even though Drayton seems to understand his gibberish)

2. He becomes absolutely distraught when he sees the group walk into the house like he frantically looks around and he looks so scared and distressed.

3. He loves wearing masks to presumably not get much sensory input? (I know that the movie creators said that Bubba wears these masks because they're like different personalities.)

(18) Do you find it easier to get along with other autistic people?

Yes definitely! It's so easy (for me at least) to become friends with other autistic people like for example with Mikael, we meet literally on Thursday and we've literally become friends within a day and that's so nice! x3

I do think that becoming friends with Neurotypcials can be quite hard since many of them have social expectations and they think that you're either wired and/or they won't socialize with you.

While the ones with autism that I've meet and have become friends it's like an instant connection and we don't have social expectations so we will literally talk about anything to the other person like we've known each other for years! x3

(36) Do you have routines that you have to follow? What's in your routine?

Nope! I don't have a routine, I do things whenever I want to! :)

(38) How good are you at detecting sarcasm?

I do think I'm pretty good at it because I have a lot of people who are sarcastic (which I'm as well) so sarcasm is not a problem to me, it's neither hard for me from text form! :)

(41) If you date people then would you prefer to date other autistic people?

I haven't dated in my life so I don't know, but what I would say is that I don't care if the person I'm dating is autistic or not, as long as the person is kind and willing to understand.

(46) Are you generally a loud or quiet person?

I'm quite loud, I talk to myself loudly, I speak to my family and friends loudly. x3 But I do keep my voice down when I'm with other people who're sensitive to loud sounds like my friend Molly! :3

(49) What's something you find hard to do because of autism?

Not much really but for me, it can be hard to become friends with neurotypicals as stated in one of the questions above. But other than that there's not much I can think of! :3

If you have more questions about autism you can ask me if you want to of course! :)

Thank you and have a wonderful birthday, Goldie! :3

[ofdreamsanddoodles]

i often feel like i'm somehow embodying a negative stereotype just by existing as an asexual and autistic wheelchair user. is it weird that i don't see those things as dehumanizing at all when applied to a fictional character in good faith? if anything, i think of them as humanizing features because they're identities and attributes shared by actual real people like myself.

oh, no, i definitely get that. I think there's always a difference between “i’m making this character asexual, because i think this is an identity they should have” and someone just. straight up not understanding that someone in a wheelchair might want to have sex. i don’t think really any story that like, delves into these identities is playing into a negative stereotype because i think by nature, anyone who considers a disabled person nonsexual isn’t going to really think about how being ace affects them other than going, like, “well, of course they are.” but also, if you’re not paying attention to each identity you add on to a character, you’re bound to trip into a stereotype somewhere. but, i also don’t think i’ve seen too many stories about asexual autistic wheelchair users, unfortunately. I think with every identity given to a character, there’s always a chance it’s being added in because the writer thinks diversity is a selling point, but there’s also a chance that the writer is like, actually that identity, or has friends with that identity, and that’s not always easy to see at first glance

i think published media is a bit different, but in fandom specifically, what we see is a lot of people latching onto other people’s headcanons, and that ends up with a lot of internalization that there’s a “right” way to see a character, and because that way is basically being formed with like, hundreds of peoples unconscious biases, we end up with only seeing certain characters with disabilities. And like, it’s not inherently wrong, but it’s important to make sure, as someone who writes fiction, that writers don’t give off the impression that they think there’s only one way to be disabled or etc

So... basically, yeah! I agree with you completely, I think there’s a lot of people writing stories in good faith, but I think even people doing that sometimes end up forming headcanons or creating characters based on stereotypes, and that’s something which I think is good to keep in mind. I would never begrudge someone for writing a character with their own identities, no matter how stereotypical it may seem. Just by virtue of being like, a living person, you’re always going to be more complex then whatever stereotype society has deemed you as, and any writer worth their salt should know that

[serialreblogger]

You want to talk more about the bigotry in Harry Potter? Go ahead! I've actually heard stuff like that before, but have yet to do much research on it personally and it's been a while since I read it, so I'm interested.

WELL

Before we begin I should start with a disclaimer: this analysis will be dedicated to examining as many bigoted aspects of Harry Potter’s writing as I can think of, so--while I personally am more or less comfortable balancing critical evaluation with enjoyment of a piece, and strongly advocate developing your own abilities to do the same--I know not everyone is comfortable reading/enjoying a story once they realize its flaws, and again, while I think it’s very important to acknowledge the flaws in culturally impactful stories like Harry Potter, I also know for some people the series is really really important for personal reasons and whatnot. 

So! If you’re one of those people, and you have trouble balancing critical engagement with enjoyment, please feel free to skip this analysis (at least for the time being). Self-care is important, and it’s okay to find your own balance between educating yourself and protecting yourself.

On another note, this is gonna be limited strictly to morally squicky things to do with Rowling’s writing and the narrative itself. Bad stuff characters do won’t be talked about unless it’s affirmed by the narrative (held up as morally justified), and plot holes, unrealistic social structures, etc. will not be addressed (it is, after all, a kid’s series, especially in the first few books. Quidditch doesn’t have to make sense). This is strictly about how Rowling’s personal biases and bigotry impacted the story and writing of Harry Potter.

Sketch Thing #1: Quirrell! I don’t see a lot of people talking about Quirrell and racism, but I feel like it’s a definite thing? Quirinus Quirrell is a white man who wears a turban, gifted to him by an “African prince” (what country? where? I couldn’t find a plausible specific when I was researching it for a fic. If there’s a country which has current/recent royalty that might benevolently interact with someone, and also a current/recent culture where turbans of the appropriate style are common, I couldn’t find it). Of course, it wasn’t actually given to him by an African prince in canon, but it’s still an unfortunate explanation.

More importantly, ALL the latent Islamophobia/xenophobia in the significance of the turban. Like, look at it.

“Man wears turban, smells like weird spices, turns out to be concealing an evil second face under the turban” really sounds like something A Bit Not Good, you know? If you wanted to stoke the flames of fear about foreignness, it would be hard to do it better than to tell children about a strange man who’s hiding something horrible underneath a turban.

Also, Quirrell’s stutter being faked to make you think he was trustworthy is a very ableist trope, and an unfortunately common one. “Disability isn’t actually real, just a trick to make you accommodate and trust them” is not a great message, and it’s delivered way too often by mass media. (Check out season 1 of the Flash for another popular example.)

Sketch Thing #2: The goblins. Much more commonly talked about, in my experience, which is good! The more awareness we have about the messages we’re getting from our popular media, the better, in my view. 

For those who haven’t encountered this bit of analysis before: the goblins in Harry Potter reek of antisemitic stereotypes. Large ears, small eyes, crooked noses, green/gray skin, lust for money, control of the banks, and a resentful desire to overthrow the Good British Government? Very reminiscent of wwii propaganda posters, and in general the hateful rhetoric directed towards Jewish people by other European groups from time immemorial. 

I’m also extremely uncomfortable with how goblin culture is handled by Rowling in general. Like, the goblins were a people that were capable of using magic, but prohibited by the British government from owning wands. That was never addressed. They also had a different culture around ownership, which is why Griphook claimed that the sword of Gryffindor belonged rightfully to the goblins--a gift isn’t passed down to descendants upon death, but instead reverts to the maker. This cultural miscommunication is glossed over, despite the fact that it sounds like Griphook’s voicing a very real, legitimate grievance.

To be honest, apart from the antisemitism, the way Goblin culture is treated by the narrative in Harry Potter is very uncomfortably reminiscent to me of how First Nations were treated by English settlers in North America, before the genocide really got started. The Goblins even have a history of “rebellions,” which both raises the question of why another species is ruling them to begin with, and more significantly, is eerily reminiscent of the Red River Rebellion in Canada (which, for the record, wasn’t actually a rebellion--it was Metis people fighting against the Canadian government when it tried to claim the land that legally, rightfully belonged to the Metis. But that’s another story)

In sum: I Don’t Like the implications of how Rowling treats the goblins.

Sketch Thing #3: Muggles. Ok because we’re all “muggles” (presumably) and because I’m white, talking about this might rapidly degenerate into thinly-veiled “reverse racism” discourse, so please y’all correct me if I stray into that kind of colossal stupidity. However, I am not comfortable with the way non-magical humans are treated by Rowling’s narrative.

The whole premise of Harry Potter is that Evil Wizards Want To Hurt The Muggles, right? Except that it’s not. Voldemort’s goal is to subjugate the inferior humans, rule over non-magical people as the rightful overlords, but that’s hardly mentioned by the narrative. Instead, it focuses on the (also egregious and uncomfortably metaphorical) “blood purism” of wizarding culture, and how wizards would be persecuted for their heritage.

But muggles, actual muggles, are arguably the ones who stand to lose the most to Voldemort, and they’re never notified of their danger. We, the muggles reading it, don’t even really register that we’re the collateral damage in this narrative. Because throughout the series, muggles are set up as laughingstocks. Even the kindest, most muggle-friendly wizards are more obsessed with non-magical people as a curiosity than actually able to relate to them as people. 

I dunno, friends, I’m just uncomfortable with the level of dehumanization that’s assigned to non-magical humans. (Like, there’s not even a non-offensive term for them in canon. There’s “muggle,” which is humorously indulgent at best and actively insulting at worst, and there’s “squib,” which is literally the word for a firework that fails to spark.) It’s not like “muggles” are actually a real people group that can be oppressed, and like I said this kind of analysis sounds a bit like the whining of “reverse racism” advocates where the powerful majority complains about being insulted, but... it kind of also reeks of ableism. People that are not able to do a certain cool, useful thing (use magic) are inherently inferior, funny at best and disposable at worst. They suffer and die every day from things that can easily be cured with magic, but magic-users don’t bother to help them, and even when they’re actively attacked the tragedy of hundreds dying is barely mourned by the narrative. 

It gives me bad vibes. I don’t Love It. It sounds uncomfortably like Rowling’s saying “people that are unable to access this common skill are inherently inferior,” and that really does sound like ableism to me. 

Either way, there’s something icky about consigning an entire group of people to the role of “funny clumsy stupid,” regardless of any real-world connections there may or may not be to that people group. Don’t teach children that a single genetic characteristic can impact someone’s personhood, or make them inherently less worthy of being taken seriously. Just, like... don’t do that.

Sketch Thing #4: The house elves. Everyone knows about the house elves, I think. The implications of “they’re slaves but they like it” and the only person who sees it as an issue having her campaign turned into a joke by the narrative (“S.P.E.W.”? Really? It might as well stand for “Stupidly Pleading for Expendable Workers”) are pretty clear.

Sketch Thing #5: Azkaban. Are we gonna talk about how wizarding prison involves literal psychological torture, to the point where prisoners (who are at least sometimes there wrongly, hence the plot of book 3) almost universally go “insane”? This is sort of touched on by the narrative--“dementors are bad and we shouldn’t be using them” was a strongly delivered message, but it was less “because torturing people, even bad people, is not a great policy” and more “because dementors are by their natures monstrous and impossible to fully control.” 

“This humanoid species is monstrous and impossible to control” is, once again, a very concerning message to deliver, and it doesn’t actually address the real issue of “prison torture is bad, actually.” Please, let’s not normalize the idea that prison is inherently horrific. Of course, prison as it exists in North America and Britain is, indeed, inherently horrific and often involves torture (solitary confinement, anyone?), but like--that’s a bad thing, y’all, it’s deeply dysfunctional and fundamentally unjust. Don’t normalize it.

Sketch Thing #6: Werewolves. Because Rowling explicitly stated that lycanthropy in her series is a metaphor for “blood-borne diseases like HIV/AIDS”. The linked article says it better than I could:

Rowling lumps HIV and AIDS in with other blood-borne illnesses, which ignores their uniquely devastating history. And Lupin’s story is by no stretch a thorough or helpful examination of the illness. Nor is its translation as an allegory easily understood, beyond the serious stigma that Rowling mentioned.

That Lupin is a danger to others could not more clearly support an attitude of justifiable fear toward him, one that is an abject disservice to those actually struggling with a disease that does not make them feral with rage.

This definitely ties into homophobia, given how deeply the queer community has been affected by HIV/AIDS. Saying a character with a condition that makes him an active threat to those around him is “a metaphor for AIDS” is deeply, deeply distressing, both for its implications about queer people and their safety for the general population, and for the way it specifically perpetuates the false belief that having HIV/AIDS makes a person dangerous.

Sketch Thing #7: Blood Ties. This isn’t, like, inherently sketch, but (especially for those of us with complicated relationships to our birth families) it can rub a lot of people the wrong way. Rowling talks a big talk about the folly of “blood purism,” but she also upholds the idea that blood and blood relations are magically significant. 

Personally, I’m very uncomfortable with the fact that Harry was left with an abusive family for his entire childhood, and it was justified because they were his “blood relatives.” I’ve had this argument with ultra-conservative family friends who genuinely believe it’s a parent’s right to abuse their child, and while I don’t think that’s what Rowling is saying, I do feel uncomfortable with the degree of importance she places on blood family. I’m uncomfortable with the narrative’s confirmation that it is acceptable (even necessary) to compromise on boundaries and allow the continuation of abuse because “it’s better for a child to be raised by their Real Family” than it is to risk them to the care of an unrelated parent.

Genetic relations aren’t half as important as Rowling tells us. For people with a bad birth family, this can be a damaging message to internalize, so I’ll reiterate: it’s a pretty thought, the love in blood, but it’s ultimately false. The family you build is more real, more powerful and more valid than any family you were assigned to by an accident of genes.

I can think of one or two more things, but they’re all a lot more debatable than what I have here--as it is, you might not agree with everything I’ve said. That’s cool! I’m certainly not trying to start a fight. We all have the right to read and interpret things for ourselves, and to disagree with each other. And again, I’m not trying to ruin Harry Potter. It’s honestly, as a series, not worse in terms of latent bigotry than most other books of its time, and better than many. It’s just more popular, with a much bigger impact and many more people analyzing it. I do think it’s important to critically evaluate the media that shapes one’s culture, and to acknowledge its shortcomings (and the ways it can be genuinely harmful to people, especially when it’s as culturally powerful as Harry Potter). But that doesn’t mean you can’t or shouldn’t enjoy it for what it was meant to be: a fun, creative, engaging story, with amazing characters, complex plots, heroism and inspiration for more than one generation of people. 

Enjoy Harry Potter. It is, in my opinion, a good series, worth reading and re-reading for enjoyment, even for nourishment. It’s also flawed. These things can both be true.

[imaginaryelle]

Wei Wuxian, Mutism and Non-Verbal Communication

I am making a fresh post because I’ve been having issues with asks and especially read mores in asks, and this post is definitely going to require that. So. (edit: this is now also available to read on AO3!)

@tamyourue​​​ asked:

For the prompt request thingy - I'm a Sign nerd, and I've read quite a few mute!lwj, which is not that surprising. But what about a mute!wwx? I think it would be interesting to explore that with the way his family and lwj would handle it, if he was either born this way or acquired a disability later in life. How would HE handle it, being such a lively and talkative person? I planned on writing a fic of the sort but you do awesome meta, and another person's pov would be really fascinating to me.

Thank very much for asking! This immediately grabbed my brain and yanked me face-first into headcanons and possibility permutations. I’m going to try to focus on something more meta-style since you mention that (and aw <3 thank you! I have lots of fun writing my meta so I’m glad you like it!), but if you write fic on this topic I would love to see it. I am 100% certain you know more about sign language than me (I know very little but this whole thing has rekindled my interest in learning, if you have suggestions for resources!) so please do correct me if I make some erroneous statements or assumptions here. Also, I feel like I should note here that I got a little carried away (this is ~7k folks) and some of the things here are probably ideas you’ve already thought about as general concepts of non-verbal communication. I’ve included them anyway because they helped me process all my other thoughts. As always, I welcome additional input on my meta.

Okay so first off, I did some research, because I love research. (Possibly this should go without saying, and I’m sure you yourself already know this, but just in case, for general context and because this is a public post: I do think it’s important to treat things like this—any form of disability or illness or othering—with respect for the real life people who deal with it every day. Let’s not romanticize these things, right? Or just use it to woobify or infantilize characters or write disability tragedy porn? And let’s do make sure we’re doing our research and consuming media (essays, blog posts, videos, etc) created by those people about their experience? Good? Good.) Some non-comprehensive sources I consulted:

This masterlist of resources (includes deaf, mute and blind character writing resources compiled from real life experiences—trigger warning on the “21 People Reveal” link: trauma, depression, rape mention)

This I Am Mute AMA on reddit

This British Psychological Society Research Digest on adults who experience selective mutism (in their own words)

Wikipedia’s Mutism page (I promise the link is there), which lists various conditions that can lead to someone not being able to speak

I also attempted to research a bit about the history of sign language in China, but most of what I found was either comparison to ASL (here’s a video on family terms) or the fact that there are two different sign languages: a literary sign language that reflects written Chinese, and a natural sign language. Also most of what I found was focused more on the Deaf community. The history of mute people in China turned up even fewer results, unfortunately, so if anyone knows good sources for that, let me know!

Jumping off all of that, things that matter for writing a Wei Wuxian who is mute: is Wei Wuxian the only mute person he knows? Are there other mute or deaf people around who use any kind of sign language? When did he become mute? How? Is it physical or psychological? Full-on cannot speak at all or selective based on environment? And is this more novel-verse, or more drama-based? (This meta is going to reference the drama more than the novel, primarily because we get to see body language and some relationships are more fleshed out, but I believe most points should work for both canons.) Questions to be answered on an individual fic basis, of course, but let’s consider some possibilities.

Character-wise, one of the biggest things here for me is that Wei Wuxian hates being ignored. It’s not exactly that he needs to be the center of attention at every single moment, but he’s a showman. Even if the protagonist of the story was someone else, he’d still be there, attracting attention and calling people out on unfairness and generally being that combination of nuisance and talented genius that we love. And he already lives in a world where he can be silenced and isolated—people drown him out, talk over him and dismiss him on a regular basis in canon, and of course there’s the Lan Clan silencing spell.

Multiple people (especially various Jin family members, but also Madam Yu and a few others) use social class and rumor and perceptions of power to shut him down throughout the story, even though he is entirely capable of speaking and often doesn’t keep quiet when it might be beneficial for him to do so. Being mute is only going to exaggerate that ability for others to disregard him, but he’s still going to be that dramatic, fiercely opinionated guy, even if he can’t communicate verbally. He tries to talk through the silencing spell practically every time it’s put on him as it is (and really, what is the Lan Clan going to do to him if he already can’t speak? That spell now becomes a totally useless punishment for him). He’s still going to disrupt Lan Qiren’s class and volunteer to show off and make noise and draw attention to himself. He might be ignored more easily, and consequently get frustrated more often, but he’s still going to do it, because being dutifully silent or nonreactive for more than a single conversation pretty much means just not being Wei Wuxian. So how does he communicate?

I do think it matters here, when he becomes mute and whether it’s selective or not. If he’s born unable to speak, or develops muteness in early childhood (say, after his parents die but before Jiang Fengmian takes him in), I think he’d develop his methods of communication in different ways than if it were to happen later. In the case of childhood mutism I think he’s more likely to use (or develop) actual sign language, and to depend on other people (such as his siblings) to speak aloud for him in some situations. I mostly base that on 1) the trust-building between him, Jiang Cheng and Jiang Yanli in those early-life flashbacks 2) how much more often he talks to merchants than anyone else (more on that later) and 3) how much nonverbal communication he uses already (it’s a lot. He’s very expressive). If he becomes mute as a teen or adult, I think he’ll deal with a lot more like he deals with the loss of his golden core: deflection of worry, insistence on independence as much as possible, and lots of inventive solutions (but still lots of body language, of course).

Okay, with those trends in mind, here are some general possibilities (in no particular order) that mix real world tactics and mdzs setting specifics and can be applied to a variety of situations:

1. As mentioned above, he might use expressions, body language, generally understood gestures or actions. Wei Wuxian tends to be pretty physically expressive in canon already, so this is likely to be his first instinct when he reaches for communication tools. Let’s look at another silencing spell gif.

Wei Wuxian is extremely expressive every time this is used on him. He makes faces. He waves his arms. He stomps and grabs at people. Where other people hit with this technique frown and look confused and touch their lips or neck, Wei Wuxian complains. He pouts. He makes a production out of how much he hates it. His moods, in general, tend to involve his entire body. So I take that as pretty strong evidence that gestures, facial expressions and miming are going to play a pretty big role in his communication style. Here is a fun youtube video for CSL of the Tortoise and the Hare story, which I think has bearing on how much he could get away with just using his face and miming. Making faces and grabbing Lan Wangji’s wrist or sleeve isn’t going to change here, and he might in fact get even handsier, if that’s possible. As a cultivator, Wei Wuxian would have access to a level of physical adroitness that most people don’t, which could also tie in to how he uses his body to communicate. In general, these are things that are going to make it difficult for him to hide his identity after his resurrection if he’s mute beforehand, but they help a lot with conveying basic ideas so they’re definitely going to be involved somehow, no matter what else he does. Something of a contrast to stories about Lan Wangji and muteness, perhaps.

2. He might communicate through his siblings/other people. Jin Zixuan gets by with saying extremely little because he almost always has other people around who are more than willing to speak for him. Jiang Cheng, pre-Sunshot Campaign, does some of the same (he’s so surprised to be called on and have to speak for himself during that first victory banquet), and of course we sometimes see this play out between Lan Wangji and Wei Wuxian in canon already: Wei Wuxian will voice things that Lan Wangji is feeling or agrees with, but is unwilling to actually say. So it’s conceivable that Wei Wuxian could get a lot of communication done by having his siblings or close friends (depending on where in the timeline the story takes place) speak for him, as he communicated with them via some other method (at its most basic just an understanding of his pov and what he would want to say, extending into body language, personal signs or sign language, notes, etc.). The best candidate for this is going to be Jiang Yanli, as we do see her stand up and speak for him in drama canon, when people start questioning whether their being alone together is appropriate. I think Jiang Cheng would do his best, but he’d also be inconsistent about it sometimes in situations where he didn’t think it was important or didn’t agree with Wei Wuxian, because he can be a moody dick when he wants to be and he’s not that great at talking himself. I forsee lots of brotherly shoulder punches and slaps upside the head. So many. More than usual. Jiang Fengmian might do a little, as might other Jiang Clan disciples (they certainly seem to like Wei Wuxian well enough to try).

As you might be able to tell, I think this method of communication is much more likely to be used if he’s mute while growing up. If he’s injured as an adult, or loses the ability to speak after he’s resurrected, he’s going to have to build all this context from scratch and it’s going to be much more difficult for this method to work smoothly. It could still work to a certain extent, but it probably won’t be as fluid. On the other hand, if Wei Wuxian was mute as a child, he’d likely be almost immediately recognizable to anyone who regularly interacted with him before his death, especially in the drama, where he has the same body. Jiang Cheng won’t have a moment of doubt when Zidian fails to banish Wei Wuxian’s invading spirit from Mo Xuanyu’s body, because he’ll have had that particular flick of two fingers or turn of a hand with accompanying scowl, etc., acted out in front of him every day for over a decade, and Wei Wuxian will have a much more difficult time hiding that, because it’s muscle memory as well as a form of communication. Which could be a very interesting plot development!

Another possible plot divergence is that if Jiang Yanli starts speaking for her brother at a younger age that might influence her to speak up more just in general, which could hugely affect the story. If she gets used to speaking for Wei Wuxian and herself (and even Jiang Cheng!) rather than letting Wei Wuxian step in as we often see him do, she might involve herself more actively in Sect politics. Which means that she’d likely be attending cultivation conferences more often. Which means that she could be in an incredibly powerful position when stuff starts going down with Wei Wuxian and the Wens. Jiang Cheng is young and stressed and insecure about his place. He doesn’t know how to say “yes, these people helped us, and they don’t deserve what you’re doing to them.” His instinct is to curl around what’s his and protect it, which is exactly what he was raised to do as the future Sect Leader of Lotus Pier. But Jiang Yanli cares about people because they’re people, in much the same way Wei Wuxian does (see: her treatment of Wen Ning during the wedding dress visit, as one example). If she’s at that conference and used to speaking out? She’s going to make a difference, because she has an excellent relationship with Jin Guangshan’s wife and his heir. Jin Zixuan is actively pursuing her at that point. She’s gentry, from a good family (unlike MianMian). She is right on the cusp of marrying into the Jin clan. If nothing else, she has enough influence that if she speaks out, Jiang Cheng will support her, and possibly others (such as Lan Xichen, sitting there looking uncomfortable but not saying anything as long as Wei Wuxian stands on his own). That could be a fun ripple effect to see played out.

3. He might communicate through music. This would be a fantastic place to use the Chinese literature technique of poetry allusions. Different songs or melodies might be associated with different lyrics, or plays, or poems, and so just a short musical phrase could convey a fairly complex (if sometimes more allegorical or symbolic) meaning. This particular method of communication might be most effective in conjunction with the Lans and Nie Huaisang just because they’d be more likely to make quick connections and respond to them without further explanation necessary, but in the right circumstances it could work for most cultivators, since they seem to pride themselves on their literacy. I’m still just barely dipping my toes into this stuff so I don’t have any concrete examples here, but I think it could be a lot of fun to incorporate more music into Wei Wuxian’s life before Chenqing, since he certainly learned to play the dizi somewhere before that whole coreless-in-a-death-trap adventure, and also I think travels with Lan Wangji and the juniors might be fun with some musical references peppered in. Which I might keep in mind even for fics where Wei Wuxian is not mute.

This next song compares Jin Zixun to all the fools of history and legend and finds him lacking.

4. Talismans! Wei Wuxian, being Wei Wuxian, seems to like to use talismans both to get attention and to convey meaning even when he doesn’t have any particular difficulty speaking in canon (I adore the butterfly talisman, okay, I will never be over it). And using talismans doesn’t necessarily mean conveying ideas in words, even though magical glowy writing can very cool.

[insert image of Wei Wuxian writing on his palm, clapping his hands together and then separating them reveal a glowy orange insult to Jin Zixuan’s ego held between them because he’s blunt like that sometimes]

Again, symbols and poetic allusions could be used. Whole landscapes, steaming bowls of soup, he could run wild with his artistic talents. Also he’d probably be able to figure out a sort of magical white-board situation with writing and erasing and re-writing script easily, though it would consume spiritual power of one type or another so it might be more difficult for him to pull off for a longer conversation, or after he’s lost his golden core (there’s another fun plot hook to play with: figuring out new ways to communicate as well as necromancy during the Sunshot Campaign). We do see him erase a talisman in the drama during the Yi City stuff, so that’s very nearly canon already. Basic writing would also be an option here (as we see Song Lan use) but I think the frustrations of needing ink and a brush or writing on the ground and everything would get to him pretty fast—Wei Wuxian is not a very patient person most of the time, so unless it’s actual letter-writing or a book of pre-set phrases he carries with him (probably a good idea for emergencies anyway) I don’t think that’s going to be his go-to.

Another talisman option is: let’s not forget that Wei Wuxian is a genius inventor! He could do so many things with cultivation. To pull from a real world technology example: Maybe he makes a talisman he can wrap around his throat that will convey the vibrations of his vocal chords (provided he has fully developed ones of course). Maybe he combines talismans and fireworks to get attention and write sparkly messages at the same time. To pull from things already in the canon: Maybe he uses Empathy for really important situations. Maybe he can literally steal other people’s voices momentarily, as he does control of bodies, or, post-Burial Mounds, maybe he can speak through the voices of spirits and fierce corpses. How freaking creepy would those be? One is like the reverse of the Lan Clan silencing spell: you can’t speak, but I can use your voice, potentially out of your own mouth. The other is just going to make traditional cultivators break out in hives: Wei Wuxian showing up to the war and every time he wants to speak he summons a fierce corpse or a ghost to scream his thoughts into annoying people’s faces.

Those last two aren’t going to win him any friends but oh wow do they look fun.

Imagine Wei Wuxian roasting Su She and exposing his whole plan in Su She’s own voice.

One last thing here that just occurred to me: Wei Wuxian has on at least one occasion in the drama used the paperman to talk to someone. He does it with Wen Qing, to ask if there’s any way she can arrange a break for Lan Wangji when he’s walking on a broken leg. Is that a telepathy thing? Or a voice thing? And would his ability to do it be affected by his relationship with spoken words? Food for thought.

5. Context or partner-based signs. These would be signs he makes up or develops in conjunction with friends and family, but which are based on shared experience and reference points rather than a full sign language. Could be pretty much anything as long as they mean something to his audience, but are going to be useful mostly for those cases where he’s having a one-on-one conversation or trying to get someone else to verbalize for him in a larger group. Counting on fingers, waving, summoning, the three-finger swear Wei Wuxian uses on that rooftop during the Sunshot Campaign etc. would be examples of generally socially known gestures so this is mostly just an extension of that. I would like to think that he would have personalized sign nick-names for people, probably related to puns or in-jokes. This is a fun place to play with context and relationship complexity, because different people are going to have different levels of fluency in “Wei Wuxian.” Perhaps that’s part of the wedge that drives itself between him and Jiang Cheng even: after months on end with the Wens, Wei Wuxian has mannerisms and signs Jiang Cheng doesn’t know, which just make him feel even more distant from his brother.

6. He might use an actual established sign language of some kind, probably one usually used in trade contexts (because there are many dialects and languages in Ancient China so trade sign could very easily be a thing) unless you build more of a social network (and more general social acceptance) for mute and deaf people into the world. Which could totally happen! But if you don’t tweak the world-building then sign language as a language beyond trade sign is going to be minimally useful to most individuals who would need it, because they’re mostly going to be communicating with people who don’t use it (as can often happen in the real world, of course). I think a general-use sign language or trade sign + personal signs could be a lot of fun, especially between close family and friends (how much would especially drama!Wen Ning love that added level of connection and communication?)

Look at them. Look at this ridiculousness.

But outside of that it’s probably not going to be something anyone but especially kind souls will actually use with him beyond actual monetary transactions. This is not a canon that’s generally kind to people who are marked as different. Most of the big cultivators probably wouldn’t even learn much trade sign, especially not the Jins and Wens, because they have servants to negotiate prices for them if necessary, but the Jiangs might learn both because they’re closer to their trade-port commoners and for Wei Wuxian’s sake. Anyone who travels alone would want to know some, at least. Lan Wangji might know a little and learn more specifically to communicate with Wei Wuxian? Could go a lot of directions.

7. Clapping, tapping things together, stomping, whistling, and maybe laughter, vocal crying or screaming, humming and whispers. These methods of communication will depend a lot on why a character is mute and whether it’s physically or psychologically-based. Clapping, tapping, stomping and whistling should be generally possible; the rest depend on vocal chord development and certain nerves being functional. Interestingly, this means that Wei Wuxian still has total control over simple fierce corpses and spirits even if his vocal chords don’t work or are damaged. Which is cool. Clapping/tapping/stomping would allow him to engage in morse/chinese telegraph/tapping code styles of communication too, if such a thing exists in Ancient Fantasy China (Why not? They already have chilies and potatoes and fly on swords). A whistle code for night hunting would just be a useful thing in general, for everyone. Limited speech might also be a thing. In some cases of selective mutism people can speak with certain people (a feeling of safety seems to be a big factor, though sometimes I saw reports of people saying they could speak just fine if it was on stage/part of a theatre production but not for day-to-day stuff too), or at low volumes. This might be more taxing than other forms of communication, or not, depending on the specific situation. It might lead to things like Wei Wuxian being able to talk to his family and possibly close friends like Lan Wangji, but not in large groups or to “outsiders,” which might in turn lead to more resentment on some people’s parts and more accusations that he’s just being rude or arrogant, etc.

8. Fan code. Because it should exist, why is Nie Huaisang the only person in this canon with a fan. Should be remedied, obviously.

Think of the things he could be saying if he had anyone to talk to this way!

9. The telepathy spell from fighting the Tortoise of Slaughter. This is a drama-exclusive thing, and I love it! So much! But. Telepathy is a very common workaround for characters who are unable to use verbal language and personally I think it’s often used to just totally erase that non-verbal communication or any of the difficulties actual mute people experience. So. It might be more interesting, and more respectful for real people’s lived experience, to introduce some further obstacles. What are the spell’s limits? Distance? Duration? Can it involve more than two people? Does it consume energy from all parties or only the person who initiates it? Who knows it? Is it a Lan Clan specialty? Is it only for highly ranked disciples? Did Lan Wangji invent it? Do the Lan juniors know this spell? If they do, would they use it? If yes to both those last two questions, that eliminates a lot of barriers for resurrected Wei Wuxian. Both Lan Sizhui and Lan Jingyi seem like they would willingly (with varying levels of sass of course) take on the task of relaying Wei Wuxian’s thoughts, at least sometimes. But again, it matters when Wei Wuxian becomes mute, because language and how you communicate shapes how you think. What if one of them or Lan Wangji uses the spell, and Wei Wuxian’s thoughts don’t come across as direct words? How does that impact their ability to communicate in this way?

Also, I invite you to picture: Wei Wuxian is back from the dead. He has been reunited with Lan Wangji. He can’t talk, verbally, but he can speak with Lan Wangji telepathically. This is a new development related to his resurrection. Lan Wangji is now faced with a dilemma, because he kind of depends on Wei Wuxian to do all the talking in a number of situations as the plot moves forward. How do they maneuver those situations now? The confrontation of the second Burial Mounds siege? The reveal of Jin Guangyao’s crimes? Also, depending on how the spell works and their communication style before Wei Wuxian died, it’s totally possible that he now just has Wei Wuxian chattering at him inside his head rather constantly, to make up for the fact that he suddenly can’t speak aloud. How does that affect their changing relationship as they go on adventures?

A possible example of this scenario.

Okay, time for some character implications. You know that thing Wei Wuxian does where he has to prove that he is at least as good and usually better than everyone else at whatever he can manage even though he’s an orphaned child of non-gentry parents? Yeah. That’s probably going to get cranked up all the way past 11 to like, 17 or something. A lot. Because if Wei Wuxian can’t verbally speak in a culture where oratory is such an ingrained part of daily life and cultivator culture, a lot of people are going to use that to assume he’s also stupid or unskilled. We see repeated examples of Wen Ning and Jiang Cheng being disregarded or manipulated through their inability to give speeches the way other people do, and the ability to speak well is mentioned as a distinct and admirable ability in reference to both Jin Guangyao and Ouyang Zizhen. It’s something cultivator politics pretty much requires, after a certain point: the ability to speak, clearly and with authority. Not being able to is going to tick Wei Wuxian off to no end. Frequently. And also (I believe) add even more fuel to his “I’m better than you” antics.

He’s still going to be this dramatic asshole, and he’s still going to be better than Jin Zixuan.

Speech doesn’t affect any of those gentlemanly skills he’s learned (provided we assume he still ahs the opportunity to learn them). It doesn’t affect his archery, or his swordsmanship, or his cultivational power. I don’t think it would affect horsemanship, but it might depend on how the horse was trained and what sounds Wei Wuxian is able to make. But either way, with the skills he does have I think it’s possible he would flaunt them even more, especially in front of people he thinks look down on him. He might also get into more physical fights, since he already has a tendency to do that as is when he’s offended enough (most obviously illustrated by his Cloud Recesses confrontation of Jin Zixuan). He might just walk out of more conversations, as we saw him do during the Sunshot Campaign, even before he loses his gold core. He might get even more unconventional in his ideas even more quickly, because he doesn’t fit in as well from the start and never will. The appeal of becoming a rogue cultivator or trying to seek out Baoshan Sanren on his own might be pretty strong. Lots of canon divergence and AU possibilities there.

As far as inter-character relationships go, if he’s mute from childhood I don’t think his relationships with his adopted family would change a whole lot. Madam Yu is going to throw his muteness in his and everyone else’s faces on a regular basis because it’s another handle she can grab onto. Jiang Cheng and Jiang Yanli might be more protective of him, but I think their personal dynamic with him would remain largely the same. Same with Jiang Fengmian. Jiang Yanli might speak up more often and Jiang Cheng might be forced to develop more patience and eloquence at a younger age, which could certainly ripple out into bigger things over time if you wanted to go that direction. Similarly, Lan Sizhui might have vague memories/ an increased ability to pick up the meaning behind “Mo Xuanyu’s” gestures and signs, which in turn could lead to his own identity being revealed sooner as well. It really depends on how deep you want to go, and how far you want to spin things.

Wei Wuxian’s relationships with the rest of the cultivation world, on the other hand, might be drastically different from a younger age because there’s always going to be that hint there that he’s lacking something, even more than he already gets with his birth status. I could absolutely see it being used in a very similar way to how mentions of Jin Guangyao’s parentage are used. In addition, Wei Wuxian’s going to have a harder time charming his way through situations, because the pacing of his conversations is going to be different. A lot of people are going to avoid him even before he turns to demonic cultivation because they don’t want to deal with learning new ways to communicate, which might contribute to his desire to show off more often and more drastically. (Some people of course are going to hate him even more because of this, and say things that involve phrases like “despite his shortcomings” but they hate him anyway. So how much that increase in irritation affects plot would depend on how far you wanted to take it.) Many relationships (especially more superficial ones) might have to be built a little bit slower, or a little more indirectly. A single first meeting will make less of an immediate positive impact unless he develops some specific strategies. Is he going to be remembered? Absolutely. But he’ll have to work harder to be remembered as “that charming, skilled Wei kid” instead of “that mute guy from Yunmeng Jiang.” It’s definitely a challenge.

This pun-and-flirting-based conversation, for example, would be very difficult to pull off.

With Lan Wangji specifically… I think it could go a lot of directions. I do like to think that one of the things that he finds attractive about Wei Wuxian is that Wei Wuxian makes it obvious he wants to be around, and be friends, but he accommodates Lan Wangji’s moods and actions without the need for very many verbal cues. He pays attention. All the time. He reacts to everything Lan Wangji does, whether Lan Wangji is talking or not, and he wants Lan Wangji’s attention in return. They actually have a lot of non-verbal communication going on already. They click, on a certain level, especially in combat situations, and can convey a lot of communication without very many words. So I don’t think that part would change much. Maybe more whistles and gestures and music, but it already involves a lot of touching. Nor would that aspect of Lan Wangji trying to figure Wei Wuxian out change a lot—the puzzle part might even be intensified, which could be fun to play with and lead them to be closer from an earlier time, especially in the novel setting. What might change is that Lan Wangi might start picking up more of Wei Wuxian’s ways of expressing himself, because another part of what I personally see in their relationship is that Wei Wuxian is often a catalyst for Lan Wangji realizing he can approach a problem from a totally different angle. If Wei Wuxian uses music to communicate as well as in cultivation, Lan Wangji might pick that up, or he might pick up certain gestures (signs can sometimes be more efficient than spoken words, especially if someone is used to them, and I think that would appeal to Lan Wangji’s economy of expression), or ways to use talismans (as we see him use one of Wei Wuxian’s talismans as a distraction in the drama). So yeah, if Wei Wuxian is mute when they first meet I think they would develop some slightly different lines of communication, but overall the shape of their relationship would remain largely the same. (Exploring those slightly different lines could be a lot of fun, even so :D)

A lot of the things I’ve written here are primarily based in the idea that Wei Wuxian is mute in childhood. If Wei Wuxian lost the ability to speak as a teen or adult, that would be pretty different. His frustration levels would be even higher than if he was dealing with it most of his life, especially since, as I noted above, I don’t think he would have as much of a chance to build a working knowledge of signs with very many people, if anyone at all. If his reaction to being trapped at Burial Mounds and becoming first a war hero and then a social pariah are any indication, he’d be dramatic and angry about it, and probably actively use it as a blind to disguise his lack of a golden core as much as possible. I think in any case where he became mute after growing up speaking, his chosen methods of communication would be a lot more direct and voice- or writing-based, whether through use of resentment-fueled voice-borrowing or talismans and glowy writing, or inventions like the vocal chord vibration thing. He’s going to be much more resistant to relying on other people if he can at all avoid it, and much more impatient about round-about methods of communication like music. He’d probably also employ a lot of exaggerated facial expressions and emphatic (and probably often rude) gestures. His adulthood is pretty stressful to begin with, and this is only going to make it moreso.

For character reactions in that situation—I think there would be a lot of concern from his siblings and Lan Wangji, and depending on when it happened there might be a lot of connections drawn between his inability to speak and his adoption of demonic cultivation. (I see four major points where he might become mute as a teen/adult before his death, and they’re all pretty close together: 1) during the Wen indoctrination camp, 2) when he wakes up from his coma after fighting the Tortoise of Slaughter 3) when Lotus Pier is invaded and destroyed, 4) When Wen Chao captures him and throws him into the Burial Mounds. Potential option #5: in a battle during the Sunshot Campaign.) On the one hand, in these situations Wei Wuxian already has established relationships based mostly in respect with a lot of people, so he might meet with more patience (but also more pity) for a while. On the other, people like Jin Guangshan are absolutely not above using something like this to shut him out of politics entirely.

But okay, among people he actually likes: I think Jiang Yanli and Lan Wangji would put in the most effort for actually communicating with him and helping him find ways to cope, as we see them do in the drama with the golden core situation. They and Jiang Cheng might possibly also narrow in focus pretty hard on finding a cure, if possible, since that falls in line with their reactions to his giving up the sword (something to be careful about in writing, as the difference between “magical cure” and “recovery through speech therapy” can be pretty important on a sensitivity level).

In a case of selective mutism—I think only Jiang Yanli would react well at first.

I cry over their relationship so much.

At this point Jiang Cheng is well and truly into his “why are you making my life harder” phase so Wei Wuxian being able to speak with him in private but not in public might start as a relief and then quickly become annoying as fuck. It might take Lan Wangji a while to figure out it’s even happening, especially if he’s one of the people Wei Wuxian still speaks aloud with. He might just think for a while that Wei Wuxian is trying to be better about controlling his mouth in public settings. But once he did figure it out, he’d probably adjust pretty quickly because he can relate to it a bit—we see him speak in small groups or one on one way more often than in more public stage situations, even though he is generally fully capable of speaking. I do think there would still be an undercurrent of worry there though, especially since at that point in his life Wei Wuxian is pretty close to spiraling out of control at the drop of a hat.

This sort of thing might be a lot more common.

Post-resurrection, Wei Wuxian himself would probably be really, really confused to suddenly be alive again but unable to speak. I think he’d spend some time going “wtf??” and then shoving his way into situations with wild hand gestures and body language and facial expressions. Think about that first confrontation in Mo Village, where he’s acting “mad”? That sort of exaggeration, and deliberately provocative physical contact maybe. He might play really annoying noises on grass or his poorly-made flute to get people’s attention. Whistling is highly probable. There’d probably also be some related depression, too. All of these things are obviously possibilities for if he developed mutism earlier of course, but I think if it came with the resurrection he’d have a lot more questions about it, and focus a lot more on being able to make noise at first.

I will make everyone else aware of my personal annoyance in any way possible.

He might end up doing more instead of trying to lead the Lan juniors to the correct conclusions, because he’s going to have way fewer communication tools than he would under other circumstances. He’d be less able to immediately insult Jin Ling at their first meeting, and less recognizable to Jiang Cheng. And once he met up with Lan Wangji, I think Lan Wangji would worry a lot about his silence in this case, because it’s so unlike him and they don’t know why it’s happened (unless Mo Xuanyu was already known to be mute). Finding a cure or a way to practice and build up speech again would be pretty high in both their priorities, I think, and Lan Wangji would watch Wei Wuxian a bit more closely, to make sure he stayed safe (because if this has changed, what else has changed?).

That oversight could influence the plot a fair amount. It might mean that they don’t catch Nie Huaisang at the Tomb of Blades. It might mean that Wei Wuxian tries to run away more often, or more determinedly, because he feels like he’s being smothered. It might significantly impact their ability to communicate during the Yi City fights in the fog, unless they’ve developed or adopted a whistle or clapping code by then. Wei Wuxian picks up on A-Qing’s tapping quickly enough that he’d probably come up with something a little more sophisticated, given time. They might spend a lot more time in the evenings and while traveling working on ways to communicate. Writing. Music. Empathy-the-technique. Establishing gestures and tapping codes, designing new talismans, etc. but for a while there Wei Wuxian is going to be extremely dependent on Lan Wangji (and possibly sometimes Lan Sizhui) to interpret and speak for him, which is a major change in their relationship that could be really interesting to explore. Does Lan Wangji start speaking out more often? Or does he employ intimidation or position or the silencing spell to make others wait for Wei Wuxian to communicate in other ways? How does that effect Wei Wuxian’s hidden identity? Does this experience resolve their friendship-to-lovers plot faster, or does it provide just provide even more opportunities for miscommunication?

The possibilities for fic are very nearly endless, I think, but my personal favorite options would be either something with the voice stealing and fierce-corpse-yelling (the consequences would be huge but individual moments could be very satisfying) or a fic focused on Lan Wangji and Wei Wuxian working together, building new communication tools and deepening their relationship through shared context, because I am a Wangxian sap at heart <3.

[canyouhearthelight]

The Miys, Ch. 79

This was another chapter that was soooo fun to write.  Don’t worry, I’m not getting off the plot, swear.  So, thank you @charlylimph-blog for helping me flesh these pranks out. Also, thanks to @satan-parisienne and @baelpenrose for beta-reading.

Disclaimer: Food mentions below the cut.  I also want to clarify that I do not hate brussels sprouts.  I did, for several decades, though, and added that to one character in this chapter.

Given my track record with handling ship-wide issues in a personal capacity, I made a point to set up an actual appointment with both Grey and Xiomara to discuss our concerns.  Unfortunately, that meant it would be a few days before we all had time in our schedule.  All I could do in the meantime was try to do my actual job and pay more attention to odd behaviors of people around me.

I would like to submit for the record that I wasn’t succeeding with focusing on work terribly well.  And I wasn’t the only one.

“Seventeen,” Alistair greeted me as he arrived.  For what could only be dramatic emphasis, he removed a scarf and flung it over the back of the chair across from me.

“Ark’s temperature controlled,” I pointed out, staring at the scarf.  It actually looked soft.

“Seventeen different individuals,” he continued, ignoring my comment. “In a sum total of six groups, between three and eight people per group. Several were in more than one group.”

Wow. Go, Detective Worthington.  “This was just on your way from your quarters to my office?”

“From the cantina on deck fourteen, actually.” He stalked over to the food console, returning with a plate of food and two beverages.

“So, one, that’s an even shorter walk than the one from your quarters.”

He nodded around a forkful of pasta before swallowing. “Which makes it even more concerning.”

“True.” Taking the tea he offered me, I gestured at his penne.  Part of me was pleased to see it was one of my recipes from Before that I added to my profile once I learned how. “I thought you just ate?”

“I attempted to, certainly.  However, there have been several issues with the consoles in the cantinas.  I was given to believe they were resolved, but somehow I still ended up with brussels sprouts instead of capers.” He glared at me archly. “You are well aware of how I feel about those atrocities.”

“Even if you did like them, I can’t imagine substituting capers for brussels sprouts and still coming even remotely close to whatever you asked for.”

Already, he was standing to dispose of his empty dish. “I was sure that your console would be safe, but I selected a dish without capers, either way.”

“That’s fair.” Although I was mildly confused why he thought the console in my office would be ‘safe’ from the malfunction he just mentioned, but I also had no idea about the consoles in the cafeterias acting up, so he may have a point.

I was about to ask for details regarding the people he had seen.  I really was. However, I was preempted by the actual trumpet from the Book of Revelation started screaming from the speaker in the ceiling of my office.  

“BAYYYYY-BEEEEEEEEEEEEEEEE shark, do do do do do do!”

I screamed and jumped hard enough to fall out of my chair, while Alistair had flattened himself against the wall in an effort to escape the cacophony. Covering my ears, I begged Miys to disable the speaker.  I was reasonably certain I was yelling it, but either way the noise cut off abruptly and I was able to get up off the floor.

“What the bloody hell - bloody hell!” Alistair jumped abruptly at the figure that was now standing in my office. I wasn’t surprised, either, when I looked.

Standing right by my now-closed door was a shorter-statured figure, wobbling on its feet.  I couldn’t even really see the face, because my eyes would not look away from the top of their head. Specifically the earmuffs perched on there.

Five. Pairs. Of. Them. One pair was standard noise cancelling, but two were fuzzy - one neon green, another sparkly purple - and the other two, while not fuzzy, did have patterns in similarly bright colors: one set pink and green plaid, one fluorescent yellow and blue stripes.  Yet another pair was dangling around the figure’s neck, along with what appeared to be two pairs of earplugs.  I was getting the idea that the blaring music was something they were familiar with, against their will.

While puzzling at the noise-blocking hardware, I finally noticed the words across the figure’s hoodie.  It very clearly said ‘Fuck this shit’, framed by delicate vines and flowers. “Charly?” I asked, completely confused, before realizing she likely couldn’t hear me.  I gestured for her to remove the headphones, and once she did, I tried again. “Charly.  What is going on?”

“I have not had a hot bath in two weeks. Every time I walk through a door, the room plays that awful song until I leave the room, and cold spaghetti squash should be illegal! Very, VERY illegal!” As she spoke, her voice choked up more and more, and by the time she finished she was crying in my office.  Again. “I can barely eat, I can only sleep if I’m exhausted and practically pass out…” She trailed off.

I got her seated and rubbed her arms.  Turning to Alistair, I spoke softly.  “Can you please bring some of the stew from screen six in my file?  And probably water for now.”  To Charly, I reassured her. “It’s your beef stew recipe, the one you gave me.  For whatever reason, my console here and the one at home never glitched out when the ones in the cafeterias did.”

She sniffed and nodded.  My assistant quickly returned, gently setting down the stew and warm bread, along with some butter.  He narrowed his eyes at me, sharply. “I took the liberty of also getting some butter for the bread, because clearly some of us are heathens who serve warm bread without butter.”

“Some of us like to spread cheese sometimes,” I defended myself. “Okay, hon.  First, I need you to drink at least half of that water so you don’t dehydrate from crying.”  A very tiny white lie.  The real reason was an old trick I learned back Before - humans aren’t wired to be able to cry and swallow at the same time, so we stop crying if we are drinking something.  

Once that kicked in, I let her dig into the stew.  Keeping a careful eye to make sure she didn’t accidentally inhale anything in the literal sense while demonstrating the figurative sense, I tried to figure things out. “First and foremost, has anything else happened, anything that could have caused you injury?”

“Juss annoyig,” she told me around a bite of bread. Swallowing, she clarified. “Anytime I try to bathe, I only get cold showers.  No hot water, even the sonic function gives me cold water.  I’ve had to resort to letting a bucket of water sit out long enough to be room temp.  Anytime I try to get any sort of food or drink other than water, all I get is cold, icky spaghetti squash.  You saw what happens when I walk into a room.” She gestured at the speaker on the ceiling. “I’m not even sure how you stopped that.”

“I had Noah disable the speaker entirely,” I admitted. “So, all mid-range psychological torture? All irritants, nothing actually dangerous in and of itself?”

“Except the fact that I’m so jumpy I can’t sleep, I guess.  This is the first thing I’ve eaten in two weeks that wasn’t something Coffey had to go get from a canteen, bring it back, and give it to me.  And even that only works if it isn’t something I actually like.”

“But there are over a dozen full-time food vendors?” I was so confused.

She rolled her eyes. “You know I don’t trust other people’s cooking.  Yours, yes. Tyche’s, yes. Mine, of course.  But that’s it.”

“Miss Harper,” Alistair interrupted, gentle but horrified. “You said it’s been two weeks….”

She waved the concern away. “Two weeks of eating food I don’t like but don’t gag on is way better than cold, yucky spaghetti squash or food that may have… crawly things in it. You do know that some people cook with…. those things, right?” She eyed him suspiciously.

“Objection withdrawn,” he sighed. “However, I do believe that part of what you are experiencing may be part of the wider issues we’ve been having with the food consoles.  All of the public ones have been malfunctioning recently, and every time they are reset, it happens again.  I nearly ate brussels sprouts today, for heaven’s sake!”

“Okay, seriously Alistair? They aren’t that bad. Stop being dramatic,” I scolded. When I turned back to Charly, she was staring at her lap, very focused on the hem of her sweatshirt.  Fear spiked through me like ice. “Charly? What is it? Did something else happen?”

“The consoles might be acting up because of what’s happening with me,” she admitted quietly.  “Not the other way around.”

Huh? “What do you mean?  You think the same person who is doing this to you is going to target everyone?” I could feel my panic levels rising.  Suspicious people, maybe a cult, were increasing in numbers throughout the ship.  Maybe they were sending a message? It was pretty well known that Charly was close with Tyche and myself - 

“IthinkthisishappeningbecauseofaprankIpulledandsomeonegotmad.” Once she finished blurting out her statement, she screwed her eyes closed and seemed to be waiting for something bad to happen.  When nothing happened - I don’t think Alistair even understood what she said, and I know I didn’t - she cracked one eye to peek at our faces.

“In English?” I asked, shaking my head.

“I think...I may have...broken? The food consoles? I might have played a prank? And someone didn’t like it?”

I fought the urge to go entirely limp as all the panic and dread I had been building up rapidly plummeted.  “So, all of this… you broke the ship… it’s all a prank war?”  She nodded, face scrunched up in embarrassed apology. I pinched my nose before running a hand down my face. “And you started it, you believe?”

“It wasn’t on purpose!” she cried.  “It was a harmless prank, I freaking swear. I programmed the food consoles to give boba tea as every one hundredth beverage dispensed. That’s it. I even made sure to program it to be sugar free! Just matcha tea, lactose-free milk, sugar substitute, and the little boba pearls.  At most, someone would get it, go ‘hey this isn’t what I asked for?’, try again, and get the right thing.”

“Except that’s not the worst thing that happened,” I prompted.

“No, it isn’t! After about…five days? Suddenly all thiiiiiiis,” she flailed expansively, “started happening!  There is no way you can tell me that I deserve all this for erroneous boba tea here and there.” Charly stared at me, pointedly.

To be honest, it really did seem like overkill. 

“Well,” I sighed. “The good news is, only a select few people have that level of access to the ship to do something so far reaching.” My fingers drummed on the table as I tried to think of ways to narrow our list of culprits further. “Obviously, they don’t mean you any actual harm, just a significant level of annoyance and inconvenience.  And it would have to be someone who would take boba tea to be a grievous insult apparently…” Fuck.  

My head snapped up as I leapt to my feet and bolted for the console. Once I had a boba tea, exactly the way Charly described, I took a huge pull from the straw. Chilled, clean flavor, no notable texture, not terribly sweet, no aftertaste…

And chewy boba pearls. Like little candies. Most importantly? They were squishy. 

“Mother fuck….”  Charly and Alistair both gave me questioning looks.  “I will one-hundred percent admit that your prank had very innocent intentions.  But before I tell you who did this, I want to be clear: absolutely no retribution, and no more dinking around in public resources. Deal?”  She nodded so hard I thought her neck may break.  “Someone with an enormous food aversion to anything ‘squishy’ ended up with one of your drinks.” I jiggled mine for emphasis. “And I am willing to bet they got a mouthful of tapioca before they realized it.  They absolutely knew there was no error - they only drink water, and they are extremely sensitive to caffeine.  Once they realized it was a deliberate error? There was no saving you, girl.”

Her eyes widened to the size of saucers, and I could see everything falling into place.  “Oh no. Nonononononono.  I didn’t think Derek used the public consoles!  I never would have done it if I knew that!  Or exempted him, or something… Oh gosh, I have to go apologize. I feel awful!”  With that, she bolted from the room, throwing a “thanks for the stew!” over her shoulder on the way out.

Alistair just shook his head. “She really pulled a prank on the one person we can’t keep out of anything on the ship, who we have to rely on his good intentions?”

“Obviously, not on purpose,” I pointed out.

“It still doesn’t explain the small cabbages that contaminated my lunch.”

Taking a long pull from my tea, I tilted my head side to side. “It really kind of does.  Charly hates capers with a passion, based solely on what they look like.”

“Madam Councillor. Brussles. Sprouts. Surely there was a better option.”

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