#And then when they left

[sugaldean]

People say Aziraphale and Crowley are Taylor Swift coded.

Babe wake up they are ABBA. Every song fit them.

Okay so I planned to put 3 or 5 songs but I fell down a deep hole of Abba/Good Omens so yeah have this.

Spoilers for the season 2, even tho not every song is about it

SOS? Every lyrics is them

Angel eyes? I mean come on the title only and it's nothing compared to the chorus

Lay all your love on me? Crowley is the one who told them to write that, he needed a song to express what it felt (re)meeting Aziraphale in the garden

Waterloo? Crowley is a drama queen, they sing this from the bottom of their lungs

The name of the game? Aziraphale. Oblivious lovely Aziraphale (and you make me talk, and you make me feel, and you make me show what I'm trying to conceal?? Yeah my boy wrote that one)

WINNER TAKES FUCKING IT ALL??? Don't talk to me

Knowing me knowing you is the long version of "Nothing lasts forever" and I'm not okay

One of us? You know the scene in mamma mia? Yeah it happened. One hundred percent. Two dramatic bitches crying about how they are the one who's abandonned

Take a chance on me? Both of them. Oblivious Aziraphale and flirty Crowley

Mamma Mia? Both of them. Every one or two century or decade (here I go again, how can I resist you Bla Bla Bla)

Dancing Queen? Is about Aziraphale. It is him

I've been waiting for you? Aziraphale for Crowley. (you thrill me, you delight me, you please me, you excite me, you're something inde been pleading for. I love you, I adore you. I LAY MY LIFE BEFORE YOU Aziraphale literally would declare his love with this exact words)

As good as new? I know this one isn't as known but for season 3 it's Aziraphale.

(I'll never know why I had to go

...

And know look at me standing here again cause I found out that my life is here

Gotta have you here.

As good as new my love for you)

Voulez vous ? About the fact that they keep meeting and fell in love and they do it all again everytime. Meaning all the good but also the misunderstanding?

I HAVE A DREAM?? Aziraphale. "You can take the future even if you fail? I believe in angels??"

If it wasn't for the nights? Change nights with when we see each other (which is basically what the nights are in the song) and it's just them screaming that they live for when they see each other and thank god they are busy otherwise they would turn so mad to not see each other more

Chiquitita? Crowley helping Aziraphale after a bad day. (I've seen you've broken a feather, Chiquitita you and I know how the heartaches come and they go and the scars they're leaving. Yeah Crowley sing to your boyfriend how hard days and works can be and how it pills up to hurt you)

Kisses of fire? No comment on this one. But yeah (not sexual pure emotion). (Touch my lips, close your eyes and see with your fingertips... Hmm yeah sure yep yep no hard feeling with this hand of Aziraphale begging to give in THIS scene)

Gimme gimme gimme? Rare exception here. Crowley is not the one tired of them turning around each other. It's Aziraphale who decide to put on a show.

Money money money? Sugar daddies

My love my life? Oh my heart is just shattered on the ground.

The mirror of your eyes: Crowley's glasses.

My love my life are the words I try to find: Aziraphale stuttering to find his word

But I know I don't possess you, so go away god bless you, you are still my love and my life. Bawling my eyes out, ripping my ribcage open

Super trouper? Just Aziraphale so happy to do his magic show. But only if Crowley is here to watch him. Otherwise why put on a show? No matter who is looking no eyes are dearer than their.

Our last summer? Funny funny. We took our chance like we were dancing our last dance, yeah no idea what chance or dance that could refer to in the last happy moments they gad together hmm?

Me and I is about the duality of feelings in Aziraphale, the fight between what he loves about heaven and what he loves about humanity and goodness + makes me think of him and Crowley being stringer together but we leave the meaning of the song (We're like the sun and rainy weather sometimes we are a hit together)

Elaine is Crowley singing about how Heaven know Aziraphale too well and they will tie him up so he does its will. I'm not kidding. (You curse, you try to scare, but you can never teach them, it's a dead end street, they tied your hands and tied your feet... You come, you stay, you go, it really doesn't matter, you've done it all before, by know they know the pattern)

I do, I do, I do? Crowley stop begging, I'm already crying. (Love me or leave me, make your choice but believe me I love you. I do, I do, I do...)

Hey hey Helen? Crowley is being petty. "So you're free at last and beginning to forget the past, does it make you sad when you think about the life you had?" (tbf I always felt uncomfortable about that song but it weirdly fits

Tropical loveland? To Crowley it's Alpha Centauri, to Aziraphale it's heaven. (Just take my hand, I'll show you everything. The secrets that my paradise can bring. I wanna share it with you)

I wonder? Aziraphale stop trying to convince yourself. DON'T GO

I'm a marionnette ? Okay I know you think it's about Aziraphale. But no. It's about Crowley. Because yes he has free will. At least more than Aziraphale. But up until this scene, he always did what Aziraphale wanted. Never refused him anything. (also this song gives me anxiety)

Honey honey? Well. I really like them as aroace. But I'll give it to you Aziraphale might have thought this.

[useless-englandfacts]

you would have thought that she’d been assaulted or something from this post, but do you know what she was referring to?

a picture of a lettuce

[eydilily]

(look at what i have to offer) — this is the spider's nest.

[larkiethings]

shaking my head while playing neko atsume so people know that I don’t support outdoor cats

[hinamie]

to moving forward

[bug-hearted]

bill likes to prank fiddleford sometimes. it gets very funny

[bet-on-me-13]

Bruce owes Danny money. He does Not want to pay up.

So! Danny had to run away from Amity Park when his parents discovered his Powers. But every time he tried to stay in a single place in America, they somehow managed to find him.

Turns out, they were working with the GIW to track him using the GIW's resources and the Fenton's Genius to find him everywhere he ran to. Eventually, Danny figured he had had enough and ran to Europe where the GIW had no Jurisdiction.

After wandering for a while, Danny was found and recruited by the League of Assasins. He was powerful, skilled, and connected to the Lazarus Pits, so they approached him with a job offer.

They would hide him from the Fentons, who had began to search for him in Europe independently, and in return he would work for them as an Assasin.

Considering his situation, Danny agreed.

He began training to be an Assasin, supplementing his Ghost Abilities with the abilities of an Assasin to become even more Stealthy.

While training under the League, Danny met another recruit simply known as Bruce. They trained together for years, even going on a few missions together gathering intel, and using disguises to hid in plain sight.

On one of these missions, Danny lent Bruce some money with the promise to get paid back when they returned to the League. That same night, Bruce left the League of Assasins and never came back.

...

Bruce was sitting in the Batcave going over a case with Tim, Jason was off to the side cleaning his Guns, and Dick and Cass were holding an acrobatics competition in their Obstacle Course, with Damien, Steph, and Duke cheering them on.

Suddenly an Eldritch Emerald Light sprang to life in the center of the Batcave, and everybody dropped what they were doing and sprang to action.

Slowly, a glowing green figure emerged from the Light. He appeared Eldritch in Nature, as if he existed in multiple layers of reality at once and looking at him gave them minor headaches. Then, the figure spoke up.

"BRUCE. ITS BEEN 15 YEARS. YOU STILL OWE ME 16 DOLLARS."

Recognizing Danny, Bruce took a moment to compose himself before responding.

"Fuck Off."

[heartstoppercomic]

Chapter 8 - 6

The head boy!

Read Heartstopper Online

More info/buy the books: https://aliceoseman.com/

Heartstopper updates three times a month, on the 1st, 11th, and 21st at 11am UK time.

[machinerot]

alright i couldn't find any posts showing this idle animation and needed it on my blog

[nalonzooo]

doodle dump 🤍

[meyhew]

zayn using a photo of them as kids is really getting to me. does he still see them like that? i look at some people i’ve been friends with for years and see ourselves as the age we were when we became friends. my mental image is stuck there. this is fucking awful dude

[khruschevshoe]

There is a conversation to be had about the fact that Taylor Swift's album is being played in its entirety across all of iHeartRadio's 868 stations, pushing out the opportunities other artists might have had to get radioplay. That's the literal definition of a monopoly. No wonder she'll hit the top of the radio play charts with this maneuver, because at least 65 minutes (if not the back side of the album, which would take it to nearly twice that length) across EIGHT HUNDRED AND SIXTY EIGHT STATIONS will be dedicated to her, artificially boosting her radio play and decreasing everyone else's. In this essay I will—

[tinartss]

(5.1 spoilers) the mastermind behind the sabzeruz festivities

[soappox]

they're amusing to me

[canisalbus]

✦ Come hell or high water ✦

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.