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#And emotional bonds
souporsaladnatural · 3 months
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Obsessed with the sudden shift in Cas' willingness to say insane romantic shit to dean in season 8. A couple of seasons ago, he would tell dean that they had a profound bond to his face. That everything he did, he did for Dean. Now? He's hesitating. He clenches his fists to avoid hugging Dean back in purgatory. He stutters and looks away before saying he stayed away from Dean to protect him. When asked what broke through heaven's brainwashing, he looks away and says he doesn't know. It's so interesting to me
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chiscribbs · 1 year
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I had an idea for a one-off Rise episode plot and just wanted to quickly sketch up some visuals for it.
The plot goes as follows: Donnie attempts to invent a cloning machine and, due to some kind of science-y mishap, ends up cloning himself...a lot. But there's a catch to this - the clones aren't exact copies of Donnie, they each possess just ONE of the various facets of his personality (i.e. brainy, broody, sarcastic, passionate, dramatic, mischievous, etc.) and a small portion of his mystic powers. Don tries his darnedest to keep the whole situation under wraps while he searches for a way to fix it, but some of the more rambunctious Donnies quickly escape and begin stirring up trouble in the Lair, so it doesn't stay a secret for very long. To make matters worse - the real Donnie starts to slowly disappear (something having to do with his existence being divided among the Donnies or blahblahblah fake science explanation). So, while he and the scientist Donnies continue to look for a way to reverse the cloning effect, his brothers and Co. set to work gathering up all the other Donnies so they can put them back where they belong and keep Donnie Prime™ from vanishing.
Hilarity, wholesomeness (and some mild angst) ensues.
(Note: I meant to include April in that second-to-last image, but ran out of room. Just know that she, Splinter, and probably Casey Jr. are all there, as well.)
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artsymeeshee · 5 months
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Been having major Stan twins feels and needed to draw out an idea I got out. I just feel like deep regrets and feelings will come out of nowhere for both and get overwhelming, sometimes they need each other’s company
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Can I touch lightly on this topic? Have you ever loved someone that is emotionally manipulative? Someone who can mentally play you like an instrument? Have you ever had someone step into your life and slowly remove others from it? This person could have truly loved you, but loved you in a way that was so silently violent it changed you. Then, by the time you realized it and tried to pull away, you found pieces of them stitched into every part of you.
Now imagine after painstakingly cutting them out, stitch by stitch, they are thrust back into your life. Even worse, you realize you love them. No matter how much grief this relationship has caused you, you crave their love. Their fucked up love. You push away healthy love for this weird battle of wills.
I would throw us both off the cliff too. It makes perfect sense.
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natalievoncatte · 3 months
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Kara’s phone skittered across the table, and she looked away from the movie. Alex was with her on the couch and they had a box of cheap rosé and were watching Mean Girls, Alex’s pick. They hadn’t had a sisters night in ages, and Kelly had Esme with her and was visiting James for the weekend; Alex had stayed behind to keep an eye on things with J’onn and Kara.
Kara’s phone was supposed to be off, but she couldn’t help herself. Alex scowled at her as she reached for it.
“Kara,” she muttered, “you deserve a night off.”
“I have it on Do Not Disturb. It’ll only go off if it’s one of my favorites calling.”
Alex rolled her eyes. “Knowing you, that’s everyone you know.
“It’s actually just you and Lena,” Kara said, absently.
Alex looked at he enigmatically. There was a knowing in her eyes that made Kara feel a little hot and a little squeezed, paranoid that Alex observed something she had not.
It was a series of texts, not a call.
Kara, can you come over?
Nvm you must be with Alex
But if you do the balcony door is open
It’s not important I just need to see you
Kara bit her lip.
“What did Lena say?”
Kara glanced up. “I didn’t say it was Lena.”
Alex stared at her, and Kara squirmed a little. There as a hint of a smile but a touch of sadness in her eyes, and she let out a little sigh.
“She said it’s not important but she needs to see me.”
Alex sighed. “You should go.”
“She said it’s not important,” said Kara.
“But she said she needs to see you. You won’t be able to relax all night until you know why. You can go. I’m going to crash here, I’m not driving. Go, Kara.”
Kara nodded and stood, wondering why her palms were sweaty. She put on her suit and stepped into the air, making a brisk but calm flight to Lena’s place, making sure not to create any sonic booms.
When she lighted on the balcony it was indeed open. Kara paused and listened, locking on the steady beat of Lena’s heart and breathing. She was in her bedroom.
Passing through the dark penthouse, Kara found Lena in the bed, curled up in a nest of blankets and pillows. She was wearing an oversized hoodie with her hands tucked up in the sleeves and had a box of tissues near her head. When she looked up, Kara realized she was wearing a battered and threadbare Midvale High Mathletes Club sweatshirt that was two sizes too big for her, because it was actually Kara’s.
Kara moved to the side of the bed. “Lena? What’s wrong?”
Lena didn’t meet her gaze. “I’m fine. I’m sorry, I shouldn’t have bothered you at sister night.”
“You should have been at sister night.”
There as a curious look in Lena’s big, soft eyes, at once warm and heartbroken, like she’s both gained and lost in a single moment.
“I couldn’t tonight.”
Kara let her suit dissolve. She was still in her lounge clothes, a pair of baggy sweats and a button-up tank that left her arms bare. She sat down on the bed and leaned towards Lena.
“I’m okay,” Lena said.
She’d been crying, her eyes red rimmed and wet, painful tracks left by tears and her nose raw. Lena rarely let anyone see any kind of vulnerability like this.
“You don’t look okay, Miss Luthor. This looks like a job for Supergirl.”
“I don’t want Supergirl, I want Kara. Can you stay.”
Kara said, “Yes,” without hesitation, and super speed typed a text to Alex, then turned off her phone.
After a brief hesitation, Kara climbed onto Lena’s huge California King bed. There as plenty of room in the middle for them both. Lena lifted the covers and Kara settled in with her.
Carefully, she pushed the hood back, and tucked away a few stray dark curls from Lena’s eyes as she shimmied closer, curling her arm around Lena’s shoulder. Their bodies instinctively fitted together as they had many times before, Lena carefully cradled in Kara’s powerful arms. Kara could feel her quick breaths and the flutter of her heart beneath her ribs. In her embrace, Lena felt delicate and exotic, a treasure to be handled with utmost care.
“Want to talk about it?” said Kara.
“Can we stay like this for a while?”
“Yes.”
Kara wasn’t sure how long she laid there or how long Lena clung to her; she didn’t really care. Finally Lena spoke.
“This is the day my mom died.”
Kara let out of a soft “Oh,” and held her just a little tighter, carefully exacting just a touch more pressure until Lena calmed again.
“It’s normally this bad but some years it’s just too much, it’s… it hurts. Why does it hurt so much?”
“I don’t know.”
“Sometimes I still have The Dream.”
Kara tensed, not because Lena didn’t explain, but because Kara knew without being told. Kara had The Dream, too. The only dream that was a Dream, the only nightmare that you can’t wake up from because the waking is the nightmare.
Lena shook her head, and her voice broke something in Kara, shattering it into a thousand pieces that scattered on the crystal floor of the hidden places within her.
“I can’t even remember what she looked like.”
Kara ran her hand softly over Lena’s head and felt fresh tears hot on her neck.
“Lillian took everything from me. Pictures, home movies, all of it. Sometimes I can remember her singing but it’s like I can feel it more than hear it.”
“I remember,” Kara said softly, “when I started thinking in English. I had to. It was the only way I could write without messing up the grammar.”
“Do you remember Krypton?”
“Mostly. It’s hazy. Things from before my powers are like that.”
“Can you… can you tell me about it?”
“Yes.”
“You don’t have to if you don’t want to. I just… I’m trying not to think about how much I want my mom.”
Kara nodded and began telling Lena whatever popped into her head, without rhyme or reason or really meaning to go anywhere with it. She told her about Argo City and excursions to gather mineral samples, about the opera and museums and festivals, about the food and music. She told Lena what it was like to visit other worlds, to stand on the shores of lakes of molten nickel and watch a supernova unfolding.
She barely noticed when Lena fell into a light sleep, curled up in her arms. She clung to Kara, hands fisted into her back at first, then relaxing as she dozed.
Eventually, light peeked around Lena’s blackout curtains. Lena had slept through the night. Kara should probably have withdrawn or gone to make breakfast, but she stayed, enjoying Lena’s scent in Lena’s huge bed, feeling her breathing against her and just feeling this curious relief that she at least knew she was safe, truly safe.
“You’re here,” Lena murmured as she woke up.
“Of course I’m here”, said Kara.
“I like having you here,” Lena mumbled.
“I like having me here.”
Lena sighed. “Are you real? Am I dreaming this too?”
Kara snorted. “Do you dream about me a lot?”
There was a too-long pause before Lena said, “yes.”
“What kind of dreams? Am I badass in them?”
“Something like that.”
Kara smiled. “Want me to grab us breakfast?”
“No.”
Kara’s stomach rumbled, but Lena ignored it. She still had her arms around Kara’s waist and squeezed hard, pulling her close. There was desperation in it. Kara sucked in a sharp breath, even as she returned the embrace.
“Hey,” Kara said softly, “I’m right here, I’m not leaving.”
“Okay.”
Kara swallowed, hard. Lena looked up at her and Kara’s heart did a flip. She was so soft here in the morning light, vulnerable in a way that no one else ever saw. Every fiber of her being screamed at Kara to make it better, protect her, kiss her.
Wait, what?
Kara blinked. Lena was staring at her lips, pupils wide and eyes dark.
There had been a moment like this before. When Kara came back from that awful place, ripped free from its darkness, when it felt like Lena was the whole universe and Kara had been locked in by her gravity, pulled toward a singularity, yanked away from it by her fathers voice as she leaned in…
“I want you to stay,” Lena said, each word a tiny whisper puffed against Kara’s lips.
Kara kissed her.
It wasn’t a Big Damn Kiss. It wasn’t one where the camera spun and the music swelled. It was barely there at all, a faint brushing of lips, an invitation left to wait, breathless, for an answer.
When Lena kissed her back it was slow and passionate but reserved, lips pressed on lips, followed by a tiny tug on Kara’s bottom lip, the signature that competed the message.
Kara moved delicately, leaving a pause with each moment, but Lena offered only invitation.
“Is this okay?” Kara asked.
Lena grasped fistfuls of Kara’s shirt, squeezing so hard that her knuckles went white and her hands trembled.
“Please,” she whispered. “Stay.”
“I’ll never leave,” Kara whispered, sealing the promise with a kiss.
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pikinanouart · 10 months
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The prescription says: Just let him have this, come on.
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aardvaark · 5 months
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the long way down job is such an important turning point in eliot & parker’s relationship bc they’d both been viewing the things they have in common as fairly negative: they’ve both been told that they’re cold and ruthless and dangerous and they know those things are true. so when they’ve recognised themselves in each other, it’s been a sense of "the thing that’s wrong with me is a lot like the thing that’s wrong with you". and there’s comfort in that, in a way. but now eliot gets parker to see that maybe those aren’t all negative traits, they’re just… traits. neutral. it doesn’t make them bad or good, it makes them who they are. and now when they see themselves reflected in each other, it’s not a reminder that they’re wrong and bad - it’s kinship, it’s familiarity, it’s belonging.
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spicymancer · 11 months
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You said the actirangers are in a polycute. What's the dynamic inside said polycute ?
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I spent way too long putting this together
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strawlessandbraless · 4 months
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Castiel painstakingly rebuilt his charge piece by piece. He molded him and breathed new life into him. Then he signed his work knowing he would never create anything more beautiful than Dean
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ragingtrees · 1 month
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my friend dimple
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starryomi · 3 months
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i love how nona was basically watching herself from third person with no clue what she was doing ready to give into the death that was consuming her and then paul mentioned noodle and she locked tf in
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so five and lila being a thing is going right next to allison literally sexually assaulting luther in the box of things we are absolutely under no circumstances accepting as part of canon right
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turtleblogatlast · 6 months
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Mikey and Leo episode centered around Mikey wanting to push Leo and Draxum together since Leo’s the most reluctant to give Draxum any grace (for good reason!) But, thinking on the spot, Leo says he’s gotta go do something for Hueso and “just can’t hang out right now 😔” (yes, he says the emoji out loud.)
Mikey calls his bluff and now the three of them (Mikey having grabbed a weary Draxum along) go to Hueso’s to find that yes, he actually does have a job for him. Said job asks for Leo to go with Hueso to deliver multiple pizzas to this giant yokai quite a distance away, and Hueso figured it would probably go better with Leo’s help (emphasis on probably.)
Well, Mikey decides that this would be a great bonding opportunity for them and basically invites he and Draxum along. Unfortunately for Leo, Hueso doesn’t care enough to wave away more help, though he does side-eye the wanted criminal Baron Draxum coming with them. But who is he to judge? (This choice has consequences.)
The journey goes about as terribly as you’d expect, but at least the pizzas get delivered on time.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt mikey#rottmnt leo#rottmnt draxum#rottmnt hueso#listen you don’t understand#imagine mikey trying to get leo to accept draxum as a father figure only for this to push leo to purposefully turn to Hueso instead#idk I love when this accidental flaw of Mikey’s is explored and I think it meshes well with Leo’s own AND fits nicely with their dynamic#100% this ends with Leo & Hueso bonding and Mikey & Draxum bonding and Mikey & Leo bonding and even Hueso & Mikey a bit#but notably only a little Draxum & Leo - because it’s important that Leo isn’t forced to accept him imo#Leo realizing during all his denials of Draxum that oh you know who he DOES think of as family? Hueso#Draxum is trying mainly for Mikey’s sake#Hueso is too tired to care about all this family drama but is reluctantly worried about Pepino#Mikey just wants one big happy family because - that’s just easier y’know?#he tries so hard to work with everyone’s emotions that he just wants things to be easy for once#he wants love and family to be easier than it is - than has BEEN lately#gimme that heart to heart Mikey & Leo moment in this regard#by the end Leo DOES raise Draxum up a bit from ‘complete distrust’ to ‘mild side-eye’#but it’s a long ways off if he ever gets pushed into the family tier#and also#SO MUCH SLAPSTICK COMEDY and sarcastic comedy in this episode fr#and if you’re wondering-#yes they DO fight the Yokai monster they’re delivering the pizzas to#but they get paid so it’s whatever#kinda wanna attempt to copy the style of the show and make fake screenshots of this ‘episode’ ngl
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adiradirim · 6 months
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From right to left: Beya Melamed; Bulgaria, 1890 - Jewish bride after the wedding; Turkey, early 20th century - Torah ark curtain made from a woman’s dress; Izmir, Turkey, 1929 - Wedding dress belonging to a Jewish family from Edirne, Turkey; early 20th century, gifted to museum exhibition in memory of Colombe Papo
Worn in the 19th and 20th century for weddings and other occasions by women across the Balkans and Anatolia, bindallı dresses were typically made of velvet in deep jewel tones. They were decorated with extensive gold embroidery of floral designs, which give this group of dresses their name, meaning thousand branches. This Ottoman-derived yet European-influenced style marked a transitional period between uses of traditional and modern western fashions.
The dresses - adopted from the surrounding culture as a fashionable item without any Jewish specificity - took on unique Jewish meaning through their use in the synagogue, where they became ark curtains, Torah mantles and binders, bimah covers, and the like, frequently with added dedicatory inscription. The donation of dresses and trousseau items by women to the synagogues created a personal bond between the women and the synagogue. The habit of donating these textiles to the synagogue endured long after the original embroidered bedclothes and dresses had gone out of fashion, and the transitional bindallı fashion thus remained alive in Sephardi synagogues long after the passing of the brides who wore the dresses.
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nadiasna7 · 1 month
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And you smell like tranquility, like peace of mind, You're like ten hours of uninterrupted sleep. You smell like care, like home, like someone who can love Earnestly, endlessly.
A translation of this song
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pageofheartdj · 1 year
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I don't know about Leo's orientation but there is definitely some romance aversion/repulsiveness going on xD
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Leo claiming Don Suave as handsome doesn't exactly mean much, people can appreciate each other on aesthetic level too.
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