#And also yes out of genuine love

[littlebittyhollowbugs]

Imo Hollow does have some built up resentment obviously but it so so so deeply repressed for a wide variety of reasons including the big reason that is: every single emotion is deeply repressed as a result of you know.. being the hollow knight.

And also! acknowledging in any way that it deserves to or should be angry because of everything it's been put through would be an absolutely devastating realization.

Realizing that it sacrificed everything, literally everything and suffered all for the king, their father.

Being angry or hateful towards him would be so difficult. Hollow gave everything for him,

And wants to believe that even if he didn't get what he wanted, and the kingdom fell, and the plan failed, at the very least the reason for all of that suffering was good.

That it meant something.

That it was for a good cause at least.

Oh and also also! The Radiance being trapped within it's mind and consistently making it suffer (physically and/or mentally) while also being the greatest PK hater of all time and surely not hiding that from her captor, most likely making Hollow very aware of it, and attempting to turn it against him too, the entire time, I imagine would actually cause Hollow to become even more loyal to the king.

(I acknowledge that PK is deeply flawed, and deserving of any resentment/anger Hollow might direct at him. And Hollow should be a little more angry actually or at the very least be willing to acknowledge how badly they were treated. STILL I do not believe Hollow would so easily think this way and would intentionally repress such thoughts or feelings.)

[wasyago]

so, would you?

nothing important under the cut, you don't need to look haha

[mblue-art]

BAD SANSUARY // [14] tears for owl-bones's event !

"...Killer, it just looks like I have running mascara."

"it's such a look though."

messy kisses and post-nuzzles

[kat1nkulta]

I can’t stop thinking about Loop. Imagine doing everything, anything, to get out of a traumatic situation but the price is you. Your body is gone, your name is gone, your family doesn’t recognize you, you feel like most of your memories of them are gone too anyway. Suddenly you’re denied your identity. It’s like YOU never existed… and someone else took your place. You, whose biggest fears are forgetting and being forgotten in turn. You, who’s hesitant to change and now you’re forced to. You can’t even really blame anyone else because you did get your wish, right?

It’s explained clearly in the game, but the implications of it just hit me extra hard sometimes. Siffrin is as much of a study of Loop as Loop is of Siffrin. They share(d) their fears too so mal du pays words essentially becoming the truth to Loop is just… 🪨🪨🪨🙁🙁🙁💥💥💥💥

What do you do when all you have is ripped from you, all your worst fears come true, and youre forced to just… come to terms with it?

[fandommothfreak]

I think movie buff Duke Thomas should force Jason to watch the LOTR movies and literature nerd Jason Todd should force Duke to read the books.

They should make a movie night out of it and then a weekly book club that's really just Jason periodically hacking comms during Duke's patrol so he can yell at him to finish each chapter like a deranged English teacher that follows you around at work. And then they should get into heated arguments about Tom Bombadil; and Duke should get really invested in overanalyzing all the poetry in the book trilogy; and Jason should rewatch all three movies like seven times at least so he can scribble thoughts into the margins of his paperback copies, write dissertations in his head about the effectiveness of different story changes, and cry at Sam's "But I can carry you!" without having to stop reading.

And then they should repeat all of this with The Hobbit. They're both a little psychotic about it and the rest of the family is tired.

[slasherflicks999]

stayed up until 7 am drawing this guy holy shit

i love drawing BEN with no mouth for some reason idk why

he’s a ghost anyway he can do what he wants with his appearance tbh :3

also experimenting with working with smaller canvases to get the more pixelated look. like really small. my usual workspace is MINIMUM around 2000x2000 pixels. this one is 420x420. (hah nice) i think it’s fun :D

[beastlyidiocy]

I

^ i care about this scribble deeply . He he ehehe hehe

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[ducktracy]

a short placing heavy emphasis on Hungarian Rhapsody No. II is a rite of passage for golden age cartoons. Bugs Bunny did it! Tom and Jerry did it! Daffy and Donald! but one thing Woody Woodpecker has above the competition is that he is held hostage by a group of gangsters and is forced to entertain, lest he get executed. amazing

[d0d0-b0i]

bees n stuff

[poorly-drawn-mdzs]

Thank you. I'm sorry.

[First] Prev <–-> Next

[icewindandboringhorror]

Little bright colored outfit with a fun vest ~

(shoes from ebay like 10 years ago. everything else is thrifted)

[ghostly-cabbage]

We need to talk about the worst thing about making AUs....

The fact that then when you inevitably think about crossovers you don't want the crossover with the canon you want it with your specific AU. Your brain worms, your circus, but THEN WHAT?

Oh, yeah, to understand this crossover you need to go read this entirely different fic/series? Girl help 😭 you can't do that

[moeblob]

Help this trio + another guy was specifically designed to target me.

[sysig]

Caughtcha, gotcha, not letting go ♥ (Patreon)

[caeslxys]

I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)

As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)

He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.

(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)

It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.

(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)