#And I can no longer tell where one part begins or ends and so my intentions grow useless.

[diangelodork]

DBDA (fuck it i’m calling it) nightly analysis #20!

tonight’s topic: does edwin understand that monty sees him romantically and when?

in opposition to the beliefs that i’ve seen many have, i think edwin understands the romantic implications that monty has for him from the beginning. he is repressed and likely has lots of guilt for being queer, yes, but he’s not an idiot. he knows that queer people exist, he just can’t accept that he is one. he probably actively avoided thinking about homosexuality in the thirty+ years of his afterlife pre-cannon because “yes, that’s a thing, but not for me.”

he is flustered by tck’s advances, of course, but he doesn’t seem surprised that they worked for him. he is a little ashamed and embarrassed, but i sincerely believe that he knew this about himself in the very v e r y y y far parts of his mind. he knew why the boys at school called him a mary anne, he just refuses to accept that they were right. he refuses to think about it.

when he runs into monty (pun intended) for the first time in E3 and monty flirts with him, he looks taken aback, not because it’s a man flirting with him, but because it’s a man flirting with him. he knows that this is flirting, on paper, and he would be able to recognize this were it someone else, but flirting among men is shameful and even if it weren’t, it is reserved for decidedly Not Him (tm). it is a thing for him to avert his eyes at. he is less than convincing when he tells niko that he doesn’t believe that monty was flirting simply because they’re both boys. he doesn’t believe that. queerness was no longer seen as a crime in the uk in 1967, well before he even escaped hell. gay marriage was legalized in 2013 so he would’ve been there when it became legal. he knows that being gay is a thing, it’s just not a thing that he, specifically, is allowed.

he does not seem all that surprised when niko tells him that two boys can “like-like” each other, because it’s something he already KNOWS. he’s using the fact that he’s from a time where it was illegal to be queer to pretend to be unaware. he cannot be held liable for liking men and cannot be questioned about liking monty if he plays dumb.

the next time they meet, he can understand that monty is flirting- that he took the time out of his day to chart his astrology specifically and is sitting with him to explain it. he knows that this is him expressing romantic interest. this is part of the reason that he’s not taken by much surprise when he asks him out in the next episode. truly, edwin hardly even flusters. he tells him he can’t go out with him because of the case, but reschedules a date for later.

he knows this is a date. again, he is not dumb. he knows that monty is and has been sending him major fucking signals this whole time and he is just now choosing to engage back fully.

when they eventually do go on that “walk” and end up at the swingset, he tells monty that they should “stop seeing each other.” this is an interesting choice of words because it is him verbally admitting that this is romantic. to stop seeing each other, you must first BE seeing each other. he knows these interactions to be modern day courting. monty has been actively flirtatious the entire time, but this is the first time he’s verbalizing that this is anything of the sort. he is rejecting him here. he is admitting that they should stop courting because he has been made aware of his feelings for charles and it wouldn’t be right to anyone involved if he were to keep pursuing monty. it wouldn’t be fair to monty because he would be entertaining romance despite being wholly in love with someone else, it wouldn’t be fair to himself because he would be living a lie, and it wouldn’t be fair to charles because he would be blindsided by all of it. he’s surprised that monty kisses him, not because he thinks that monty was just being a Good Pal (tm) this whole time, but because he was actively trying to reject him.

all this to say, my mans knows what gay is, he’s just been forced to pretend that he wasn’t all his life and that happened to stay with him into his afterlife. bro’s repressed and filled with guilt, not unaware.

[runawaymun]

Hey! Any advice on writing multi chaptered fics or just longer stories?

I feel like I'm okay for like snippets but have no idea how to write the middle of a story or move a character or story from point a to point b.

And asking you because you're writing is phenomenal and I'd love some advice.

(But if no brain space for advice I totally get that too and feel free to hide this ask or something)

(Anyway great updates on boundless and the one shot Brimbrond)

Sorry for taking so long to respond to this! I just wanted to take some good time to gather my thoughts because oh man oh boy I am a bit of a nerd about plot structure, even if I pants it a lot of the time -- because middles and structure absolutely plagued me when I was a beginner and so I spent a long, long time studying it and breaking it down.

I'm going to start with some very, very basic advice and then get into some more specific stuff. So let's talk first about how to structure a long-form plot first.

DISCLAIMER: this is how I personally structure plots. More often than not I veer off my own track. And this is a very western way of structuring a plot. It's well worth looking into how storytellers from around the world structure their work because it can vary wildly (Miyazaki is a great example of this). Take this with a grain of salt. It's a guideline which I find helpful. This is going to get very, very long. Bear with me:

When I'm first thinking about how to create a plot around a story I want to tell, this is the process I walk myself through, and it tends to work about 75% of the time for the stories I like to tell (I'm not much of a thriller or mystery writer and those tend to have different kinds of structure). Main recipe is as follows:

Status quo - establish the setting and the character. Do this by the middle-to-end of chapter one, preferably. You can get away with drawing it out a bit in sci-fi or fantasy works that require more worldbuilding, but try not to.

Inciting incident - I won't tell you to start in media res, as that varies from writer to writer and story to story. Generally you want to have this somewhere in chapters 1-3. Say we're talking about LOTR - I'd say the inciting incident is when Bilbo goes invisible at his birthday party and leaves for retirement. Everything sort of snowballs from there (Gandalf confirming this is The One Ring, the Ring being passed to Frodo, the adventure beginning, etc. etc). This is where your character can lose something, or be confronted with a huge problem, or gain some new information. This is the point where your story really picks up.

Point of no return - your character has been presented with a problem or is put in a situation and now they have to decide what to do about it. Sometimes characters choose to run away, or choose inaction. It's up to you and your character as to what they do next.

The annoying part - the most helpful way I've ever found to think about middles is in terms of a series of decisions and consequences. Your character must decide what to do (or try to get what they want), and this will then come with consequences to those decisions. I ignore a lot of writing advice because writers seem to be very cagey about how they compose middles and plots for some reason, but the one piece I heard that helped me was: "What does my character want, and what stops them from getting it?" -- and this can be anything, right? Frodo wants (has to) take the Ring to Mordor. Luke wants to learn to be a Jedi like his father. Inspector Poirot needs to catch the murderer. Odysseus wants to return home. Each of these characters are going to make a series of decisions toward their goal, and they may be working from incomplete information, or bad paradigms, or racing against the clock, or against impossible odds. They're going to make mistakes. Over and over and over again. The middle is a series of decisions, consequences for those decisions, and obstacles (more on that later).

Point of no return 2, electric boogaloo (i.e. the actual midpoint to the story) - the part right before the climax -- the climax IS NOT the midpoint of your story, nor is it the end. This is your midpoint where Everything Fucking Sucks. Your character's back is against the wall. They have to change, or fail.

Paradigm shift: your character learns something new, or develops in some crucial way that leads to:

The climax/confrontation: 3/4 - 7/8th of the way through your plot. Frodo decides to keep the ring. Luke uses the force to blow up the death star. Anakin's fear and the manipulation from Palpatine overtakes him and he turns to the dark side. Inspector Poirot gets his last crucial piece of information and gathers everybody together for the Big Reveal. Odysseus gets home and chases the suitors out of his house. Etc. Etc. This is that Big Point in the story we all think as the most important or crucial point (but it's not. That's the key here. THE most important point is the whole middle of how we got here).

Consequences and paradigm shift 2 electric boogaloo: varies from story to story, but this is the fallout of the last decision or confrontation. Your character may reflect on what they've learned. The killer goes to jail. Frodo returns to the Shire and it's saved, but not for him. The journey your character has been on has irreparably altered them, or the world around them -- for better or for worse.

Resolution: the place where you land the story ;) what is the final impression you want your readers to have of your character, or this world?

Alright so that's all kind of nebulous. Let me give you a slightly more specific form of this plot structure that I use pretty often, because I almost exclusively write character and relationship-driven stories since that's what interests me most:

So most of this looks much the same (the inciting incident is some kind of meetcute. The characters then have to decide if they want to have some kind of relationship -- I like to name this part the callback). Then we have a whole weird squishy section of building interest and tension, before once again we have The Big Fight (darkest before the dawn or what have you), before one or both characters have some kind of paradigm shift, they confess their feelings (or resolve the fight or whatever), and the security of the relationship is established -- happy go lucky times, everything is beautiful and nothing hurts.

So the middle here is of course still squishy and nebulous, but the focus here is still on "What decisions are the characters making? What are the consequences of those decisions? What are they learning, and how do they respond to it?" Maybe the tension is in one character being more reticent, while the other is more open. Maybe the tension is a sexual tension (will they, won't they?). Maybe a character is working off of incomplete information, or a misunderstanding, and that needs to be cleared up before the relationship (or even their own personal growth) can progress (both Elrian and Thalionel in Stars and Boundless Sky follow this pattern). The middle is a push-pull between your character's desires and outside forces that are stopping them from getting what they want, or achieving what they want to achieve.

So okay, that's all well and good. That's basic plot structure. Let me get into my thought process about middles specifically:

Begin with your ending in mind. I do not mean that you need to have like the whole resolution to your story fleshed out. If you're that kind of writer, great! But if you're more of a pantser like me, then that can be a big ask. Instead, ask yourself: what do I want my character to have learned by the end of the story? How do I want them to have changed, or grown? Do I want it to be for better, or for worse? Is there a specific plot goal you have in mind? (saving the world, or catching the murderer, solving the mystery, exorcizing the ghost, the couple getting together at the end, the found family finally gelling with each other, or whatever).

Once you have that thought in mind, now start to think about what your character might need to get from their starting point to their ending point. If it's a murder mystery, this is your information gathering section. You can lead your character to wrong or right conclusions. Have them make mistakes. Etc. etc. If it's a romance, this is where you create a string of scenes where the characters have opportunities to interact and learn more about each other (works for platonic slowburns, too). If this is a traditional hero's journey, this is where you plop in your actual journey.

Not to repeat this ad nauseum, but your middle is all about getting your character to your end goal, but in the most difficult way possible lmao. Let them make mistakes. Let them make bad decisions -- and then follow through with the consequences of those bad decisions. Give them bad information. This is where understanding your character's fundamental flaws becomes extremely important. Your entire plot, imo, stems from your character's fundamental flaws -- because ultimately that is what is going to slow them down the most from reaching their goal. Sure, you may have the big bad evil guy (bbeg), but we're not worried about him. That's an external factor and that's easy to drop in when you need a quick problem to place in front of your protagonist -- but that problem needs to be in service to your character or your worldbuilding. Teach them something. Give them an opportunity for growth. Aragorn needs to lead at Helm's Deep so he can inhabit his leadership role. The mountain pass of Caradhras needs to force the Fellowship through the mines so that Gandalf falls fighting the Balrog and comes back leveled up and ready to fight, and other characters in the fellowship have a chance to grow into their roles without relying on Gandalf for leadership. Your middle is all about crafting little opportunities for character growth, always while moving toward your end goal -- whatever that may be.

The paradigm shifts are crucial, and they can shift for better or for worse. It's up to you and your characters and the story you want to tell as to which it'll be.

If you're bored, your reader is bored. Only write what excites you, skip all the rest, and make it make sense at the end -- I'm so serious. Yes you need to add in breaks for pacing (like the whole Rivendell section in LOTR), but in those breaks still make sure that you're either expanding your worldbuilding, or giving your characters and opportunity for growth.

If you want to tell a really long (novel length) type of story, sideplots and alternate POVs are your best friend. They are structured exactly the same as a regular plot, they're just simpler or smaller and generally work in service to the main plot. Maybe there are side characters or side relationships you'd like to develop. Maybe there's a smaller mystery or a part of your worldbuilding you'd like to explore. Action plots can be side plots to romantic or platonic slowburn plots, just as much as it can be the other way around. And this is not something you need to structure out the gate. Just be curious and playful. Find points in your story that interest you, and explore them a bit. You'll find that they expand the story.

Biggest and best tip I can give you, when all is said and done, is to decide what kind of story you want to tell and then examine how other people are doing it. If you want to write a superhero story, pick out your favorites and look at how they're structured. If you want to write a mystery, same thing. If you're writing a romance or a drama, again -- same thing. Look at the pieces of fiction that you like, figure out what you like about it, and then apply it to your own work.

That's all the general advice off the top of my head. IDK how helpful this was lol. If you want more tips on middles I can try to look at it a bit more in depth, but to be quite honest middles are really what defines a genre. Romances have different middles to thrillers. Thrillers have different middles to mysteries. Mysteries have different middles to dystopian sci-fis. Etc. Etc. So take the general advice with a grain of salt and look more specifically at the genre of story that you're looking to tell.

Thanks for coming to my tedtalk <3

[ennn]

Great meta about episode 8 and about Agatha’s feelings. I’m particularly curious about Rio and I agree with everything you said about her feelings and why she lashed out. She finally gave up on Agatha after centuries, she accepted she would always hate her no matter what even if she chose giving Billy up or herself but did that kiss change anything for her? She looked like she was truly grieving her and letting go

I don’t think she knew about ghost Agatha but will that change anything? Do you think she will follow the deal and leave Agatha alone? There is also the issue about Tommy but if you don’t count the twins do you think Death finally decided to move on? Will she be free or with those two, never 😂

Heh, I did leave out the part about the kiss in my meta post didn't I? My brain was so tired lol

The short answer? It's ambiguous.

And I think that's largely deliberate because The Powers That Be (TPTB) haven't committed to where and how they want to use Rio / Death in future Marvel projects.

I think there's definitely enough setup done and opportunity in the story for Rio to come back for an AAA sequel or spin-off — but also enough ambiguity if not.

Story-wise, the kiss is significant because I don't think Agatha's one to directly apologise or walk back what she says. It's a similar thing in episode 4 where Agatha embraces Rio with all that emotion.

I think the kiss is Agatha saying she still does have love for Rio, that she does want her despite all that she said earlier, that she's sorry but she can't let this boy die.

It's very heartbreaking if you consider Rio had resigned herself to Agatha just hating and rejecting her, and she is given this reminder of their love as a goodbye.

But ultimately I think with Agatha's progress – inching her way along her arc – this still marks the end of this chapter of their relationship: these two finally had something of an honest conversation, the baseline of their interactions has changed, and Rio needs to process brand new emotions like grief (which I sure hope doesn't have cosmic consequences ha ha).

That said, the kiss does seem to put Agatha and Rio in a relatively okay place at the end of this chapter. It's a bit of reconciliation. They've shown that they still love each other, but there's still a significant disconnect between them. But as a wise Lilia once said, sad is better than angry.

Now the ghost thing: it's a really interesting change to the dynamic of their relationship but I don't know if Agatha being a ghost encourages or dissuades Rio to go after her. Rio may feel motivated to help Agatha pass on and be with Nicky. Or Rio may take it as Agatha choosing to put distance between them, and from what we see in episode 5, Rio can't really do much about ghosts.

What the ghost thing does do is give Rio some grounds to ignore the first deal because if we look at the letter of the arrangement, Agatha asks for Rio "to stop making her life hell" and to not see Rio's face when she dies. These terms are no longer relevant for a ghost.

And if one argues that the deal has Agatha telling Rio to stop pursuing her, you could argue that Rio's following Billy and trying to deal with the Tommy situation. Agatha just happens to be around all the time while Rio's doing her job.

If we ignore the whole Maximoff twin situation like you say, I think it would actually be up to Agatha to decide whether a new chapter of them begins.

Because while being a ghost is a sacrifice in a lot of ways, it actually gives Agatha more control over the relationship in a way she didn't before, not even with the Darkhold. I don't think Rio can touch her, literally. It's possible Rio can't even sense her.

The good news is, this kind of ambiguity is perfect for fanfiction and fan interpretations. There is a lot of potential there.

[napoleondidthat]

Napoleon, The Director’s Cut

The added material makes the film better but that doesn’t mean it’s good.

So I did it. I rewatched the Napoleon movie with the added material. I was wondering if a second view would salvage it, maybe it ages well.

That answer is no.

It has been awhile since I saw the theater version, so I am not 100% sure that what I will say isn’t maybe a few scenes that were in the movie and I just don’t recall. There are new scenes and old scenes that are longer now.

From the beginning to Toulon are about the same as far as I can tell. One thing I will note: it is curious that they chose as the Bonaparte family representative Lucien. I am happy to see Lucien get some love as he’s my favorite of the dysfunctional clan, but it seems a weird choice. Joseph is usually chosen because he and Napoleon do have a different dynamic of an elder brother who has such a stronger personality younger brother. But what is equally weird is that Lucien serves no purpose. He’s there in a military looking uniform listening to Barras talk about France’s military challenges, he just pops up in Toulon (as does Barras who apparently just hangs around on the perimeter of the battlefield) so Napoleon can hand him the cannonball he fishes out of his poor dead horse (I’m traumatized all over again), and then disappears completely after the coup d’etat.

There might be some new stuff in here but I am not remembering it.

The most backfill is the Josephine arc, and that does actually help the film somewhat. In the theater version Josephine launches on screen stumbling out of prison.

Scene one shows her at her home and some asshole guy is questioning a five year old Hortense about the whereabouts of her father and the Revolution. Eugene stands back with Lucille, the maid. Josephine watches the scene from the top of the stairs wrapped in a shawl. Little Hortense is obviously scared and says that her father is in prison and the Revolution is against the nobility. The man asks her about her and the father (I think) loyalty and is she a noble, and she looks to Josephine for guidance, Josephine nods at her to answer. She says she is noble, her father does support the Revolution, and so does she. The man warns her not to lie because he can tell. Josephine pipes in saying that she’s a five year old child leave her alone she tells the truth etc.

That scene bleeds to the next where Josephine is in the back of a cart of other prisoners and is being unloaded at Carmes prison. She is processed through by a gruff woman who strips her of her rings and demands to see in her mouth. She wanders around the prison and at all the chaos. A woman comes out and calls her name and they embrace. It’s Therese Tallien. She leads her through the prison and acts a bit of a tour guide. The watch some prisoners get in the cart to meet the guillotine. Therese says there is no tears….moving on. They pass cramped quarters where they pass a couple having sex. Therese says if a woman gets pregnant she can avoid the blade and “since when do men need a reason to fuck?”

The next scene is that night and Josephine lays in Therese’s bed and watches her doll herself in the mirror as much as she can. She ties a red ribbon around her neck and tells her how it represents the blade. Therese states she will survive this and Josephine can too or she can die pure. Josephine stays silent in all these scenes.

Next scene is Josephine cutting her hair short, looking a little more sexy in her dress and walking down to the lower part of the prison where she goes to a man waiting for her on a bed. And fade to black.

There is a rather powerful scene of an order of nuns being led to the guillotine. The crowd jeers and screams at them just like they did for Marie Antoinette. But these nuns look pristine in their habits and they go to their deaths calm and cool and singing a hymn in French. The last nun is just a young girl and she watches as all her order meets their end and she goes up the platform and they rip her veil from her and put her down on the bench for the blade and she never misses a note. Her song only ends when the blade falls. The crowd that was bloodthirsty just goes deathly silent and exchange looks with each other.

That follows the scene of Barras confronting Robespierre over his actions. Same as the theater version. Robespierre shoots himself again but the scene doesn’t end with Barras saying “the guillotine for you my friend” the added scene is Robespierre’s death as he is dragged with his bandaged face up to the guillotine with the crowd cheering. He is beheaded.

The scene with Josephine leaving prison is longer. She walks around the city and it’s rather strangely deserted and messy streets. She comes to her house and enters to find it’s been ransacked. She goes up the stairs calling out to her children and Lucille. She is eventually confronted by Lucille who takes her to be an intruder but then recognizes her and calls for her children. They appear and approach her slowly as Josephine takes off her hood and they all reunite.

The party scene where Napoleon and Josephine meet is longer. Napoleon runs into Barras who cheers him but Napoleon like the buzzkill he is refuses to show a smile and Barras eye rolls him off. The scene of the play that they are putting on is a bit longer with Josephine and Napoleon first noticing each other in this setting and exchanging glances. Josephine is sitting at Barras’ table. Napoleon is hanging out with Lucien.

An added scene is that after the party there is a scene of a naked Josephine having sex with Barras after the party. She watches herself in the mirror. Barras tells her she accumulated a lot of debt at the party that night and gets up to get some money for her debts. She quips she should charge him more for the attention she brings him. He tosses the money at her and says he will pay for her debts this time but he’s done. She needs to get to know Bonaparte.

Fast forward to Napoleon and Josephine courting. Lucille and Josephine talk about whether Josephine likes Napoleon that way or not. There is an extended scene of Napoleon receiving her invite but this time it shows him standing outside her door killing time in the street by reading a newspaper. Lucile watches him from the door discreetly. She closes the door when he come across the street. He rings the bell and Lucille stands inside the door smiling. She makes him knock again before she opens and smiles and welcomes him in. I am not sure what this is supposed to be implying? Lucille has a crush on him too?

The wiff of grapeshot is the same but there is an added scene of Napoleon, Barras and other random military men singing a song and toasting their success. They all congratulate Napoleon as the savior but he shrugs it off and plays humble.

The wedding scene is slightly longer I think. The guy talks about their birthdays that I don’t remember from the original.

Italian campaign is merely what they show in the released footage that I posted. There is the dinner where Napoleon notices Hippolyte and Josephine chatting it up at the dinner table.

There are more scenes with Hippolyte and Josephine. Mostly narrated by Napoleon writing to her his love etc. One scene of Josephine buying hats and Hippolyte sits in a chair and watches her. She looks sad like she does through most of this film. Hippolyte puts on a turban and clowns around. The two maids find it adorable and laugh. Josephine seems mortified and keeps telling him to stop and to take it off.

There is an extra scene of Napoleon and Josephine lying in bed and she tells him that the trouble is that he is always off to battle and she is alone and never knows if he will return or not. He assures her he will always return and not to worry. He kisses her all over her face and she looks on gloomy. I don’t remember where this scene is, but it’s around the Italian campaign scenes.

Another Josephine and Hippolyte scene where he is in her garden chatting up people and Josephine sits inside by the piano listening to the musician play. He watches her as she looks visibly upset.

Napoleon in Egypt is pretty much the same as the original. His return is slightly different. He returns to find the house empty and blows up at Lucille. There is an added creepy scene of Napoleon eating alone at the dining table and Lucille comes in with a plate. Napoleon stops her and apologizes for his outburst. She understands. Be great if they stop there. But no. Napoleon slides his chair out and asks Lucille to sit on his knee and she does. He tells her he’s sad and needs comforting what can be done? She tells him she can get him some desert or draw him a hot bath and she will console him. Napoleon just lays his head on her shoulder.

The scene where Napoleon confronts Josephine over the affair is for the most part the same except there does seem to be some added dialogue. Josephine the following day asks Napoleon if had affairs and he admits he did. She asks if they were pretty and did he love them etc. He says they were pretty because they didn’t cry. She then says she doesn’t care as long as he doesn’t leave her. Please don’t leave me. I don’t recall this in the original film but maybe it was there and I just blocked it out.

The scene where Napoleon confronts the directory is longer to me it seems with some additional dialogue but that could be wrong.

There is an additional scene of Napoleon cleaning his guns at the dinner table with Lucien. They are a bit drunk and Lucien says he doesn’t get why Napoleon is going along with the plotters plans. He doesn’t need them. Napoleon says he will need ladies in waiting, right? Lucien says they aren’t good except to lick your balls and Napoleon laughs and says that he will need one of those. Josephine stands on the balcony watching and listening. She leaves, Napoleon hears the sound and swings the gun in her direction but she’s gone.

There is a new scene I think of Napoleon designing the Consulate uniforms. There is also a scene of Napoleon and Josephine hosting a party and mingling along the table where Napoleon kinda flirts and Josephine watches him and the flirts with whoever she talks to.

The assassination attempt scene is pretty much what has been released. It happens incorrectly and Napoleon yells at his advisors. They do show the execution of the Duc d’Enghein out in the forest and not in a moat. He’s some poor sweaty looking guy. He messes with the gravel he’s standing on and turns and there is the firing squad. He reminds them he is a Frenchman and some other nobles stuff and asks to command the execution. The guy who I assume is General Dumas ignores him and commands ready…aim…but then tells the duc that he can go ahead. The duc instructs to aim at the heart and the guns fire.

It’s the scene right after the coronation that Napoleon and Hippolyte Charles have their conversation.

A lot that comes after this is the same I think. There is a whole scene in Russian between the Czar and God knows who. And they only subtitle half of the scene. So you listen to the rest and don’t know what the fuck anyone is saying.

There is a scene of Napoleon huge ass map being painted by David. Napoleon wanders in in his nightgown and starts walking on the map. David tells him it’s not dry and if he must walk on it, he can step on Italy. Cut to the new scene of Napoleon and his generals on the map planning Austerlitz and Napoleon hopping on Italy so as not to disturb the now dry paint? I don’t know.

There is a scene of Napoleon on the toilet before battle, I believe it’s Austerlitz. He gets up and then buries his head in a bowl of water. He strips down and asks I guess the valet to brush him like a horse. Harder etc.

The next new scenes seem to be Napoleon on Elba. There is a scene of him walking down a street by himself and he draws his sword and starts practicing fencing moves but trips over his own feet and falls down in a doorway.

There is a scene of a boy bringing his boots that he shined in and dropping them unceremoniously on the floor. Napoleon chuckles and asks him to go get him wine. Napoleon sees in the paper Josephine is wining and dining Alexander. He gets mad but this time the boy enters the room and Napoleon asks him if he knows who Alexander is. The boy says no. He asks but you knew who I was? The boy says yes. Napoleon dismisses him.

There is a new scene of Napoleon and his mother serving him lunch. She quips she didn’t come all this way to sit and have lunch with her son who is a moody SOB. Napoleon doesn’t react but just broods. She tells him he wasn’t meant to die on this island and puts her arm around him. Napoleon tells her his wife is entertaining the Emperor of Russia in his home. Madame Mere hugs him.

Except she isn’t your wife. It isn’t your home. And she’s dead. And what has happened to his son and Marie Louise? Never mentioned again.

The scene where he learns of Josephine’s death seems longer. There is a scene where he goes into her bedroom and crawls into bed. That might be in the original and I forgot.

There is a small scene of him on the toilet again before Waterloo. He wipes his tush and look into the bowl to see nothing but blood.

There is an additional added on scene of Napoleon showing the St. Helena girls how to fence before he just drops dead at the picnic table.

I think those are all the added scenes. I may have missed a few.

This movie feels like a bunch of baggage the British have yet to unload from Napoleon to me. Like an angry ex who can’t understand why the guy they broke up with is still so popular and why we aren’t writing odes to Wellington. It also feels strangely like English cartoon propaganda come to life. Like all those English cartoons now filmed with people.

I say this because the obnoxious hit you over the head stats at the end tallying up the war dead is just so cringing. I am no war lover but laying the blame at Napoleon only seems the worst of takes. Not only does it ignore that a lot of history is people waging war and killing each other, it’s not as if Napoleon is a serial killer racking up all these deaths on his own. If Napoleon is to blame, then so is Wellington for dragging his army out at Waterloo. He could have stayed away and look how many people would have lived? And a nation that was at one time killing people left and right all over the globe as it expanded empire saying “yeah but Napoleon did…” seems a bit too hypocritical.

Second, if Napoleon is such a baddie, then why portray him as such a buffoon? It’s hard to hate him in this movie because he’s a cartoon. This Napoleon if anything makes me want to flick him off the screen. And that sucks because Napoleon is so much more compelling than this hot mess.

What story are they telling? That Napoleon was a warmonger but also a cartoon? That Napoleon was a serious threat? That Napoleon had mommy issues? That Napoleon and Josephine were toxic were they some great romance?

They keep trying to point to Napoleon having some weird Mommy issues but never follow the thread except for some characters making statements out of nowhere.

The actors do the best with this crap, but they all suck including Vanessa Kirby who usually gets praised. Sure, she does alright if you don’t know the real character of Josephine.

Kirby and Phoenix seem to try to be overly serious about these characters to the point that they become melodramatic jokes. You can make an argument that Josephine did suffer some form of PTSD after the Revolution. She probably did. Except it didn’t last her whole life. The historical record of her is as gracious, cheerful, warm, loved to spend and party, happy for the most part. She also could be a drama Queen and manipulator. Did Kirby just not read this and instead picked up some emo biography that I’m not aware of? He constant “fuck off and fuck you and the horse you rode in on” is so unlike the real woman.

Phoenix I think honestly doesn’t give a shit. He was way too old for the part but he is a gifted actor so I though he might be able to pull it off. Clavier was way too old too but somehow shines better than Phoenix. And Clavier wasn’t that great of a Napoleon either. But when Phoenix was quoted as sort of saying Napoleon was a little weirdo with a small coat that he wasn’t really concerned with playing a historical figure but just a cartoon character.

It could be also because I think the chemistry between Vanessa and Phoenix is in the negative territory that the characters fall flat.

In closing, this a film I can’t see myself really watching again. It has its moments, and it does look like an Assassin’s Creed Unity decorated set (and that is a compliment). It’s just too much for a mess and not really a fun mess. I’m glad I got to see it in the theater because Lord knows when that will happen again, the opportunity to see a movie about something that I live with in my head.

But this is a British cartoon take on a man that they seem to still be angry with and they want you to remember he is a villain, a terrible killer but also a silly man child who is a buffoon somehow.

Oh and he is a shitty lover too who doesn’t know anything about it.

[toytulini]

god hes really making this difficult with the tweets, but, I hope we all recognize that the reasons hes a bad person, and the reasons he would make a bad president, are because of his shitty beliefs, and not, because of an infection that could and does happen to anyone?

There is absolutely nothing you could make up about American politics. Imagination is dead. It's useless.

[blackwaxidol]

I do not know what my problem is.

[joelsgoldrush]

“give me all of that ultraviolence” | 2k

logan howlett x f!reader

SUMMARY: You give Logan head for the first time.

WARNINGS/TAGS: mdni - smut 18+ implied age gap. dirty talk. kind of inexperienced reader. oral sex (m receiving). face fucking. dom!logan. a tiny bit of degradation. he guides you through the whole experience (shocking!!! i know)

AUTHOR’S NOTE: HI PALS!!! yes i'm alive and kicking. yes university is killing me. so recently i’ve been OBSESSED with this man and i needed to write something for him. english is not my first language and i may have made some mistakes (if you encounter any you can tell me, i won't mind it). comments/likes/reblogs would be highly appreciated. i've got sooooo many ideas to write and i'm finally getting my hands on them. i missed you all so fucking much. hope you enjoy this!!!

It’s common knowledge that all humans have needs. Try as you may, there’s a primitive side that you can’t spare yourself from. You, as everybody else, have urges.

“Logan,” you basically mewl his name, five letters that roll off your tongue with little effort. He doesn’t seem to acknowledge you, his kisses growing harsher on the delicate skin of your neck. Threading your fingers through his hair, you decide to try again, speaking a bit louder this time. “Logan, please.”

“What is it, honey?” he says, bitten lips still pressed to your pulse point. As you remain silent, he looks up at you, those big, brown eyes that you love so dearly almost completely dark now. “Do you want to call it a day?”

His question catches you off-guard. You cup his face, thumbs caressing his cheekbones, suddenly afraid that he might pull away from you. “No! Not at all. That’s- that’s not what I want at all, actually.”

“What do you want, then? You can tell me,” he kisses you on the lips, softly at first. What starts as nothing more than a sweet kiss turns into a needier one, his hard on poking you through your shorts. “Come on. Tell me, baby. What does my sweet girl want?”

“I want to suck you off, Logan,” you whisper as you latch your mouth onto his, and you can feel how he visibly tenses beneath you. His breath hitches in his throat when you grind your hips. “I really need it.”

From the very beginning of your relationship, you had made things crystal clear: you didn’t have much experience on this territory. For a man his age, he was totally understanding. He knew you had your own times, that for him to take you to bed would take longer. Truth be told, Logan was willing to go to the ends of the world for you. There was no use in forcing anything.

At present, the bulge amid his legs becomes even more noticeable as you get off his lap, playing with his belt. “Can I?” you ask him, amazed at how straightforward you’re being.

Logan stares at you, so far panting, lust glowing in his eyes. “Shit, you’re gonna be the death of me,” he mutters as he helps you undress him. His worn out jeans end up pooling around his ankles, and you locate yourself in between his legs. 

You’re on your knees, hands folded in front of you. Suddenly, it hits you, the shame of it all. How badly you want him, how desperate you are to feel the weight of his cock on your tongue. How many nights you’ve dreamt of this moment, unable to stop that unbearable need of touching yourself every time you thought about pleasuring him.

That’s what you truly want. For him to use you.

“What’s wrong, princess? We’ve talked about this a lot of times. You know what to do,” you can’t help but stare at his crotch as you listen to him, and then he raises your chin with his finger, your lips parting unconsciously. You blink slowly at him, eyelashes fluttering together. At last, he seems to understand what you’re trying to tell him, and he raises his eyebrows, that cocky grin of his taking place where it belongs. “You want me to guide you, don’t you? Want me to tell you what to do? Know you like it when I go a bit off the rails.”

You moan at his words, squeezing your eyes shut and nuzzling your cheek up against his palm. Slick gathers in your panties as you push your thighs together. “Please. Tell me what to do.”

“Take it out,” he instructs you, and you do as you’re told. Grabbing him by the base, you pull his cock out of his briefs. He twitches in your hand, and he’s so, so incredibly big. 

You stroke him once, testing the feeling. This you know how to do. You’ve given him hand jobs millions of times, although this one feels particularly different from the others.

He takes hold of your fist, applying a bit of pressure. “I’m sorry, baby. I think you got it all wrong. I’m the one who makes the calls here, okay?” he grunts, his brows knitted, and you only nod, salivating at the sight of his cock already leaking precum at the tip. Logan licks his lips, curling his hand around yours. “You do as I say. Now, stroke me. Nice. And. Slow,” he punctuates each of his words by moving both your hand and his in unison around his length. “That’s it, darling. You just need someone to boss you around from time to time, ain’t I right?”

One thing to know about Logan: he’s so full of himself on a daily basis, but he just gets worse in bed.

“My mouth,” you hover your lips over the head of his cock, all shiny and soft. He has let you go, both of his arms now flexed behind his head, as if he were appreciating how pathetic you must look on your knees, begging for him to allow you to taste him. “Let me.”

“Not yet,” his hips follow your tormenting pace, seeking the warmth that your skin radiates. He grits his teeth, biting his lower lip. You’ve no idea how a man so strong can become putty in your hands like this. “Greedy girl. I’m beginning to think you’ve set me up. Only a slut would get so worked up about having a cock in her mouth. What happened to my innocent girl? Gone with the wind, huh?”

“Please, Lo. I need it so bad,” you are whining, peppering his thighs with kisses. You inhale his musky scent, getting dizzy. “Give it to me. I’ll be good.”

Out of nowhere, Logan grabs a handful of your hair, forcing you to arch your back. He scrutinizes your face, studying your blissed out demeanor. “I don’t doubt that. I’m sure you’ll be good. Otherwise, we’ll keep on trying. We have all night, and you have a good memory, just need to put it to use,” as he taps your lower lip with his tip, you catch him smirking. He repeats that same motion until he has you shivering from the excitement of being stuffed. ”Show me how much you need it. Go easy on it at first, okay? Don’t want you choking beforehand.”

You’re more than happy to comply.

Your tongue darts out to lick at his head, enveloping it between your lips. The salty taste of his precum invades your tastebuds, and you moan as you trace the veins of his cock with the pad of your thumb. “Tastes so good, Lo,” your voice sounds distant, almost unrecognizable to your own ears.

“I know, bub. Such a nice fucking mouth, can’t believe you’ve never done this before. I guess you’re a natural,” shaky fingers place a strand of hair behind your ears, patting your head as if you were a dog in heat. “Do you feel like bobbing your head a little?” he asks you, and you prepare yourself, attaching your mouth to his head once again. “Good. That’s good.”

With that being said, Logan fists your hair once again and shoves your face down, his hard cock tickling your throat. Your whines and his rapid breaths are the only sounds to be heard in your bedroom. He grins as he takes in the sight of you. “Oh, sweetheart. You look so beautiful with your mouth stretched around me,” his index finger taps your cheek and he feels the outline of his own cock. “You know I can smell you, right? You’re fucking soaked, baby. Think you’ll leave a stain on the carpet? You’d clean it off with your tongue, wouldn’t you?”

You have no idea how he’s coming up with these things, but you’re far from annoyed. In fact, you’ve never been this wet. Your underwear must be ruined at this point, and you wish Logan would tell you to touch yourself.

After some minutes of bobbing your head up and down, he pulls you off his cock and you breathe through your mouth for the first time in a while. As you gasp for air, Logan kisses you, tasting himself. He massages the back of your neck, his cock throbbing between the two of you. “You tired?”

Your glossy eyes widen. Shaking your head, you go for his balls this time, sucking one of them while toying with the other. Logan buries his hands in your hair for what must be the hundredth time in the night, unable to stop himself. “F-fuck, that’s it. A pretty girl like you just gets what she needs,” he praises you, and you return to his length, taking as many inches as you can without hurting yourself. Tears shimmer in your eyes, yet you can’t bring yourself to care about that detail. You’re far too focused on Logan’s grunts and growls. “Keep that up and I’ll come. You heard me? You’re gonna make me fucking come, bub.”

His words ignite a fire inside you. You use your hands, your mouth, everything that you have to pleasure him. He’s getting closer and closer, thighs shaking when you pay special attention to his tip. Logan responds to each of your movements, and as you feel every coherent thought fly out the window, you try to take him all the way down your throat, breathing through your nose and swallowing around him. He cants his hips up, brutally fucking your mouth. Like a dog without a leash, Logan seems to get lost in the warmth that envelopes his cock, chasing his own release. “You’re such a good girl. My good girl. Nobody will fuck this mouth ever again. I’ll ruin you for any pathetic guy that tries to get in your pants. You’re fucking mine, darling. Oh, f-fuck. Fuckfuckfuckfuck-”

You’re met with his happy trail once he spills his hot load inside your mouth. He keeps you trapped there, his cock twitching and spamming through the aftershocks of his orgasm. You don’t think twice and swallow what he’s giving you. Some of his cum slips from your lips, falling directly onto the carpet. Even Logan seems surprised when he doesn’t stop coming.

He helps you stand up after a moment, kissing you as soon as he gets the chance. He licks into your mouth, squeezing the flesh of your hips. Logan lifts his eyebrows, relishing how cock-drunk you must look. “I think you nearly killed me. And that’s a lot to say coming from someone who cannot fucking die.”

You plaster a smile on your face, hugging his wide frame. “So, was I okay?”

His jaw goes slack, and he lowers his head to capture your lips in another kiss. “You were fantastic. I could easily get hard again just from thinking about it,” his fingers trace the buttons of your shirt, tugging at the fabric of it. “What if you let me focus on yourself for a while? You’ve already done enough, baby. Let me take care of you,” he rubs his hands on your thighs, reaching for your drenched panties. “Perhaps we could try something else today. That pussy’s begging to be fucked.” 

dividers by: @/cafekitsune thank you!!! :)

[temporarytemporal]

cling to me

I know I said I was going to distance myself from this piece of media because of all of its terrible connections, but these two characters seem to have taken root in a permanent place in my heart, and I can't let them go.

Anyway, here's some character design notes below the cut for the one person out there who's obsessed with these characters as much as me.

Early DSMP: the era of childhood innocence

Bandanas: They sport each other’s bandana’s (they’re hidden in the design for every era). I love character designs with complementary colors (and I love how red and green are also cranboo’s colors)

Disks: Early on, cat and mellohi represent the peaceful moments ctommy shared with his favorite people, but they went on to be a symbol of victory and independence from the people who have hurt him.

Flowers: Ctubbo collects flowers and tries to memorize the meanings and symbolism tied to each type of flower. He also collects them for his bees.

L’manberg: the era where children became soldiers

Horns: Ctubbo’s horns start to grow in here.

Pogtopia: the era of an exile and a secretary of state / spy

You can tell I joined the fandom at the end of this era because I don’t have many notes here or for the l’manberg era.

Exile: the era of an exile once again and and a president too young

Hair: Ctommy’s hair starts to grow longer as he neglects taking care of himself.

Clothes: Ctommy’s clothes are tattered; one shoe is destroyed and he took to wearing cw-lbur’s (f-ck ccw-lbur btw!!) trench coat.

Bandages: Ctubbo’s wrapped in bandages from his recently earned firework burns. He’s gone blind in his right eye, and he’s missing the ring and pinkie finger on his right hand.

Compasses: They share their matching ‘your tommy’ and ‘your tubbo’ compasses

Hog Hunt: the era where one sought to kill the blood god while the other sought refuge there

Stolen goods: Ctommy’s has his antarctic empire outfit plus all the goods he stole from ctechno like the turtle helmet, golden apples, and the axe of peace.

Bedrock: Ctommy wears his counterpart piece matching techno’s from his ear.

Prosthetic: Ctommy’s right foot had to be amputated after he loses it to frostbite in the trek to cemeraldduo’s cabin. Ctechno gives him a simple prosthetic.

Disc Finale: the era of mended relationships and a final stand

Headband: Ctommy begins to wear a devil headband to fit in more, as he’s one of the few humans on the server. The devil horns were chosen to resemble ceryn’s real ones.

Patchwork: Ctommy learns to sew, and he fixes his tattered clothes from exile.

Post Revival:

Devil horns: Ctommy’s devil horns (plus a tail) become real after revival, and he gets a white streak in his hair.

Prime cross: The bad things that have happened to them both that they survived strengthen ctommy’s faith in prime, whereas they weaken ctubbo’s faith.

Sweater: Ctommy makes himself a sweater from friend’s wool.

Mechanical inventions: Ctubbo pursues his passion for engineering more as he makes mechanical bee drones and studies nuclear physics. He also makes himself prosthetic fingers, and he upgrades ctommy’s prosthetic foot.

Marriage ring: Ctubbo marries cranboo platonically and wears the ring on his horn. He also founds snowchester so he can have a place to protect his loved ones and raise his son. He grows out his hair to avoid eye contact for cranboo and to cover his scars.

Body type: Ctubbo gets chubbier and gains some muscle as he gets a bit happier in life.

Post DSMP:

The prison break and everything after it never happened. These are my OCs, and I make the rules because every actor/writer who played a part in their creation either abandoned them or turned out to be a terrible person. Cbenchtrio live happily ever after and begin their journey of healing while cdream rots in prison forever.

[hypnagogics]

Okay.. but like, loser ellie but she’s also a stoner and explains the entire lore of spider man to you while you’re trying to have seggs and she’s like stoned out of her mind and yapping about literally spider man 😭

before you read!!

☆: THIS IS SO FUCKING FUNNY IM CRYING LMFAO had me dying for like 10 mins straight. this is longer than intended bc im a yapper as we know, and i kinda don't know much of the spiderman lore (and you can def tell oops)…BUT I LOVE THE WAY YOUR MIND WORKS NONNIE.

◇: sfw but suggestive themes. warning: FAR from my best work, just wanted to keep momentum going ig. basically just fluff, lots of buildup as usual SORRY i have to establish a plot before we get to the good stuff…they're of age obviously, their relationship is left vague/up for interpretation so fill in the blanks w/ your own thoughts! “babe” pet name usage, consumption of weed, duh. ok i suppose that's all. OH AND SBWM REFERENCE HAHAHA (shameless self plug :3) + 1.0k wc.

One nice, regular night, chilling at Ellie’s humble abode, getting high, the usual Friday evening activities. You both were laying down in her bed, wrapped up in her dinosaur bedsheets of course, you were resting your head on her chest, occasionally coughing and swatting away the residual smoke that lingered in the air.

The weed had made your head fuzzy and your mouth drier than the Sahara desert, but despite all the not-so-great things, you loved to get high with Ellie.

Sometimes you'd fuck, sometimes you'd talk about life and reminisce about the good, the bad, and the ugly, and sometimes you'd just lay there to enjoy each other's company.

She was so warm and comfortable, you simply wished to merge bodies and become one with her, to make a home inside her ribcage even. You'd be perfectly fine just napping there on her cushiony chest, listening to her steady heartbeat and slow intakes of breath, if it wasn't for the familiar ache of need between your legs.

Shifting to look up at her, she was so incredibly zooted out of her mind, you found it hilarious. Chunky glasses covered in fingerprint smudges and sitting crooked atop her nose, eyes blood-red and so heavy lidded, you'd have thought she was asleep had you not taken a closer look.

You lifted yourself up and pressed your lips to the side of her pink cheek, repeatedly kissing her soft, smooth skin. She let out a husky giggle, her voice all hoarse and crackly from the substance. “Hiiii.”

She dragged out the vowel, grinning widely at you. Her smile was infectious, and you laughed at her state. Burying your face again in the crook of her neck, you mumbled, “Hi Ellie…you're so cute.”

Tangled up together, you kissed her some more on her neck, wanting to be as close as possible to her. She sighed, and angled her head to give you better access to more surface area. “That feels nice.” She'd slur, and you were pretty turned on at this point, to say the least.

It was worth asking. “Ellie…do you wanna fuckkk?” You whisper against her ear, and watch in delight as the bright-red blush spreads across her entire face like a wildfire, even reaching her collar, and spreading underneathyour shirt. “Um, yeah, duh. C’mere.”

You pressed a sloppy kiss to her lips, tangling your hands in her auburn locks and parting your puffy lips to invite her tongue in, not noticing the spit dribble down your chin where your faces met. Her breathing quickened immediately, and she whined into your mouth, the kisses getting even messier to the point where your teeth were clinking together, so you backed away for a breather.

The two of you shifted positions so she was now on top of you, resting her hand on your hip, thumb rubbing small circles. She moved in to initiate more lip-locking, but pulled away abruptly.

“Babe I forgot to tell you, so y’know Peter Parker, right?” And there she goes.

“Yeah, yeah I know him, can you just-” You try to rush past the beginnings of her rambling, because you knew once she got started, there was no end in sight. At least for a while.

You tried pulling her in to meet your lips again by the back of her head, but were met with lots of resistance. She seemed to look more alert now, a miracle. The power of superheroes!

She shuffled off of you and sat upright, assuming a cross-legged position, clearly not noticing your exasperated huffs and purposely obnoxious eye rolling, and the fact that there was a whole-ass human, half undressed, horny girl on her bed right there in front of her, who was slowly losing patience.

Ellie just went to her own world. Her eyes sparkled with passionate wonder as she thought about the series so dear to her heart. “Okay I rewatched all the movies a few days ago and I noticed something new…”

You were ready to give up what you originally had in mind, she was too far gone. She talked and talked endlessly, and you had to feign interest, nodding along and murmuring, “Mhm, yeah Els. Wow that's cool. Huh, never knew.” As enthusiastically as you could, so she didn't feel like she wasn't being listened to.

It was worth noting too though, when she started info-dumping about her interests she really was adorable, an excitement in her grassy eyes you never see otherwise, gesturing wildly with her hands and mapping out ideas to make it easy for someone who's never seen any of it to digest all this new information.

“...And then, in the movies Into the Spiderverse and Across the Spiderverse, there's this character called Gwen Stacy.”

She stops to cough and clear her throat, now seemingly appearing to completely forget that you were even there.

“And- oh yeah! She's also in the comics and ugh she's awesome, I really love her suit. It's got a hood on it…if I were to have a spider suit, it would be her style. Hm, it would also be mostly like, green…with red accents, ah I'm gonna show you all the sketches I made of it. But anyway…”

To be completely honest, you've been out of the mood for enough time now, and you've come to the realization that it actually didn't bother you.

This was Ellie, and you loved her for her! There was always next time you two met for a smoke session, you just loved spending time with someone so treasured such as her, and you'd be lying to say the Spiderman world wasn't a little interesting.

"That's so cool, wait. Okay can you explain the timeline of it all, oh and also how do all these different movies interact, is it the same universe, or something like the multiverse I think you mentioned?”

[ozzgin]

I love your reader insert stuff!! The yandere yazuka series was vvvv entertaining, I wish I had a big scary gangster to scare away my stalker lol

If you are open to requests, how about Idol!Reader x Yandere!Bodyguard. I love the trope so much, and I'm interested and what you'd do with the idea. No worries if you're not interested tho!

Best wishes

-🌟

I just finished writing it and you've got me punching the air with your prompt. It wasn't really my thing but I'm now sold. Thank you for the trope idea. :’)

Yandere!Bodyguard x Idol!Reader (I)

Short scenario featuring your bodyguard that takes his duty a little too seriously. Not that you’d mind…

[Part 1] [Part 2] [Part 3]

TW: violence

(Cover from the manga “A girl and her guard dog”)

"Fantastic show tonight!"

The older man guides you in and closes the door behind him. You smile warmly and seat yourself on the sofa. He quickly follows, although at a terribly uncomfortable proximity. His legs are pressed against yours and he extends an arm behind you, pretending to stretch. You shuffle awkwardly and lock your hands in your lap. You can already tell where this is going.

"With your talent, I'm confident we could triple the number of attendants. We just need a bigger venue." He nods at you and taps your thigh with his other free hand as encouragement. You notice the wedding band digging into his skin. 

"Alas, let us not waste the evening with business talk. I'm sure a stunning lady like you has better things to do." He laughs at his own compliment and ponders for a minute. "In fact, why don't we have dinner together? I know a great restaurant in the area."

You open your mouth to speak, but are distracted by the sudden, mild pressure on your leg. Somehow, his greasy fingers have wandered further up in the time you listened to his shameless offer. You've been in this career for long enough to guess what such proposals entail. If you say no, best case scenario he presses further, calling you a stuck up bitch and reminding you who has the power in this partnership. Worst case scenario, he leaves the room and the calls and invitations to perform will gradually drop. 

Yet your situation is special, benefitting from an additional possibility. A loophole, if you may.

Should you scream? Oh, he always gets so angry when you act scared. It's an immediate trigger. He really has a soft spot for your glistening, frightened eyes. You glance up one final time at the perverted smirk silently disregarding you. If you are to be honest with yourself, you'd very much enjoy seeing it wiped off forever. Why not? You're feeling particularly mean today.

So without hesitation, you release a high pitched yell of help. The door bursts open and the hinges creak. A tall, toned man walks in, and without a word he lunges at the manager, pulling him by the collar of his cheap dress jacket. You hold your cheeks dramatically, and bat your eyelashes at your bodyguard.

"H-he tried to molest me..." you mumble between sobs.

That's all he needs to proceed. Now the real fun begins. You can hear the muffled screams of protest. The bones crack and the flesh bends under his iron fists. Standing before your bodyguard, they all end up looking like ragdolls. Comically limp and weak, folding and breaking with no resistance. It amuses you greatly.

When did it all begin? You can't remember anymore. You were in your early years and this scary looking stranger entered your little backstage room. His explanation was brief and to the point: as your fame increases, so will the threats to your safety. He was appointed as your bodyguard. You couldn't care less, so you just shrugged. 

You've always been on the playful side. Not necessarily rude, just some innocent tease and banter wherever it's well received. Seeing him so quiet and stoic, you couldn't help but try to push his buttons: changing in front of him and requiring his assistance, occasionally asking him to pick you up and carry you because you could no longer walk. Naturally you would've stopped at the first complaint, but that's the strange part: no reaction ever came. He went along with everything. You assumed it's part of the job. Celebrities aren't known for their good manners, so hiring someone that loses their temper easily would be a fast ticket to termination.

Then you had your first encounter with one of the unpleasant fans you've been warned about. You could only stare in terror at your bodyguard's feral, unhinged reaction. The unfortunate fan's face was so disfigured, you wondered if anyone could ever manage to fix it back into shape. The bodyguard was panting and you could see the sweat coating his face and chest. You were rather confident there were many other ways to deal with it and this wasn't on the recommended list. Thus you felt compelled to ask the million dollar question:

"You act like a jealous spouse. Do you have a crush on me or something?"

You kind of regretted your audacity towards a man that had just nearly killed someone. But his features softened instantly and he turned to you, wiping his forehead and straightening his collar. 

"I suppose so. Is that an issue?"

As you stared ahead, processing his unbothered act, you sensed your cheeks feverishly burning. Uh oh. You hadn't anticipated such a nonchalant confession. You thought back to all the times you stood before him, bare and flirty. Was he merely holding back his urges the entire time? Or was he finally paying you back for all the teasing? Then again, his face didn't betray any hint of humor.

"I've never heard you joke before", you decided to test the waters.

"I'm not. Why would I joke about something like this?" He gazed at you incredulously. 

As somber and honest as ever. Well, that would indeed explain why he'd let you get away with the cheeky behavior. The more you considered it, the more entranced you became with the idea of indulging in such a relationship. As a famous idol, you couldn't be seen dating anyone. One rumor of you having a boyfriend and the agency would've had your ass suspended. But no one said anything about messing around with your bodyguard. He has to be with you all the time, so no one would suspect a thing. And you could definitely expand his list of responsibilities. You'd been terribly stressed lately, after all, and an outlet to release your frustrations would be most welcomed. Your bodyguard would never refuse pleasing his beloved.

You chuckled and pulled him towards your dressing room, giddy with excitement. Something about his imposing presence, like a wild animal that had just escaped from the leash, aroused you to no end. You've had your share of crazy fans, but this was the cherry on top. 

"Should we leave?"

You're jolted out of your daydreams by his low, rough voice. Ah, you missed the grand finale. Too bad. The bodyguard approaches you, with the shirt wrinkled and the top buttons popped open under the shuffle of his vicious attack. You can feel the knot forming in your stomach.

"Not yet. You know how I get when you act like this..." You pout and look away. "You need to take care of me first."

He grins at your last statement.

"Of course. Is the sofa okay?"

You nod.

"Then let's get you undressed, miss."

Is this what they call a scary dog privilege? 

[flanaganfilm]

The Midnight Club - Season Two

I'm very disappointed that Netflix has decided not to pursue a second season of THE MIDNIGHT CLUB.

My biggest disappointment is that we left so many story threads open, holding them back for the hypothetical second season, which is always a gamble.

So I'm writing this blog as our official second season, so you can know what might have been, learn the fates of your favorite characters, and know the answers to those dangling story threads from the first season.

So for those of you who want to know what we were planning to do, here's a look at what would have been season 2!

AMESH Season 2 would open with Amesh, his glioblastoma advancing quickly. He would tell the first story of the season, but would be struggling to make it through. We'd focus on his love story with Natsuki for those first few episodes as it becomes clear that Amesh's death is imminent.

Meanwhile, Ilonka is trying to reconcile how she was fooled by Julia Jayne, all while falling further in love with Kevin, and she realizes he may be fading faster than he lets on.

Ilonka begins a serialized story in an effort to encourage him to "stay alive a little longer," like he did in season one. And the story she tells is... REMEMBER ME.

This was the thing I was most excited about for this season.

REMEMBER ME is one of my all-time favorite Pike books - it tells the story of a teenage girl who is pushed off a balcony, and awakens as a ghost. She has to navigate being a spirit while trying to solve her own murder. We would have stretched this story out over 5 episodes. We were going to use it as a vehicle for Ilonka to try to come to terms with the fact that she is going to die, and to begin to trying to wrap her head around being a ghost... but this is the coolest part... the lead character of Ilonka's story wouldn't be played by Ilonka. She'd be played by...

Anya.

Because this is how we live on, isn't it? In the minds of those we leave behind. And Ilonka would use REMEMBER ME as a way to imagine her dear friend Anya, waking up as a ghost, navigating the afterlife. And this sets up one of the best mechanisms of the show - even if a character dies, as long as they're remembered by members of the club, they live on in their stories.

As the story starts to pick up steam, though, the group will have to deal with the death of Amesh, which he greets with grace and bravery.

In his final moments, he sees someone in his room - the Janitor from the first season, as played by Robert Longstreet, who says comforting things to Amesh even though he can't respond.

In his final, final moments, the SHADOW descends upon Amesh, and he is engulfed into it, which reinforces the idea that the Shadow is DEATH...

With Amesh's death comes something that upends the entire thing: a NEW PATIENT. We didn't work out too much about who this would be, but it would be a new roommate for Ilonka. Someone taking Anya's old bed. Ilonka would find herself being initially cold to her - just as Anya was when Ilonka arrived. Even feeling like this new girl shouldn't necessarily be ushered into the Club. But of course they would develop a beautiful friendship over the course of the season. The new girl joins the club, where something else exciting is happening - Cheri is telling a story. We hadn't decided which one, but I think it might have been MONSTER.

Natsuki would be the next to die, which would be heartbreaking. And again, she would talk to the janitor just before it happened... and again, the Shadow would come in the final moments.

For Spence, though, things would take a different turn.

The advancements in HIV treatment in the late 90's would come into play, and we'd see his prognosis change. The HIV cocktail came out in Dec 1995, and we really wanted to explore that.

Spence would ride the swell of antiviral advancements, and by the end of the season, he'd no longer be classified as terminal. In the finale of season 2, Spence would leave Brightcliffe just like Sandra did in Season 1, heading off to manage his disease and live the rest of his life.

But onto the BIG MYSTERIES of the season one... here are some answers: What is up with Dr. Stanton's tattoo and bald head? Well, a few things. First, Dr. Stanton is actually the daughter of the original Paragon cult leader, Aceso. Her nickname was Athena, she wrote the Paragon journal that Ilonka found in S1. She turned on her mother and helped the kids escape, but because she was part of the cult in her teenage years, she had the tattoo.

It was her initials that Ilonka found carved into the tree in season 1 (her maiden name was Georgina Ballard, hence the G.B. that Ilonka finds carved in the tree).

She hated what her mother became, and the atrocities of the cult. She reclaimed the property after her mom was gone, and wanted to change it into a place that celebrated life. She was trying to undo her mother's legacy and leave something behind that was beautiful. She is wearing a wig at the end of S1 not because of a sinister reason, but because she is undergoing chemo. Dr. Stanton has cancer. Having helped so many people deal with disease, she now has to deal with it herself.

Her treatment would be successful, and she'd go into remission, but having to face that - while caring for the terminal kids at Brightcliffe - was going to be a very introspective arc for Stanton.

What about the Living Shadow? It's Death, right? Well... no.

At the end of the season, Kevin will die... followed shortly by Ilonka. And as she is dying, two things will happen. First, she'll find herself talking to the Janitor, played by Robert Longstreet... and she'll make a discovery.

HE is Death. And nothing to be afraid of. It turns out no one else ever saw this character. Stanton has a cleaning service, and the Nurse practitioners make up the rooms - the only people who ever saw this mysterious Janitor were the patients. He is Death, and offers them kind words before they die. Then what was the Shadow?

This is an idea we take directly from the book REMEMBER ME, and we'll see it play out in the final moments of Ilona's final tale. In Pike's book, Shari is pursued by a dark entity called The Shadow. When it finally catches her, though, it turns out it is not a bad thing at all.

The Shadow is THEMSELVES. It's the Unknown. As it engulfs someone, in the last moment of their life, it takes them through a place of understanding and catharsis, preparing them for the next step.

THIS is what happened to Anya in S1 when the Shadow finally reached her - that's why she fantasized a life beyond Brightcliffe, which ultimately let her find acceptance of her death. It looks different for everybody, depending on their mind-set - because it is simply an extension of themselves.

The Shadow is just the final catharsis, a return to our original form - it is a moment of true understanding, and once we experience it, we move on to the next place.

We see the Shadow in full effect when it finally comes for Kevin. KEVIN DIES with Ilonka at his side, and it leads to the biggest reveal of the season:

Who were the Mirror Man and the Cataract Woman?

They were Stanley Oscar Freelan and his wife, who built Brightcliffe (fun trivia, he is named after the real-life Freelan Oscar Stanley, who built my favorite hotel in America - the Stanley Hotel. The Stanley is also the inspiration for THE SHINING!).

But more than that... there's a reason that Ilonka only sees Stanley in the mirror, and sees the Cataract Woman whenever she looked at Kevin. This is something else we took from Pike's original book... these aren't ghosts, but glimpses of PAST LIVES.

Ilonka WAS Stanley Oscar Freelan, and Kevin WAS his wife. They've lived many lives this way, and are true SOUL MATES - they always find each other, and they always fall in love. In this life, they knew it would be a short one, so they agreed to find each other in the house they built. They've been "remembering" who they are, and glimpsing their former selves in reflections, and sometimes when they look at each other. This is also why Ilonka's very first words to Kevin in S1 were "Do I know you?" and why Kevin thought she was familiar as well. They are two souls who always find each other, again and again.

The story is this: Stanley was dying, and built this cliffside home hoping that the seaside air would help him. It did, and he far outlived his prognosis (this is also true of the real-life Freelan Stanley). However, his wife began to succumb to dementia.

She would wander the halls, looking for him ("Darling!") and would even forget to feed herself ("I'm starving...") and she eventually refused to leave the basement. Heartbroken for her, Stanley painted the walls to resemble the woodland view, and the ceiling to resemble the night sky, so that it would be a little more beautiful for her.

He also painted a labyrinth on the floor, which was a technique used to try to curb the effects of dementia. She'd walk the pattern of the maze and it was believed it could help her cognition. Eventually, she developed frightening cataracts, but Stanley loved her through it all.

They were soul mates.

So while they seemed scary in season 1, that was just how Ilonka and Kevin's mind were trying to remember their pasts. We even had their faces distorting in ways consistent with how memories degrade over time. When the Shadow comes for Ilonka, and gives her this understanding - this "remembering" - she realizes she has nothing to fear. She and Kevin will shed these personas and be reborn, and have the joy of finding each other another way. The Shadow comes for her, Death takes her gently, and Ilonka goes off with Kevin back into the cosmos, ready for their next incarnation. The series would end with Cheri telling this story to a whole new table of patients, including our new series leads. Most of our original cast now would exist as stories, a story told to the next "class" of storytellers at the table, all of whom we will have met by the end of the season. A story called "The Midnight Club."

Well, that's it... that was what we had in mind. It's a shame we won't get to make it, but it would be a bigger shame if you guys simply had to live with the unanswered questions and the cliffhanger ending. I loved making this show, and I am so proud of the cast and crew. Particularly our cast, who attacked this story with incredible spirit and bravery each and every day.

But for now, we'll put the fire out, and leave the library dark and quiet. To those before, and to those after. To us now, and to those beyond.

Seen or unseen, here but not here.

I'll always be grateful that I got to be part of this Club.

[nadvs]

cam girl (part eight)

pairing rafe cameron x female reader

rating explicit 18+

summary you work two jobs. by day, you’re a maid for the cameron household, where rafe degrades you any chance he can get. by night, you’re a cam girl, hiding your face so nobody can recognize you. when you discover your new subscriber, the filthy-mouthed man obsessively paying you to do everything he can think of, is rafe, you’re not sure what to do next.

» masterlist

*+:★:+*━━━*+:★:+*━━━*+:★:+*

His breath is hot against your cheek, his body enclosing yours.

Behind Rafe, the door to the rest of this house is shut, but anyone could walk in at any minute.

It didn’t even cross your mind the day you were up in his bedroom with him that someone could come in, because why would they?

But the laundry room is a public area. The risk of being found is dangerous and alluring at the same time.

You never expected you’d think this way and feel so excited from such a risk, but then again, Rafe has turned your world upside down.

Your back is flush against the closet door. You feel Rafe’s hand move from your wrist to the hem of your uniform, his fingers trailing up your inner thigh under your dress.

“After everything I do for you… and you’re flirting with a guy in my fucking house,” he mutters.

“I wasn’t, baby,” you whisper, stirred by his jealousy.

“Why were you smiling at him like that?” Rafe asks, his eyes narrowing as his hand squeezes your thigh hard. It’s so fucking exciting that he’s this impassioned with envy, all over a ten-second conversation you had with another man.

“I was just being nice,” you say.

“Just being nice,” he mocks. “I’m getting that asshole fired.”

“Rafe,” you say. “I’m yours. You know that.”

“I have to make sure you know it, too, don’t I, baby?” His hand rises and presses roughly against your middle. You swallow hard. “I thought we said you weren’t gonna wear panties anymore.”

“I can’t…” You swallow hard. “I shouldn’t come to work like that.”

“You probably shouldn’t fuck who you work for, either,” he says, “but you do that all the time, don’t you?”

You feel him shift your panties to the side, the pads of his fingers pressing between your lips.

“Fuck,” you whisper in pleasure.

“Already wet,” he chuckles. “Already so fucking wet for me.”

He hitches your dress up. Thankfully, he’s wearing sweatpants and there aren’t any buttons or zippers to delay it any longer. He’s able to pull his pants down in one move.

Rafe roughly hikes your leg up. He bends to guide his cock into you, pushing your panties to the side, the sensation of doing this standing up so unbelievably hot.

You wrap an arm around his shoulders, sharply exhaling with his first hard push into you, the back of your head hitting the door behind you.

He feels so fucking entitled to you, and you wonder if it’s from his life of wealth and luxury, from being used to getting whatever he wants.

“You… are… fucking… mine,” he mutters, with a hard thrust between each word. You dig your nails into his shoulder, the passion between you making your entire body hot.

“You have nothing to be jealous about, Rafe,” you say into his ear. “Nothing. Ever.”

He captures your lips in his. The gesture surprises you. He’s never been that big on kissing, preferring to watch while he fucks you. But his mouth is on you now, his tongue hot and pressing against yours.

You wonder if it’s silly to think he’s kissing you out of appreciation for your reassurance.

Rafe’s spit coats your bottom lip, hands tight on you, cock moving in and out of you.

Your keep your arm around his shoulders and your other hand finds his cheek, cradling his jaw, pulling back to meet his eyes.

“Nobody can make me feel like you do,” you tell him, your breath shallow and weaving into your words. “Or make my body do the things it does with you.”

You don’t know where trying to make him feel better ends and wanting to get this off your chest begins, but the words keep spilling out of you.

“He touched my shoulder,” you breathe, “just my fucking shoulder, and I swear to God, I thought about how wrong it felt that it wasn’t you.”

Rafe’s softening eyes fixate on yours as he penetrates you. It’s like his anger is losing its burn right in front of you.

“I belong to you,” you say.

“Fuck,” he groans, his voice deep. The inside of his forearm is pressed against the back of your knee as he holds you up, and his arm starts to fall and tremble. “Shit, shit, shit.”

You can tell he’s about to reach his orgasm - it’s another surprise. He always lasts much longer. You’re almost sure that the sweet words you’re whispering to him are having this effect.

His thrusts aren’t as rough, his expression not as hard. Rafe is no longer angry or determined to prove a point. He’s simply savoring the feeling of being in your pussy. A sense of pride fills you when you realize your reassurance is what calmed him down.

You watch him, restless to show him how much you want him.

“Let me swallow your cum,” you moan. He stops driving into you for a second, looking down at you with a smirk, dimples deep.

“Yeah?” he rasps.

“Yeah,” you whisper.

Rafe pulls out of you, lips parted as he huffs for air, and he watches you drop to your knees. Your eyes are on his as you hold his cock, putting him in your mouth.

He tilts forward, an arm leaning against the closet door.

Your lips are tight around him, your tongue swirling. You start to move faster, putting two hands on him, rolling your wrists as you suck his tip.

“Oh, my God,” Rafe says, his tone so gentle that it sounds like he’s thanking you. “You gonna swallow my whole load?”

“Yes,” you moan against his cock. You increase your pressure on his slick length, fingers tightening, mouth sucking harder.

This right here, bringing him to his climax, feels like the most important thing you’ll ever do.

His hot cum gushes out of him quickly, oozing into your mouth and hitting the back of your throat. Your hands work him even faster, his cock twitching. Rafe looks down at you as you take everything he has to offer.

“Open your mouth,” he says. “I wanna see it in your mouth.”

You obey, parting your lips and tilting your head so you don’t lose a single drop.

“So fucking pretty,” he praises. You swallow and exhale in pleasure as the hot, salty liquid spills down your throat.

He leans to collect you off the floor, his hands scooping you up. You face him, pushing your dress down as he pulls the waistband to his sweatpants up to his hips.

“Let me guess,” you whisper with a small smile. “I can’t cum until later?”

Rafe looks down at you with gratification.

“Only ‘cause I’m gonna make you squirt again,” he tells you. You laugh at his promise, how casually he says something so vulgar.

The two of you share a smile, eyes locked, and the minute you’re living in together is so tender that you think if anyone could see you, they’d think this was a romantic moment, but it’s not, and you know you need to remember that.

“We could’ve gotten caught,” you say, pushing past him so you don’t have to be subjected to those beautiful fucking eyes any longer.

“I wouldn’t care,” Rafe says with a chuckle.

“Obviously you wouldn’t.” You open the dryer and start to unload the sheets you put in earlier. “But I’d lose my job.”

“Do you even need it?”

You still to look at him over your shoulder.

“Of course I do,” you laugh. Has he forgotten that not everyone has a trust fund? Does he think you enjoy living in your shoebox of an apartment?

“Even with… with what I’m giving you?” he asks. The $1000 cam shows, the extra tips, the random deposits he gives you all have put your bank account to a number you didn’t think you’d ever see, at least while you’re still a student.

But it’s not exactly a steady income like your cleaning job is. You don’t like to think about it, but Rafe could lose interest in you tomorrow for all you know. You can’t exactly rely on his money.

“Like that’ll last,” you say, trying to sound playful. “I still need a steady job, Rafe.” You just want to be honest. Fair. He doesn’t owe you loyalty, no matter how much you’d like it.

Rafe stuffs his hands into his pockets, hair hanging over his forehead as he looks down awkwardly.

Maybe it was too serious a thing to say. Maybe you sounded like you want him to make some sort of commitment, when he has shown you time and time again that you’re just a whore to him. A whore he gets off on owning.

The gentle, languid atmosphere you were sharing is now sharp, both of you stiff.

Suddenly, the door creaks open and you’re grateful for the interruption.

One of the other maids greets you with a nod, then when she notices Rafe, she looks confused to see him in the laundry room with you.

He silently walks past her, his tall frame pushing out the door, not looking at you again.

You spend the rest of your shift distracting yourself with work. Over your lunch break, you sit in the empty backyard, talking on the phone with one of your close friends about school and everything else outside of Rafe, not wanting to risk anyone overhearing anything about him.

Finally, it’s almost three o’clock, an hour left to your shift. You head to the second-storey lounge at the back of the estate to cross off what remains on your to-do list.

As you head down the corridor, the sounds of men’s voices grow louder. You recognize Rafe’s laugh, like a melody making your heart flutter.

You see through the lounge window that he and his friends are sitting out on the beach-facing balcony, day-drinking on a Wednesday afternoon. The relaxed life of the wealthy never ceases to amaze you.

This means his bedroom is empty. An idea strikes you suddenly. You’ll leave Rafe a present to get rid of the weird energy that grew between you earlier today.

You rush to sneak into his bedroom, shutting the door behind you. You keep the lights off, the afternoon sun peeking behind his blinds.

You take your phone out of your uniform’s front pocket and lean it on his bed frame. After you settle on your knees onto the soft mattress, you start to record a video and watch yourself in the small screen.

Inching the fabric of your dress up, you close your eyes as you think about Rafe. Your hand immediately presses between your legs.

“You were right, baby, I shouldn’t wear panties,” you whisper into the phone. “They just get soaked as soon as I think about you.”

You tilt to sit on your butt and pull your underwear down, then spread your legs open for the camera.

With your fingers running up and down your slit, you shut your eyes and let yourself daydream about Rafe.

“I don’t know where I like your cum the best,” you whisper into the empty room. “In my mouth, in my pussy, or in my ass. I want your cum everywhere… all over me.”

You dip a finger inside of you, letting you a soft moan. You think back to when he first confronted you in this very room, the way you pulled down the towel that sat around his hips down and tasted him for the first time.

“Remember when you came on my face right here on your bed?” you say.

You imagine him lying here and watching you on his screen.

“Fuck, the thought of you jerking off gets me so…” You almost get lost in the moment, let the orgasm pull you in, but you take your hand off yourself. It takes all the willpower you have not to finish, deciding to save yourself for tonight.

You notice your hands are shaking when you stop the recording. You’ll send it to him during your cam session tonight.

As a final treat for him, you leave your panties under his covers.

You set to walk out of the room, but when you see the t-shirt Rafe was wearing today strewn over his chair, you can’t fight the impulse to take it. You’ll wear it for him tonight.

You tuck it under your arm and drop it off in your bag before you head to the lounge to finish up your day of work.

Your heart is racing after what you just did.

When you see Rafe through the lounge window, sitting with a group of guys you’ve seen so many times before, leaning back with his long legs casually spread, you imagine straddling his lap like you did last night.

The sun is casting an orange glow on the planes of his handsome face and… God, you need to stop staring at him.

It’s just sex, you tell yourself. Just kinky, intense, unforgettable sex with a guy who occasionally has a soft side to him. That’s it.

You start to water the plants laid out across the sill, glancing up every so often to look at Rafe.

When he finally notices you, his expression seems to relax, eyes dancing over you.

He eventually drops his gaze, continuing his conversation with his friends, surely trying to play it off in case anyone caught him looking at you like that.

He wouldn’t have told his buddies he was hooking up with you, would he? Or maybe he would, keen to brag how he was fucking the help?

You finish up cleaning the room and you know it’ll torture him, but he loves to put you through crazy shit, so you return the favor.

Instead of waiting until later tonight, you send Rafe the video you just took along with a text: keep your sound off unless you want your friends to hear me moan.

You watch him through the window, waiting for him to feel the vibration of his phone in his pocket. Excitement buzzes through you when he shifts back, pulling his phone out.

He looks at the screen. Sharp blue eyes pierce you, the subtle shake of his head seeming like a warning. You watch his fingers press the side of his phone, muting his sound.

Rafe brings his phone up closer to his face, sinking back a bit to prevent anyone from seeing his screen.

He only lasts a few seconds of the minute-long video. You watch him awkwardly shuffle in his seat, adjusting his groin. He brings the phone down, his lips pursed in irritation as he gazes at you.

If looks could kill.

He texts you: are you fucking serious?

You smile at your phone and reply: oh and i think i forgot my panties in your bed. you can give them to me later. my shift’s over :) see you at 10.

You’re still riding the power trip when you’re sitting on your bed with your laptop open that night, wearing nothing but his shirt. It smells so damn good.

“Hey, baby,” you coo when Rafe joins the session, right on time. You run your hands up your body, squeezing your chest over his shirt. “I stole something today.”

figure8: thief

“It’s just so soft,” you giggle.

figure8: you’re in so much trouble for that fucking video

“I’m sorry,” you laugh. “Did you like it at least?”

figure8: of course i did

figure8: if you wanted my cum all over you, why didnt you just say so

The thought of Rafe covering you in his hot cum makes your stomach tighten. You shrug.

figure8: ur panties smell like you

You lick your lips, imagining him smelling the underwear you left for him. You start to rub your hard nipples over the soft material of his shirt.

Whatever happened in the laundry room is now a distant memory. Thankfully, you two are back in your groove.

figure8: stretch yourself open

You spread your legs for him, pulling apart your lips, the camera capturing you.

figure8: so fucking perfect

You tilt your head, flattered.

figure8: get urself close to cumming and tell me what ur thinking about like u did in ur slutty little video

You lean back, one hand holding you up while the other rests on your pussy. You start to rub up and down, watching yourself in the camera.

“Every time I’m in front of you like this, I’m thinking about how you’re touching yourself,” you say. “The thought of you jerking off is just so fucking hot to me.”

figure8: doing it right now

“Fuck,” you laugh, throwing your head back. “What do you think about when you do it?”

figure8: how good you feel around my cock

“Yeah?” you say. “Which part of me?”

figure8: your pussy is my favorite to think about

“That’s my favorite place for you to be, too.”

figure8: yeah you never want me to pull out

“Shut up,” you laugh.

figure8: my needy girl

You keep rubbing your clit, your breaths starting to get faster as you think about how he stayed inside you as long as you wanted last night.

figure8: keep talking baby what are u thinking about

“Last night, the…” you sigh in longing. “The way you kept your cock in me after I squirted on you.”

figure8: u did such a good job

“Yeah?” you purr. You want to keep playing along, but it’s almost hurting at this point.

“Rafe… please, can you just come over?” you plead.

figure8: u can wait. keep playing with your clit and talking to me

You groan in frustration. He’s always keeping you on your toes like this, controlling your orgasms.

“I want your cock, baby, please,” you moan. “I want you to fuck me. Please just come over already.”

His next message makes you sigh a breath of relief.

figure8: only because u took my load so good today

figure8: keep your computer on your bed

figure8 tipped you $1000.

figure8 has left the session.

You wonder what the hell he has planned.

When Rafe arrives, he kisses you hard like he did earlier today, and even though it feels so fucking nice, you’re worried about the effect it’s having on you.

You pull away just to give yourself a breath and take his hand, leading him to your room.

When Rafe takes his jeans off, he throws his wallet at the foot of your bed.

“On your stomach,” he orders. He moves your pillow to the centre of your bed. “And get on your computer.”

You obey, allowing him to guide you to rest your pelvis on the pillow, anticipating what he’ll do to you. You feel Rafe settle behind you, fully naked. He pulls up your shirt - really, his shirt - and his hand glides over the curve of your raised bare ass.

You feel a hard slap on your skin and you yelp.

“That’s for sending me that fucking video when I was with my friends,” he chastises. “Getting me fucking hard like that… Jesus.”

“Sorry, baby,” you laugh. You’re not sorry at all.

He spanks you once more, the pain burning. You feel him shuffle again, opening his wallet in front of you next to your open laptop.

“You’re gonna buy whatever you want with my credit card while I fuck you,” he says.

You’re floored.

“Rafe,” you say in disbelief. “I don’t… I don’t even know what I’d get.”

“Then, think,” he says. “Get yourself a new computer.”

You look at your laptop. It is a pretty old model.

“This is…” You truly don’t have the words. Is he doing this because of your tense conversation earlier today? Or is it just one of his fantasies?

You moan when you feel him press his tip against your cunt.

You’re staring at your screen, in awe of all of this. In awe of him.

“Come on, baby,” Rafe encourages. He slowly drags himself into you, his hips eventually hitting your lower back when he gives you all of him.

Fingers trembling, you pull a black credit card out of his wallet and open a browser on your laptop, eager to please him. This is so different than anything you’ve done with anyone before.

You follow his instructions and simply search ‘laptop’. A string of links come up.

“Don’t cheap out,” he tells you. “Get the most expensive one.” He’s fucking you so damn slowly, surely to keep both of you from cumming.

You’re full of his cock while you click the highest price tag you find. This cost is nothing to him.

It’s nearly impossible to type in his credit card information, your name, your address, while he sinks in and out of you.

When a window pops up asking if the credit card information should be saved, his big hand is suddenly on top of yours, selecting ‘Save.’

The order goes through.

“Good girl,” he says. He sits up again, his arms supporting him, trapping your hips. “What do you want next, huh? A purse? Shoes?”

“I… I don’t know,” you admit. “I only ever buy things I need.”

“What you need is to be spoiled,” he says sternly.

This is an entirely new sensation - having no reservations, no budget while shopping. You decide to look for purses next and a $1800 designer bag catches your eye. You hover over it.

“Get it,” he tells you. You add it to your cart and set up next-day shipping. It’s an unbelievable thrill. “Keep going.”

You’re bobbing on your elbows as he continues to fuck you. He pauses a few times, warming his cock in you.

Next, you decide to buy two pairs of shoes and clothes you only imagined you’d see in a closet in a house that you’re cleaning.

Rafe is groaning behind you and you feel his weight shift on you, his chest pressing against your back.

“You wanna buy some lingerie?” His hot breath tickles the back of your ear.

“That’s more for you than me, isn’t it?” you tease.

“So?” he asks. You giggle and visit the first lingerie website you can think of. It comes up on your screen with an array of beautiful girls modelling the merchandise.

“Don’t look at these girls,” you joke, but really, you’re jealous of the thought of him lusting after another woman.

“Why the fuck would I look at…” he breathes, not finishing his sentence as he thrusts into you.

You find a white, lacy set. You buy it and at this point, you can’t take it anymore. You need him to fuck you for real.

You shuffle under him, trying to get up.

“You’re not done,” he laughs.

“If you don’t let me cum, I don’t know what I’m gonna do,” you beg.

“One more thing,” he teases. He shifts to type with one hand, navigating to a sex toy website. “Whatever you want.”

You scroll through and a curved, blue vibrator intrigues you. You’ve always seen rigid, straight ones, but the thought of this one inside you is exciting.

“This one,” you say. You order it, then finally, shut your laptop in desperation. His hand trails down your spine once he pulls out. It makes you whine. You were hoping he’d start fucking you harder.

“Rafe,” you groan. You turn over on your back, looking up as he sits over you, the tip of his erect cock hitting hit stomach.

“You want my cum all over you, don’t you?” he taunts.

“You said you were gonna make me squirt again.”

“Fuck,” he laughs. “You’re so desperate, oh my God. I will. Relax.”

He’s right. You have never been hungrier for him.

“You get so fucking turned on being my sugar baby, don’t you?” he asks.

You nod - if you didn’t have this kink already, you sure do now.

“I wanna see your tits covered in my cum,” he groans. You nod, pulling his shirt up off of you.

Rafe is sitting over you, his hand stroking up and down his length. The sight is so fucking intoxicating.

“You like watching me jerk off? This is better than imagining it, isn’t it?”

“Yes, baby,” you tell him.

You squeeze your tits together, your eyes locked on his dick. He starts to stroke faster, his hips bucking.

“Shit.” His voice is hoarse as he grunts, his eyes squeezing shut.

His cum spills out into ropes on your chest and he’s whimpering as he empties his balls onto you. He collapses, holding himself up over you.

When he opens his eyes again, you make sure he’s watching you as you run a finger up your breast, collecting some of his cum, and bring it to your mouth to taste him.

“You’re so hot,” he says, his chuckle one of disbelief. “I’m gonna taste you, too. Sit up there.” He points to your bed frame.

Your back is soon pressed against the frame, your legs spread for him. Rafe picks up the rose toy from your drawer and settles onto his front, his head between your thighs.

The way he’s starting to know his way around your room makes your cheeks warm.

He runs his thumb up your middle, licking his lips as he watches you.

“Goddamn, princess. I don’t think I’ve ever seen you this fucking swollen,” he murmurs.

“It hurts,” you whine, your clit throbbing with need. You’ve been aching for him since this morning.

“I’ll make it better,” he promises. He leans forward, trailing his flattened tongue from your cunt up to your clit.

Nothing in the fucking world beats this feeling.

When Rafe places the toy against your clit, the suction triggers pleasure to roll through you. He leans down to push his tongue into your hole.

You gaze at him in awe. You take him in, his head bobbing between your legs, his broad shoulders flexing, his right leg hiked up and his left leg partly hanging off your small bed.

The knot in your stomach tightens and it feels like last night, like you’re gonna explode again.

“Rafe, don’t stop,” you beg. “Please don’t…” You impulsively squeeze his head between your thighs, and the grunt that he lets out onto your pussy tells you how hot he finds this, too.

“That’s it,” he says, muffled. “Cum on my tongue.”

You feel like you shatter from the inside, a choked sob erupting from you. He forces his head back, your thighs pushed away, so he can look at you. He takes the toy away, replacing it with his thumb.

The sight of your juices splashing onto his face, the depraved smile he’s wearing while you squirt on him in spurts, is something you know you’ll never forget. Every fucking second with him is like a dream.

You tilt your head back, chest heaving. You feel him pat your sensitive pussy with a satisfied laugh.

“My good fucking girl,” Rafe praises. You meet his eyes, his face shimmering with your cum.

“Fuck,” you whisper. “What you’re doing to me is… fuck…” You don’t have the words.

“You’re so fucking cute,” he says. “You have no idea what’s coming.”

“What?” you breathe your laugh.

“I brought you something.” Rafe sits up and you wonder what in the hell this man, who has given you absolutely everything but his heart, could possibly have for you this time.

{ read part nine here }

author’s note: credit and THANK YOU to this anon for suggesting this idea!!! YOU GENIUS. i owe u my life

[bet-on-me-13]

Ellie wasn't born a Halfa

So! Jason just found something weird. Or rather. Someone.

A little girl, no more than 6 or 7, crying behind a dumpster in an alleyway. Now, as unfortunate as it is, this isn't that strange a sight in Gotham. Kids are always running away from home, getting lost, being left homeless after a mugging gone wrong, but this time was different.

Because the kid was glowing.

When he found her hiding behind the Dumpster, a medical gown being the only thing she had to protect herself from thr frigid Gotham Winter, he didn't hesitate to give her his Jacket and take her to his nearest safe house.

(Actually it took a little while to convince her to accept the Jacket, and even longer to get her to agree to being taken to his safe house, but they got there in the end.)

When he had finally gotten her set up in a side room of the Warehouse, with the most comfortable bed and thickest Blankets he could find, he tried asking what had happened.

"Daddy lied." She said. "He said he loved me, but then he made another kid and said he didn't care about me."

And, once again, it was unfortunately not that uncommon to see runaway kids from neglectful homes, but the way she said it raised some flags in his head.

"...and, how did you end up in Gotham?"

"I ran. He said I was a spare, and that scared me."

Well, that was even more horrible than he had anticipated. What kind of monster tells their kid that they're a spare?!

"And, I'm sorry if this is a touchy subject but why are you glowing?"

She just buried her face in the Blankets and shook her head.

"Alright then, that's fine. You can tell me when you're ready, or even not tell me at all, I'll accept either or".

For the next few weeks, Jason juggled running his newly created criminal empire and raking care of the kid. He still hadn't gotten a name out of her, but she said to call her "Dp" instead. 'It's the best I'm gonna get', he thought.

It was only after a few more weeks, right before he was about to begin his Plan of confronting Bruce about the Joker still being alive, that she approached him and agreed to tell him everything. He was actually really glad that she finally seemed to trust him enough to tell him.

"Okay Dp, you can start wherever you want."

"...well, I guess I should start with my name..." She started, "...or rather, my lack of one..."

"What?" Asked Jason in a soft voice.

"I, I don't have a name." She explained, "Daddy never gave me one. He just called me DP-2."

"...what do you mean by two?" Asked Jason.

"It-It's my Experiment Number." She said, stuttering a little, "I'm not a normal person, I'm a Clone. I was made to be daddy's perfect child, but I was just the test run. He said that I wasn't needed after he made DP-3, and that all I was good for was spare parts."

Jason felt his throat dry up. Dp was a Clone? Of who? Who made her? What right did that guy have to reject her?! Who in their right mind would make a Clone and then reject the Clone?! How dare he!

The Pits perked up

He felt the Pits rising a little, but managed to push them down. Dp needed support, not the Pits.

"It's Okay kid." He said, holding her had reassuringly. "It's perfectly okay to be different. I accept you as you are, and I'm sure as hell not gonna abandon you that easily. Or, ever really. You're stuck with me, whether you like it or not."

She giggled, and hugged him. A thoughtful look crossed her face, and she pulled away.

"There is one other thing...you know how I glow sometimes?" She asked.

The Pits felt a sense of dread

Jason felt like he wasn't going to like this. "Yeah?"

"Well, when I said I was meant to be a Clone, I never mentioned who of." She explained slowly. "He's a kid named Danny, and when he was 14, he had an accident where he died and came back as a Half Undead."

No...

Jason really wasn't liking where this was going.

"When Da-Vlad tried to make me, he realized that those powers couldn't be cloned..." She paused here, seemingly gathering the courage to continue. "...they needed to be added afterwards."

NO.

He didn't. He had better not have, for his own Fucking Sake, he had better not have done what Jason thinks he did.

"So one day, he took he down to the Lab, and he put me in a big machine." He voice broke a little. "He locked me in there, and then I think...that I died..."

...

For once, Jason felt completely in tune with the Pits. He was going to Kill that guy.

...

Sorry if this feels a little rushed, I kept going back to add or change parts of it.

Basically, Vlad realized that you can't Clone a Halfa. So, he made a workaround. He just stuck his first Viable Clone into a Portal, and let the machine Kill her. When he realized that it worked, he knew he had no use for Ellie anymore aside from spare parts.

And he told her as much, Vlad is a fucking asshole.

Ellie, of course, got scared and ran away. She ended up in Gotham, and was adopted by Jason right at the start of his Criminal Career.

When Jason finally hears about the rest of his kids' Backstory, he decides that Batman can wait his turn. He needs to go Kill that Vlad Bastard.

[sceletaflores]

any nasty down bad breeding kink art musings love of my life?

viciously yanked me out of my mini challengers rut with this one because yes. yes i do have some thoughts on that.

for some reason the first thing that came to mind was virgin!art....in a universe where he somehow didn't get laid before stanford lol

like auurgggghhh virgin!art and his deep seated breeding kink. it's literally ingrained in him even before he has sex for the first time.

you're his first real girlfriend, met when you needed a tutor in accounting and art's professor suggested him.

the two of you have been dating for two months and he already knows that he loves you despite what patrick says about "playing the field a little man, you're not married to the chick."

but the thing is that art would marry you. he'd up and marry you tomorrow if that's what you wanted. he doesn’t care how crazy it sounds.

he loves you and he wants you to be his first.

maybe he wasn't entirely expecting it when you laid on your back on the mattress of his dorm, peering up at him through your lashes as you announced that you were "ready to take our relationship to the next level..."

he was hard before you finished talking.

art could barely think straight, his body reacting faster than his mind. he swallowed hard, trying to steady his hands, which had started trembling the moment you laid back on the navy blue comforter of his bed.

“are you...are you sure?" his voice came out more breathless than he intended, his brain scrambling to keep up despite all the blood rushing to his dick.

your gentle nod, paired with a soft smile that made his heart stutter in his chest was all it took for him to lose any lingering doubts.

he crawled up the mattress, leaning down to kiss you with more tenderness than urgency, his heart thudding against his ribcage like it was trying to escape his chest.

he fumbled his way through fingering you, his hands shaking with nerves even though you've done this part countless times.

it wasn't until the two of you shed all clothes, art settling himself between your legs before you were speaking, thighs twitching to close around his hips.

"you'll have to pull out, i'm off the pill."

fuck.

art's heard of that before, pulling out. usually the punchline of some jokes the guys like to tell in the locker room, or from patrick recapping his own hook-up stories.

the dirtiness of it makes his cheeks burn, and he hopes to god you can't see the embarrassing red blush he knows is there.

he takes a deep breath, steeling his resolve as he presses the leaking head of his dick to your slick hole.

"okay." his voice sounded pained, his hold on your hip probably a little too tight as he held his throbbing dick steady and nudged his hips forward until just the tip slipped inside your fluttering hole.

"oh fuck."

art’s brain short-circuits for a moment, his entire body freezing as the tight heat of you grips the head of his dick. he sucks in a shaky breath, trying to keep his cool, but every nerve in his body is screaming at him to move, to take more. to bury himself so deep he wouldn’t know where he ends and you begin.

he lets out a low groan, fingers digging into your skin, knuckles turning white with it. he wasn’t prepared for how overwhelming it would feel, like his entire life had been leading up to this exact moment.

"jesus...you're so—" he can’t even finish the sentence, his voice breaking.

"art," your hips shift beneath him, making him jolt forward, sinking just a little deeper inside you. his mind goes blank, a vast space of nothingness but the tight heat wrapped around his dick.

there's only you, your soft skin, your quiet gasps, the feeling of being wrapped in the most sinful warmth.

for a while art gets lost in the feeling. in the way you pant into his open mouth, too overwhelmed to kiss him properly. in the way your hands grip his shoulders harder with every inch he gives you. in the way your pussy shakes around him like it can hardly wait any longer.

art knows he's getting close, that he probably needs to pull out soon. but you're just so soft and you smell so good and your pussy is sucking his dick in so wet and warm like it never wants him to leave again.

"i can't," he grits out against your collarbone, shaking his head frantically. "i can't do it."

"don't stop," you whine, manicured nails digging into the toned muscle of his shoulders, "don't stop, baby. fuck, give it to me harder, harder please-ah!"

art screws his eyes shut as tightly as he can, brows pinched together as he presses his forehead against the sweaty skin of your shoulder to ground himself. his hips speed up to punch out more high whines of his name from your slick lips.

there's an odd feeling working it's way through his body as he ponders his options, a wrongness flashing in the back of his mind each time he reminds himself of pulling out to spill over your stomach.

despite the fact that he's never done this before, his gut tells him no.

you deserve his come inside you, painted along your insides as he claims you for the first time.

"i can't pull out," he whines through clenched teeth, big hands tightening their hold on your waist. his voice is pinched and high in a way it's never been before, desperation leaking through his tone.

your lips fall open on a gasp, your head shaking back and forth dazedly, but he feels the way you clench around him. the way your pussy tightens up like it's trying to milk the load directly out of his aching balls.

"fuck! please don't make me baby," he begs, self restraint snapping in two as he buries his face in your neck. "lemme come in you, it'll be okay. we'll be fine, nothing’s gonna happen if it's only this once."

"no..." you moan, "art don't, gotta pull out..." but your hips start rising of the bed to meet his thrusts, the dirty smack of skin on skin filling his tiny single. you're dripping around him, coating his dick with a slick layer of shiny wetness.

"i can't," art repeats breathlessly, dick twitching inside you warningly.

"i need it…need you, need to come in you so fucking bad," his voice is strained and cracking, hips trembling with the effort, but you’re so tight around him, every squeeze pulling him deeper.

it's too much and not enough all at once—the heat, the wetness, the overwhelming need. it has pure kerosene burning in his veins.

"art," your legs stay wrapped snug around his hips, ankles locked over his lower back. "m'close, gonna come, fuck! i'm coming—!"

so is art. the added squeeze of your pussy coming around him shattering the last of his resolve and sending him careening him over the edge.

"fuck," your name falls from his lips in a tight groan as he unloads inside of you. flooding your pussy with warm come as his hips keep up the punishing pace he set.

art doesn't stop thrusting even as he comes so hard his vision whites out. he can't stop, like you've got some sort of magnetic field that keeps pulling him in over and over and over.

your too-loud moans and cries dissolving into sharp keens and gasps as he fucks you into over-stimulation, his hips pumping in in in as the image of his come getting fucked deeper and deeper inside of you plays on a loop in his mind.

when his arms finally give out and he collapses on top of you in a sweaty heap of limbs, your arms immediately come up to wrap around his shoulders. a pleased hum rumbling through your chest as you scratch your nails along his scalp soothingly, smug smile hidden in the sweaty halo of his hair.

art's out like a light in five minutes, falls asleep right there with his head resting on your bare-chest and his dick kept safe inside you.

patrick buys a plan-b for art the next morning when he's too nervous to face the cashier at walgreens.

[solar4seekstron]

TFOne!D-16/Megatron x Cybertronian!Reader One Shot: Conjunx

Here’s another One Shot with my bbg D-16. This one just cam e into mind so of course i got to writing. I’m pretty proud of this story and I enjoyed writing for only D. I hope you all enjoy!

TW/Tags: Fluff/Wholesomeness at beginning, D is precious and silly, angst after cut after wholesome romance, Implied abuse (mild), kidnapping, toxic relationship at end. Might make part 2? We’ll see what my brain throws at me at 2 am lol

You and D only really hanged out when Orion was around. Not because D was embarrassed but because Orion was usually busy doing something else. You were seen as a quiet bot and also cool by D. You always stood up to the superiors knowing you weren’t out of line. And despite being a few inches smaller then D. You were strong! D won’t admit it but he was defiantly attracted to you.

One day when getting off the train, Orion did something stupid again. Elita dragged him away to do a late mining shift as punishment. Later D was alone and worked on punching the punching bag in the mining quarters. The others left him be, knowing his temper without Orion. He was so focused he didn’t notice you came up behind him. Knowing he might try to punch you if you startled him. You descide to pick him up by the waist strartling him “Hey you glitchin bot! Put me dow- Oh its you.” You put him down. He looked at you no longer startled.

”Sorry D didn’t want you to punch me if I didn’t pick you up.” You chuckled.

”You know you could’ve handled my punches right?”

”Yes but I would’ve had to punch you back.”

”…..Good point.” He pointed his digit to you.

”You mind if we talk?” D almost froze as his smile shows to have strained a bit as he looked at you. “It’s nothing bad.” You chuckled. “Come on lets go where we can see the Iacon 5000 sign.”

“O-ok.” You two walked and once up there you finally spoke.

”So D I’ve been thinking. We’ve been good friends for a good while and was hoping. Since after all this time-“ You continue to speak as his head only started to overthink.

Was so lost in thought of you possibly leaving him that he barely heard you. He then heard you say Conjunx out of the blurr of what you’re saying. But that word brought him out of his thoughts “What you say?”

”D-16 will you be my Conjunx?” You were on one knee. (Thought it be cute shud up) D was dumbfounded until he realized and his face no longer showed a blank expression but had a cute little grin appear on his face. He then shakes a little. Little sounds of metal being heard. You reached a cervo toawrds him once you stood, a bit worried “Uhhh D??”

Then out of no where he hugged you and started spinning, you around as he shouted in cheer and joy. You were now dumbfounded and put your cervos on his shoulders gently patting. “So…..that’s a yes?” He then holds you up with his hands holding your waist.

”YES!!!!” I have been waiting for so lo-“ He looked at you once he stopped. He can tell you were trying to hold in a laugh. “Uhh”

”Guess tonight will be a night to never forget.” You both chuckled and embrace each other. Both of your foreheads touching as you two closed your eyes.

D then lets out a soft sigh as he gently lowers you. You standing once more. Your arms around his neck and his around your waist. Your foreheads still touching as you two stared into each other’s eyes.

”I love you Y/N”

”I love you D. Mine. Always and Forever.”

You both leaned closer together and as your lips both finally touch. The sparks in your chests soon glow. Shinning around you as you two stay in the moment together with the sign of Iacon 5000 behind you both in the dark city.

———————————————————————————

(Last chance guys skip this part if you don’t wanna feel pain)

Megatron sat in his throne as he thought about that night. It is truly the night to remember. After everything. He lost his best friend, his home, and after realizing he has been lied to for all his life up to now. He just couldn’t lose you. The high guard was third to him. His new cause is his new goal but you. YOU are the one thing that truly belongs to him.

As he sat there, his head resting on his fist as he watched the high guards having a meeting. He listened, only glancing down to see you every so often as you rest your head and one of your cervos against his chassis.

Your optics closed as you sat on his lap. You had a cog and a decepticon logo on your chassis. His arm around behind your back and cervo resting on your thigh. Your other cervo that wasn’t on his chest resting on top of his on your thigh. You had a few dents. Proof from when he forced you to come with him when sneaking into the city and take you with him. After some time he had to discipline you to behave. Same thing when he forced you to stay still as the Decepticon logo was put on you. You are His Conjunx. You should really learn to trust him. He even threatened to hurt you more if you chose to break the bond from that very night. Ever since then you’ve been tired and miserable. You always felt his feelings through the bond. But you can still feel that love he has for you. Only it’s much darker now.

You listened to his spark beat as you two stayed silent. Starscream and Shockwave started to argue as Soundwave sat there with a data pad. You’d slowly open your optics. You had a little rust under your eyes. Not very visible if far enough.

You cried. You cry every night after Megatron goes to recharge. The meeting eventually ends and Megatron dismisses everyone. Once everyone was gone he looked down at you. Finally lifting his head so he’s more straight sitting up. Moving his cervo to now hold your chin. Making you look at him as his now red optics narrowed and stared down at you. “Hungry sweetspark?” His voice was darker and rough. It still makes you flinch when he speaks to you.

You didn’t answer. You only shook your head as your optics remained dim. He leaned his head lower a bit. His face only inches from yours. “Almost Obedient…hm…”

You two remain silent for a moment.

“Mine. Always and Forever.”

He closes the distance. His lips connecting with yours once more after so long. His lips now cold as he closed his optics. You closed yours a second after.

But you didn’t return the kiss. His cervo moving from your thigh to the back of your head. Pushing your head a bit closer. Your kiss is no longer the same. His kiss. Is no longer the same. Megatron wasn’t Your D-16.

So….. y’all like 😗? If you wish for a part two please let me know.

[fluentmoviequoter]

Tastes of Home and Cake

Requested Here!

Pairing: Tim Bradford x fem!baker!reader

Summary: You own a popular bakery frequented by celebrities, but when the Mid-Wilshire police station hires you for a luncheon, you go out of your way to make cakes, cupcakes, and favourites to make the day special.

Warnings: fluff, Tim bring grumpy toward everyone except his wife who makes him a softie

Word Count: 2.0k+ words

Masterlist Directory | Tim Bradford Masterlist | Request Info/Rules

“The cast of Rings of Power will be here at 10:00 tomorrow instead of 10:15, is that okay?” your assistant, Kasey, asks.

“Of course,” you respond as you spin a tart pan to remove an air bubble from the filling. “Did you hear back from the Scuderia Ferrari people?”

“Oh, yes. I fit Charles and Lewis in for a lunch and tasting five days before the Las Vegas Grand Prix in November of next year.”

“Perfect!”

You pass the tart to one of your bakery sous chefs before you follow Kasey out of the kitchen. The small dining area of your bakery is full, and the door has been closed and locked to give your clients a private meal.

“Good afternoon,” you greet after removing your apron and straightening your outfit. “It’s a pleasure you have you here, and I hope you enjoy everything.”

After several minutes of speaking to your customers and promising to fit them into your booked schedule when they finish filming in several months, you return to Kasey’s side.

“How do you keep your cool talking to celebrities every day?” she inquires. “I talk to their agents on the phone and get a little starstruck.”

“Well, he’s one of the nicest people on the planet,” you point out, referring to Pedro Pascal sitting behind you. “And, at the end of the day, they’re still people. Well-known and sometimes really mean, but they’re customers, just like the small population of Los Angeles that we serve for a few hours every morning.”

“Speaking of that, I need to get back to the people in the LA Times about the feature they want to do on the bakery. Do you want to do it?”

You stop by a tray of cookies and sigh. “I don’t know. Part of me says yes, but then the side that isn’t caught up in the business wonders if it’s worth it to get longer lines and higher wait times.”

“Did you talk to your super-secret boyfriend about it?”

“I did. He wasn’t much help, basically said to do what I thought was right. Just… tell them not right now. If they take that as a no, that’s fine.”

Kasey nods and jots a note in her always-present journal before she notices the whiteboard where you make plans for tastings and events.

“Is all of that for the LAPD luncheon you’re catering?” she inquires, wide-eyed at the quantity and quality of items. “You know they’re paying a flat rate, right?”

“Kasey, I’m going to tell you a secret,” you reply as you slip your apron over your head. “My ‘super-secret boyfriend’ that you constantly ask about… He’s a cop. And my husband.”

“That explains the Madagascan vanilla shortbread cookies,” she mumbles. “Wait, can I meet him?”

“Me first!” one of your regular celebrities yells from the dining area.

You roll your eyes in amusement and then begin working on the croissants for the sandwiches and the dulce de leche cake for Mid-Wilshire’s annual officer appreciation party.

“This is Officer Thorsen,” Kasey introduces as you exit your car at the police station.

“Aaron,” you greet, welcoming his hug.

“Please tell me the department sprung for my favourite,” he replies.

“I might have thrown in a few goodies.”

“You are the best. I was honestly surprised when I heard they’d chosen your bakery.”

You shake your head at Kasey to remind her not to say anything. To her surprise, they didn’t contract with you because your husband works here, just because of your reputation in Los Angeles. The people working in this station don’t even know you have a relationship with one of their own, so your expanded menu should appear to be a nice surprise, showing your appreciation for the brave men and women who keep you and your city safe.

“This is my watch commander, Wade Grey,” Aaron introduces.

“Nice to meet you,” you offer as you shake his hand.

“You, too. My wife has been wanting to visit your bakery, but we never seem to make it in time,” he replies.

“I’ve got some extras packed away in the van if you’d like to take her something. It’s the least I can do.”

“Baker to the stars… how do you like dealing with so many high profile people every day?”

“Most of them are great, just looking for a place to eat some carbs without the paparazzi. There are a few that I try not to have availability for, of course, but it’s the baking that I really love. My assistant handles most of the people side of things.”

“Well, we can’t thank you, and Kasey, of course, enough for fitting us into your schedule. We’ve been looking forward to it for a while.”

“Of course. I hope you don’t mind but I did throw in some free treats, just my way of saying thank you.”

“That’s incredibly kind of you. Let me know if you need any help setting up or finding anything.”

“Thank you, Sergeant Grey.”

After he returns to his duties, you try to let Aaron return to work, but he insists on helping you set up. Thirty minutes later, the bullpen has been turned into a space of food, appreciation, and more cakes and cupcakes than you remember making.

“I thought you said a few freebies?” Aaron murmurs. “Did you leave anything in the bakery?”

“I hope so. Ryan Reynolds will be a little disappointed if I didn’t,” you respond lightly. “I think I’m done here. Thanks for your help, Aaron.”

“Of course- I’m sorry, Ryan Reynolds?”

“I shouldn’t have said that.”

Someone gasps, and a moment later, Officer Chen runs up to Aaron’s side and smiles as she says your name.

“I watched the Food Network special on your bakery,” she exclaims. “I’ve never been more excited to eat in my life.”

“I hope you enjoy it,” you reply. “Thank you for all you do.”

“You might want to get food now, Lucy. It looks like a lot but it won’t last forever,” Aaron suggests.

“Precisely my plan,” Wade agrees as he exits his office. “It looks great.”

Standing back, you watch officers come in, chat with one another, and get plates of food and treats.

“That’s a lot of cake,” someone says behind you.

“It’s like you’re trying to set up the joke, Tim,” you respond without turning.

His fingers dance across your back before he moves to stand beside you.

“Too much?” you ask.

“No. I for one appreciate it. I’m glad my getting shot at equals roughly that much cake.”

You lean sideways to hit Tim with your shoulder, and he smiles as he rights himself. He moves away from you when he sees several officers walking toward you with cake and cookies on their plates.

“This is by far the most delicious cake I’ve ever had,” one says. “My mother-in-law is throwing me and my husband an anniversary party and if I have this cake, I’ll actually go.”

“She’s booked through spring of 2027,” Tim interjects. “So, unless you want to get on the waiting list for a tenth anniversary cake, it’s not gonna happen. Tell Mrs. Evers you can’t make it.”

“2027?” the woman beside her muses. “Good for you.”

“Thank you,” you answer. “You all have much more important jobs than me, though. Maybe my assistant can fit you in, so you don’t have to miss your own party.”

“See, Timothy? That’s what being nice gets you,” Angela taunts.

“Well, he’s actually the reason I even brought that cake,” you point out.

Angela cocks her head slightly, her fork halfway between her plate and her mouth as she looks from Tim back to you. The woman beside her, who you assume is Nyla Harper based on Tim’s detailed stories, watches you with similar interest.

“It’s not even my favourite,” Tim grumbles.

“Don’t start with me, Bradford.”

“You made me taste test a bunch of stuff last weekend and I told you it’s good but not Malibu Rum cake good. There is no Malibu Rum cake.”

“Tim, she brought way more than we expected,” Lucy says as she joins your small circle. “Be nice.”

Tim sees your smile and rolls his eyes. Kasey walks by, on the phone with assumably another agent, and passes you three small boxes.

“For you,” you tell Tim. “Though I’m not sure you deserve it now.”

He sees your writing on the corner above the clear plastic top, Malibu Rum <3, and tugs your belt loop to reach a plastic fork on the table behind you.

“Officer Chen, this is for you,” you say, passing her a box. “And this one is for Aaron, who-“

“I’m here. Don’t give it away,” Aaron says, seeming to appear out of nowhere to take the box of his favourite cake with a new cookie.

“Maybe I should get on your waiting list,” Angela muses as she finishes her slice of cake.

“You can jump the line,” you promise.

“What do I do to get Bradford’s taste testing position?” Nyla inquires. “Because if everything you make is a quarter as good as that Pumpkin Maple Biscotti cupcake was, I’ll do anything.”

“I think that privilege is limited to marriage,” you explain with a frown. “But next time I make an entire test batch, I’ll bring some by.”

Sergeant Grey stops behind the three silent women standing before you. They watch you, ignoring Tim as he enjoys his cake.

“So…” Angela begins before shaking her head.

“You bake for celebrities, and you’re married to Tim Bradford?” Lucy inquires.

“You turned down my proposals for him?” Aaron interjects, his brows furrowed together as he returns with a croissant sandwich (after his cake, you notice and make a mental note to tell his mom to watch his reaction).

“One, you proposed just because you like the way a caramel apple souffle tasted, and two, I was already married to Tim,” you reply. “Which seems to be very surprising for some reason.”

“Why didn’t you tell me when I said I wanted to hire her for this?” Wade asks Tim.

Tim shrugs and says, “I didn’t think she’d work you in regardless. Kasey and I told her to charge double.”

“Hypothetically,” Nyla begins, “if I invite you over for dinner and ask for your help, would you cook like this?”

“She wouldn’t help,” Tim answers. You elbow him gently and say, “Of course. It’s the only way I can cook, I think. I prefer baking though.”

“I have so many questions,” Angela murmurs.

“Me too,” Lucy agrees. “Like where’s the farthest place someone has come from to eat at your bakery? Are you allowed to say names?”

“Most of the time I can, after they’ve left, of course. And I think Chris Hemsworth coming from Australia was the farthest.”

“I can’t believe we didn’t know Tim was married,” Nyla points out.

“Yeah, yeah, you can ask questions later,” Tim interrupts.

“We can?” Lucy asks excitedly.

“You can ask, didn’t say I’d answer.”

Tim takes your hand and pulls you away from them, but you wave over your shoulder and thank them once more before you’re in the privacy of a hallway.

“I could fit Angela in,” you tell him.

“Don’t really care,” he admits – honest and blunt as ever – before he kisses you.

“You taste like cake,” you whisper as you pull back.

“What time will you be home tonight?”

“Probably before you. I’ve got an appointment at three and then I’m done. You?”

“Around six. I’ll bring dinner?”

“You’ve got a deal, Mr. Bradford.”

“And you want me to give Angela and Lucy your number,” he guesses, squeezing your waist playfully.

“Smart and handsome! Yes, please, oh and Nyla and Wade. I need to make sure his wife gets to come in, apparently she’s been trying.”

“Isn’t this Kasey’s job?”

“Kasey is mad that I didn’t tell her I was married, and you have to see them all the time. Be nice and help me out and I’ll bring more of the rum cake home.”

Tim kisses you once more before you leave the station to prepare for your next celebrity visit. His subsequent interrogation at the station makes him more eager to get home to you. When he finally walks in with your favourite takeout, welcomed by the smell of brown sugar and butter, Tim knows he’s home.