#Amnesia: Justine spoilers

[strawberrywindow]

amnesia protags and their various crimes against humanity

🎵one of these things is not like the other🎵

[ardenrosegarden]

All 5 Amnesia games but poorly explained

[tmpttion]

i feel like a truck ran over me

[obscure-horror-game-protagonist]

OBSCURE HORROR GAME PROTAGONIST BRACKET

Welcome to the Obscure Horror Game Protagonist Bracket, where the "obscure" in the name is modifying the word "protagonist" and not the word "game".

We believe we have, after a decent amount of deliberation, come up with a wide range of characters, ranging from "Just Normal Guys" to "Insane Torture Murderers" to "an apple", some from games that are fairly obscure themselves and some from games that are actually pretty well known, but we believe all these somewhat arbitrarily chosen characters have one thing in common: If you referred to them by name while talking to any given random person, we've determined there's at least a 60-70% chance they won't know who you're talking about. And they're horror game protagonists. More or less. They all have two things in common. Kind of.

Due to the nature of the premise, it is likely that there will be some situations where you may not have any idea who these people are. To compensate for this, descriptions of the characters including any notable traits will be included with each poll. There's no shame in deciding which one you like better on the spot if it comes down to that.

Additionally, we would like you to please be wary that due to the nature of this being about horror game characters, sensitive subject matter will be mentioned in the descriptions of many of the characters, as it's often unavoidable. Similarly, there will be spoilers for the storylines of the games brought up here, if that matters to you.

But without further ado...

OUR ROUND 1 MATCH-UPS:

Cynte (Endoparasitic) vs. Blake Langermann (Outlast 2)

Ellis Lynch (Blair Witch) vs. Murphy Pendleton (Silent Hill: Downpour)

Michael Tapp (Saw 2: Flesh and Blood (Xbox 360)) vs. Daniel Lamb (Manhunt 2)

Benjamin Oliver Walker (SCP: Containment Breach) vs. Andy the Apple (Andy's Apple Farm)

Foxtrot Unit 1 Commander Sanders (SCP: Nine-Tailed Fox) vs. Eriko Christy (Illbleed)

Clancy Jarvis (Resident Evil 7: Banned Footage) vs. Simon Jarrett (SOMA)

Justine Florbelle (Amnesia: Justine) vs. Thomas Smith (Neverending Nightmares)

David Hoover (The Crooked Man) vs. Arthur Hastings (We Happy Few)

Round one will begin on May 1st, 2023.

[someawesomeamvs]

Warning: Profane language, spoilers

Title: Stay

Editor: Evil Dexter

Song: STAY

Artists: The Kid LAROI, Justin Bieber

Anime: 5 Centimeters per Second (film), Seirei Gensouki, Chuunibyou demo koi ga Shitai!, Cross Road, Eden* (game), Fuuka, Fruits Basket (2019), Granblue Fantasy: The Animation, Hello World (film), Horimiya, Hyouka, "Josee, the Tiger and the Fish" (film), Kimi no na wa (film), Koe no Katachi (film), Komi Can't Communicate, Kyoukai no Kanata, Nisekoi, Noragami, Psychic School Wars (film), Saenai Heroine no Sodatekata, Tada-kun wa Koi wo Shinai, Tasogare Otome X Amnesia, The Place Promised in Our Early Days, Tokyo Revengers, Violet Evergarden, Weathering with You (film), White Album 2

Category: Romance

[sebeth]

All-Star Squadron #9 (Revised 1/21/24)

All-Star Squadron #9 by Roy Thomas, Adrian Gonzales, and Jerry Ordway.

Warning, Spoilers Ahead…

“Should Old Acquaintance Be Destroyed…”

Liberty Belle, Johnny Quick, Hawkgirl, Commander Steel, Atom, Robotman, Firebrand, and the Shining Knight share a New Year’s Eve toast with FDR and Winston Churchill.

Sir Justin toasts Churchill: “I would salute Winston Churchill – the Prime Minister of a beleaguered and embattled Britain.  Aye, verily, from my liege King Arthur’s day to this, there be no man more worthy of knighthood, and of merrie England’s gratitude.  In sooth, sir, you are Britain – in this which you yourself named its finest hour!”

I forgot to mention it last issue but Sir Justin had a last name created for him. He is known as Justin Arthur in the modern time.

FDR has arranged for Hawkgirl to receive a phone call from Hawkman at midnight.

Firebrand’s brother, Rod, still hasn’t recovered enough to be sent stateside from Pearl Harbor.

The Atom, as Private Al Pratt, will return to his tank corps training in Virginia.

The All-Stars ask Steel to continue his story – what happened after he and two British commandos landed behind Nazi lined in Poland. The first part of his origin story was in All-Star Squadron #8 which I recapped in an earlier post.

Steel relates Antoni, Ludeck, and he landed near Konigsberg in East Prussia. The trio are soon ambushed by German forces, led by “Ein Schlachter”, the Butcher.  Steel’s comrades are killed and he is captured.

Steel, stripped of his costume, awakens in a concentration camp.  Steel speaks to a few of the camp’s prisoners and attempts to escape but is quickly re-captured.  Steel’s antics capture the camp scientists’ attention and they discover his enhancements.

The scientist recalls a medical conference in Munich where Gilbert Giles (Steel’s creator) discussed the possibility of the enhancements. One of Steel’s captors refer to him as an “uber-soldat” which translates to super-soldier. A nice reference since the creators of Steel intended for the character to be an homage to Captain America’s World War II adventures.

Steel makes yet another escape attempt and once again fails. A prisoner grabs a bottle of acid and throws it at the Butcher causing a massive facial disfigurement. Steel falls into unconsciousness.

Steel finishes his tale by informing the All-Stars that’s the last moment he remembers.  He has no idea how he ended up in Ottawa in time to save Winston Churchill.

Elsewhere in Washington D.C., Baron Blitzkrieg gloats about his upcoming victory. The Baron reveals he was “the Butcher”.  The German doctors were able to save his eyesight after the acid attack but his face was beyond repair.  He was used as a guinea pig and the experiments allowed him to “siphon off the mind’s vast energies – giving him full control, for brief periods, of his body’s resources…he could be super-strong or amazingly swift…even soar like a bird!”

The Baron reveals he created Steel’s amnesia and installed an order to assassinate Churchill when he hears the words “now begins the age of chaos”.  The Baron sent Steel to Ottawa to stop “the Black Assassin” and gain the confidence of the All-Stars, FDR, and Churchill.  Kung, however, was a wild card.

Midnight strikes and Hawkman and Hawkgirl are chatting on the phone.  Hawkman is stationed near San Francisco.

The Hawks’ call is interrupted by an individual asking for Steel.  Steel answers the phone.  FDR wonders how anyone would even know Steel was at the White House.  An immediately suspicious Liberty Belle orders Johnny Quick to remove FDR and Churchill from the room.  FDR agrees: “I’ve found Liberty Belle’s instincts to be almost flawless.”

Steel pursues the fleeing Johnny Quick, FDR, and Churchill.

“Good Gravy” – I love the old-fashioned comic book expressions.

Steel locks the doors behind him but it takes the Shining Knight and Robotman a whopping one second to destroy the doors.

The remaining All-Stars catch up with the brawling Steel and Johnny Quick. Johnny’s faster but Steel hits harder – the advantage of having steel-lined bones.

Firebrand surrounds FDR and Churchill in a ring of fire to prevent Steel from reaching the leaders.

The Shining Knight cautions his teammates: “No – wait, all! Truly, he is enchanted somehow! We must needs find the key that will release him from the spell!”

Sir Justin continues to be my favorite All-Star – observant, compassionate, a true knight.

Robotman confronts Steel in a “Man of Steel” fight.  Unfortunately, Superman doesn’t drop in to make it a three-way fight for the title.

Firebrand throws a ball of fire at Steel’s face causing Baron Blitzkrieg to recoil in emotional trauma and destroying the psychic link to Steel.

Steel, dazed and confused, has no idea what’s going on.

Robotman offers to check out Steel’s infrastructure for any surprises.

Johnny Quick and Liberty Belle, along with the Shining Knight and Firebrand, share their first kiss.

Baron Blitzkrieg, big bad Nazi villain, whimpers for Zwerg, his faithful sidekick: “Zwerg…Zwerg! Help me, Zwerg…don’t leave me…it’s…so dark in here…can’t see!  Please – turn on the lights! Promise me, Zwerg…promise me I will see again!”

Zwerg assures the Baron: “I promise, Herr Baron.  You shall see again – and on that day, we’ll strike like lightning in the night, you and I, and smash the Allies, and their hated All-Star Squadron, for all time!”

Sorry, Baron, I can’t muster any sympathy for you – not only are you a Nazi, but you were also in charge of a concentration camp. I hope Firebrand throws a fireball at your face every time she encounters you!

[redstaratmorning]

Amnesia: The Dark Descent - Astarion

Ahoy there me hearties! It is time to embark on yet another long voyage into the seas of discovery and character exploration, to fill in the details of the blank map with speculation and musings alongside the occasional sea serpent drawing! Tonight we are once more focused on Astarion from Baldur’s Gate 3, and we set sail with navigation logs that include Scents And Sensibilities, or more specifically how both taste and smell might impact Astarion as a vampire and his perception of the world. The second major topic of speculation would be the one that gave this post its title: amnesia possibilities with speculations on the influence of torture and starvation for induced memory loss. This is of course all speculation based on early access content, so beware of spoilers upon the horizon! Content warnings include discussion of food items, consumption of food, consumption of rotting food, graphic descriptions, maggots, insects, emetophobia, vampirism, blood, dark backstories, abuse, torture, horror, and other themes typical of the Baldur’s Gate 3 setting. Spoilers for both Baldur’s Gate 3 and some spoilers for Amnesia: The Dark Descent and Amnesia: Justine included. Google story details of the Amnesia series at your own risk, these tags are intended to be reflective solely of mentioned elements in this essay, not of all potentially disturbing content in those games.

So with the starting fact of how closely the senses of taste and smell are in real life, what does this mean for Astarion and other vampires in DND when it comes to how things smell versus how they taste? Referencing another of Pjenn’s fine posts regarding everyone’s favorite local vampire spawn, Astarion has a line regarding consuming a treacle tart from Auntie Ethel’s cottage: “Hell’s teeth! Was solid food always so foul?” [click here for a link to said post]  Now this could just be because Auntie Ethel is a hag and cooks horrible food, and according to tumblr there are poisonous apples to be found at her place as well. [Alas no post citation to confirm the poisonous apples.] If Astarion’s reaction isn’t due to Ethel being a terrible cook, and is more to do with the fact that he’s a vampire, then that’s a horse of a different color. Presumably, through speculation based on his surprise and lack of disgust prior to consumption of foodstuffs, standard humanoid foods likely still smell or at least smell similar to how they used to smell to him when he was alive. An apple still smells like an apple, as it were. It may just be that instead of Astarion feeling hunger at the smell of an apple, it might be more akin to smelling pleasant like apple-scented perfume or such though for him...curiously, that would suggest that he did not try or more likely could not try to eat anything of the sort under Cazador’s rule. On that note, it would be a certain flavor of tragedy for regular humanoid foods to still smell appetizing and edible to Astarion but taste like ash in his mouth, or worse. But how does food fit for vampires smell to Astarion? Namely, blood, of course. Though one might wonder at rare steak or other cuts of meat still bloody to the taste—could he eat beef tartare and enjoy it, for example? Sashimi or other raw seafood? That’s straying into headcanon territory though. Back on topic, in the one camp scene where everyone is feeling ill with the beginning sensations of ceremorphosis, he mentions “I can smell the blood in your mouth” on one dialogue branch. It could be that the two are standing awfully close together while discussing matters, and/or the MC’s bleeding a pretty significant amount and the scent is quite noticeable, or Astarion’s got a pretty keen sense of smell, or a combination of the above. It probably smells pretty good if it tastes as good as Astarion’s reactions and comments would strongly suggest, and if we’re going to go wild with fun fantastical interpretations, I’d put forth the idea of Astarion being able to smell the difference between different people’s (or animals’) blood at close range. If Larian puts the following datamined not-present-in-game-yet scene in, the former idea would tie in very nicely with how Astarion speculates on how the different companions’ blood might taste, from this datamined text post once again kindly provided by Pjenn. [click here for text post link, bottommost “tastingparty” section] Transcription of some of the possible lines in question (not in the game at time of writing, and possibly may not appear in the final game): “Take Gale, for example. He strikes me as someone whose blood is rich, refined like a well-aged brandy.” “Take Wyll, for example. A man of the people, very palatable, like a sweet cider.” Above lines chosen for their more descriptive wording, thus why the other party members (both current and future as of this time of writing) are not added in the above examples. Astarion is quite colorful in his descriptions of how he thinks some of the companions’ blood would taste, based off of their personalities. So what does everyone’s various MCs’ blood taste like? There could be delightful variety based on the details of the various MCs’ personalities and personal life histories, I’ve seen some explorations on the dash here and there which is delightful, and I’d shan’t say no to seeing more. It is a beautiful opportunity for character exploration regarding the MC, Astarion’s perception of them, the reality of who they are (and perhaps Astarion shifting said perception of them), and all around a great potential moment to have some fun writing descriptive prose if one is so inclined. One internet search later, I will say that it appears that reddit and other google search sources do seem to suggest that in real life the blood from various different species of animals looks and tastes different from one another, even without going into factors such as age and health’s impact on blood. If we as normal humans are able to tell the difference in that, it seems reasonable to think Astarion would be able to do that and more with supernatural augmentation as the basis for that line of thinking. What do people smell like to him? Different from one another one might suppose. Is that part of what informs his imaginings and wonderings about how their companions’ blood might taste? Individuals tend to smell unique to some degree, due to body chemistry among other factors. One would expect blood to be a factor in that, seeing as that’s how many hormones and such get sent about the circulatory system—which might mean Astarion (and our potential future weregnome companion) may have more of a time having to deal with the whole party foregoing soap for better or for worse, unless Gale or Shadowheart have a Summon/Conjure Soap spell, or perhaps the MC is a ranger who can find a soap plant. Not a great time to have a sensitive nose potentially, though foregoing soap and thus additional layered scents like floral infusions and such might be beneficial. One can only imagine hunting might turn out better for the entire party’s dinner-scrounging efforts by not alerting the local wildlife that there’s someone about who smells like a potpourri bowl...though that’s another idea, does Astarion volunteer to go hunting moreso for the party in order to be able to drain blood from the kills? One would bleed and gut a carcass anyway as part of the processing, so who would know if he drank it dry versus bled it out with a knife from a tree? Moving on though, imagine what it must’ve been like the first time after he rose up from being turned and he smelled another living person’s blood, only to feel his mouth suddenly start watering. Was he confused? Repulsed? Horrified? Startled, but accepting? There’s potential ripe for the picking to interpret that in any number of ways, including conflicted and complicated in multiple directions all at once, which his actions and emotional depictions might suggest so far in early access. Imagine the torment of being ravenous every night—and I am personally impressed that Astarion actually can keep his mental faculties and presentation together well enough to seduce someone given potential speculation of his physical state,—and knowing only a meager portion of the most putrid, rotting rat flesh awaited him back at Cazador’s mansion, while he had to interact and seduce with people who smelled just so good to his vampiric senses. Consider the added twist of the knife in Cazador’s torment of Astarion with the fact that one can consider saliva to be filtered blood—if one headcanons Astarion as actually being quite physical with his seduction up to and including kissing of any kind. Consider also, the fact that if Astarion has shared a kiss with one of the unfortunate victims-to-be, he might have more of an idea of what they might taste like but must also now sit and SMELL their fresh-spilled blood right from the vein, right there in front of him, and watch while Cazador enjoys his own supper, while being forced to down a disgusting rotting carcass under threat of punishment. [in-post content warning: Graphic description of rotting dead rat carcass, food, maggots, etc in the next paragraph] Did Astarion throw up the first several times? Cazador would’ve surely punished him for so “rudely” rejecting a dinner all set out especially for Astarion and everything. To get to the point where one can consume let alone look at and smell a plate of rotting food,—specifically a dead rat with the fur still attached, the guts bloating up and putrifying from within, that very well might have live, wriggling maggots in it,—and not vomit? It must be one hell of a potent cocktail mix between primal hunger-driven desperation and fear of punishment applied over a prolonged period of time for Astarion to actually be able to consume that, let alone look upon it. This essay by the by will not be doing any in-depth exploration of the overarching situation relating to the victims’ point of view, as I feel that’s been implied in previous meta posts by both myself and others on Astarion, in the “Clearly The Other Victims Have It Bad Too And No One Deserves To Suffer Cazador” thread of implications.  We are however acknowledging that all of this experience for everyone else, aside from Cazador, is Fucked Up And Very Very Bad. Continuing past acknowledgements of the large moral cluster of ideas over yonder, let us move forward into the “present” time when Astarion has joined the party, and no one is as of yet aware that he is a vampire. Consider the scenario where he can smell their individual scents, but it’s nothing he hasn’t handled before, even if he seems to be...curiously free of the immediate need to get back to Cazador right away, while still wrapping his head around this bizarre new reality of walking in the sun. The inescapable reality of how different everything looks bathed in the all encompassing colors of sunlight, compared to moonlight and lantern light. Be it the blinding yellow, white, and blue of the noon time sun, or the violent golds, oranges, reds clashing against the violently deep blue shadows of night’s approach during the fall of twilight, or the brilliant and mellow pale grandeur of all the world’s color coming to life as the dawn breaks forth...it has been so long since last he saw any of that. Do you think he sat up specifically to watch that first dawn, while the other companions slept? It’s a beautiful thought. But I would follow that with the unfortunate potential consideration that he is starving—and when hunger eats away at one’s mind for long enough and in a demanding enough fashion, it can be remarkably difficult for a person to feel much of anything save very faint echoes of emotions or on the other extreme end only the strongest emotions, and more often than not those emotions are very likely to be the negative ones. Just about nobody’s happy when they’re starving after all. Astarion may very well feel awe at seeing the dawn again, but how deep does that feeling go, when instinct is screaming and gnawing at his very bones to insist that he is hungry? Famished. Starving. Appreciation for beauty is a privilege that is hard to enjoy at all in any degree of depth when the basic needs are wailing inside one’s head so loudly.  And he can smell his companions’ blood, even when they’re not bleeding. He has also smelled their blood spill out into the open air too, during fighting. How does that eat at him, how does that sharpen his appetite so? Does it make his stomach twist in pain to smell what his senses are clamoring for and labeling as food so close, so near, as he slowly loses his mind waiting all day for the party to break camp so he can try to slip away and hunt? Does he catch anything? He does find some animals canonically in some encounters, but there is no guarantee he will find enough without expending strenuous effort, assuming he finds anything at all on a given night. And his luck does run out eventually it would seem. One night he just doesn’t have any reserves left in him to go hunt down another animal, to take another gamble that’s stacked even higher against him with how badly off he is. Does he feel an uncomfortable chill set in, cooling his blood and rendering his flesh even colder than his normally low body temperature standards as his undead form slips just a little bit closer to a semblance of true death, whether or not he can starve to death as a vampire? Do his hands shake? Can he think at all as thoughts fade in and out from hunger-induced weakness? Can he think through the haze of sensation and awareness if he breathes in through his nose, his open mouth, inhaling a lungful of the smell and taste of living blood right there? The smells that he’s grown familiar with over these last few days? The companion origin for Astarion definitely seems to spin it towards needing to know if he can resist Cazador’s orders now, but consider this thought: imagine the progression of realization that Astarion might have as he considers the idea that he could resist Cazador’s rules, with the lack of magical-compulsion to return to Cazador’s side right away. That if Astarion himself is no longer bound by those supernatural, unyielding, magically-enforced laws, he can also drink the blood of thinking creatures. He can drink the blood of people. He can drink the blood that he’s been smelling the enticing scents of this entire time. The blood that is right. There. And he is starving. Imagine how that must feel, that pupil-dilating moment of realization as muscles tense and the next breath comes in as a sharp inhale at the instantaneous, primal understanding that you can have food, real food, good food, right then and there when you feel like you’re dying for something, anything to stop the hunger from eating you alive from the inside out. And all you have to do, is take it. Humans in real life can potentially have very predatory responses to hunger at times, especially when it comes to hunting down prey animals, and when it comes to spotting an easy meal when one is working on empty reserves. Imagine how that can scale up for a vampire...and for Astarion, this is the first time he’s been free to actually choose to act on those instincts. Cazador’s rules have always been the backbone holding him in place as surely as the mindflayer prison pods kept everyone well and truly trapped—until our merry lot was broken free. Now though? The only thing standing between Astarion and his sleeping, delicious-smelling companions’ blood, is his own will and choice. That has to be equal parts exhilarating and terrifying. He’s never been free like this—free, with vampiric needs clamouring for his attention. Free, as a vampire, spawn or otherwise. But does he want to? I would actually suspect he feels conflicted about that on multiple levels, given a possible line Auntie Ethel might say should you fight her. ”You’re one thirsty night away from betraying everyone!” [One of Auntie Ethel’s taunts when using Vicious Mockery during her potential fight, linked here in astarions-ears’s post.] On the one hand: the power to take what he wants, what he needs, is at his fingertips. Much like how the power of the tadpole is. It could help him protect himself, be stronger, do whatever he wants...just like the tadpole power. This whole situation is a mess of temptation in the long term for Astarion in so many ways. On the other hand though...I suspect based on that line from Ethel above, assuming it makes it into the final version of the game, given that it’s used during a casting of Vicious Mockery, I would say there’s fair grounds to assume Astarion does have at least reservations about betraying the party, at the very least with the hesitation given rise from self-serving desires such as wanting to have a group of people in his corner. I would say though, it wouldn’t cut so deep, and wouldn’t be so vicious a mockery, if he didn’t care that it was betrayal. I think it safe to say that if he truly didn’t care in some shape or form, Ethel would’ve ended up mocking some other aspect of Astarion’s personality or insecurities, likely something along the lines that everything he does is futile as he will still end up killed or enslaved by either Cazador or others (such as the party and MC having so much sway over his life and choices), rather than needling him about betrayal of all things.  Another reservation he might have from lack of experience is that he’s never hunted other people for his own food before. He might never have hunted for someone personally of his own free will before this point, either. That little nuance could be a hook on which he hangs onto for dear life—or unlife—in order to keep what remains of his perceived identity. Who does he want to be, and among those details, what must he be, in order to survive? What can he avoid doing? Does he want to be what he perceives as a monster? Is he hoping not to become a monster, to validate that he isn’t one already, based on his conversation after you catch him trying to steal some of the MC’s blood? “I’m not some monster!” There’s also the line from the post-Raphael first meeting, “If I keep the tadpole, I risk turning into a monster.” which all seem to imply that Astarion draws a line between what he thinks is and isn’t monstrous, much like in the first meeting with Astarion where if you tell him about the tadpole, he laughs bitterly and goes, “Of course it’ll turn me into a monster.” Isn’t that an interesting turn of phrase? It implies so much fertile ground for speculating on what he thinks of both his own vampirism, and what precisely makes someone or something a monster. The MC has come into Astarion’s life at such a fascinatingly crucial point in time, beyond just Astarion’s sudden new freedom, however fragile, from Cazador. Because of that freedom, this is also the time of exploration and self-definition for Astarion to decide who he is, and who he will be, a coming-of-age if you will, which is hysterically ironic and well-played by Larian Studios in my opinion given that he is almost assuredly going to be the chronologically oldest member of the main party. This dovetails so very neatly into the MC’s already obvious potential influence on how Astarion views his condition, other people, the world around him, his own self and morality...it’s really just so rife with potential. This particular part is nothing too new, just added detail and layering on top of previous musings in past posts, but there are elements of interest to examine I think. Personally, I was inclined to guess Astarion as being older, even as elves go, based largely on the fine lines one can see upon his face when he’s emoting, some elements of his attitude and dialogue—(“A fine effort, but I’ve seen it all. I was walking this land while your ancestors were learning to crawl.” - said if you fail a skill check during his recruitment scuffle)—but looking at some of these other elements has me reconsidering that. Perhaps he was more on the young adult side of the elven age range, rather than middle aged prior to being turned? If he can retain scars as a vampire under the living conditions Cazador subjected him to, perhaps he also has stress-related aging tells, since it seems from other DND materials (Curse of Strahd I believe has a vampire locked in a basement that’s largely starved of blood if I recall correctly? I am uncertain of the details regarding the situation unfortunately) that vampires can at least show physical deterioration when it comes to being starved for blood. It would be an entertaining take in my personal opinion to see an older character having a coming-of-age growth type arc, since those are almost always strongly associated with a relatively narrow range of ages from teenaged-to-middle-twenties-ish protagonists and characters. Whichever way Larian goes with it though, it is looking quite promising just based on the overall quality of the various game elements so far. To build on that possible theme interpretation though, there is another element that I think ties into Astarion’s uncertain age as well—how much he remembers of his life before Cazador, and how much life there was to remember to begin with. One might generally presume that the older a character is, the more time they’ve had and thus more opportunity to learn, to be exposed to life experiences, to garner wisdom. Often, this also tends towards a certain amount of cementing of a person’s outlook, personality, and other core traits along with potential varying levels of self-awareness regarding those elements. It goes without saying that people do still change sometimes dramatically other times gradually over the course of their lives, but typically the more easily-influenced vibes commonly go with younger and/or more naive character builds, though not always of course. Without addressing significant or otherwise notable exceptions, specific nuances or variations though, there is something of a vague expectation and template starting-base that older characters and personalities are typically more “put together”, “collected”, and less likely to be outright mutable. Astarion though? As a character in an RPG that is built upon the foundations of choices, in a DND world where choice IS the defining feature in both character expression and storytelling? His core will remain as himself I’m sure, but by the very nature of the game attempting to make this an enjoyable experience for the audience, odds are very good that Astarion will be heavily influenced in his outlook into a set number of branched endings based on what the MC chooses to say and do. But I have some potential suspicions now that Astarion might actually be a touch more malleable in some parts of his outlook and manner beyond the influence of just the aforementioned elements above. Consider the following lines Astarion currently has in Early Access, including one mentioned previously: “Hell’s teeth! Was solid food always so foul?” [Said in the previously posted link above when eating a treacle tart for presumably the first time, stolen from Auntie Ethel’s before illusion is lifted.] “I’ve seen so little of the world. Still, there’s time now.” [Looking at a globe, post linked here, from Pjenn’s blog] “I haven’t spent much time with helpless old ladies. Was that normal?” [If you kill Mayrina’s brothers and Auntie Ethel disappears into thin air. Video from Danaduchy on youtube linked here] “Probably wise. No one gets that old and crooked playing by the rules.” [Same conversation as above mentioned in the video regarding Auntie Ethel if the second option “I’m not sure. We should watch ourselves around her.” is chosen in response to Astarion’s question.] While one could certainly retain youthful or what one might call immature or dramatic inclinations even through to one’s golden years, I am on the fence on how far Astarion’s presentation is strictly personality-based versus influenced by a possible lack of diverse life experiences. Nature versus nurture, as it were. The first of the above quotes seem to suggest he hasn’t done much traveling, and may have some wanderlust in him (potentially hinting at moon elf wanderlust leanings?), but then why wasn’t he out traveling? Why did he become a magistrate? There is much life to be lived in great depth and diversity when one stays in one place, true. But we really know so little about Astarion’s past before Cazador, all in all, and that intriguingly puts him back in step with most of the other companions at this point of backstory reveal, I’d say. If we include Cazador’s influence, I’d say we’ve seen quite a bit more of his story than most of the others because there’s a lot more visibility and immediately-threatening emotional tension in his story, even when compared to Gale’s, surprisingly, followed by Wyll’s, Shadowheart’s, and then Lae’zel’s as of what I personally have seen of their stories (my knowledge may be lacking, even as far as Early Access content goes.) To be fair though, Astarion is the one who thus far shows the most visible, dramatic expressions of fear and trauma regarding his backstory than all the rest, so that would be a major factor as to why it feels like we’ve seen more of his tale, among other factors. Regarding life experiences within a more geographically limited area though—that puts some of Astarion’s comments as even more markedly odd to me. Specifically those comments of his after Auntie Ethel poofs away into thin air, should the party slay Mayrina’s brothers for Ethel, “I haven’t spent much time with helpless old ladies.” Perhaps his specification is the helpless part, but even if he was spending time with powerful old ladies, who asks “is it normal for the elderly to disappear into thin air like that?” He must have met some older people, ladies included, as Baldur’s Gate is not a strictly elven city, according to the wiki its demographics are mostly human but widely diverse. [Link to wiki page here.] This is especially strange if he’s of a noble background and was ostensibly working with other government officials, one would expect a range of ages with plenty of older individuals present both in his work and social circles, even if only in passing. That’s just not adding up, especially if it’s a genuine question, which his expressions and tone of voice during his inquiry in addition to his responses afterwards to the MC’s various dialogue options all seem to suggest if not confirm. If that question was coming from a young character who hasn’t seen the world, one would assume they were just incredibly sheltered. What does it mean coming from Astarion? What’s even stranger is that Astarion is the one who baits the MC into a trap using a similar disception upon meeting—”Hurry, I’ve got one of those brain things cornered!” One would think Astarion would recognize a ruse like that as one of the oldest tricks in the book: pretend to be helpless to get someone else to do the dirty work for you. Such a trick often is pulled off well especially when the pretender is either a) pretty/handsome, b) innocent looking (young or otherwise), c) dressed in a uniform or clothes that have helpful connotations for snap judgements in one’s favor (e.g. wearing good-aligned clergy garments), d) helpless looking (young, old, specific subgroups depending on culture, disabled, etc), or has other elements to their advantage there. If Astarion doesn’t recognize that particular ruse, which he doesn’t seem to, that has additional implications going on for him. If he did recognize the ruse, one would expect his reaction to be much more in line with Shadowheart’s. If he recognized it and was hiding it, one would think he wouldn’t want to play stupid, if only for pride’s sake—for all that Astarion has done things that have unquestionably humbled him, his penchant for verbal wit and criticism (various insults aimed at the MC and others regarding their intellect/stupidity) and touchy ego makes playing stupid seem like a very emotionally taxing and potentially painful thing for him to do, and thus not worth the mental/emotional effort in what looks like a very low-stakes situation. He seems too impulsive and reactive to be planning out a long-term con of hiding his intelligence, he makes far too many quips to pull that off at this point. Assuming Astarion does indeed not recognize the ruse beforehand, some of the possible implications for that could speculate on his overall awareness of his techniques when it comes to deception and manipulation. He definitely can spot it on occasion based on a narrated internal monologue line presumably from his origin— *I gave her a hard look. Never play a player.* [Linked to the audio of this line here from scionsandsinners’s blog] That he spots it in the potential origin line above, but presumably not with Auntie Ethel, might suggest that his experience is likely limited to within certain restricted lanes of behavior, likely seduction were one to guess based on what we know of his backstory and some datamined emotional directions/descriptions for voice acting, along with speculation based on his in-game behavior and demeanor. That would potentially push him moreso towards appearing when being manipulative to be doing so out of either self-perceived need (e.g. defending personal interests, inquiring after information of interest, etc), learned response, social norms, and other short term motivations that are more situational than long-term planning. I admit I’m still personally not of the opinion he’s playing a long-term game, and is playing it by ear as he goes—both honestly and not-so-honestly, as mentioned in previous posts on the subject. [Mentioned past essay post of mine linked here] In regards to short-term machinations, I think they’re all largely emotion or survival driven, as far as we’ve seen. I would include the voice acting direction for the romance scene where it’s noted that this is a power game for Astarion and that he’s an old hand at seducing others. Specifically from the synopsis: “For Astarion, this is a game of power - one he’s played many times before in the taverns of Baldur’s Gate, trying to lure people back to his master. He’s an old hand at seduction, very self-assured at first, but the player might not go along with the script he expects them to follow.” [Link to Pjenn’s post here.] I’ve seen intriguing, angsty, and fun takes on what this might mean all around tumblr, so allow me to offer up an additional one that might either compliment some of the already circulating pre-existing ones, or stand on its own depending on personal preference. Consider what power means to Astarion in the context of seducing someone specifically when it’s to lure them back to Cazador’s mansion under orders. It truly isn’t power in the sense of anything one might consider meaningful even under broad definitions. It’s a short-term deception, appealing to someone enough to get them to do what he wants for a short time, likely just enough time to flirt and then bait them back to Cazador’s estate (we’ll be skipping over speculation of anything else Astarion and company might get up to between point A and point B in this essay for simplicity’s sake, though there is much to consider on how it might impact his behavior and outlook there.) One of the specific words of interest I would say is the use of “script” in there. I’m sure others can hear it too when they listen to his dialogue during the party romance scene, but it really does sound like he’s putting on a tried-and-true act that might come across as a little over the top in romantic-dramatic-flair. One potential inference that can be gleaned from this might be some of Astarion’s expectations regarding how people perceive him, and most specifically how people perceive him in a desirous way. I will admit, Astarion’s romance scene makes me laugh, I'm impressed he and the MC both can avoid laughing at his lines in-scene, no disrespect intended. To me, he sounds like he ripped those lines straight out of a torrid romance novel, the kind where women might have a momentary description of heaving, delicate bosoms barely constrained by their bodice laces, while the men have had their shirts ripped open to display rippling muscles in a moment of romantic daring do. It makes me wonder if someone will go with a modern AU idea of BG3′s main crew that includes Astarion moonlighting as a much beloved romance/erotica writer under a nom de plume—the man has lines and characteristics that would shift well in such a verse-transposition. With that comparison in mind, I would suggest that Astarion is very, very used to playing the role of the illicit lover, the tempter of passions and other archetypes wherein he is the one confidently enticing people to cross the line of propriety with him for the implied, unspoken promise of a night filled with unparalleled ravishment. It might be he is fully, intentionally playing up to people’s fantasies about the passionate lover who falls madly in love with them at first glance. The fantasy of being so madly desired, as put forth by some romance stories. Then we have this other portion of the acting direction for the scene, “... very self-assured at first, but the player might not go along with the script he expects them to follow.” Isn’t that interesting? “Very self-assured at first,” why only at first? What changes? Does he have little doubts springing to mind then, because the realization that he knew, but didn’t really know until this moment when he feels the difference, that this isn’t just another routine night like all those other countless nights over the past two centuries where he had to tempt some poor, unfortunate soul back to Cazador’s waiting clutches? That this is someone he’s picked to spend the night with, solely for his own motivations, with no one else pulling the strings? Is it another moment of the realization of freedom, wherein he feels a touch terrified? Suddenly there is no script, there is no expectation of what he’s seen happen time after time after time after time to each person who’s looked at him the way the MC is looking at him now. Is it anxiety? Is it trauma? Is he feeling a moment of distant, cognitive dissonance that this time, this time, this person whom he’s picked, won’t be dead at the end of this? That he doesn’t have to hold them at arm’s length with the they’ll be dead soon or worse mentality he may have had previously...but can he afford to care? Does he dare? Whether he does or does not, it could be such a scary little moment of epiphany, that he even has the option to do so without immediate, horrendous repercussions. But can he really care, even without Cazador looming overhead as an immediate threat? Even if Cazador is slightly more distant now...there’s still the matter of the tadpoles. There is so much uncertainty potentially. Could this be the last chance he gets at having as close to a normal night of fully consenting, fully aware, mutual passion with another person as he can ever have, as a vampire spawn? Astarion could be interpreted as a character who is very strongly ruled by his emotions, in particular his fears and his desires. Does it befit his fears or his wants more to engage as he does in the romance scene? I’d guess moreso his fears, but it’s a fun back-and-forth he’s got as a character, zigzagging between those two extremes. He fears trusting as denoted in the dialogue from him if you fail the persuasion check asking him to trust you and to talk about who he dreamed about, but since you can persuade him...does that mean he wants to trust? If he speaks truthfully in this following scene, he does trust the MC to some degree out of necessity and/or the want to trust, as mentioned if you use the illithid powers in the camp bite scene where he’s revealed to be a vampire. He has likely been alone among the crowd of Cazador’s other spawn, given the lack of mention of anyone else, friend or otherwise, in his banter with Shadowheart regarding if there was anyone waiting for him back in Baldur’s Gate and other general conversations and discussions. That’s rather concerning truth be told, to go two hundred years with what might be a complete lack of positive or healthy social connection. Another thing Cazador has ripped away intentionally, it would seem. Does he want connection, meaningful friendship or otherwise? The fact that his approval rating has an impact on his manner of address of the MC or other selected origin character seems like it could be read as a suggestion that he does show whom he likes and dislikes openly in fairly standard socializing behaviors. That he does want to spend time around people whom he likes, who like him back. What would’ve been terribly clever of Larian (said without being able to compare all the different levels of approval shown via dialogue general greetings from the different companions), is if they had a character whose greeting was still amicable, polite, and most importantly friendly even when their approval of you was low. What if such a theoretical character’s greetings never changed, or changed very little aside from some variation at higher approval levels? That could be a great little twist of game mechanics to show either Something Isn’t Right, or that the character is a great liar, through meta knowledge on the player’s part of comparing all these disparate little details to compare and contrast. That kind of tell could be used to show that a character lacks either a degree of empathy and care for the main character, or that they are keeping the MC at arms’ length regardless of what the MC does (barring some potential high-approval impact and side-quest-completion that leads to influencing such a character, who might otherwise be a betrayer, into remaining loyal.) Seeing as Astarion lacks those major tells as of yet and that he does engage honestly either through persuasion or eventual revelation (such as if you fail the first dream-convo persuasion check, you find out from when he wakes up from nightmares regarding Cazador “reading poetry” what his dreams really were about), one could assume he does, in spite of all he’s been through, despite all the reasons he’s been given to fear, all the repetition beaten into his head to never trust another person ever again or to ever be trusted ever again... ...in spite of all that, perhaps a part of him still wants to reach out and engage with others. That some part of him still wants to interact as most if not all people do, in an emotionally meaningful and honest way. He says to the MC that he thinks they want to be known—and as I’m sure many of you clever lot who are in the shipping business alongside the rest of us have already thought or written out into fic, it very well may be that Astarion wants to be known too. Not just in the romantic or impassioned-love-affair manner of speaking, but simply for who he is, with both the MC and the rest of the group too. Accepted. Does he enjoy the little quips and barbs (assuming he actually is allowed to drink humanoid blood) such as from Shadowheart regarding his vampirism? Does that feel like a new, pleasant normal to him that he likes after a while? A joke between friends? Like the line “You know? I’m a little proud none of you were stupid enough to trust him!” [Linked here from scionsandsinners’s blog] while definitely still sporting his current insultingly low bar of expectations, it could be a nice potential build towards actually getting attached to the group on the whole as friends. Did he have that before he turned at all? Did he want that before? It seems likely given what we’ve seen of his raw emotional drive, that his potential desire for meaningful connection however obscured behind quips and barbs, that those elements were always a part of him in some way, shape or form. Does he remember, though? Or is it potentially something he’s forgotten, to some extent or other? Does he remember vaguely what friendship was like as another hollow memory among many, after so many years of torment wearing away at his mind? Do his friends from life if any still live? That could be bittersweet, if he did leave someone behind from when he was alive, that we might meet in Baldur’s Gate. He calls that Before—that time when he was still alive, before he lay dying and accepted Cazador’s offer of eternal life and was thus turned into a vampire spawn—so long ago it’s ancient history. “Everything before that is so long ago it’s ancient history and everything that came after…well uhm–I’d rather not reflect on it.” [Link here, from scionsandsinners] In some lines, tentatively guessed as post-vampire-status-reveal casual dialogue regarding his past before Cazador, relating to his days as a magistrate, he says he can’t remember what happened too clearly. “I…can’t remember much, truth be told–centuries of torment will do that to you.” [link from scionsandsinners blog]  According to google searches on the internet for DND rules regarding the turning of vampires and vampire spawn, they do seem to retain the memories of their life even into undeath. Astarion certainly could be obfuscating and lying about how much he remembers from back then...but consider this alternative as a possibility: What if he isn’t? [Spoilers for some of the Amnesia game series ahead, specifically Amnesia: The Dark Descent, and the DLC Amnesia: Justine.] What if he does have a certain degree of memory loss? Enter the comparison of Daniel and Justine both from Amnesia: The Dark Descent and the game’s DLC. Astarion, unlike the main character for Amnesia’s main campaign Daniel, did not technically volunteer for memory loss...unless one counts agreeing to take Cazador’s deal as volunteering, specifically without full and knowing consent of what he was getting into. Daniel in comparison knowingly and willingly ingests a potion to erase his memories, and leaves a note to motivate himself and thus the player to follow the course of ensuing events that make up the game. Justine does so in a similar fashion to Daniel, but her memory loss is intentionally temporary, whereas Daniel seems to have meant for it to be of a more permanent fashion. What if part of Cazador’s intentions regarding torturing his spawn, including Astarion, was to break down memories of happier times until those spawn could only remember that they had ever been happy once, not the actual memory, not the actual feeling—only the bitter, hollow forgetfulness and knowledge that they had known, once? Starvation is devastating in many, many, many ways. Ways that are so rarely fully explored in fiction beyond the feeling of extreme hunger. Few, after all, would consider the impact of malnourishment or a constant caloric deficit upon mental faculties unless they have observed it, experienced it, or studied it. It is possible to suffer actual physical brain damage from starving, so one must ask is it so surprising that the ability to think, comprehend, and process information, memory or emotion also falters when under the very real physical stress of prolonged famine? The brain eats up at least a fifth of the baseline caloric intake required for the average person’s bodily needs. It does not compromise well for less without the person in question suffering consequences for most if not all individuals. We know Astarion has not had more than enough to barely survive under Cazador, and the quality has been well below subpar at best. What if, after all he’s been through, with the exhaustion of constant fear and extreme pain, of unending ravenous hunger, and so much more...what if Astarion can’t remember much of before at all? What if he has forgotten chunks of his past? He does remember large, broad brushstrokes yes, the shape of ideas and what he once knew. The home he might long to see that he has not laid eyes upon in centuries [mentioned in the conversation with the Ornate Mirror if Astarion is the one talking to it (or does it require he be the chosen main origin?) I have no source available at this current time alas.] How much of that home does he remember in full? I’m sure he can recall some details...but are they the abstract knowledge of those details of what he knew they were like, or the actual memory?  Can you imagine the added layer of pain for an elf, if Larian is working with any of the racial features involving trancing, or the Reverie, if it’s built based off of the 2e DND Complete Book of Elves excerpt as mentioned in the following linked thread? [Posted by Remathilis, key word phrase is “The Reverie” or “The reverie is akin to sleep”, linked here] Specifically if these elements are at play:  “The reverie is akin to sleep, yet is very much unlike it. When elves enter this state, they vividly relive past memories, those both pleasant and painful. Like the dreaming of humans, elves have no control over which memories rise to the fore when they relinquish their bodies to the reverie. Occasionally, elves do actually dream, but this is not a frequent occurrence and mostly occurs only when they truly sleep.” “Although the reverie provides rest, it is primarily an important memory tool that helps the elf maintain a strong sense of identity. Since their lifespans are so great, elves must periodically recall the events in those hundreds of years that were integral to the making of their personality.”  This is from older versions of DND rules it’s true, but if it still applies, and applies to Astarion? This man has had over two hundred years’ worth of memories full of suffering and torment that, if he’s having traumatic PTSD nightmare episodes also helping to induce a higher frequency of recalling his torment at the hands of Cazador both during those centuries and afterwards, are potentially shaping his personality not only through the channels we can recognize in both fiction and the real world in psychological and physiological terms, but also supernatural or magical influences due to his being an elf and potentially shaped by the influence of what memories his reverie might dredge up. And the larger the number of traumatic, dark, fearful memories he has, the more likely he is to encounter them, especially if they’re coupled with a constant, ongoing fear of knowing these memories will be made anew each night unto infinity if he is stuck bound to Cazador’s service forever. Who wants to bet Cazador knew about this aspect of elven psychology/biology? Or at the very least speculated it, as far as having elven vampire spawn went? It will be interesting to see if there are other elven vampire spawn among Cazador’s underlings—either for the route of Cazador taking a particular extra pleasure in breaking elves because they are supposedly harder to influence in such a manner if he had others before Astarion, or if Astarion was the first elf Cazador turned, then perhaps Astarion received particular, special attention for being seen as an added challenge due to being an elf. Alexander from Amnesia however had to use a slightly defter touch to manipulate Daniel, having not so concrete a hold over him as Cazador over Astarion. But the torture of others, of fleeing to Alexander’s or Cazador’s promise of safety from an impending horror or threat of death, followed by a descent into the dark, unyielding despair of what Daniel or Astarion have done to survive? They do have potential parallels enough to make for a possible AU exploration in fics, certainly. One question that arises in this scenario of comparison though, is how much is Astarion aware of? How much of Cazador’s insidious influence does he recognize, in particular the more subtle parts that have seeped in over the years? Consider then the added layer of stark, blinding contrast, that he now has new memories, of new people, new experiences, in particular ones that are not torture or the anticipation of said torture, and it’s all in the daylight. Memories of daylight the likes of which he’s not had in two hundred years. Consider the mere color contrast from the lighting difference of daylight versus night time, like in the line where he asks  “Was the sky always this blue? It’s magnificent…” [Link here to the audio, presumed triggered after vampire status reveal] If he dreams in reverie and the memory that comes to mind is set in the daytime...would he feel a bit safer in hoping that it will be a safer, better dream, than if it’s set in the night time? Consider how much of a horrible, terror-inducing surprise it might be to dream of a sun-filled garden, only to see an idealized version of Cazador show up, a la the tadpole. That has to be the meanest surprise-twist Astarion could have for a dream setting there. But on other nights if he does not have memories of Cazador or tadpole dreams plaguing him, does he dream of the camp, the companions, the MC, the actions their group has undertaken? What does he think of those dream-memories? Are they only relatively restful compared to the other dark memories lurking in his head, or are these new daylight-filled memories actually objectively restful for him? Perhaps one additional group of reasons he’s willing to join up with the party, is to get away from the memories. With people, there is the added unknown factor of complexity and chemistry, of lives and histories not his own added to the mix of any situation they come across. Of interaction. Of not being left alone to his own thoughts and nightmares. This group’s members aren’t victims meant for Cazador’s fangs and thirst, nor are they Cazador’s spawn, fellow damned souls and torturous devils both who alternate suffering upon the rack and potentially being the ones to turn the rack’s wheels for whoever is tied down upon it that night. Mayhaps Astarion wants to remember more of the things he’s forgotten in the darkness of all the years he’s suffered under Cazador—to make new memories of things he would associate with living, with being free. To fill in the hollowed out abstract memories with fresh, new details of life lived in the sun, in the here and now. Is he aware of just how much he’s forgotten? Even if he isn’t fully cognizant of the full tally of all that he’s potentially lost...it must still hurt to have an idea of how much he’s lost even if he’s only partially aware. In this, he might hold more comparison to Justine from Amnesia’s DLC moreso than Daniel, depending on what choices Astarion makes if he’s the chosen origin, or on the MC’s choices if it’s a custom origin playthrough—with Justine, her choices are all setup and intended to be an exploration of who she is as an exploration of character, to find out if she is capable of mercy and compassion still—while exercising a great deal of monstrous cruelty for her own amusement. With Daniel there is still the solid comparison of thematic elements in that his quest is a desperate pursuit of revenge while trying to outrun a great evil, all while acknowledging that he himself is horrifying as well. Justine’s story would parallel Astarion far more so on the dark path through Baldur’s Gate 3, naturally, whereas Daniel, if one selected the Revenge Ending at the end of Amnesia, has more in common with Astarion’s tentatively projected good route—revenge, while also ending a greater evil than himself. The parallel with Daniel may possibly even include a comparison to Amnesia’s Good Ending depending on what direction Larian takes Astarion’s story in. I doubt Larian would have Astarion become self-sacrificial, but I could see him potentially becoming much more inclined towards helping his friends and party members on a good-aligned path, as he seems at least not entirely unwilling to engage in do-goodery, particularly if bribed enough. There’s also certainly the idea of comparing Daniel being “tainted” as Alexander put it by the Shadow to Astarion’s potential point of view on his vampirism, given some of his expressions at times in emotional scenes relating to it. Then also the comparison of all the horrors Daniel has inflicted upon people, as have Justine and Astarion, and the fact that after the amnestic-influence of their specific story elements in this build, they are ultimately all able to be influenced towards better or worse endings dependent upon more immediate influences, namely the people surrounding them, and less so from long-standing influences of their past such as tradition, upbringing, and other core elements of identity that memory so often brings to the table, or at least helps formulate the detailing of. Justine admittedly does not really have “better” endings, but her horror story’s core could be interpreted as “was truly a monster at heart all along” from start to finish. Will Astarion prove to be similarly corrupt at his core, something that had always been true deep down regardless of Cazador’s influence on him, ultimately sowing harm and ruin upon the world and people around him, like Justine? Or will he turn out to be leaning towards being more of a good-inclined, flawed character with a bloodstained history he regrets and seeks to overcome, like Daniel? As a disclaimer though, Daniel is not a Good-aligned personality. He did many horrifying things to preserve his life, and Astarion certainly has done terrible things canonically under Cazador’s direction, though we still wait to see what Astarion did back when he was free to choose. With the attention to detail Larian Studios is applying as is to just what we’ve seen in Early Access, I would expect a fairly nuanced backstory for Astarion with murky morality, based on what we see of his opinions and character traits now. Another idea just to let loose an additional fox among the chickens: Consider the added layer of potential morality conflict in the scenario where Astarion might actually have very well been pursuing his idea of justice as a magistrate— coupled with his low opinions of others which he may have had before Cazador turned him, along with his racist/discriminatory comments and behaviors (re: Gur, Goblins, Gnomes, Kobolds, etc), likely suggests he could very well have been very biased in his perspective on how he meted out justice. I would not be surprised if Larian Studios kept the story idea that he was selling criminals off, but I also would not be at all shocked if they added details where it made what Astarion was dishing out closer to overly-harsh street-justice—he makes a fine murder-hobo adventurer as it is when the watchword of the day for many an adventuring party is “Murder Is An Acceptable Solution If Words Aren’t Working.” I also wouldn’t bat an eye should we find out he was as judgmental and cynical before Cazador as he is now, albeit perhaps with a different bend to his outlook from life experience influences. This all really ties in well with the usual game build of everyone starting at level one, as brand new, green adventurers—barring past adventuring experiences for backstory like Wyll, Lae’zel, and Shadowheart do or potentially have—at the start of their journey, off to explore the world and grow into the world-savers (or world-enders) they’re destined to be in a given campaign. Astarion fits this very well on many levels, among them given the fact how new everything is to him with this sudden change of the rules altering the very fabric of his existence. He has to deal with figuring out how to deal with his vampirism under his own agency and all the ensuing complications that come with that, has to figure out how to socially interact with others in all new ways, has to level up to go on his personal quest to save his own hide and eventually his friends’ and the world—it’s all so new and different, even the things he’s experienced before with such a drastic perspective shift and a change in power. It ties right back into his tagline so nicely too if that ends up being a possible theme of his, the whole memory-loss/memory-informing-his-identity element of being an elf: “ Astarion prowled the night as a vampire spawn for centuries, serving a sadistic master until he was snatched away. Now he can walk in the light, but can he leave his wicked past behind?” Can he leave those memories behind and forge himself into a better version of himself, if that is what he wants? What choices will Astarion make, if he does indeed have warped memories due to Cazador’s corroding influence to the point of some degree of memory loss? How will this flood of new sensory and social experiences change him as he goes forward? Who will Astarion choose to be, at the end of the day when they reach the road’s end? Will he let those dark memories twist and shape him, or will he try to make new ones among new friends, and follow their lead back into the sunlight? So many potential questions! Speaking of potential good-versus-bad-paths, this line isn’t in the game yet, but I feel it suggests Astarion might have a certain tolerance or perhaps even willingness to at least consider going out and saving the world, beyond lines we’re all familiar with already at the Tiefling celebration party: “Don’t you think we have other priorities right now? We need to save ourselves before we can save the world.” [Link here from Pjenn’s datamined post, dialogue theoretically occurs after a currently locked-off from Early Access encounter with a drow servant of the Absolute in the Underdark] It makes for a lot of intriguing possibilities, I dare say, all of which could make for marvelous variations in core character trait builds and influences for different interpretations of Astarion as a character. So many choices and gradients to play with, he and all the rest of the main cast have such nuance, it’s fantastic. The cast of characters all so far seem to have a wide variety of wants and motivations, and Larian seems like they might be quite determined to blur the line and inspire more rich exploration opportunities regarding perceived morality among many other potential topics of discussion—we have good characters with on-going flaws and darker motivations, evil characters with recurrent virtues and sympathetic appeal, and quite a few in-between when non-party-member NPCs are included in the mix. I do think Astarion along with all the rest of the party fit into those kinds of complicated-morality situations we’ve seen play out and be hinted at so very nicely, and it will be such fun to see how they grow through these experiences! It’s marvelous writing, directing, animation, acting, and just straight up work all across the board it looks like from over here. Anyway, thank you all for coming along on this literary ramble with me, I hope you had a fine time and that you all have a lovely day or night as befits your current timezone. Happy tidings to you, and stay safe everyone, and see you next time! :D

[omegangrins]

A Rant on the End of Tremors 7: Shrieker Island

As the main man said,

Throwing caution to the wind because this blew up elsewhere.

If you can do it with Justice League, fuck it, let's do it for every shitty movie we've got.

While we're at it, can we change the ending of the 7th Tremors movie so *MAJOR FUCKING SPOILERS* Burt Gummer doesn't die or at least bring Jamie Kennedy back, or Marvel style recast Jon Heder, so he dies saving his son instead of a random-ass person who could have easily saved themselves. Or cut the forced montage of Burt clips at the end so his death is at least ambiguous. Seriously beyond pissed about that one. THAT is no way for him to go.

I would also like to point out that the next Tremors *HAS* to be titled Tremors 8: Ouroboros and bring everyone back for Burt's funeral . Otherwise, what's the fucking point?

I have feelings about it, people. *FEELINGS!!!*

One of my favourite childhood memories is picking out Tremors 2 from the local gas station's movie rentals and forcing my parents to watch it. I was probably 5-6 at the time.

Let's say that it's been a lifelong love affair ever since. It took me another 10 years before I even watched the 1st. Probably why I hold good sequels in such high regard.

I didn't even know about the 1st until it played as a trailer in front of 2 and never thought to watch until years later. That's a testament to its filmmaking if I ever knew one.

So seriously, that's how they chose to kill off one of the most well known and prolific characters in a movie/TV series known around the globe? With an unnecessaryily needed death and a montage of clips from all the other movies that are obviously better than this one.

And I'm saying that as someone who defends Chibnall/13th Doctor...

...and I'm fucking fuming because THIS is how you *actually* destroy something people love and hold dear to their hearts. It's like the ending of Game of Thrones. His shitty ass death has made it a loooooot harder to rewatch. And they are one of my favourite series!!! Not flawless but fun. But I will defend every other movie and all the episodes except this. Honestly I'll still defend 7/8ths of this one as well.

Like I said, it's easily fixed too. Fucking vice versa swap out Jon Heder for Jamie Kennedy, who the movies have been building up for the last two, and have Burt save his son in front of his old flame. Boom, you won't even need the montage of clips cause you can just have Travis and his mom reminisce about Burt instead. Show not tell. I don't even care he died by Graboid (although in all honesty, I've allways wanted El Blanco to take him down or Burt kills himself from the PTSD. It would have AT LEAST MADE SENSE. Hell, the best would be a heart attack to callback Val's "Yeah, Burt, the way you worry, you're gonna have a heart attack before you get a chance to survive World War Three.". But none of us ever get the best death.). And it's not even about Burt sacrificing himself to save a nobody. Cause that could work too. BUT YOU NEED TO BUILD THAT SHIT UP. Not just fucking drop it like it's hot.

Like I said too, the first 7/8ths ain't bad but it's an entirely different story than a swansong for a hero.

It's all about some billionaire scientist/cowboy hunter dude who likes to get his jollies off hunting the biggest and the baddest who ends up inviting people to this island so they can hunt down Super-Graboids he designed for shits and giggles. But then some Shrieker-fy....

And the pretentious douches come and die one by beautiful one while Burt tries to save them anyway and it's all spectacularly dumb fun until it comes crashing down in the final 10 minutes. Fuck, they should just cut the last 10 minutes. Then it's a perfect little Tremors ditty.

#RELEASETHE7THTREMORSWITH10MINUTESFROMTHEENDCUT

This isn't even about Jon Heder either. He's just doing his job. Hell, do what /u/VoiceofRonHoward pointed out.

"It is clear that Jon's character was just pasted in over Jamie's, the artifacts of the father-son relationship are all over it. They should have gone full Marvel and just replaced Jamie with Jon and acted like nothing happened."

CAUSE FUCK YES!! The only time a story sucks is when they don't commit. Commitment makes all the difference. Now, I'm pissed double-pissed they didn't do that instead since Heder and Kennedy are similar in terms of white-boy-ness.

Even Michael Gross agrees:

"Yes, yes. Now I can't presume to speak for Jamie [Kennedy]. My understanding was they asked him and he said no. And so that's why they went with somebody else. So I had nothing to do with that decision. I just heard the stories. I missed him for that reason. You begin a relationship with the character, and you want to continue it....

...As you build a relationship with this son, we had two, it would've been nice to have three, but that was the hand I was dealt."

One of my favourite bits of Tremors lore comes from the 5th too so it's not like I hate sequel changes out of hand:

"This is a warrior dance. Our ancestors hunting the lnkanyamba and the Impundulu.

"What's that?

"Impundulu. It's what you call the Ass Blaster.

"Ass Blaster.

"Yes.

"Yes.

"Hey, you know, you make Ass Blaster sound good.

Primitive cultures fighting Graboids, Shriekers and Assblasters. I just love that thought.

Hilariously, my meta opening to the 8th movie would be a flashback to 10,000 years ago and a Neanderthal-like Burt Gummer teaching others how to drive Graboids off cliffs like they did with mammoths.

Thank you for giving me the space to rant. Cause fuuuuuuhhhhhhhhuuccck!!!

Here's Michael Gross' own words from his AMA that prove the people making Shrieker Island didn't know their shit.

"The Tremors series is one very close to my heart and I want you to know how appreciated your continued effort is for your core fan base.

My only question would be were there ever any studio decisions made for Burt that you refused to comply with? Or was everybody pretty much always on the same page on what to do with the character?

Thanks again for your dedication.

- Josh"

"Thanks for the kind words, Josh. As regards the first four films, with Wilson and Maddock as the writers, we were very much on the same page. 5,6, and 7 were a bit different, because there was a 13-year hiatus between 4 and 5, and we had to refresh our memories while "reinventing" the franchise for a new audience. I will give you one example: in an early draft of Shrieker Island, a new writer wrote a draft where Burt threatened to shoot one of the bad dudes, and I had to tell him—this is true—"Burt never intentionally points his gun at another human being."

And his own thoughts on Burt's "death" and how to bring it all back together again.

Universal and the director [came] to me with this idea, and they said, 'This could be emotionally very powerful, if we have to say goodbye to this man after 30 years. And I hemmed and hawed, and I thought about it a little bit. And I said, 'You're absolutely right about the emotional gut punch this can be.' And I said, 'You're going to hurt a lot of people's feelings.' And I said, 'But I thought this franchise was over after four. So I could certainly live with it being over after seven.'

"What we negotiated -- well, it wasn't really a negotiation, we all agreed on this -- is that we kind of left the door open. >!Because although Burt is gone, we never see a corpse. We never see his remains. Everybody assumes he's gone. Is he buried somewhere? Is he unconscious somewhere? We never see Burt dead. We see Burt gone. We see Burt not returning. What does that mean? Has he been knocked out? Does he have amnesia somewhere? Does he wander off? Is he in a kind of coma? So yes, the way it ends is pretty profound."

"As regards to the end of Tremors 7, let me just say that while people ASSUME Burt is gone, we never see his remains, do we? Just sayin.'

"The only reason he has become the main character is that everyone else in the original cast moved on to other things. I NEVER thought of him as the central figure, but it just worked out that Michael Gross, like Burt Gummer, was a "survivor." :0) "

"No one would like to see it more than I!!! One of my greatest regrets is that so many other cast members fell away over time. Reba was on to other things, Kevin said no to a second, Fred said no to a third. I would LOVE one last go with all of them, but it is not up to me. :0( "

"There are no guarantees, but for those who wonder aloud if this is the final film, I will say what I have said before: SALES drive sequels, Show biz is 5% show and 95% business, so if this latest addition to the Tremors franchise, sells well, [Universal] will follow the money, and Universal Pictures Home Entertainment may will be back for more."

/u/ActorMichaelGross, the bell has been rung and the song sung. Get the producers on this ASAP!!

I was also the first person to discover the symbolic foreshadowing of Stumpy's end with Earl's sleeping bag in the original movie.

Let's just say, I really *really* love these movies. So if anyone knows anyone, hook me up to the producers of this series and I'll Justin Lin in the Fast and Furious out of this shit.

Since I don't think it's good to critique without proposing either, I say we can make up for this fuck up with the next movie. We'll call it Tremors 8: Ouroboros. After the snake which eats its own tail.

We find out Burt faked his death to get the Proudfoot Corporation to let down their guard and when everyone from the previous series comes back for Burt's fake funeral they give him ever loving shit for being such a paranoid whack-job that he would fake his death to fool a government agency. Why would he do this? He found an old photo of Hiram Gummer with a Graboid warning on the back and asks himself why this valley, why these things, why allways me? And we find out, it's not Burt. It's that lifestyles of extremes will end up in places of extremes. Burt and the Graboids are survivors of different species. Sure the Proudfoot Corporation IS using Mixmaster to combine Graboids, Shriekers, and Ass-Blasters into one super creature for the military but it pales in comparison to Burt looking at his life and wondering in shame how many ancient giants like himself he has killed. And with that, he actually dies, and we keep the ball rolling with the rest of the characters trying to stop what they allways thought was just another one of Burt's crazy conspiracies.

That's why it's Ouroboros. Everything comes back around. We could end/start the movie with Grady, Earl, and Jodi opening a Monster World in Perfection Valley a la Desert Jack's Graboid Adventure. I don't know. I'm fucking trying harder than the people they paid to do this already.

It ain't perfect but I'm building on sand here so changes are gonna get made.

Like if the makers of Tremors notice this,

Then DM me because fucking A you guys need some help.

[screamingaboutaceattorney]

Investigations 2 Cases Ranked

camcom pls localize

DISCLAIMER: Spoilers ahead! This is also all my own opinion (and subject to change), so please don’t take this as fact or whatever. Also, there are very few cases that I actively dislike, since most of them are extremely good in my opinion. Enjoy!

#5: Turnabout Target

I love all of the cases in this game, and I feel bad about putting it this low, but it had to be done. Disaster Steel Samurai fan Miles is always wonderful, and Shelly de Killer’s return was a great surprise that I really enjoyed. Nicole Swift is a fun character, and Ethan Rooke was an interesting culprit, too. Turnabout Target is a perfect introduction to the wackiness of this game, and I really enjoyed it!

#4: The Imprisoned Turnabout

*deep breath* SEBBIE SEBBIE SEBBIE SEBBIE SEBBIE SEBBIE SEBBIE

Jokes aside, The Imprisoned Turnabout is a really fun case! It brought back a few interesting characters, and introduced a buttload of new ones, all of whom I love. There’s Raymond Shields, Justine Courtney, Sirhan Dogen, Simon Keyes, and of course, my son Sebastian. Bonus points for only bringing back valid members of the Berry Big Circus, Regina and Money.

#3: The Inherited Turnabout

*slams fists on table* GREGWORTH GREGWORTH GREGWORTH

I just love the characters in this game, okay? Seeing Gregory’s last case and devotion to his son was equal parts adorable and heartbreaking, and young Ray was an incredibly fun assistant. Jeff Masters and Kate Hall are both incredible characters, and while Dane Gustavia sucks ass as a character, it was incredibly satisfying taking him down. Also, the scene at the end where Ray talks to Greg BREAKS MY HEART EVERY TIME.

#2: The Forgotten Turnabout

I really enjoy this case! You’ve got an amnesia plot done well, ultimate Dadworth, loyal puppy Gumshoe, and a buttload of angst. Blaise Debeste sucks ass and I WILL die on this hill. That aside, the showcase of how deep-seated corruption is in the Prosecutor’s Office was an interesting touch, and the reveal of the evidence auctions was a shock for me the first time I played it. Lastly, Sebastian is MY son now. Fight me.

#1: The Grand Turnabout

I repeat--SEBASTIAN IS MY SON NOW. Sebbie and his (heartbreaking) logic chess segment aside, though, this case is maybe the most satisfying finale I’ve seen in an Ace Attorney game. John Marsh’s abduction, disaster Steel Samurai stan Edgeworth, tying up all the loose plot threads, and, of course, the mastermind reveal. I don’t think there’s been a culprit more shocking while simultaneously making perfect sense before or since, and hot damn, it’s incredible--just like the rest of this game.

[clockworkouroboros]

hey this must seem like a really slime brain question, but how do you start/where do you start/where can you start reading the edas? i’ve been meaning to ask someone for a while you just seemed the least threatening

Not slime brain at all! Tbh you must have read my mind, anon, because I was just thinking about putting together a bit of a guide to the EDAs recently. I’m super excited about anyone reading these books because I do so love them, so I definitely was excited to get this ask!

As to the “where” of reading the EDAs, I’m not going to share a link to download PDFs in a post like this, but I am definitely willing to share such a link privately. While some of the books are definitely worth buying physical copies (in my opinion), it gets expensive. I mean, there are over 70 books in the series. (Especially with a lot of the really good books; I spent something like $50USD to get Interference Books I and II.) I think literally anyone on this website who talks about the EDAs has a link to PDFs, so asking literally anyone would be a safe bet. The rest of this post is going to be under a cut, because this is gonna get lengthy.

So. Reading the EDAs. There are a few questions to keep in mind: are you a completionist? Are you interested only in specific companions or specific story arcs? Do you just really want to see why everyone is talking about this Fitz dude and why he’s so in love with the Doctor? Do you just want to know which books aren’t really worth your time? Do you just want pretty Paul McGann? (which is totally valid, by the way.)

So, uh. I’m just going to go through the EDAs and make notes, which is why this is gonna get long real quick.

The Eight Doctors: I know it’s the first book in the series, but it’s more than okay to skip it. There’s basically no plot, it’s weirdly sexist, and although it introduces a companion, it fails to actually, y’know, introduce her as a character very well.

Vampire Science: Yes! Good book! Properly introduces Sam, the companion. Has a lot of things, including Eight with kittens, Eight baby-talking to bats, butterflies!, and great characters.

The Bodysnatchers: Not...that...great. If you’re a huge Litefoot stan, go for it. Otherwise, feel free to skip.

Genocide: Would recommend. The beginning of some good character development for Sam, a fairly short book, and again, interesting characters. 

War of the Daleks: Well. Uh. Imagine Journey to the Centre of the TARDIS, but boring. And there’s a sleazy guy who tries to hit on the Doctor’s underage companion. And Daleks. If that’s your cup of tea, go for it. 

Alien Bodies: First of all, this is a great book. Fantastic. Showing just how good experimental Doctor Who can be. It’s also the start of a very big arc that doesn’t fully resolve until The Ancestor Cell. Would recommend, and if you’re interested in the War in Heaven/Faction Paradox arc, this is your starting point! I have a physical copy of this one.

Kursaal: Unpopular opinion, but I enjoyed Kursaal. It’s not objectively great, but it’s fun. Featuring pretty Paul McGann, insulting people in Latin, and truly impressive displays of gardening. And, uh, gore. There’s some nasty gore. Not important in terms of arcs, so feel free to skip.

Option Lock: Listen, I love Justin Richards as much as the next person, but this book isn’t that great, nor is it all that important in the grand scheme of things. Not terrible, but probably not your time if you just want the highlights.

Longest Day: Okay, uh, I kind of detest this book, but it’s also the beginning of a mini arc that goes through Seeing I. All you need to know is the Doctor and Sam get separated. I wouldn’t really recommend.

Legacy of the Daleks: Not worth it.

Dreamstone Moon: A good read! One of those solid but not spectacular stories. Just good Doctor Who.

Seeing I: definitely would recommend. Featuring some much-needed Sam character development and an important thing for Eight (*cries*) that will come back in a bunch of other novels. Also refers back to some of the events of Alien Bodies. I have a physical copy of this one.

You can skip both Placebo Effect and Vanderdeken’s Children. 

The Scarlet Empress: Yessss, it’s really good. Standalone and a mix of sci-fi and fantasy, plus it introduces Iris Wildthyme, who is amazing and I love her. I have a physical copy of this one.

The Janus Conjunction: Unpopular opinion, but I liked it. It’s not amazing or anything, but it’s solid sci-fi pulp. Featuring pretty Eight. And a lot of gore. It’s by Trevor Baxendale. He kind of specializes in great descriptions and lots of gore.

Beltempest: If you’re into experimental Doctor Who, try this. If not, it’s not arc-important to anything, and it’s really, really weird, so feel free to skip it. I like it, though.

The Face-Eater: Kind of gross. Not that memorable. 

The Taint: This book isn’t objectively good, but it introduces a new companion, and that new companion is Fitz Kreiner, so I still have to recommend it. I just love Fitz so much. What a loser.

Demontage: A good story, and another good look at Fitz as a character! Standalone.

Revolution Man: Very important Fitz character development. And a good story. I have a physical copy of this one.

Dominion: There’s one scene that’s kind of gross, but beyond that, I believe it’s important for Sam. And it isn’t a terrible book, either.

Unnatural History: Yes. Yes yes yes. This is one of my all-time favorite Doctor Who stories. It’s important to the arc begun in Alien Bodies, so you’ll want that and Seeing I as prior reading. It’s. So good. I have a physical copy of this one.

Autumn Mist: Autumn Mist isn’t bad, but I’d say it’s skippable. Addresses some of the hanging threads in Unnatural History.

Interference (Books I and II): So uh. Interference comes in two books, both written by the same person. The story is fantastic. There’s a lot of torture, especially in the first book. Sam leaves. Fitz, uh, has some important character things. It introduces Compassion, a new companion. Resolves some of the arc begun in Alien Bodies and expands on it. I have physical copies of both books.

Most of Compassion’s novels are really good. I would feel awful about telling someone to skip The Blue Angel, The Taking of Planet 5, Frontier Worlds, Parallel 59, The Shadows of Avalon, The Fall of Yquatine, and Coldheart. Of that whole group, I’d say Parallel 59 is the most skippable? Maybe?? But the long and short of it is that all these books are really good. The Taking of Planet 5, The Shadows of Avalon, and The Fall of Yquatine are all important to the War in Heaven arc.

The Space Age and The Banquo Legacy are skippable. I know a lot of people who like the latter, though so maybe give it a try! I personally didn’t like it, but that’s only my opinion, which is very subjective!

The Ancestor Cell: Uh. Resolves the story arc that’s been going on since Alien Bodies. So if you’ve been following that arc, yeah, it’s important. Do I like the book? Well, that’s a different question. I like parts of it. It also has a few very big very important Spoiler-y things that are important to the rest of the series.

The next five books are all part of a new arc, usually called the Earth arc. The Doctor (SPOILERS, but it’s Eight, so is it really?) has amnesia, and he’s stuck on Earth. I’d say four of the five books aren’t really bad, but some are more worth reading than others. They’re all interesting in that they examine an amnesiac Doctor really well.

The Burning: skippable. I don’t remember most of the plot. I vaguely recall the Doctor being really, uh, violent? (Part of the whole amnesiac thing.)

Casualties of War: super gory. Not terrible, but not a favorite of mine. I have friends who enjoyed it, though!

The Turing Test: yes pleasereadityesit’ssogoodplease - uh. A great queer novel, actually? Featuring Eight and Alan Turing? Made me cry, but like, it’s good?? I still haven’t bought a physical copy but I’ve been meaning to.

Endgame: Terrance Dicks, who’s an old hand at Doctor Who and also wrote the first EDA, the one I said not to read? He wrote this. And it’s amazing. Pretty standard Doctor Who fare, with characters that Dicks created but only he ever used, but it’s real good. Real real good. I loved his characterization of amnesiac Eight.

Father Time: warning: I kind of hate this book. It’s in my three least-favorite EDAs. I have...a lot of issues with it. That being said, it’s apparently a fan favorite. A lot of people like Father Time, and that’s okay! It’s a highly rated EDA that I just so happen to detest! If you want to try it, go for it, just know that I personally wouldn’t recommend it.

Escape Velocity: This book ends the earth arc, brings back Fitz, and introduces the new companion, Anji. It’s also not that great of a book, but hey, it’s important because it gives a lot of background for Anji’s character that will be instrumental in her character development.

EarthWorld: a lot of these upcoming books are standalone, and a lot of them are pretty good. EarthWorld is no exception. Would recommend. Lots of great hijinks.

Vanishing Point: Not a bad book, not a favorite. I’m not recommending it, but I’m also not trying to dissuade anyone from reading it.

Eater of Wasps: Uh. As the title suggests, maybe don’t read the book if you have a bee/wasp/stinging insect phobia. No, I definitely don’t know this from personal experience. :)))))) Other than that, though, a good book.

The Year of Intelligent Tigers: Yes. 100%. Read this book. Please. You won’t regret it. Eight has a composer boyfriend named Karl, there are giant tigers, this kind of solidifies Eight/Fitz/Anji as a favorite TARDIS team for me.

I’d say that The Slow Empire and Dark Progeny are both skippable. Not that they’re bad, but they’re not on the same level as a lot of the other books being put out in the series at this time.

City of the Dead: so good. I don’t know if you’re an Eight audio fan, anon, but Lloyd Rose also wrote the audio Caerdroia, and she brings the same kind of humor to this novel. Gosh. It’s so good. 

Grimm Reality: very dense, but enjoyable. It takes most people forever and a day to finish, though, just because there’s so much going on.

Adventuress of Henrietta Street: this is where the new arc begins. :) It won’t hurt you at all. :) If you’re interested in any of the Sabbath-related arcs, this is the starting point. :) There are various ending points for this arc, alternatively at Camera Obscura, Timeless, and Sometime Never.

Mad Dogs and Englishmen: ridiculous and good. If you just read Adventuress, you need a book like this. And it’s good, anyway. Talking poodles. From outer space. Standalone.

Hope: important character development for Anji!

Arachnophobia: A bit scary. Still would recommend. Standalone.

Trading Futures: it’s really telling how good the books are at this point that this is the weakest one in my opinion. I just have a chip on my shoulder about Lance Parkin EDAs, apparently. (He wrote Father Time, as well.) It’s not bad, but if there’s one in this whole sequence that I would consider skippable, it’s this one.

The Book of the Still: Yes. Please. Heck. The best description of Eight I’ve ever read, and there are a lot of good ones across the 74 or so books I’ve read featuring Eight. Also, if you’re a huge Eight/Fitz shipper, this is the book for you! I spent like $30USD on a physical copy it’s definitely worth every penny.

The Crooked World: Yes. Ridiculous and goofy and silly and also surprisingly deep. Try to imagine the Doctor and co. landing on a cartoon world, with cartoon physics. Now imagine that, but it’s got an interesting and heartfelt plot underneath the cartoon hijinks.

History 101: A good book, and important to the Sabbath arc started in Adventuress! Would rec.

Camera Obscura: Another Lloyd Rose book, one that kind of ends a large part of the Sabbath arc, and just really good. Heck. So good.

Time Zero: this one will rip your heart out in the first few pages and you’ll thank Justin Richards for it. Also begins a new arc, but of all the arcs you could read, I’d recommend this one the least. Each book after this through Timeless is part of this arc. It gets pretty depressing.

The Infinity Race: Not bad, not good. Take it or leave it.

The Domino Effect: Wouldn’t recommend. Seriously.

Reckless Engineering: Not...terrible. But depressing.

The Last Resort: Super confusing, very arc-heavy. Not that it’s bad, just that it’s not good.

Timeless: ends the arc started in Time Zero and has some good bits. Anji’s last EDA, so if you like her, I’d recommend it. Also introduces Trix, the new companion! (Sort of...)

Emotional Chemistry: If you like Fitz, read this book. There’s other plot, but a large part of it is Fitz character study. And I love it.

Sometime Never...: One of my favorite Justin Richards EDAs. Great character work. Fun story. Ends the Sabbath arc.

Halflife: If you ship Eight/Fitz, read this book. Otherwise, it’s not a bad book, but you could do better things with your time. I vaguely recall some Trix character development, but the Eight/Fitz is what really sticks with you.

The Tomorrow Windows: Douglas Adams Lite. Not as funny as Douglas Adams. Overall impression: meh.

The Sleep of Reason: Wouldn’t recommend. Trix is referred to as “the blonde bitch” 90% of the time, the Doctor and co don’t even make any appearances until nearly 100 pages in, and it’s just kind of disappointing. Martin Day, the author, has this weird fascination with mental institutions? Weird and kinda yikes.

The Deadstone Memorial: It’s Baxendale, so it’s gory. But it’s not bad! One of the better late EDAs, imo. And for the subject matter, it’s surprisingly wholesome.

To The Slaughter: Now this, this is what I’m talking about. One of my top Eight/Fitz/Trix stories, alongside Emotional Chemistry and Sometime Never. (And what the hell, Halflife. What can I say: I love Eight/Fitz.) It’s got some great Fitz characterization, I love Trix, and I love Eight. Really the half-a-brain-cell-at-best team. We stan.

The Gallifrey Chronicles: Nah. Don’t bother. Not really worth your time. Unless you want to read it and cry about the vore with me.

So there you have it! A ridiculously in-depth look at my EDAs recommendations! Uh. You can always start from the beginning, or you can go based on recommendations or what looks like it will suit your fancy, or you can pick an arc and read it through to the end. There’s really no perfect way to read them. Please, please dm me or something if you want a link to PDFs of the books, I’m happy to share it, and I hope you enjoy the EDAs!!

[watching-pictures-move]

Movie Review | Mulholland Drive (Lynch, 2001)

This review contains spoilers.

David Lynch's Mulholland Drive was released in recent years by the Criterion Collection, that great home video company that's probably the OG of boutique labels, known for putting out acclaimed, significant or otherwise interesting films in really nice packages. (For some reason I had been thinking they put this out only last year until I actually looked it up. I guess my sense of time has been a little warped as of late, and as much as I'd like to tie this review into pandemic-era life, the fact is other labels have captured my attention lately, as can be evidenced by my embarrassingly large and extremely shameful Vinegar Syndrome haul from their Halfway to Black Friday sale from a few months ago.) Now, nobody in 2021 is going into this movie truly blind, but if I happened to pick up the Criterion cover and perused the back, aside from the list of special features and disc specs, you'd see the below (which I grabbed off their website):

Blonde Betty Elms (Naomi Watts) has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia (Laura Harring). Meanwhile, as the two set off to solve the second woman’s identity, filmmaker Adam Kesher (Justin Theroux) runs into ominous trouble while casting his latest project. David Lynch’s seductive and scary vision of Los Angeles’s dream factory is one of the true masterpieces of the new millennium, a tale of love, jealousy, and revenge like no other.

Now, this is a tough movie to evoke with only a blurb, but I'd say that does a pretty respectable job. I however do not own this release. What I do own is the barebones Universal DVD that was released a few months after the movie, back when going into the movie blind would have been far more likely. This is the description on the back:

This sexy thriller has been acclaimed as one of the year's best films. Two beautiful women are caught up in a lethally twisted mystery - and ensnared in an equally dangerous web of erotic passion. "There's nothing like this baby anywhere! This sinful pleasure is a fresh triumph for Lynch, and one of the best films of the year. Visionary daring, swooning eroticism and colors that pop like a whore's lip gloss!" says Rolling Stone's Peter Travers. "See it… then see it again!" (Time Out New York)

Now, the previous description probably couldn't fully capture the movie's essence, but this one makes it sound like an erotic thriller. (Could you imagine somebody going into this thinking this was like a Gregory Dark joint? I say this having seen none of his thrillers and only his hardcore movies, although I must admit an MTV-influenced Mulholland Drive starring, say, Lois Ayres is something I find extremely intriguing.) But you know what? Good for them. Among other things, this movie, with its two all-timer sex scenes, feels like one of the last hurrahs from an era when mainstream American movies could be unabashedly horny, before we were sentenced to an endless barrage of immaculately muscular bodies in spandex (stupid sexy Flanders) somehow drained of all sex appeal (god forbid somebody pop a boner...or ladyboner, let's be egalitarian here). I apologize if I'm coming off as a little gross, but having been able to barely leave the house for practically a year and a half, watching sexy movies like this is one of the few remaining thrills at my disposal. Please, this is all I have.

Now I suppose I should say something about the movie itself, but it might be a challenge given how elusive it is in certain respects (Lynch is notoriously cagey about offering interpretations of his movies) and, as a result, how heavily it's been scrutinized over the years. No doubt any analysis I offer as to the movie's overarching meaning will come off extremely dumbassed. What I will note however, is that for whatever reason, the scene I remembered most vividly is where Justin Theroux walks in on his wife with Billy Ray Cyrus, particularly the candy pink paint he dumps on her jewellery as revenge. We've been following Theroux, a movie director, as he's been having a terrible, horrible, no good, very bad day, having had control over casting his lead actress taken from him, which he proceeds to process by taking a golf club to a windshield of his producers' car and then reacting as above when he finds his wife with the singer of "Achy Breaky Heart".

With his Dune having been notoriously tampered with by producers, I suspect there's a bit of Lynch's own experience in the scene with the producers, which plays like an entirely arbitrary set of rituals deciding the fate of his movie with no regard for his opinion or even basic logic. While I don't know how particular Dino DeLaurentiis was about his espresso, I did laugh. Now, taking the reading that the first two acts of the movie are a fantasy of Naomi Watts' character, who is revealed to be miserable and ridden with jealousy in the third act, the amount of time we spend with Theroux is maybe hard to justify. Is this perhaps her "revenge" on him, his romantic and professional success having been flushed away while he flounders in search of greater meaning to his arc? Aside from possible autobiographical interest, these scenes do play like a riff on the idea that everyone is the main character in their own story, and if the Watts and Laura Harring characters can be thought of as having merged or swap identities, then perhaps Theroux's arc is the remainder of that quotient. (Now, it's worth noting that aside from being insecure and arrogant, Theroux in this movie is a less stylish than the real Lynch. If Watts conjures the best version of herself in her dream, Lynch maybe doesn't want his dream avatar outshining him.)

Now why did the Cyrus scene stick with me all these years when other details had slipped? Mostly because I'd found it amusing, partly because of the extra specific image Lynch produces, and somewhat because of the casting of Billy Ray Cyrus. Now, I don't have any special relationship to the Cyrus' body of work, but Lynch's casting of him, with his distinct mix of bozo, dudebro and hunk, results in a very specific comedic effect. This is something Lynch does elsewhere in the movie, like when he has Robert Forster show up as a detective for a single scene. The Forster role is likely in part a leftover from the movie's origins as a TV pilot, but the effect is similar (albeit less comedic). Melissa George appears as a woman who may or may not be a replacement for Watts in some realm of reality. Other directors obviously cast actors for their screen presence and the audience's relationship to their career, but the way Lynch does it feels particularly pointed, as if he's reshaping them entirely into iconography. The effect is particularly sinister with the presence of Michael J. Anderson, with whom he worked previously on Twin Peaks, and Monty Montgomery as a mysterious cowboy who dangles the secret of the movie over Theroux's character.

Cowboys in movies are frequently heroic presences (see any number of westerns) and are otherwise innocuously stylish (I confess I've come dangerously close to ordering a Stetson hat and a pair of cowboy boots), but the presence of one here feels like a ripple in the movie's reality. A dreamy, brightly lit mystery set in Los Angeles should have no place for a cowboy. It ain't right. (It's worth noting that Lynch at one point copped to admiring Ronald Reagan for reminding him of a cowboy. Is this his expression of a changed opinion? I have no idea, but Lynch has never struck me as all that politically minded.) Neither is the hobo that appears behind the diner. Certainly hobos have made their homes behind diners, but this one's presence and the way Lynch produces him feel again like a ripple in the the movie's narrative. Jump scares are frequently knocked for being lazy and cheap devices to generate shocks, but the one here gets under your skin.

Now about the movie's look. This starts off like a noir, and the mystery plot on paper would lead you to think that's how the whole movie plays, but the cinematography is a lot brighter, with almost confection-like colours, than that would lead you to believe, at least during the daytime scenes. This is another element that likely comes from its TV origins, but it does give the movie a distinctly dreamlike, fantastical quality that a more overtly cinematic look, like the one Lynch used in Lost Highway a few years earlier, might not capture. This is one of the reasons I think this movie works better than that one, and there's also the fact that the amateur sleuthing that drives the bulk of the plot here serves as a more pleasing audience vantage point than the male anxieties that fuel the other film. I also would much rather hang out with Naomi Watts and Laura Harring than a charisma void like Balthazar Getty.

The manufactured warmth of the daytime scenes also results, like in Blue Velvet, in the nighttime scenes feeling like they're in a completely different setting, one which perhaps offers the key to unlocking the mystery, or at least revealing the phoniness of the movie's surfaces. I think of the evocative Club Silencio sequence, which comes as close as anything in the movie to laying its illusions bare. ("No hay banda.") But at times Lynch will throw in disarmingly childlike, inexplicable imagery, like the dancing couples against a purple screen in the opening, something that would seem tacky and amateurish elsewhere but feels oddly cohesive here. There are a number of directors whose work I admire for being "dreamlike", and putting them side by side they all feel quite distinct (you would never mistake a Lucio Fulci film for a Lynch), but they have the unifying idea of imbuing the tactile qualities of film with the truly irrational to really burrow into your subconscious. Other directors have made movies with some of the same elements as Mulholland Drive, but none have put them together in quite the same way.

[aquilamage]

i'm a little bit curious as to how aai2-4 plays out in the badd au

>:3 oh yes Forgotten is a big big dramatic thing for this au (not that it isn’t in canon but you know). Right now most of the major plot elements follow canon, it’s more about the nuances of them and the emotions focused on and some extra scenes.

First of all, let’s lay some groundwork. The basic premise of this au is that Badd doesn’t end up in jail after the end of aai so he’s around to affect aai2 (and also has met/interacted with Sebastian pre-games), and that Kay and Sebastian were friends as kids but haven’t been in contact since she moved away post-Reminiscence.

and then the rest under cut for length and spoilers

Pre-Forgotten stuff that’s important for context: Kay realizes who Sebastian is but he hasn’t figured it out yet despite her trying a bit to talk with him. Badd has been interacting with Kay and Sebastian and knows about the game events from them but neither kid knows he’s been around the other because they’ve never all been in the same room at the same time. Sebastian is obviously attaching himself to Badd because an adult who treats him nice?!?!? and meanwhile Badd is grudgingly fond of this kid and wants to help him but knowing his father he doesn’t know what he can do. Meanwhile with Badd and Kay, they’re obviously very happy to be in each other’s lives again, but there’s also building tension about Kay’s whole “second yatagarasu” thing.

So the Forgotten section of the au kicks off with Kay and Badd having a kind of explosive argument about that whole thing. Later that evening, she sneaks out of the house for the meeting that leads into her kidnapping. Badd realizes that she’s left later on and is worried sick, but it’s still not until she gets dropped at Miles’s office that Kay is located again, and obviously Badd’s relief quickly turns into even more anxiety and upset when he finds out about the whole amnesia thing. And it’s this that spurs him to be involved with the game events because he’s certainly not leaving her alone in this state.

I haven’t gotten around to replaying this case yet so I don’t have too much of a breakdown of how things go, but

when Sebastian shows up there’s instantly a Thing about why is he with them he thought Badd was on his side, and he expresses that pretty readily (there have been some near-misses of him mentioning Badd before, most likely during Inherited, prevented by Justine’s intervention because given her whole thing she’s very nervous about bastard man getting suspicious because they’re interacting with Badd). That’s some feelings of anxiety, resentment, and betrayal that are consistently building

eventually Sebastian recognizes Kay and that also adds to his conflicting feelings about the ongoing events because wait that’s his friend. (unnecessarygayfeelings had this idea of him going to talk to her while she’s arrested that leads to him trying to help her with her memories despite still accusing her that I want to implement but we’ll see)

so much extra tension when bastard man shows up with stuff between him and Badd from a) Badd’s extra protectiveness with Kay and the fact that bastard man is definitely taunting him about arresting her and such, b) Badd suspected from just knowing him before and how Sebastian talks about his father that he was a shit parent, but the reality is even worse, c) there’s also just historical buildup tension that would be there anyway between them. I don’t think it would realistically happen but emotionally I want Badd to get to punch bastard man

oh Sebastian’s father definitely uses Sebastian’s extra tension and the connection between him and Badd and him and Kay to mess with him even more, an excuse to push him even harder on making him go with what he wants

The Grades Thing. Sebastian runs off like in canon and while Badd is very torn because he wants to stay and protect Kay, she has other people now so he makes the hard choice to go after Sebastian. Badd talks to him and actually does manage to help calm him a bit, but with Kay in the back of his mind he makes the mistake of saying something to Sebastian about going back to her. Sebastian, still being in an incredibly vulnerable state and nursing the betrayal of Badd going against him this whole time, gets upset, yells something about Badd caring more about her, and runs off

at the end Badd’s probably the one to give Kay the promise notebook because Family stuff. Once she’s reoriented herself a little, Kay, remembering that Badd went after Sebastian and with the context of remembering him and caring now, asks where he went. Badd: .....fuck

so yeah there’s obviously a lot more going on but I think that covers the big stuff! Thank you for your interest, it makes me so happy to see!! and if you wanna  know more or need clarification on anything just ask ^-^

[mysecretcheckpleasesideblog]

Chapters: 1/1 Fandom: Check Please! (Webcomic) Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Adam "Holster" Birkholtz/Justin "Ransom" Oluransi Characters: Justin "Ransom" Oluransi, Adam "Holster" Birkholtz, Shitty Knight, Larissa "Lardo" Duan Additional Tags: Amnesia, Concussions, Post-traumatic amnesia, Med Student Justin "Ransom" Oluransi, Feelings Realization, Angst with a Happy Ending, Post-Canon, Flashbacks, Implied/Referenced Sex Summary:

Justin's in his third year of medical school, pulling a late shift when he gets paged down to the Emergency Department. Adam has taken a hard check during a hockey rec league game and Justin is horrified to discover that his best bro and favorite person in the whole world can no longer recognize him. If Adam gets through this, Justin will never let him go again.

Spoiler in the end note for anyone who needs it.

[thatyanderecritic]

Hey Julie/Kai, I wanted to recommend Alois Racine from Amnesia: Justine. The guy was in so madly in love with Justine (who is a total sociopath/narcissist) that he was willing to murder one of her other suitors (and actually may have helped contribute to getting the guy tortured) and is still in love with her even though he's been tortured to insanity by her! There are some voice clips of him + playthroughs of Justine (it's not too long a game) that you can check out on youtube :)

YOOOOO. I’M FUCKING HYSTERICAL. DID WE JUST GET, IN THE YEAR OF 2020, A YANDERE RECOMMENDATION FOR A MODDED STORY FROM AMNESIA: THE DARK DESCENT? WHAT YEAR IS IT??? I CAN HEAR PEWDIEPIE YELLING “BARREL!” AND “STEPHANO!” FROM THE BACK OF MY MIND.  AIFJDSNIJOWNJRADSV

BRUH. Like, highkey, sorry to yell all that but christ almighty. How many years passed since that game was ever uttered from anyone’s mouth? Out of all the places to hear a yandere recommendation... my mind is blown. Moving on from my disbelief, let’s talking about Justine. (This is a quickie review since there really isn’t much to discuss) Spoilers undercut:

As people know (well, now know after my gush), Justine is a modded story for the hit horror game- Amnesia: The Dark Descent. But the thing about this is the game is a large focus on puzzle-solving and sneaking with the story taking more of the backseat through notes and dialogues. So expect to interpret things, but thankfully, Justine isn’t one of those overly cryptic stories though it does like to use notes generously (so expect to pause your video a lot to read the notes).

That being said, to summarize the plot: You play as Justine in this game (surprise surprise) and you’re doing a walkthrough of your torture chamber to see if it’s in perfect conditions for her future “guests”. This modded story tried to trick you to believe you’re the detective based on the audio taps Justine left around but the heavy women breathing your character does during running was a dead give away to any twist that game devs were aiming for (if they were even aiming for it). That being said, Mr. Yandere here take the backseat and is not at all a focus of this story experience. He’s a large gloss over or an easter egg... up to how you view it. You only learn/hear of Alois twice in the game and that’s in notes (and who read notes in Amnesia lol?). They’re the first two notes the player will encounter. The first note is just Alois’s mom complaining about Justine stealing her son and calling the police on Justine. And the second note is Alois saying that he loves Justine and would kill this random smuck because he likes to hit Justine; all she has to do is give the order... Idk where ‘suitor’ comes in, I just assume all these random smucks are Justine boy toys she picked up for her science experiment. IDK the video I watch doesn’t show any other letter. Also: I think Alois is the monster chasing you? I could be wrong but that the only possible person who could be Alois since anon mentioned voice clips and the monster is literally the person you avoid like the plague since he is a three-hit kill. The three smucks you save is a doctor, a priest, and a detective... none of them being Alois’s occupation (I think). 

That being said, we hardly know anything about Alois but we know a lot about Justine. Anon is right to say that Justine is a sociopath and a narcissist. IDK where Justine tortured Alois but I can imagine it happened considering her character. What I do know is that Alois cut himself for Justine’s amusement... I guess self-inflicted torture counts? Either way, I guess I can kinda see it but we just don’t know anything about Alois besides those two letters and the implication that he’s Justine’s assistant/pet monster. He’s like a very generous 1/5 since I can kinda see it. 

Do I discourage people from watching a let’s play? Nah, this was a really good Modded Story. One of the best considering the cesspool of Modded Stories for Amnesia. Really unique MC (in the way of female MCs) and a nice little yandere easter egg. As anon said, it’s a quick watch. Actually... here’s the video. Enjoy. 

[selfdestructivecat]

I just finished playing Ace Attorney Investigations 2. And HOLY SHIT.

This game has been absolutely incredible and I feel the overwhelming urge to rant about how incredible it is. So SPOILER WARNING because I will be spoiling the crap out of this game.

Where to begin? I loved the intricate cases, and how they all built upon each other, forming one large mystery that we much uncover. Each case, while all being so different and distinct, each possessed their own charm.

The first case, even though it was a tutorial, reintroduced our favorite prosecutor/detective/Great Thief trio in an interesting introduction that was challenging while also simplistic enough to gain our bearing, in addition to laying the foundation for the rest of the cases and introducing many key figures.

The second case, instead of being the first of the filler cases usually introduced in an AA game, surprised me by having the culprit in the first case turn out to be the new victim. This case also introduced some AWESOME characters, such as Justine, Sebastion (my beautiful boy), and Dogen, who is SUCH A BADASS! Honestly, I love everything about this man and I will be sure to rant about him later on. And come on, who doesn’t like a good prison escape? The scene of the crime was probably one of my favorites in the game, and the inclusion of the animals added charm to the environment and many of the otherwise dull prisoners. The case itself was also lots of fun. It was so satisfying to refute all of DeBeste’s smug and completely illogical theories and to bring Roland to justice.

The third case, while being my least favorite of the five, was also lots of fun and had so many good moments. I LOVED playing as Gregory Edgeworth! He was so similar to Miles, and yet possessed a gentler and quieter nature that contrasted nicely to Edgeworth’s sharper personality. In every remark he made, he showed how good of a person he was, addressing everyone politely and patiently guiding Ray. AND HIS THOUGHTS ABOUT HIS SON! You can tell how much he cares about Miles though him constantly thinking about him and worrying about him. He thinks about introducing the show the suspect stars in to his son, debates gathering treats for his son’s Christmas present, and overall demonstrates how much he loved him. HE DESERVED BETTER, GODDAMMIT VON KARMA! The case was also fun to play, and battling against the Stature of Limmitations (which has come up in many past AA cases) was a nice challenge. Overall, really enjoyed this case, although many of the new characters introduced in this case lacked the charm other characters showed, at least in my opinion.

Sadly, the case of Kay’s amnesia was spoiled to me when I accidentally read about it in a gorgeous fancomic on tumblr (which was entirely my fault, I just wanted more Edgeworth content and ignored the risks. I thought I learned my lesson with Merlin, but I guess I’ll never change XD). However, I was still shocked and immensely saddened when I saw the state she was in. And when Miles gave away his badge (how he did it with no hesitation! I believe, in his words, he said “it was nothing compared to the life of a dear friend”) GOD MY HEART! I didn’t think I could love him any more than I already did, but I was so so wrong. And Gumshoe wanting to stick with Edgeworth even when he wasn’t a prosecutor anymore! The mystery surrounding the smuggling ring was super interesting and a lot of fun to learn about, and the connections that were beginning to form between this case and all the previous cases definitely created some jaw-dropping moments. And of course, bringing Blaise DeBeste to justice was oh so sweet (although it hurt so much to see Sebastian in so much pain). This case was such a tear-jerker in the many emotions it created, both happy and sad, and I wish I could forget all about it so I could play it again.

Finally, the last case. BOY was this case a ride. The longest of all the cases, I thought it ended twice before it did, every time going “wait, there’s MORE!?” as another cutscene played. And I loved every second of it. First of all, another lovable character is introduced in John. John also gives us another reason to love Justine, who is actually John’s doting adoptive mother. Aside from that, the case itself was deliciously complex and intricate, introducing twist after twist to create an exciting story, while also tying up loose ends created by all the previous cases. I couldn’t even begin to imagine what those monster footprints could have been! And the reveal with Knightly and Simon being the two lost sons!? This realization left me speechless. However, my favorite part of this case was Sebastian’s triumph over his father. Seeing tied up and in tears following his kidnappjng, questioning everything he’s ever believed in, was heartbreaking. However, his helplessness made his redemption so much sweeter. I am honestly so proud of him.

And now, the characters! God, does Capcom know how to make characters! I loved the return of old, familiar faces like Penny Nikohl (I definitely butchered that last name), Regina Berry, and the mysterious and oh so badass Shelly de Killer (although I could have done without a few... looking at you Lotta!). And the new characters were also very cool! I could go on and on about Sirhan Dogen and Anubis. Even while behind bars and making absolutely no threats whatsoever, he still holds a intimidating presence with his piercing white eyes, the hulking figure of a huge black dog over his shoulder, and the soft, menacing music playing in the background, accompanied by the quiet ringing of bells. I just... I can’t get enough of this man. And his controntatuon with de Killer was awesome!!! I honestly just can’t get enough of him. Raymond was also a really fun character. I liked how he interacted with Edgeworth and Kay, as well as his sense of humor. However, despite his goofy personality, there were many touching moments involving him, such as the two photos he took (one with him and Gregory, the other with him and Miles). Such a beautifully complex character. Other characters like John and Simon were also very cool and interesting (I especially liked the twist with the latter. Seriously, I did NOT see that coming!) However, there were also a few characters I simply disliked. Many of the characters in the third case were either a bit too extra, such as Master, Hall, and Delicia, or had much less personality compared to the other characters, such as Gustavia. This made them not as fun to interact with as others. Another character I didn’t particularly like was Patricia Roland. Even before we descovered her to be the villain (which I TOTALLY CALLED), her manurisms and personality made me very uncomfortable, and I kinda dreaded interacting with her. Of course, these opinions of these characters are entirely my own, and if you like any of these characters, I think that’s awesome and respect your opinion.

In terms of gameplay, I think I liked the first Investigations slightly better. Some parts were drawn on a lot longer than I think they had to, and while the majority of the twists landed and were extremely effective, some were way too obvious or didn’t land at all, although that could be attributed to my own stupidity. However, I still enjoyed uncovering the truth just as much as any other AA game, and the new Logic Chess minigame was tons of fun (although it took me an embarrassingly long time to figure out that I was supposed to watch their facial expressions and decide based on them whether to wait or press). I kinda wish there was actually more of this minigame, but it didn’t detract in the least from the rest of the game.

Overall, amazing story, super fun gameplay, and both new and old lovable characters join together in the masterpiece that is Investigations 2. I’m sure I’m forgetting tons of things I want to discuss regarding this game, and I may add on to it later, but I just wanted to get my thoughts down while I’m still riding the high from completing it. Thanks for listening to my rambles, and if you wanna discuss this game, leave a comment or PM me! I’d love to talk about it!

[angieschiffahoi]

Why do you hate uh... Raphael! (Only thing I remember that irritates you right now)

hahah, poor Raf. Oh, wait no. 

Under the cut because long rant and, also, spoilers. 

I don’t actually hate him, I just find his character annoying and a poor representation of struggling and depressed people. Also, a terrible choice for the heroine’s “true love interest” as they put it. The only reason he ever goes back to drinking is because “Jane chose Michael” or something of the sorts and when he’s depressed he keeps insulting Jane and, instead of holding him accountable for his despicable actions (like turning his son against his mother and her former-dead husband who was tortured, had amnesia and was kept from his own life for years because of his family drama), Jane feels guilty and is guilted back into a relationship with him. The moment Jane chooses him, he shuts her down because “he can’t trust her” just because she decided to check if she still had feelings for her now alive former-dead husband because Rafael suggested it. 

This whole arc was written poorly and everyone who doesn’t have heart-eyes for Justin’s abs can see Rafael is to be held accountable for all of his terrible actions (including regretting telling Jane about Michael’s return). I never hated him, really. I just think he’s the prime example of “heroine must rescue troubled man and make him whole again” and “depressed people are allowed to treat people around them like shit because they’re depressed” and I don’t like that. It made both him and Jane “who wants to get him back at all costs” annoying. 

Oh, also, he has three kids but basically forgets about the twins and his ex-wife all the time. But, yeah, he’s suffering for Jane, we gotta understand him. 

Also, I hate the fact that they used Michael to invalidate three seasons of their own show and pit Michael, Jane’s “love interest”, against Raf who’s apparently her “true love interest”, basically sh*tting on their own show, on a wonderful character, on the actor playing Michael and half the fanbase just because they wanted Raf & Jane to be endgame in an explicit way that basically killed everything about the past seasons.

I’m still convinced it’s because Raf is Mateo’s father and they want the heroine to get her “Catholic style” family and because Justin has pull in the fanbase because he’s the conventional “dreamy, hot guy”.