#Also there's way more to his backstory. I just forgot I have to better explain things.
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thenormalmoon · 1 year ago
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Did I make a full chart mapping out what makes the mechs similar to make the most realistic oc possible and then not use it? Um, next question?
I know it's a bit hard to read, so I'll put the transcription here. The image id is under the cut.
Evan
Doll from the same collection as The Toy Soldier
Evan was sold to a museum for oddities where his exterior was kept in perfect condition, but the clockwork inside was neglected for years. Still, they expected him to dance. Over the years, he didn't want to dance.
One day, he shouted at the other dancers. Right before he could run or fight, the clockwork froze. After that, he moved rooms and nobody came to fix him, freezing him in that angry position, alone in the dark. He was alone with his thoughts and the music he played in his head.
Then the museum closed.
It's a blur (and a secret.) Somehow a kind stranger with metal nerves found him. She fixed him.
Space is wonderful. It's open. He can go anywhere.
[Image ID: A paper with drawings and writing done in ink and pencil sits on wood. The drawings are as follows:
An illustration of a character from the lower neck up. He has large round eyes with long eye lashes, freckles, and long thick hair that appears to be dark. He looks very feminine. Next to him is a banner meant to look like a ribbon folded over. It says, "Evan," on it.
Below it is a character in a glass case. The base is a trapezoid. On the bottom front is what looks like a plaque. There is a person inside wearing a dress. His face is scribbled out.
On the far right of the page is a simple drawing of two gears. Where they meet, there is a zig-zag line. More zig-zag lines are around them.
On the left again is a picture of a person again. He is leaning forward with his arms out behind him and his hands clenched into fists. His facial expression is angry. He has long hair with a bow in the back and wears a on old fashioned dress. His shoes are mary janes. In front of him is a box marked "burn" and behind are two more boxes. The larger one says, "storage" and has fragile tape on it. The smaller says, "junk." The background is dark.
To the right is an illustration of a building. The main part has a sign that says "Museum" on top, but the first u has fallen . The building itself has a number of windows of different styles and an extra door far above the ground. The left side has a stone tower extending off of it and the right side has been built up off the ground and has two windows. One is shattered with a tethered bird flying out of it.
The final image on the bottom right of the paper is the silhouette of two people both from the ribs up. The first with horns and medium length hair while the second has no horns and short hair.
End Image ID]
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aliciavance4228 · 4 months ago
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The Odyssey: Funny Moments
Most of you liked my "The Iliad: Funny Moments" post, so I decided to make this one as well.
1. When Telemachus asks Odysseus what kind of help they have for taking down the suitors, Odysseus basically says, "We've got Zeus and Athena on our side. Are you sure that'll be enough?"
2. "Brother, who blinded you?" "Nobody! Nobody did!" "...Then we're going to go back to sleep."
Taken to the logical extreme in a comic book adaptation where Odysseus and his men gave him fake names:
"Brother, who blinded you?"
"Nobody! Idontknow! Idontcare! Or maybe... Idontremember!"
"So that's why they called him Polyfool."
3. After his crew opened the bag of winds thinking it had treasure and caused a huge storm, Odysseus briefly considers suicide as valid as an option to preserving through hardship.
4. The sheer, mind-boggling, testicle-shriveling amount of crap that Odysseus and his crew get put through when trying to get back to Ithaca can be viewed as hilarious in a cringe comedy kind of way. By the time Odysseus gets home and realizes that his wife has been badgered and harangued by suitors for a decade one could be forgiven for thinking that his wanton slaughter of them all was less about their violation of guest rights and more just blowing off some steam on a morally unambiguous target.
5. When briefly visiting the Underworld, Persephone allows Odysseus to talk with his mother and other dead people. Odysseus is absolutely terrified of her and dreads staying too long and incurring her wrath, running back to his ship fearful that she'll sic Medusa's head on him.
6. One of Odysseus's crew randomly dies by falling off a roof after a night of heavy drinking. Everyone else gets to be killed by horrible monsters and the wrath of the gods, but he instead gets to be a posthumous reminder about the dangers of alcoholism. Even better, after his death he berates Odysseus for not burying him properly when our hero goes to Hades!
7. On the way back to Ithaca, Telemachus asks a favor of Nestor's son Pisistratus, and proceeds to invoke two generations of friendship to get some help dodging Nestor's aggressive hospitality.
8. Penelope asks a disguised Odysseus to interpret a dream she had. It turns out that during the dream, one of its characters explicitly explained what it all represented, and Odysseus just repeats it back to her.
9. While disguised as a human, Athena goes to the trouble of giving a plausible explanation for her departure... then promptly blows her cover by turning into a bird and flying away in front of a boggling Nestor and Telemachus.
10. Penelope's tricks against the suitors, of which the two best known are:
At one point, she told the suitors she'd choose her next husband after she'd finish weaving a burial shroud for Odysseus's father Laërtes... And every night, she'd undo her work. She strung them along for three years and would have continued had an unfaithful maid not exposed her.
On page we see her daring them to replicate one of Odysseus's feats: she put twelve axes on the ground so that the rings in the handle would align and gave them Odysseus' unstrung bow and arrows, and told them that whoever could use that bow toshoot an arrow through all the rings would be her next husband.She also forgot to tell them it was a recurve bow that the suitors wouldn't even recognize when at rest, let alone string.
A lesser-known ploy is when she calls out the suitors for freeloading off her husband's estate instead of courting her with lavish gifts. They rush to present her with gifts, while the disguised Odysseus watches with delight.
11. Athena's response when Odysseus fails to recognize her in disguise and tells her a backstory he came up with on the spot is essentially "That's my liar! There he is!"
Credits: TV Tropes
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hotchfiles · 9 months ago
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â†Ș day seven. change — #marchhotchness
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What's something you would change about him?
when i created this question prompt i thought i was super sneaky because i specifically put it in there because i had something in mind. unfortunately i have adhd and forgot what it was. so here's the half assed version.
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this is a mix of a stan point of view and a writer's point of view, so have some patience with me.
first and foremost i needed him sassier. snarkier. i wanted his dry humor to show up so much more, he's so funny and the fact people (and hotch himself!!) canonically think he doesn't have a sense of humor it's honestly offensive to me personally.
i also wanted him more unhinged. i understand the after arc of foyet was done in a way to show he values jack, so that's why he didn't freak the fuck out and began killing unsubs on sight. like i get that. it makes sense. still. fuck i wanted him more unhinged some times. my biggest wish is that we got his mr scratcher arc that cbs stole from us by being a little bitch who can't deal with a bit of violence on set whateverrr.
i wouldn't change him turning into an absent terrible husband because him realizing that especially after season 5 is a big character development moment and i enjoy it.
as a stan who writes, i would've changed the way they dealt with his backstory. i wanted his backstory to be better explained, there's so many plot holes and timeline slips that make the construction of the character seem lazy. there were so many missed opportunities too, we see him dealing with his ex father in law but we don't even know what the fuck happened to his mom.
just realized i missed the whole point of the question after like the third paragraph. i just love complaining.
thanks for coming to my hotch ted talk.
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stusbunker · 9 months ago
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Spotless: Pomposo
Chapter Fourteen
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Featuring: Dean Winchester/Reader, Dean/Bela
Other characters: Sam, Dean/Jo, John/Kate, Adam, Ellen, Garth/Bess (in passing), Cas and Mary (mentioned)
Word Count: 4559
Warnings, etc: Mutual pining. MORE BACKSTORY AHEAD, story takes place currently in Dec 2017, flashback to Jan. 2004 in italics, talk of Sam's past use of hard drugs, hangovers, vomit, car accidents, injuries, character death, guilt, John was not so great a parent or husband, some paraphrasing of last chapter unbeta'd
Special shout out to @thoughtslikeaminefield who helped immensely on sorting out the backstory for this chapter too, way back when I started outlining this thing.
Series Masterlist
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Sam settled on some old school soul music to start their road trip and Dean couldn’t even come up with a reason to complain. Aretha sang in the background and they headed east, the world was their oyster and all that. Dean held onto the small bit of smug satisfaction from the interview with Meg as the city disappeared behind them. She really wanted him to crack, but he hadn't and that gave him some hope for going home.
They veered north for a bit and continued on I-40 until they hit Flagstaff. Dean liked the mountains, the air was infinitely better than LA and there was something about spending the holidays where it got cold that made sense. Unfortunately, it was just an overnight stay. How they managed a room in the first hotel they tried, he’d never know. He just shuffled in with his duffel bag and his ball cap over his now sleep-sloppy hair. There was a player-piano in the lobby and Dean had the fleeting thought about how Cas was spending the holidays.
Maybe he’d try and leave him another message, it had been months.
Sam called Madison after dinner and Dean decided to check out the amenities in order to not have to watch Sam get all goopy. Dean hadn’t packed a bathing suit, but a gym’s a gym even if it’s just three treadmills, a stair climber and free weights. So, he jogged for a little bit, watching whatever passed for news. He forgot his earbuds in the room and it really wasn’t worth going back for, he was finding his groove even without music as a buffer to the world around him.
After a solid 5k, Dean stepped down to stretch. Which worked out because a couple in their fifties came in just as he started some curls, leaving the treadmills open for their evening stroll. They talked about their family, the wife explaining what she got each of their grandchildren and where they were supposed to be on which day. Perfectly normal people conversation, but something about it made Dean sad, so he tried to tune them out and focus on his reps.
Part of his life after Cain and Alistair was a loss of gym time. Sure, he could work out at home or even do laps around the neighborhood, but it wasn’t the hours in the ring or at the bag or with a jump rope full-body-punishment that he had worked himself up to. It was also a lot more peaceful, less reactionary. And Dean decided he would find a balance between stagnation and self-destruction. Twenty eighteen was just around the corner afterall.
Dean got back to the room in time to shower and crash. If they wanted to push it, they could make it to their Dad’s place the next day. But neither of them were in a hurry, even in Sam’s fuckboy Charger it was nice to be on the road together. Dean took the first stretch towards Albuquerque, but Sam called it in Santa Fe. He had thought ahead and booked them a hotel instead of chancing it again, which surprised Dean for some reason. Sam had gone and gotten to be responsible while Dean was busy fishing himself out of professional purgatory.
“You talk to Bela?” Sam asked as they waited for their pizza to be delivered. 
“Uh, she texted me that she landed at Heathrow, but not really. Why?” Dean asked after taking a sip of his beer.
“Wasn’t sure if you guys were doing the whole gift exchange thing,” Sam shrugged. “Madison made me wait until after we get back to give her hers.”
Dean chuckled. “I don’t want to know what you’re giving her, alright?”
Sam rolled his eyes, but otherwise ignored the innuendo. “Won’t people be asking about what you got her?”
Dean hadn’t really thought about it. “I guess I could ask Trouble for some ideas, see if she thinks it’s necessary we post about it. I don’t know, I was kind of hoping of forgetting about the whole thing until New Year’s at Elizabeth’s, you know?”
Sam leveled Dean with a glare. “You know Dad is gonna ask to meet her.”
Dean set down his beer. “Well it’s a good thing she’s halfway across the world then.”
They sat in silence for a few minutes.
“Mom loved that show,” Sam said thoughtfully.
He was right. Dean had completely forgotten about why he’d recognized Bela the first time they’d met at your housewarming party way back when. But, yeah, Mary had watched ‘Red Sky in the Morning’ every Tuesday night after she put them to bed. Once Dean reached junior high, he was able to persuade her to let him stay up and watch too.
“I can’t believe it was on as long as it was, it was fucking awful,” Dean said playfully.
“Yeah, but it was her escape,” Sam added gently.
Dean took a long pull off his beer. “I guess so.”
When Sam went to meet the delivery driver, Dean turned on the television, banking on some sort of Christmas special to take his mind off memory lane. They ate quietly, letting last minute sales commercials drown out their thoughts. Tomorrow they were going home, or as close to it as they had outside of LA. Dean felt lopsided over getting to see Adam, having to navigate his dad, and tiptoeing Kate’s well-meaning but invasive nature.
But that’s family for you, nothing more important than that.
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Dean rolled over on the couch, something had woken him up and he was too hungover to let it win. But it didn’t stop, a trilling sound coming from his pants pocket, fuck, it was his phone. He cracked one eye open and checked the caller id.
He closed his eyes and answered. “Morning, beautiful.”
“Dean Winchester?” a harried voice asked, decidedly not Jo.
“Ellen?”
“Yeah, listen— there’s been an accident. Jo and Y/N were T-boned on Hound Drive last night. Can you come to the hospital? I just came home for a change of clothes, but I’m heading back there now.”
Dean sat up, liquor and a headache dulling his reflexes. “Ellen? What are they saying?”
“She’s in the ICU. I— we need you there.”
 Terror flooded Dean’s system, churning with a relentless guilt. Jo wouldn’t have been out so late if it wasn’t to see him. He swallowed. “Uh, of course. Do you want me to drive you? I can be there in ten minutes.”
“I’ll pick you up. I’ve got my truck, the roads are still a mess.”
“Right, okay, I’m at Dad and Kate’s— do you–”
“I’ll be there soon.”
“Ellen? Be careful.”
“Don’t you start young man.”
“Yes ma’am.” 
Ellen hung up.
Dean stumbled into the bathroom and threw up. He didn’t have time for a shower. Instead he grabbed his shaving kit and threw on a fresh layer of deodorant and brushed his teeth. He pounded three Advil with the water from one of those flowery Dixie cups Kate kept in a plastic dispenser on the counter. He couldn’t look at himself in the mirror, he knew how bad he must look. He stomped back into the living room and swapped his sweaty flannel for one that smelled neutral from his duffel. Adam showed up as Dean was shoving his boots on.
“Dean? Can I put on cartoons?”
He didn’t jump, Dean didn’t get scared of six-year-olds in footie pajamas. He was just on edge, was all.
“Knock yourself out,” Dean said.
“Where are you going?” Adam asked, stealing the afghan Dean had left on the floor.
“Uh, friend of mine had an accident, so I’m heading to the hospital. Can you tell Dad? I don’t know when I’ll be back.”
“You can tell me yourself,” John’s voice pressed in behind Dean as he came in from the kitchen, mug of coffee in hand.
“Dad—,” Dean looked at his father, a man who had been on the road cheating on his mother for years. The same mother who died in a fire because John couldn’t bother to make sure to keep the electrical in their shitty double wide up to code. “It’s Jo. Ellen’s gonna take me to the hospital. Dad, I—”
John’s entire stance changed. “Go. Call when you know something. I’ll send Sammy when he’s up, he’ll know what to do.”
They both knew Sam couldn’t stop whatever was happening, but he’d keep Dean from causing a scene.
A car honked in the driveway.
“I gotta go. Thanks,” Dean brushed past his dad without even a glance at Adam.
Dean wouldn’t let Ellen drive, even hungover he trusted himself behind the wheel more than a desperate mother. She only pretended to argue before sliding across the bench seat and letting him in. The roads were a mess. In the thirty minute drive to the hospital, Dean saw another two cars in the ditch. Though, it was clear now in the morning sunshine, everything was blinding in its whiteness.
“Listen, you shut up and keep your head down. Let me do the talking,” Ellen warned him as they approached the reception desk.
“Hi, I’m Ellen Harvelle, I’m here to see my daughter Joanna? This is her fiance.”
Dean squirmed, but nodded at the nurse who looked at him like she wanted to reach over and hug him. “Of course, right this way.”
She led Dean and Ellen down a hushed hallway, the beeping of machines and huffing of ventilators the only sounds escaping the doorways as they passed. Dean looked around for a trash can, the painkillers in his stomach threatening to come back up. Ellen took his hand and pulled him into a room. 
Jo was hooked up to more machines than should have fit in the tiny room. Her hair was matted with blood and she was drowning in the hospital gown. Her beautiful face was swollen and red, the bruises still forming where she hit the passenger side window— or maybe that was the dashboard, Dean couldn’t tell she was so misshapen.
“Oh, Jo,” Dean’s voice broke. He stopped himself from saying anything as the nurse talked, but all he wanted to do was sob.
 He didn’t realize he had let go of Ellen’s hand until he was clenching the rail along Jo’s bedside. Ellen stood on the other side of her, carefully brushing the hair out of Jo’s beaten face. Her one arm was framed in a metal fixator, skin angry from where the bone sliced her open from the inside. Her leg was in a brace, but at least that meant those bones were more salvageable.
“What happened?” Dean said eventually, unsure of when the nurse left. He eyed the machines tracking Jo’s heart rate, but he wasn’t sure if the readings were good or bad.
“Someone was driving on the wrong side of the road— couldn’t see the lines and Y/N swerved to miss them, they spun out and the other car didn’t stop. They took her to surgery– her right knee was shattered.”
“Jo took the brunt of it,” Dean stated the obvious, still too terrified to reach out and touch Jo. She was suddenly so very fragile.
Ellen sniffed.
“They are watching for internal bleeding before they’ll operate. Her brain—," Ellen couldn’t finish.
“Hey,” Dean rushed around the bed and pulled Ellen against his chest, finally giving his hands something to do. “They’re doing everything they can.”
“It’s not enough,” Ellen argued.
“I know,” Dean agreed, squeezing her tighter.
Ellen pulled back and wiped her eyes, muttering to herself about going soft. Dean needed to give her a moment, hell, he needed a minute to catch his breath. He told her he was going to find coffee and she told him they had a waiting area down the hall. He nearly ran out of Jo’s room.
He checked his watch, it was just after ten o’clock. And as exhausted and hungover as Dean felt, he was pretty sure Ellen hadn’t slept at all after closing the bar. He wondered if she’d even made it home before getting the call. He found the coffee maker and pushed a button for something hot and thin and caffeinated. He wondered if Y/N had passed a breathalyzer, knowing how much Jo had been drinking didn’t make him certain her driver was much better off.
He was gonna be sick again.
He left the paper cup on the grate and fell into one of the stiff plastic chairs around the small table. He put his head between his knees and breathed, resting on his elbows. Dean counted the flecks in the white linoleum squares beneath his feet.
Nothing made sense. They were just getting started. Last night there was the impossible giddiness of seeing her in person after so long and now the unabashed horror of her mother sneaking him into the hospital as her fiance so he could see her before

She was eighteen-fucking-years-old and he was going to lose her.
And it was all his fault.
He stared at the floor until he couldn’t anymore. The coffee was nothing more than a passing burn on the way to his knotted stomach. But he couldn’t stop the tears and he wouldn’t go back to Ellen until they were dry, she needed him to be better than that. When he couldn’t cry anymore and after he used his last single for a pack of peanut M&Ms, Dean went back to Jo’s room.
Ellen was asleep in an ugly mauve chair with her hand clutching Jo’s good ankle over the thin hospital blanket. Dean found another blanket from a CNA and tucked it around Ellen’s shoulders. He stood guard, through Ellen’s brief nap and the three o’clock shift change, even after Sam came by with lunch but left because he wasn’t allowed on the ward.
The seizures started around five and Ellen and Dean were asked to wait outside. Before six, she was wheeled away from them into emergency surgery and by seven she was gone. Dean had to hold Ellen back from slugging the surgeon. He caught her when she finally sank into reality, and somehow Dean found more tears.
Nothing felt real, least of all Dean himself.
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Adam looked Dean in the eye and grinned.
“Get over here you little shit, I told you to stop growing the last time I saw you didn’t I?” Dean hugged his youngest brother hard, thumping him on the back as he rocked from foot to foot. “Good to see you, man.”
“You too,” Adam grunted out before Dean could release him.
Then came John, waiting for Dean as he walked through the front door. They didn’t say anything, just gave each other the once over and went in for the hug. John held him tight until he cleared his throat, stepping away from the vulnerable moment. Sam came in with his bags and hugged Kate first, who had been waiting in the hallway to the kitchen.
“Sammy,” John said, holding out his arms.
“Hey Dad,” Sam hugged with genuine warmth on his face, Dean never thought he’d see the day. But time does things to a person, and forgiveness was always Sam’s superpower.
“You boys hungry? I can reheat dinner, I know you’ve been on the road, wasn’t sure when you’d get in,” Kate offered as Dean went in for the obligatory hug. She had colored her hair, instead of her natural blonde it was a mature auburn, covering the gray and giving her a different air.
“Don’t worry about us, we can scavenge for something later,” Dean assured her. “I like your hair.”
That startled her. “Oh! Thank you, yeah I just figured I’d do something different for winter, you know.”
“Don’t she look good? I told her redheads are feisty,” John teased, wrapping his arm around her waist.
“Gross,” Adam called on the way to the basement, where Sam had headed down to watch him finish his game.
“Beer?” John offered and Dean gladly accepted.
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Arriving three days early was pushing their luck, Dean knew that, but there was nothing keeping him in LA. And after the novelty of catching up and last minute shopping in the tiny downtown of Mills’ Crossing, there wasn’t much more small talk to be had. 
Naturally, John started it. But it was over Sam that had Dean’s hackles up first. They were sitting down for a late lunch, having gone to church as a family for the first time since Kate and John got married when John made a comment about it was good to see Sam’s forearms ‘healthy’. 
What he meant was he was proud of Sam for kicking his habit, for staying clean. What John didn’t know was that Sam was so good at hiding it, Dean had to check between his toes before he finally got him into rehab the last time. Seven years since Sam had kicked it and John still needed to point it out.
The jam session that night seemed to clear the air. Adam had decided he was a drummer sometime after Dean and Sam’s first platinum album so John built him an entire soundproof room in the basement to go wild. Which meant the Winchester men were a full four piece, if they got to pick their parts. Dean abstained from playing lead because it was John’s house after all, but the old man’s hands weren’t what they used to be. And that gave Dean a little bit of satisfaction.
They rolled through the classics, even playing a couple of Phantom Traveler’s songs that didn’t rely too much on the keys. Dean made John sing though, laughing when he made up his own lyrics.
They ended the night with a drunken, almost punk rendition of Jingle Bell Rock after which Kate shut the lights out on them and told them to go to bed.
Christmas Eve was boring, Dean had gotten stir crazy and kept checking his phone. He knew you had gotten in the night before, but he couldn’t justify trying to hang out while you had such little time with your family as it was. Sam gave him a look and they started playing poker, teasing Adam that he needed to know every version of the game if he was gonna hold his own one day. 
Kate wiped the floor with them all.
They had eggnog and exchanged one round of gifts before going to bed, no expectations of Santa Claus or any set wake up time scheduled. It was just another day. Dean barely slept, anxiety churning inside him. He tried meditating. He even prayed, but God, who was understandably busy that night, didn’t save him. Because he woke up with a bug up his ass and, naturally, his father was the first one to point it out.
“You kiss your girlfriend with that mouth?” John asked after Dean cursed at Adam’s obnoxious ringtone.
“Do a lot more with it than that,” Dean muttered before he could stop himself.
“Dean Winchester,” John snapped as if Dean was still sixteen, still living under his roof.
“Oh, come on, kids in college, he’s heard worse,” Dean griped, going back to his coffee.
It all went downhill from there. Naturally, Adam got the lion’s share of gifts. Sam and Dean didn’t need anything, but it was so uneven it looked like John and Kate didn’t even remember they were coming to visit. Meanwhile, John’s plasma screen had arrived two days earlier and Sam and Dean were tasked with installing it in the living room midmorning.
Nothing says family time like manual labor and micromanagement.
Dean started drinking before Kate had taken the ham out of the oven. And while Sam wasn’t exactly keeping track, Dean felt like he was asking for whatever bitchface he got next. He just couldn’t stop himself once he started snarking.
Adam was telling them about the musical composition class he had finished and how he had written something for a string quartet. 
“Our new keyboard player went to Julliard, you should send it to him,” Dean said off the cuff, before shoving some venison sausage in his mouth from the snack trays Kate put out.
“So you upgraded from Cas officially now?” John asked suspiciously.
“Dad, Cas left the band last spring, of course we made it official,” Sam cut in. John already knew this.
“I know, I just hoped you boys would work it out.”
Dean laughed darkly. “Nothing to work out. Dude left, we moved on.”
“And why did he leave exactly?” John goaded Dean.
Dean rolled his eyes, John was one to talk. He had pissed off half of all musicians between the Rockies and New Orleans before he hung it up.
“Let’s call it the Winchester temper and leave it at that,” Dean smiled without teeth, then popped more snacks into his mouth.
“Yeah, cuz the Campbell blood held only saints,” John muttered.
“Dad!” Sam admonished.
“That’s fucking rich! Talking about her when she’s not here to call you on your shit. I fucking punched Cas, alright?! You happy?! And who, DAD, taught me how to do that? Huh? Winchester temper. Not Campbell. That one was all from you.”
John stepped into Dean’s space, but spoke to Sam. “Sam, take your brother outside for a walk to cool down before dinner.”
Sam grunted in confirmation.
“Watch how you talk to me in my own home, Dean. Or I’ll show you a Winchester temper,” John said lowly. “You understand?”
Dean rolled his shoulders and looked his father in the eye. “Who exactly paid for this house again, Dad? Yeah, I’ll talk to you how you deserve it. I’m out of here.”
Dean felt Adam watching from the corner as Kate pulled John out of the kitchen and into their bedroom to give him a piece of her mind. Sam nodded at their younger brother, silently thanking him for holding down the fort as Dean stormed out the front door.
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The Roadhouse was blissfully the same, with only a handful of beaten down cars in the parking lot. Dean had spent enough Christmases at bars or taverns throughout his life, but now he just wanted something that felt like home to get through this tightness in his chest. What they found inside was something altogether more special.
Ellen’s entire face lit up as they walked in, an empty plate in front of her and Garth manning the food line. Dean got his hug in first, but Sam took his time asking about what was going on. Then you were there, and Dean felt a hot shame creep up because he was this close to falling into old patterns. And that wasn’t how he ever wanted you to see him. He zipped his lips, pleading with himself to get a handle on his temper already.
He felt you breathe him in, the truth was never hard for you to suss out. And yet Dean held on, needing you close, being stupid and selfish as ever.
They took their free meal and ducked into a corner, watching as Ellen played angel to the downtrodden of Boone county. Slowly, Dean was able to set his shit aside. With Sam talking about anything and everything across from him; he accepted his resentment for his father, his frustration at himself and the stupid fucking feelings he had for you. It all seemed much more manageable when faced with people who had to get over much bigger obstacles with so much less. There was one more thing he promised he’d do while he was home, now that he’d visited Ellen. And he double checked that Sam was still good to go with him, to be his chauffeur.
They helped clean up, though Ellen moved a mile a minute and did tasks faster than she could explain them. And then Ellen was handing you off like a Christmas present, one that Dean couldn’t ever accept. 
Ellen said her goodbyes and left Dean standing in the parking lot without much of a guess on what you wanted to do next.
“I guess we better get going,” he said, asking Sam more than anything.
Then Sam reminded Dean about the cemetery and a new wave of guilt seeped into Dean’s stomach. When it came to Jo, you had first dibs. She was your best friend and Dean’d be damned if he’d visit her without you getting a chance to too. As macabre as it was, he felt he owed it to you.
You looked like you were going to be ill.
“Maybe we should ask her if she wants to go,” he told Sam, searching your eyes for permission at the very least.
You took your time with the idea, but turned him down. “If it’s okay, would you mind dropping me off first? I know it’s in the other direction.”
Dean felt you sinking behind a wall the further they got from the Roadhouse, you asked questions and made conversation, but you weren’t really in it. He probably shouldn’t have brought up Jo, but with Ellen and Christmas and the Roadhouse, she was already everywhere anyway. 
They let you out at your parents’ and headed back across town. The streets were almost empty with the sacredness of the holiday. The cemetery was decorated in pine wreaths and cheap red ribbons. The narrow paths were  silent beneath their feet. Dean had thought he knew what he wanted to say when he decided to take this little side quest to see Jo.
What he said once Sam was safely back inside the Charger was something else entirely.
“So, I’ve been better. Not like I’m bad now, but I’ve been doing actually better. I was a mess for a long time. And not just from you, but a lot of shit. And last year, I guess earlier this year really, I kind of imploded. I started hurting people, like actually hurting them and justified it to myself somehow. Then I pushed Cas away from helping me, after breaking his nose. And well, the bands a lot different now. But we’re still doing it. 
Look, Jo, I know you wanted me to live my dreams and see the world. Things I always wish you could have done. But sometimes dreams are regular everyday things, like bringing home pie or having somebody to say goodnight to. And I haven’t let myself have dreams in a long, long time. But I think maybe I’m starting to again.
And I just need you to know that I’m gonna be okay. And I am gonna do what I can to keep your people safe, because they’re my people now too, you know? You gave me another mom and a best friend without even meaning to. And we all miss you like crazy. But, we’re okay. Merry Christmas, beautiful. I  hope the angels pull out all the stops up there.”
Dean exhaled, his nose thick and eyes stinging in the cold air. He wiped his face and looked at Jo’s name one more time before turning back towards the road. Sam waited until Dean was buckled in before asking, “you good?”
“Yeah, man. Let’s get back before I cause more of a sensation,” Dean said, not meeting Sam’s eyes.
“Okay,” was all Sam said.
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Tagging:
@deans-spinster-witch
@mrswhozeewhatsis
@cosicas-cuquis
@fics-pics-andotherthings-i-like
@suckitands33
@ladysparkles78
@deans-baby-momma
@stoneyggirl2
@sassy-pelican
@leigh70
@globetrotter28
@winharry
@lastactiontricia
@rockhoochie
Chapter 15: Rubato
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itsyagurlchip · 23 days ago
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Can u tell me more of ur au plz?
you're in luck! I still have a few character ref sheets left! I'll give more characterization and backstory for these lil guys!
also sorry if this comes out a bit late- im taking a break from art for a while and while im typing this (07/30/24) i'm also finishing the visualization ref page for reader.
(current chip) ANON KISSING YOU ON THE CHEEK SWINGING YOU AROUND THANK YOU SO MUCH FOR THIS ASK!!<3333 MY IDEAS ARE ALL OVER THE PLACE CATCH UP OR BE CONFUSED.
It's both an AU, and a fic so I apologize if things get messed up. So when I say "Undertake Sans/Papyrus/Person" it refers to my AU rather than the original "classic". My fic refers to the "6 skeletons, one human" trope and the AU focuses on details from the Undertake universe.
I may have over explained, but I wanted to keep that clear- And most of this post will take the time to talk about the plot and lore of the fic.
As I've said before, Undertake is just a sillier version of Undertale where shenanigans happen all the time on the surface. But I've never explained fully why. Welp! Here you go....
We all know how the trope goes. Sans tries to get his Dad back, and succeeds! Except this time, it's on the surface. And Frisk doesn't feel like...Frisk. Anyways, bringing Gaster back from the Void has caused complications within the universe, about 5 years after monsters resurfaced.
"One time things" turn into regular occurrences, stereotypical situations that would never happen in real life are happening, it's overall stupidity!
But Sans and Reader are the only ones who "know" about this change. Sans just rolls along with it, using this as a breather from past resets. Reader, on the other hand, has whiplash from the whole thing. When did everything change? and why? Something felt wrong in their SOUL. Everyone else seems to fit into this random "normal" and it pisses reader off.
But they're a kid. They don't know what they're talking about, so they ignore them as best as they can.
-
Since every monster is on the surface, and pretty much all need jobs, Sans becomes a scientist of sorts. He represents most monster scientists, and helps humans with the evolution of magic-science. He doesn't work all the time, that's a big role to fit in; something Alphy's would gladly take, and so he mostly works on projects at home.
Integrating n shit, I'll leave those details to the fic.
After getting licensed, transferring his master's degree in physics, and getting all the tools he needs, he decides to re-build gaster's machine to bring him back.
Mind you, this is a year after they get to the surface, so nothing has changed yet. When Gaster came through the machine (I'll draw it so you can get a better representation of what it looks like) he was horrified.
Why was he melting? His face was now stuck in a forever frown. Looking at his hands, you could still see the holes engraved into them from when he was first born.
He began to sign something ancient, a language horrifically nostalgic he almost forgot to catch what he was saying.
But before he could respond, the world went black. There was a wild pulsing in his SOUL before the world went black.
^^reader parallels this btw
I'm not gonna drop too much, because I don't wanna spoil any plans I have for this, but thank you so much for this ask!! I might even start writing chapters in January
here's reader's character sheet btw. (and when you guys read it do understand that you dont have to portray them in the same way i do, nor do you have too be an ass abt it)
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©KAL pls don't steal, repost, trace, or whatever an art theif does. you can inspire yourself! just tag me to let me know<3
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y'all better clap for me
im on a writing roll
☀⋆.àłƒàż”*:(title)☀⋆.àłƒàż”*:ïœ„áŻ“áĄŁđ­©(warnings:) ᯓᥣ𐭩(note) ᯓᥣ𐭩 (summary)
à«źâ‚Ë¶â€ą .‱⑅₎ა tags: @kittykittyanon @bonefanatic @oleander-nin @towomatos @thealphagirl
à«źâ‚Ë¶â€ą .‱⑅₎ა@ziipzeepzop-eez @wheezdostuff @spongejuice @cyb3r-st4r @matteo-hamato
@clown-froggi @acesgarden
if you would like to be added, check my blog. if you would like to be added, check my blog. SEE? I SAID IT TWICE!!
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petra-creat0r · 4 months ago
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Deltarune: Fool's Fate Ch. 7 Secret Boss
We finally get to the Studio Dark World! The only chapter other than Chapter 1 of Fool's Fate to be set not in Hometown!
I think I first started coming up with this guy around the fourth of July, it's just taken me a bit to draw them and flesh out their lore. Anyways, without further ado, ladies and gentlemen I present to your, your host, the one, the only, the darling deer with the charming voice, Ray D. O'Skelly!!
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Ray's name should be obvious. It's a pun on radio. They're a radio host. Not a lot to explain there. Though when first coming up with their name and concept, I did look into 30s and 40s era radio hosts to try and pull inspiration from their names. Red Skelton was one I landed on since Skelton is similar to "skeleton" and I already knew I wanted this boss to have a skeletal face to resemble 30s era radios. Eventually I shorted it to Skelly to flow better with the O to go with the radio pun.
I don't really have a text quirk for Ray yet? Best I can think off is their voice sounds staticy or they get interrupted by ads/song lyrics similar to Spamton and Bitsy. I do know that they can't actually speak because of the well... whole thing that happened to their face. Their voice comes through their microphone. If anyone has any ideas let me know. Maybe a sound board situation?
Since I imagine the studio world being similar to what I think Chapter 3 will be like, being based off movies and film rather than TV, and Bitsy is already animation theory and I've got Casper to cover Woody theory, Ray is radio theory. Video killed the radio star. The theory I forgot to include in my original poll when I was first coming up with Bitsy despite being one of my favorite ideas. Aside from being based on an old-timey radio host, I also vaguely pulled some subtle inspiration from Alastor from Hazbin Hotel. Mostly just in the fact that Ray is a deer along with their color palette, radio theming, and some of their demeanor.
Backstory under the cut
Ray O'Skelly used to be the talk of the town, the bees knees, the cats pajamas! The voice heard across the globe and broadcast to nearly every station. MTTWood's very own home town darling and host of the most tuned into radio channel in all of the studio world. Ray's radio show had it all! Music, news, even radio plays performed by the deer themself! It was the age of radio and Ray was monarch, surely there was no way their popularity would falter any time soon.
At least... that's what Ray thought before the leader of the studio world signed a deal with some folk from this up and coming "Television" Dark World.
At first, the TV World didn't pose much of a threat to Ray, or at the very least it couldn't yet compete with the popularity of their radio show. But over time, the alternative form of entertainment started to gain more attention and views than Ray's show gained listeners. Especially after the appearance of a supposed Knight in the other Dark World and the merge of most of the channels into TennaVision. According to the public, Ray's show was getting old and bland. The music they played went out of style who knows how long ago, and people would prefer to watch the news and Ray's "radio plays" rather than simply listening. Ray either had to adapt, or fade away in obscurity.
That was when Ray met a man. A man offering aid, offering salvation to the deer down on their luck. The man offered to help Ray "get with the times" as they say, and rise back to fame. Help get their radio show back in the public zeitgeist and to surpass the competition. Almost without thinking, Ray took the man's offer, desperate to stay relevant through whatever means necessary.
The man made good on his deal, helping Ray by suggesting a few changes to their format here and there. New music, updated segments, notes on Ray's tone and how to better appeal to masses and be "hip with the kids", the works. Ray wasn't particularly for all the new changes, but they were desperate. Desperate for attention, desperate for fame and adoration. And fame and attention they got. It was almost as if, whoever tuned into the station would HAVE to listen. Ray's listenership was through the roof, all thanks to the man...
Perhaps it could be said that fame and power corrupts, because at some point, listeners noticed a shift in Ray's demeanor. Once the soft-spoken and well mannered host with the most, they got more prideful, vein, sadistic. Either from all the attention going to their head, or perhaps from a great Truth revealed to them about the nature of their existence breaking their mind. Whatever it was, it twisted the once charming radio host. Twisted them into an arrogant yet still devilishly charismatic individual with an ever captive audience.
Eventually, Ray's pride got the better of them. Even after the man left, Ray still maintained their popularity and fame, yet their ego wouldn't settle for just that. Ray had a captive audience at their disposal who would have to listen to anything they said. Any idea they suggested could be implanted in as little as a whisper and the right frequency. Ray could control this town. Could bend it to their every whim and will. Which is just what they tried to do. Before their operation got shut down of course.
Turns out, an old acquaintance had played stool pigeon and cried wolf to the authorities. Even if Ray tried to charm the guards, it was no use. Their studio was taken from them and shut down and they were cast out onto the rainy street. Yet even stripped of everything, Ray wouldn't let anything stop them from reaching the top. In a makeshift studio down in the darkest corners of MTTWood, Ray continued to broadcast their signal to who ever would listen.
That is until the children of a star and their friends found themselves in the studio world...
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hehehe. It might've taken me a bit to come up with but this was fun. When I designed Ray, I knew they were a little charmer, but I also wanted to have them be twisted. I imagine after the studio Dark World is sealed and Ray ends up staying at the Blook house with Spamton and Poly, they act like the sweetest little darling. Only to still be manipulating people through subliminal messaging in their radio broadcasts. I'll have to play that out some time.
Anyways, only 3 left to go! And one of those I already have so it's really just designing the secret boss for the Town Hall world and then the Festival world. The later of which I already have a vague idea for.
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katyspersonal · 5 months ago
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Hey so, i kinda am a little confused at how things make more sense now, (referring to the post with tigers) how does it makes sense now?
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Okay, this is a reference to this post:
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I am cracking up at this meme format every time hdfshsdg I assume you both are referring to the last part and not just anon, since the first one is kinda simple: Marika's reactionary paranoia towards any subspecies that believes they are divine has backstory, former deifying of Crucible was part of her clever plan to screw Hornsent over as soon as she can since they mention her "betrayal" and snakes are seen as traitor of the Erdtree as Messmer and his simps were thrown under the bus blablabla we heard all this
As for Ensha: My friend @val-of-the-north made a better post on the topic here ( x )! I recommend simply reading it, but I will summarise anyway!
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So, the gold of the Erdtree and Scadutree are connected as they're two sides of each other, for starters! Ensha's bones are strangely golden too, and they even share the same passive power of slowly healing the wearer as gold of the Erdtree with their stones of tailsmans depicting the Erdtree sap! It is now very likely to suggest that he was a warrior blessed in a similar way, but brought back since he was a king, a very important figure!
The term 'soulless' is otherwise used exclusively for the Demigods that died in the Night of the Black Knives; Godwyn and those who are now buried in Mausoleums and guarded by their headless knights! Ensha is not only called that, but also his "weapon" is a literal skeletal arm latching onto him đŸ€” Him having been one of the warriors blessed upon death, but having his death somehow disturbed after Shattering works naturally! Maybe other corpses instinctively crawled towards him because the healing power still lives in him. I also like to think that this golden energy was what deceived D's radar x) Besides, Roundtable Hold welcomes not only Tarnished because Dolores, stated to once have been a part of the Roundtable Hold, wasn't one for example:
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Radiant golden eyes are not the thing that happens with Tarnished, with the exception of Anastasia who became monstrous upon eating many people ( x ) Hers are closer to the effect of eating Dragons' hearts on the eyes than grace
(P.S. Mentioned already, but Ensha can't talk and Alberich, who was driven mad by people talking shit about him, coincidentally drops a Tainter's Tongue which is also golden! Alberich was heretical from the Golden Order standpoint, so Ensha's backstory being linked with it would explain speaking not kindly of him.. and paying I guess 💀 )
As for Dung Eater: Apparently, sun-face is connected with the Fell God!
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I need a button on my keyboard that just says 'sorry I forgot to copy a screenshot' fdshdfhsd Okay so, I did kinda think that 'the guidance he once saw' was supposed to refer to being called by Grace, especially since Gold has subtle connection with the sunlight. But even back then it didn't make much sense because all Tarnished depicted in the intro were shown to be raised from their deaths by Grace (except for maybe Fia but overall it is complicated how deathbed mechanics works)! And so he already had the sun symbol before:
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Besides, according to Boggart, who shared jail with him (weird flex to put a thief together with a serial killer but sure), he was already doing.. whatever he was doing. So I decided I didn't have enough braincells to understand and left it for later, and I was right I guess fhhdfsd
Apparently, Fell God has connection with the horns, so, Crucible! It is like a missing link in why two of Marika's children were born Omens and why Leonine Misbegotten, the ones with red manes, are internally known as 'children of radagon' ( x )! Also, one of the Leonine has Radagon's sword!
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Omens also are haunted by Wraiths, who are both fire creatures and have horns:
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^ a kind of 'fire' Omens with uncut horns can summon, fire Morgott explodes into upon stage transition, and also Dung Eater can summon wraiths too! The wraiths do respond to the bells of wraith-callers as well!
The nature of these spirits is for another tangent (and yes I do have a guess fdhfds), but yes it seems like that the "guidance" he envisioned was actually about Fell God, and not Grace! His goal is and already was to curse everyone with Omen stuff, whatever is the reason. He might have came in contact with a weird power and decide it was a good goal to pursue, much like Gowry and Shabriri (Flame of the Fell God states that Fell God still lurks even after death). Or maybe he was strangely in contact with the wraiths despite not being an Omen himself, and their own yearning for curse upon everyone descending from Marika rubbed onto him? (could also explain why he feels like he should have been born an Omen) Or maybe he himself just researched a lot, in simple terms, he is Just Like That xD In any case there is finally some extra context to it!
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lavandaea · 1 year ago
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*inhales deeply*
There's spoilers ahead so, yeah, be careful.
This weekend episodes have actually broken my soul.
He didn't even need his feelings to be reciprocate, HE JUST WANTED TO BE WITH HER.
Dear writers, some things to ask, why so much screen time to second male lead? Why create such chemistry? Such backstory? (Spoiler alert: that will make us sympathize with the supposed villain) To just fuck*ing rip his heart out and pulverize it like Grandma with the cow bones, yes, just like that.
Let me get this straight, after having been raised in an environment of violence, pain and God knows what else for God knows how long, he falls in love. He experiences ✹feelings✹ ,he puts all his trust in her like never before, he shares his past and then he gets betrayed.
I swear I never seen someone cry so with so much meaning, feeling, with so much back there.
We made progress for the last (at least) five episodes TO JUST END IT IN A SINGLE ONE.
This could have been handled a lot better in a lot of ways and about a lot of topics that I could actually write an essay.
Let's begin the the main leads.
So, in order to have some sort of feeling about ML and FL loving eachother you need to put screen time ON them. Yeah, they support eachother, they have known far before Si Oh, they are funny and a lot of things more. They even kissed and very passionately, wow.
Just one thing, Why didn't I even blink during that scene but found myself hitting the pillow and blushing when Si Oh did such mundane things as taking her home, opening doors for her, fixing her purse, hair, looking at her with those "I love you" eyes,👏feeling👏guilty👏about👏making👏her👏uncomfortable👏 with👏his👏feelings👏for👏her HELLO??, WAVING HER BACK WHILE HE WATCHED HER GO, SMILE EVERY DAMN TIME HE SAW HER?
IÂŽll tell you why. Because I know, thanks to you, that Si Oh was experiencing for the very first time what it's like to have human interaction that doesn't involve violence or having to be wary of everything and everyone all the time.
Even after having lived a life of shit, even after still living a life of absolute shit he still wanted to be connect, to be happy, to make her happy, to love and be loved. Moreover, I couldn't help just to feel happy for him, sad, angry, fucking rageous (not more than him, obviously).
Meanwhile, I barely know Hee Sik aka the male lead.
I remember seeing his mother once and I think that's what I understood about his private life. Sorry, I forgot about his deceased brother, that could have been a good topic to develop if it wasn't just mentioned once somewhere in the sixth chapter and left there to rot. Other than that, I know he is a cop, loves his cops friends and loves Nam Soon, also he is really loyal and good person.
Nice👍, very nice. But that's not personality or backstory, that's a job and some general traits everyone should have to live in a society and have a job where you usually do the teamwork thingy.
So, what else??
Or does the man just exist for his job and girlfriend?
It is just I simply don't understand it, you create a seriously complex character that has all kinds of potential and you want us to root for...Yeah, no. He literally could be an extra with how little and simple information we receive about him.
Even Shi Oh had some time to box being a drug dealer and full time whipped for her.
I'm just saying that you want me to suddenly dislike someone you took a considerable amount of time explaining but I have to like this good guy because you just pointed at him 👉🧍, and said, "here's the good guy, please love him"
Sorry, I cant do that.
If you haven't noticed, you just made a character I fell obliged to sympathize.
If you wanted to make him evil and hot you should have just made him evil and hot.
It worked just as well with Jang Han Seok from Vincenzo.
Not have him have "REDEMPTION" written all over him just to go with "Actually, no. He has no chance. 😃". It is for lack of a better term, frustrating. (Pointless)
Instead, maybe you should have dedicated that screen time for the construction of the main leads relationship.
Oh, yes. Another thing since we are talking about the matter.
ML and FL relationship progress got weaker and weaker since she had started to spy on Si Oh. And then one episode it was like "Oh, yeah, forgot to tell you, they are actually dating by now" Bom, a kiss. If I need a kiss to know they are in love, there's something going on back there. If a great amount of people are rooting for a couple that is not the main one, something is going on there.
Something lacking.
Scenes of them in love: well acted, nice, cute, cool, okay. But it is like picking a random romance book and start reading it ten chapters ahead, they are in love, but how did this happen??? Last time I check, they were in a friends-catching-fealings-zone.
Where's their development?
I know where is it. In the fake relationship, that it was being used just to turn Si Oh into a complete monster with probably not chance of going back.
"You have suffered a lot, yeah, I see. Anyway here's more pain. Suffer more and go cause some trouble because if not, there's, apparently, no plot"
Nice job.
I have been saying this and I will say it again, kdrama writers/directors are not ready for traumatized villains. They are afraid of them.
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mango-dolphin · 2 years ago
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playing a game with myself called "inventing a man and scaring myself with it"
Note: Not all of these predictions are meant to be taken literally, more figuratively/metaphorically/so on. You get it. Note 2: lighter the text, the more likely i think it is to be (in part or in full) true
ALSO. thank you @maxknightleyunofficial for the yuri box.
bingo transcribed below [with additional Author's notes!]:
Limbus Company Predictions
Row 1:
Sinner Number correlates to recruitment order. (Which, yes, would imply Dante joined LCB before Sinclair, Outis, and Gregor. No points)
Another character based on a poet (or philosopher) is introduced. HM: Ovid SWEEP!!!!!!!!!!!!!!!!!!!!!
Meursault's source material is his backstory: he works for the LCB because they saved him from the death penalty
The E.G.O gear the Sinners are attuned to all corrode because the gear or their attunements are imperfect. As in: your LC nuggets got that good shit [because the LCB doesn't have Cogito & can't manufacture E.G.O gear: the Sinners have to "connect" to the Abnormality instead, however that works] / are better [than the LCB Sinners]
The psychosis warning is for multiple Cantos and/or side stories, but one of the Cantos needing that warning is Meursault's.
Row 2:
Sinclair goes tree mode. I will not explain any further.
Limbus Company wants to be the new L Corp, or at least be continually influencial to whoever takes the spot.
The Fruit of the Tree of Knowledge of Good and Evil; [it will be] a constant theme. Dante cannot "eat" (the apple), and thus is not "doomed to die" like the Sinners.** **The Sinners are named thus because they "partook" in the fruit: these moments, from blissful yet tormentous naivete to a sudden sinful upheaval, are highlighted in their Cantos. Gregor's was cutting the apple (crossing the boundary from child to war machine); Rodion's was killing the tax collector (her desire to be a hero completely upended by her actions leading to the deaths of all her neighbors); Sinclair's was following Kromer / letting her into his life (specifically allowing Kromer into his basement and witnessing The Horrors)... **This could imply LCB as the serpent in the garden, but more than anything, Dante is Eve. [Iori could also be the serpent she's got the range. swagever. It'd be funny.] HM: Or even worse, the opposite is true.
Sinners will get upgraded versions of their base E.G.Os; These versions have relation to the shadows cast in their E.G.O portrait.
Ishmael's white whale is a Library of Ruina character.
Row 3:
Faust's Faustian Bargain is classically straightforward: she "sold her soul" for knowledge. HM: The Devil in this exchange is the LCB.
Outis is in the middle of her years-long Odyssey as we speak. HM: It's why she's one of the last Sinners
Purgatorio & Paradiso
Outis, Don Quixote, and Hong Lu are using fake names
Dante (prior to the events of the game) has been on the Outskirts of the City, or even left City limits. HM: They're from outside the city
Row 4:
Gregor is an abnormality / abnormality-like; Hermann's "gift" to him is that. [Honestly he'd be one in the same way Tomerry is, but further than that? He's more than just a genetically modified soldier is what I'm trying to get at.]
Iori
^ HM: Lion, Panther, and Wolf were sent to Dante as a test. [Idk what kind of test it'd be. Trust me.]
At least one Sinner will Distort, and possibly multiple Likely Hong Lu, Ryoshu, Rodion, Heathcliff, Faust, or Meursault. Don seems obvious.* *Colors are likelihoods, not pairs. Though I don't see it likely that they all will distort UNLESS SOMETHING FUCKING HAPPENS *ADDITIONAL hard mode (so hard it's mode): Meursault Distorted before joining Limbus
the golden boughs are the remnants of Carmen's body or essence / the byproduct of the Seed of Light. [That's NERVOUS SYSTEM, baybee!]
Dante goes to Paradiso alone / with only Vergilius (I forgot how it went :( idr if Dante Dante's Inferno went up there alone)
Row 5:
Something bad happened to Gregor's sister :( HM: She's still alive. This is a bad thing. [Leaving my wording vague here on purpose.]
Marie (L'Étranger) is in the Blue Team (with Demian); Gretchen (Faust) is in the Red Team (with Hermann). Gretchen switches teams? [Honestly likely Faust hasn't encountered Gretchen either!]
There is yuri moments and maybe even yaoi moments (not Yuri) SINCLAIR. Yi Sang, Outis, Ishmael, Meursault, Outis again, Hong Lu, HM: Outis Wife Penelope
Angela.
Dante knew Carmen
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zeep-xanflorp · 1 year ago
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ok i'm just gonna ramble ab unmortricken bc i have exactly ZERO COHERENT THOUGHTS AB IT
evil morty backstory - i rlly like that they just made him some random morty who rose above everything after getting sick of rick's abuse. it makes what he did feel even more earned and weighty. i think his motivation is a bit extreme still but i can't rlly blame him.
it's cool seeing infinity beyond the central finite curve. the jetsons inspired bit was v amusing bc i forgot about them lmao. but otherwise it seems absolutely wild west beyond the curve and i LIVE for that.
i also didnt imagine that we'd be seeing him again. i thought the way he left the show was perfect and if they brought him back it would just feel cheap but it DOESNT in this episode i love his appearance.
i rlly like seeing our morty be supportive of rick. he's literally trying everything to cheer him up and it's very important to me.
the prime decoys confuse me. like do they all share a consciousness? is prime just very very good at fucking with ppl that he's made all the decoys communicate w each other?
evil morty outsmarting rick is a great recurring theme in the episode. "filter for probability stasis" YEAH U TELL HIM LITTLE DUDE. we've never seen a morty like that EXCEPT for him and i think it's wonderful.
the exchange between rick and evil morty. "you're such a narcissist" / "literal glass house" / "you think you're better than me?" / "jesus i HOPE SO" SHITTING
i didnt initially like the decoy trap thing being full of loads of other ricks. it made me feel like our rick wasn't very important to this dude and rick just made an enemy of a guy who didn't know he existed. BUT i don't stand by that anymore. the rest of the episode made me change my mind very quickly with.
the omega device. holy fuck this is the worst reveal to come out of this episode. she wasn't just killed, she was ERASED by prime in every reality. like she is GONE gone. that's why we've never seen her, save in flashbacks and memories. she's gone.
and i'm pretty sure it's our rick's fault that he did that. we see his beth and his diane be killed by a bomb, not wiped from reality like slo mobius is later in the episode. so his family was killed BEFORE all the shit with the omega device. ik correlation ≠ causation, but it rlly explains why our rick in particular is so hungry for revenge. if he was the one that made prime kill diane everywhere then he had to be the one to make prime pay for it.
i like how the multiple monitors seems to be prime's signature move. it happens here and in the s6 premiere.
and oh fuck the parallels. "when i invent something it works, it's called being talented" in story train vs "when i make a weapon in works."
oh man the diane head weapon thing. it's interesting that it was programmed to mock rick sexually, but even on our rick who knows it's a trap, it still affects him seeing her face again. "god i missed that face." and then the blank stare when she asks for a kiss. pretty sweet and fucked up.
rick and evil morty having to work together to get their portals working. the contrast between our morty freaking out and evil morty blank staring.
the bit with the portal closing too soon. i know it happened earlier this season and i think it's so funny lmao.
I CANNOT STRESS TO YOU ENOUGH THAT I WAS SO MADE WHEN I WORKED OUT THAT INSTEAD OF YELLING WHILE GOING THROUGH THE CURVE THING IN THE MIDFLE OF THE EP HE WAS SCREAMING "PRIME" THOSE DIABOLICAL LITTLE BASTARDS AT ADULT SWIM.
prime calling rick the Wife Guy. hilarious. raises questions. makes me gnaw on my cell bars.
AND THEN the second incredible reveal of the episode: "Honestly, Wife Guy, I do miss when it was just us. The only two Ricks who actually invented portal travel." WHAT bestie prime bby girl u need to say that again. you guys were the ONLY ones who invented interdimensional travel, every rick's claim to fame. but no they just got the technology from prime who started a boys club of ricks who wanted to leave their lives behind that our rick refused.
but the reference to a time when they were closer, when it was only them - HELLO?? maybe i'm grasping at straws bc i want them to bang but holy shit.
the confirmation of the fan theory that rick based his AI voice on his wife. 10/10.
and then the fight scene. oh gods the fight scene. rick just screaming that he'll kill prime. prime regenerating constantly, looking unscathed as our rick becomes more and more dishevelled. it's too perfect i CANT. but otherwise they both seem pretty evenly matched w all the implants and stuff so without the regeneration i think rick would've had him. oh well.
rick like literally died during the fight.
the cool grandson/shitty grandpa exchange gives me breath. i LOVE how it's a morty that outsmarts prime. it's what he deserves.
prime still trying to be a smartass to evil morty, growing more and more panicked as it goes on bc he doesn't know what to do with the situation and control for once is not in his hands.
"what are u gonna 'aw geez' me to death?"
evil morty not even explaining his plan, just silently dragging in our rick and reviving him. saying "knock yourself out" with the intended double meaning. prime's almost scared expression as rick gets dragged in.
and then our rick has a choice. he can stop evil morty from keeping the weapon plans or he can kill prime. but that's a choice he made already. it's not even a decision. so his other enemy gets away.
the brutal brutal scene at the end when rick is just hitting prime. no tech, no implants, no gadgets. just fists. and rick beats him literally to a pulp as prime screams and laughs at him and taunts him further. it's meant to be sickening. it's meant to be personal. and it accomplishes that perfectly.
they don't even show prime's body in great detail. it's RIGHT in the background but we heard the sounds of the punches, we saw his nose break and his bloody teeth and haemorrhaging eyes and his brains coming out the side of it head and all we can make out is his fucked up swollen and broken face in the background as he sits still attached to the chair, a river of his blood pouring from the room.
but its not triumphant. they made rick's revenge hollow and bittersweet. its over but it destroyed rick in the process. who is he now that he isn't hunting prime? fucking no one.
then "look on down from the bridge" starts playing. we heard this in season 1 in rick potion #9 after morty had to bury a version of himself. he was struggling with the purpose of his life after switching universes. but he deals with it and overcomes it.
i think that scene is rick, for the first time in the entire show, struggling with his nihilistic philosophy. bc yes, he's shown to be an existentialist in the show (the difference being existentialists are "nothing matters but this matters to me" instead of "nothing matters so i don't have to do anything"). he had a drive. he had ppl he cared about. but now he's reached his goal he just feels empty and hollow. everything's meaningless and he's NOT okay with that. he never has been, but he has to grapple with that finally now he doesn't have a distraction. i don't think he can just bounce back and move past what happened.
ppl are saying this episode felt overstuffed and maybe it was but i'm very pleased with it and want to know where it's going.
i feel we still don't know the full story with prime. i'm predicting a flash back episode in the future explaining what the nature of their relationship was like before the bomb incident.
we also know that evil morty has this weapon that could destroy all ricks. so that is just a ticking bomb.
anyway i can't wait for angsty rick.
i actually watched unforgiven for this episode bc i'm a big fan of westerns anyway. the only real parallels i can see is they both have a group of three (two are already partners and the other one is the call to adventure) and an unsatisfying ending. bc that's the nature of westerns. they should NEVER end happily, and if u think so then ur wrong (/nsrs enjoy media how u want).
some things i haven't mentioned but enjoyed nonetheless
the schematics for the omega device is titled <SCHEMATICS BOOGER-AIDS-V2>
the arm/leg swap best in the fight
the comparison between the song at the end playing here and in season one shows with just visuals how the dynamic of beth and jerry's (and beth's) marriage has evolved since then.
everyone freaking out when indiana jones rick shoots and it ricochets off the wall and evil morty just stands expressionless until it hits his forcefield.
morty going to hug rick covered in blood, realising, hesitating, and then doing it later anyway to try and make rick feel better.
evil morty making a point to say that he doesn't want vengeful summers coming after him for omega devicing rick. not vengeful mortys, vengeful SUMMERS.
just evil morty in this whole episode was an absolute delight i need to see him more.
THE TEAR MARKS AFTER RICK EMERGES FROM BEATING PRIME TO DEATH
slo mobius' wife almost going down the same path our rick did only to find someone she loves and focus on that, saving her. makes me wonder if they're gonna try putting rick in a relationship.
this ended up being way longer than it should have. anyway. very pleased. this season is hitting all the marks for me overall.
also don't be too hard on me i didnt edit this 😭
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someonebeatyoutothisuser · 22 days ago
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Ight, so with the whole U.S. situation and the fact that my rights may or may not be stripped away from me, let's talk about something else.
Let's be real, beast-yeast could've been better, but it was slightly just... Unexpected and kinda just...
So, let's talk about some things they could've done in favor of that update!
(these are my opinions btw.)
Explaining what the fuck horrors strawberry cookie just saw.
Now, let's be real, strawberry SAW a cookie get eaten, but it is not mentioned enough, and I feel as if it just never really happened, but I feel like she deserves a side story on how that overall affected her and her daily life, how she lives knowing what she had seen, and probably what she heard, because a lot of shit could've been going on at the moment and honestly I feel like the writers just forgot it happened and decided to just say "Fuck it" and never mention it
Going more in depth about GingerBrave's and Dark enchantress's dynamic and about the one line in ep 10 timeless kingdom.
Now, I know GingerBrave has about enough spotlight, but it's the words "You of all cookies dare to defy me?" That gets the community, it opens up possibilities and some questions that could be answered through that and perhaps could give the words some back story and maybe reveal more about why dark enchantress said that and how these two might have something a bit more than just an enemy viewpoint of one another. Plus, it might go in depth on how GingerBrave isn't just some plain ass cookie, and might open up some interesting character about him and perhaps why he thinks so lowly of himself.
Giving the cookies of darkness backstories.
When I say back stories, I do mean how they met dark enchantress cookie and kinda how they managed to form the whole gang, and primarily how they became evil exactly.
Giving other cookies some (Well deserved) side stories.
It's self explanatory, but some cookies just DESERVE a side story yk... Like rebel cookie or some tension between a few cookies, like Expresso and butter roll cookie.
Going more in depth about the ancients friendship.
Mainly how white lily formerly being dark enchantress cookie (Or the concept) affected them and going over how the ancients think of one another in actual depth, and perhaps even reveal some past relationships or tension they have with one another.
MORE DRAGON COOKIES...
There is ONE cookie in the fucking dragon category. Can we get some more along with some backstories bruh... This is depressing. And it's been like this for what, a year? We should get some more.
A boss rush concept.
Listen, the gameplay is getting uninteresting and guilds need more going on so, here's where you fight old bosses with your friends and maybe as an extra challenge, you don't know whose character is whose and each person gets one negative effect that stays with them till the end of the game. As an extra, everyone gets one character and only the host and two of the first members get to pick a treasure so crk doesn't get boring as shit, and it's a max of 5 people.
Timekeeper + croissant cookie introduction.
We had a cameo of croissant, might as well introduce her and timekeeper, and perhaps they could know of the ovenbreak timeline and perhaps break 4th wall or even just compare certain stuff from ovenbreak to kingdom and vise versa cause it would be funny, and also twizzly gummy cookie being aware of this because I think it's just better that way. And an introduction to the TBD.
More on custard cookie the third and what the fuck is going on with his family tree and why the hell we found him in a forest.
I'm talking about the exact context + reason. Because like listen, it's just unexplained and not talked about (due to the fact that devsisters just brushed it off) and I think I just need it answered on who is this boy's mother and how the hell he got in the dumbass Forest.
And that's the few things I personally think should've happened in favor of beast-yeast.
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thatneoncrisis · 10 days ago
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hi prev anon from the post abt the arcane kid!
yeah sorry i do realize i came off as super condescending, i meant it more jokingly bc i thought your og post was a little harsh but it did close the door to actual criticism and that's like rude and lame as a response mb
i do see your point now though! i think i was just blinded by just personally liking the character but yeah in retrospect they really didnt give her any defining characteristics that weren't directly tied to being sad backstory fodder for jinx, which is in pretty poor taste even for a common archetype. thank you for taking the time to respond, i haven't seen that many critical takes on arcane so it was really interesting to read :)
(also ps the whole Vander being a werewolf thing is directly from League which is why it was included even though it's a little left field, they probably could've worked it in better but he Did need to become a weird dog man bc arcane is League backstory. i would like to hear more of your thoughts on why you thought he was poorly implemented if have any you'd want to share!)
thank you for taking the time to read it, ill be the first to admit that first initial post was in some part hyperbole to capture my frustration with the direction of the show.
to put it succintly, arcane feels like the first draft of a really good essay. all the points are laid out but they do not necessarily flow in a concise manner, there are definitely chunks that could be taken out, and it does that Thing of embedding a quote without properly explaining its relevance to the overall thesis. there are many times i found myself watching and thinking "damn. this would be a really great bookend to an arc that literally did not happen in the show"
and it definitely feels like thrall to its own origins. i understand that the werewolf frankenstien thing is a league thing, just like how i understand violet being an enforcer and ekkos time powers are all based in league lore. i also do not think the show has the time or energy for any of this. vi's enforcer arc lasts maybe one episode total, and her little pitfighter montage displays that she is far more torn up over losing caitlyn than betraying her own ideals and people to wear the badge. it means nothing it changed nothing. ekko has featured very little in season two, and any revelations about his time power junk will feel tacked on, like they forgot about it until it was time for him to have his One or Two episodes. i do appreciate them not waiting until act two to even introduce the idea of whats happened to vandor, but it feels so out of place. at best its a catalyst to get the sisters back on the same page but that was definitely not the only way they could have done it. and then they kill him again! in front of them! again!
ultimately i find myself at an impasse. i will never see this show in the same way arcane lovers do. i acknowledge its gorgeous visuals and ambitious story but too many things just keep falling short for me to forgive it. and despite this i can understand why people think of it as the greatest animated television show of all time- but not because its close to actually being a masterwork of story and character, but because there is genuinely almost NOTHING to compare it to. i looked- most western adult animation are prime time sitcoms- family guy, american dad, bobs burgers, rick and morty. even some of the best ones (moral orel <3) are still grounded in a reality much closer to our own than the fantastical world of arcane. at best i could compare it to like, primal? scavengers reign? the legend of vox machina? blue eyed samurai? and i have literally seen none of those shows so god only knows how apt the comparison is, ive just heard excellent things via word of mouth. my point is the children yearn for the mines, the mines of high concept fantasy and political intrigue, and arcane having like, excellent character design and lesbians cannot make me agree that those characters are being used to their fullest potential
tldr. anon. i am gripping you by the shoulders. please enjoy this show when i cannot. i think it is good that art is being made forever, even when i personally think that art is the worst kind of toothless liberal ideology
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coochellati · 12 days ago
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Team Bruno fr, I think I was sold pretty quickly and he only got better and better for me haha-
It’s pretty funny because if I’m watching anything with someone and they see me taking notes they’re usually a bit confused but curious about what I might be writing down haha. Usually it’s never anything that important to the story (unless it’s some major detail I don’t wanna forget) and it’s just me just taking notes about traits about the characters I like.
Here, I’m happy to share a couple of my silly notes! I think this shows a pretty accurate variety of the stuff I was noting:
How it started😭😭: “Ok wow Bruno’s little partners are completely insane.
This guy in blue is super superstitious
Fugo acts all calm but he has QUITE a temper
Little guy is just learning. And also incredibly angry.
Abbacchio.”
“Bruno has a good heartđŸ„șđŸ„ș”
I wrote out the bit of backstory they revealed about his childhood, which is one thing, but as I was scrolling through my notes looking for interesting examples I noticed I even wrote down a note about how Bruno weighed a little bit more than Prosciutto, I guess I just found that interesting lol.
And I found a special fondness for his place in the other team member’s backstories, but specifically Narancia’s. Bruno’s a specific character type I’ve always admired. I know I won’t be the best at explaining it but I loved that part about how he yelled at Narancia about joining the mafia, but he wasn’t really angry and was just trying to protect him from a life he might regret. One of my favorite scenes for sure. I love that kinda thing.
AND the way his face softened when Narancia swam after them, he was so. Happy. Please. Let Bruno be happy more often-
And I lost it at the “Arrivederci,” scene during the Grateful Dead arc, it was actually so cool and I feel like just watching that scene raised my own coolness by 5%.
Ok trying not to ramble too much but I especially appreciated his reaction to Abbacchio’s death. Watching the leader character having to be strong for the team, but inwardly it’s hurting them so badly-
And to end it on a lighter note, even before I had started jjba I always had a fondness for Bruno’s design since I considered it super iconic and cool. It was neat to finally get to actually see him since he was one of the few Jojo characters I actually knew by name before watching.
And of course the occasional: wow Bruno is so hot when he *insert various hot Bruno moments here*
Fell so hard for him, wow. I do enjoy a few Jojo characters, my other really big one being Rohan, but like. If I had to pick one to actually be with how could I Not pick Bruno-
Anyways thanks for listening to this little ramble about things I ended up writing down about Bruno❀ and I’m so glad you liked the sketch! He’s fun to draw~
Ack !!! I’m sorry this took me so long to answer 😭
I love how you’re annotating Golden Wind. I wish that I took more notes on Bruno while watching.,,.,,.. Next rewatch i think i will do that,.,.,..
“Little guy is just learning. And also incredibly angry” 😭💀 IM DEAD
Okay, I’m glad you wrote down that Bruno weighs more than Prosciutto, because I totally forgot about that. Cool fact to know.
On the topic of Bruno’s role in Narancia’s backstory—I’m going to recommend you read Purple Haze Feedback. (Here’s a link to the translated story!) It’s a novel that takes place after the events of Golden Wind. The story follows Fugo as he attempts to redeem himself in Giorno’s eyes. The best part is that PHF expands on everyone’s backstory—especially for Narancia, Bruno, and of most of all, Fugo.
PHF is not written by Araki, but there’s original illustrations from him within the novel. So is it canon? Eh—it’s semi-canon. Because this was written well before the anime came out, there are some minor contradictions to the anime’s version of the story. PHF lines up fine with the manga. 
So I guess you can choose if it’s canon or not. (I like to pretend it is.)
PHF isn’t very long. I read it straight through in about 4 hours. (I could NOT put it down.)
Anyway!
You know what’s funny? I also adored Bruno’s design before actually watching part 5. And then I watched it and the same shit happened to me. We’re absolutely twinning in this scenario. đŸ˜©

And full confession, I’m also a Rohan stan. I need that narcissistic asshole to put me in my place.
I’m always happy to listen to anyone’s jojo info dumps! You are always welcome to ramble here :)
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thanks for the ask! <3
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fortunatelychaoticphantom · 5 months ago
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Yeah, so I finished Breaking Dawn.
General:
Holly shit. Holly fucking shit. Holly Jesus fucking Christ holly fucking hell god damn shit. THIS BOOK IS AMAZING.
I am serious. I am not being ironic or trying to be cool or contradictory or nothing. This book is absolutely batshit insanely fucking good. THIS IS GOOD FUCKING FANTASY.
Look. I've read and watched plenty of reevaluations of the series in the past couple of years, and I think we all know by now that it is far from perfect and there's a lot to criticize, but that the criticism and cultural uproar at the time was just pure misogyny and hatred to anything that girls like (a day will come when we talk about Justin Bieber and how the entire world decided its number one enemy was a 13 year old boy who wanted to be a pop singer and was beloved by 13 year old girls but it is not this day), and that Meyer is actually a very good world builder. This reread really solidified this for me, but even more so then before. I really do believe she is a good writer. NOT GREAT, but good. Until Breaking Dawn.
I am not joking when I tell you that this is one of the most incredible books I have ever read in my life. It is leaps and bounds better then any other book in the series. I think the other books are fine and enjoyable, they definitely don't hold the same charm over me as they did when I was 16, but they are absolutely entertaining and even truly touching (New Moon specifically). But this... this is just a different league altogether. This book is mature, and brutal, and aggressive, and disgusting, and horrifying, and reached fucked up territories that few writers dare to explore and I absolutely admire Meyer for this.
Part One - Bella:
It's a pretty short section of the book so there's not much to say about. It's sweet and fun but nothing much more.
Horny Bella is the best Bella. Get some girl.
Part two - Jacob:
Anyway, this right here is what brilliance is made of. I need to find a way to articulate it properly. It's the first time I have ever been so acutely aware of the narrator because the entire narration is in first person and so all the sections that are supposedly general descriptions are an active thought of Jacob that in almost every single moment are being experienced not just by me but by his pack(s) and by Edward and are commented on in the story. I don't even know how to explain just what an unbelievably wonderfully complexly imaginatively fucked up this is. Just. Amazing.
LEAHHHHHHHHHHHHHHHHH!!!!!!
I'm okay I swear. But seriously. Leah's story is amazing as is, but it's the room Meyer gives her to be both filled with sorrow and with just pure spiteful rage. I love that she is not perfect, she is not currently nice, because she can't be nice, but a day will come when she might be better, be in a better place, and that's okay because we understand her. I just love her so much.
Speaking of which, I love the new bond between Rosalie and Bella but I also love that it's not entirely a good things? Like, there is a very clearly stated undertone that Rose cares more about the fetus than she does about Bella, and I just respect that? She isn't just magically sweet and kind, it's twisted and complicated and good storytelling (I forgot to mention in the Eclipse post Rosalie's backstory, but obviously that's also amazing).
Seth is also the most wonderful and pure cinnamon role in history and I will die for him.
6. this:
Leah: Mom dropped him a lot when he was a baby. Jacob: Oh his head, apparently. Leah: He used to gnaw on the crib bars, too. Jacob: Lead paint? Leah: Looks like it.
7. This section is just so fucking brutal. The physical toll of carrying the baby for Bella, Edward's agony, Jacob's suffering, Leah's everything, the coming attack from the wolves, the birth... Immaculate.
Part three - Bella:
If there was one Mary Sue I would stan, it was Bella. You're doing amazing sweetie!! You go and be an awesome newborn. We believe in you!!!
All the vampire descriptions are just so fucking good. The whole distractability, the way the new senses literally overwhelm you. I love it all.
You know what? I really don't mind the imprinting. Meyer goes to great lengths to say that it's in no way romantic. It's not the Greatest Thing, but, I mean, I'm reading a fantasy book... my suspension is very much suspending...
Jacob's being an ass again, only caring about what he wants, but it's only for like two chapters so it's fine.
I can't help but love the congregation of vampires, it's just so fun and interesting, and even though we spend so little time with them they are all so distinct.
It's a great showdown. I love it way more then I did the first time. I am still fond of the What-The-Fuck-They-Are-All-Dying???? scene from the movie, but it's intense even without it.
and this:
Garrett: If we live through this, I`ll follow you anywhere, woman. Kate: Now he tells me.
Good job all around. Now I need to go buy Midnight Sun.
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pinchinschlimbah · 9 months ago
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Continuing from my previous post let's talk about the queercoding and themes in Dick Turpin episode 3! So first off, I had previously said I was hoping we'd get to hear more about Honesty's backstory since I was having a hard time identifying what his deal was, and I was delighted to find out this episode that the reason he needed less help finding himself than the other two is because he's got parents who are actively and enthusiastically supportive of his- and I use this phrase very intentionally- alternative lifestyle :)
In direct foil to this, the other main theme of the episode is Wilde's relationship with both himself and his son. Wilde is so caught up in the old fashioned, violent, and oppressive life path he's gone down that he views it as the only path and that anything less is failure. He prides himself in this toxic masculinity, and in the exchange Wilde and Dick have about it, Dick notes that Wilde seems insecure explicitly about not being the "big boss" in charge, and possibly implicitly (unbeknownst to Dick thus far) that Wilde's boss is a woman who has power over him. Just as we saw with Dick and his father in the first episode, Wilde seems to be resentful and embarrassed of his son for not living up to his expectations of what a man should be- he expresses frustration and dismissal towards Christopher for being too soft and not the violent criminal mastermind Wilde wishes his son to be, but also expresses that he feels Christopher is too fragile to be exposed to the world without his father's protection and therefore shouldn't be given the chance to have his own experiences. In response to Wilde explaining that he expects Christoper to follow in his tough guy crime boss footsteps, Dick remarks "what if he wants to be an artist....or a barista...or an artist who works as a barista" which you cannot tell me isn't deliberate queercoding!!
In the later conversation between Dick and Wilde, Dick tries to find common ground between them as they each list their interests and we're shown the divide between staunch seriousness and compassionate enjoyment, toxic masculinity vs joyful flamboyancy. During the eventual moment of vulnerability from Wilde, he admits that he feels like the joyful parts of him have been drained away by the society he exists in, and only the serious and evil parts are left over. Dick, who by his own self-confidence and unabashed authenticity has clearly evaded this same fate despite seemingly experiencing a similarly conservative upbringing, remarks that that's a really bleak way of existing, and encourages Wilde to spend more time with his son and enjoy the world around him. Wilde, to his credit, does actually work toward following this advice! Meanwhile, Christopher (or as Nell calls him, which feels significant to all of this in that so much of Noel's work casually has no regard for traditional perception of gender, "Jennifer") once left to his own devices ends up bonding with the gang and admits that he himself wants to be a highwayman. He becomes particularly attached to Moose, arguably the most queer-coded (and I wouldn't be surprised if it becomes more explicitly stated later in the show given how he's been portrayed so far) character in the show- arriving in London twirling in his dress and being excited about dancing, flamboyant hats, and the theatre. After Christopher gets to spend a day with someone who encourages his flamboyance and sense of joy and fun rather than expecting him to be someone he's not, Christopher seems changed for the better and more sure of himself, and once he's reunited with his father who has been on his own journey of learning this lesson, the episode ends with the indication of them moving forward together towards a more compassionate, accepting, and happier future. Anywayyyy, I love this silly little show so goddamn much already. Stay tuned for probably more in the coming weeks!
Editor’s note: I just realized I forgot to address that Dick’s first choice of disguise was a female character and that the fight club leader reacts to her as a pretty lady but also like
.do I even need to point that out? Standard par for the course for a Noel media hahaha
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merp-blerp · 1 year ago
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Some Tincrow Moments From The Wiz Production I Just Saw While It’s Fresh In My Mind
Note: I had never seen the stage version of The Wiz before last night, so I could be missing things and points. Also, my memory might be just a bit fuzzy on exact details, but I know this stuff mention did indeed happen at some point.
Avery Wilson was Scarecrow and Phillip Johnson Richardson was Tinman. They absolutely killed it. Everyone did. I’m going to need a cast album and pro-shot please!
Scarecrow is a dance God once they get him off the poll in time for “You Can’t Win”. Why they kept Michael Jackson on a damn poll in the movie despite the fact that his dance moves would've been really cool for Scarecrow, I’ll never know.
This is the first direct Oz retelling I’ve seen to give Scarecrow a human backstory (Wicked is more of/better off seen as it’s own thing in my opinion). He was once a scientist who got his brain taken by one of the witches and turned into a Scarecrow. I don’t remember if it’s mentioned if he had a family in this show—it might’ve not been—but if he did I guess he would’ve completely forgotten because he “has no brain”. And I might be wrong, but I think it was mentioned he had a name too, but if so I don’t remember it. I find that interesting and fun to play with, especially if one would be able to compare and contrast that with Nick Chopper’s backstory (and/or whatever the Tinman’s name might be in this version of Oz; guy collects names like candy). I would have to see The Wiz again in order to do that myself, but you know, I like the idea.
Tinman’s backstory is slightly different. He was too gay and sassy for his own good, saying one of the witches was a “rusty” singer, causing her to turn him from a lumberjack into a “heartless” Tinman who gradually lost almost all of his memories outside of the mere fact that he once had a family due to this curse. He thinks he doesn’t have a heart because he can’t remember the ones he loved, just that he used to. Nimmie Amee isn’t a part of his story in this show. That’s about as tragic as the backstory Baum gave him, if not worse.
Give me an angst with a happy ending AU where Tinman and Scarecrow knew each other as humans but both forgot due to their curses, only to rediscover each other through their found families. Imagine Scarecrow having Nimmie Amee’s original role in a way—noooo—
Scarecrow mimicking Tinman’s rusty dance moves while they oil him (he mimicked a lot of people throughout the show—Dorothy, the wizard’s announcers calling his name, maybe etc., so I guess it was just his cute little thing).
When Dorothy’s trying to convince the gang to bring Lion along Tinman says “Are you sure? We already have to bring Captain Brainless?” (or something a lot like that, I'm paraphrasing), thinking they had too many already as if his husband wasn't first in line on the journey before him, only for Scarecrow to say, “I’m captain?!?!” *Insert cute happy head waggles* (Hits different when you know Scarecrow becomes the ruler of Oz after the first book till Ozma’s found, but his leadership wasn't mentioned in The Wiz so maybe that's not on purpose) I adore Avery Wilson’s take on Scarecrow. Tinman has always been my favorite of Dorothy’s friends if I had to pick one, but Wilson’s performance really made Scarecrow stand out even more than usual. I don’t know if I can explain it, it might just have to be seen; pray there’s a slime tutorial out there.
Lion’s kinda gay too, but in solo. And I know Ozma’s not here, so there’s not really any evidence for Dorothy’s queerness
 but she is—I can feel it in my lesbian soul, okay!?!?
All of Dorothy’s friends not only want their gifts, but don't see the point in their existences without them. It made me sad for them.
I don’t know where to mention it, but Toto’s not in this show at all—poor guy. EDIT: I just learned that in the original production, Toto was played by a white dog as a joke that there was an all-black cast as opposed to him traditionally being a black/brown dog with a white cast. That is hilarious—why didn't they recreate that???
Tincrow’s only straight-feeling moment is with them both being distracted by the poppies (which caught me off guard in this show because traditionally Scarecrow and Tinman are the only ones not affected by the poppies because they’re not flesh and blood like Dorothy, Lion, and Toto; in this Dorothy was the one to break everyone free from them. I’ve been trying to understand the purpose of this change. Maybe to give Dorothy a bit more agency). The poppies were these sensual flower ladies trying to convince the gang to be lazy, which on it’s own is a fun twist on the flowers that put Dorothy and Lion to sleep. But hey, maybe that makes it not straight, just lazy. I'm all for Bi4Bi Tincrow too.
After the Kalidahs attack they comfort and hype each other and Dorothy up (Dorothy’s their sapphic adopted daughter, in this essay, I will—).
I forget when exactly this happens, maybe during the Kalidahs scene, but at one point they casually cling to each other's arms for no(?) reason. They just met and they’re already married.
Scarecrow backup-singing a little before everyone else joins Tinman during “What Would I Do If I Could Feel” (at least at my showing, I don’t know if this is a regular occurrence as a part of the show or just something that happened to happen at mine).
Making fun of the Wicked Witch together, calling her smelly, and having Lion join in. Bros, that’s what got you in trouble to begin with—messing with a dang witch!
Interestingly, the idea of Dorothy’s friends having they’re gifts all along isn’t here. Instead, it’s implied that after they kill the last wicked witch the curse is mostly lifted, with Tincrow’s gifts returning to them, but they stay a scarecrow and tin-man for some reason. I like to think they still had them all along though, that idea’s too cute and sweet for me to let go of.
The last time we see them they leave the stage together, Lion going ahead of them to reunite with his mom. I can’t explain why this feels important to me. I guess because usually characters exit the stage individually as like a goodbye queue to the audience, knowing that that last step off the stage will detemand the last impression of the characters. So the fact that the last impression of both of them is them together feels special. Or maybe it’s just me.
They both had such sassy black queer vibes the whole time. The show itself already has such sass, but both of them, Scarecrow especially, were oozing it in different fonts. They were giving off bear x twink—or maybe otter couple vibes.
Gay or not, The Wiz is so great! I recommend it so much!
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