#Also the editing and storytelling is very very good

[mixmangosmangoverse]

I

Umm

I started writing a script for a potential video essay on Kirakira PreCure

I just started and I've already got so much to say

[mirchloe]

to whoever wrote donatella's pn wiki, i just wanna talk.

[cloudbends]

I got so absorbed in the game that I forgot to post about it. oops

[herecirmsims]

I was going to make this post last week after an incident that pissed me off, and now there's more nonsense occurring, so here's my rage turned into something productive: some free posemakers whose work I really rate! No CurseForge, no theft. Just folk whose enjoyment of this little hobby really shines through to me.

@simmireen - our queen of romance @electricwhims - storytelling and fantasy poses hereeee @freezerbnuuy - storytelling poses & BB goodness! @truecolorssims - lots of really useful storytelling poses @nefaricussims - fantasy storytelling poses TheSerenadeOfShadows - fantasy and mer queen! SamsStudio - I use their poses ALL the time Rebouks - another necessary maker for any storyteller J3llyFish - poses, make-up, accessories, ahhhh! SurelySims - honestly Surely can do anything I think RaspberryWhimss - sweet couples and pregnancy poses! SimmerBerlin - retired, but I use their emotions constantly LibetSims - on hiatus but I also use their emotions a lot MadeByCoffee - poses and deco Sims aaaaahhh SakuraSimz - sweet sweet couple poses WhimsyAlien - very cute storytelling & supernatural poses SubieSims - adorable family storytelling KeirosSims - lovely poses for our boys ALuckyDay - storytelling, modeling, and accessories! TalentedTrait - gorgeous family poses YangSims - super cute storytelling packs! AdjustedKarma - a huge range, I especially love the pin-ups TheStarTome - sweet couples! Simmistrait - lots of varied posepacks

That's just off the top of my head, and I hope they all tag because Tumblr hates me... otherwise I'll be going back and adding links.

Edit: reader, they did not all tag. 😌

[phantomarine]

Clam's Quick Tips for Starting Your Very First Webcomic

Howdy! Here are the three bits of advice I tend to give people who ask me about getting into webcomic-making. Maybe they can help you jump into the fray with a little less fear.

1) Make Your First Chapter a Pilot Episode

You will be told by webcomic veterans to start with a short, simple comic idea first - which is wise - but if all you can think about is your big magnum opus, then you might as well hop in, right? Otherwise you'll just be glancing back at the other cooler project forever.

But if you can't start with a small simple story, start on a small, simple part of that larger story. Your first chapter should be a snapshot of the main conflict - show us a simple scene with few characters, ease us in slowly, keep things clear and focus on emotion/impact/clarity. Get the audience to care by offering something easily digested, but full of promise.

Once you're done with that 'pilot' chapter, and you're feeling more comfortable with the whole comic process, you can open the gates and show us the larger world. At that point, you'll be way more ready.

2) Simplify Your Art Style For Your Own Sanity

Always try to make your webcomic's art style as simple as possible - the standard rule is to use only 75% of your artistic skill for every comic page you make. Otherwise you will burn out quickly and terribly.

But you also need to be PROUD of your art style. If you're really feeling itchy, add a couple bells and whistles to your style so you can look at the finished page and say "Yeah, looks cool." You'll find the right balance the more you draw.

Also, don't be afraid to change your art style as you go along. Ultimate consistency is often impossible in webcomics anyway - so embrace your desire to try new things, streamline your work, whatever you feel needs to happen to be happiest. Sometimes the coolest part of reading a webcomic is noticing that style change - so don't hesitate to embrace it!

3) Resist the Reboot! RESIST!

The curse/blessing of drawing the same things over and over is that you'll inevitably get better at drawing those things. The trouble comes when you look back at old stuff and start thinking "Damn, I could draw that way better now."

You must recognize that this feeling never goes away. Not after a hundred pages. Not after three hundred. Not after a thousand.

I think everyone should be allowed one soft reboot for their first webcomic. Redraw some panels that bother you. Change up some dialogue if it doesn't make sense with your new story ideas. Do maintenance, basically. One of the beauties of webcomics is that they can be easily edited, without reprinting a whole book or remaking a whole game.

But if the ultimate purpose of a webcomic is to tell a story, then constant reboots will just be retelling the same story - slightly better each time, but the same at its core. We've heard it before. Most audiences would rather you save your strength and just keep going, rather than circling back year after year and going "Wait wait wait! I'll do it better this time."

Reboot early, not often, and only when you absolutely must! You're a storyteller, and you're constantly getting better at telling your story. Don't be ashamed of it - look back how much ground you've covered, and keep walking!

---

That's a good start. Happy webcomicking - don't be afraid to jump in, but be prepared to learn a lot very quickly. And if this advice doesn't work for you or adhere to how you did it, that's absolutely fine - webcomics are diverse by nature, and so are their creation processes. Feel out what works best for you, and good luck!

[paperclipninja]

I think I'm in a minority and lordt knows I've been very wrong about stuff like this before, but I have zero concern that Good Omens will end with Aziraphale and Crowley being human. None. Not even one iota of worry about it happening.

Why?

Because Neil Gaiman is a really good storyteller. And he, as a really good storyteller, knows that would be an unsatisfying ending.

Obviously this is pure speculation on my part, but a really good storyteller doesn't go to the effort of constructing such an intricate story, in which the challenges and desires of having eternal life but not being able to share it with the one being you want to, are so carefully laid out only to have them end up mortal. Because then what? Crowley ends up back in hell anyway and maybe Aziraphale does too? Or they end up back where they started? Nah.

My guess is that it is not going to play out as a rom-com might (I mean, it's not a rom-com), or with anything particularly overt being shown between Aziraphale and Crowley, and any "it may not be the ending you want" is, in my mind, getting way out in front to manage expectations.

By the time season 3 airs we will have been consuming years of fanfic, fanart and fanon and of all people, Neil knows the way that begins to shift the expectations and hopes of a fandom. It's really easy to drift away from canon or forget the kind of show it actually is (and that's totally fine, gimme all the fics and art that take me to where I want my faves to be), but it also means that fandoms can end up "disappointed" that some of the fan thinking and creating didn't come to pass.

So mah point is, any comments from actors or creators about a season not being what we want- that doesn't mean it's going to be rubbish storytelling. It means that some of the things people are hoping for won't happen.

And until we see what actually plays out on our screen, I, for one, am going to keep immersing myself in the brilliant creativity of this fandom and just

EDIT TO ADD: also need to acknowledge that Terry Pratchett is also an incredible storyteller and these two had it all figured out nearly 20 years ago and one thing's for certain, and that is that neither author, or Neil in seeing through the vision they both had, is going to drop the ball at the last minute

[miviaceleste]

A Blackrock Story: A Boy with Turquoise Eyes

Happy 12th Anniversary to Blackrock Chronicle!

This comic ended up being 47 pages long (when I first sketched it, it was only 20 pages long). Since I can only upload 30 images in a post, I had to combine 2 pages into 1 image so hopefully it's still visually fine and not annoying to scroll through!

I wrote this mini-story more than 10 years ago, so I figured it was time to finally make it into a comic (after editing the writing a lot because I became a much better writer since lol).

Be aware of the TWs, and I hope you enjoy this comic!

TW: Violence || Blood || Injuries/Scars/Burn Marks || Kidnapping || (Temporary) Death || Loss of Limb / Amputation

Thank you all for reading one of my most insane projects ever!

Now, here’s another long story:

About 8 years ago, my life became so busy that to stay on top of my studies and activities, I stopped watching a lot of YouTubers, including the Yogscast.

I’ve grown up throughout the years. I had to stop acting like a kid to figure out what I wanted to do for the rest of my life. I’m still an artist today, but I haven’t drawn in this way for about 3 years to pursue my real passion. I love to draw, but I didn’t have the time or inspiration to make something grand.

About 3 months ago, I suddenly got curious about how all those YouTubers I stopped watching were doing, so I checked out their channels and watched a video or two before moving on. When I got to the Yogscast channel, on the other hand, I quickly fell in love with the new content and with everyone again.

It was insane to see how immediately my love for them came back. In 3 months, I’ve watched so many videos and streams/VODs. It’s all so comforting, funny, and uplifting. Clearly, I missed so much content in the past 8 years, but at least I don’t have to worry about running out of things to watch for a while.

What made me most happy was that despite changing a lot, I never stopped being that kid who laughed at the Yogscast’s shenanigans. It just goes to show that no matter how much the world tries to push you around, you never lose that sense of joy you had as a child.

Now, about Rythian:

Since I started watching the Yogscast in 2011, Rythian has always been my favorite. I loved his series so much, especially with how he got into character to give us an immersive experience. It was an escape for me as a kid. When difficult moments were thrown at me, I watched Rythian’s series to find a sense of comfort.

So when I started watching his and Zoey’s Blackrock series, my mind was blown. The storytelling, acting, humor, and drama of the series were so immersive and touching that my creativity exploded.

I mainly use art to express myself and my interests because I struggle to talk about it. But funny enough, Blackrock was the only interest of mine that got me to not draw, but to write. I wrote a lot of short stories about the series—even how I envisioned the series would end. I was so inspired to create all the time from this series.

And what’s crazy is that at the beginning of this summer, I found all of those written drafts and notes from when I was a kid. I kept them all for 10+ years and found a very loose (and not that good) draft of this comic and I felt really inspired to finish it.

It was roughly when I was first watching Blackrock too when I realized that I can be creative in the future. The Yogscast helped me understand that I can do whatever I want for the rest of my life. If they could do it, then why can’t I?

What’s also wonderful is that even after so many years, Rythian never stopped being my favorite. When I started watching the main channel again a few months ago, I immediately found myself rooting for him whenever he was in the group videos. I just remembered how much happiness he brought me when I was younger and it makes me so happy that I still get so much joy whenever I hear his voice.

While working on this comic, I watched all of Kirbycraft and caught up on Kirby Farm. I can’t help but smile the whole time Rythian, Briony, and Kirsty interact with one another. The dynamic of these three brings me so much laughter and comfort. A part of me is upset that I didn’t get back to watching everyone when Kirbycraft was still live, but better late than never, right?

I also originally started this comic without the intention of posting it. But then I figured, Hey, it’d be great to share it with everyone who’s also been impacted by this series and the Yogscast in general, so I made this blog to post it here. Honestly, I’m not sure when the next time I’ll be able to draw is (who knew building a career takes away a lot of your energy and time?). But I think that’s what’s so wonderful about my love for Yogscast and particularly Blackrock: I didn’t make this comic for the likes or views. It was just because I wanted to, and I’m so happy to see there are so many people on here who feel the same love for them as I do.

This series and the people who made it, along with the people who supported it and loved it and continued to love it, impacted me for the better. I learned so many years ago that I can be creative for a living, and have been working hard towards doing that since.

Happy 12th Anniversary to the Blackrock Chronicle. To Rythian and Zoey who put a smile on this kid’s face even during the toughest of times.

And to the Yogscast, thank you for being there for me when I needed you all the most and for still being here when I came back. Your ability to inspire me and make me laugh never disappeared throughout the years I was gone, and I’m ready to laugh some more.

[kimbureh]

Okay, it's almost 8 years since Mad Max Fury Road premiered in cinemas, and 15 hours ago the trailer for the long announced Furiosa prequel has dropped. I'm not one for media hype, but I am pumped for this, and here is why:

there is a clear aesthetic continuity with Mad Max Fury Road: the color scheme, the bright eyes, the center frame. The look is referenced enough to be recognizeable, but it's not just a simple copy but adjusts it to the story: the color isn't *quite* as glaring, the center frame isn't adhered to as strictly as in mmfr

it's called HER Odyssey! Chris Hemsworth (who is there for some reason) asks Furiosa "do you have it in you to make it epic?"; this, my friends, is Nico Lathouris speaking. He's not just one of the writing credits of mmfr, he's also a master of ancient storytelling techniques, and he's telling us right to the face what he's about to do. Furiosa is an Odyssey with a female protagonist, and just as Odysseus in the Greek original, we can expect her to be a complex character, sometimes making questionable choices (she becomes Immortan's Imperator for a good reason!).

the religious references are just as numerous; she's called the darkest angel, the promo poster shows her with an halo (and the low angle shot of hers with a soft focus length?? Goddess). Does she rise from the ashes of this world to become a Godlike figure herself, just as Immortan Joe attempts to be, because it's either apotheosis or death? A guy like Lathouris, who knows the old canon so well, might have some very interesting ideas on that.

there are war boys! RIDING EPIC CARS!!

more references from mmfr: the shot of Max standing up from the trickling sand is reference (symbol of his pain & overcoming bondage), as well as the shot Nux driving his car looking at the audience through the windshield (absolute madness trying to follow his destiny bestowed to him by Immortan). I am curious to what degree Furiosa might go through Max's and Nux's arc, but with a twist???

the green place! VUVALINI!! SO MANY VUVALINI!!!!!!

"REMEMBER HER"

this is going to be epic in the most literal sense!!!

MARGARET SIXEL IS EDITING THIS!!!!! I want a three hour reel of her talking about her craft

[soupthatistohot]

BSD: An Absurdist Analysis - Ch. 114

My thoughts on "Crime and Punishment"

[BSD Absurdism Masterpost]

Okay, so! Fyodor probably isn't dead.

And my theory for what his ability is would tie into Asagiri's absurdist storytelling thus far.

In Sigma's flashback, we see Fyodor get impaled in a manner that is eerily similar to how he dies in the helicopter, a way that pratically guarantees his death. Yet, as Sigma observes, he must have escaped the execution in order for him to still be alive.

My theory, put simply, is that when someone successfully kills Fyodor, he takes their place.

His ability is called Crime and Punishment, right? And if the ultimate crime (sin) is murder, then the punishment would be death. So, then, perhaps when someone is able to kill Fyodor, it causes their death, and somehow Fyodor takes on their lifeforce (for lack of a better term) and is able to keep living.

This would also explain why he has been able to live for such a long time. If he keeps getting killed by people whose lifeforce he assumes, then he can theoretically live forever as long as people keep attempting to murder him.

This would explain the end of the chapter where the body is shown to clearly not be Fyodor's. The helicopter pilot would have paid the consequence for Fyodor's murder, and thus been the one to die. For whatever reason, I suppose this means he and Fyodor switched likenesses? This is further supported by the panel in the flashback/memory where something seems to be happening to the man who impaled Fyodor after he does so. This part I cannot explain as well, but I think y'all can understand what I'm getting at with this.

Additionally, this theory of Crime and Punishment explains the purpose of the prison-break game, he's been trying to goad Dazai into killing him all along so he can die in turn, and finally be rid of his rival.

(Edit: the above point is likely rendered invalid because No Longer Human would very likely protect Dazai from death by Fyodor’s ability. That being said, it further explains why Fyodor is so determined to kill Dazai — not only is he his match in wits, but he might be the only one capable of killing him for good.)

Further, it could possibly explain Nikolai's desire to kill Fyodor. Perhaps Nikolai knows the nature of Fyodor's ability, and is the only one who does, which is why he considers them to be so close. He idolizes Fyodor, and so he desires to one day kill him, because he knows it will kill him in turn and Fyodor will get to continue living on. This one's a bit of a reach, but I do think it's a potential explanation if my theory about Crime and Punishment is correct.

And now for how this all fits into absurdism!

Fyodor has been the main antagonist for a really long time, basically for half of the manga's run. Up until this point we've had little to no clues about the nature of his ability and if my theory turns out to be correct, wouldn't that just be the greatest absurdity of all time? A villain that literally cannot die because when someone kills him, they actually die instead of him? How do you even defeat such a person?

I'm fairly confident about this theory, my only question would be why he would reveal this now? Surely, he knows that Dazai would figure it out, both from Sigma and from the corpse clearly not being him, so what benefit does Fyodor gain from revealing not only that he's survived, but what his ability is?

[david-talks-sw]

hey david! Do you have any George quotes regarding the final Vader vs Obi wan fight? Like did obi wan deliberately throw that fight and let vader kill him or did vader win the duel and obi wan did the Force ghost thing as a last resort?

Here's the quotes I could find that are relevant to the subject:

"A particular case is the confrontation between Obi-Wan and Darth Vader. You know there's something, some relationship they have to each other, 'cause they talk about meeting again ‘and now I'm going to get you’ and all this kind of stuff."

"So there's some kind of old battle going on that we don't know anything about that works amazingly well considering that all it is, is ultimately this one scene between him and Tarkin where he says, “He's here. He's come for me. And it's our destinies to meet up again. And I'm gonna handle this myself. I have to."

"This confrontation with Obi-Wan and Vader— it works just as a confrontation between the good guy and the bad guy. I mean, he’s— Obi-Wan's, at this point, the strongest good guy. He’s the one that has the most knowledge— the father figure that has taken on Luke. Then you have the bad father figure who is the evil father."

"And the subtext of this, which is that this is the culmination of a larger issue… has never really played, I think, for people. It's really just the confrontation between bad and good. Then the surprise at the end of this, is that: Vader doesn't kill him… but that he's able to join the Force, and by being one with the Force, influence things in a more powerful way than he can just being a Jedi." - A New Hope, Commentary Track, Special Edition DVD, 2004

"When he loses Ben, [Luke] freaks out. He’s depressed and all the things that you would be. But Ben has put that idea in him that things happen naturally and there’s also this other thing that’s never explained, which is that he allowed himself to be killed. He didn’t really die. He disappeared. There’s more to this than just a death. Later on in the movie, Luke hears Ben say, “Use the Force!” It mitigates that loss a little bit, because he knows Ben’s somewhere and that something’s going on." - The Star Wars Archives: 1977-1983, 2018

So there you have it.

In a destined confrontation between good and evil, good triumphs not by defeating evil but by ascending and growing beyond it.

So it feels to me that it's a "when in Rome" kind of decision on Obi-Wan's part, wherein he realizes he won't win this fight, and so he decides to make his end meaningful, so that he can show Luke that death is not the end of the journey... he's joining the Force.

Now, if we're talking power-scaling...

... you could argue that Ben might have put up more of a fight, had it been necessary.

George acknowledges that Ben's an old man when explaining the more dynamic fights in the Prequels... but back in the early days, he ranked him as more powerful than Vader/equal to the Emperor.

"Maybe we should set up some kind of levels of achievement. Ben can say that Luke is now a level 2 and Vader is a 4; ‘‘I was a 6 and the Emperor is a 6, and he’s on his way to becoming a 10, which will be a force so powerful in the universe that nothing can stop him. You must stop the Emperor before he achieves the level 10.’’" - Story converence, 1977, as transcribed in The Making of The Empire Strikes Back, 2010

"[Vader] ended up losing his arms and a leg and became partly a robot. So a lot of his ability to use the Force, a lot of his powers, are curbed at this point, because, as a living form, there’s not that much of him left. So his ability to be twice as good as the Emperor disappeared, and now he’s maybe 20 percent less than the Emperor. So that isn’t what the Emperor had in mind." - Vanity Fair, 2005

Now, the first one is an old quote from the development of Empire Strikes Back, when the story was very different; it's take it or leave it, if you ask me. Power-scaling is invented to justify storytelling, so if the story changes, it's not guaranteed the power-scale remains.

But if you're going by "everything Lucas said is canon!" rules then you could make the argument that, in terms of power...

If Ben = Emperor and Emperor > Vader then Ben > Vader.

And thus can argue that Ben might've beaten Vader if this confrontation was/turned into more of a Force-based contest than a physical one.

[chaotictempleknight]

Some advice for writers

I would like to offer some advice to my fellow writers. Caution: this post is a bit on the longer side.

If you have any type of series on the internet, please have a master post for that series, or at least some form of organization. No, I am not going to go endlessly scrolling through your blog or website to find the first chapter/page.

Please have links to chapters if you are writing a digital novel/novella. It makes it easier for the reader to get through the story. This is assuming you're not using a website dedicated to literature.

Tag your work with what genre it is. I see a lot of stories and chapters on the internet that don't do that or only tag one genre. I would like to know what genre your story is as I have preferences for what I read.

When writing a synopsis or a pitch, please establish the stakes. Tell me what the conflict is and why I should read. What are the consequences if the protagonist fails? Also don't describe what your story is. I'll find that out as I read.

Plan your story out before you write it. You are not that 1 in a million who's going to be able to write a story as you go along. PLAN OUT YOUR STORY BEFORE YOU START IT. Here's my advice: Establish your plot and ending, write the plot, write your characters, then write an outline for the story. Make sure you're happy with it, iron out any last minute details, then write a rough draft.

Have multiple drafts and don't post the first thing that comes out of your head. Don't worry if you mess up during the rough drafts, you can fix it later. How many drafts you have is up to you, just don't get carried away with them as you'll never finish the story.

The protagonist must succeed. It doesn't matter what they succeed in, they must succeed in something. There's no two ways about it. The protagonist can be anyone, be it a hero or villain. protagonist versus antagonist is not good versus evil, it's a clash of egos and ideals. It doesn't matter who they come from.

Write an evil villain and a strong hero. Let your villain be evil and let your hero be heroic. This is storytelling 101, but so many stories these days try to make everyone morally gray and indistinguishable from each other. You can have sympathetic villains and questionable heroes, just make it clear where the lines between good and evil are drawn.

Stop trying to be relatable and POST SOMETHING. I don't care about how many WIPs you haven't finished or about how your cat keeps interrupting you. Post your story. If you're more concerned about being relatable than actually writing, you're not a writer.

If you're expecting overnight success, you are in for a very rude awakening. No, you will not have overnight success. AND NO, you are not that 1 in a million. It takes time, effort, and dedication for your work to get noticed. I should know: have you heard of ULTRAMagic Alternate? I didn't think so.

If you are writing to make money and become famous, get out. I'm serious, leave. If you just want to make money, go get a regular job. You are legitimately getting in the way of actual writers who actually have a story to tell.

Having beta readers is ideal for improving your story. Find people interested in the genres you're writing and see what they think. You can always go back and fix the story if there is something wrong with it.

This one is for readers: If an author asks you to be a beta reader, they are NOT asking you to edit their story (although you can if you want to). You don't have to be an author, the writer is looking for your perspective as an average Joe off the street. Tell them what you think of the work, even if you have no knowledge of writing.

DO NOT USE AI IMAGES. The instant I see an AI image attached to your post I'm immediately scrolling past it. Either learn how to draw or hire a real artist.

DO NOT USE AI WRITING. I will ignore your entire existence if I catch you copy and pasting stuff from an AI chat bot. I'm okay with asking a chat bot for assistance as long as what is written on the page came from your head and human hands, however. Also newsflash, if AI becomes truly sentient, you are stealing ideas and work from another individual. Let that sink in.

[cindersnows]

i think as viewers we find it easy to sit back and judge each character until their motivations are explained to us in detail like with purple and king and chosen. even with victim its fairly easy to guess a portion of why she is doing this. and that's partially because avam is just made to be like that so all audiences can understand it and why the characters do what they do, and also partially because it's a little difficult to do more subtle storytelling when you can only express character feelings through their body language (and the body language has to be fairly exaggerated so that everyone can understand how the character is feeling).

so then as a result when we see green falling deep into the hole of social media it's easy to scoff and judge and say come on green, do better. we see it as him just getting too cocky again- look at green with his ego and his need to seem cool, he's sucking up to people again so he can get validation. and people understand that, they're even comparing his arc to purple, but they're forgetting to actually see things from his point of view.

like yeah. green was mean to yellow! and that was a kind of assholey thing to do, agreeing with people when they say yellow didn't do much. but like people do stupid shit all the time, especially to get approval. green hearting mean comments wasn't him on his villain arc, he probably barely thought about it. haven't you ever done anything without thinking or made a joke in bad taste. honestly it's a little ironic how quick people were to jump on him when he did something kind of mean, it reminded me of actual cancel culture! fascinating shit. we really are a part of the story.

anyways green started off as the weakest. he tries his best to be good at other things, first building, then music, but for some reason whenever he does well in something his friends get jealous or upset. (he pours himself into that thing and unintentionally ignore s or snaps at his friends--- its a repeating pattern at this point). it's mostly because their competitive spirit, something which is seen in a lighthearted manner but has gotten them killed or hurt on multiple occasions and i feel like they're going to have to address that at some point. whenever green sets boundaries, they're ignored, even if cg think they're just acting in the greater good.

hell, even purple, we've barely seen them interact after s3- who's to say purple wouldn't just scoff at him as well? she's already not very experienced with actual friendships (based on the way they just expected green to brush the betrayal off in parkour, they acted more like it was a small disagreement than a full on issue), so he may just assume this is how friends are.

basically the point of this is to say, no one ever celebrates his success. obviously he's competitive with his friends too, but having been at the bottom of the group from the start, he's visibly very insecure about this stuff, and having people attempt to kick him down during every success he gets (which he works very hard for) will lead to him needing validation from elsewhere. clearly, social media is supposed to give him this.

but like someone in the community pointed out, now he's appealing to hundreds of thousands of people instead of just 5 or 6. the praise is awesome, but seeing that people still have criticism of him just makes him throw himself into his work even more. it also probably functions as a form of escapism for him; he's so busy working, editing, writing, he barely even notices that his friends are avoiding him. it's possible he's purposely using youtube as a way to ignore his gut. anyways, blue's still willing to hang out and record with him, so what's the issue? (it's not as if blue is the least confrontational of the cg lol)

i have. been in this exact position. the moment you make anything, you're looking straight at the numbers. it becomes what you think of in the morning and during the creation process. you're skimming comments for keywords--- good, bad, more, less, etc. you listen even when you don't mean to. yeah maybe the guy was a little mean about one of my friends but ultimately it's just constructive criticism! it's not like she'll see this anyway. it's fine.

and yeah green needs to stop being so obsessive but i think he deserves to break down first. like what ash said--- he expresses his negative emotions the least out of everyone, he barely takes breaks, it's going to come crashing down. and i think when cg confront him about his behaviour he deserves to yell at them for the way he gets treated. it really hurts when all you are is the butt of the joke even when they mean it in a lighthearted way. if the arc just ends with green being knocked down a peg as usual, i will be very fucking upset because he's literally already at the bottom of the ladder, what more do you want?

[the-really-lonely-mountain]

To Erebor - Part 5

Part 1 | Part 2 | Part 3 | Part 4

Summary: Transported to Middle Earth, you must Join Thorin Oakenshield's Company as they travel to reclaim Erebor! OR: My take on the classic 'modern girl in Middle Earth' troupe. This is the second installment, so we are following the second movie of The Hobbit trilogy, and falling deeper in love with Kili on the way! This is the second part for the second movie.

Tags: Kili / Reader, Reader-Insert, Slow Burn, Modern Character in Middle Earth, During The Hobbit, How Do I Tag, Canon-Typical Violence, Kíli Is a Little Shit (Tolkien), implied soulmates, Dwarf Culture & Customs, Freeform, light smut, it's really just a brief description nothing too graphic but i certianly wouldn't want to be caught reading it, Holding Hands, Cuddling & Snuggling, Sleepy Cuddles, Protective Thorin Oakenshield Company Members, Dwalin & Thorin Oakenshield Friendship, Fluff and Humor, Domestic Fluff, Tooth-Rotting Fluff, Where In Middle-Earth Is Gandalf?, Hair Braiding, Dwarf Courting, My First Tumblr Fic, Alternate Universe - Everyone Lives/Nobody Dies, Fíli & Kíli & Thorin Live, Thorin Oakenshield Lives, Fíli Lives (Tolkien), Kíli Lives (Tolkien), sword fight training, kili is a big ole softy and i love him so much for it, tags tbd tbh lol

Word Count: 4,758

A/N: OMG!! I graduated! I got a job! I finally edited this part! I'm so tired y'all, I'm writing this author note at like midnight lol. ~AnywhoOOo~ I hope you enjoy! let me know if you'd like to join the tag list to be directly notified of chapter updates! <3

Divider credit: @cafekitsune

You woke to the usual clanging of pots and pans as breakfast was being cooked. Kili’s hand was still on your waist and his arm was still your pillow, though you were sure it’d gone numb in the night. You gently placed your hand on his cheek and tenderly ran your thumb over his delicate cheek bone. He looked so handsome sleeping beside you, it made you smile like a giddy little schoolgirl. You regretted having to remove yourself from his warm embrace, but you had to start packing your things and getting ready for the day. A much easier task now that you didn’t have to worry about your hair. When you were finished and your bag was neatly packed, you woke Kili.

He stretched his arms above his head then his eyes popped open, “Good morning!”, he sat up energized and ready to conquer the day.

“Good morning!” You replied with a kind smile, ever impressed by his liveliness in the mornings, “Start packing, Bombur’s almost finished breakfast.”

He shuffled about beside you while you worked on the last half of your bracelet, waiting for breakfast.

The porridge was the usual white sludge meant for nutrients, not flavor. You rinsed the dishes in the river with Kili’s animated storytelling as you usually did after meals. Thorin had the company moving out when you returned.

The day’s walk was very scenic, mostly idyllic forests with little rivers, where the lighting truly brought it all together. You walked between Kili and Fili so they could give you the basic run-down of sword handling and bowmanship.

By the end of midday, the company was on the border of the forest and a field. Thorin decided to make camp there and told Gloin to make the fire while Nori, Bifur, and Oin set traps in the forest to restock the reserves or something, you weren���t listening, too focused on Kili’s hand in yours as he led you somewhere.

The extra sparkle in his gorgeous brown eyes told you he was very excited to teach you about archery. As the resident Archer, no one (his brother) could compete for your attention by correcting him. He was also excited to watch you use his bow and his arrows; an honor bestowed upon an extremely select group.

Kili was very protective of his bows, not just because of the time it takes to make such an incredibly valuable weapon, but because one time in his youth he worked for weeks carving a brand-new bow from solid wood, making the string by hand, and engraving runic talismans into the handle. He worked very hard on that bow; Only to have one of his snot-nosed neighbors snatch it from him while they were playing and accidentally snap it in half after a misstep. Kili was furious, absolutely inconsolable. Fili had to drag him from the scene of the crime to the forest just behind their family house, so he didn’t hunt the kid down and destroy him. He didn’t say anything to Fili, just cursed and milled about the clearing in frustration. At first, his brother didn’t know what he was doing, concerned he was setting a malicious trap for the offending child (such a spiteful trap was almost sprung after another incident of the same nature); but as Fili silently watched, out of arm’s punching reach of course, he realized his brother was just looking for a piece of wood to make a new bow. Fili built a fire to keep the chill of the setting sun at bay, not wanting to abandon his brother to the coming night. He watched the younger mumble curses in dwarfish as he whittled the wood seemingly in his own little world. Kili hadn’t really taken notice of the fire his brother built despite using its light and occasionally throwing more wood on out of habit while he stayed up all night to make the string and engrave the handle. Their mother, Dis, saw them through the window in the back door in the middle of the night. Fili was sitting on the ground, relaxed, leaning against a tree while he watched his brother on the other side of the blazing fire, Kili was sitting on a rock hunched over his bow as it came together. Dis knew from that moment Fili would always look after his little brother, or at the very least try his best. The craftsmanship of the bow he made that night was nowhere near his previous bow, but it could still shoot the straightest arrow in the village. It would do till he grew again and needed a bigger one.

Kili brought you a few yards away from the camp, out of ear shot but not out of sight. After the crash course in archery during the day’s walk, you were as prepared as you could be. And excited as ever. Kili carved a target into the trunk of a tree with his dagger, not worried about losing misfired arrows in the underbrush because the fletching on the end of all his arrows were bright yellow.

He situated you both at a reasonable distance from the target and demonstrated again how to place your fingers on the string and what position to be in when you pull the string back. When he handed you the bow you were not expecting it to be as heavy as it was. Without an arrow, you tried to pull the string back like he showed but you couldn’t move it. You looked at Kili.

“Just pull it back Y/N.” He encouraged, with a proud little smile.

“I am, Kee,” you said still straining to pull it. It wouldn’t budge. He thought for a moment, trying to figure out what could be wrong—Ah! He got it!

“Here, let me help.” He came up and stood behind you. “The draw weight for my bow must be too high for you,” he said into your ear, his low hushed tone not going unnoticed as he got into position. He shuffled his legs behind yours and placed his hand below yours on the handle and his fingers above and below your slimmer, softer ones on the string. They were much stronger and much thicker than yours. Two of your fingers were the same width as one of his, a thought that quickly had you blushing. The irresistible mental image of moaning out for him while being deliciously stretched around his capable digits as he cooed praises, was nearly too much. You thanked god he was behind you and couldn’t see your bright red face.

He let you do most of the work pulling the bowstring to allow you to get a feel for the mechanics and amount of potential energy the movement created.

“And…” he made sure you were ready, “Release.”

You both let go of the string at the same time.

“Perfect! Now let’s try it with an arrow” He got one from the quiver on his back and handed it to you.

You nocked the arrow like he taught you then got into position. He helped you pull the string back like before, allowing you to control the aim.

“Ready…” You said to him this time, “Release!”

The arrow flew across the field and landed smack in the middle of the bullseye.

“No way,” Kili said in complete disbelief. You both went over to inspect the target. Sure enough, the arrow was deep in the carved center circle of the tree.

“That’s amazing Y/N!” He turned to you with the biggest smile you’d ever seen. You were as happy as him, jumping up and down excitedly.

“I want to try again!” You walked over to your previous spot and lined yourself up, waiting for him to join you. He chuckled at your enthusiasm and grabbed another arrow on the way over. You repeated the process like a practiced dance, enjoying more than anything that he was your partner. He allowed you to aim again, but this time the arrow didn’t hit its mark or the tree at all; It planted itself firmly into the leaf-covered underbrush.

“Awe,” you pouted, “I rushed, next time I’ll take my time.” You went to grab another arrow from his quiver, accidentally getting your face in his. For a moment, you could feel the heat of his lips and his breath tumbling over onto your own in a near ragged pant.

When you backed away you both politely laughed it off, though you could have sworn he leaned closer to you in that brief moment.

You shot all the arrows he had in his quiver. A handful hit the target, and a few even got close to the bullseye, but none hit the center like the first. Being a good coach, he encouraged and teased when the time was right.  

Once again in your own little world, it was like nothing mattered except him. His radiant smile, his contagious laughter, his excitability; it was all consuming. As the day wore on, your arms got tired, and you were ready for a break. You helped him collect the arrows in and around the tree, so he could show off for a bit like boys do for pretty girls. He did trick shots and action shots and even pinned the pinecone you threw for him to the tree. His skills were very impressive. Your return to the camp was met with impressed exclamations.

“Was that a bullseye on the first shot?!” Bofur asked, having seen the miracle even from the other side of the camp.

“Aye!” You said excitedly, proud of your accomplishment. You didn’t even realize that you were beginning to use their dialect.

“Good job lass!” Oin said, along with the others happily celebrating with you.

After all that training, you were hungry for a snack. You rummaged through your bag in search of the grapes you had foraged with Bilbo the day before. They weren’t in your bag where you left them, carefully wrapped in your old T-shirt.

‘They couldn’t have fallen out’ you thought as you scanned the camp for the thief, already having an idea of the culprit. You stopped when your eyes fell on Kili across the camp, leaning against a tree with a shit-eating grin as he popped a grape into his mouth.

You were livid. It was a total invasion of your only private property: your bag, and you felt extremely violated.

You couldn’t say anything to the offending dwarf or even look at him in fear of your rage exploding onto him. Your anger evident from your expression, the camp fell silent as you walked to Kili.

That feeling in Kili’s chest sunk to his boots when he saw how angry you were; he knew he’d gone too far. You snatched the grapes from his hand and walked (stomped) into the field beyond the camp.

“Y/N wait—” he tried to follow you into the field.

“NOT NOW KILI” you snapped at him over your shoulder in a tone he didn’t quite think you were capable of. He stopped in his tracks at your tone, the same one his mother used when she was very cross with him. The other members of the company who heard the commotion snickered at Kili’s self-inflicted misfortune.

You sat in the field, soaking up the sunshine and eating your grapes while you calmed down. Kili moped around camp like an abandoned puppy; it was quite a pitiful sight.

When you finished your snack, you took a few deep breaths to get the anger from your system and allow your thoughts to come together to properly explain to Kili why you were so mad. The youngest Durin hesitantly joined you in the field when he saw you were done with your grapes, his footfalls crunching the grass beneath him alerting you to his presence. He sat next to you clearly a little nervous by how he picked at the grass.

“I’m sorry,” he said, looking at the ground. “It was just supposed to be a joke, honest,”

“Joke or not, Kili Durin, you shouldn’t have gone through my stuff!” You wanted to make sure he understood how unhappy his actions made you. He cringed at his full name. “You violated the only sliver of privacy I have out here!”

“Sorry, Y/N,” he said in a regretful voice you’d never heard from him before. “I shouldn’t have gone through your bag.”

You sighed and looked over at him. “I forgive you Kee,” You took another deep breath, satisfied he’d learned his lesson, “Just don’t do it again, ok?”

He smiled, happy to be back on good terms with you, “I won’t, I promise”. You smiled too, his infectious charm melting what little remained of your anger. You gave him a hug, knowing you both needed physical reassurance.

He sat with you in the field for a while, content to stay in comfortable silence. You’d been eyeing a beautiful patch of flowers a few feet away since you’d sat down. You shifted so you were laying on your stomach to get a closer look at their vibrant hues and decided you wanted to use them, but how? Kili moved next to you, mirroring our position, to see what you were looking at. Then inspiration struck.

“I’ll braid them into your hair!” You said excitedly. He gave you a look of surprised confusion.

“What?! No!” he was immediately against the idea and even backed away from you as if you’d jump on him any second like his brother might. “Why don’t I put them in your hair instead? They’d look much better on you.” He desperately tried to come up with a reason to avoid the inevitable onslaught of mocking he’d have to endure if he agreed to your plan.

You brought yourself to a kneel so you could look him dead in the eyes with a blank expression, “Pussy,” you said.

He scoffed and got all huffy and puffy, “I am not a pussy!” He said defensively, his cute accent got thicker when he was flustered, it made it so hard to take him seriously, “I just think the flowers would make you even more beautiful than you already are.”

You blushed deeply at his words and looked away from his charming little smile to keep your thoughts from a more baser mindset and to think over his offer. He started twirling the end of one of the braids he’d done the night before between his fingers. It was a sweet and absentminded motion, to which you relented with a sigh, “Alright, but you have to teach me how to use a sword after.”

“Deal!” He gave a hearty nod. You got your hair stuff from your bag and your bracelet to work on and hopefully finish while Kili did your hair. You picked the prettiest flowers and put them in the extra fabric of your shirt like a delicate basket. He dragged over a stone to sit on and got to work undoing the braids and brushing your hair out.

You didn’t realize how tight he’d made the braids till the tension was released from your scalp. You sighed in pleasured relief as he moved your hair around with the brush. That sound immediately pricked his ears.

“Does that feel good, princess?” He looked down at you and smiled as he massaged the sore parts of your head. You were too lost in the feeling his skilled hands were creating to react to the pet name.

Once he massaged the soreness away, he parted your hair and began braiding. Kili had a vision of what he wanted to do to your hair. He wanted a thick band like a crown around the top of your head and four small thin braids scattered across the rest of your loose unbraided hair.

You were on an entirely different plane of existence. You felt so calm and relaxed and taken care of with his undivided attention, it was like nothing you’d ever felt before. His tranquil voice when he asked for a flower every now and then was the only thing you could hear. It felt like you were floating, your body sun warmed and peaceful.

When Kili was putting on the finishing touches, Fili came and joined you in the field to see what you both were doing, sadly pulling you from your lovely state of mind.

“Kili wouldn’t let me put flowers in his hair.” You pouted after the older brother inquired about your change in hairstyle.

“Even after he rummaged through your bag!” Fili feigned offense on your behalf with a smirk as he laid on his side in front of you both propped up on his elbow.

“Shut up, Fili” Kili huffed, ashamed of his previous actions, as he carded his fingers through your loose hair to make sure it was laying properly.

“Awe, Kiwi’s embawwassed,” you said in a baby-talk voice, making you and Fili laugh a little.

Kili stopped combing his fingers through your hair and tangled them in the loose hair at the back of your head. He pulled your head down to make you look up at him looming over you. He was about to say something, but the inadvertent dominating gesture caused an involuntary moan to slip past your lips, stalling any thoughts he tried to voice.

You were both stuck in that trance for just a moment, yet it took an eternity to pass. He was unable to look away from your pleasure pinched eyebrows and slightly parted panting lips. You were captivated by his handsome blushing features and the fire in his eyes. You wanted so desperately to kiss him, to meet his lips in heated passion.

“Good gods you two,” Fili rolled his eyes. His sudden interruption snapped Kili back to reality so he could release your hair. “Get a room,” Fili finished his statement.

“Shut up, Fili,” you both said in unison with faces equally ablaze and eyes cast anywhere but at each other. The elder just looked at you two and laughed to himself, he knew at that moment you were both madly in love.

“Here’s your brush, Y/N.” Kili handed it to you, wanting to change the subject.

“Yes, thank you” You took it from him and hastily returned your bag to camp. You met Kili back in the field for sword training. His brother was still there passively observing (waiting till he had to step in to correct the younger as this was not Kili’s area of expertise).

Bilbo allowed you to borrow his sword so you could get an idea of what a properly fitted one felt like without your wrists being torn to shreds by the other much heavier swords of the company. Kili walked you through basic moves and positions to teach you how to make your weapon like an extension of your own body. When he tried to speed up the movements and have you come at him in mock battle, you faltered and messed up the arrangement of poses.

When this happened, Fili of course would step in with a simplified version to help you. Before long, you had an audience, and the watchful eyes and extensive fighting prowess of Thorin and Dwalin. Kili was no longer the teacher but the sentient-sparing mannequin. The sequence of positions and movements became longer the more you worked at it. It felt amazing to be capable of so much. You knew it was just choreography, but it made you better now than you were before.

You were beginning to sweat under your thick tunic. The physical exertion was getting to Kili as well. When you took a water break you removed your shirt, the coffee brown padded camisole you wore underneath being far more breathable, but much tighter than your usual outerwear. It left hardly anything to the imagination.

Your less-dressed return to the now-stamped-down grass of the makeshift training area was met with impressed exclamations, wolf whistles, and light applause. You blushed and pretended to be a fashion model at the end of a runway. They found it very amusing.

Kili came back wondering what the commotion was about.

He saw you waiting for him. You hadn’t noticed him approaching yet, too busy putting on a silly little show. He loved seeing you like this, confident and carefree, not worrying about how you looked and focusing on something that was far more rewarding: having fun. He used the few seconds you were distracted to admire you. Your half up half down hair he’d just braided and styled, was blowing softly in the wind, and your short unruly baby hairs were matted to your sweaty forehead framing your face. Your camisole highlighted the alluring curve from your ribs to your hips. The hem of the fabric was ridding up on your waist, revealing just a sliver of your lower tummy. Your pants kept where they were, hugging tight to your thighs and bottom.

‘Two can play that game’ Kili thought, not even trying to hide his mischievous smile. He took his shirt off and threw it in his bag.

You looked up and saw him coming to meet you. The long bangs that framed his face were clinging to it now from his perspiration. He was smirking, knowing he caught you slightly off guard. His prominent pectoral muscles bled into his strong thick arms. His waist tapered at his hips where his pants were beginning to ride low, revealing his defined adonis belt in its retreat. He exuded power as he walked towards you with his arms out a bit from his side, and his palms facing you, as if he were challenging you.

“Ohho, it’s serious now, is it?” you said over a light chuckle, feigning being taken aback by his friendly challenge.

“Oh, it sure is.” He returned your light laugh and with a smug expression he tapped his sword against yours where it hung at your side. He knew he was flustering you. He could see it in the deepened flush that colored your cheeks and how your thumb picked at the leather-covered hilt of your sword.

You had to bite the inside of your lip rather hard to keep your eyes above his exposed shoulders. It had been so long since you’d felt so physically and mentally attracted to someone. The way he was looking at you made your panties dampen at the scandalous thoughts that his honeyed chocolate eyes made race through your head.

If Thorin hadn’t said, “Ready positions”, in that barking tone of his, you’d have jumped Kili’s bones and rode him off into the sunset.

You both got into the starting positions you preferred. Thorin shouted ‘Commence’ in Dwarfish. Kili came at you with harsh blows, which you perfectly countered like you’d been taught. You were able to quickly move yourself, so you were standing at his side. You took the opening and swung for his exposed ribs, but he easily blocked your attack. You pressed your blade against his to force him back and give up some ground. He stood steadfast in his heavy boots, however, and pushed back against you, getting his face close to yours to tease you.

“Good job, you remembered how to keep your grip on the sword.” He said with mock celebration. You gritted your teeth, determined to keep your footing. He glanced at your lips where your teeth were worrying your lower lip; A habit he noticed when you were focused or nervous.

“I’ve been taught well, Archer.” You shot back, as suave as you could manage under the conditions. He threw you back so he could reset his stance.

“We’ll see about that, Ibinê,” he said, flustering you again with that mischievous grin as his native language easily rolled off his tongue.

You charged at him, and your blades collided with a loud metallic clang. Your sudden advance surprised him, he backed up a few steps. Cheers came from your audience.

“Ibinê?” You strained while your blades met again in a brute force pressing match. “What does that mean?”

Kili shoved you back and swiftly turned around, a trick he hadn’t yet revealed in your spar. He abandoned his blade somewhere off to the side and spun around again but crouched in his movement so he could swipe your legs from beneath you. You fell to the ground with a muted thud, your weapon knocked from your grasp. Kili scrambled to straddle your hips, pinning down your legs with his and your wrists above your head. You tried to fight against him, but his strength and weight are much greater than yours.

He panted above you, smiling like a cat who got the canary, “If only it were you straddling me,” he whispered under his breath and winked at you discreetly. Your chest was heaving, making your breasts ebb and flow with the rhythm. The erotic tension was palpable between you.

“We have a victor!” someone said from the sidelines to break your daze. Kili blushed and stood and helped you from the ground. Your audience clapped a little then dispersed to the camp a few feet away.

You leisurely walked away from the encampment along the edge of the forest to catch your breath. The extra sway in your hips and a casual glance over your shoulder enticed Kili to follow you. He walked beside you. You looked up at him delighted he got the hint and followed you. He leaned over to say in a voice that was deeper than normal, “Ibinê means my gem.” His words took a moment to register, a delayed blush colored your chest and neck.

He bit his lip as a thought played behind his eyes. Growing bold from the adrenaline still in his veins, he wrapped his hand around yours. He picked up speed till he was running with you trailing behind. He took you far from the others. The sun was setting, painting the sky in those vivid colors that only dusk and dawn brought.

Kili slowed to a stop and used his grip on your hand to bring you in front of him. He took a step into your personal space.

“Labathmizi means I adore you.” He gingerly placed his hand on your cheek like he was handling the thinnest, most precious glass in the world. You were blushing profusely, your gaze danced from his eyes to his lips. “Abnâmulzi means you are beautiful.” He pecked his lips against yours for a moment then backed you against a tree and pinned you against it with his strong hand on your hip. The prolonged eye contact was making you pant. His voice was low and rough with arousal, “Azralizi du-nâmrul, Ibinê…” His head ducked down so his lips brushed against yours. “…means I want to fuck you, my gem.” He pressed his lips to yours in a kiss that surpassed any expectation you had. You lifted your leg over his hip, his hand went from your hip to your thigh, an encouraging movement, and it felt like it was searing into your cloth covered skin. It slid up to your ass cheek and urged you to grind against him. Your hand was on his bare shoulder and the other tangled in his hair, scratching and pulling lightly on the soft brown tresses at the nap of his neck. You whimpered as his hardening member pressed against your soaking core. Kili met your movements, making himself hiss at the delicious friction you were both craving.

When you broke the kiss for air as lust flooded your mind and loins, “That’s really hot” was all you could manage.

You were becoming addicted to his kiss. The way his thumb would glide against your cheek and the soft, barely there little whimpers he was making as you deepened the kiss were driving you mad with need. His tongue won its fight against yours when he gyrated his hips perfectly to grind into you, causing a moan to bubble from you. When he broke away, he looked at you, panting.

He suddenly went silent and perfectly still. His eyebrows pinched in a sudden focused confusion as he looked past the tree you were pinned to. This immediately concerned you.

You opened your mouth to ask if he was ok, but he put his finger to his lips to silence you. He closed his eyes and turned his head to focus on something; dwarfs and their connection to the environment around them still confused you.

His eyes shot open in a panic, and he tore himself away from you so he could pick you up bridal style.

You clung to him as he broke out in a sprint back to camp, “A pack of orc’s are coming.”  

Part 1 | Part 2 | Part 3 | Part 4

Taglist <3: @letmelickyoureyeballs, @nessarosefiction, @akari-rioan

[deathandthesoul]

Hey you! Do you like LA by Night and NY by Night? Want to branch out into watching more VtM actual plays? There's a few I really enjoy that I'd like to share. They are all 5th edition

Blood on the Grand Strand/Are We Dead Yet? from Huddyvonschland Coterie clans: Ravnos, Tzimisce, Salubri, Tremere, and some more regulars who swap in and out. And then also oops all Thinbloods! The tourist town of Myrtle Beach enjoys a vibrant nightlife. An eclectic Anarch coterie must contend with the Camarilla (and later Sabbat) making moves in their city while the Second Inquisition begins their operation. There's funky cults, a suspicious drug operation, weird Thinblood stuff, and a lot of juicy worldbuilding which sometimes brings in other elements of the World of Darkness. The players are an absolute delight, Huddy's storytelling is fucking delicious, and the table has a ton of chemistry. The atmosphere is moody and it's a very chill time. I consider this my comfort chronicle

Vegas by Night from Mayday Roleplay Coterie clans: Ravnos, 2 Malkavians, 2 Gangrel, Warrior Salubri, Lasombra This show is nuts. It has everything. Vividly gritty ST narration, occult mysteries, a coterie of forcibly Camarilla kindred in way over their head, wacky Vegas hijinks, lifelike and captivating characters, a meat house, Lake Mead being terrifying, so much buck wild combat. A gospel singer Ravnos who sounds like Elvis and the world's horniest Malkavians. Every plan goes haywire. They always pick the solution that will create the most consequences for them. It's super high energy but man it's fun. Caleb has spread such a wide web of plots that all somehow interconnect. It's really impressive seeing it all gradually unveil and all make sense together in the greater scheme of things. His brain is seriously huge

Legacy of Bulls from Adventure Tavern Coterie clans: [Spoiler], Hecata, Brujah, Toreador A Birmingham coterie inherits the grudge of their forebears and has to race against the clock to solve a mystery and prevent any damage. I'm in love with CT lmao he's my favorite representation of that clan I've ever seen. The chronicle has elements of the occult/magic, investigation, and an atmosphere that is often moody and tense with the occasional chaos. I love the drama in this one

ATL by Night from the Facility Productions Coterie clans: Brujah, Tremere, Ventrue, Gangrel. And some more regulars who swap in and out. In later seasons there is a new coterie: Lasombra, Thinblood, Hecata, Tremere, Gangrel, Ravnos After taking heavy losses during the Final Nights, kindred society in Atlanta must rebuild. Many were hastily embraced during those confusing times and the coterie is tasked with bringing those lost childer into the fold. There is a focus on character development and kindred Politics with heavy Second Inquisition involvement. All in all I find it to be very cozy and intimate, it's really relaxing to watch

The Rook and the Rascal: Montreal by Night from ThreeKingsLoot (audio only) Coterie clans: Tremere, Toreador, Nosferatu It's been a while since I listened to this one so I forget a lot but I remember there were werewolves, Pentex, and a lot of over the top violence. And something about a cult leader, I think? But it's also very cozy and has themes of community and friendship. They utilize True Faith in a novel way and the characters and narration are very charming. They don't follow the game mechanics exactly but it makes things way more high stakes and dangerous and interesting. I had a good time listening to this

[talenlee]

Lessons Lee Mulligan

I want to be better at running tabletop games.

I’m not bad at it, by the way. I haven’t had to contend with players giving me complaints any time in the past… maybe fifteen years. The games I run generally receive praise and players show up because they want to play them. I am currently on a break from running a game though you know watch this space, but I still think of myself as a storyteller, a game runner, and it is with that in mind I have been gritting my teeth in frustration at how good Brennan Lee Mulligan is at it.

I don’t have any malice for the guy. I admit, I had a wildly incorrect read on him as a person when I first started watching him. Somewhere along the way he mentioned that he’d never had alcohol or drugs, and I immediately started to edge him towards the ‘formon or exvangelical’ basket. Then in the Starstruck Oddysey campaign he mentions his mother’s name and his godfather’s name and I realise that actually he’s basically indie comics royalty, and that was quite a thing to realise.

Quite frankly, finding out how his mum feels about him and what she did for him as a child makes me feel very distressed because it seems so impossibly nice and good in ways that disorient me. It’s like watching Bluey, I can’t understand a world where a dad is that nice to his kids.

Still, Brennan Lee Mulligan is good at being a storyteller, dungeon master, game-master, whatever term you want to use, in a way that makes me want to take notes. Some of it is unuseful and unapplicable – I don’t have a custom mini maker on hand and can’t afford one and don’t even get to play on a physical tabletop any more. Some of it is the comical pointlessness of the system that he uses – watching D&D 5th edition involves needing to know almost nothing about the game, because all that really matters is if a number rolled is high or low, and he’s used it for murder mysteries and criminal heists just fine, because whatever else the system is doing, the focus on what the story demands is all it needs to make function.  Instead I want to focus on things Brennan does that I think I can use in my own games.

I suppose just in case, I’m going to talk about some minor details from a Dimension 20 campaign, Fantasy High that talk – obliquely – about spoilers for the first and last episodes. You might not want to read this if that’s a thing for you.

He’s Very Good At Actual Improv

Shock, horror, the guy who ran an improve school and has had years of playing around in improve performance with his friends he trusts is really good at it. The ability to build on what others are doing, enabling them in how they do it, and to trust them to not fuck up what you’re telling them, or the vibes you’re putting onto your

This isn’t a radical diagnosis of his storyteller abilities. Brennan’s job involves numerous other types of web show, including appearances on Game Changers and Make Some Noise which are both shows built out of improvisational comedy.

What can I extract from that though?

An immediate thought is that Brennan is careful with word choice and is extremely unselfconscious about others. Commonly in his dialogue you can hear the phrase you see that they say, which is obviously, when extracted, gibberish – at best it’s padding. It’s also, and this is important: fucking fine. People don’t make supercuts of him saying that, they make single big cuts of the thoughtfully constructed improvised monologues, which are delivered with the high dudgeon of a preacher. I think those are like lego constructions – he knows the pieces, he knows the structure to fill them out, and fills the spaces for them piece by piece.

General knowledge and presentation is useful for this skill. Be aware of a wide variety of ways people communicate, for example. It’s not like Brennan is a master of voices – you generally can tell you’re hearing Brennan say something when he voices an NPC – but the fact he has a swathe of different ways of talking, a bunch of Different Guys to dream up and get mad at – is a useful part of the skillset.

I don’t have players (at the moment) who are avidly into this kind of thing. But recognising the players as audience to experiences, and not players antsily waiting their own turn, is useful. I think Brennan treats solo interactions with players away from the group as if those interactions are interesting and fun for other players to watch, and part of that is, I think, built out of treating engagements as performances. They aren’t things to get out of the way, they’re the material players and people are there to watch.

He Does Put In The Work Ahead Of Time

I have a theory about the conclusion of the first Dimension 20 campaign. It’s not provable and I honestly don’t care to hear Brennan’s take on it, because it doesn’t matter if it’s true or not. What matters is what it tells me about what’s possible.

For those of you unfamiliar, Fantasy High’s first campaign was centered in a magical high school for adventurers. It introduced the players to the character of Arthur Aguefort, a delightfully reckless wizard with preposterous power in the field of Chronomancy that seemingly is always one step ahead of whatever his silly actions indicate. In this same story, there’s a prophecy, keeping a dreadful villain contained, and that villain’s containment is breached at the very end of the story, and then there needs to be stuff around that prophecy. It’s a pretty good story, especially in the way that Arthur’s plan is seemingly derailed by the player characters dying in episode 2, and then he sacrifices his life to bring them back. At the end of the story, Arthur comes back to life, in a big dramatic moment that gives everyone a chance to refresh mid-fight with a boss that’s otherwise a bit beyond their abilities. Cool story, cool bit, and it all dovetailed with the prophecy, because of the specific character who died getting a miraculous natural 20 at the last moment.

Except.

I think that with the way the prophecy was worded, and with the secondary details and characters connected around them, it would be entirely possible to conclude the prophecy and defeat the baddie if any of the other characters had been the person to do it. The character who triggered this refresh didn’t have to be who it was, anyone could have done it and the explanation of the prophecy would work just fine, thanks to some homonyms. If I’m right, not only is this a cool mentalism trick that makes Brennan look psychic, but it’s also an example of the powerful advantages of being prepared ahead of time for a spreading network of possibilities.  

I don’t do as much prep work as I want to do. Or rather, more correctly, I don’t do as much prep work for my games as I want to have done when the time comes to run the game. The difference is pretty subtle, but it’s present. Part of it is, I think that prep feels both easy and boring, the deadliest mix of things for my kind of player mindset. When introducing players to locations I so rarely have lists of things like NPC names and random traits on hand for them to grab a stranger off the street to talk to, and keeping those characters distinct from one another is easier when I have those tools on hand. Having short descriptors of places, lists of street names, just the detritus that makes up a place, that would make life easier for me when trying to organise details and let me use a lot of anchoring details.

Making those lists, however, is pretty tedious!

What makes this even funnier in the context of the now is that really, ‘make me a list of descriptions of NPCs for a steampunk street in Vienna,’ is exactly the kind of thing that a large language model software system would be really good at but doing that runs the risk of generating characters that sound boring, and I’m not wild about the idea of engaging with those systems where I don’t have to.

Conclusion

If you’re like me, an older millennial who’s never succeeded at much of meaning, and you see cool people doing things around you that you think ‘oh wow I’d love to be doing that,’ you don’t have to let it fester in you and make you sad. You can take their examples and use them as guideposts for how you can do the things you want to do. Engineering someone else’s success is impossible, but you can at the very least recognise what it is about how they work that excites you.

Check it out on PRESS.exe to see it with images and links!

[bambi-kinos]

Beatles Reading List (Introductory)

Hi guys. So I saw a post floating around asking about "where to start" with the Beatles and how to find out more about them. Moeexyz's recommendation on it was to read fanfiction and this alarmed me a bit. Fanfiction just isn't a good source to get information about the band for one simple reason: fanfic authors change stuff for dramatic purposes all the time. It's just not a great way to get more information about them because fanfiction by necessity shifts things around for the sake of storytelling.

That Beatles iceberg is nice but the only way you're going to get a good picture of the Beatles is by doing a lot of reading of published sources. That's right. You're in for a lot of homework.

In an effort to combat misinformation, I asked the McLennon discord server to help me put together a rough list of introductory level books for Beatle fans that want to learn more about the band. These books are either a) read by me or b) read by someone I trust and I have included her quotes about the books she liked. I'll have color commentary talking about what they are and why they should be read. I do not consider this post finished! My server is constantly reading and discussing (we're looking at podcasts right now because they're the ones doing interviews with Liverpool citizens who were peers of the Beatles!) and they're being very gracious by contributing to this list. That means that this post may be updated in the future as I read more! If you want to keep up with updates then give my blog a follow, I'll post every time I update this list.

Some of these books are available on Archive.org but others can be gotten through your local library or through piracy. If you buy something, buy it used. Never pay more than $20 for a Beatle book.

The Whole Story

Anthology This is the documentary made by the band after John Lennon's death in 1980. It is both a documentary as well as a book (essentially a script of the documentary) which makes it very accessible. This is the version of the story that the band wanted to put out and includes interviews with Paul, George, and Ringo. They cover their beginning to their end. Anthology can be found on archive.org if you want to read it: https://archive.org/details/beatlesanthology0000unse_y2k8 The episodes are also available on Archive.org. If you search for "Beatles Anthology" and select "movies" option to search for videos then you will find it there. It's worth the watch and is all around the best introduction to the Beatles.

The Beatles - Hunter Davies This is the only sanctioned biography of the band. It's written in older language since it is contemporary to the 1960s but it's still very readable and a good intro. It is part of the media image that the band wanted to present at the time so you should make sure to think about what you are reading, who is saying what, and contemplate why he is saying it. It it still a great resource.

150 Glimpses of the Beatles - Craig Brown This is a short book that describes 150 anecdotes about the Beatles and what it was like to experience them. I recommend this because it demonstrates what a unique and personal experience the Beatles are while also demonstrating their global reach and how they became the most famous rock band in the world. It's a short read but a good one and there are many charming and thought provoking anecdotes in it. The story of the Beatles is just as much about their fans as it is about the band and you cannot understand one without looking at the other.

Books About Each Beatle

This particular section is a bit of a minefield. Many books written about the Beatles are of questionable veracity or just out and out wrong. (I can think of two that were written as blatant cash grabs and filled with libel that someone should have been sued over.) My recommendations on this may change so please check back from time to time! John Lennon

The John Lennon Letters - John Lennon, edited by Hunter Davies Primary source documents of the various letters and missives John wrote through his life. This may be the most important book on the list because it shows us who John really is: just another ordinary guy like us, trying to get through life. Also gives insight into his mindset as the decades pressed on.

The Making of John Lennon - Francis Kenny This is a very vital and heartbreaking read for people who want more insight into John. John Lennon is the most famous Beatle but he is also the one who's image is the most obscured and distorted. Francis Kenny is a Liverpool native who puts John in his proper context. To quote my server friend who read this one: Kenny, himself a Liverpudlian, takes into account how life in Liverpool in the first half of the 20th century shaped not only John but everyone he knew and his entire family. Mimi and Julia get a good critical view, and Uncle George gets his moment in the sun. He also lays out how class divides affected the Stanleys and then how Mimi took it out on John and Julia. He quotes a 1880s travel guide of London that said Liverpool was called "the New York of Europe," because of its economy and place on the ocean, and like in the Gilded Age New York that was happening concurrently across the ocean, Liverpool had pockets of wealth and splendor surrounded by poverty and rough living. Definitely a pro-read and a great insight into the culture and time John lived in. It does not fall into the pitfalls of hero worshipping John but Francis Kenny still treats John with sympathy and respect, hard qualities to come by when it comes to the cashgrabs written about John and his family.

John - Cynthia Lennon John's first wife, Cynthia, wrote two autobiographies about herself and John. This is one of them. It's a tough read in many places but a good one. Hers is a voice that doesn't shy away from John's flaws and actions but she also takes care to tell us why she and so many other people love him and remain loyal to him.

Paul McCartney

Many Years From Now - Barry Miles This is Paul's only sanctioned biography. It is formatted as a quasi-interview with Paul where there are interruptions of regular prose in each chapter. There are eyebrow raising moments where you can tell Paul is not quite telling the truth but it's important to read and identify these moments since Paul's habit of embroidering the truth is important to know and understand. Nonetheless it is still a lot more honest than I was expecting when I read it.

Paul McCartney: A Life - Peter Ames Carlin Probably the best Paul McCartney biography on the market. Peter Ames Carlin also did a similarly great bio of Paul Simon for people who are into that. To quote my friend Betty who read it: Paul gets to be a whole person here: the preternaturally talented boy wonder, the guy casting around for meaning, the less than attractive moments and qualities described without getting preachy or turning to [Paul Derangement Syndrome]. Carlin treats him with dignity instead of something to be gawked at and gossiped about. His (many) sources are cited at the end of the book. What I really appreciated was the ideas he put forth that I've only seen on Tumblr and not in Serious Official Biographies, which says to me he's writing as a fan and scholar and not a journalist trying to fill column inches.

George Harrison

I Me Mine - George Harrison Make sure to get the extended edition! George Harrison in his own words. There's a lot to say about this biography but it won't make much sense without context so I just encourage you to read it. George Harrison was, in my opinion, the best Beatle.

George Harrison: Behind the Locked Door - Graeme Thomson A good no bullshit biography about George Harrison. This covers his life as the material musician and the man seeking the divine. Graeme worked very hard to be respectful of George and his life, did extensive interviews with George's wife Olivia. Such a pro-read and definitely the best George biography written to date.

Ringo Starr

Photograph - Ringo Starr Ringo has stated that this book is his autobiography. In a few bumpers on the Beatles Sirius XM channel Ringo says that he doesn't want to write a biography like the others did but he was happy with putting this photobook together and essentially writing a bio through the captions. This is the closest that we will get for a biography for him as of right now. In time that may change but this is your best option. Piracy is the way to go when it comes to getting a copy of this, iirc it was a limited run and getting a physical copy might be very expensive these days.

Brian Epstein

A Cellarful of Noise - Brian Epstein/Derek Taylor This autobiography was ghostwritten by Brian's assistant Derek Taylor. It's not a tell-all but Brian talks about his youth and how he met the Beatles, including giving his own personal (and accurate) insights into each band member.

Conclusion

There are many, many books about the Beatles. Almost all of them offer something but most are about very niche periods in the Beatles history. When it comes to understanding the band I tried to put together a list where you can get an overview of the band and then read materials that either come straight from the Beatle in question or are not as biased as the competition. I am a McLennon shipper but for a post like this I did my best to recommend books that don't have that kind of bias in them so this is a list you can send to non-shipper friends haha.

In another post I will put together a history book list in the order of their timeline as a band, starting from the Quarrymen and on to the present. There is a LOT of ground to cover in a historical arrangement and it will take a while to compile. Please check back here regularly or give me a follow: whenever I update this post or make a new list, I'll make sure to post about it.

My plan is to make a website with all of this information that anyone can reference but it will take a long long time to make such a thing so put a pin in that one.