#Also I should add I will be putting my head-canon ideas onto these characters!

[mewnia]

Some sneak peeks at sticker ideas already :3c these are ones that are sticking (lol) but might still be changed as I go!

So far I plan to do these in my chibi style but we’ll see how I’m feeling and what works best in the size I want to do these in.

[lemotmo]

one thing i'm a bit worried about as we got into season 8 is that there are a lot of fans talking about buddie like it's an inevitability and saying things like "buddie canon confirmed" because of the bts stuff we've seen.

it feels like people are setting themselves up for being disappointed and mad if buddie doesn't end up going canon (and honestly, it's kind of their fault for reading so much into fun little posts from the cast when the only way they'd ever confirm buddie is in an episode).

i really want buddie to be canon, but I'm keeping my expectations low because I don't want to be disappointed and it feels like people should be prepared for that potential outcome.

All right Nonny, here's the thing...

I get it. I completely understand what you are saying. I have been in the 911 fandom since season 1 (not so much on Tumblr) and when season 2 happened I hopped onto the Buddie train (on Tumblr).

I have been there, season after season after season. I saw people building up a lot of hope only for that hope to end up in disappointment. And I felt some of that disappointment as well. Although I have to admit I was always on the sidelines. I never really thought it would ever go canon. I hoped for it, but I had very low expectations.

After all, both men were canonically straight. Even though we could all see the queer-coding, fundamentally nothing ever changed. Buddie got closer than ever, but they still had girlfriends and relationships.

So yeah, I didn't have high expectations and I was happy just chilling in my little Buddie corner, speculating and reading/writing fan fic. Just genuinly having a good time.

But then season 7 happened. The show got cancelled by FOX at the end of season 6 and ABC picked it up. The first thing ABC did was put Ryan and Oliver front and center, having them freely talk about Buddie. I couldn't believe my eyes when these interviews happened. Articles were written, not just by smaller click bait sites, but actual reputable magazine sites. I watched all of this with wide eyes, not sure what to think of it. 'Would they? Could they?'

Then another bomb went off when 7x04 happened and Buck came out as bisexual. I was floored. For the first time in 6 seasons, I started entertaining the idea that the show might just go there. If they made Buck bisexual, surely they wouldn't ignore the highly popular Buddie aspect of it? Would they?

Let's not get into the whole Tommy debacle that happened afterwards. Because in the end it's not important for this answer. Tommy has been set up as a narrative device to help Buck out of the closet. He isn't even a factor in the overspanning Buddie arc we've seen progressing over 6 seasons.

I also want to add that it's crazy that we know for sure that it was actually supposed to be Eddie who would come out of the closet (first).

The end of season 7 gave us an Eddie who told Kim that he is broken and he can't be fixed. Chris left and now he's all alone. No more Chris, Marisol or any other distractions. He is on his own now. Lots of time to reflect upon his life and relationships. His arc will be built around his emotional journey and his personal growth. And we all know who will be by his side for all of it. It's a given at this point.

Then we have Ryan doing these interviews, saying things like:

“The character has been established now, we kind of know what to expect with the vibe. Now it’s just kind of falling back in old rhythm. The only thing different now is where the character’s head is at and where he is going.”

Next to that we have new looks for both Ryan and Oliver. A new beginning perhaps? That moustache has some clear queer symbolism attached to it as well. Something we cannot ignore, because the show knows that its fans aren't stupid and they also know that they have a solid queer fanbase.

And yes, Ryan and Oliver seem happy and relaxed on set these days, while especially Oliver didn't seem all that happy at the end of season 7. In fact, Oliver has completely ignored the Tommy aspect of his new 'canon' relationship. He speaks more about Buck's bi journey and ignores the Tommy factor as much as possible.

So Nonny, if you read all of the above information (and I'm sure I forgot a bunch of stuff) how can you not become more hopeful and a lot more positive that there is a high chance of Buddie happening in season 8?

I'm all for protecting yourself from possible disappointment, but when you are constantly wrapping yourself into a protective cocoon so you don't get hurt in the process, you might just miss the best (and most fun) part of being a shipper: the experience of your slow-burn ship finally becoming canon.

I admit it! I too strongly believe Buddie might just happen in season 8. I'm almost completely sure.

And yes, if Buddie doesn't happen, there will be disappointment and there will be people who choose to express that disappointment through anger. But honestly?

They would kinda have a point.

Because no, it wouldn't be the fans' own fault for getting their hopes up if Buddie doesn't happen. During previous seasons I would have said 'yes', but not now. Not anymore. Now I would definitely say that they are right. It's the show itself that has gotten our hopes up by the consistent Buddie promo, the many Buddie scenes, the whole Eddie being in every part of the BT arc thing, the bts and all the other things they've thrown at us. They know exactly what they are doing. They are hyping Buddie up to the max.

I don't actually believe there will be disappointment though. This is truly the first season where I have been pretty confident that Buddie is in the works. I've never had that feeling before and I've been here forever.

Now that being said, complete certainty doesn't exist for a shipper. if, for some reason, Buddie doesn't happen? There will be disappointment (for me as well) and anger (for me not so much), but in the end that emotion will fade and Buddie will become just another great fandom experience with a bad ending. We've all been there before. It happens.

That is just the nature of being in fandom: 'You win some, you lose some.'

However... this time? With Buddie?

I really think we're about to win big. Sorry Nonny!

¯\_ (ツ)_/¯

[navy-leader]

Mildly losing my mind so im gonna talk about my AvA AU, Heaven's Underpass

Its essentially just a demon/angel au with some minor worldbuilding and slight altering of the already existing narrative (and lots of shipping...). It is by far Not comprehensive and merely done for fun so inconsistencies abound, sacrificed for self-indulgence

I made this AU before AvA6 came out and structured the initial timeline with what we had at the time so it branches off into different alternates ever since then

Anyways the story for the most part follows the actual AvA series with the added addition of them being some sort of divine or infernal entity. Chose started off as and angel but once Chosen was captured and enslaved by noogai he burnt off his wings and became a demon. Then AvA3 rolls around, another angel was created and tasked to take down Chosen, Dark. Though after Dark was defeated and accepted Chosen's hand in partnership her divinity slowly drained out of her as she becomes a fallen angel/demon, though she doesnt fully become one until AvA5.

Then comes The Second Coming, a deity that rivaled the power of the animator but was raised amongst mortals (The Color Gang) so they never found out of their divine nature until much later. Also Green was a guardian angel watching over RBY until he got his wings stolen by a demon and became mortal like them, aint all that bad though cause now they can actually get to know eachother! He still has that protective and caring nature from his time as a guardian and extends it towards Second when they came into the picture.

Purple intermission! Cause theyre the only other character outside of the AvA series that i put much thought into. Shes a demon who had stolen an angel's wings (wink) to reach some form of divinity. I havent really thought of her background all that much but i did entertain the idea that her parents are demons but them being a mix of angel and demon but leaning more into demon sounds more interesting and i feel adds a bit more to their character. I also had the thought that King was a mortal who had made a deal with the devil to achieve his goals, that demon being Purple. He has a lot of moral dilemmas just like canon Purple but made worse because of the everything 👍

Moving on, AvA5 happens and Second awakens their divine powers (though temporarily) and Dark gets blasted into the stratosphere and becomes a proper demon, but shes not dead! Somewhere down the line she met Purple in her weakened state and they bond over their moral dilemmas like good trauma bonding buddies should do, and Purple takes care of her as she recovers

Meanwhile something appears on the desktop as the color gang head home from the events of AvA5 and find,,, a demon hollowhead? They seem confused and absolutely terrified of the mouse cursor that belongs to the animator and attempts to attack it but was soon held down by the color gang and calmed down. After a brief introduction they find out this demon's name is victim. And then this essentially follows the AU i had for if victim came back, made before AvA6 came out. I discussed it in this post here.

Anyways Second and vic and Chosen get crazy gay with eachother in the end and Purple pulls up to the desktop with Dark in tow like "hi guys meet my girlfriend!" and Dark and Chosen look at eachother like "Shit. Thats my ex." but in the end they talk it out and agreed they should see other people and yayy happy times

And then AvA6 came out and uhh crushed everyone's headcanons and i couldnt be happier!!! And then i havent really figured out what to do with the AU timeline wise and im just having fun slapping wings and horns onto these sticks and bringing out the themes inside the story to be more visual and etc etc

Anyways goodnight

[katyspersonal]

8, 15, 16 and 20 for peace ask meme!

(Asks from this ( x ) meme)

8) common fandom opinion that everyone is right about and should say it

Well.. I did not actually expect this to become the common opinion the last time I used this ask meme, but things have changed within past half a year, you know? Now, that Micolash and Laurence being academic rivals, featuring inherent homoerotism within it, is a common thing I CAN SAY THAT fandom is right and should say it dfsjhhfhsd

Now I am just waiting dynamic to transcend the ship and include Rom and Caryll for Choir and Byrgenwerth stand-ins (which is which doesn't matter, either works), so the rivalry takes true MULTI-TRACK DRIFTING and does this:

15) that one (cool) thing you see in fanart all the time

Okay, bonk me on the head very hard if I've already brought it up once, but I kinda love 'foreshadowing' in fanart? For example, Rom featuring flovery accessories in her hair or playing with spiders long before meeting her fate, Adeline picking flowers or liking sea life long before Research Hall, Micolash or Bloody Crow playing with actual corvids as kids... all that! Part of me questions the concept sometimes: is not it more impactful, from story standpoint, if the characters got 'taken into' something that absolutely didn't fit them, changing forever...

But then, at the same time, there is equally sinister vibe, or even irony to it, if someone was introduced to the concepts associated with their darker path early, like if their life path was already marked! ..or maybe I am overthinking what is just a fun think visually again. x) In either case, I like it when people do This Thing. I am pretty sure there are more examples I will recall!

16) you CAN understand why so many people like this thing (characterization, trope, headcanon, etc)

I can understand why so many people like to put Gehrman, Laurence, Ludwig and Maria into a group of four! It works naturally as these characters are all connected, especially all being linked to Gehrman. There are other relevant characters like Logarius (from Church's side) or Djura and Gratia (from Old Hunters' side), or like how my friend @fantomette22 adds Caryll as the fifth person, but like... again, they just work together! The four is a good number before it becomes hard to keep track of characters, but also they are all distinct enough! Ludwig is energetic and often is the brightest part of the team, Laurence is the leader with great ego and ambitions, and Gehrman and Maria interchange roles of 'the depressed friend' and 'the cool badass friend'!

20) part of canon you found exciting or interesting

How about ALL OF THEM. You are talking with the person that had a genuine joy digging through every single history implication across Chalice Dungeons, or analysing implications of weapons and even hunters' hats, or found that Yahar'gul Hunters all have plenty of fundament for lore and personalities!!

Alright, I think for this time I'll pick the fact that Yamamura has seen some real shit and his story. He really IS an odd one out of the League, reciting a Healing Church's motivational prayer as the one thing to still keep him sane, as it is stated that League's "mission" was what drove him insane as he stared into human dregs AND he is a summon in Yahar'gul, Research Hall AND is jailed in the prison for people that learned too many Church's secrets, AND there is a Yahar'gul hunter jailed too (so he helped him to escape Yahar'gul?), AND Valtr does curse "mad doctors" as well.. I already mentioned my headcanons about what went down, but is not it interesting detail that after everything he's learned, he is latching onto what Ludwig was saying? A simpler explanation, coping with the idea of "holiness", even if illusory, was a good distraction from the horrors of human nature. A more complex explanation.......

I can just said it increased up my interest in the character significantly back then!

[oveliagirlhaditright]

Reasons I think a Final Fantasy VIII Remake could've could be fun:

Addressing the elephant in the room first: yes, they would have to rework the Junction system (since the Junction system is canon to the story). But I don't think there's anything saying that they wouldn't be able to do that all these years later (and that maybe Square has even having thought about it some during said long years). I for sure think they'd be able to find a way to make it better (and less broken for those who get it, and less complicated for those who don't) and something new for this generation, ala FFVIIR's battle system.

Rewrites to the story: this is a thing that would probably have to be a thing that would happen, too, as the story of FFVIII is admittedly not perfect: Most of all to make characters other than Squall and Rinoa more important to the overall story, I think. But seeing just how Square Enix was able to handle character writing in the FFVIIR parts-- and add changes to the story that didn't hurt things (we're not talking about the Whispers or timeline stuff here), but rather enhanced it: like explaining that the Gi created the black materia--I have faith in them.

Now for some things that I, personally, would love to see, that I think could help FFVIII in the modern era, and perhaps the story:

My friend @bluerosesburnblue in defending Rinoa Heartily one time, once described her as a social justice warrior--with all the best intentions--who doesn't exactly know what she's getting into, and gets in over her head. And she's exactly right. If FFVIII were to ever be remade, I'd love to see that sort of direction taken with Rinoa's character, perhaps.

Another elephant in the room, perhaps (but one that I think would be fun/funny. And worth the price of admission... at least for me. I might just be weird). I feel like there would have to be a joke about selfies and Selphie's name. But I don't want them to modernize FFVIII with smart phones like they did FFVII. FFVIII takes place in an era akin to the Cold War, and that's where it should stay. But I've seen many a vintage post labeled something like "a selfie made before selfies were created!" Where a person, back in the day, seemingly did take a kind of selfie with cameras of old. And I think we could do that with FFVIII: the people of that world learn how to take selfies with their cameras, and they become a big hit. And Selphie says something like, "I was 'Selphie' before these 'selfies' ever existed. And I'm the best one that exists, don'chu know?" IDK.

Anyway, those are some of my thoughts for a Final Fantasy VIII remake, if one were to ever exist.

Feel free to add onto this if you have more:)

Edit: And this one y'all will either love or hate. But I believe it was Kitase who said that if they remade Final Fantasy VIII, they might play with the "Squall is Dead" theory. They wouldn't make it true or anything like that, but probably put some red herrings about it there and pay homage to it. I personally like this idea, think it's fun, and would like to see it if we ever did get said Remake. But I also completely understand why others would hate the idea.

[outoftheframework]

my proposal for tropes we as a fandom should adopt in all fanworks going forward: Duke Thomas edition

So every fandom has tropes and characterization quirks that have been generally accepted into fanon and, like, maybe? they were originally based on some obscure comic panel from the 80s or something but it doesn’t really matter because we’re all just,,, cool with it? Like for example- in the dc comics fandom, an art piece could show 3 of the bats that look virtually identical except one of them is holding a box of cereal so that one is obviously Dick Grayson. . . Y’know?

Anyway, these things usually come up naturally I guess but I’ve been here a while and it’s finally time to put my foot down. It’s high time for Duke Thomas to be more in fanon than “the sane one.” Because he might be the relatively new guy but he is certainly fears no gods or laws of the land just as much as the other bats, lemme tell ya. 

TL;DR here are character quirks (”canon-based” or otherwise) that we should all really latch onto seriously I’m begging y’all to make at least one of these happen-

Duke “Habitually Jumping Out of Moving Vehicles” Thomas

This one’s actually based in canon y’all; Duke did indeed yeet himself out of the back of a cop car and off of a bridge (in We Are... Robin). Normalize Duke’s wearing knee and elbow pads as Signal because jumping out of a car turns out relatively fine once and then suddenly Batman’s rooftop disappearing act seems mellow compared to the amount of times Gordon has whipped his head around to see a now Signal-less backseat. 

Like, he’s going 60 mph?? And he didn’t even hear the door open?? and tHE DOORS ARE STILL LOCKED??

Imagine this leaking into civilian life and Bruce waking up to a blurry photo of Duke mid-escape from a limousine on the front page of the Gotham Gazette.

(more under cut)

Duke “Puzzles are my Passion” Thomas

Duke is ~canonically~ very skilled at both solving and concocting riddles (as a child during that time where The Riddler just,,, controlled Gotham, he worked non-stop on riddles, trying to make the perfect one). Please y’all- let Duke solve puzzles. Have the other bats ask him for help after 36 hours straight of brooding over some brainteaser that Duke works out within the half-hour. He texts a picture of the solution scribbled out on loose leaf in the margins of his pre-calc homework because this boy shows his work. 

My guy is a word-cross FIEND. A mind-sweeper speed-runner. That guy who mails into the Gazette to correct a solution in the “fun & games” section and also ps that photo is not of me I am simply a polite young man who is much too busy writing into the paper in the year 2021 to jump out of limos-

I also would love to see this integrated into the type of cases he investigates / runs into on his daytime patrol. Like, obviously the criminal activity is going to dramatically differ before and after sundown, but that doesn’t make Duke’s work any easier or less important. It’s a different skillset; he has to work differently. Instead of jumping into fights, halting mob meetings, saving civilians in dark allies, etc. Duke has to sort through all of the moving pieces before they all converge into something catastrophic. 

It’s a known fact that criminal organizations in Gotham make and execute a lot of behind-the-scenes plans during the day specifically not to run into the bats. And Duke knows and monitors this shit all by himself; his work is crucial to logistics and information gathering for the bats as a whole. Now criminals have like, a 2 hour gap between bat-shifts to try and get stuff done. But Duke would 100% set traps on timers or lead them on this pre-set convoluted goose chase  to distract them until the night bats come out and to let himself enjoy the whole thing playing out on the news while he finishes homework that’s due at midnight.

Duke “I Know a Guy” Thomas

So in going off of the basic concept for the “We Are. . . Robin” run in combination to his general likability, Duke has a lot of friends all around Gotham. Okay, sure, he doesn’t have a Super best friend or a Speedster on speed dial, but he does know this guy who details cars up on West 35th and will tell them all about the new mods on Black Mask’s transport vans if they come through the third floor window and bring takeout. 

Bruce and Tim will be waiting for the facial recognition software to identify at least a partial match off of security cam footage when Duke pulls into the cave, takes one look at the screen, and says “Oh, that’s <insert name, address, abridged life story, and known associates here>.” This also brings in the opportunity for Duke to have some sort of perfect recall for faces, voices, names, etc. which I think could be a really cool element for his position as the batfamily member who has a lot more personal interaction with the people of Gotham.

I’m also into the idea of a lot of people knowing/telling stories about Duke. Not to reference the Chuck Norris meme but almost like the Chuck Norris meme lmao. Think about Jason mentioning his brother to someone and she replies, “Duke Thomas? Like that Duke Thomas? The one who swam across the harbor because he said it’d be faster than the subway and it actually was?” These stories have varying levels of truth to them but Duke will never confirm nor deny when he gets random calls from family members yelling “you dID WHAT”

So those are my top three, and the following is a little speed-round of headcanons :)

Duke has a super expressive face. Like when he’s relaxed around family, you can tell exactly what he’s thinking and how he’s feeling by his visual reactions to things

Duke rotates through picking up new and revisiting old hobbies at a pretty rapid pace. Some hobbies include: bullet journaling, origami, viola, cello, synth, conversational basics in multiple languages, up-cycling and embroidering clothes

Duke has a really fucking adorable smile. He can’t help it. He’ll try to grin sarcastically or smug to be annoying but his smile just cannot be anything other than endearing. He also has a very specific booming laugh that’s an absolute treasure to hear, because it’s the most genuinely happy thing ever. 

Duke unironically enjoys Signal by Twice even though the first time he heard it was after Steph had set it as his morning alarm.

So.

Come and get your food, I guess.

Feel free to add on if you’d like! I’d love to see anything you guys write/draw/etc. based on anything from here if you feel compelled to do so!

Stay safe and be well :) 

[camping-with-monsters]

THE DISTILLERY DOUGH THEORY (PART 1… possibly.) — A Cuphead theory of death, dastardly deeds, and dough.

This is going to gradually appear more professional as this goes on. This is just a possible theory or set of theories, but I am not a theorist. I’m just someone who really enjoys watching Cuphead related videos late at night when I should be asleep. This paragraph is being written after I’ve written almost everything else down. So buckle the fuck up as I take some time to explain a theory I like to refer to as

~🧂THE DISTILLERY DOUGH THEORY🧂~

Disclaimer: Delicious Last Course spoilers. Obviously.

((Credit to my girlfriend @hehe-parappa-goes-brrr for helping me notice crucial details here and encouraging me to wire this down/present it online!!))

———

I regret to inform you that this is, in fact, NOT actually about The Moonshine Mob. Sorry, but don’t leave yet! Cause this is about a super obscure, and crucially overlooked detail about the stage “A Dish to Die For”. The Chef Saltbaker Boss. The final boss of The Delicious Last Course DLC to Cuphead.

Okay, so you know how in the first phase, Chef Saltbaker brutally murders the ingredients you gathered for the Wondertart? I noticed something really weird I haven’t seen anyone cover and it’s almost APPALLING to me that it’s not being looked more into.

So first we need to mention that for the Desert Limes and the Icy Sugar Cube, he is clearly seen pulling a weapon out from underneath the countertop. The Gnome Berry Crate gets sort of lucky, but not without losing the Gnome Berries within it.

Let’s address the elephant in the room. There’s one I haven’t mentioned yet.

The Distillery Dough.

THE FUCKING

DISTILLERY DOUGH.

THAT STUPID SMILING GLOB OF PUTTY PUT OUT OF ITS OPTIMISTIC MISERY MIGHT JUST BE THE FUCKING ANSWER WE’VE NEEDED ABOUT SALTBAKER. ABOUT EVERYTHING.

Stay with me here. It gets DEEP.

So to roll down the dough to flat mush, Saltbaker needs a rolling pin, yes? So you expect him to grab it from under the counter like the knife, stake, and hammer, correct?

TELL ME WHY THE FUCK THIS MAN SUMMONS THE PIN WITH HIS BARE HANDS. SORRY— HIS SPARKLY MAGICAL GIRL FINGERS.

AND THEN!! THE PARTY DON’T STOP THERE!! CAUSE AFTER HE SWITCHES TO COOKIE CUTTERS WAY TOO QUICKLY FOR WHATEVER REASON, HE SPRINKLES THE SPARKLY MAGIC ONTO THE ANIMAL CRACKERS AND THEY COME TO LIFE.

HE EVEN DOES THIS WITH THE SALTSHAKERS IN THE SECOND PHASE. AT JUST THE SNAP OF THE FINGER, MAGIC APPEARS AND THE SALTSHAKERS TAKE SHAPE.

So we know that this is some form of magic. And it’s not the only time we see it. Even in the animations of the living ingredients he murders manually, there are still visible sparkles. The question remains; what sort of magic is this? Conjuring items, bringing life to things, etc etc…

It’s a widely popularized idea that (and maybe it’s canon, I’m pretty sure it is.) he wants to utilize the Wondertart to take over the astral plane. That’s what baking the Wondertart promises, no? (And he sure wasn’t about to help Chalice, seeing that there exists the ability for her to be the spirit trapped in the capsule in both cutscenes. That rules out that he originally had no intentions of helping her in the first place.) And we know he made the astral cookies that momentarily bring Chalice to life. Thing was, where did he acquire the ability to harness any sort of astral energy to make these magical cookies?

Are you getting it yet?

Do you see what I see?

CHEF SALTBAKER ALREADY BARES ASTRAL POWER. NONETHELESS, WANTS MORE POWER SO, SUPPOSEDLY, HE CAN CONTROL THE ASTRAL PLANE.

GUYS???

EVEN THIS LYRIC IN THE EPILOGUE’S SONG, “A Chef’s Coda”, FURTHERMORE EXEMPLIFIES THIS.

“I should not have let all of that power go to my head

Now I'll bake for good, now I'll bake my bread”

I add that last line cause this is also important in a way. Why bread? There’s obviously the easy rhyme choice along with the context of Saltbaker as a character, but apparently in Christian beliefs, bread is an important food that symbolizes sharing. He’s reformed as far as we’re made aware of. Basically, the idea is that Saltbaker is going to utilize his skills for the benefit of everyone. I mean, he is sentenced to community service after all! Essentially, everyone gets a piece of the pie (pun totally intended like oh my god).

Even just the second line (“The recipe was in my book, the recipe was overcooked.”) could have symbolism for Hell! And we know damn well that there’s a lot of… well, hellish representation in the entirety of Cuphead. It’s even in the full game title; “Cuphead Don’t Deal With The Devil”. The DEVIL HIMSELF IS THE MAIN ANTAGONIST OF CUPHEAD’S BASE GAME. This line delivery has to be intentional because to overcook something, you have to burn it. Hell is typically represented with fire, which, fun fact, burns things. Then there’s the iconic curse “burn in Hell.” Burn… Overcook… just thought I’d mention that. Maybe the Hell and Bread (representative of Heaven) analogy represents a sort of bad influence? And Saltbaker dropping the influence? The ball’s in your court to decide what that means.

Back to the whole astral magic thing, the answers to how he acquired the magic in the first place and what he was planning to do with the astral plane while he had control are still in the air and undetermined. He has the built in astral power to make the cookies. He demonstrated the ability to conjure items from thin air and bring things to life— two elements that totally connect to how The Legendary Chalice becomes Ms. Chalice. Conjuring of an available vessel, as well as making Chalice corporeal to it.

We could probably look deeper into that topic if you wanted me to! This is kinda fun embracing my critical, theoretical side for a positive outcome for once!

I think another detail worth mentioning is the animal crackers made from the Distillery Dough mixed with the astral magic are essentially just astral cookies. Cause like. ANIMAL CRACKERS ARE ACTUALLY CLASSIFIED AS COOKIES. ITS WEIRD BUT LOOKING ON THE WIKI FOR “ANIMAL CRACKERS”, IT WAS CONSIDERED A BISCUIT CRACKER. I GUESS. I DONT KNOW, I’M NOT EUROPEAN.

I’ve been typing this on the Notes app of my phone for two hours. There’s still more that could be covered. But I think I need to give my brain a chance to slow down before I make this any longer. If y’all think this is a valid theory, let me know, and I’ll cover even more about this topic! If you think I got something wrong, say so! Hell, if you have a possible theory you want me to play with, I’m up for a challenge to debunk some crazy shit!! Anyways uh, take care, caretakers! I’m thinking way too outside of the box aren’t I.

TL;DR: Chef Saltbaker already has astral abilities built into his system even before he is able to craft the Wondertart and is likely looking for full control of the astral plane for unspecified, undetermined reasons. We know this because of the Distillery Dough attack animation in the first phase.

[hxlyhoax]

Take Me Home Tonight

Steve Harrington x Reader

Pre-Season 4

warning(s): none? , but if there is any you think I should add let me know :)

a/n: I love the idea of catching Steve during cute “embarrassing” moments

We’re also gonna pretend Take Me Home Tonight by Eddie Money came out prior to August of 86’ and before all of the Vecna craziness.

I also believe the two songs mentioned would be Steve’s favorite songs, that’s just my headcanon though.

@m-rae23

━━━━━ © hxlyhoax 2022 do not steal, post on third party sites or translate my work. I do not own the rights to Stranger Things or any of the canon characters mentioned.

It was nine-thirty in the morning. Your shift at the Family Video was about to start. You were lucky that you had Steve working with you, you weren’t gonna be alone for most of the day.

You were sat in the back, finishing up the last of your breakfast when you heard a voice from the front of the store, You knew it was Steve, he had locked the front doors once he arrived so there were no early customers. But you were still curious, so you made your way to the front, watching Steve do some last minute cleaning, dancing around, humming to a song you had just barely recognized.

You tilt your head, watching as he moved from isle to isle with ease, eyes closed, feeling the music flowing through his ears. You shook your head, laughing at the people who passed the store eyeing him suspiciously, then turned your gaze to the older boy, pushing his hair back, he definitely forgot you were here, you could just tell. 

He had taken a moment for himself, taking a deep breath, resuming his regular cleaning routine, until he started to belt out the lyrics to Take Me Home Tonight.

“Take me home tonight, I don't want to let you go 'til you see the light” he half yelled, causing you to jump, he was still paying no mind to his surroundings, using the broom in his hand as a microphone, leaning forward slightly, “Take me home tonight” 

You bit your lip, watching as Steve Harrington got lost in his own little world. “Listen, honey, just like Ronnie sang” 

“Be my little baby, Be my little baby, uh-huh”

“Just like Ronnie sang” he smiled, a genuine smile, one you hadn’t seen from him in a long time. “I said, Just like Ronnie sang.” he stretched out the words, not noticing you, as you passed him, walking to the counter, sitting on it, smiling at him. “Be my little baby, Baby, my darlin', uh, uh, oh, oh, oh” he continued, moving his head back and forth, suddenly realizing a presence in the room.

You watched as he froze, opening one eye, making direct eye contact with you, cheeks turning redder than a tomato, while you bit your lip, staring at him, head tilted, as he paused the song, moving his headphones so they were now around his neck. “Some vocals you have there, Harrington.”

“How long—”

“Since you started yelling the chorus.” 

“I’m sorry.” he was growing sheepish, arms slumped, hands holding onto the broom. He was ready for you to make fun of him, probably tell Robin, have the both of you laugh at him for years to come. “Why are you sorry?” you half-chuckled, “Nothing to be sorry for.” you smiled, “And before you worry, I won’t tell Robin, It can be our little secret.” you reassured him, before turning your head at the sound of knocking, seeing an older woman, smiling politely, used VHS Tape in her hand that she was ready to return.

You jumped off the counter, while Steve headed to the back, putting the broom back in its respectful spot, before walking to his locker, taking the cassette tape out of his walkman, putting it into his pocket, then setting his device in the locker closing it, walking back to the front, seeing the older woman leaving and you putting the returned tape in the return pile.

“We still have the radio under the counter right?” Steve asked, standing near the computer you abandoned to look through the VHS Tapes, “We should why?” you questioned the boy, not moving your gaze from the tapes. “Because your ears are about to blessed.” he chuckled, walking to where he spotted the radio, setting his cassette tape inside, pressing play once the slot was closed.

Your head lifted, looking over at him skeptically, scared of what could possibly play, before laughing quietly at the voice of Freddie Mercury, “Fat Bottomed Girls?” you giggled, “Right after Take Me Home Tonight?” 

Steve just shrugged, smiling at you, snapping as the first verse started to play, “Hey, I was just a skinny lad, Never knew no good from bad” he sang, looking you in the eyes, smirk playing on his lips, “But I knew life before, I left my nursery, huh” he shook his shoulders, walking closer to you. “Left alone with big fat Fanny, She was such a naughty nanny.” 

“Steve” you giggled, looking over at a mother and her young son walk in, staring at the your co-worker, who simply ignored their presence, looking at you as the second verse rolled along. “Do you have The Fox and The Hound?” the young boy questioned, eyes wide with hope, staring at you, while you walked over to the computer, ignoring Steve who was still staring at you while you typed the movie in the search, biting your lip as it loaded, “You’re in luck, little man, we just got it back in yesterday.” You smiled, looking at the return pile, spotting it, grabbing it, ringing it up and handing it to the boy as the mom paid then left, shaking her head at Steve.

“You’re gonna scare our customers away.” You pouted jokingly, looking at Steve, who only hummed, pulling you closer to him, dancing with you, singing along to the song, “Oh, won't you take me home tonight.” he smiled, holding you close, “Oh, down beside your red firelight?”

You just stared at him, “I don’t consent to this.” you joked, as he spun you around, “Oh, and you give it all you got.” he ignored your statement, continuing to sing, “Fat bottomed girls, You make the rockin’ world go round.”

“Fat bottomed girls, You make the rockin’ world go round.” he head bobbed, holding you close, swaying back and forth as if it was a slow song and you were at prom. 

He hummed during the third verse, It was clear he knew all the lyrics, you could see he was fighting the urge to sing, “You want me to sing with you don’t you?” you asked, shaking your head at his hopeful stare. “The chorus is coming back around, you should let loose.” he chuckled, looking at you, watching as you looked around the empty store, taking a deep breath, “Fine.” 

“Oh, I know, Are you gonna take me home tonight, please.” he began, looking at you, egging you on to sing, “Oh, down beside that red firelight?.” you shyly started to sing, not entirely comfortable, knowing anyone could walk in at anytime, “Oh, come on.” Steve pouted, looking you in the eye.

“Are you gonna let it all hang out?” you sighed, singing along with your best friend. “Fat bottomed girls, You make the rockin' world go 'round.” 

Steve smiled widely, watching as you became less stiff, easing up, “Yeah, Fat bottomed girls, You make the rockin' world go 'round.” you both laughed, turning your head at the sound of the bell, smiling at the older couple, who were smiling at the both of you. “Good song choice.” the older man commented, while his assumed wife rolled her eyes, “Thank you.” Steve smiled widely as the Queen song ended. “I’m scared to hear what other songs you have.” you stated, looking at him.

He just smiled wickedly at you, sorting through the returned tapes.

[nevermindirah]

Do you have any thoughts on the use of AAVE for Nile (or lack thereof) in TOG fanfiction? I've been reading some Book of Nile fic and some writers seem to write her as a Millennial™ (using words like "fave" and "woke") but never acknowledge her Blackness in her patterns of speech. I know we don't see her use as much AAVE in the films, but I would argue she's in situations where code-switching would be valued (first in a "professional" environment in the army, then around a group of non-Black strangers).

Hi anon! I have many thoughts on this and I'm honored you asked me! But I should start by saying I'm white and any thoughts Black fans and especially Black American fans have on this that they want to share would be beyond lovely. (I'm not gonna tag anybody bc that feels rude but please add onto this post if any of y'all see this and want to!)

The main reason I personally avoid AAVE for Nile in my own fics is because I'm not Black. But Nile-centric fics by Black writers tend to avoid using much of it too, at least from what I've noticed/understood, and my guess is it's largely for the reason you mention, that she's in situations that encourage code-switching.

In movie canon Nile is highly competent at tailoring her language to each situation she finds herself in. This fantastic linguistics analysis meta shows how skillfully Nile chooses her vocabulary and grammar to meet her goals with different conversation partners in different contexts. In comics canon Nile had a bunch of different civilian jobs before joining the Marines, so she would've had experience code-switching in the ways that made sense for all those different contexts as well as the Marines and her family and high school and wherever else she spent her time before we met her. And now she's spending her time with a handful of immortals none of whom are native English speakers and a fellow Black American but one with a Queen's English UK accent whose professional experience is in the CIA where high-status code-switching is often an absolute must for success or even survival.

Fics featuring Nile are charged with extrapolating from that to how it might show up in her use of language that she's coping with a traumatic separation from her family and her career and pretty much everything she's ever known and now she needs to be able to make herself understood to people who seem to care about her and each other but are super duper in crisis, three (soon to be four) of whom predate Modern English entirely and the only one who's anywhere near her contemporary she's not supposed to talk to for a century. All of these people are telling her that pretty much any contact with any mortals poses an existential threat to her and the rest of the group. How the FUCK is she supposed to cope with that, like, generally? And would it be a more effective way for her to cope if she talked to Andy Joe and Nicky using the speech patterns that she used to use with her mom and brother, to at least retain that part of her identity even if it means having to do a lot of explaining, or would it meet her needs better to prioritize Andy Joe and Nicky understanding what she means with her words over using the particular words and grammar forms she used with her family?

I've seen several fics, both Nile-centric / BoN and otherwise, explore this a little bit in how/whether Nile uses Millennial™ speak. It's often a theme in Nile texting Booker despite the exile because of the popular headcanon that he as The Tech Guy is the only other immortal who understands memes. But Nile's much-younger-than-Booker mom probably uses Boomer and/or Gen X memes and Andy has been adapting to new communication styles for forever as evidenced by her canon high level of fluency with standard-American-accented English.

Which brings us back to people avoiding AAVE because they're not Black and they don't want to make mistakes (or they're not Black and they don't want to get yelled at for making mistakes, though I think many people overestimate how much they'll get yelled at while underestimating how much these mistakes can hurt). I can imagine some Black fans hold back from using much AAVE in fic because they don't want to share in-group stuff with white people who are likely to then adopt and ruin it, as white people so often do with Black cultural stuff. Some links about this including a great Khadija Mbowe video. I'm saying this gently, anon, because you might not know: woke, an example you cited as Millennial™ speak, is AAVE, and that's gotten erased by so many white people appropriating it and using it incorrectly online.

And also there's the part where fandom is a hobby and you never know when you're reading a fic that's the very first thing someone's ever written outside of a school assignment. This cultural considerations of language shit takes a level of effort and skill that not everybody puts into every fic, or even could if they wanted to because they haven't had time to build their skills yet. It's definitely easier for non-Black fans to project our millennial feels onto Nile than to do the layers of research and self-reflection it requires to depict what Blackness might mean to Nile, and it's not surprising that often people sharing their hobby creations on the internet have gone the easier route. There's not even necessarily shame in doing what's easier. It's just frustrating and often hurtful when structural white supremacy means that 3-dimensional Black characters are rare in media and thoughtful explorations of them in fandom are seen by the majority of fans as not-easy to make and therefore Nile Freeman, the main character in The Old Guard (2020) dir. Gina Prince-Bythewood, has the least fic and meta and art made about her of our 5 main immortals.

I've been active in different fandoms off and on for twenty years and I barely managed to write 5,000 words about Sam Wilson across multiple different fics in the 7 years since I fell in love with him. There's an alchemy to which characters we connect with, and on top of that which characters we connect with in a way that causes us to create stuff about them. Something about Nile Freeman finally tipped me over the edge from a voracious reader to a voracious writer. It's not for me to judge which characters speak to other individuals to the level of creating content about them, but I do think it's important for us to notice, and then work to fight, the pattern where across this fandom as a whole Nile gets way less content, and way less depth in so much of the content that's in theory about her, than any of these other characters.

Anyway, back to language. My two long fics feature Nile with several Black friends — Copley and OCs and cameos from other media — but all of those characters except Alec Hardison from Leverage aren't American. It's very possible I'm guilty of stereotyping Black British speech patterns in I See Your Eyes Seek a Distant Shore. I watched hours and hours of Black haircare YouTube videos in the research for that fic and I modeled my OCs' speech patterns on what I heard from some of those YouTubers as well as what I've heard people like John Boyega and Idris Elba saying in interviews, but the thing about doing your best is you still might fuck up.

I'm slowly making progress on my WIP where Nile and Sam Wilson are cousins, and what ways of talking with a family member might be authentic for Nile is a major question I need to figure out. For that, I'm largely modeling my writing choices on how I hear my Black friends and colleagues talking to each other. I haven't overheard colleagues talking in an office in a long-ass time, but back when that was a thing, I remember seeing a ton of nuance in the different ways many of my Black colleagues would talk to each other. Different people have different personalities! And backgrounds! And priorities! A few jobs ago my department was about 1/3 Black and we worked closely with Obama administration staff many of whom were Black and there was SO MUCH VARIETY in how Black people talked to each other, about work and workplace-appropriate personal stuff, where I and other white coworkers could hear. There are a few work friends in particular who I have in my head when I'm trying to imagine how Sam and Nile might talk to each other. From the outside looking in, God DAMN is shit complicated, intellectually and interpersonally and spiritually, for Black people who are devoting their professional lives to public service in the United States.

One more aspect of this that I have big thoughts on but I need to take extra care in talking about is the idea of acknowledging Nile's Blackness in her patterns of speech. There's no one right way to be Black, and Nile's a fictional character created by a white dude but there are plenty of real-life Black Americans who don't use much or even any AAVE, for reasons that are complicated because of white supremacy. (Highly highly recommend this video by Shanspeare on the harms of the Oreo stereotype.)

Something that's not the same but has enough similarity that I think it's worth talking about is my personal experience with authenticity and American Jewish speech patterns. My Jewish family members don't talk like they're in The Marvelous Mrs. Maisel, and I've known lots of people who do talk that way (or the millennial version of it), some of whom have questioned my Jewishness because I don't talk that way. That hurts me. Sometimes when another Jew tells me some shit like "I've never heard a Jew say y'all'd've," I can respond with "well now you have asshole, bless your Yankee-ass heart," because the myth of Dixie is a racist lie but I will totally call white Northerners Yankees when they're being shitty to me for being Southern, and this particular Jew fucking revels in using "bless your heart" with maximum polite aggression, especially with said Yankees. But sometimes I don't have it in me to say anything and it just quietly hurts having an important part of me disbelieved by someone who shares that important part of me. The sting isn't quite the same when non-Jews disbelieve or discount my Jewishness, but that hurts too.

Who counts as authentically Jewish is a messy in-group conversation and it doesn't really make sense to explain it all here. Who counts as authentically Jewish is a matter of legal status for immigration, citizenship, and civil rights in Israel, and it's my number 2 reason after horrific treatment of Palestinians that I'm antizionist. But outside that extremely high-stakes legal situation, it can just feel really shitty to not be recognized as One Of Us, especially by your own people.

It can also feel really shitty to be The Only One of Your Kind in a group, even if that group is an immortal chosen family who all loves each other dearly. Sometimes especially in a situation like that where you know those people love you but there are certain things they don't get about you and will never quite be able to. I'm definitely projecting at least a little bit of my "lonely Jew who will be alone again for yet another Jewish holiday" stuff onto Nile when at the end of I See Your Eyes Seek a Distant Shore she's thinking about being the only Black immortal and moving away from the community she'd built with a mostly-Black group of mortals in that fic. Maybe that tracks, or maybe that's fucked up of me.

Basically, this got very long but it's complicated, writing about experiences that aren't your own takes skill which in turn takes time and practice to build, writing about experiences not your own that our society maligns can cause a lot of harm if done badly, it can also cause a lot of harm when a large enough portion of a fandom just decides to nope out of something that's difficult and risky because then there's just not much content about a character who deserves just a shit ton of loving and nuanced content, people are individuals and two people who come from the exact same cultural context might show that influence in all kinds of different ways, identity is complicated, language is complicated, writing is hard, and empathy and humility and doing our best aren't a guarantee of avoiding harm but they do go a long way in helping people create thoughtful content about a character as awesome and powerful and kind and messy and scared and curious and WORTHY as Nile Freeman.

[angelasscribbles]

My Best Friends Girl Chapter 14: Flight

Series: My Best Friends Girl Remix

Fandom: The Royal Romance

Characters: Drake Walker, Liam Rys, Riley Campbell

Rating: R

Warnings: Mature themes, language, so many f-bombs in this chapter.

A/N: So..... my original idea for this fic, was just to write book 1 of TRR from Drake's POV. It was supposed to end with the coronation ball and tie into Three Weeks in Ramsford.

I got halfway through what should have been the last chapter and........I just couldn't do it. After being in Drake's head for the last 13 chapters, I knew my character (as I've written him here) just would not stand down in this situation. He wouldn't. He's going after her. So this fic just got longer than originally planned/intended.

My original goal was also to stay as true to canon as possible in this series. Just add a little to Drake's inner monologue. I have made a few tweaks along the way (like him switching rooms with her at Applewood for her protection, because that made more sense.) Now we are moving into non canon territory as Drake says fuck it and heads to Ramsford. Because sometimes the characters just have ideas of their own!

You can catch up on my other stuff here.

I made my way to my room and threw a few things in a duffle bag. I had no idea how long I was going to be gone. As long as she needs me.

I opened my door to step into the hallway and heard voices. I peered down the hallway and saw a couple of Bastien’s guys on patrol. Or where they looking for me? Again? Liam wouldn’t, would he?

He had been pretty adamant that I not go. Shit. I should have kept my intentions to myself. Stupid. She made me stupid, careless, more reckless. She was my weakness and it scared me, but it also excited me, made me want to throw caution to the wind. Something I just don’t do.

I stepped back inside my room and shut and locked the door. I pushed an indention under the candelabra on my wall and a panel slid open. I slipped into the secret tunnels and closed the panel behind me. Perks of being part of the undercover guard, and also having grown up at the palace. I knew these passageways like the back of my hand.

I made it all the way to the ground level and out an exit that opened onto the grounds near the garages. I got to my car with no issues. Either they weren’t looking for me, or they were stupid enough to think I was still in my room. Getting off the grounds was going to be a lot more difficult if Liam had put out an order to stop me.

But just like Constantine had used Bastien’s division to keep me from helping Riley, that’s who Liam would use to keep me from leaving. I pulled my phone out and called Lorenzo. “Hey Esposito, I need a favor.”

There was no way I was getting out the main gate if they didn’t want me to. Or even the service delivery entrance. But there was a little used gate in the back with limited security. This was on purpose. If someone was planning an attack, this would be the vulnerable gate, only one King’s Guard posted at the booth next to the rusted, never used, padlocked gate.

The trick was the number of undercover guards that could be there within seconds. The building near the gate was ostensibly a makeshift bar/poolhall that the staff used to relax. There were always a dozen of my guys there, day or night. The supposed pool boys, wait staff and butlers that were, in fact, part of the covert security force. If we could control where an attack took place, we had a better shot of stopping it. Anyone looking for security gaps would think this was one. It gave us an advantage.

“Whatever you need, Cap. What’s up?”

“Who’s manning the booth tonight?”

“Hold on.” He was back after a few seconds, “Cirillo.”

“Perfect! Think you can send someone to distract him? Talk about the game last night, or better yet, ask for pictures of his grandkids.”

“Sure. What else?”

“I need the gate unlocked, it doesn’t have to be open, I just want as little damage as possible when I drive through it.”

“Shit, Cap, what’s going on?” He sounded alarmed.

“I’ll explain later. Can you do it?” I didn’t have time to explain.

“Give me five minutes. And wait for my signal.”

I wouldn’t ask him to do anything to endanger his job. He could honestly say that he was following his commanding officer’s orders. I seriously doubted that my men had been given any orders that pertained to me. It would create confusion and conflict. It was possible that there were no orders at all, but I wasn’t willing to take the chance.

I pulled my car around until I was almost in sight of the gate, headlights off, and waited for the signal.

My phone dinged and I looked down at the text. It just said “Go.”

I went. I waited until I was about twenty feet away to hit my lights, then I put my foot in it. The car lurched forward and roared toward the gate. There was a clang of metal on metal as I crashed through the exit. I didn’t slow down.

I flew down the dirt road behind the palace, mind furiously whirling. Where was she? I needed a destination. I picked up my phone and dialed her number. It went directly to voice mail. Damn it!

I dialed Max next. He didn’t answer the first time, so I called again, then again. He answered on the third call.

“Hey Drake, we’re a little busy-“

“Is she with you?”

“What?”

“Goddamn it Max! Riley. Is she with you?”

“Yes, we had to go to the airport-“

“Where are you now?”

“On our way home.”

“You mean Ramsford, right?”

“Where else would I mean?”

Right. “Just verifying.”

“Are you with Liam?” He asked.

“No.” I didn’t care to elaborate at the moment. “How is she?”

“Not good.” He sounded pretty distressed himself.

“Tell her I’m on my way. I’ll meet you at Ramsford.” Tell her I love her. I could hear her crying in the background. My heart felt like it was being ripped right out of my chest.

“Not that I’m complaining, but…why are you coming to Ramsford?”

“Same reason you went to the airport to get her, Max. I care about her and I’m not going to let her think we all abandoned her.” I got to a paved road and turned right, toward the motorway. Besides that, if she was a target, she needed protection.

“What about Liam? Did he….Riley said he got engaged to Madeleine?” There was a disbelieving note to his voice.

I sighed then gritted out, “Yeah. He did. Look, I’ll explain everything when I get there.”

“Ok, Drake. See you soon.”

I no sooner hung up than my phone started ringing. The caller’s name was displayed across the read out in my dash. Liam. I hit ignore. He called back. I sighed and rolled my eyes. I was going to have to face him sooner or later. I hit talk and his voice spilled out the speakers.

“What the hell was that Drake?” He sounded pissed. I mean really pissed.

“What the hell was what?” I feigned ignorance.

“You know damn good and well what! Where are you?”

“On my way to the airport.” I lied, just in case he was planning to send someone to try and stop me. The airport was in the opposite direction from the one I was headed in. Of course, if he did send someone, it wouldn’t take them long to figure out that I wasn’t at the airport. And not much longer after that to realize where I was really headed. But it would buy me a little more of a head start.

“I told you, I sent the Beaumont’s after her. She won’t get on the plane. Now, turn around and get your ass back to the palace!” He told me impatiently.

“I’m sorry, Li, I can’t do that.” Maybe back in the states would have been safer. This wasn’t distancing himself from her, this was stashing her nearby while he got his shit together. Which meant she could still be in danger. He wasn’t thinking clearly and maybe neither was I, all I knew was that she needed me, and I was going to be there for her.

“Why the fuck not?”

Yeah, Walker, why the fuck not? Is the part where you tell him you’re in love with his girl? What I said was, “Listen, Li, technically I’m still on her detail. I’m just doing my job. Making sure she’s ok, protecting her.”

“This is the opposite of protecting her!” He shouted at me.

“Agree to disagree, Li.”

“Agree to- what the hell Drake?” He yelled, shock evident in his voice.

“Listen. I’m the security expert here, not you. So why don’t you just trust me on this, huh?” I couldn’t live with myself if something happened to her that I could have prevented. Max and Bert were not going to be able to protect her if someone came after her while she was there.

“You’re off her detail.” I could tell through the phone that his teeth were clenched.

“What?”

“You heard me, I’m pulling you from her detail.”

“That’s not a smart idea, Li-“

“Turn around and get your ass back to the palace, now! That’s a direct order from your king!” He sounded desperate. But hell, I was desperate too. And I wasn’t turning around.

“Oh, playing the king card already? It’s been like five minutes.”

“It’s not funny and I’m not playing around, Drake, I fucking mean it! Turn around and get back here or you’re fired!”

“Are you fucking serious right now?” I asked him incredulously.

“Yes, I am fucking serious right now. I don’t want to do it, Drake, but I will. You’re not leaving me much of a choice right now!”

A sense of complete and utter calmness descended upon me as the rightness of what I was doing coalesced in my center. “Alright then.”

“Alright?” I only felt a little guilty when I heard the relief and hope in his voice.

“Yeah, alright. I quit!”

“What?! You cannot be fucking serious right now!”

“Oh, I’m dead serious.”

“You’re willing to lose your job behind this?”

“Yep.”

There was silence on the line for so long I thought the call had dropped. Then he asked, “Why?” the shock was gone, and his voice held a note of something else.

“What do you mean why?” I asked.

“Is there something you need to tell me, Drake?” His voice had gone low and quiet, and it made the hair on the back of my neck stand up.

“Like what?” I had a sinking feeling in my stomach. Liam wasn’t stupid, he was putting two and two together.

“Like, is there something that I have completely missed? Four months ago, you didn’t even seem to like her.”

“Yeah, well, things change.” I told him.

“Things. Like your feelings for her?” He said with a fair amount of accusation in his voice.

Well fucking shit! Now what? “Yeah, like those things.” I verified. This was not how I wanted to have this conversation. Or ever.

“For how long?” He demanded.

“I don’t know, a while now.” Since the first moment I laid eyes on her.

He was quite for another long moment then he asked me softly, “Does she know?”

“What? No, of course not!” I mean maybe? I did kiss her. More than once.

“Why haven’t you told her? Why didn’t you tell me?” He asked.

“How can you even ask me that? I didn’t tell her out of respect for you, and out of respect for her, and the connection I thought the two of you had!”

“Thought we had? We do have a connection, Drake, I was going to fucking marry her!”

“Was? Do you even hear yourself right now?”

“If we can clear her name, find out who’s behind-“

“You know she did nothing wrong!” I was furious again. If he loved her, how could he contemplate marrying another woman? Throwing her to the wolves? Letting the scandal stand, when he could issue a public announcement and settle the matter?

“I know that! But until we know who’s behind this, I have to distance myself. We don’t know how far they’re willing to go to keep her from being queen! I can’t risk her life, Drake, I won’t!” I could tell by the determination in his voice that he wasn’t going to change his position no matter what I said.

“I understand, Li. I’ll do my best to make her understand where you’re coming from, I promise.” I wasn’t sure I understood it, but I would do my best to explain it to her. Maybe she’d be more forgiving.

“Drake-“ there was a pleading note in his voice.

“Do what you have to do, Li. If you need to distance yourself from me, do it. Fire me, don’t take my calls, tell the press we’re not friends anymore. I’ll understand. But I’m going to do what I need to do and what I think is right. I love you, man but maybe we shouldn’t talk for a day or two.” I hit end then powered the phone off.

I made it to the motorway and glanced at my instrument panel, full tank of petrol, speed limit had already been exceeded. I opened the throttle a little more. Ramsford was three hours away, I could make it in two and half.

[kanotototori]

Chapter 97-1 Thoughts (Part 1)

(Part 2 here)

I’m like, barely awake, it’s 8 AM, but I’ve been trying to get this done for like, 6 days now and it’s finally here.

I believe this is actually my longest chapter thoughts to date because apparently I have a lot to say (don’t I always?) so, strap in. A lot of good discussion has already taken place on Twitter that put certain aspects of the chapter - especially concerning Nora - much more succinctly than I could ever hope to put them so I will focus on the one thing I know best: Father.

Obligatory disclaimer: The goal of this post is not to excuse or “justify” Father’s actions but to explain them; my purpose here is to analyze his character in connection to other characters & themes in Noragami.

Without further ado, let’s begin.

First thing I want to start with is the cover of this particular chapter thoughts post, actually:

"Just try and save them. That's what you gods are supposed to do after all, right?"

A very biting remark indeed, and not the first time we've seen such a remark from Father. In the end pages of Chapter 64: Dear One, he says the following:

"But I'm sure [Yato] will realize his mistake before the day is out - he'll realize he can't save anyone."

I found this very intriguing for two reasons:

1.) This line was THE foundation for my so-called Projection Theory - the idea that what Father says to other characters is a reflection of his own personal experiences because he is projecting those experiences onto others - which got a canon confirmation in 96-1, with Father's comparison of himself to Yukine (top), which is actually a reflection of ANOTHER thing he said to Yukine earlier, way back in Chapter 88: Motive (bottom).

2.) Chapter 64: Dear One (note the title), in which Father says the initial "he'll realize he can't save anyone.” Chapter 64 is the chapter in which Father compares himself to Bishamon in their desire to protect something dear to them, even if it means being forsaken by the Heavens.

Chapter 64 is honestly quite the double whammy for things that Father seems to talk about or refer to quite a lot when monologuing: the concept of salvation/being saved/saving and abandonment/being forsaken.

He does it when talking about Yuka and Hagusa in Chapter 89, ("why she abandoned you", "why she didn't save you"), in Chapter 76 ("abandoned by the Heavens") and indirectly in 87 ("even though all that happened, they're still praying [...] those prayers are worthless.")

When I first read the end of Chapter 64, my first thought went to "Father is saying that because he himself has been unable to save his dear one and thus, it should follow that no one is able to save anyone else." Because if Father had something he wanted to protect no matter what and if he's saying that you cannot save anyone by the end of the chapter, that means he failed to protect it, no? 

But Chapter 97 adds a new dimension to that, because the connection is that the gods cannot save anyone and thus, because Yato is a god, he could not save anyone during that arc, either (in Father POV).

Obviously, this says a lot about Father's viewpoint on the gods but is it really just the gods who cannot save anyone? Can anybody truly save anybody, like I've interpreted it in Ch 64?

Is it possible - considering Father's constant monologuing about abandonment (himself being a creature abandoned by the Heavens, like he said in 76) and the act of saving/being saved - that Father not only feels bitter that his loved one could not/would not be saved, but also that he was not saved from his fate by the gods?

I could go on about this at LENGTH because there is a lot to be said but for now, I will leave it at two things:

1.) His dialogue to Hagusa about Yuka.

"It seems you've been forgotten... you'll just have to meet her and jog her memory" "abandoned" "why she didn't save you"

"I'm sure you'd love to ask her what was going through her head..." 

An Amaterasu theorist friend once said "Just say you want to dropkick Amaterasu and go!" in relation to this page and. Yeah, basically.

Father is canonically projecting his own experiences onto Hagusa and I recommend everyone reread the latest arc with that in mind because it opens up a whole new perspective. Father is both the perpetrator of violence but also the victim of it (at least on a systemic scale), but I’ll touch on that later.

2.) Father killing the rice god. 

I know a lot of people don't know what to make of this scene except "Father just went ham on a god onscreen", some people think it's because the god just proved Father wrong .5 seconds after saying "those prayers are worthless", but if you ask me, this scene stinks very strongly of "you answered their prayers, why did no one answer mine?", fueled by anger. Especially after he just got done saying those prayers are worthless, no matter how many times it happens.

This chapter (87) is also the chapter where Nora questions if Hiyori would be able to forgive the gods if Yukine was killed by a landslide or a swipe of Bishamon’s sword, saying that “Calamity bears a face in this world, too.”

 I’ve been blasting this Yukine page on Twitter for the last few days and like... I’m just saying, man.

"They have everything, so why do I have nothing?!" "What's wrong with taking everything?"

"Why me?"

“They should all die, like I did...”

(It also calls to mind Tsuguha saying "why didn't you save me?!" as she turns into an akayashi.)

Just some food for thought.

(Continued in Part 2)

[kingwuko]

Wuko in the Comics: Ruins of the Empire, Book 1 part 2

Welcome to my series of posts discussing Wuko in the Comics. In this post I'll continue to discuss RotE Book 1. There are some... interesting moments in the second half of this comic, including a very famous line that all but confirms canon Wuko.

Plot Summary

Fearing that Guan will use violence to stop the election, the Krew decides to bring Kuvira along with them to Gaoling, hoping that she can talk him down. When they come face-to-face with Guan, however, they discover he does not intend to use violence, but will run in Gaoling’s election. The Krew decides the best solution is to find another candidate with enough public support to defeat Guan fair and square; and they decide to ask Toph to run. It is revealed, however, that Guan does not intend to win fair and square. He’s planning to brainwash Gaoling’s citizens to vote for him.

Major Plot points in the second half of Book 1

We start off right away with the Sauna Scene. Everyone looks excellent. The ladies' sauna wear is lovely. Mako and Bolin have their classic swim suits seen in season 1. Wu is literally just wearing a towel. I found myself googling saunas and steam baths to see if it’s normal to wear swimsuits or just a towel, and everything I read said pretty much anything goes as long as you are comfortable, but I do find it interesting that everyone wears swimsuits except Wu. Maybe because he does steam baths more often and he’s just more comfortable in that setting? He seems pretty confident and not at all shy. I don’t have anything analytical to say about it, I just think it’s an interesting detail, that he doesn’t seem to have any hang-ups about being nearly naked around Mako his friends.

They are discussing Guan’s militaristic movement toward Gaoling, and tossing ideas around to handle the situation. Mako not-so-helpfully suggests using force with the united forces which Zhu Li shoots down right away, not wanting to escalate the situation. Wu agrees and wants to find a peaceful resolution. Korra, remembering her conversation with Kuvira, thinks she has the answer. She proposes bringing Kuvira along to Gaoling, which NOBODY is happy about. Asami is upset because she made it clear earlier she does not want to be in the same room as Kuvira, Bolin is distressed because Kuvira nearly had him killed when he defected from her inner circle, Mako points out that he nearly lost his arm taking down the mech, Zhu Li says she invaded republic city, Asami reminds everyone that Kuvira killed her father, and Wu boldly declares that we can’t forget she ruined his coronation… He quickly reads the room and apologises (character growth?).

Korra acknowledges everyone’s concerns and points out that she truly believes Kuvira can be an ally- she was their ally when Zaheer was trying to kill her and the airbenders; and when her spirit vine weapon ripped open a new portal to the spirit world, Kuvira thought she had died and Korra believes that changed her. Bolin points out that Kuvira is very persuasive and may have a good shot at convincing Guan to stand down. Everyone is convinced and declares their support for the plan.

Zhu Li orders Kuvira’s release and Korra brings her onto the airship taking them all to Gaoling. And, I’m sorry, this frame is like, the bitchiest collective look from Mako, Wu, Bolin and Pabu. I just love it.

They initially plan to restrain her, but decide it’s pointless when Kuvira points out if she wanted to escape that she would have already. They arrive at Gaoling and there’s no sign of Guan and his army. Kuvira is certain he’ll be there, and points out that she needs to change so she doesn’t meet with him looking like a prisoner.

Korra and Wu go to meet with the election candidates. Their portraits are on the wall and it’s revealed that the candidates are both elderly magistrates who have been working in the local government for a long time. They are practically indistinguishable from each other, which causes Korra concern. Wu isn’t happy about it either, he was hoping the elections would bring in new leaders to take the earth kingdom in a new direction. Instead, it looks like nothing will change in Gaoling or the rest of the earth kingdom if things play out the same way. They are both disappointed but Korra is optimistic that this is the first election and over things will improve as they iron out the political kinks

Back in the flying machine, they give Kuvira an outfit of Asami’s that is…. Like I can’t put it into words. I’ve never seen asami wear it and that is a shame. The word that comes to mind is “Dapper”. Like is we saw Asami wearing it when they first introduced her character literally everyone would have predicted Cannon Korrasami and immeadiately said “yup Asami’s gay straight women don’t dress like that”. Slacks, a collared long sleeve shirt, with a grey vest over top. Just like, amazing. I am so disappointed we never saw Asami wear this. Someone point me to a fanart of Asami in this outfit that canonically belongs to her please.

Guan arrives and Kuvira tries to talk to him, which goes about as well as you’d expect. So she tries to appeal directly to his troops and urges them to surrender, and they all say in unison “Hail Commander Guan!”. So Kuvira decides to challenge Guan and beats the crap out of him in a punch that looks like something directly out of a WWII propaganda poster or something.

Kuvira is literally about to kill him by bending the metal collar around his neck when suddenly Asami electrocutes her with some device she had hidden in the belt she gave Kuvira.

Once Mako and Bolin drag Kuvira away, Korra attempts to reason with Guan and tells him she won’t let him interfere with the election. Guan then reveals he has no intention of interfering- he plans on running in the election! He immediately turns in all the necessary paperwork to be on the ballot. He informs the Krew that soon, all the upcoming elections will have Earth Empire representatives running and once they have power in every territory, no one will question the Earth Empire's right to rule.

They reconvene back on the airship, where Kuvira is detained in the platinum box. They explain to Kuvira that she was wrong to provoke him, but right that he is an excellent strategist. Mako then tells Wu that he should just call off the election. Wu replies “Mako, you know I love you, but I’m trying to encourage democracy. I can’t just go around canceling elections because I don’t like one of the candidates. We need to see how this plays out”

…

Yes. “Mako, you know I love you”

…

We’ll discuss that at length in a bit.

They decide the best path forward is to find a new candidate who is popular enough to beat Guan. Korra excitedly suggests Toph. Which, like, wouldn’t have been the first person to come to mind for me, but I guess she’s the only person they know who is originally from Goaling? But everyone seems on board, except presumably Toph because she doesn't like to get involved in worldly affairs… So Korra announces they will just have to convince her!!

We then cut to Guan's encampment, where he is discussing Kuvira’s actions with a Doctor Sheng, observing that Kuvira just isn’t the same, and that the Avatar has corrupted her mind. The doctor suggests they “recalibrate” Kuvira’s mind and leads him into a structure where she shows him their latest “recruits'. We then see Goaling citizens tied up in chairs with devices on their heads. They are being brainwashed to vote for Guan! Yikes!

Mako and Wu Scenes

The Sauna scene

The meeting that took place in the sauna was at the behest of Wu. He said he was very stressed out so he couldn’t miss his steam bath. I know there are lots of jokes about Wu being high maintenance because he needs his spa days or whatever, but he is in a highly stressful situation right now and we know that self care is essential to maintain one’s mental health and in order to perform one’s job well. I think this was an interesting way to weave together his seemingly superficial hobbies with his new maturity and responsibility. I really loved this scene for that (though seeing all the hot people in sauna-wear is a bonus).

Also there is a recurring thing where Mako is just offering the worst advice to Korra. He wants the United Republic, a completely separate Nation from the Earth Kingdom, to just.. March into another country and ‘enforce’ their democratic process??? Like…. If you know anything about world history and current events we know that is awful and wouldn’t be received well and would be a recipe for political instability and long term conflict. Thank goodness everyone is like Mako no. I’m pointing this out because, as much as we think of Wu as being immature, irresponsible, whatever, the reality is that he has a level head while Mako is actually giving the irresponsible solutions here. It’s a really interesting evolution from the infamous Wu meltdown scene where Mako was the voice of reason, but here things have reversed.

Also, I want to point out the moment where Wu backs down after he adds his grievance to the list everyone is giving (She ruined my coordination!), it’s kind of played for laughs but like… Wu has a totally valid reason to be upset on par with everyone else, considering Kuvira had him drugged and kidnapped…. Why wouldn’t he have said that? Well, the simple and obvious answer is- the writers wanted to make a “Arson, Murder, and Jaywalking” joke. But since us fans like to give depths to the characters that they deserve, maybe Wu is genuinely traumatized and just doesn’t want to bring it up. And maybe everyone knows he’s traumatized and doesn't want to bring it up, because no one else is like “Wu, did you forget she had you drugged and kidnapped???” They just give him a look and he’s like “LOL oops sorry should have said my thing first!!” maybe Team Avatar understands that it was a really scary moment for him and they just let him shield himself with humor.

I know it isn’t isn’t exactly a strong Wuko moment, but the bitchy look that Moko, Bolin, Wu and Pabu give to Kuvira in the airship breathed life into me for some reason. I’m loving how they look like a group of mean girls who were just badmouthing Kuvira before she walked in. I think they were having a nice bonding moment before this.

Mako, you know I love you

Ok. So after Mako casually mentions just calling off the election, Wu flat out says “I love you” to Mako. This is a line us Wuko shippers just DIE for. The full line is as follows:

Mako: I say you call off the vote, at least for now. Make it impossible for Guan to win

Wu: Mako, you know I love you, but I’m trying to encourage democracy. I can’t just go around cancelling elections because I don’t like one of the candidates. We need to let this play out.

So. Like, what the heck are we supposed to make of this?

I’m not going to dig too deep and force my own interpretations and headcanons onto you. This I love you could mean a number of different things. I just want to pose some rhetorical questions about it and the context to give us all some things to think about.

Is Wu flirting? Does Mako actually know that Wu loves him? Is this an extension of Wu’s many other instances of flirting with complimenting Mako (on par with ‘my big tough guy” while staring at his ass)? Has Wu said “I love you” to Mako before? How many times has Wu said “Mako I love you” before? Is this evidence of them actually being in a romantic relationship during this comic? Or is it evidence of romantic tension building? Is Mako just totally oblivious to the fact that Wu said I love you? Or did he hear it and his brain blue-screened from the shock of being blatantly told I love you? Has Wu just gotten fed up that Mako seems oblivious to all his previous flirtations and he just decided to up the ante? Does Mako love Wu back?!

Lots of questions. Lots of interpretations. But (as far as I remember) Mako has only said I love you to two people- his brother and Korra (I don’t think he said I love you to Asami but I could be wrong). And if you’ve read this you know that Mako’s relationship with Wu is not brotherly. We’ve never heard “I love you” from Wu toward anyone else that I can recall so I don’t think he makes a habit of throwing the phrase around lightly. Also, worth noting: Literally no one reacts to the casual “I love you”. Everyone just goes on with the conversation at hand. The next frame that we see of Wu and Mako’s faces together, Mako is SMILING at Wu.

So like, he’s clearly not uncomfortable with being told that Wu loves him. And no one else is uncomfortable with it either. So what gives? Are they together? Are they flirting? Is everyone else just like “yup Wu said I love you Mako nothing out of the ordinary here because it’s painfully obvious Wu is into Mako, let's move on, nothing to see here”?

Wu and Korra

One thing I LOVE about these comics is the friendship between Korra and Wu. During the series, Korra tolerated Wu, warming up to him a bit at the very end when he told her his plan to abdicate. But through these comics there seems to be a comfortable familiarity between them. A bit of teasing, loads of moral support, and not a hint of her (or anyone) being super annoyed by him. He also doesn’t hit on her or anyone else except Mako, which is a very refreshing character growth because it was very tiresome to watch him objectify women in the animated series.

Korra and Wu spend a good amount of time together as she accompanies him to Gaoling’s city hall. They seem very comfortable with each other, comfortable enough that the writers included a fart joke.

Korra reassures Wu when he expresses worry about the election being pointless, she steps forward somewhat protectively when Guan shows up- the entire scene with Guan, Korra is standing between him and Wu.

Basically I bring this up because I genuinely love the idea that Korra and Wu are close and friendly, that they have moved on from his cringy behavior from the series (I like to think he apologized to both her and Asami?)

What this means for Wuko

If you are writing fic or just coming up with headcanon, there are two ways to look at the scenes. Either they are in a relationship, or they aren’t. You could easily just say they are in a relationship and are being quiet about it, because they aren’t ready to be fully public, or maybe because they are still figuring things out, or they are waiting for Wu to abdicate and move back to Republic City, etc. “You know I love you” is such an easy piece of canon content to make this your headcanon.

Likewise, one could say they are Not Together right now. Pre-relationship, if you will. Maybe they’ve danced around the idea, discussed feelings without actually getting together. Or maybe they are still clueless that there is a potential for a relationship. Wu might be putting out feelers to see how Mako responds to his flirtations. Mako might be wondering if he’s misinterpreting Wu’s affectionate touches and words. Lots of romantic tension, pining, each wondering if the other one has any feelings.

I also love the idea that Wu and Korra are friends and have discussed or will discuss Mako and Wu’s feelings for him.

So, in summary, Wu loves Mako. It’s canon. It’s right there in black and white. Make of it what you will!

Next post I will discuss Wuko in the first half of RotE Book 2. Wu goes on a life-changing field trip with Korra to meet Toph and confront a swamp-vision of his Late Great Aunt, while Mako gets captured and brainwashed by Guan. Wu and Mako are not together during these scenes but there will be lots of wonderful Wu backstory along with plenty of angst potential from the brainwashing storyline.

Wuko in Turf Wars

Wuko in RotE part 1

[fallout-drabbles-n-stuff]

Companions and their mental health statuses?

(Wrote this while listening to a Spotify playlist named "going absolutely fucking apeshit" anyway- I'm gonna split this up by what I think character wise...and then my experiences with these seggsy bitches in game bc boy, it's been wild)

Cait:

•Sufferer of severe trauma throughout her life.

•Shit just gets worse

•Fights for her life and has a strong love for psycho before a special someone convinced her she is worthy of being loved

•Trust issues out the wazoo..for sadly, good reasons.

•Maybe not the worst on the list, but definitely up there.

In game experience...

•GOD DAMN FALLOUT VERSION OF LYDIA- like seriously? Gtfo the doorway! I'm getting blown up!

•Hates everyone and everything except sole and breaking the law.

Curie:

•Actually not all that bad...except for secret abandonment issues.

•Usually masks it by burying herself in research.

•As far as these poor bastards go, she's probably one of the most mentally stable- which is scary.

In game experience.....

•Sweet Frenchie with asshole pets.

(I don't travel with her often 🥲)

Danse:

Pre-Blind Betrayal-

•Confirmed sufferer of PTSD

•Blames himself for the death of several team members.

•Evidence points towards un-talked about alcoholism.

•Seems to be attracted to power armour..

•Not very good but not the worst on this list..

Post-Blind Betrayal-

•Same as above but add on identity crisis times a thousand and two.

•Will literally kill himself (or let you kill him) if you don’t convince him otherwise.

In game experience....

•Fucking goes apeshit, pre or post BB

•Completely unaware of his surroundings unless it has to do with vertibirds flying over head, then it's time for guerrilla warfare. "Fate has decreed that you must die!"- he speaks, drawing a laser rifle.

•Has been caught on multiple instances doing drugs out of the drug vending machine in Nuka World despite clearly being against them.

Deacon:

•Probably one of the more mentally fucked.

•Lost his wife in front of his own eyes in a notably terrible way.

•Escapes his deep seeded pain through his elaborate schemes, justifying it by telling himself it helps his organization.

•Still feels like shit every waking minute.

•Cant really allow himself to get close to anyone because of his experiences.

In game experiences...

•Asshole

•Jumpscare king, mainly because I didn't know he changed outfits THAT often.

•Doesn't like physical affection???  Shit that actually makes sense..

•Stalker.

Gage:

•He's pretty "meh" on the sanity scale. He's ruthless, but he's entirely stable besides his attachment issues.

•Trusts too easy and hates himself for it...also tries to make himself not be that way and for the most part, it works!

•Problematic raider.

In game experience...

•Makes stupid comments at inappropriate times as though he wishes for the enemies to murder us

•Thinks that walking through walls is entirely possible and gets stuck every time I run with him

Hancock:

•The actual worst on this fine list of mentally messed up individuals.

•Self worth is just nonexistent despite being a pretty all around decent guy

•Uses drugs to cover up terrible trauma to the point of putting himself in the greatest danger just short of dying

•Oh yeah, doesn't mind death actually.

•Doesn't feel worthy of anything deep down.

in game experience...

•Shoots sole for stealing shit in the third rail

•Unhinged

•Sits for hours

Macready:

•Lost his wife in a horrific way

•Only has his son, who he is convinced is going to die sooner than later because of something he can't control

•Willing to do everything if it means caps to send to his sick child

•Doesn't really have a place to call his "home"

•Reckless and unforgiving

In game experience...

•Being nice? How dare you speak such ill language.

•Kleptomaniac

Maxson:

•Does as good as a boy his age with all of the responsibility possibly could.

•Just imagine- your dad died when you were super young. Your mother shipped your ass away. The people you loved like family died all around you. Now you're stuck in foreign land and have no fucking idea where to begin, only that you have to mobilize these fuckers you're in charge of and remain a good leader...

•Still not good enough? Okay, pile on insomnia, alcoholism, and the thought that you have no one alive that truly loves you as more than just the "elder". Oh, but you eventually got to spit out some kids somehow because you're the last of the great "Maxson" line...

•Also not exactly on the "stable" side..

In game experience...

•Stares intently down the Prydwen command deck with his hands behind his back..for hours.

•Never wants to chat :(

•Long winded and short sighted, bad combo..

Nick:

•Has to deal with not only demons that technically aren't even his, but after "reunions"- Kellogg's fucked up self haunts him. He keeps it to himself and suffers silently.

•Deals with the pain of knowing there will never be a place where is truly just himself. He's a man trapped inside of a metal cage..and yet he's not even really "that" man, is he?

•One could easily understand how he has some issues too.

In game experience...

•Cigarettes? Yes.

•Oh, Youre in a fight? Seems like a good time to tighten the bolts in my hand right about now...

•Wields a flamer like a champ.

Piper:

•Surprisingly..has the most sound mental state out of all.

•Is a little obsessive tho

•Has had to adapt to the role of sibling and parent to her younger sister, which isn't easy for anyone.

•Often delves into her work, sort of like curie, to avoid dealing with the pain of her parents no longer being there for her or nat.

In game experience..

•Hey kid, want some Nuka-Cola?

•Mayor McDonough shall die, even if it means execution by the hands of everyone else in Diamond City.

Preston:

•Has canonically admitted to considering suicide.

•Is holding onto the last threads of hope he has with a fucking death grip.

•Definitely not of the best mental state

In game experience...

•Doesn't know how to properly use furniture.

•Can hear sole coming from a mile away and is already getting the map out for the next settlement

X6-88:

•Emotions? Is that a snack?

•Seriously though, he has been "reset" so many times that sometimes-he doesn't even realize it- he doesn't even know what "he" is. Every aspect of who he is..it should be gone, he's a machine and he knows it...why does he still feel like a person?

•Short story, he hates life. He hates being held captive and being used like a damn hound to hunt down those who were smart enough to run- those of which he envied and didn't even realize he did. Hey, he's just a machine though- it's his job and he knows better than to revolt.

•Violence is the freedom he feel he has. He can kill and track in any way he wants, so long as it is successful and what the Institute deem appropriate. It's horrible, but he doesn't realize it- and at this point he doesn't care. The death of another and the way they die by his hand is just his way of expressing who he is deep down.

In game experience...

•Oi, you don't like the institue? FUCK YOU

[riathedreamer]

Zero is Null

A discussion of Zero’s love-hate-relationship with RvB and struggling independence; including a hotdog too big for the bun, tragic backstories, a single bow-chicka-bow-wow, and a cookie at the very end.

Welcome to what will be a lot of text. Basically, it will explore why Zero fails as an RvB (with emphasis on RvB) season. I will not be the first one to bring forth some of the points, and I promise to be fair and civil and fun. This isn’t supposed to be a piece of hate – in fact, I’m writing this because I love Red vs. Blue.

Okay, first of all, to increase your fun – take a guess on just how much of Zero is spent on fight scenes. You see, I’ve calculated the exact amount, and I will reveal it later, but for now, take a guess and remember the number. Maybe you are the winner!

Alright, time to share my thoughts. Wait! Since I suffer from anxiety and have this one annoying voice pretending to be all those critical statements my opinion could be met with, let’s give it an actual voice and address the points throughout this review.

“Why would I care about your opinion, Ria?” – I don’t know, you’re the one who clicked Read More.

“Your opinion doesn’t matter!” – Of course, it doesn’t! Geez. Do you think your opinion matters, though? Listen, we’re on Tumblr, the actual equivalent of screaming into the void. And it’s fun, too!

“If you don’t like it, don’t watch!” - *activates Uno Reverse Card* “You can’t talk about something you haven’t watched!”

“You’re just a Hater” – Actually, this is a point I’ll come back to. Like a cliffhanger. Also, at the end of this, there’ll be a cookie. But this will also include me talking about the stuff I like, because, surprise, Zero is not without talent!

“You just don’t like it because the Reds and Blues aren’t in it!” – Actually, that’s a good point, so instead, this review will start with a sole focus on Zero and discuss the problem that lies within that story. Then we can address why the lack of OG cast is understandable and problematic and weird.

But first! Backstory.

When the first 5 second teaser dropped back in spring (you know, when we were young and innocent and the world didn’t feel like an apocalyptic movie yet), I held onto that one image of what I thought (hoped) to be Grif and Simmons in the sunset, hopefully addressing Grif’s hateglue arc, but boy was I wrong because a) that’s not Simmons, that’s Sarge, and b) the image was from a PSA since the Reds are not in Zero.

Actual face-reveal of me below:

Admittedly, when I heard that the Reds and Blues were not going to be the main characters (or even show up), it felt like a gut punch. However, I actually found myself getting excited due to the creators’ hype. I want to praise them for this. It’s been a while since an RvB season was talked so much ABOUT before its release; it had advertisements, it had creators and voice-actors talking about it. Please. More of that in the future. Their passion rubbed off on me, and that deserves recognition. So it pains me that this was clearly a passion-project, and then when I gave it a try, I didn’t want to touch it again for weeks.

Here’s the thing. I cannot whole-heartedly say that Zero is bad. It’s not gonna melt your eyes. It’s not even so-bad-it’s-good. For me, it’s meh. It’s a Saturday-morning-cartoon aimed for a younger audience with a rushed plot and clichéd characters. The problem is that it calls itself RvB, and with that title comes something to live up to – but more importantly, something to continue.

My main issue is that Zero forces its story into existence by ignoring established content rather than adjusting to it. Let’s call this for the hotdog-too-big-for-the-bun syndrome solely for the sake of the bow-chicka-bow-wow that’s coming now. Bow-chicka-bow-wow. Many of the separate issues I will dive into all add to this hotdog-issue, so I will scream “Hotdog!” whenever this is the case so we can all keep track of my argument.

You can continue the story of Red vs. Blue without the Reds and Blues. While that would personally crush my heart, it can be done. There’s a story of Red vs. Blue that can be continued. The world can be expanded, the previous actions of the Reds and Blues can be explored from another angle.

So.

How does Zero do this? It doesn’t.

I just want to make it clear that new elements can definitely be added when it comes to worldbuilding. That’s literally the point of sequels. But Zero’s settings are presented with so little grace and with no connection to previously established worldbuilding. We get Alliance of Defense and GLASS thrown in our face as very big important organizations – yet we’ve never heard of them before. A big central plot point of RvB is the UNSC and Project Freelancers, and those were introduced naturally with the plot. We already have big established intergalactic organizations. What is AOD’s connection with those? We aren’t told. We are just told they exist and expected to accept it, no questions asked. If this was a whole new world and story – fine. But when you need to build on an already established worldbuilding, you need more grace than this. Chorus was a whole new setting, but it was explained, and it was connected to the previous plot. Same with Iris. Same with Desert Gulch. In Zero, it feels lazy. It feels forced. These organizations are just there because the story is built around them (HOTDOG).

This vagueness when it comes to wordbuilding is also reflected in the settings - we have a desert, a training base, a lab, temples, Tucker’s workplace, and we do not know if all those are set place on the same planet. If that is the case, what is this planet’s relationship with Chorus? Is it Earth? And most importantly, what is the deal with the temples? Why are they connected to Tucker’s sword if it isn’t the same planet. Are they made by the same aliens? Are people okay with this? Why haven’t these temples been explored before? Chorus makes sure to establish this, while Zero doesn’t, adding to a growing amount of confusion.

Okay, so no connection with previous worldbuilding. What about characters? I mean, we got Wash and Carolina and Tucker! So we have RvB characters, it gotta be RvB! Technically – yeah. But it feels dirty. These three characters are not here to be characters. They are here to be props to the new cast. They are not given any development. Their presence isn’t even that important, and if this was a whole new show, they could easily have been replaced with an unknown face. Worst of all, they feel miswritten.

Carolina and Wash are working at a new military organization? Leaving the Reds and Blues behind? To help people? First of all, fucking bad idea, Carolina, the last time you left the Reds and Blues alone, they changed the timeline. But most importantly – Carolina and Wash just joined this new super elite military organization? After being mistreated and manipulated by such an organization in the past?

Carolina is there to introduce the characters. That’s it. We are force-fed their personality by having her literally read out loud their personality. There is no gentle introduction to the new cast. We are not allowed to get to know them naturally. Why show when you can tell, huh? That’s Carolina’s role. That’s why she is there. To introduce the cast and explain their story. That’s it. (HOTDOG).

How about Wash? He is there to get beat up and be a damsel in distress so that the new cast has a reason to explore the plot. Oh, and that brain damage that was the consequence of previous seasons – gone now. The guy who literally has trauma from having an AI explode inside his head is fine with having a computer inserted into it instead. Because that’s needed. To explore his brain damage wouldn’t work now when his role is to be a prop to lure the new cast for one episode and then be put onto the bench for the rest of the runtime (HOTDOG).

And Tucker – he is there to die for a second and have his sword taken from him. That’s literally it. And for the few moments he is there, he feels like old super flirty Tucker, which erases the character development he went through in previous seasons. Okay, so Tucker dies, and then not dies, and then he is put on the bench with Wash where they can sit and talk or whatever (‘cause holy shit, the new cast is not allowed to that), because he isn’t important. The sword is. Tucker is just a prop, even more than his sword is (HOTDOG).

Damn. Wash gets beat up. Tucker gets beat up. Dies. Gets his sword taken away. Almost seems like a Red’s wet dream. Sorry not sorry, Blues, you were done dirty.

So there are miswritten old characters. Even worse is the retconning. The plot needs a “normal” Wash, so, bam, magic computer solution. Never mind Wash’s trauma and character traits. Never mind the logic of the new worldbuilding which also includes a character suffering for years to heal an illness. But the brain damage that was such a big consequence that it became the main part of the plot of the last two seasons – gone. I mean, a gunshot to the head can be healed by CPR. That’s canon. But no one gave Wash CPR so it’s a big thing, okay. It was canonically a big thing, and Zero erased that. This is not me saying that a Cerebral Enhancer couldn’t work in the RvB universe. Imagine it being done right. Wash struggling with the choice of getting used to his disability or accepting the possibility of help - at the cost of reliving his trauma. The struggle between what to choose - what should he choose when he wants to help as many as possible, the sacrifices he thinks he has to make, the way it could have been used as a part of his character growth. But in Zero, the enhancer isn’t a part of Wash’s character. It’s there so the story can work without having to deal with the previous plot’s consequence (HOTDOG).

Same with the sword thing. They sorta explain it by having Tucker flatline, but it’s weak. Honestly, I find it sorta offensive. What about Locus’ sword as well? It’s twisting previous lore to make the new plot work (HOTDOG). (Also, are we not gonna talk about the ultimate power being Spencer Porkensenson’s helmet? Have the writers forgotten Spencer Porkensenson? Have we as a community forgotten Spencer Porkensenson?)

If you have Red vs. Blue in your title, you cannot ignore what you inherit from it. You need to respect the worldbuilding, the established characters, and the previous plot. Zero does not do this.

Let’s talk about the Triplets. No, really, let’s do it. I don’t think I’ve ever talked about them before, because season 14 was a mixed bag for me (that I have now learned to appreciate. Thank you, Zero.) because I have heart at the size of the Grinch and can only love a few characters at a time, and that did not include the Triplets. Can’t even remember their names. Well, I can, but I can’t for the love of me remember which state is which, and my tongue is twisted every time I try to say Ohio, Iowa, and Idaho, and I know it’s on purpose. I know it is. And it got me good. That being said, the fandom actually embraced them really, really well! Seriously, I’ve seen more content for the Triplets than for Zero as a whole.

Why talk about the Triplets? (Was Iowa the lesbian? Or was it Ohio? Fuck.) Because like Zero, they introduced new characters with a story of their own. The Reds and Blues didn’t play a role. But here’s what I feel like the Triplets got right. They didn’t change the settings to force their narrative. They used stuff already established (Project Freelancer), added their own story as a continuation of that. They even included old characters in the beginning (Wash and some other Freelancers) but it felt natural and it didn’t feel like it happened at the expense of the old characters. Wash’s writing felt natural, and his presence wasn’t needed to tell these new character’s stories. He wasn’t a prop to them. He was there to establish the setting and to establish the relationship with these new characters, and then he and the other familiar faces (helmets??) left, and we as the viewers were left with these new characters. And the new characters told their own story by themselves. It felt like, hey, here’s something you know – remember Mother of Invention, and remember Wash’ lower rank, but now, try to imagine being even lower rank than him, aren’t you curious about those fates? Now let’s hear their story! It was new, it was something else, but it didn’t wreck what came before it, and it stayed true to the classic vibes of RvB.

As I said before, the hotdog-issue is my biggest problem with Zero. It infuriates me. I will return to this. But there are more issues, even if we try to look past the title-related problems.

If we try to imagine Zero as its own story and universe (as it should be, in my opinion), it still earns the meh review from me.

These isolated issues include awkwardness, the writing, lack of self-awareness, and pacing. First of all, holy shit, this is a tell, don’t show. Nothing is subtle, nothing is allowed to develop. It’s like the show thinks you are six years old with an attention span of a goldfish. You are not just led by the hand – they have literally pulled off your arm by the end of the show. We are force-fed every bit of information, every bit of personality from these new characters.

The voice-acting is a mixed bag for me. Sometimes it’s pretty good, sometimes it’s not. Some of the problems can definitely be blamed on the dialogue that you can only do so much with. It’s not good. I can’t remember any good jokes (the one joke I really appreciate was the cast on armor, and that was freaking visual humor. That was so RvB. Kudos to that. It was fun. More of that, please.), and RvB is known for having memorably good lines. This is a show built on good, clever, funny dialogue. Zero does not deliver. You have to sit through clichéd lines – “You’re not my dad”, “I trusted you”, “Come with me”, “It can’t be!”, “She’s way too powerful”, and “We have to do this together” – performed unironically. I cringed more than I laughed. Worst thing is that Zero could be a good parody. Sometimes, it feels like it is. One-dimensional characters, a villain wanting ‘the ultimate power’, very overpowered characters, bad one-liners, etc. But Zero takes itself seriously, and I was one of the people rooting for Jax to show up at the end and yell “Cut”. That would have been a funny-as-fuck twist. A spin-off parody. If I can’t have “Sarge the Movie”, I would have taken that and loved it. I would have forgiven everything. “We put so much info into finding that power, but we had no idea what it was” is really a line in the finale, and I cannot believe this is real in a show that somehow still tries to present itself as serious. What a plot.

We have to talk about pacing. God, first of all it should be stated that RvB is a mess when it comes to pacing. I honestly get what they were going for. Sometimes, RvB has come across as a bit boring when you get three episodes stretched over three weeks without much going on. I know season 11 did not have the warmest welcome because it was seen as boring until the finale. But when you see season 11 as a whole, as a movie, as a part of a trilogy, it works so well. Zero is more focused on being episodic. They want something to happen all the time so we will stay tuned. The thing that will happen – a fight. Oh god. The fight scenes.

I have done the math. I have run the numbers. I deserve a freaking cookie for this. Are you ready?

If you put all the episodes together, you have a runtime of 106 minutes. HOWEVER, with the introduction of credits in every episode, you gotta account for this. Removing the credits, this gives us 94 minutes of actual runtime. Out of that, 45 minutes are dedicated to fight scenes. That means 48% of the show is fight scenes.

If I wanted that many fight scenes, I’d watch Death Battle. Except the actual RvB Death Battle episode has a runtime of 20 minutes, and out of that, 5 minutes is dedicated to the actual battle. For the people who hate math – that’s 25% of the actual runtime.

RvB Zero has more fight scenes than a show called Death Battle. Take that in.

The pace suffers from this. Where’s the time to explore the characters? Where’s the time for good dialogue? All I can think of is this:

I get that RvB is a show that’s literally making fun of itself by acknowledging all their characters do is stand around and talk. I get that you want characters to do more than that. But for the love of Church, would it kill the new characters to stand around and talk? For just a minute? Stop fighting, I am begging you, stop fighting! Am I a pacifist now? Am I purple? Have I joined Doc’s team? What has Zero done to me?!

The good thing though is that fight scenes are very good. They’re entertaining. However, they seem to deconstruct themselves when we need to get a fight scene in every episode. Usually, the few fight scenes in an RvB season were in some of the most climatic episodes. In Zero, I can hardly keep up with the pace because they won’t stop moving. Fight scenes aren’t plot. They aren’t character development. You need more than just fight scenes. They entertain, but there’s a limit to that.

Noël Wiggins, the co-writer, stated the inspiration was a Saturday-morning cartoon. They nailed that vibe. If that was their goal, hurray, they have accomplished something! Because of the poor plot and constant fight scenes, it feels like you could just switch on the TV and drop in at any moment and let yourself be entertained by the cool and colorful soldiers punching and kicking each other. I will admit that the fight scenes entertained me. But they don’t make it a good season.

If I were the six-year-old with the attention span of a goldfish that the show believes I am, I honestly would enjoy it. The stiff dialogue and the constant tell-don’t-show makes you feel like an audience that’s not supposed to do anything else but admire the flashy fight scenes. I miss the cleverness of RvB. I miss the characters I get to connect with as I see them grow.

I miss the tone of RvB. Because this isn’t RvB to me.

It’s not that RvB hasn’t changed its tone before. Holy shit, I sorta do want to experience the absolute shock the RvB fandom went through when s6 aired and they were given new characters and serious plot. I would have loved to experience that, but I was too busy being ten years old. The Freelancers seasons also introduced a new tone and more fight scenes with very talented fighters compared to the Blood Gulch gang, but a balance was kept by having half of the season still revolving around the Reds and Blues. But Zero – Zero is so much change. And it’s on purpose. At least this has been made very clear from the beginning.

They constantly seem to appeal to new fans, rather than be directed towards older fans of the show. If you want an entirely new audience with a season with a new cast, new worldbuilding, and new tone, I’m confused as to why they don’t just make a new show. The hotdog-problem begs for this solution. This story and environment and characters feel so out of touch with the original RvB, that with a few rewrites and lack of Halo-armor, it could just be a new show. Problem solved.

If not this, then present it as a spin-off. In all ways, it feels like a spin-off (again, see everything marked HOTDOG). But the creators refuse to do this, and I don’t understand why. I could forgive many of these issues, had they officially separated themselves from canon.

Ah, what’s the idiom? You can’t both swallow and blow? (You can hear the Bow-chicka-bow-wow in the distance). Something about eating cake and having it. Forgive me, English isn’t my native language. POINT IS why are you calling yourself RvB while actively fighting against the core essence of RvB? In my humble opinion, you can’t be both. Marketing it as a spin-off would have granted it some defense when changing, well, literally everything, and I just, would someone please properly describe why it isn’t a spin-off? Isn’t this season marked by its association with the plot of RvB rather than a continuation of it? Zero presenting itself as not a spinoff feels like a toddler clinging to the hem of its mother’s dress while forcefully running away from her, ripping the dress in the process.

When they do connect with the original RvB, it leaves a bitter taste in my mouth. When they let Carolina, Wash, and Tucker appear for a moment, it feels like luring viewers in with the RvB title. Look at me. Look at me! I’m not saying this is the case. I say that it gives me the annoying vibes of being lured, rather than letting the characters be a part of the show for their own development, rather than having RvB in the title to continue its story. I should not be getting these vibes at all. But I am.

If you want to use RvB in the title, something from the core of RvB needs to be embraced. Things can be changed. They should. Something new should be brought in. But there’s a limit to how much you can change and replace and twist until it would have been better with an original show. As a season of RvB, it should tell the story of Red vs. Blue.

From my perspective, Zero fails to do so.

It pains me that the old cast has been replaced, but as stated earlier, a season could have worked without them. However, I do not like the take that one should be excited about all the new characters. That it isn’t a big thing that the OG cast got replaced. That we should just deal with it. Just, try to imagine another show suddenly replacing the main characters with characters we’ve never met before. Imagine RWBY suddenly only focusing on a new team of huntresses with the previous main characters reduced to an Easter Egg presence, or Camp Camp suddenly being about a new team of campers, no warning given. Can you imagine the outcry? So maybe let’s agree that a replacement of the main cast is a big thing and should be addressed and it’s valid to be upset about this change.

Could Zero have worked? It’s hard to answer this. How can I accept something as RvB if the season actively pushes away the core of RvB aside for an isolated story that could have been told in any other media? As a spinoff, I could have ignored it. To enjoy Zero, I have to fully separate it from RvB in my mind, and then it’s alright. S’not good. But it’s not bad. It’s entertaining enough. I really ended up liking Raymond and Tiny, and there were a few good jokes, and the fight scenes were admirable (but too much) and I love the creators’ passion. But it’s not RvB. I also wish that the new characters had been attached to previous worldbuilding, for example soldiers on Chorus or agents from Project Freelancer. That way we could build on familiar lore which would have decreased the confusion and added a much needed connection with the previous seasons of RvB.

God, the anxious voice is back (by the way, it sounds like Tutter from “Bear in the Blue House”).

“You’re racist” – I hope not. Literally, I do not want to be. Tell me if I’ve ever crossed some lines, because I swear, that is not my intention, I will apologize and most of all, change and do better. I included this because I’ve seen this take thrown around in the big ugly mess that is the fandom clashes regarding Zero. And racism is problem within RT community (this includes AH and RvB, sorry, I just use RT as an umbrella term for the latter), and I’m not saying it hasn’t been a problem with this season. Writers should never be harassed, and never-fucking-ever because of their skin color, and voice actors shouldn’t be treated like they are responsible for the choices of the show. But I was legit nervous to post this review, and I hope it’s been factual without feeling like personal attacks on the creators because that has never been my intention. I was delighted to hear about the diversity behind this project, and Torrian’s passion legit blew me away because it’s been a while since I’ve seen that for an RvB project. I’d hoped for it to be good, and when I feel disappointed, it’s for the reasons stated in this analysis. That said, Zero is made by a diverse cast and it’s made with love, and both of those things are so, so great, but it does not mean that Zero cannot be criticized. It can, and it should. It’s a product, just like all the other seasons, and fans are allowed to discuss it – both what they loved, and both what they found troublesome. And to repeat previous points, and be respectful, always, fuck racists, and never-fucking-ever harass the staff behind a season, what the fuck is wrong with you if you do this.

“Don’t you get it, it’s different because it’s trying something new!” – Hey, remember the philosophical question: if you replace all the parts of a ship one-by-one, is it still the same ship when you’re done? If it doesn’t include the Reds and Blues, if it ignores previous plot, if the old characters feel miswritten, if it values animation over dialogue, if it values fight scenes over comedy, if it wants to be Fast and Furious instead of Red vs. Blue – is it still Red vs. Blue? Because it doesn’t feel like it to me.

“It's been 17 seasons, it’s time to let the Reds and Blues go so someone else can shine!” – I simply do not understand us having been with the Reds and Blues for 17 seasons should be an argument to let them go, rather than be an argument as to why their absence hurt like hell.

“The Reds and Blues ran out of things to do!” – Did- did they, though? I mean, if we were discussing pretty much any other show, I’d probably agree that they were running out of content. But for the Reds and Blues… I think the PSAs nailed it this year! I’m not kidding, I had more fun watching the Reds and Blues discuss how to do laundry than watching Zero. You could literally give me an hour of the Reds and Blues trying to bake a cake or clear a gutter or simply settling down with an ordinary life, and I would trust them to make it worth the watch.

“The flaws were due to the fact it’s only 8 episodes long!” – Look, I can only judge a product the way it’s presented to me. I cannot come up with excuses for it. If they had 8 episodes to work with, they need to come up with a plot that works with this runtime. Seriously, this excuse cannot work when 48% of the season is spent on fight scenes. They could have used more runtime, sure, but the show needs to be able to pace itself and be planned accordingly.

“The OG cast couldn’t be a part of this year, hence Zero!” – That might be true. But. Would one year without RvB kill it? Is Zero necessary? Again, I just can’t judge excuses for the show. But trouble with the cast has been an issue before. Season 15 solves Geoff’s sabbatical by actually making Grif’s absence a part of the plot. Zero’s lack of Reds and Blues just feels like this excuse to tell a story that needn’t be a part of RvB.

Am I a hater? I guess? I greatly dislike Zero for the critique stated above. I do, however, not harass the creators and no one should ever do that. However, I have to admit that I feel there’s been this weird rejection of any critique of Zero where everything’s been brushed off as haters gonna hate, including the critique stated above. And I think that’s a problem because critique, as hard as it can be to hear (and I know this. I’m an author of original works. Weird flex, I know), is valid and necessary and shouldn’t just be shrugged away. As always, both sides of the fandom should always be respectful, but my own opinion is that addressing the flaws of Zero should not be controversial.

Does this super long rant/critique/whatever mean you cannot enjoy Zero? Gods no! I almost envy you if you enjoy this season, but holy shit, feel free to love it and tell the creators that you love it! Me pointing out the issues I have with the season shouldn’t be stopping you. I loved (and still love) s15 when it came out, and it was majorly rejected by the fandom. There were many, many critical posts, people were going on about how RvB should have ended with s13, and it evolved into the writer receiving death threats (me, once again: never ever harass the creators, assholes). But I didn’t tell people to stop being negative. I actually agreed with many of the flaws that were pointed out, and I enjoyed the season despite this, because that is possible. We, as RvB fans, should agree that RvB, is... I mean, it’s not the greatest, most flawless of shows, but we love it nonetheless. So go ahead and love Zero. This is not a stop sign. This is my opinion that you chose to read.

Wait, I promised you a cookie, didn’t I? Well, you’re not getting one. Why? Because I’m a Red and this is my chance to piss off a Blue. As Caboose wisely said: “Well, at least I don't go around... knocking on people's non-doors... and promising them cookies... and then NOT. GIVING. THEM. COOKIES!”

Blue Team sucks.

End speech.

[aristidetwain]

The Shared Dalek Universe of the 1960s: A Case Study

In 2011 (a little over ten years ago!), El Sandifer cited my dearly-beloved 1960s Who Annuals as examples of stories which ended up influencing the TV series many years down the line despite making an unrepentant hash of continuity. 

Her first example is that the Doctor is called Dr. Who, and that he alternates between being from Earth on one page, and not being from Earth three pages later. I would point out that TV was doing much the same thing in those days, and went on flip-flopping basically until Jon Pertwee, so it’s not a terribly good argument to begin with.

However, she spends more time pondering the Daleks of the comics. These Daleks, she notes, are very different from those on television at the time. There are hordes of them, they travel in fleets of saucers, and they’re ruled by the Emperor. This contradiction, she argues, later fed back into the TV series in the RTD era, when huge fleets of Daleks became the norm and, earlier but still well after the first burst of Annuals, in the form of Patrick Troughton facing a very different Dalek Emperor in The Evil of the Daleks.

In no way do I wish to undermine Sandifer’s ultimate conclusion that “canon” in the sense of diegetic consistency is a red herring of little importance, and what matters for any sane definition of ‘canon’ is whether a story is referenced at all, not whether it’s contradicted. 

However.

Having gone back to 1966′s The Dalek Outer Space Book, I have made a very startling discovery, in the story entitled The Secret of the Emperor. The rest is after the cut; I will leave you with a delightful panel from this story, showing the “bewildered” Dalek Emperor being bullied by knights at the Battle of Agincourt. (This is one of my favourite Doctor Who images ever, and if it doesn’t put a smile on your face I am not sure I want to take you seriously.)

So, famously, when he debuted in the comics, the Dalek Emperor was not the giant, static Dalek later shown on television in The Evil of the Daleks and The Bad Wolf of the Ways; instead, he was golden, squat, and had a bulbous head; to house all the ego, one expects. 

Thus, most people will point at the fact that when the Doctor met “the Emperor” in The Evil of the Daleks, he resided in a huge tower-like casing in the Dalek City, as evidence that although ideas received a first treatment in the comics which later made it to screens, no direct continuity was intended; the comics’ Emperor was an alternate, a first draft, to be discarded once a more definitive TV portrayal emerged. 

And yet, of course, it is somehow appealing to think of the two as the same Dalek, isn’t it? John Peel (Dalek writer voted most likely to be a 19th century Victorian man who stumbled into a time eddy; it’s mostly the remarkable sideburns) spent a lot of time in his Dalek novels establishing the life story of the Dalek Prime, the First Dalek Ever, who transitioned from the globe-headed casing to the towery Evil one and then deeply regretted it, what with the “getting killed by his own infighting troops with no way to escape”.

But this is usually viewed as a retcon. A cute retcon, an admirable retcon even, but a retcon. My good friend and esteemed fellow canon-welder, @rassilon-imprimatur​, espoused such a view four years ago:

Well, all of this is, if you’ll pardon my French, bollocks. John Peel didn’t make anything up, except for the snappy name of “the Dalek Prime” as a designation for the individual. The Dalek Emperor in Evil of the Daleks was always the Emperor of the 1960s comics, and there is a very good reason for his seemingly-contradictory change of appearance. What’s more, I am not talking about murky authorial intent: these are things that the discerning Dalek fan in 1967 was meant to have known.

Let me wind back the clock to 1966. A Dalek master-plan is unfurling, a multi-media agenda spanning several years, more ambitious perhaps than even Time Lord Victorious in its scope; for the ultimate aim of a small cabal of men including David Whitaker, Terry Nation and Brad Ashton is nothing less than spinning the Daleks out of Doctor Who and into their own non-BBC TV show — to be made in America, and in colour, if you please! 

For over a year now, a Dalek story arc has been running in the pages of TV Century 21, tracking the early rise of the Dalek Empire and its early interactions with 2060s humanity. Though the Daleks encroach over other parts of the book, including the headline stories, the bulk of this story arc comes in the form of weekly one-page comics making up one long serialised history of the Daleks, under the minimalist title of The Daleks.

Also under the solo brand of “The Daleks”: Annuals, an exclusive audio story, and, of course, toys. Time for Phase Two. It is time to end the Daleks’ endless confrontations with Dr Who on television, and set the stage for a new status quo able to support the TV series Nation dreams about. 

Important background: Terry Nation, famously, does not like the Dalek Emperor. Whitaker made him up without consulting Nation, who maintains that the highest rank in the Dalek hierarchy should be the Dalek Supreme. The Emperor was hard to do away with in the comics, since he was basically the protagonist of the TV21 strip, but one imagines Nation was keen to jettison him from the world of the planned TV series. 

I am speculating, of course, but I picture Nation sitting in his office, pondering the two great thorns in the side of the Independant Daleks Masterplan. 

Thorn one: the Daleks are entangled with the Doctor both diegetically and symbolically; unless something can be done, the Daleks will remain “the Doctor’s enemies”, and a show where they commit evil and the Doctor fails to show up would ring false with the kids watching. The Daleks must be removed from Doctor Who in a sensational and definitive manner, or the whole enterprise is a nonstarter.

Thorn two: I, Terry Nation, have foolishly allowed David Whitaker to shape the lore of the Daleks, and he has made this Dalek Emperor guy very central to early Dalek history, leading up to the 22nd century Dalek Invasion of Earth that most of the Doctor’s subsequent conflicts with the Daleks have stemmed from. But I do not like the Dalek Emperor. I wish I could get rid of him in my new status quo. 

…………Aha.

A triumphant Terry Nation adds a post-it note to the ever-widening corkboard representing the multimedia Dalek Masterplan setting up the TV series, which must already include things like “convince Jean Marsh to come back as Sara Kingdom”. Notes distilled from this corkboard will form the backbone of The Dalek Outer Space Book, this year’s Dalek annual, which exists principally to set up the prospective main characters of the new TV series: Sara Kingdom and Agent Mark Seven, of the Space Security Service. 

The new post-it note reads:

Construe the Daleks’ enmity with the Doctor as a personal enmity between the Doctor and the Emperor, a la Sherlock Holmes and Moriarty. Have the Doctor triumph over the Emperor on TV in a big ‘event’ story. 

Result: the Doctor-vs-Daleks storyline is over; the Emperor is dead; I get everything I ever wanted. 

(Except maybe a pony.)

Then he phones David Whitaker, smirking all the while like an evil genie preparing to grant a badly-worded wish. 

“Good news, old chap, I’ve decided you can write a new Dalek story for the BBC, all by yourself. I promise I won’t interfere.”

*confused and delighted David Whitaker noises*

“ And you can even bring in that Dalek Emperor of yours. Yes, you heard me!”

*Whitaker enthusiasm intensifies*

“Ahhh, but there’s a catch. The Dalek Emperor must DIE.”

Of course, like all good Faustian bargains, this is irresistible even though it is ruinous and the victim knows it to be ruinous. Whitaker agrees to the scheme. He and Nation begin planning out the events of the great finale of the Dalek-Doctor confrontation, which will hit the screens in 1967 as the mildly racist, but otherwise quite well-loved, ‘The Evil of the Daleks’. 

Quickly enough, it is decided that Patrick Troughton crouching to berate the short and bubble-headed Golden Emperor would look silly. If the Emperor appears on TV, alongside human performers, then it should tower over them. Besides, this is to be the archvillainous Dalek Emperor’s last stand, and certain traditions must be followed.

Hence another task is added to the bucketlist of the Dalek Outer Space Book: tell the story of how the Emperor transformed from the globe-headed dwarf to some huge and terrible towering form under the Dalek City, for the Doctor to stumble onto later. This rebuilt Emperor may be teased, but must not be truly seen or truly defeated in the book; that would defeat the whole idea. 

Hence, The Secret of the Emperor, a story which sees the Emperor becoming self-conscious about his own efficiency and letting the Scientist Daleks rebuild his casing from scratch. The final page is a splash panel, a delightfully nonsensical diagram of the mechanical components of the new casing. 

The almost surreal array of colours and shapes is so arresting as to obscure an important detai. Many have seen this page over and over, and yet still missed it. The recent(ish) ‘Anatomy of the New Dalek Emperor’ artwork from Time Lord Victorious clearly looked at this page for reference, in spite of the fact that the TLV Emperor is much more inspired by the old Emperor than the rebuilt one.

Let me spell it out for you: look at the Scientist Daleks in the top right and centre-left. Look at them.

The new Emperor is huge.

And what else? 

That Scientist on the left is plugging huge wires snaking from the wall into the tower-casing. 

He now resides in the Great Hall of the Dalek City.

The background wall is a weird checkered pattern.

In addition, the following facts are seeded throughout the earlier pages of The Secret of the Emperor.

The point of moving to the new casing was to grant the Emperor increased brain capacity (suitable for concocting masterplans).

He acquired said increased brain capacity to help the Daleks attempt to overcome humanity once and for all. 

The Emperor has recently had a trautmatic but eye-opening experience with time travel. 

Ignore the fact that the Emperor was here depicted with what appears to be a still fairly bulbous, and golden, head, and it doesn’t take a genius to figure out that this is very, very direct setup for how the Doctor finds the Dalek Emperor in The Evil of the Daleks — tower-like, in an imperial throneroom in the Dalek City, with a checkered wall pattern, planning out a complicated scheme to harness time travel as a means of defeating humanity once and for all!

Yes, the designs don’t quite match — but how could the artist behind the visuals of Secret of the Emperor have known precisely what Shawcraft would build, a year later, based on the same basic description by Nation & Whitaker? The parallels far outweigh the minor differences in execution. (It’s worth noting that elsewhere in the Outer Space Book a different artist drew what was clearly intended to be the Golden Emperor as a large, golden, but normally-proportioned Dalek, so it’s not like the visual descriptions of these scripts were exceedingly precise…)

The rebuilt Emperor is never seen in the Outer Space Book outside of this ‘dissection’: he is heard throughout The Brain Tappers but kept carefully off-panel, and his new and dangerous new casing is pointedly not destroyed in the story’s conclusion. Well, of course not. That’s what Dr Who is for.

tl;dr: it is not a post hoc retcon, or even a secret, that the round-headed Emperor of the comics became the Dalek Emperor of Evil of the Daleks. A holistic view of the state of Dalek media in 1966-1967 shows that, in fact, it was the whole point that this be the Emperor of the comics; and that the comics had begun setting this up long before Patrick Troughton encountered Edward Waterfield on TV.

And thus, to circle back to Sandifer’s 2011 post, it is not enough to simply say that the “seemingly non-canon” comics inspired the show down the line. In fact in this instance, what appeared on Doctor Who existed for the benefit of the Daleks spin-off — not vice-versa!

[alextir-creates]

Zutara Fankids by Tigrette-of-Fire

…Look, I’m a little embarrassed about the fact that I ship zutara, given how polarized the atla fandom can be about shipping, but I had so much fun designing Taiyin and Arnaaluk I just couldn’t resist.

In all honesty, this was more an exercise in mixing genetics and expressions of two cultures than anything else (I mean seriously, I wasn’t exactly inspiredor anything when I named them lmao). Like I said in my Sukka fankids piece, I’m a mixed-race, multi-ethnic person – and getting to design characters that are of more than one culture and thinking about how to best visually express a connection with both sides of that character’s heritage is really fun for me. Zutara fankids are a goldmine for that kind of thing.

More info and image ID under the cut!

Unlike Taiyin and Arnaaluk, these guys can’t exist in a largely LoK-compliant verse. However, I’ve been thinking a lot about what I would’ve changed on the cultural sensitivity front in LoK, and honestly if I’m going to put the time and effort into doing that… I’m going to be self-indulgent and add my preferred ships, even though – and I cannot stress this enough – shipping has no bearing on why I dislike LoK.

So, welcome to the Hijack!Verse, I guess (which is to say the AU where I hijack the AtLA post-canon and do what I want); it’s completely self-indulgent and I’m sorry in advance. Taiyin and Arnaaluk absolutely exist in this verse too – and tbqh, most of the content I plan to make for them will be Hijack!Verse, not LoK compliant. Sorry again.

In any case, onto the Zutara kids! Let me give you a short run-down.

Kya (pictured at 16 in this drawing), Crown Princess of the Fire Nation and firebender, is the eldest. She’s outspoken, cheerful, and is a touch more mischievous than she perhaps should be (all in good fun or in the name of fucking with bigots, of course – she and her cousin Taiyin are two peas in a pod about this. I already have ideas about a Fire Boomerang Incident in mind when it comes to the two of them putting their heads together). Izumi (pictured at 15 in this drawing), is the second child. She’s likely a non-bender, and trains to mastery both with a spear in the Southern Water Tribe’s style and with a bow and arrows under the Yuyan Archers. On the more introverted end of things and fond of organization (Izumi is definitely on the autism spectrum), she likely grows up to be Kya’s Minister of Finance. Lu Ten (pictured at 13 in this drawing) is the baby of the family – on the shy end and emotionally intuitive. He’s a waterbender and chooses healing as his focus. As an adult, Lu Ten probably moves to the Southern Water Tribe pretty much full time – though, of course, he makes time to visit his sisters and vice versa.

I uh, honestly have more planned, but this is getting really long so I’ll save that for another time. I do want to say though that Kya, Izumi, and Lu Ten split their time growing up between the Fire Nation and the South Pole. It’s really important to me that they get to have equal connection to the Southern Water Tribe and its culture as they do to the Fire Nation – and frankly, there’s no way Katara wouldn’t make sure that they did. (This also means that Katara – and to a lesser degree, Zuko, given his responsibilities as Fire Lord – is splitting her time as well. There will be no cutting Katara off from her homeland OR stymying her drive to interact with the world/be a major global figure in this verse, no siree.

Avatar: The Last Airbender © Mike DeMartino, Bryan Konietzko, and Nickelodeon

Art © Me

[Image ID: Neck up headshots of three teenagers. The teen to the top right, labelled “Kya,” has light-to-medium brown skin, black hair, and blue eyes. She’s smiling widely enough that you can see her teeth, and is drawn at a three-quarter view facing the viewer’s left. She has two looped braids hanging from each of her temples, which are each secured with dark blue ties with gold trim. The rest of her hair is pulled up into a topknot, on which she is wearing a crown consisting of a red band and two stylized gold flames – the same hairpiece Avatar Roku is depicted wearing. To the lower right of her is a stylized drawing of the Fire Nation’s pre-imperial insignia, drawn in red.

The teen to the middle left, labelled “Izumi,” has light-to-medium brown skin, dark brown hair, and gold eyes. She is also drawn at a three-quarter view but is facing to the viewer’s right. Her expression is somewhere between concerned and amused, and her mouth is open as if to comment on whatever is causing that reaction. She sports the same “hair loopies” Katara does in the series – each adorned with a pale blue bead. The rest of her hair (and where the ends of the ‘hair loopies” are secured) is in a high ponytail (in universe called a phoenix plume) reminiscent of Zuko’s pre-banishment hairstyle. Her phoenix plume is secured by a red ribbon and has a small hairpiece shaped like a flame (similar to the crown we see Azula wear) in front of the tie. The motion of her hair implies that she is turning to look in the viewer’s direction.

The teen to the bottom right, labelled “Lu Ten,” has light brown skin, dark brown hair, and gold eyes. His expression looks vaguely surprised. He is also drawn at a three-quarter view, facing to the viewer’s left. His hair is shoulder length, with the top portion tied back into a warrior’s wolf-tail. His wolf-tail is decorated with the same, flame-shaped hairpiece Izumi wears. He is wearing an cream colored necklace akin to the one Sokka wears in the series. To the immediate right of him is the Southern Water Tribe crest, drawn in pale blue.

All of these headshots are circumscribed by a purple rectangular “frame.” The artist’s signature, reading “AlexTir” is in the bottom right corner

End ID]