#All-Different Avengers
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balu8 · 1 year ago
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Thor
All-New,All-Different Avengers #4
by Mark Waid (W.); Mahmud Asrar (P./I.); Dave McCaig (C.) and Cory Petit (L.)
Marvel
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uncultureddoubloon · 18 days ago
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I just binged all of the Wayne Family Adventures webtoon and have been struck with an intense need to be reading comic books from the library again
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earfgoddesss · 5 months ago
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one of these is not like the other.
((also moots, who wanna be the one other zukaang fan with me??))
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doubledudeski · 2 months ago
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ever think about how they both tossed a loved one off a cliff to gain power
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dovelywind · 2 years ago
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ê•„| Rocket Raccoon & Nebula — GUARDIANS OF THE GALAXY
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zonezyo · 1 month ago
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glinda and fiyero, both being for all intents and purposes on the same footing socially, are two sides of the same coin on what happens to those who come from privilege if they choose to forsake their standing in the face of adversity. they come from the same place, they have essentially the same thing to lose, but they end UP losing insanely different thing based on the way they choose to live their lives. however, glinda and fiyero have the same thing to lose, but they do NOT have the same thing to gain.*
fiyero is of course actually very smart, no matter how carefree he plays himself, but before elphaba, before the catalyst, he WAS truly content with dancing through life-- he probably would have skated through on his looks and his charm, living a blessed but ultimately unfulfilling, unhappy life, with no real direction. but when given a cause he wakes up and begins to actually want. he wants change, wants elphaba, wants something different than what he's had. though it comes at obvious sacrifice for him, it is natural for him to follow elphaba. there is no personal risk of straying off his path because there is no real path ahead of him anyway. yes, he's captain of the guard, he's engaged to glinda-- but his heart is not truly with them. he has already mentally strayed towards elphaba.
glinda, though, is not like fiyero. she can play herself as charming as she wants to match him and everyone that expects anything from her, but she's at shiz to learn sorcery-- from the moment she's introduced we know that she's dead set on that goal. she WANTS something. she, like elphaba, marvels at the emerald city, imagining her life there one day. so when faced with this fatal decision between choosing what might be good but what is risky, she panics-- it's right there in the lyric!! to grovel in submission to feed her own ambition!! though part of it is certainly her backing into what is safe, she can't let go of her own dream for what would effectively kill every future she ever dreamed of. glinda is WILLING to forfeit her SOCIAL status for elphaba-- it's just that she's smart enough to understand that this is not simply forfeiting social status. this is forfeiting any and all power she ever could have, gain, or use to her/elphaba's advantage.
however: glinda's choice may seem entirely based in self preservation but she's also just as much trying to preserve elphaba's, maybe not safety, but status, because that's what she thinks of as safety. though it's unfair, glinda is right-- maybe not in this instance, but at least in the broad strokes of the song. elphaba HAS hurt her cause forever, she IS having delusions of grandeur, and this is going to make it that much harder for elphaba to ever truly make change regarding animals in oz because as a villain all she can do is drive people away (though ofc this doesn't mean she shouldn't have done what she did). glinda is desperately bargaining-- she knows elphaba cares about the animals, but she doesn't truly understand why, so there is nothing she could have said or done to level with elphaba. glinda ultimately still thinks that change is manageable under the people responsible for cruelty. she's misguided, unaware of the weight of what's happening. it's why she calls it ELPHABA'S cause, not the animals' cause, because she's not really concerned with the greater good at the moment, she's focused on saving her and her best friend. she's smart enough to understand power play, but not aware enough to understand what all that power means, really, at least not in the moment of act 1.
we can speculate what the "good" choice would have been for glinda but the real truth of the show is that the choice she made was the only one she was ever going to, though it might not be just or right or the one she should have.
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sciderman · 2 months ago
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Yk, I hate that adaptations keep making Peter a high schooler, and not just because it means he never evolves, but because the adaptations now also include wider Marvel, whitch usually (thanks to the MCU) is at the modern day stage with legacy characters and new age teen heroes, meaning that Peter is taking up Miles' spot and you can really tell when they put him next to someone like Kamala Khan or Sam Alexander who are Miles' pals. Tho Peter taking Miles' stuff is just a modern issue overall, just look at MCU whitch just stole and re-skinned Miles' personality, characters, story-beats, even the costume to an extent and then made it worse.
agree 👏
#sci speaks#sci. release the script doctor you did where it actually was miles in the mcu and peter parker is a grown ass man.#it was funny. peter was a really bad intern at stark industries#who stole stark tech on the sly.#and of course. tony catches wind of this because he has cameras everywhere and. those cameras happened to also catch.#him sneaking out of work as spider-man.#and tony ropes him into civil war or whatever because otherwise he could Literally press charges.#and peter's :((((((((#begrudgingly joins tony's side.#in the post credit we see that he's been gathering stark tech to build miles morales some very neato webshooters.#and voil.a. miles is the star of homecoming and. peter is the mentor figure that encourages miles to start small.#miles: but YOU teamed up with the avengers a#peter: do as i SAY not as i DO.#sighs. so little would have to change.#but no more child soldiers and no more over exposure of tony stark. fantastic. superb.#also showing a slightly sneakier peter parker who isn't exactly entirely morally upstanding.#steals from billionares while they're not looking to serve the people who need it.#robin hood figure !! sexy. would falll to my knees for a peter parker like that. would be my favourite on screen peter ever.#and it puts him more in an interesting spot with the villains in the movies too.#if we still go with the route of all the villains being affiliated with stark tech and stealing / using stark tech#then peter is like. in a more complex role in the story. he stole stark tech too. is he better than the criminals?#he uses it for good. he thinks. but that's his judgement.#just i think it would be neat. all the “you're just like me” rhetoric falls so flat in those movies.#but what if it hit different.#but that would be if marvel had the courage to make a complex spider-man movie#where peter parker is allowed to make morally complex decisions asides for “uhh. stupid kid makes stupid mistakes”#sci talks movies
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agentnavi · 1 month ago
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the way i just have to live with the fact that marvel is never gonna do tommy's powers justice, never gonna explore them they way they were supposed to, is just so foul
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LIKE YOURE SO CLOSE. ITS RIGHT THERE! JUST! COMMIT!!!
HE WAS SET UP TO BE SO MUCH MORE POWERFUL THAN MARVEL WILL EVER LET HIM BE AND THATS FOUL!!!
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towards-toramunda · 4 months ago
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So this is what I do when I’m off of work and going insane about Chappell Roan’s VMAs look
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Full character sheet below
This was a lazy character sheet don’t be insane at me in the notes
But she’s a level ten paladin of devotion with five levels of bard college of glamour
In my mind she’s a follower of the Moonweaver cause thats gay as hell
I gave her armor of fire resistance cause the performance had lots of fire and I thought it’d be cool
I gave her a holy avenger cause fuck you thats why
I gave her a stone of good luck cause good luck babe
She’s a human but using the new PHB rules cause I liked the new rules for humans and wanted to play around with them
Feats: lucky, sentinel, savage attacker, and magic innate cleric (from the acolyte background)
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azurecanary · 3 months ago
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i think the thing i hate most about how the MCU is going about the Young Avengers is that it's robbing all of them from their connections to each other, by having them already being (and practically complete) their arcs without each other
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greenerteacups · 4 months ago
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oooh please someday tell us what you think of GOT
oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.
SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)
so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!
so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.
the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!
now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.
here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.
but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.
so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.
anyway, that's what I think went wrong with game of thrones.
#using the tags as a footnote system here but in order:#1. quentin MAY not be dead according to some theories but in the text he is a charred corpse#2. arianne is great and i love her but to be honest. my girl is kinda dumb. just 2 b real.#3. faegon is totally a blackfyre i think it's so obvious it may well be text at this point#it's almost r+l = j level man like it's kind of just reading comprehension at this point#4. relatedly there are some characters i think GRRM has endings picked out for and some i think he specifically does NOT#i think stannis melisandre jon and daenerys all will end up the same. jon and dany war crimes => murder/banishment arc is just classic GRRM#but i think jon's reasoning will be different and it'll be better-written.#im sorry but babygirl shireen IS getting flambeed. in response stannis will commit epic battle suicide killing all boltons i hope#brienne will live but in some tragic 'stay awhile horatio' capacity. likely she will try to die defending her liege and fail#faegon will die there's zero chance blackfyres win ever#now jaime/cersei I do NOT think he knows. my brothers in christ i don't think this motherfucker knows who the valonqar is!!#same with tyrion i think that the author in GRRM wants to do a nasty corruption arc + kill him off but the person in him loves him too much#sansa i have no goddamn idea what's going to happen. we just don't know enough about the northern conspiracy to tell#w/ arya i think he has... ideas. i don't think she's going to sail off to Explore i am almost certain that the show doing that was a cover#because the actual idea he gave them was unsavory or nonviable for some reason. bc like.#why would arya leave bran and jon and sansa? the family she's just spent her whole life fighting to come back to and avenge?#this is suspicious this does not feel like arya this does not feel right#bran will not be king or if he is it'll be in a VERY different way not the dumbfuck 'let's vote' bullshit#i personally think bran is going to go full corruption arc and become possessed by the 3 eyed raven. but that could be a pipe dream#the thing is he's way too OP in the show so the books have to nerf him and i think GRRM is still trying to work out#a way to actually do that.#i don't think he told them what happened with littlefinger or sansa. i think sansa's story is vaguely similar#(stark restoration through the female line etc)#but the queen in the north shit is way too contrived frankly. and selfishly i hope she gets something different#being a monarch in ASOIAF is not a happy ending. we know this from the moment we meet robert baratheon in AGOT#and we learn exactly what GRRM thinks of the people who 'win' these endless wars of succession#and they are not heroes#they are not celebrated#and they are neither safe nor happy
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wishchip106 · 1 month ago
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hmm thinking back to when i listened to that unbeatable squirrel girl podcast and Erik would just constantly call in asking for Charles
bro misses his husband forreal
link if anyone’s interested ^^
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indigosabyss · 1 year ago
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"This," Speed pinched the bridge of his nose, "Is my younger brother Billy."
Wally stared at the boy in front of him, virtually identical to Speed in every way, except his hair was dark brown. He looked a bit taller, too, but that was mostly because of how he didn't slouch like his brother.
Billy rolled his eyes at Speed, "We're twins." He gestured with his arm, and that movement made Wally realize the hoodie he was wearing wasn't a normal galaxy patterned fabric. It was shifting around, as if reflecting actual stars from the night sky.
As if noticing his stares, Billy grinned, "Like it? It's connected to a galaxy back home. Where I'm taking this guy back to."
"Billy can manipulate reality." Speed explained to Wally off-handedly, "And why are you even here? No calls for months, and suddenly you're worried about me again?"
They were going to argue more, Wally was sure of it, but before they could, he blurted out: "I know that maybe Captain Marvel has probably given me the wrong impression, but all Billys are just like this, huh?"
Billy and Speed looked at each other, nonplussed, "What?"
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raithwithwings57 · 3 months ago
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Wip Bucky art
T_T why does it take so damn long to draw guns? Anyway this is me drawing some more art for my wip unposted fic “asking for the dead”. I’m not at the coloring phase yet but I threw the red on the star as a treat
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“I’ll go along with the Gandalf shit but if you’re bringing magic I’m bringing guns.”
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ivysos2001 · 4 months ago
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You still can’t convince me that the whole ‘Steve abandons everyone in the present to go back to Peggy’ thing was a well thought out/well developed ending for his character that made any sense for his post-catfa character arc (let alone all the time travel stuff) bc wdym none of the people who made the movie can figure out the logistics of it??
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pickypickypeak · 3 months ago
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“Oh I like this movie” “wHaT? iT’s ObJeCtiVeLy bAd” “tHe WriTiNg Is sHiT”
Me:
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