#All of which have their own mess of possible effects

[screambirdscreaming]

Beach sand dynamics are stupidly complicated. In some places, yes, native vegetation holds the sand together and stabilizes the dunes. In other places, invasive vegetation introduced to stabilize the dunes fucks up the cycles of where sand is eroded from and deposited, leading to dunes forming in places people don't want them even as beaches erode nearby. (Also, massive changes to the structure of coastal wetlands.)

Whether waves deposit sand on a beach, or erode it away, has to do with the beach slope, the sand particle size, the angle at which waves approach, the wavelength and amplitude of the waves..... A guest lecturer for my coastal engineering class told us that, when running computer models of erosion and deposition responses to proposed beach projects like this, you're lucky if you end up in the right order of magnitude.

Beaches are very dynamic. It's not uncommon for hundreds of tons of sand to shift on and off a beach over the course of a year, usually scoured off by winter storms and deposited back over the summer. Anything that tries to modify that process - such as to prevent the sand from scouring away past a certain point - runs the risk of massively changing the dynamics in unpredictable ways.

And then, with "beach nourishment" projects like this, there's the question of where the sand comes from - where it was mined, and what the environmental impacts of sand mining there are - as well as the question of where the sand ends up if it all erodes away like this. (Did you know there's a sand mafia? That's more to do with the mining of sand for concrete, though.)

Anyway the bottom line is: don't put your fucking house there.

You think you're "next to" the beach, but you're very much *on* the beach as far as the scope of its natural processes go. And either you're fucking those dynamics up, or they're going to fuck you up. Or both!

absolutely losing my mind that a bunch of nimby assholes spent $500k to build a sandcastle that was promptly wiped away

[dxxtruction]

///

[justdiptych]

There's a scene in Fallout: New Vegas that I find really interesting in how it uses skill checks in dialogue. A merchant company, the Crimson Caravan, want to buy out one of their rivals, Cassidy Caravans, and they hire the player character to negotiate the deal. The player has likely already met the rival company's owner, Rose of Sharon Cassidy, by this point - in fact, it's entirely possible that she suggested they ask the Crimson Caravan for work in the first place.

Cass is propping up the bar at a truck stop on the border near the game's opening area. She's heard that her caravan has been destroyed in her absence - her employees killed and their wagons burned in an attack on the road - but she can't investigate because of a bureaucratic hold-up. The man in charge of the border post, Ranger Jackson, has halted all commercial traffic across the border because of dangers on the roads - wild animals, bandits, and enemy soldiers - that the authorities are struggling to get under control.

When the player brings the Crimson Caravan's offer to Cass, she refuses on principle. Her business may have effectively been destroyed, but she's too proud and too stubborn to sell her surname for any number of messes of pottage. Convincing her requires that the player employs one of either their Speech or Barter skills - there are two options for each, requiring either moderate or high investments of skill points. Skill and Barter are the game's two Charisma-based skills, and it's not uncommon for them to appear side-by-side like this, but here, they diverge in application.

The easier Speech option is simple - the player just reminds Cass that, if she sells the business, she won't be commercial traffic anymore, so she'll be able to get across the border. She's itching to get on the road again, so this convinces her. (She will ask the player to help Jackson clear the roads for the benefit of her fellow merchants, but this is a very simple quest that they likely already completed hours ago.)

The more challenging Speech check is to tell Cass that there's no way her business can survive, so it's her duty to do the merciful thing - shoot it in the head, bury it, and move on with her life. This, naturally, brings her close to socking the player in the jaw, but she sees the truth in it. She's been holding onto the forlorn hope that there might be something left to save, but she really has lost everything. This bypasses Jackson's quest - she just wants to walk out and not look back.

The Barter options approach things differently - from the Speech options, and from each other. The more challenging one involves making some sport of the offer, challenging Cass to a drinking contest. The player has to supply the booze, and they run the risk of getting embarrassingly drunk if their Endurance stat is too low, but, either way, this will impress Cass enough that she'll sign the contract.

The easier Barter option, though, is, I think, the most interesting. It requires the player to sweeten the deal with their own money - a not insubstantial amount of it, in fact. Cass is still hesitant, though, which allows the player to make a very interesting point. With the money from the Crimson Caravan plus the player's contribution, she'd have enough to restart her business - buy new animals and equipment, hire a new crew, start trading again.

Further, the player can point out that the Crimson Caravan are unlikely to continue using the 'Cassidy Caravans' name after buying it. They're only buying her out to try to monopolise local trade, after all. If they don't use the name, they'll forfeit their rights to it - meaning that Cass can, as she puts it, take their money, give them nothing, and go back to running her business as if the attack never happened.

Cass, naturally, accepts this offer, though she's staggered that the player is so willing to sell out their employers to help her like this. (The player needn't feel any moral misgivings about doing so. A little investigation reveals that the attack on Cass's business was actually engineered by the Crimson Caravan themselves, in collusion with a crime family, in a conspiracy to wipe out their competition.)

I think this entire interaction represents how well New Vegas uses skill checks. Barter, in RPGs, is often a very barebones skill. Its use is letting the player earn more and spend less - as part of an equation determining shop prices, or in dialogue options that boil down to asking for money. It's not uncommon for Speech to be the skill of the peaceful, benevolent diplomat, while Barter is for common mercenaries.

Here, though, the Barter options actually cost more than their Speech equivalents. The player ends up out of pocket for a sizable chunk of change or at least a lot of booze. Instead, the Barter skill represents the character's understanding of common business practices and relevant laws. It allows them to convince Cass to accept a deal by finding a loophole that benefits her more than if she refused.

The equivalent Speech options, meanwhile, are effectively free, but do involve making Cass feel that little bit worse. They emphasise what she's lost, how trapped she is by her circumstances, and convince her to give up and let the Crimson Caravan win. In the long run, this doesn't make a real difference - once she leaves the outpost, she and the player can discover the conspiracy and get their revenge either way - but I think the choice does let the player say something about their character.

Part of the brilliance of this game is how little details, like Cass being stuck at the outpost, tie into other details all across the story. Caravan traffic is halted, in part, because deathclaws have nested near the roads to the north. They've nested there because the local quarry has ceased operations - the noise caused by the digging and blasting had previously scared them off.

The quarry closed down because escaped convicts raided it and stole the workers' stash of mining explosives. The convicts escaped because the government was using them for forced labour on the railroads, and foolishly entrusted them with enough dynamite to stage an uprising, seize control of the prison, and turn it into a fortress and a base of operations for banditry.

Similarly, the threads of Cass's story spread outwards, ultimately affecting the entire future of New California. When she learns that the Crimson Caravan and their allies killed her friends, Cass is furious. She wants to march over there and beat the snot out of the people responsible. The player can convince her to instead settle things legally - get proof of their crimes, pass them on to Ranger Jackson, and hope the justice system gets revenge for her.

If Cass does things her way, the criminals pay with their lives, but their bosses end up better off for it. With their regional execs murdered, the trading companies can claim that the government isn't doing enough to protect them - so, they don't have to support the government's interests, either. They withdraw trade, demand special treatment, and end up making their shortfall everyone's problem.

If the legal option is pursued, though, the evidence becomes blackmail material. The government has the trading companies over a barrel, and that lets them pass stricter trade laws. Given the choice of accepting regulation or facing criminal investigation, the crooked execs choose to stay out of jail. Those responsible for the murders technically avoid justice, but their hopes of a monopoly are dashed - and their superiors are unlikely to be pleased with them having hurt long-term profits so badly.

Cass's story is political and economical all the way through. It's about the influence of wealth on government, and the fundamental injustices of the carceral system. It's about revenge, and reform, and how to hit people where it hurts - their bottom line. And it's about how, sometimes, skills in an RPG aren't about making numbers go up - they're about how a character understands the world around them, and how they can apply that understanding to help someone out of a jam, or help reshape the trade lines of a whole nation.

[gotham-daydreams]

Not Here

[Yandere! Platonic! Neglectful Batfam × Gender Neutral! Sibling Reader]

[Warnings: Mentions of neglect, Mild Yandere Behavior, Batfam being hella stupid.]

(Not really proofread. The birds and bats seeing that y'know- maybe not paying attention to people and neglecting them isn't a good thing. Chaos ensues. More of a development thing. Might be a little ooc?)

Tags: @bigcandlesmolbrain

Chapter 2 of this post. Chapter 3 Pt. 1, Pt. 2. [Series Masterlist]

๑۩۞۩๑—————————————————————๑۩۞۩๑

Bruce liked to think he was a good father, for anything that was worth. Or at the very least, a decent one.

He wasn't perfect by any means, but he felt like he raised his children the best he could, and had made them into responsible and diligent adults. Dick was a great example of this, and even if Damian was still growing up, Bruce had hope that he'd turn out to be good as well. The hardships his current Robin had to face would pay off in the end, Bruce was almost too sure of that.

Those he decided to take under his wing had their flaws, yes, but even if he didn't say it out loud or point it out often. He did believe that they were good at what they do, or at least were on the right path to becoming good vigilantes. Bruce couldn't help but be proud and prideful of where his children and sidekicks were, and could only look forward to how they would continue to develop as time went on. Despite their feelings towards him, and his own faults, mistakes, paranoia, and so on. Along with how he felt about them, and their flaws — he couldn't help but respect the people those in his little mess of a family where becoming, and turning out to be.

Or maybe he was both overestimating and underestimating himself, and the true effects he had on those he decided to look after.

Since, for a few days now, he felt like something was... off.

The Manor seemed quieter these days, and even if he couldn't remember a time where it was particularly loud, the detail felt misplaced to him. Sure, he hasn't hosted a gala or party in a while, but that didn't feel like it was the reason why the silence suddenly bothered him.

Bruce tried to think of all possible reasons, a little surprised himself that this feeling of his was bothering him so much, but the more he thought about it the more confused he became. There didn't seem to be a particular reason for this... and yet, just as he was about to put this feeling aside, he heard it.

["I, um, I was just wondering..."]

["Oh, uhh, that's quite alright! Oh, one moment please... oh! Second chorus... T'was brilling, and the slithy toves, did gyre and gimble in the wade..."]

It sounded like some sort of... play? Bruce wasn't too sure, but still decided to check it out regardless, wondering why something like that was playing in the first place.

So, allowing the sounds of the play to guide him, he continued on.

["Why- why you're a cat!"]

The voices grew louder as Bruce drew closer, interest peaked as he tried to recall and see of he knew this play. The lines sounding familiar, now that he was really listening to them.

["A Cheshire Cat. All mimsy were the borogoves..."]

Once Bruce rounded the corner he saw a... familiar face on the screen.

A student play was being filmed, and the play itself was Alice in Wonderland.

Whereas Bruce didn't recognize the actor for Alice, he did recognize the actor for the Cheshire Cat, but couldn't quite put his finger on it...

Was... was that...?

"Y/n?" He whispered your name, voice barely above a whisper.

No, it couldn't be. You didn't participate in any plays, and surely if you did he would've known about it. Even then, that didn't explain why he was seeing this now. The play itself had to have been a recording, since you looked so young...

How long ago did this take place?

["Oh, wait! Don't go, please!"]

["Very well. Third chorus..."]

["Oh no, no, no... thank you, but- but I just wanted to ask you which way I ought to go."]

["Well, that depends on where you want to get to."]

["Oh, it really doesn't matter... as long as I g-"]

["Then it really doesn't matter which way you go! Ah-hmm.... and the momeraths outgrabe..."]

Bruce was staring so intensely at the screen that he hardly noticed how the lines and voices faded into the background. His focus centered on you, disbelief gnawing at the back of his head.

He had never seen you smile like that before, not during all the times he's seen you anyway. Even if those moments themselves were small and short from what he could remember, the smile you wore during your performance felt... new in a way. Like something he hadn't seen before — not on your face anyway. Though that wasn't the only thing that made Bruce feel weird as he watched the play.

It wasn't anything to do with your acting skills. They were fine for the most part — and honestly considering the age you probably were during the time of the play, they might've been above average, or even a little higher than that. Not even the girl who played Alice, who also did relatively well, was the source of this odd feeling.

It wasn't the costumes or the set up, or even the lighting, and how he could faintly see the silhouette of other actors and such just behind the curtain, because of the camera angle. No, it hardly had anything to do with anything like that, but, how should he put this...

... How come he didn't know about this? How come he wasn't aware of this play before? Let alone that they had a recording of it, and that you were even a part of it... but Bruce still felt bothered by this whole realization because, well.

Why didn't you tell him about this?

"Master Bruce?"

The sudden voice snapped Bruce out of whatever trance he was stuck in, as he whipped his head around to face the source of it.

He huffed softly, "Oh, hey Alfred." Bruce greeted calmly, acting as if the butler hadn't caught him off guard.

Alred couldn't help but raise a brow at that.

Almost in a silent, embarrassed way, Bruce glanced off to the side only to notice that the recording was still playing, and so he decided to ask about it. Since, if someone knew anything about anyone in this Manor, it would be Alfred.

"Say... what's this playing on the TV?"

"It's a recording of one of Master Y/n's plays, Master Bruce." Alfred answered simply, almost as if it was common knowledge. "Apologies if it's too loud, I decided to play it while cleaning. I can change it or turn it down if you'd like."

"No, no it's fine... but since when has Y/n acted in plays? I don't remember hearing about this." Bruce stated, confusion growing as another emotion began to swell in his chest. One he was all too familiar with, but ignored for the moment.

"Since middle school, if I recall correctly, but it was only while they were younger. Having only been in three school plays in total, I believe." Alfred moved closer to Bruce as he looked at the screen, eyes softening for a moment as he watched you move along the stage. You had grown up so much since then, and the stage fright you used to have felt like nothing more but a faint memory now.

You wouldn't believe how incredibly proud of you he is.

"It's a shame they didn't do any more afterwards, since it would've been nice to have a few more recordings of their performances, but I suppose that's what happens when you find a new passion." He looked back at Bruce. That previous softness in his gaze nowhere to be found.

There was a certain way how his eyes looked at the billionaire, as if expecting something. As if expecting this.

Alfred had higher hopes, but you had left for a reason. Even if he knew what that reason was, it was only now did he see it more clearly. Especially as he witnessed Bruce's face shift into one of shock and surprise.

"They've always told you, Master Bruce, but you're schedule has just always been too full." Alfred handed Bruce a piece of paper, and Bruce took it wordlessly, looking it over.

It was a flyer promoting a play — the Alice in Wonderland play that was still going in the background — with the dates and times listed below, along with some of the cast members. Your name stuck out like a sour thumb compared to the rest.

Bruce did remember seeing this before, but one thing did still confuse him as he looked back at Alfred.

"I'm pretty sure you gave this to me at the time, not Y/n."

"That I did, sir, but that was only because Master Y/n was having some trouble with catching you attention, because they had wanted to give you the flyer themself. So I offered to give it to you for them." Alfred replied truthfully, cleaning up a little more while he was at it, and leaving Bruce to his thoughts for the moment.

He didn't remember you trying to catch his attention... but if what Alfred says is true then that makes sense, even if it made Bruce feel bad in a way. The feeling growing a little more when he realized something Alfred had said.

"And this happened all three times?"

"You sound surprised, Master Bruce."

Bruce ran a hand through his hair, eyes pinned on the flyer as he pressed his pursed into a thin line. Countless thoughts floated around in his head, all of them jumbled up and messy as he just didn't know what to make of this. Missing one was probably fine, and maybe two at a push, but all three? How could he have missed every single one?

Sure he was busy, but he didn't think it was this bad. Did he just forget? How did he not notice such a thing had slipped right past him?

All Bruce could do was sigh. There was nothing he could do about it now, and even if there was a way to make it up to you, he didn't know where to start, or if that would change anything to begin with. Besides, he didn't even know how long it's been since these performances had happened.

...

Wait a minute-

"Alfred, how long ago was this?"

Alfred just looked at Bruce, brows just barely creased before he took a breath of his own.

"A few years ago, sir."

What?

At the look of disbelief on Bruce's face, Alfred could only stand and straighten himself out as he calmly asked, "How old do you think Master Y/n is, sir?"

"Oh, well, they're..."

... Bruce couldn't even think of an answer.

Obviously you had to be in highschool since it had been years since you've performed in a play, with the Alice in Wonderland play being one of them, but how old were you exactly? What year were you in? Were you a sophomore? Junior? Surely you weren't a freshman, but even then — what high school did you even go to? Bruce didn't think you were home schooled, or else he'd definitely notice that... or would he?

Oh no.

What if you already graduated? What if you already had gone and done something that not even Alfred knew about? Did you have a job? Where would you even work? Were you already in college? What college would you even go to? Did you manage to get a scholarship? What would be you major? Where would you be studying? Would you even stay in Gotham? Were you even old enough to be out on your own? Could you even drink yet? Could you drive? Did you own a car? Or even a motor bike? When was your birthday? Did it already pass? What's the month? The day? The year?

How old are you?

"I... I think I'm going to go and just check up on them." Bruce couldn't answer, and while he had a vauge idea. That's all it was, an idea. So he moved the subject along, and made his way up the stairs, leaving Alfred behind. Just watching as the world's greatest detective left the room, all because he couldn't figure out the age of one of his own kids. One he had chosen to take in and watch over like all the rest, and yet left behind all the same in the process.

Alfred could only sigh to himself as he paused the recording of the play. Ejecting the disc and putting it in its respective case, and placing it in its usual spot.

This was the only way, he decided. This was the only way.

--------------

Bruce didn't feel much better by the time he reached your room. It took him mistakenly stumbling into two guest rooms before he finally reached it, and honestly he felt more regret over that alone.

Most of this time he hardly remembered that the room before him now was even occupied, let alone that you had claimed it as yours. What didn't help was that it was only now that he remembered introducing this space as your own, and yet he had forgotten that small detail so quickly.

Regardless, Bruce just pushed that all to the side as he knocked on the door, taking in a breath.

"Y/n?" He called out, only to get no respose. So he tried knocking again, but he still got nothing.

Sure, he was getting a little confused, but just pushed that to the side with everything else, as he stared down at the door knob.

... Should he?

He had to talk with you eventually, especially considering what he just figured out and how little he actually knew about you. He needed to talk with you. He couldn't just let this slide, not with what he knew now. He couldn't. He wouldn't.

So, be tried the knob, and was kind of surprised that it was unlocked. Though besides that little strange detail, he gently pushed the door open, and took a peak inside.

Oh. You weren't even here...

Bruce didn't know how to feel about that.

Regardless of that, however, he opened up the door a little wider, and stepped inside. What he saw only made him more confused, but also feel so much worse when he looked all over the room. How could this be...?

Various things were on your desk, shelves, and hung on the walls. Your room looked surprisingly clean, but honestly Bruce doesn't know what he was expecting. After all, he didn't even know your exact age or hardly anything about you, and even then — by the looks of things, he had missed out on so much more than he originally thought.

Trophies, awards, medals, and certificates were littered about your room. The very sight of them made the paper in Bruce's hands feel so much heavier, and yet he still held onto it as he further inspected the awards, and few pictures hung on your walls.

Every color was here, from bronze to silver to gold, and at some point it seemed you were able to get a consistent amount of silvers and gold. The awards themselves were from various events and activities that barely corresponded with each other. From fencing to swimming, and dance to pottery. From track and field to literacy, and gymnastics to cooking.

It was like you had tried to do so much of everything, and were trying to collect all of these awards from all of these different activities, rather than earn them because you deserved it for all your hard work and dedication to do that particular activity, but Bruce just couldn't understand why. Why go through all of the effort just to move on to the next thing? It... didn't make sense.

Right next to you black belt for martial arts, you had hung up the few medals you had gotten from track, and right below that were some awards you had for gymnastics. Beside your soccer trophies you had some kind of art award, and beside that was more awards and things you had received from playing and participating in other sports and activities. Bruce had no idea you were even into some of these things, but just from looking at your room, he could tell you weren't all that into or interested in some of the activities you did. Seeing as some activities and such had more awards when compared to others, but one thing in particular seemed to really catch your interest.

Music.

Not only did you have a whole wall and section of your room dedicated to it, but it felt more organized, and the placement of awards and such seemed more thought out in a way.

Countless awards littered the wall, and from the placement alone he knew you were proud of them. The pictures hung on the wall showed you shaking someone's hand as you either held up an award or album cover. You smiled, and Bruce could see how genuine it was as he felt like he could feel your happiness radiate off the photo itself. The people you were shaking hands with looked pretty happy themselves, and Bruce was a little surprised that he recognized them, but that made him feel more conflicted.

The people in those photos with you, were famous, and you had gotten those opportunities to meet them and shake their hand all by yourself.

All of these awards — they were only the finishing products of what you had spent all of your time doing. They were only small glimpses into the person you truly were, and as Bruce looked at the records you had hung on the wall, he could feel his own regret spilling out of his bleeding heart.

He wish he was there with you.

He wish that he had been there to see you even get half of these rewards that you undoubtedly deserved. He wish he got to hear the music you played, and what kind of songs you wrote. He wish he had been there to see you go on, and work your way up, with him being there as your support, and yet...

He had missed everything.

From the plays, to the matches you had, to the games you played in and competitions you participated in, and how could he forget your performances that even earned you such big, important awards. Awards that probably meant so much to you, because of how far it showed you had grown.

Bruce missed it all. Every little thing.

... He had to find you.

No if's or but's this time. No more excuses. He had to find you. Bruce needed to.

So he did a more thorough search of your room. Finally placing the flyer down on your desk as he looked around. He checked your closet, your bed, even under the picture frames, and moved some of the awards around, in order to better check and search for anything. Any hint that could point to where you had gone, and or where you might be. Any clue, any thing that could tell him about you.

He even made sure to take a mental note of the people in the photos, just in case he had to reach out to them and ask if they knew where you were by some off chance. Though that was only if Bruce was convinced that you weren't even in the Manor, and getting some extra information on you never hurt anyway. Seeing as he had a lot of catching up to do.

As he searched, he ran into various things. From equipment, art pieces — most of which were unfinished — and old notes, to other random items. Like an airsoft gun, some glass beakers, various ties, a pair of shades, a glasses frame, and a sewing kit next to a first-aid kit? Bruce didn't want to think about how the first-aid kit both looked used, and was empty.

Bruce even stumbled upon a fancy looking tuxedo he didn't remember buying you at all, but a small tag caught his eye and-

Oh, it was a gift from someone else, and with the note you left behind the tag — most likely with the intention of giving the tuxedo back — it was safe to assume that you and this person knew each other quite well...

Bruce just put the tux back. He would've gotten you a better one anyway if you had just asked, or if he even knew you needed one in the first place. Though regardless of that, he kept looking.

Eventually, he looked under your bed, and found a single box under there. Undisturbed... sitting innocently in the darkness.

Bruce didn't waste much time as he reached out and grabbed it, and placed it on your bed. There was a thin layer of dust on top of it, which Bruce found a little strange but kept in mind as he opened the box and looked inside. There, he saw a variety of notebooks and papers, and from the looks of things, the items in here had been collecting a bit of dust too...

When was the last time you touched these?

It seemed a little strange that these were tucked away from everything else, and clearly you didn't want other people going through it or even seeing them since you kept it so out of view. Were they diaries? Bruce would rather learn anything personal about you from yourself, he didn't want to go through your things like this, but considering the situation...

He sighed, and just picked up a random notebook. If this could help him find you, then so be it. He didn't want to do this but he couldn't leave you alone either. Not again.

Yet, he was so focused on looking through your things that he didn't even realize that someone had passed by, and noticed the odd room Bruce was in. A room that they themselves haven't seen before.

"Woah, what's this place? An old childhood room or something?" Dick asked as he invited himself into the room, mindlessly looking around, not really paying attention to anything in particular as he waltzed around.

"It's Y/n's room." Bruce stated bluntly, still looking over the dusty notebooks in the box. Some simply labeled 'Notes' or 'Practice', while one in particular was called 'Ideas/List & Progress' with little drawn sparkles around it. Another two weren't labeled with titles or words, and instead with small music notes doodled onto the cover in your favorite color. Though Bruce didn't know the color was your favorite.

Nevertheless, Bruce decided to look through one of the notebooks with music notes on it, completely missing how Dick had froze, and turned to look at him as if he was crazy.

"What? You've got to be kidding, right?" Bruce just gestured to one of the records on the wall, flipping through the notebook in his hand as he read through it quickly but carefully.

Dick, still not entirely convinced and honestly just really confused, looked at one of the records Bruce had gestured towards, and felt like he had just gotten ran over by a truck with how hard reality hit him. There your name was, signed and everything, with a well-known producer listened as well.

His eyes even darted to the other records, only to find the same thing, and for just one final check, he looked at one of the awards on the wall.

Your name was engraved on it.

"Holy-" He covered his mouth, more than shocked as he looked around the room again, hand falling from his face, "but that means-" Now Dick was paying more attention to the room, moving from one thing to another as he looked over everything now.

"How did they- there's no way they did all of this? And- what. They even did gymnastics?!" To say that Dick was in absolute disbelief and shock was an understatement. Yet he hardly had any time to recover or process anything as another person popped into the room, albeit only temporarily.

"I'm afraid it is quite possible, Master Dick." Alfred spoke up, catching the attention of the oldest sibling as he moved into the room, and set a stack of papers on your desk, right next to the flyer Bruce had set down.

Confused and curious, Dick looked at the stack once Alfred had pulled away from it, and picked up the first paper.

It was another flyer, but this time for some kind of solo event or concert you'd be doing. The date written down was a few days ago... a week or so having already passed since then, but how could this be?

Dick hesitated, but took another one as he looked it over. Again, it was for some kind of concert or performance, but the date and time was further away. Three weeks to a month having passed since, but how did they not notice? Didn't you say anything? Why didn't you tell them?

"This doesn't make any sense... why didn't Y/n tell us about any of these things?" He asked, mostly to himself as he continued to look through the various flyers.

"Why don't you tell me, Master Dick?" Alfred quipped, looking at Dick in a knowing way before stepping out of the room, "Now, I'll be heading off, but I do trust that both of you make the right choice this time around." With that, he simply left. Leaving Dick confused but feeling worse at the same time as he looked back at the flyers, mind racing until he spotted something.

Carfully, Dick pulled out another flyer out of the pile as he placed the others to the side. He recognized this one, but where had he seen it before? Was it...

... Oh god.

Dick whipped out his phone and checked his messages. He had to scroll down a bit, but he quickly found your contact and tapped on it. He flipped through your messages, hundreds upon thousands of which he never responded to, and even if that alone made he feel bad. When he found what he was looking for, he felt even worse.

He found a message of you sending him a photo of the flyer, and said how you hoped you'd see him there. The message itself had been sent almost a year ago, and as he looked back at the flyer, he didn't know how to feel. Yet he kept looking, especially as he spotted another familiar poster.

Some of them he was able to connect back to another message you had sent, and the further back he went the more he responded... but it wasn't much, and he seemed to leave you on read more times than not. He had made an effort, but clearly it wasn't enough.

Dick couldn't imagine how that must've felt for you, and he almost didn't want to. Yet he still continued to search through the flyers, and came across one he had an odd memory of. He did remember seeing a text for it, but also remembered hearing about it somehow? He wasn't too sure, but just incase he did decide to look through his voicemail. He didn't know what he'd find, but he decided to just have a little look, even if he wasn't sure he'd even find anything.

So, he matched the date of the message and scrolled until he found it.

The voicemail innocently stared at him, and Dick couldn't help but hesitate before he tapped on it, and let it play. Heart already heavy as he stared down at the flyer. The kind of look someone gave when they already knew it was too late, and Dick didn't know what was worse. The fact that he basically missed out on your entire life at this point, or that he had nothing to say for it besides that he was sorry, and had just forgotten about these things one too many times.

["Hey, Dick! I, um, I hope everything is going well and that patrol hasn't been too bad." Your voice wavered as you spoke. You were clearly nervous but you tried to push on anyway, and cleared your throat before you tried again.]

["How are you, though? I heard that you had a rough night the other day- and I know I'm not really into all this crime-fighting stuff like everyone else but... I just hope you're okay, y'know?" You chuckled nervously before you cleared your throat again, "An-anyway, um, yeah. I just- hope you're okay." The sound of a paper being fiddled with could be heard, and you took in a small breath.]

["So... I have this performance I'll be doing next Saturday- it's more of a competition really, since other musicians and stuff will be there too. It's at 7 o'clock, and I know you guys mostly work at night and everything- but if you could drop by or even just quickly come around at 8:15 that would be great! Since, um, that's when I'll be performing..."]

Dick looked at awards you hung on the wall as the voicemall continued to play. Based on the date of the performance he was able to find the award. You had gotten second place.

["It's um, it's a piece I wrote that's a tribute to your family- the Flying Graysons, that is, since we're allowed to play songs we wrote if they were approved beforehand, and it was! So, um, I really hope you don't mind. Your family is cool! Not that Bruce and everyone else isn't or anything- um, I'm going to stop talking about that before I say something stupid. But! I couldn't help but feel inspired so I, y'know-" you cleared your throat again. Clearly nervous.]

["Sorry for my rambling- but, yeah. You can pass by if you want or have the time, and it's right by that one place Bruce had that whole charity announcement on Monday. You can't miss it, there will be lights and all this other stuff- not to mention that it'll probably be loud considering things, but uh, yeah."]

["So if you think you can make it or pass by, it's at 7! Next Saturday! And if you can't make it by then, I play at 8:15! So, yeah. Remember that! If- if you want to. Hope to see you there! And if I don't, that's okay. I just hope you enjoy the piece if you hear it. Have a good night! Or-! Or day! Whenever you listen this- um, bye!"]

What? You had wrote a song for him? For his parents? For them?

Dick's heart swelled. He didn't even get to hear it either, he wasn't able to. He didn't have time, and he forgot, but that didn't make things better, did it?

You had gone through all of that effort, and not only made a song for him but even played it during a competition and got second place. Yet he couldn't even put a few minutes to the side to listen to it. He didn't.

Now Dick definitely felt awful.

However, he did notice that there was another voicemail left by you just a few minutes after the last one. So, he decided to play that too before his guilt and regret could fully settle in, as if it'd make him feel better somehow.

["8:45! IT'S 8:45! THAT'S WHEN I PLAY! NOT- Not 8:15, sorry! I mixed up the times- that's when a friend of mine plays, not me! Sorry! Uh, but yeah. I play at 8:45- stop by if you can! I hope to see you then! Buh-bye!"]

Okay, well, Dick officially felt worse now. So much worse.

You had all this character and personality, and yet he was never able to fully see it — to hear it like he has now. Not like this, not while he was paying attention.

Your voice was so much different than what he remembered, and despite your nerves you really tried to tell him because you hoped he'd be there. You tried to tell him in hopes he'd actually show up, and he never did. Even as he listened to your other voice messages, he could hear how his own actions, or lack thereof, were affecting you.

The messages grew shorter, more to the point, and while you did still sound enthusiastic — it's like he could hear the hope dying in your voice. The hope that'd he show up. That any effort would be made, but that didn't happen, and it didn't help that Dick was listening to some of the voicemails he was going through right now, for the first time.

He could only imagine the pain he caused you, and Bruce was thinking the same thing.

Bruce was still looking through your notebooks as Dick was regretting everything he had done to you in the past.

The notebook Bruce was reading now was one where you had written down majority of your more recent song ideas, along with things you wanted to try and melodies you were trying to mix together. It was mostly full of lyrics and small notes to yourself about certain things you wanted to keep in mind, and though there was a lot of things crossed out, Bruce couldn't help but be... charmed in a strange way.

How you talked to yourself was adorable, and seeing your excitement for your own performances and such through each word you wrote, just made Bruce feel so happy for you. He could almost picture your smile and how giddy you felt when you were writing some of these things down, or how focused you were when trying to figure out how to continue the chorus of a song you were making — or if there should even be lyrics to begin with. Along with how you wanted the song itself to sound, and what emotions you wanted to capture in it.

With each page turned it's like he could see the entire process you went through when it came to your song composition. Like he was almost there with you in the moment, watching you do your thing, and honestly? Just by that alone he couldn't help but grow... softer.

Bruce loved seeing how your mind worked when it came to music, and your thought process behind each and every little thing. He just... he felt like through each line and little note he read and looked over, he was falling in love. The kind of love that he couldn't quite describe, besides just the love only a father could feel when they really see their child for who they are for the first time. The kind of love Bruce hadn't felt in a long while, nor this intensely.

You were so creative and passionate, so driven to achieve your dream and do what you loved. You were just so... you, and there was just something about the way you expressed that in the notebook that felt charming. The deeper Bruce got into the notebook, the harder it was to not love you, and each time he saw one of your little notes, he could feel himself smiling. You were so precious, how could he not see that before?

Though, besides all of that, he did notice a small pattern.

Every performance you had, you mentioned in the notebook and would express your feelings about it, and every time you did — you'd write something beneath it. Just a small paragraph about certain hopes you had. Hopes that made Bruce's heart squeeze tighter.

It was you hoping that they'd get to see you perform, that they'd show up, and suddenly Bruce was reminded of why he was doing this in the first place. So, he started to flip through your book, shaking out of whatever trance he was in.

With each performance that passed, the little paragraph got shorter, smaller, simpler. Like a quiet prayer that was dying down, as the believer slowly lost their hope and faith. It even came to a point where only one sentence was written for a while.

"I hope I see one of them."

Bruce's heart broke a little more each and every time he saw it, but the page that really got to him was when the sentence was smudged, small wrinkles and creases were on the page, and you couldn’t even finish writing the sentence as the end of the 'e' in 'them' dragged out.

What didn't help was when he flipped a few more pages, and found the last performance you had written about. It was a few months ago, but the date didn't immediately catch Bruce's eye. No, no, no, what caught his attention at first was the change of that single sentence.

"I hope the audience enjoys it."

His heart shattered at that, smile fading as he took in a breath. A moment passed, with Bruce just stating at the writing. Wishing for the impossible, and to change things that had already been done. It was too late, but he somehow refused to believe that now.

Finally, he noticed the date and paused.

That... couldn't be right. You used to write in this notebook all the time from what he could tell, why did you stop? Did something happen that day?

If months really have passed... then that would explain all the dust on the box and contents within it, but still, it didn't make sense. Weren't you still here in the Manor? Bruce honestly couldn't think of why'd you would stop writing unless you somehow couldn't reach the notebook, but you couldn’t have left, right? Surely, above everything else, he would've notice that, right?

...

Bruce finally looked at Dick, seeing the oldest just staring at old flyers from various events and such you had participated in throughout your life. A life they never got to see.

"When was Y/n's last performance?" He asked bluntly, getting straight to the point.

Dick glanced at Bruce for a moment before looking back down at your desk. He moved some of the papers around before he found the most recent one and looked over to his father with a raised brow.

"About a week ago, why?"

Bruce looked back down at the notebook in his hand, eyes scanning over the date again before he closed it. Looking back at Dick, he asked another question.

"Have you seen Y/n around?"

Dick grew quiet at that, and after a moment he just sighed and shook his head.

"No, I can't say I have." It was only then did he catch what Bruce may have been thinking, "You don't think they-"

"It's a possibility. We can't be too sure just yet," Bruce just wanted to hold onto his hope that you were still here, and even if the chance was small he was willing to take it. He didn't want to believe that they had pushed you so far away that you would not only consider leaving, but actually went ahead and did it. He wanted to be doubtful, but he couldn't rule out anything. Not yet.

"Just keep looking, I'll go ask the others." Bruce stated as he placed the notebook back in the box and headed out the room.

"Keep looking? For what?! Other events we missed? More ways we ignored them? Things they did without us?!"

To say Dick's guilt was eating away at him would be an understatement. It was practically devouring him at this point, and he could just barely take it.

Bruce paused at the doorframe, sighing as he looked back at Dick, "Any hints or clues to where they could be. Favorite spots they might frequent, places where their lessons were held, people they know, anything." He left him with that, causing Dick to just run a stressed hand through his hair as he took a breath.

Worry and regret heavily weighed down on him, but all he could do was carry it for now. He'd make it up to you somehow. He would, and he'd finally get to hear that song one way or another.

As Dick started his search, so did Bruce.

Bruce did a general search around the house, looking for anyone he came across while also trying to look for you. He thought that if he was lucky, he'd run into you. Even if the possibility was small, it could still happen — or he hoped so anyway.

Just this once, Bruce really hoped for the best.

Though, he did end up running into someone, even if it wasn't who he was looking for.

"Woah, someone looks serious. What's got your bat panties in a twist?" Jason asked, amused, "Actually, wait, don't tell me. I don't c-"

"Have you seen Y/n?" Bruce cut Jason off, getting straight to the point.

The sudden question confused Jason as he gave Bruce a weird look, some of his amusment still remaining but it began to die down a bit.

"No... why?"

Bruce took a breath, fingers twitching, "Do you know where they could be?"

"How the hell am I supposed to know?" Jason's own confusion began to take over, his amusement continuing to die down, "Seriously, did something happen? Why are you suddenly looking for them?"

Bruce took a moment, just looking at Jason before he sighed.

"When was the last time you saw them?"

"... A few days ago..." Jason glanced off to the side.

"Jason."

"Okay, okay! Fine. I don't fucking know! A few weeks ago? Maybe?!" He answered, getting agitated already. "I'm barely here enough as it is, how am I supposed to know where they are!"

Again, Bruce took in another breath, but there was something about it that Jason didn't like. Maybe he inhaled too sharply or deeply — Jason wasn't sure, but all he knew was that he wasn't going to like what Bruce was about to say.

"Dick hasn't seen them either."

"And that's supposed to be a surprise, how? He lives all the way in Bludhaven, of course he isn't going to see Y/n. 'Cause they live here-"

"I haven't seen them."

"..." That was a little more surprising, but just a little more. It still couldn’t mean anything... right?

"With all the shit you do, I would be surprised if you even saw them on a semi-regular basis." Jason crossed his arms, still not convinced — not entirely anyway. Yet Bruce could only exhale softly, the action bothering Jason even more.

"It's just a possibility. I'm trying to find them. Think you can help out?" Bruce clarified before asking. Additional help would definitely be great, especially because it meant that they could find you faster. He could find you faster.

"What makes you think I'm gonna do that?"

"Did know that Y/n wrote a song that's a tributed to you?"

"... What."

Bruce sighed, "You don't have to do it because I asked you to, or even because I want to find them. You can do it for yourself, Jason. But I'll leave that decision to you." Then, he just walked off to continue his search for you, and the other occupants of the Manor. Leaving Jason by himself, alone...

"That bitch-" Jason cursed under his breath as he walked off, deciding that he'll help look. Though only so he could ask you if Bruce was bullshiting him or not, and not for any other reason...

... Wait, you wrote songs? Like, actually?

Jason just shook his head, already upset enough as he shoved the thought to the side. When he found you he could ask, and how hard could that be? The Manor was only so big, and besides, you were just one person. He could probably find you before Bruce if he just looked in the right places, but the only thing now was finding those places...

Okay, so maybe he saw the problem, but still. This couldn't be too hard. You were the only one in the whole family who wasn't a vigilante, and so it was only about a matter of time.

Nevertheless, Jason began looking around as well, trying to figure out where he should look as he mindlessly checked every other room he came across. Where would you even go anyway? He'd probably check your room first but he figured that Bruce had already checked there, and it wasn't like Jason knew where your room even was. Though he just chalked that up to how infrequent his incredibly short visits were.

Still, he didn't even know where to start, and would rather avoid searching the entire Manor if he could. He tried to scratch his brain for anything but he just... had no idea.

Well, okay, he had one idea, but that was only because of one night. Even then he's still not sure it was you who he saw on the-

["Master Y/n? Are you alright?"]

Jason's thought process was cut off by a sudden voice. He immediately recognized it as Alfred's, and a realization hit him. Right! He should look for Alfred first, he'd know where you are. Alfred practically knew everything about everyone in the Manor, so he'd lnow something for sure.

So, he followed the sound until he stood in the doorway of one of the lounges. The television was on and playing some kind of recording, but Jason paid no mind to it.

Confused, Jason called out, "Alfred?"

When he didn't receive a response, he huffed as his eyes drifted to the television. What was playing, anyway?

You — a smaller, younger version of you — stood in a door way, looking out in the hall before turning back to the camera. Big, innocent eyes looking up. Looking at Jason.

You couldn't have been no older than eight or nine.

[You gave a little nod with a small hum, "I'm okay, Alfred. Just... waiting, like you said."]

A small, soft huff could be heard from the other end of the camera, and the camera moved to be placed down a counter of some kind. Which revealed Alfred to be the one having been recording everything so far.

["Yes, well. How about we do a little something while we wait, hm?" Alfred asked, moving a stool closer to the counter — moving the camera again to be placed on the kitchen isle this time.]

Ingredients and tools used for baking could be seem on the counter. The stool Alfred had place was next to where he was standing, and a good distance away from the stove.

[You looked at Alfred curiously, "What are we going to do?"]

["Oh, nothing too much, Master Y/n. But... I do require a bit of assistance baking this cake, that is if you'd like to help, of course." Alfred patted the top of the stool as he spoke, "Though you can always just watch, if you'd like."]

[You perked up at what Alfred said, climbing up onto the stool enthusiastically with a smile. "I wanna help!" You exclaimed, looking over the ingredients before looking back at Alfred, "But... what cake are we making?"]

[Alfred hummed, pretending to think before be looked back down at you, "Well, what kind of cake would you like, Master Y/n? It is your birthday after all."]

["Really?" When Alfred nodded, you gasped excitedly before suggesting your favorite flavor at the time.]

["Well then, let's get started, shall we?"]

From there, the rest of the recording was of you and Alfred baking. With Alfred helping you when he had to, and laughing lightly when you would inevitably make a mess.

Laughs and jokes were exchanged, and it was probably the happiest Jason has ever seen you... which made him feel weird in a way. He didn't like it, not one bit, and yet he continued to watch the old, wholesome memory play out before him.

Jason watched as you got a bit of flour on your nose and how Alfred wiped it off. He watched as while Alfred was deciding on the shape of the cake, you gathered all the different colors and types of sprinkles you could find, and was looking at a particular color of food coloring. How you nearly fell trying to grab the food coloring, and how Alfred just narrowly managed to catch you. How after that, Alfred visibly recovered from the near heart attack he had gotten from watching you fall, and just watched you add the food coloring to the frosting after you had thanked him for catching you, and apologized for falling.

... It got Jason thinking, if only a little bit.

He didn't know much about you, not really anyway. Even if his visits were few and far inbetween, not to mention incredibly short, someone would think that he'd catch onto a few things about you, or just generally have more interactions with you, but he didn't. All he really knew was that you knew how to play the violin really well, but that was assuming that who he saw that night really was you. Even if he doesn't know who else it'd be.

Jason still remembered that one occurrence despite how long it's been since then... but that was for a different time. He had to focus now, but he still couldn't help but watch the little version of you trying to frost the cake without being too messy, but failing miserably.

It did get him thinking about how many small moments he had missed with you, and just... how little time he had actually spent around you.

Obviously, you weren't a little kid anymore. After all, the last time he remembered seeing you — you were already a teenager. Though was that really a good thing? Jason did remember having some kind of interaction with you in the past... but it wasn't much of anything, and even then he probably forgot half of those moments. What definitely didn't help is that you both didn't have each other's phone numbers, and the only form of communication you had was seeing each other in person.

.... Okay, maybe this whole 'finding you' thing was definitely a lot harder than Jason had originally thought.

["... Are they going to come, Alfred?" You asked, sitting in front of the cake you and Alfred had just made together, looking up at the camera that Alfred was holding once again.]

[Alfred didn't respond right away, but did eventually say, "I'm afraid not, Master Y/n, but if you'd like we could wait a little longer."]

[You shook your head, looking at the cake before looking back at the camera, "It's okay. We can blow out the candles now, but..." you hesitated, looking down at the table, "could you... stay with me? Please?" You looked away, embrassed for asking but didn't take back what you said.]

[Again, a soft huff came from the other end of the camera. "Of course, Master Y/n."]

After a short happy birthday song, the camera was placed down on the table as Alfred cut the cake. It was only after Alfred had given both you and himself a slice did the footage cut out.

Nothing could describe the face you made when Alfred said that no one was coming. Just like how Jason couldn't even begin to describe what it made him feel.

Even when a new recording started, he could hardly pay attention to it as all he saw was your face staring up at the camera. Expression not necessarily sad or upset, but it was easily the most heartbreaking thing Jason had ever seen. A kid shouldn't have a face like that. You shouldn't have a face like that.

Jason was so lost in his thoughts that he didn't even notice Cassandra trying to get his attention, nor did he feel her even pull on his sleeve. All he could think of was you, sitting at that table all by yourself. Alone.

He just turned the other way, practically stomping down the hall as he looked straight ahead, glaring.

He had to find you. Now.

Cass, on the other hand, was just confused. Watching as Jason stormed off before looking back at the recording that was playing on the television. What about it had made Jason sp upset? She didn't know, but she was a bit curious.

Bruce had already confronted her and asked her where you were, and of course she didn't know either. He did mention something about how Damian was trying to help a little, which was a surprise in itself, and how Jason might be trying to search for you too, and had asked her if she could do the same. She agreed, of course, just wanting to help out, but having run into Jason just now? That was... odd. Especially when he suddenly stormed off like that, but that wasn't her main focus right now. She still had to-

["Are you still trying to record this, Alfred?"]

Wait... was that your voice?

Cassandra turned back to the television, only to see the camera pointed towards the floor.

["Of course, Master Y/n. Just give me one moment, I almost have the camera set up."]

Oh, Alfred was there too? What was going on?

[Light laughter was heard before you spoke again, "Here, let me help you."]

The camera began to move, and as it paned up, there you were. A soft smile on your face, shining colored hues looking at the camera as you made a few more adjustments before stepping away.

Now, you definitely looked like a teenager or young adult. Voice more matured and settled, almost calm in a way.

["There. That should be good, what do you think?" You asked Alfred, tilting your head to the side a bit, most likely looking at the butler.]

["I have to agree, Master Y/n. Everything should be working properly." Alfred then came into frame, moving towards the counter as you moved around the kitchen isle to follow him. "Now, what is it that you wanted to make this year?"]

["Oh! Right, well..." and you told him, already grabbing a few necessarily ingredients from around the kitchen.]

It wasn't long before the two of you started baking again, but this time around you were clearly more experienced than your younger self — not that Cass was aware of that anyway. You both did your own parts, working exceedingly well together as the conversation between the two of you was nothing but natural.

Cass never saw you talk so naturally, or even knew you could bake, but there were a lot of things she didn't know about you.

She could see that in the footage, you were really relaxed and happy. Almost at ease as you skillfully moved about, as if knowing the necessary steps to make what you were hoping to bake by heart, and how you navigated the kitchen made it look as if you almost knew it as well as Alfred did. It was almost refreshing to see you just be so... in tune with your surroundings, and Cass almost wished she had been there to see you bake for herself. Though she could settle watching footage of you bake for now.

Even if she didn't know why you were even baking in the first place until Alfred mentioned something about a gift for your Birthday, and how that led you to talking about some of the things your friends had given you.

This was... your birthday? Just you and Alfred?

That didn't feel right... but then again, she didn't even know when your birthday was to begin with — and now that she thinks about, had you ever celebrated Christmas with everyone? As a whole family?

... She wasn't sure.

["Are you certain that you don't want to wait, Master Y/n? You never know, someone could show up this time." Alfred asked, looking at you with slight concern.]

[You only smiled, "I'm sure. Besides, even if any of them did come, we both know that it'd be on accident." You laughed lightly to yourself, looking down at the pastry both you and Alfred had made together. "I doubt they even know when my birthday is, but that's okay." You looked back at Alfred, your smile still happy but... there was something off with it.]

["I've told you before, haven't I? You're all the company I need in this house. I'm happy just spending my birthdays like this with you." You took a piece of the pastry and ripped it off before holding it in the air, as if doing a toast, and held it toward Alfred. "So, happy birthday to me?"]

[Alfred sighed softly, but could only smile as he took his own piece of the pastry, copying your actions as he held the piece toward you, "Happy birthday, Master Y/n."]

The footage cut right after, and suddenly Cass found herself in a similar position that Jason had been in just a few moments ago. Just staring at the screen, unsure what to do with this new information, the weight on her chest growing.

Had you really spent every birthday like that? If so... then why didn't you tell anyone? Or had you tried, only for nothing to come of it?

The thought alone hurt, strangely enough, and all Cass wanted to do was... well. She wasn't sure.

She wanted to do so many things, and yet she didn't know if anything would work. Or if anything she could do would fix... well, anything at all.

She wanted to try your baking and... and celebrate a birthday with you. Or maybe she just felt obligated to do so after having seen the recording, but a big part of her did mean it. Especially because she didn't want you to feel alone or anything ever again, not after seeing the extent it went to. Though perhaps there was some irony in that thought that Cass failed to realize.

Regardless, Cass found herself walking off too. Completely missing the figure who turned off the television, and unplugged the camera from it that held all of the footage both her and Jason were shown.

Cass was practically speed walking as she checked the library — remembering have seen glimpses of you in there before — while Jason checked the music room, only for both to turn up equally empty. Yet they kept looking. Everyone did.

Dick tried calling and texting you while trying to see if there was anywhere you could be outside of the Manor. Tim ended up helping as he ran into Dick, and was basically locating and tracking down all the places you've been to with the help of your notebooks and awards in your room. All the while listening to some very earlier pieces you've wrote and played on the mp3 player he found in your box.

Bruce was still looking all over the Manor for you, each minute that passed making him more paranoid and worried. What started as a small possibility was growing into a certainty and he did not enjoy that at all. Damian had decided to search for Alfred, since it seemed like the smartest choice if they wanted to end this quickly. Yet when he did find Alfred and asked him where you were, it turned out that Alfred didn't know where you were either.

While yes, he did know some of the teachers and coaches you've had in the past, he didn't know where you were at this exact moment. How could that be? It was simple, really.

Alfred hadn't seen you in a while either, and once that little piece of information spread around the family... what followed after could only be described as chaos.

The Manor was practically flipped upside down as Bruce, Damian, Jason, and Cass searched for you. Not a single room went unchecked, and when they still came out empty handed, their own worries began to fuel each others.

Dick was the first one to suit up and head out, already calling Barbara as night fell on Gotham, with Tim beginning to suit up — yet Jason had beat him to the punch and was out the second the Manor was cleared. Cass was next to follow, with Bruce and Damian not following too far behind. Tim only left after informing Stephanie — and after downloading some of your songs — and telling Alfred to keep a look out just in case you came back home.

In just a few hours, what started as an unusually uneventful and calm, quiet day for the family, quickly turned into one of the most panicked induced searches and painful night of their lives.

All because of you.

---------

You were tuning your guitar calmly, tapping your foot to the melody playing in your head as you hummed. The silence surrounding you was peaceful for a chance, and didn't feel suffocating or as unnerving as the silence in the Manor did.

Honestly, it took a bit of getting used to but after a few weeks you had grown to love it. Waking up everyday and having someone there to not only greet you, but actually acknowledge you also took a bit of getting used to, but you managed much more easily with that.

Sure, there were other things as well, but you eased into it and had come to accept these small things as just parts of your new life. Yet, you still found yourself appreciating and noticing the smallest things, and almost crying over them too.

It had been a few months since you had left the Manor, and honestly you couldn't be happier.

You now shared an apartment with one of your closets friends, and your career helped you cover your half of the rent, as well as other expenses. You had truly found comfort with this new lifestyle, and even if you'd like to move out of Gotham one day — you could settle for this for now.

This, you believed, was what peace truly felt like.

Even when your phone started to go off like crazy — you just took one look at who it was and rolled your eyes, putting your phone on silent as you placed it face down on the table in front of you. You didn't know what Dick and Tim needed so badly, but you were sure they'd be able to figure it out themselves. After all, they were the sons of the world's greatest detective, right? They could handle themselves.

So you just leaned back into your couch, sighing softly as you mindlessly strummed away at your guitar, smiling a little to yourself when the tune was just right. Creating a melody came all too naturally to you, and all you did was carry it on — humming softly as countless ideas filled your head. A small song beginning to form, even if unintentionally.

A song that went on — with the suffering of Gotham going on in the background. The city being cleared out and searched by the vigilantes that dared to protect it, all of it being done just to look for one person. You.

The shouts and screams served as the base, with the shattering of glass and bones being the lower kick, perhaps. The heart beat serving as the tempo, and so on.

So, just as you had years ago, you played on. Calm and happy in your own little world, unaware of the horrors to come — and destruction being made in your name.

–––––

Well, that's long, isn't it?

Might be making a another post that kind of details what some of the others did before everything went to hell? We'll see. Maybe.

Sorry again for any mistakes, especially towards the halfway point/end there.

[starlight-storytime]

this except when Danny makes his comeback tour as Phantom so he can join this cute lil hero club, he doesn't force himself into the League through sheer eldritch power (even tho he could) - he wants to get recruited organically so he can pretend to be human for a couple decades. Being trapped in a fake ID would typically be awful and difficult for someone, but for the very bored Ghost King, it would be the most fun he's had in centuries, and Danny loves playing the chaotic trickster god.

So, Danny chooses a fucked up town in drastic need of some hero help to set up home base and creates a temporary fake identity (temporary, as in meant to last a couple decades, bc that's short to Danny). To fit his physical age, recent online high school graduate in his gap year before uni, Dante Nightingale! That's a hero name ain't it? (Dante from Dante's Inferno bc Danny thinks he's hilarious, Nightingale self explanatory) And with some liberal use of magic he's learned over the eons, gets ahold of fake records in his chosen city: Blüdhaven. A haven of blood? It's too perfect not to be the new hometown for the king of the dead, he can't resist it. Especially when one of the JL's premier members is right next door and a prime target to induct "newbie" hero Phantom.

He looks almost exactly like he used to, except with a cape, a small circlet of ice (the crown is semi sentient and demands to be present in his hero costume) and a domino mask, which seems to be the height of hero fashion in this universe. With so much shit going on in Gotham, Blüdhaven is overseen by pretty much only Nightwing, so Danny is certain there is plenty of corruption for him to destroy to make his debut. Acting human is a bit more difficult than he expected after years of everyone in his life knowing he's a halfa and then suddenly having it be a secret again, but he remembers to breathe at least half the time, which is pretty good covert ops in his book.

(Plus, civilians and heroes alike will literally never guess his real identity or origins on their own. Like, literally never, even if 'Dante Nightingale' was actively wooing a Bat and living in their mansion while simultaneously fighting with their hero personas as Phantom. Who would guess Civilian Dante is not just a hero, but half dead, has a magical girl transformation, is way more powerful than he seems, is from another universe, is way older than he seems, AND is King of the Infinite Realms? No one. The detectives would deduct he's a powerful meta who dabbles in death magic at their wildest imagination, and that's if Bruce is in the mood to acknowledge magic is real.)

Idea: Danny, as Ghost King, has now lived for millennia. He’s seen civilizations rise and fall, stars collapse and solar systems be eaten by black holes. Despite this, he stopped maturing at 20. As a result, he gets bored easily, especially since he found a way to restructure the Infinite Realms to be a lot less reliant on one person.

So he explores. Perhaps he’s seen everything from his dimension, but what about others? In what ways could they be different? So he looks. Sometimes, there is no Earth. Sometimes it’s completely different. Sometimes it’s exactly the same. He just left one that was completely futuristic, but this new one? It had heroes.

Heroes! Just like he was, once! Oh, that brings him back. They’re so cute, so small, but- No, no, just because he’s stronger than them doesn’t mean they’re weak. Actually, it’s quite impressive how much they manage to accomplish. They even have their own little group dedicated to saving the world from what they deem threats.

Maybe Danny could join. It’s been a long time since he’s had a vacation. It would be fun. Plus, who would say no to more help?

(The Justice League was in a panic. Every single member who was magically inclined felt something arrive, something that felt like death and life and balance and strength all at once. It would feel safe if it wasn’t strong enough to practically suffocate them. No, they needed to plan, so that this wouldn’t end up a possible Darkseid scenario.)

[helluvapoison]

Hey hey !

Can I request a part 2 of Adam and Lucifer being romantic rivals ? Ending in a threesome maybe ? I'm dying to read an Adam x reader x Lucifer smut lmao

I'm sure they would still fight about who is pleasuring y/n better lol

Thanks ! And take this : 💐 !

three’s a crowd if you’re a coward

[i], [ii]

Adam x Reader x Lucifer (NSFW)

18+ /only beyond this point!

ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ

• Considering you had the two of them wrapped around your finger… this was destined to happen– and there was no lying your way out of this one, you wanted it to happen too

• They didn’t need to like each other. Just you, if they wanted it to work. Lord have mercy, did they ever

• “I don’t think he’ll be a problem for me,” Lucifer chuckles then drops a kiss on the back of your hand

Adam bristles, glaring at him with a tight smile as he grabs your other hand and kisses your wrist, “Yeah? You’ll be even less of a problem for me, shorty!”

• Like it never ended, which it didn’t, the rivalry and bickering started all over again. What one said, the other would counter placing kisses higher and higher up your arms

“This is exactly what I was worried abo–out!” Your voice jumped to a squeak when one of them, your guess was Adam, bit your neck, “That’s it! Both of you sit!”

• Simultaneously, they dropped to their knees on the ground and looked up at you. Not exactly what you had in mind but not a bad look for them either. Adam seemed a tad unsure of himself in this position, glancing Lucifer who was fidgeting and deliberately avoiding facing either of you

“For fucks sake,” Adam snickered, “don’t tell me you have a boner—“

“Shut it,” You snapped at him, “I’m serious, if you guys want this to work I cannot deal with anymore fighting! And-And no biting so high!”

You didn’t particularly care about the latter one way or the other, you were merely riding this power high

“So… bite lower?” Lucifer asks eagerly, his crimson eyes the size of pinpricks

• Destined, I tell you

• Reduced to a moaning disaster, Adam stood in front of you, cradling your jaw and rocking his dick into your drooling mouth. Every time your tongue swirled around the head of his cock, his hips would stutter and he’d push your limits, earning a swat to his thigh. He’d stutter out a, “s-sorry, babe,” and force himself still

• Lucifer was fairing no better. He came in you twice already, sobbing from overstimulation. How could he not!? Kneeling over him, bouncing on his cock while he dug his claws into your hips like a lifeline. “C-Can’t. Please, fuck, I can’t,” he whined against your skin

• You had no choice but to change positions for him. You were almost disappointed Lucifer had to tap out when he slithered underneath you and pulled your down onto his face. Forked tongue deep inside you, cleaning up the mess he made had you moaning around Adam’s dick

• “Shit, ‘m gonna cum—“

Lucifer pulled away just enough to let his snarky comment be heard, “So soon?”

“Motherf-f-fucker! Fuck, fuck fuck!”

• Desperate not to let Lucifer ruin his orgasm, Adam pulled your hair, effectively tugging you closer to him and away from the other. He grunted out many more swears amongst your name, filling your mouth with his load

• Lucifer would later declare he was acting selflessly, in your best interest when he guided you back onto his tongue and drove you over the edge a final time

• Adam fixed your hair and brought you water

• Lucifer took a damp rag and cleaned you up

• They both doted on you, delivered praise in their own ways, dressing you with clothes that didn’t match. Maybe they didn’t realize they were working together but it was possible! And that made you feel much, much better about your decision

• They absolutely bickered about who made you moan louder later as you slept between them. Lucifer snuggled into your chest while Adam brought you into his, keeping an arm around your waist

~

╰(*´︶`*)╯♡ UNO REVERSO! TAKE THIS 🍫 because you’re so sweet! enjoy!

[sunderwight]

Crack SVSSS Mpreg AU where when Shen Yuan transmigrates in, the system impregnates him with the displaced soul of the original Shen Qingqiu.

For the purposes of this AU, we'll say that male pregnancies or trans men being pregnant in the PIDW universe are uncommon but not especially noteworthy concepts.

So now not only does he have to deal with recovering from his qi deviation and of course being pressed into the role of the scum villain from the novel he was just reading, he's also mysteriously knocked up, can't explain it, and doesn't even know for sure if the baby will recollect being Shen Jiu when its born -- and of course hate him for stealing the Shen Qingqiu life.

What's more, Shen Yuan can't bring himself to get rid of it, because he does have mixed feelings about stealing Shen Jiu's life as well. Even though he knows it's probably the best tactical move, and he doesn't even like Shen Jiu, and the system has said there wouldn't be any penalties because it wouldn't impact the major important plot milestones, he opts to just... keep it. And not think too hard about it.

Luckily(?) cultivators have a lot of control over their bodies, which means a pregnancy can last however long they want it to, so Shen Yuan doesn't have to worry about giving birth in a hurry. SJ seems fine in utero, stalling his development doesn't have adverse effects, so Shen Yuan just swears Mu Qingfang to secrecy and figures out how to keep his pregnancy at the early stages for as long as possible while he hashes everything else out. So apart from internal freak-outs, most of the early plot proceeds as usual.

Unluckily(?), this state of affairs changes when Shen Qingqiu gets infected with Without-a-Cure, as that makes it so that putting off the inevitable is no longer a viable course of action. He can't spare the extra energy and doesn't have the stability of cultivation required to mess around with his pregnancy anymore, so things have to proceed at a more normal rate.

Which means the other peak lords and the disciples on Qing Jing find out that Shen Qingqiu has been harboring a secret pregnancy for an undetermined length of time. Shen Yuan has to bite the bullet and use the amnesia excuse to explain his lack of insight to the existence of any other parents (he's surprised it works so well, because he doesn't know that the rest of the sect has already figured out he doesn't remember some things after his fever), which inspires a lot of behind-the-scenes chaos because everyone has ALSO figured out that Shen Qingqiu's amnesia seems to pertain to things that must have traumatized him in the past.

So if he's pregnant, and he lost his memories of how he got that way...

Well. Cang Qiong is now on the hunt for an attacker who might already be dead and doesn't actually exist.

But everyone agrees that Shen Qingqiu doesn't need to be troubled by these details, so if he's okay with not remembering, then they're okay with letting him not remember. The only one who tries to bring it up is Liu Qingge, and that's mostly in the context of wanting clues so he can track down the culprit and stab them until they are dead.

Luo Binghe supports the quest to find the persona responsible and violently murder them, but as a disciple he has no resources to actually go on some wild goose chase for a mystery rapist. Besides, he has more important things to do on the peak, like making Shizun's meals, keeping Shizun's house, and preparing to help raise Shizun's baby. Luo Binghe is not going to be the stepdad, he is going to be the dad who stepped up! (Binghe please cool your jets you're like fifteen you're going to give your future shizun whole new inner turmoil about whether it's possible to accidentally babytrap your own teenage disciple via immaculate conception reincarnation pregnancy...)

Anyway eventually baby SJ arrives, and Shen Yuan immediately decides to block all recollections of the childbirth process and never dwell on it again. Something happened, he's no longer going to think about it, oh look a baby! A potentially evil villain baby. With cute widdle toes and tiny fingers and a squished, grumpy baby face that gets all red when he cries...

Yeah. Despite his reservations, there's no way he's not getting attached.

He gets Binghe to help him pick out a name for the baby, partly because he feels terribly presumptuous when he actually knows this kid's real name (but he can hardly call his son "Shen Jiu"), partly to encourage Luo Binghe to have some fondness for the kid so that if he someday hates his old shizun, he might still spare his "son" from his revenge. Even though it's actually SJ's fault. Well, he's a baby now. He probably doesn't even remember anything! He sure does cry a lot! Would the OG villain cry and fuss and settle down only after being sufficiently cuddled?

Turns out, yes. Shen Jiu remembers everything from before his fatal qi deviation. He's just also still an infant. So what can he do but cry? And maybe pee on the beast and that body-stealing creature that has reduced him to this. He spends most of his early infancy waiting for someone to come smother him with a pillow, but the conspirators must want to keep him alive for some reason, because it doesn't happen. Instead he gets looked after and soothed and taken care of in a way he never has been. Also, his stupid baby instincts keep insisting that the creature which stole his body is actually the safest person in the whole world.

It's like a cruel joke. SJ finally gets the childhood he always wanted deep down inside, but the one giving it to him is some kind of monster.

[picturejasper20]

Another thing about Steven Universe as character (and the series) that has been mischaracterized over the course of the years and the source of a good chunk of discourse online is the relationship that Steven has with the Diamonds.

A lot of videos, posts and memes have spread around the idea that Steven went to Homeworld in the final arc of the series because he wanted to ¨be besties¨ with the Diamonds, when what happens in the actual show is very different.

In the episode "Legs from Here to Homeworld"-which takes place after the episode ¨Reunited¨ that Blue and Yellow Diamond find out that Rose Quartz was in fact Pink Diamond- Steven shows to Blue and Yellow one of the corrupted gems (Centipeetle) and helds them accountable for making a lot of gems end up this way and orders them to fix the mess they caused.

Steven: ¨Do it again! It was working!¨ Yellow Diamond: ¨How long do you expect us to hold her together?¨ Steven: ¨I don’t know. Forever! You did this! So you have to do something!¨

Seeing they need White Diamond to fix the corrupted gems, Steven thinks of going to gem Homeworld to see if he can talk to White about the corrupted gems and convince her to come to Earth and help them.

That's the main reason Steven goes to Homeworld- he doesn't like the Diamonds nor wants to be friends with them- he just wants to see if White Diamond can listen to him and help to heal the corrupted gems.

He is aware that the Diamonds listen to him because he himself is a Diamond-Pink Diamond. So he goes along with this little game pretending to be Pink thinking that way White Diamond and the others will listen to him. He believes that maybe as ¨Pink¨ he can make them see the errors of their ways and stop this mini war conflict that he has been caught on in the last few years.

Others have made more detailed analysis about this in the past, that a good part of this arc has a huge trans/queer metaphor for Steven's character- where he keeps being refered to and imposed an identity he doesn't see himself as. He gets called by the Diamonds and other homeworld gems as ¨Pink Diamond¨ and refered to as ¨She¨, when he often corrects and clarifies that he prefers to be called ¨Steven¨.

The final showdown against White Diamond is about this: White keeps trying to play mind games with Steven, making him believe that Pink/Rose is still alive in him and he is in fact Pink/Rose. Because Steven doesn't know this for certain, it proves to be effective for a while, making him feel very confused.

White believes that she is perfect in every way- it is what all her identity is about. She is obsessed with her own perfection so much that she doesn't allow herself to think that she has flaws nor she can't be wrong about something- and because she thinks she has to be perfect, that means that she is right about Pink Diamond still existing inside Steven.

The reality proves her wrong when she takes out Steven's gem and everyone sees that the gem part turns into Steven. As a way of metaphor to a trans allegory and self love, Steven sees that he has always been himself and he shouldn't let other people define what his identity should be, that only him should decide that.

So, in a way, the Diamonds Days arc is intended to be seen as a metaphor to a LGBT+ kid/teenager standing up against their relatives, grandmothers or aunts in this case- and prove them wrong about their identity, that they are what they are and their family can't change that.

Okay, so Steven proves the Diamonds that they are wrong, they change their minds and they help with healing the corrupted gems by the end of ¨Change Your Mind¨.

Does this means Steven becomes friends with them after this?

Well... no

In Steven Universe The Movie, during the song sequence ¨Lets Us Adore You¨ the Diamonds beg Steven to stay with them a bit longer because they miss having Pink around, Steven is seen very uncomfortable around them and wants to get out as quickly as possible to return to Earth.

He sees them as somewhat allies and tries to persuade them in different ways to improve the current situation on Homeworld but he doesn't seem to like them much and doesn't enjoy being around them even if they aren't acting antagonistic towards him anymore.

He has a similar reaction when they come to Earth near the end of the movie. He is very done with them and says that they staying to leave on Earth isn't a good idea on the long run. Instead he shows Spinel to them and Spinel sees this as an opportunity to make a new friend again.

Well, about SU Future? How does Steven feel about them in that series?

In Future is where Steven begins to show real strong PTSD trauma symptoms (something he has had for a while except it wasn't nearly as strong). He knows that he has a problem most of the show but he avoids going to ask the Diamonds for help because he just feels very uncomfortable around them and it reminds him of traumatic experiences he had with them in Diamonds Days arc.

He doesn't go to them until after he accidentally shatters Jasper in ¨Fragments¨ and sees himself as a monster because of this. He separates himself from the rest of the crystal gems, feeling like he is as terrible as the Diamonds were. In ¨Homeworld Bound¨ he interacts with the three Diamonds, asking them for any way they can help him with his powers.

Most of the episode he feels frustrated because A) He can't find a solution to his problem and B) Sees that the Diamonds and Spinel are doing pretty well and he has been getting worse. It makes him get more and more angry the more time he spends in there.

The scene that leaves pretty clear how he feels about them, specially White, is when he talks to White. As shown in the gif above, when White touches Steven near where his gem is, Steven pushes her hand off from him, clearly being reminded of the time White ripped his gem off him in ¨Change Your Mind¨.

White uses her powers so Steven can talk to own self. This leads to an iconic scene that Steven gets angry at himself and White. He has a very strong intrusive thought of crashing White's gem into a pillar for what she put him through. He gets shocked for this and makes him run away scared as result.

This scene leaves clear that Steven has a lot of buried resentment for what the Diamonds did to him, mainly White. Being around them reminds him of his trauma, it makes him deeply uncomfortable and he would rather avoid them as much as possible.

The Diamonds get concerned about Steven and show up during the events of ¨I Am My Monster¨ when Steven transforms into gem like monster. The Diamonds and Spinel blame themselves for Steven feeling this way because of their past actions. White feels it is her fault because of how she hurt Pink Diamond and this brought problems to Steven.

They help with calming Steven down and him returning to his human form. Now there is some argument to be said about why they took part of this hug aside from using their powers to help the gems. I have talked more about this in here but i think it is to represent Steven accepting himself as being part Diamond and maybe forgiving, realizing that he isn't an ¨irredeemable monster¨ because of what he did, that way he stops seeing himself as one and goes back to his normal form.

After this, it is a bit unclear where Steven stands his opinion on his relationship with the Diamonds. I would assume that it is probably not much different than it was before. He still doesn't like them and probably doesn't want to be around them even after all that happened.

In short: Steven sees the Diamonds as allies and post the events of ¨Change Your Mind¨ he shows to be uncomfortable being around them, he doesn't seem to like them and mostly prefers to avoid them. He is glad that they are changing their ways for the better but he would prefer to not interact with them if he doesn't have to due to his own trauma.

The Diamonds regret how they have hurt Steven (and Pink) and care about Steven but he thinks it is better for him to have a distant relationship with them for the reasons i discussed. They can still improve and make amends for everything they did and Steven doesn't have to feel forced to have a relationship with them if he doesn't want to.

There are other things that could be discussed, about how the Diamonds Days arcs should have been longer or how the Diamonds needed more screen time- However, the point of this post is talk about people have mischaracterized Steven's relationship with the Diamonds, saying Steven is best friends with them when in reality he doesn't like them and spends most of Future series avoiding them.

[romanoffsbish]

Trust in Me

Natasha Romanoff x F!R

Warnings: Insecurity (R)

Natasha wakes up to the surprise of her life—you were finally settling into your most suited role. | WC: 2,108

Smut: Dom / Sub Exploration | Mommy (R) | Nat’s a brat | CNC Somno (N) | Fingering (N) | Double-Ended Strap / Dick-Riding | Light Degradation

18+ | Minors DNI

Natasha smiled as consciousness tickled behind her eyes, her lids fluttered open as her thighs relaxed into the mattress, giving you even more space to feverishly lap away at her. This was a perfect fantasy fulfilled—completely unexpected but more than welcomed. The redheads cheeks warmed more than she'd ever thought possible and her heart burst with love and warmth for the trust you two have fostered into this connection.

—

To this moment where you surprised her with an act that was so incredibly intimate—one that required consent, and trust to which she'd given genuinely. Natasha had begged for this at one point but it took you time to believe her desire, and to trust her with yours. You made a promise to try but it'd been so long, she'd forgotten, which made it that much hotter to her.

Determined to see you at work she lifted her head but had to squint her freshly opened eyes, in protest to the sun rays trickling in through the slitted blinds. It was only her intention to observe you going at her like a starved animal, but she more so distracted you into pulling away. A bright smile lit up your face, yet she protested your forgoing her pleasure, but she hadn't much time to complain when your lips found hers.

It was rather brief, something else she wanted to protest but your fingers circled the skin of her hips and thighs, furthering her arousal as you trickled trails of her down her jaw and into the grooves of her chest. It was a painful reminder of the sticky mess you left her.

You suctioned your lips to her skin and grazed over the veins in her neck with your teeth, just as your fingers trailed up and down before spreading her lips open.

"Y-Y/N, please," she managed to croak as your finger pads teased her entrance, but never enough to truly please. "Shhh," you coo'd breathlessly into her ear, fingers pressing into her just enough to be felt, but not exactly firm enough to make her lose her composure. You weren't finished speaking, "you don't have to beg anymore baby," your fingers curled as they filled her fully in the same breath as, "I got you." She believed you, her entire body just shuddered beneath yours, but you just kept urging her on, "mommy's precious slut."

Natasha's eyes widened and you chuckled softly, "well fuck me, honey, you're soaked." Feeling the effect of your furthering subservience to her desires had you relish in the warmth of it all as her walls sucked you in deeper. The title had slipped from her lips so many times, but you'd never acknowledge it. You were always softer with her in those moments, so of course she knew you were struggling with feeling confident, or maybe just becoming comfortable with the identity.

Either way, she cherished you differently now that you'd stepped outside of your initial comfort for her pleasure. It wasn't toxic or anything, she just felt a shift and therefore the knot of need tightened within but her body didn't. She only melted further into the mattress and you left her bruising skin to kiss her briefly; sweet.

For a long while, you kept her on edge—words locked up tightly in your throat, but your deep grunts every time she occasionally twitched her thigh into your wet core were making her lose her grip. It was as if you didn't want any pleasure to derive from anything but delivering her own. A shiver ran down her spine at the sheer desire she felt coming from you and she thanked you with her nails scratching down your bare back.

"Let it go, baby," you hummed against her cheek, tongue softly tracing down the salty skin as your teeth gently nipped at her tense jaw, "cum on mommy's fingers like the needy slut we both know you to be."

Natasha's body arched, but you'd anticipated it quick enough to lean back and stabilize on your shins, you loved watching her fall apart like this—keeping up a strong pace even with the distraction of her beauty. Her pretty lips were parted when you met her wild gaze, as you slowly lowered you saw her chest stutter and a jolt of pride rang through you. With your free hand you applied pressure to her tense pelvis and wrapped your lips around her throbbing clit. "Mm."

The release was sweet, in every sense and in the aftermath of her high, you just could not bring yourself to stop from tongue fucking her into another orgasm. Natasha was in no rush to protest either, but then she came to a realization and yanked you up to face her.

"Y-you need relief," she rasped, tired but determined. You cupped her flushed face and sighed, "I'm okay." Even though you were the furthest thing from, not that you'd ever say so. So, she had to do it for both of you. "I'm not," she whined firmly, "I need more, mommy."

"I'll gladly clean you up," you grinned and attempted to return to the comfy space between her thighs. "No!"

You pouted and she nearly caved. "What do you want?"

Natasha thought for a short moment. "A kiss, please." Not a second later did you lay down atop of her with your lips on hers, the kiss was not sweet at all, you were turned on and knew she was aware so you slid your tongue in her mouth and let her thigh feel you. The redhead shoved you back slightly and you were confused until you saw her, eyes clouded with need.

You nodded and smiled in understanding as you stumbled off the mattress, letting Natasha dictate from the bed what toy she wanted to ride as she played with her tits just to taunt you. She eagerly chose the double ended, hot pink dildo with a surprise ending at the ready. Soon enough you took over, with your lips as you let her slide down on your cock. It was a moment for distraction, since it was an uncomfortable stretch.

"I love your perfect tits baby," you praised somewhat incoherently as you never stopped devouring them to speak clearly. Natasha smiled without your eyes on her but she quickly changed that when she pulled you into a kiss that made your stomach drop into a frenzy. A wildfire bloomed beneath your skin; you smiled back. Natasha began to rock her hips, making you lose your composure and moan timidly. "What else do you love?"

Your heart stuttered but your lips didn't, "everything."

There was an airiness to your tone, but Natasha took offense and scoffed, "that's cheap." You chuckled and gripped her hips, guiding her movements as you spoke, "slow down, sweetheart—let mommy finish, first." Her eyes darkened at the double entendres, she nodded so quickly that you couldn't help but to feel truly desired, especially as her tense fingers dug into your shoulders.

The pit in her stomach was slow to form and you both loved that most, the buildup before the glorious fall. Right now though, she was sensitive enough from her first few orgasms, which meant she wouldn't last too long, so her focus was purely on your demand to cum first. Meanwhile you're already in a near similar state—body always on the edge with Natasha around, it doesn't take much more than a look from her to have the fabric of your panties destroyed. Pleasing her is all you needed to cum and her knowing that was a power move she clung to, especially in moments like these, where she had you beneath her—at her harshest mercy.

Natasha softly rocked her hips as you spoke, or tried to she would later say, a smirk of deviance on her face as her powerful movements caused you to get caught up as you tried to stifle your moans enough to answer her. "I love the way you, the way that you, um—fuck, that you love me so—mmm." A quirked brow and slowed movement told you she was expecting more, so much more so you rushed to say, "I would be nothing without it, Natasha—your love is the only thing that keeps me going. You are reserved to the world, a purposefully dull presence, but to me you're a beacon of hope."

The thin portion of the dildo that was nestled against your g-spot shifted and tears slid down your cheeks, you were desperate to accept the nirvana her rocking hips were working to bring but you weren't finished. Nowhere close to it, honestly, but your core disagreed.

"I love the way you care for people without a word," you comment sincerely, "you order takeout on nights that you can tell Wanda's worn down—always stating that you wanted it, but I know you prefer homemade."

Natasha blushed at your catch, but she said nothing, letting her eyes plead with you for more reassurance instead, as if she needed you to remind her that she wasn't a monster. A part of you broke seeing her this way because to you, the woman was a faultless angel.

"I love the curve of your lips whenever someone says or does something funny," you shyly state, not entirely comfortable admitting your naivety, "it lets me know to laugh too, because I trust you to know what's funny."

Natasha giggled softly, you could not only hear but see the emotion behind the act as she locked eyes with you. The humor was gone almost as quickly as it had come, the both of you breathing heavier as you kept moving your bodies in perfect sync, overcome by a deep need.

"I-I love the way you lead with patience," your lips sloppily met hers, a clear sign that you were that much closer to your release. "You've come so far, Tasha, and I'll spend the rest of my life telling you what I love."

"You're close," she husked hotly into your ear, neither of you needed her to point it out, but of course she felt the sudden need to move beyond your praises. She made sure to emphasize the statements as she harshly plopped down into your lap, your head threw back into the headboard with a loud smack but you didn't care.

The sharp pain quickly melded into pleasure as her lips found home in the crook of your neck, she wanted the attention back onto you, so of course she played dirty. Natasha would always reign victorious too, a smirk of completion felt against your skin as you let all of the tension she'd sensually built up within your body go.

All it took was a sultry whisper, tone raspier than you'd ever heard it before, "let go for me, mommy." Natasha reveled in the way that your body harshly trembled beneath her, she felt victorious as her tongue slid up the side of your neck, feeling the racing of your pulse.

Though lost in your own immense pleasure, you would never forget your truest purpose, which was making her scream. So, even with your muddled mind you reached a shaky hand down to squeeze the forgotten about reservoir. Natasha's body harshly slammed forward into yours as she cried for you, now met with an unexpectedly warm, sticky liquid filling her womb.

You smirked as your lips found hers, feeling a sense of pride as she called out to you, her pleasure clear. The both of you continued to rut your hips in perfect tandem, spent bodies rocking in a clear attempt to keep the both of your dwindling orgasms going. "I-I."

You chuckled hotly, "Hm?" Your lips slowly trailed down the column of her throat, where you nipped and sucked at the tender skin until she could think again. "I love you," she finally declared the obvious, "you're the best thing to ever happen to me Y/N." Her strong arms wrapped around your waist as she nestled her face into your chest, body melting in a way that you understood meant she wasn't ready to pull your bodies apart.

In a gentle way, you shifted until you could feel the mattress beneath your aching back, receiving a purr of gratitude from your lover who loved how you two could operate wordlessly like this. Being the brat that she was though, Natasha pressed her pelvis down into yours. "Natasha," you warned in relative amusement and she settled, knowing not to push further. If she played her cards right, you two would finish later...

[jadeylovesmarvelxo]

18+ mdni. Smut and jealous reader deciding to cause a little chaos.

Popular bitchy reader grows annoyed over Eddie's attention being directed at the new girl in Hellfire.

🎀✨

You were used to Eddie's attention being only on you, the both of you driving each other crazy and continuously trading barbs and witty banter.

Robin was deadly serious when she told Steve the latest gossip about you two, that she was sure that your arguing was some weird form of foreplay. Both of you for sure got off on it.

Now though? now you were bored, upset and very pouty. The latter which Eddie secretly loved and it was all because of her, the new girl at Hellfire.

Her name was Kimberly and she was your mortal enemy, or as mortal enemy as one could get in senior year at High School.

At least for this week.

Eddie had of course noticed how pissed you were at him hanging and paying attention to someone other than you. He knew you were jealous and he was waiting for you to admit it.

Meanwhile if you heard Eddie laugh at Kimberly's joke one more time you were going to lose it.

So instead of whining and crying about Eddie being so focused on someone else you decided to distract yourself.

Distraction came in the form of Jason, much to Eddie's fury which made your flirting with Eddie's enemy all the more sweeter. Eddie's rants against the dark side escalated by the day and he takes particular care in calling out Jason, and the "balls he throws into laundry baskets being bigger than Jason's own balls"

It's thrilling watching him be so jealous, serves him right for trying to make you pissed and envious over whatshername.

Eddie finally cracks on Friday and walks over to you all dark eyes and clenched jaw, tense and seething.

"What the fuck are you doing with Carver?" He demands and you take your time answering him.

"Oh, I think it's called flirting" you reply and if it's possible his eyes narrow even more, you peer up at him and act confused.

"Why do you care so much, when you have Katie at your beck and call" the anger leaves his features and he smirks.

Shit you gave away too much. "It's Kimberly, she's new to Hellfire sweetheart. I was just showing her the ropes. Not my fault you're a jealous brat"

You glare at him, gather the things from your locker, take time to apply some lipgloss and watch Eddie grow irritated once again.

"Jason's so much nicer to me than you, I don't know why I even like you so much Edward" you reply to him and he huffs in frustration.

"Are you happy now my attention is back on you princess?, incase you haven't noticed, you're all I think about" He seethes, furious he's confessed his real feelings for you.

Elated you grab your bag and his gaze follows you as you walk out of the school and make your way towards his van, for some privacy.

"Oh I've been so awful Eddie, maybe you'll need to teach me a lesson?" you add in a pout for maximum effect and his control snaps, and he pulls you too him, kisses you until the both of you break away panting from the intensity.

"You are the only person I want. Is that what you want to hear?" Eddie demands but his gaze is a tiny bit softer. Thrilled you kiss him again and tug him inside the van.

...

You're so lost in finally being with Eddie, both of you fucking each other until you're both babbling, incoherent messes, that you don't here the knock on Eddie's window.

His van door opens, there's a shriek and you peer up, Kimberly blushes as she takes in the image of you sitting astride Eddie, tits bouncing up and down, both you and Eddie's faces full of bliss.

"Oh my god, I'm sorry, I didn't..." she trails off mortified. You roll your eyes at her babbles and squeeze around Eddie tightly, causing him to moan.

"Eddie's a little busy right now, in fact he's going to be busy with me a lot from now on, so cut the cutesy uwu girl act and back off, kay?" You add sweetly and Kimberly nods rapidly and rushes off.

Eddie is gazing at you torn between amusement and exasperation. "Princess" he chides and you shrug and begin to rock your hips in a way that makes Eddie's eyes glaze over and soft swears leave his mouth.

"Now, where were we?"

[borderlinereminders]

Examples of Irrational Thoughts/Cognitive Distortions:

These are common errors in thinking. And sometimes these distortions can cause us distress or other strong emotions.

Black and White Thinking: This is all or nothing thinking. For example, if you see yourself as failing at one thing, you think it makes you a failure at everything. "I didn't pass my driver's test. I can't ever do anything right."

Overgeneralization: This is where if one thing happens that is bad, you assume all things will be bad. For example, "I woke up late this morning. This day is doomed to be terrible."

Ignoring the Positive: You disqualify any positive and focus on the negative. Maybe you got an A on a test, but are disregarding that because you messed up somewhere else.

Jumping to Conclusions: You ignore facts in favour of your own interpretations. You may assume your friend hates you despite them inviting you to the movies the day before because they gave you a short response.

Mind Reading: This is making a conclusion about how someone else is feeling. "My friend hates me. I can tell."

Possibilities to Cope with Irrational Thoughts / Cognitive Distortions

Check the Facts: Here’s a post I wrote on this.

Challenging Irrational Thoughts: Here’s a post I wrote about this.

Examine the Evidence: Here’s a post on this.

You’ll likely find that most of these possibilities are very similar. One of the more common ways to deal with thoughts like the above is to use evidence and logic because it gives our brain something solid to use. Just telling ourselves that our thoughts aren’t real isn’t often helpful enough whereas evidence can help make it more convincing.

I’m going to include a couple other links I think may be helpful:

Emotional Permanence: Here’s a post on it. This one I think is important to understand because if we lack emotional permanence then it makes it that much easier to forget about anything other than the feelings in the current moment which make reinforce any negative thoughts.

Needing Reassurance: Sometimes our distorted thoughts lead us to second guessing our loved ones. Here’s a post about that, how to cope with it, and how to get reassurance in a healthy way if needed.

Some General Tips:

Learn about the different types of irrational thinking and cognitive distortions. (I don’t have them all listed). Being able to recognize them can be helpful itself. I find when I’m able to realize it’s a cognitive distortion, I’m able to move beyond it easier.

Keep a list of our accomplishments that you add to. This can be helpful in times we need reminders if we often have thoughts about us being a failure anytime we make a mistake.

Keep screenshots of loved ones and/or lists of things they’ve done that make you feel cared for. This can be helpful if we often have doubting thoughts about loved ones as a result of our cognitive distortions.

Think about what you’d tell a friend. If a friend failed a test, would I think they were a failure?

Sit with the discomfort. Sometimes, we know a thought is irrational and all we can do is get through it. Telling myself “it’s an irrational thought. I can sit with it. I don’t need to act on it” can be helpful. Acting on my feelings to irrational thoughts often damages my relationships or has other negative effects. But as uncomfortable as the thoughts are, learning to just sit with them instead of acting on them prevents some negative consequences.

Journaling. You can journal about your thoughts and feelings for a set amount of time a day and then mark the irrational thoughts. This can help us learn to recognize them when we’re having them.

Focus on something else. Sometimes the thoughts are too distressing and the best thing we can do is distract ourselves. You could reach out to a friend, watch a favourite show, enjoy an activity, etc.

[starry-bi-sky]

Danyal Al Ghul: Incorrect Quotes and Miscellaneous Thoughts

Incorrect quotes-style snippets specifically for my danyal al ghul au here (which i really need to come up with a unique au name for atp). Because I thought it'd be funny. And also some miscellaneous headcanons thrown into the mix. Some context for the au: - Danyal is 5 years older than Damian (so 10 and 15) - Danny faked his death when he was 10. Talia knows and helped him with it. - Jazz, Sam, and Tucker do not know he's an ex-assassin.

-------- Snippet 1

Danny, dryly tapping his temple: I have, as the Americans say, irreparable psychological damage, right here.

Jazz, an older sibling first and foremost: well, it's good that you're self-aware.

-------- Snippet 2

Danny, aged 10, in the American foster planning to just age out of the system: *emanating Bad Vibes. Pure, Little Orphan Tom Riddle Energy*

Jazz, aged 12, coming in to adopt a new sibling with her parents: Him. This is my brother now :)

Danny: ...what

--------

Lilo and Stitch is Danny's favorite Disney movie. He watched it when he was 11 with Jazz when she was attempting to connect with him, and by this point Danny was becoming receptive to her efforts. They had a movie marathon in the living room one night.

Safe to say? It resonated with his little 11 year old heart strongly, and he related very strongly with both Nani and Stitch. He got unexpectedly emotional and hid in his room for the rest of the night. Jazz felt really bad, but it had the intended (but kinda unexpected) effect of him trying to be nicer to her afterwards.

-------- Snippet 3

Dash, aged 12, causing trouble again and getting intercepted by Danny: *scaling up a desk* AHHHHH! GET YOUR LITTLE FREAK, FOLEY!

Tucker: Hey! Danny is not a freak!

Dash: GET HIM TO BACK OFF

Tucker, was the kid Dash was messing with: ....whats in it for me

-------- Snippet 4

Danny, saying some questionably immoral shit: What. Why are you looking at me like that.

Tucker: Bro. I mean this as kindly as possible; what the fuck?

Sam: yeah, I'm with Tuck on this one.

-------- Snippet 5

Danny, ranting about Vlad: if it weren't for the laws of this land, I would have slaughtered him

Sam, painting his nails black: I'm pretty sure you'd slaughter him regardless of the laws of the land -- and quit moving, you're gonna mess me up.

Tucker: we've literally seen you debate yourself about this, Dan

Danny: ...you are correct, but it is the principle of things.

-------- Snippet 6

Vlad: I have experience my child, and the money and power attained through using those powers for personal gain, you say. I could train you, teach you everything I know! And all you have to do is renounce that idiot adoptive father of yours.

Danny, was already contemplating committing a Violence: ....

Danny, internally: I'm going to stab him *turns into Phantom*

--------

Funny contrast I realized between Danyal and Vlad that iirc I haven't pointed out yet is that imo, Danyal doesn't rely on his powers nearly half as much as canon Danny does. He falls back instinctually on his League training, and thus sometimes forgets to use his powers in battle. This was prevalent especially early on when he was still getting used to the whole 'halfa' thing.

He incorporates them more often after a year, but still for the most part relies on his own physical hand-to-hand combat. He trusts those skills much more than he does his powers. I'm not sure where he is on a technical level compared to canon, but just to stay safe I'll say he's similar in power skill as canon Danny. Perhaps a little more finessed than him because his League training would probably have him trying to figure out his powers as soon as possible.

But in summary? Danny is strong in hand-to-hand combat, weak in powerset.

Meanwhile Vlad is the opposite. I can't recall if he even knows hand-to-hand in canon, but it makes total sense to me that Vlad Masters wouldn't because he's so confident in his monetary influence and ghost abilities that he sees no need for it.

And he's kinda got some merit behind it. He's very powerful and has 20 years of experience to experiment and fine tune his powers. He's got bite to follow up his bark. He's perfected long-range combat and his ability to phase through walls makes it impossible to corner him, but if you can manage it, then one good hit could probably knock him on his ass.

So in summary, Vlad is strong in powerset, weak in hand-to-hand combat.

And it casts a good contrast between the two of them in that regard. Danny, as a fellow halfa, can follow Vlad when he phases through walls and is fast enough to land a hit on him. His league training as an assassin, albeit rusty, is still deep ingrained enough in him that he can hold up as a rather veritable threat against Vlad without needing his powers.

But Vlad can force Danny to use his powers more often through use of his own. The duplication is the first thing to come to mind: Danny's fast enough to dispel them on his own without powers, and smart enough that he could figure out who the real one is if given a few minute. But that's not always efficient enough.

Good foils for each other that way. Also Vlad's Plasmius design mimics Ra's juuust enough that he looks like Ra's knockoff loser second cousin no one talks about, which only fuels Danny's hatred.

-------- Snippet 7

Danny, ranting about Vlad for the first time: --and it's only made worse by the fact that the little ingrate resembles a cheap knock-off of my grandfather!--

Sam, choking on her water: he what--

Tucker, doing a spittake: HE DOES?

[thefirstlioveyou]

mike's gay subtext runs so deep and i love it so much. i love any analysis about mike, but his gay coding is something so special to me and will always be tbh. he is obviously so much more than his sexuality. however, there's no way he gets all this subtext just for his sexuality to only be brought up briefly next season and his main plotline just be about "ok i finally broke up with el!! time to get with will! i am so confident in my sexuality! it's not like my reagan supporting family has any effect on me whatsoever! i just wanna kiss will this whole season and be glued to him!"

mike has to process his relationship with el and where it went wrong first. he has to come to a better understanding with why he stayed so long with her, why he feels the need to keep on a normal path. sure he wants to be needed and feels as if he's not (in the way el is, who he deems as a hero), but why? what is it about himself that he believes isn't worthy of being that traditional hero he wishes he could be? what is it about himself that keeps him from being the boy society expects of him? one, it's being into dnd. the town is out for blood for the hellfire club now. his parents never took his interest seriously as he did and only mocked him for it. they pushed him to grow up. but it obviously doesn't end there. he's not just insecure with his interests. there's a reason why they're hiding that mike is gay with all effort possible. it is a plot point - an important one. written literally in the show's story bible, mike's insecurities lie in not having kissed a girl. sounds like sexuality issues to me. sounds like something that still needs to be brought to light. why is he insecure about it?

also, in his first s5 bts, he's literally staring at the one way sign pointed at his closet (assuming it's still there) possibly hinting at what could be on Mike's mind this season.

they've barely discussed mike at all this whole time in interviews, which catches my attention a lot. finn gets very vague about him and immediately shifts conversation. we've received more about el and will. the most we've heard about mike is the fact he's on "his own journey" in regards to his dynamic with will, and it sounds like something we weren't meant to even hear.

mike's been on a journey to accepting several parts of himself throughout the whole show, and the final thing he'll have to accept is his sexuality this season.

s2 - his parents tell him to get rid of toys, mocking the fact he has emotional value to them. he's watching his friends crush on max, while he doesn't understand it one bit and feels left out. he's annoyed by it. by the end of the season, he's watching all his friends dance with a girl at the snowball while he sits alone, not even waiting/looking for el. just waiting for them to be done.

s3- he finally dates el, and his attention is completely taken by her. this is his attempt to be normal in the exact same way his friends were doing the previous season. this is his attempt to keep on a normal path the way everyone else is. but now he's realizing he messed up. this confuses him, because he genuinely believed this was the right thing to do - that's what he's observing from everyone else. if his friends do it, then he should too. will calls him out on not wanting to play dnd anymore and instead wanting to go out with el all the time. mike implies they have to grow up and move on (internalized behavior from his parents' attitude toward his interests)

s4- he finally learns to be himself and take pride in the fact he's part of the "nerds and freaks" of school. he's now embracing it by attending a dnd club and wearing his club shirt proudly - definitely something s3 him wouldn't do. but according to finn, mike is still trying to keep on a normal path this season. he wants to be normal. this is obviously referring to him being gay and his performative behavior with el - this is something that he hasn't yet overcame because of his lie in the monologue. mike decided to lie and stay in this loveless relationship for the sake of el's life. in the end, he still continues to keep on the normal path. (and in a way... is the reason why they lost.)

s5- so mike's accepted his nerdy self and is embracing it but now has yet to accept one last thing according to finn, and that's implied to be his sexuality. he must face the truth that he doesn't love el and never has (in that way). he has to be truthful to himself entirely this season in order for them to win. he has to realize his worth despite not matching society's expectations of him. his heart has to fully be in it!

[pregobirthlvr]

Public shower birth

• ————— •

Possible TW: this story contains some noncon themes (unwanted exhibitionism)

Also contains: pregnancy, birth, labor, public birth,

• —————————————— •

I grip the handles of the shower stall. A public pool bathroom was not the place I wanted to have this baby but it had different plans. Thankfully it was early enough there weren’t that many people around to see what was happening. Still, I tried to keep quiet behind the sound of running water and the thin plastic curtain that covered the shower stall.

I could feel the next contraction start to rip through me. I gasp and grab the bars harder. I squat down slightly and push hard. I shake and writhe around while I somehow find it in me to push. I make it to the end of my contraction when I hear the door open.

“What was that noise?” A man’s voice said.

I tried to hide my breathing even more and think to myself ‘Did I enter the wrong bathroom… I thought the ones restrooms were on the right.”

I tried to think back. Suddenly I remember I stumbled and got turned around at the entry way from a large contraction. I must have walked into the wrong bathroom by mistake.

I didn’t have time, nor the ability to fix it now. I tried to fix the curtain to close as much as I could. It wasn’t very effective to begin with but I was mostly covered. I didn’t have time to fuss with it, I now had to focus on my next contraction.

The next contraction came just as one of the men that walked in appeared in the stall next to me. I grab harder at the bar in the shower and try my hardest to stay quiet. I end up squatting and buring my face in my arm to get through. I labor again a few moments later the man still in the stall next to me. Then again and again.

Finally, I hear the water turn off and I let out a sign of relief. It was short lived when I hear the foot steps of a second man approaching.

“Hey you don’t yet?” Another man voice said.

“Yeah I’m about to hop out,” The first man said back.

They started to mess around, and I tried my best to tune them out as another contraction started. I grip the bars again and spread my legs wide. My concentration was abruptly ruined when the two men ripped the curtain to my shower stall down.

I let out a gasp. My focus now pulled away from being quiet, I let out a deep loud moan as my contraction reaches its peak. With the curtain down, I try to cover myself up, which wasn’t working in the middle of a contraction. It didn’t help that the men that just ruined my privacy were now staring at me. Just watching me push and grunt my baby out.

“Please don’t look,” I say blushing and panting hard after my contraction.

Neither of them said a word. They just stared at my body.

“Please don’t look at-“ I get cut off by another contraction. I push hard the lips of my vagina spreading around the babies head.

When I stop pushing the head sinks back in. “No. No. No. please stay out…” I beg.

I gently sit back leaning against one of the walls legs spread to my onlookers. When I realize the position I’m in I try to start scooting across the floor to get more privacy. I get stopped almost immediately by another contraction.

I toss my head back and cry out. I instinctively spread my legs and push hard. I scream and grunt my way through the contraction. I shakily reach down and feel between my thighs. The babies head was half way out.

“Please help me,” I beg to the men.

“I think you’re doing a great job all on your own,” one says.

“Yeah you’re doing amazing,” The other one says.

Another contraction cut of any attempt for me to try and plead for it. I braces myself and pushed hard again. I was exhausted but this baby had to come out.

“Almost done,” I gasp out. I look up to see my audience has grown. Two more guys have showed up just in time to see me push this baby out.

With another big push the head popped free. A gush of fluids splattered the floor and flowed down the shower drain. I took a moment to breathe then pushed again the shoulders and body sliding the rest of the way out of me and into my hands.

I lay on the shower floor with my baby on my chest when I finally hear someone say “maybe we should call an ambulance.”

[ambiguouspuzuma]

The single most important piece of writing advice I would give to a lot of amateur writers is to write less beautifully - or at least to write beautifully less.

I rarely find a piece of writing I can't read because it's too simple, or too concise and to-the-point - not memorable, perhaps, but also not a headache on a page. On the other hand, I see loads of pieces which are effectively unreadable because they're far too rich to swallow, and badly in need of watering down a bit.

The absolute worst culprit is the dialogue tags and stage directions. I'm a big fan of letting people write in their own style, but I would love it if a lot of writers could please cool it with letting me know every time a character blinks or licks their lips. I don't need to know that, especially if it happens every time they speak.

So many dialogue excerpts look like this:

"So this is how we talk?" he queried quietly, his eyebrows furrowed into knots. "Apparently," she replied with a puzzled grin, bouncing on the balls of her feet with restless energy. "Isn't that... exhausting?" he questioned, a lop-sided smile snaking its way across his lips. "The bouncing?" she asked shyly, her eyelids fluttering in shame. "No, of course not," he told her, his lean arms reached out to pull her closer. He buried his face into the mess of her hair, taking a deep breath of her perfume. "I just feel a little nauseated by all of these actions." "I don't know what you mean," she giggled, brushing the hair back out of her eyes as her cheeks flushed red. "Don't worry," he sighed, rolling his eyes up towards the ceiling.

I'm assuming this is a convention that comes from somewhere, given its ubiquity - perhaps somewhere in the world of fanfiction, where there will be short, intimate pieces entirely focused on the ways in which characters interact with each other. But to me, in an original work, it's so exhausting that I can't make it down the rest of the page.

Dialogue may be the worst, or most obvious offender, but the same principle extends pretty much everywhere else. Each line doesn't have to be some great quote you can hang on your wall, and it's hard to read a whole story written like that.

There's been some recent backlash on here against modern films where every line of dialogue is a quip, at the expense of building an authentic conversation, but that's how a lot of people start out writing - thinking that each sentence should be made as flowery as possible, when too many flowers in the same pot will crowd each other out.

You need to leave some gaps to let the sunlight in, and illuminate the beauty of the occasional flourish you do include. Think of it like vanilla extract, to make a reference that was topical when I started writing this post: you need to add a little for flavour, without which the writing will be too dull, but tip the bottle and I will actually be sick. Write beautifully less. Learn to embrace the prosaic.

[neversetyoufree]

Since we'll hopefully be getting out of the VnC hiatus soon, and this new arc seems to finally be turning the spotlight back to Noé and calling out some of his more troubling traits for the first time, I've been thinking a lot about him recently.

I've talked before on this blog about Noé's inability to recognize or process bad things when they happen to him alone. He bounces back from and idealizes almost any experience as soon as it's over, even when he absolutely shouldn't. It's one of my favorite traits of his, and it's been lampshaded a couple of times in-manga. Louis calls out how weird his attitude toward his kidnapping is during the mémoire 9 flashback, and the "be a little bothered" from Vanitas and co in mémoire 57 has the same effect.

We also recently got a whole extended sequence of Vanitas and Domi complaining about how Noé also never anticipates harm before it might come to him. He waltzes into dangerous situations like it's nothing, almost as if he thinks he's unkillable. Combined with the above, this is just more of his strange brand of optimistic denial. Everything is fine in Noéland! It can't possibly not be fine! He always trusts and thinks the best of people and situations by default, never wanting to expect they may do wrong, and so long as a given event doesn't involve harm to external innocents and/or Noé's loved ones that he can't rationalize away, he compartmentalizes and denies harm once it's done. Thus he carries on in blissful ignorance, his past suffering having no effect on the blithe trust with which he treats the world.

But in addition to all that, Noé is also very notably divorced from the consequences of his own actions. It's not that he's *incapable* of considering his own effect on people, and he certainly tries to be kind and decent, but much of the time, it just doesn't seem to occur to him that people will have reactions to the things he does. He does as he sees fit, and when his deeds impact the people around him, especially if they produce a reaction that could upset him, it bounces off his mind in the same way that potential traumas do.

On the more lighthearted end of the spectrum, this leads to things like Noé never noticing when people are attracted to him. It may also have something to do with his airheaded messiness—the way he's always thoughtlessly making a mess of the hotel room and incurring Vanitas's wrath in bonus materials. On the heavier end of the spectrum, this causes a lot of genuine problems for the people around him. He's largely oblivious to the depth of Dominique's mental health problems until she's pushed to her breaking point at the amusement park, despite the fact that he's inextricably entangled in the cause of them. He also completely loses sight of Vanitas's reactions to him when he gets caught up in his protective rage at the start of the vanoé fight, and it takes an outside reminder from Jeanne and a literal mirror to make him realize that his own actions are part of why Vanitas has devolved to such a state.

This lack of self-perception on Noé's part feeds back into the other problems I laid out at the top of this post, his obliviousness toward his interactions with the rest of the world helping to facilitate his denial. It's part of the happy little insulating bubble that he interacts with the world through. And as the other side of that coin, his automatic, unthinking denial of things that could hurt him is part of what enables him to ignore his own impacts on the people around him. You can't reckon with or worry about harming other people when you live in Noéland where everything must be fine. I think the fact that he wants to be a good person that doesn't harm others actually makes it harder for him to confront the truth of how he impacts the world, because him hurting others is a Bad Thing that would cause him mental harm.

We've seen Noé mess up, understand his mistake, and apologize for it before. He apologizes to Vanitas for making assumptions about him after the bal masqué, he apologizes to Vanitas again at the end of the amusement park fight, and he apologizes to Riche for speaking with ignorance about dhampirs. However, I think the bigger a mistake of his is, the more harm it causes other people (and the more understanding would hurt him as a result), the harder it is for Noé to comprehend his wrongs. He's clearly trying to make things right with Domi, and he's told her that he values her, but I don't know if it's yet occurred to him to conceive of their mess as a situation where he's done her active wrong. He also literally passes out on her mid-conversation, leaving Domi and Vanitas to carry him back to bed when he was supposed to be comforting her.

But I think the most fascinating example, the moment where all this comes together into Noé's most feeble and blatant act of denial yet, is the first time he sees Misha after clawing up his face. The anime actually changes this detail, which is its own can of worms to get into, but in the manga, when Noé sees Misha's injuries in the light of day after attacking him, he immediately fucking turns around.

At the end of his wits at the amusement park, Noé claws a child across the face in a fit of anger and protectiveness. I'm not interested in condemning Noé for this, especially given that the child in question was actively trying to stab Vanitas at the time, but I will say that his actions are quite extreme. Given Vanitas's response and the way Misha's injuries are portrayed, I think it's clear that the manga wants us to see how Noé hurts Mikhail as something troubling and extreme. He gives that kid a pretty horrible injury, and Misha will likely have scars on his face for the rest of his life.

And regardless of how justified he may or may not have been in hurting Misha in defense of Vanitas, it's clear that Noé himself is upset by the true extent of what he does to Mikhail's face. When he looks at him in the light of day, when he sees a numb-looking child with his face wrapped in still-bloody bandages, though we only get to see a small segment of his face in that moment, he looks sick. He knows that he's done something troubling, and I'm sure he feels all kinds of heavy and unpleasant emotions.

This is one genuinely bad thing he's done that Noé cannot deny. He can't rationalize this one away and make it all copacetic. He can't conveniently forget the emotional reality of suffering and harm, because that reality is standing ten yards away from him. And he can't just apologize for things either, because apologies cannot undo physical harm, and frankly, I'm not sure he'd be able to give an honest apology for his one. Sickness at the results of his actions doesn't mean he fully regrets hurting Misha, at least not at this moment when emotions are still raw.

But Noé, confronted with this undeniable source of guilt and pain, is still ultimately unable to look the pain he's caused in the eye. A problem piercing through the happy veil of Noéland and forcing him to acknowledge it doesn't mean he's capable of reckoning with that problem. Instead he just. turns away from it.

Noé, forced to acknowledge a harm he's done and unable to employ all the many layers of automatic insulation that usually protect him, physically turns around because he cannot bear to look at the person, the child, that he's hurt. He employs the very last possible form of avoidance available to him, even though it's useless in the ways that matter. Not looking at Misha doesn't mean he gets to un-know the fact that he maimed him, but he simply cannot bring himself to look.

Noé is extremely good at playing "I do not see it" with things that hurt him. He's good enough that I think he has genuinely no idea he's doing it a vast majority of the time. Whatever mental shield he has that's protecting him is automatic enough that the badness that could hurt him doesn't ever even seem to cross his conscious mind. But no matter how automatic and subconscious, this tendency of his is still, and the end of the day, nothing more than an unhealthy coping mechanism, and this moment helps to put that to our attention.

What's the difference, really, between him cheerfully acting like Jean-Jacques and Chloé's assaults never upset him and him turning around so he doesn't have to look at the wounds he gave Mikhail? Noé can't look at pain, can't acknowledge the things he finds upsetting (at least not things that cause him alone pain, as others' pain often triggers his savior complex and spurs action). This scene with Misha throws that into the light, forcing Noé to desperately cling to his avoidance in an obvious and physical way.

Even when there's no way to deny the harsh reality of having done something he finds horrific, Noé Archiviste cannot make himself look directly at a painful truth, be it others wronging him or his own wrongdoing. It takes an external hand to step in and force him to turn his head and acknowledge/reckon with a problem. And even then, who knows if intervention can always be successful.

The start of the dham arc so far has drawn a lot of attention to this pattern of behavior, with Vanitas having to sit Noé down and explain to him in detail why his words said in well-meaning ignorance make Dante so upset. This is Noé being forced to look at a harm he caused because he couldn't or wouldn't look at and comprehend the problem (his fellow vampires' racism) in the situation he was in. But upsetting Dante is ultimately a low stakes problem for Noé. He put his foot in his mouth and offended a peer; he didn't shred Vanitas's little brother. He's able to accept his wrongs and feel his discomfort without resorting to physically turning around and avoiding the issue.

I want to know what Noé will do if/when this arc forces him to confront a source of pain he can't handle in a context that's more high stakes than a social faux pas. I want to see what he'll do when something really forces him beyond his ability to believe that everything is fine. How badly would he have to be hurt to lose his ability to filter an event/events through rose colored glasses? How badly would he have to hurt someone else? Or is his instinctive shield good enough that he'll never get out of it on his own? And if so, who else might step in to make Noé own up to reality?

Teacher and the Archivistes are becoming plot-relevant now, and our attention is being drawn to Noé's issues. I think there might be something coming soon that even Noé can't turn away from and cheerfully pretend isn't hurting him. Teacher even ends his appearance at the amusement park with a little speech about having to "wake and face reality," which makes me even more certain that a wake-up call for Noé is imminent.

Either that, or Noé's going to mess up and hurt somebody even worse than he hurt Misha later this arc, and in that case, we might get to see a feat of denial even worse than him literally turning around to avoid looking at the wounds he caused.