#All kishore Romantic Songs

[desifleabag]

Hello beautiful people out here!

I am Deepali. I am from Pune, Maharashtra. I am 21 years old (shaadi ki umar)

Desi fleabag? Because I relate the most with that specific character. Horny, messy, vulnerable, and crazy all the time but also considerate, expressive, and kind. I am a desi version of her.

🎀What I like? I like to dance, sing, journal, write poems and stories, and doom scroll all the time

📍Professional side of me

I did my bachelor's in philosophy. I have been working in an organization for quite a long time. I am a content writer. I am a writer/poet. I am an open mic performer. I have performed at esteemed platforms like tapeatale, poemsindia, kommune, and many more. I am a psychology and sociology student too. I am a co-facilitator and youth lead in different schools through my organization. I have worked on poetry anthology books.

The most important part of my life is being a poet or a writer. It's been a decade since I started writing, and professionally, it's been two years. My poetry and stories revolve around different and unique topics like mental health, family dynamics, feminism, societal norms and culture, romance, life intricacies, friendship, etc. I love being a poet and telling people stories about me and the world because I believe poetry is everywhere. I have a blog called Sip and Sofa Stories where I share the most wholesome blogs and fun-to-read stories.

Not much of a reader, but I like reading poetry by Sylvia Plath and more female writers.

💌 Movies and songs? I am a die-hard fan of Bollywood. I listen to 2000s Bollywood and retro songs. No one can challenge me the way I vibe on these songs and dance. My childhood is memorable because of Sunidhi Chauhan, Lata Mangeshkar, Kishore Kumar, RD Burman, Asha Bhosle, Sonu Nigam, Shaan, Arijit Singh, and many more artists. I also listen to Kpop, pop, indie type of music on days when I am dissociating at the fullest. Hold my clutcher, I am a Swiftie and Lana Del Rey fan too, bitch.

I love Bollywood movies, and I am yet to discover more Western movies. I have a bunch of comfort movies like Ye Jawani Hai Dewaani, Piku, Om Shaanti Om, etc.

🪕 My aesthetic type? A combination of Geet and Piku and a little bit of Poo vibe sometimes. But I love desi clothes. Kurti, jhumkas, bindi, bangles, oh god I love being a woman.

Interesting facts about me :

🌸I have three tattoos on my body (Crescent moon, "you're on your own kid" title, "grateful"). I love getting tattoos!!

🥃Loneliness who? I go to bars, cafes, and parks alone because why not. I fear no god.

💛I never was in a relationship, just some hardcore crushes who crushed my soul.

❤️‍🩹I have been in therapy for almost three years and on and off on meds. GAD (generalized anxiety disorder) gang assemble!

😶‍🌫️I love and hate spending time on LinkedIn. Girl boss era.

💬I write poetry about my crushes and defame my ex-friends. They know it very well! Lol.

I am a hopeless romantic and a professional delusional person. I will cook the best scenarios in my head and write about them. I romanticize life on another level though there are 156 rupees in my bank account by going to aesthetic cafes.

:¨ ·.· ¨:

`· . ୨୧⭒๋࣭ ⭑ 𝛢𝑛𝑑 𝑤ℎ𝘰'𝑠 𝑔𝘰𝑛𝑛𝑎 𝑘𝑖𝑠𝑠 𝘵ℎ𝑒 𝑏𝑟𝘰𝑤𝑛 ℎ𝑎𝑖𝑟𝑒𝑑 𝑔𝑖𝑟��𝑠,𝑊ℎ𝘰'𝑠 𝑔𝘰𝑛𝑛𝑎 𝑤𝑖𝑝𝑒 𝑎𝑤𝑎𝑦 𝘵ℎ𝑒𝑖𝑟 𝘵𝑒𝑎𝑟𝑠? ⊹ ‧₊˚

🖇To connect with me

𖹭 kavitavali.deepali to read my poems and stories on instagram

𖹭 sip and sofa stories blog. I write monthly blogs

Thankyou for reading my long ass introduction! Flying kiss tumhai💋

[firefeelsfine]

HELLO pretty people!!!🌸 <3

The intro post is finally here...🫴🏻✨

ABOUT ME :- she/her | 8teen | Pisces | ENFJ -A | Girl's girl | certified panick mechine | super random | desi | hopeless romantic.🌼

Wanna know more about me, here you go:-

🌸 yepp, so my name is KEHKESHA which means Galaxy & The name originates from Persian language.

( I am truly in love with my name, so please try not to mess it up while interacting. )

🌸I am a die heart fan of SRK and RK.

( it's okay if you don't like them or the way they act...I respect your views nevertheless.)

🌸what do I mostly post?

Random shit, that's right. Relatable kinda shit , random funny looking pictures , memes and rants. In short everything that would show a sense of carelessness towards life and people. Because let's be honest , we all are struggling with stuff one way or another. So ig it's better to deal with that shit by making it somewhat random.

But but but, at times I may tap into my devdas zone, and post or reblog something kinda sad. ( Not negative or something devestating, just simply sad) Something that may or may not touch that hidden empty void in your heart.

🌸 there is nothing in this world that will ever come close to how much i love tulips 🌷🌷🌷

🌸I am not religious but very spritual.

🌸I respect every religion with all my heart. I am obsessed with Indian myths and history. I would really appreciate hearing anyone speaking of there culture, the traditions they follow, the facts and the myths, all of it together and everything in between as well. Feel free to reach out to me for the same.

🌸my favourite colour changes with my mood, today it's rose gold.

🌸I am seriously very chaotic. If my chaos makes sense to you, we're meant to vibe together.

🌸my favourite vibe:- midnight thoughts with Lo-fi Beats.

🌸 I have bunch of interest, here goes the list:-

• imtiyaz ali movies ( my go to )

• F.R.I.E.N.D.S ( nothing compares to that common! )

• music:- jagjit singh, Mukesh, kishore kumar songs are a bliss to me. Shreya Ghoshal, Mohit Chauhan, Arjit Singh top my playlist every now and then. The weekend, JVKE , arctic monkeys, Chris brown make my playlist near to perfect.

But but but...LANA DEL RAY & ISABEL LAROSA make me tap into my siren self way too quick.

• I am diagnosed with moderate anxiety and an undiagnosed mild ADHD awaits me.

•THE SCARLET WITCH from the MCU is my comfort character. ( It's weird ik)

• I like every existing shade of maroon.

🌸 relationship status :- in love- hate relationship with my life.

🌸I am in love with the idea of being in love.💌

🌸I get lost in my books every now & then ( I won't be posting anything about what I read , in this blog, because I cannot tolerate listening to anyone having an opinion on why they don't like a character that I may be obsessed with at that very point of time. I will get defensive and that won't end good . I know me)

🌸 recommendation for kdramas, songs , movies and tv shows of any kind are appreciated.

( need an recommendation from my end ? Do try watching • It's Okay to Not Be Okay • 2020 ‧• Romance • kdrama )

• I really cherish this drama because I feel it is very me coded. Don't forget to tell me your views on it if you do watch it.

🌷🌷🌷 I am obsessed with my govind, my protector, my bestie and my supreme support 🌷🌷🌷

NAGAR NANDJI NA LAAL...💌💌💌

Also, my two alltime favourite songs ( hindi)

My alltime favourites ( english)

If you're a creep who just wants to disturb people's mental peace first of all get a life, And second of all try not to try your dirty tricks on me. I am not a girl who will ignore or block you. I very well know some people , who would not only trace you but will make sure to get your life as miserable as possible. MARK MY WORDS !!!

PS :- My brother's bachelor's degree in criminal justice works like magic at times.

🌸 other than this , I am a really friendly person, so feel free to reach out to me.

Tons of love to my stunning mutuals <3 🫴🏻✨I adore you guys so damn muchhhhhh 💌

[thedorkside-of-ashutosh]

Being Queer and Finding Love

As an amab (male) queer who is attracted to women more than men, I somehow relate to this (the above meme). It's frustrating and deeply depressing.

Ashutosh | 31st October 2024

It gets fucking lonely. I can't be queer and also flirt with a woman I'm attracted to, because then she just might think I'm that "gay friend" she can go shopping with (as much as I love shopping, myself), and whom she can set other men up with. It literally robs me of my own queer experience!

Love is an impractical dream if I want to just be myself, viz, if I'm not overtly masculine (but simply queer, non-binary)— and I don't like being masculine all the time! It's exhausting! As proud as I am of my queer identity and even to wear it around, I am also afraid to reveal it (in this case, to women I feel romantically for). Love has always been so far out of my reach—or, perhaps always only a touch out of view—that it justifies my loneliness, which in turn, justifies my constant desperation for love when I seek it out. My identity as "queer" is often co-opted, and I am reduced to a sidekick, my attempts at flirting (or, in better words, at courting love) dismissed as merely platonic actions.

Pardon the apparent "paranoia," for it actually isn't. It is an anxiety. And it is born from an apparent pressure— an unnatural pressure to 'act' overtly masculine, to mask my true self from the love I want to court. Love then feels like deception, and there is nothing I hate more than deception, the sheer insincerity subsumed in it. I don't feel free to love sincerely, honestly. And that pressure is external to me.

As a result, I often have to choose between being queer and finding love. Love can be found anywhere, not just on dating apps. But lately, in the real world, access to love is socially regimented in time, space, and methodologies, constructs which I recognise but do not intuitively understand. Outside of the realm of dating apps, and the meaningless hookups and superficial dates (romantic meet-ups) that reek of reluctance/avoidance that follow, finding love organically is an awkward game of chess. When I fail to make my move, I tell myself and others that I am shy—maybe I am—but really, I am terrified. And the game of love is so scary, that being queer feels easier, even if it isn't complete, even if I am incomplete. At least I exist, even if it's in the friend-zone. At least people are being "nice" to me. At least it "feels" like I have friends. At least this, at least that.

And when did love become a game of absolutes where there are winners and losers, success and failure, fuckables and unfuckables, sigmas and simps, alphas, betas, romeos, creeps, chads and charlies?

I was born to love. But love feels like an unfulfilled promise, and so do I.

Fin.

Post scriptum:

It physically hurt as I wrote this, because even I only realised this just now. Now I have to come to terms with it. This is my reality.

I can still feel a weird "surge" in my chest... Some kind of "welling up" in my chest cavity... Reminds me of SRK's film, "My Name is Khan."

Here are some songs that compliment this blog post...

Lyrics that hit home:

Kishore Kumar

Yeh dariya, yeh mauji, yeh sahil,

Yeh chhalki huyi mastiyaan

Hain aati nazar, kuchh kami si magar...

Jaane kya yeh nila aasmaan...

Kya khabar, kya patah... ja raha hun main kahan...?

Akela hun main is jahaan mein,

Akeli meri daastaan,

Nah manzil koi, nah saathi koi...

Jaane kya ye nila aasmaan...

Kya khabar, kya pata... ja raha hun main kahaan...?

This stanza is from a song Kishore Kumar composed himself. It is from his shelved film, "Neela Aasman," with Madhubala... it was shelved after her tragic death. Kishore Kumar wrote many of his songs himself; some of his songs were actually poems which he wrote as a young student. Jhumroo is one example.

Every time I listen to Kishore Kumar, I somehow feel like I have known him personally. I relate with him very deeply emotionally.

Beyond his known flaws, and the obviously charismatic jolly-good-fellow personality that is reflected in his popular songs and films, some of his poetry and music reflect a part of his personality which seems, however, forgotten. Apparently, he was a very deeply emotional man, and some of his very rare songs reflect his loneliness and almost hopeless yearning for true love, while songs like Jhumroo, which reflected hope, resilience, and perseverance, compensated for such depressing finalities.

Imagine Dragons—

I'm a reckless mistake,

I'm a cold night's intake,

I'm a one night too long,

I'm a come on too strong.

All my life I've been living in the fast lane,

Can't slow down, I'm a rollin' freight train.

One more time,

Gotta start all over,

Can't slow down,

I'm a lone red rover.

I'm a hold my cards close,

I'mma wreck what I love most,

I'm a first class let down,

I'm a shut up sit down.

I am a head case,

I am the color of boom

That's never arriving,

And you are the pay raise,

Always a touch out of view...

And I am the color of boom...

Oh! How did it come to this? Oh!

Love is a polaroid,

Better in picture,

But never can fill the void...

I'm gonna get ready

For the rain to pour heavy,

Oh, let it fall,

Let it fall upon my head.

Need I explain?

*****

[desi-ambivert-nerd]

Retro music is my first love #2

This song just hits hard. It's really hard to write a poetic song of a heartbroken lover expressing his agony in front of his ex-lover. These lyrics written by great Lyricist Majrooh Sultanapuri hits very differently.

After all this song's sung by Great singer Kishore Kumar, that's going to be legendary right? He has immersed those painful expressions into the song that makes it so emotional.

R D Burman's music just slays everything. This song is one of his great compositions.

This song is from a romantic mystery thriller cult classic movie Anamika starring Sanjeev Kumar and Jaya Bhaduri Bachchan.

[musicverse11]

Mohit Chauhan’s Unforgettable Collaborations with A.R. Rahman

The Indian music industry has been blessed with many remarkable voices, but few have managed to carve a niche as unique and enduring as Mohit Chauhan. Known for his soulful renditions and emotive singing style, Mohit has become a household name, leaving an indelible mark on Bollywood and beyond. With a career spanning decades, he continues to resonate with audiences of all ages, making him a timeless figure in the world of music.

The Early Days: A Melodic Journey Begins

Born on March 11, 1966, in the serene hills of Nahan, Himachal Pradesh, Mohit Chauhan’s early life was far removed from the glitz and glamour of Bollywood. His upbringing in a tranquil environment influenced his personality and music, instilling in him a deep appreciation for nature and simplicity. However, it wasn’t until his college years that he discovered his love for music. Surprisingly, Mohit holds a Master’s degree in Geology, a far cry from the artistic world he would later dominate.

During his formative years, music was more of a passion than a career aspiration. Influenced by Kishore Kumar, Bob Dylan, and The Beatles, Mohit began experimenting with various musical styles, eventually forming his band, Silk Route, in 1996. This decision marked the beginning of a journey that would change the landscape of Indian music.

The Silk Route Era: Introducing a Unique Voice

Silk Route burst onto the Indian music scene with their debut album “Boondein” in 1998. The album’s hit single, “Dooba Dooba”, became an instant sensation. Its refreshing acoustic sound, combined with Mohit’s mesmerizing voice, was unlike anything Indian audiences had heard before. The music video, with its underwater visuals, became iconic, further cementing the song’s place in pop culture.

During this era, Mohit’s voice was synonymous with indie pop, a genre that was gaining traction in India. Silk Route’s music stood out for its poetic lyrics, acoustic arrangements, and a distinct lack of overproduction, which allowed Mohit’s voice to take center stage. Although the band eventually disbanded, its influence continues to inspire independent musicians across the country.

Transition to Bollywood: A Star is Born

Mohit’s foray into Bollywood began in 2002 with the song “Pehli Nazar Mein Dari Thi” from the film Road. However, it wasn’t until “Khoon Chala” from Rang De Basanti (2006) and “Tum Se Hi” from Jab We Met (2007) that he truly became a household name. These songs showcased his ability to convey deep emotion through his voice, striking a chord with millions.

His collaboration with composer Pritam on “Tum Se Hi” was a turning point in his career. The song’s dreamy melody, combined with Mohit’s heartfelt rendition, made it one of the most beloved romantic tracks of all time. It also established him as a leading playback singer in Bollywood, opening doors to numerous opportunities.

Rockstar and Beyond: A Pinnacle of Success

If there’s one project that solidified Mohit Chauhan’s legacy, it’s Rockstar (2011). Teaming up with legendary composer A.R. Rahman, Mohit lent his voice to almost every song in the film’s soundtrack. Tracks like “Phir Se Ud Chala”, “Jo Bhi Main”, and “Nadaan Parindey” became anthems, with “Sadda Haq” turning into a youth rallying cry.

The Rockstar album was a testament to Mohit’s versatility. Whether it was the tender vulnerability of “Tum Ho” or the rebellious energy of “Sadda Haq,” he effortlessly brought each song to life. His work on this soundtrack earned him widespread critical acclaim, along with numerous awards, including a Filmfare Award for Best Male Playback Singer.

The Essence of Mohit Chauhan’s Music

What sets Mohit Chauhan apart from his peers is the soulfulness of his voice. He doesn’t just sing a song; he tells a story, evoking emotions that linger long after the music stops. His ability to adapt his singing style to suit different genres — be it romantic ballads, rock anthems, or indie folk — is a testament to his versatility as an artist.

Another defining aspect of Mohit’s music is his attention to lyrics. Whether it’s the poetic beauty of “Phir Se Ud Chala” or the introspective depth of “Jo Bhi Main,” his songs often carry profound meaning, resonating deeply with listeners.

A Global Icon with Roots in Tradition

Despite achieving global fame, Mohit Chauhan remains deeply connected to his roots. He frequently incorporates elements of Himachali folk music into his work, showcasing the rich cultural heritage of his home state. He has also performed at various international events, representing India on a global stage and introducing audiences to the diverse sounds of Indian music.

A Legacy That Endures

Mohit Chauhan journey from the quiet hills of Himachal Pradesh to the bustling studios of Bollywood is nothing short of inspirational. Over the years, he has redefined what it means to be a playback singer, proving that authenticity and passion are key to creating timeless music. His songs continue to be cherished by fans across generations, and his influence on the Indian music industry is immeasurable.

Playlist Suggestion: “Revisit Mohit Chauhan’s iconic tracks on Spotify or YouTube.”

Trivia Question: “Did you know Mohit Chauhan initially wanted to be a geologist? What inspired him to switch to music? Let us know your thoughts in the comments!”

“Rediscover the magic of Mohit Chauhan’s music today. Stream his greatest hits and experience the soul-stirring power of his voice!”

This expanded article provides a detailed exploration of Mohit Chauhan’s life and career while engaging readers with interactive elements and a strong call-to-action.

[desicinema20]

"The Magic of Music in Desi Cinema: How Songs Define the Soul of Indian Films"

Introduction: No other film industry in the world celebrates music as much as Desi Cinema. Whether it's the grand, orchestrated musical numbers of Bollywood or the soulful ballads in regional films, music is the heartbeat of Indian cinema. In this post, we'll take a deep dive into how music has shaped and defined desicinema, from its early beginnings to modern-day hits.

The Role of Music in the Golden Age:

The 1950s and 1960s were a defining period for Indian film music. Music directors like S.D. Burman, Shankar Jaikishan, and Naushad composed melodies that became immortal. Songs from films like Mughal-e-Azam (1960), Awaara (1951), and Pyaasa (1957) didn’t just complement the narrative but enhanced the emotional depth of the story.

The early Bollywood musicals were often built around the songs themselves. Bollywood songs became a language in their own right, often conveying emotions too complex to be expressed through dialogue. Lata Mangeshkar and Kishore Kumar, the voices of the era, gave life to these songs, making them iconic.

The '70s and '80s: The Rise of Disco & Playback Singing:

The 1970s and 1980s saw an interesting shift in Bollywood’s musical landscape. Disco music entered the scene with tracks like I’m Your Baby Tonight from The Burning Train (1980) and Disco Dancer (1982), marking a more international sound. Meanwhile, playback singers like Kishore Kumar, Mohammad Rafi, and Asha Bhosle dominated the scene, creating songs that were as iconic as the films themselves.

In the 1980s, films like Sholay (1975), Amar Akbar Anthony (1977), and Qurbani (1980) brought forward energetic numbers that resonated with the masses, giving Bollywood a new sound. But it wasn’t just the music; the choreography, the costumes, and the setting also came to define the genre. The popularity of the "item number" emerged around this time, a tradition that continues to define Bollywood today.

The '90s: The Era of Romance and Soundtracks:

The 1990s were marked by an explosion of musical blockbusters. The classic pairing of melodious love songs with visual grandeur became a hallmark of Bollywood during this period. Composers like Jatin-Lalit, Nadeem-Shravan, and A.R. Rahman introduced a range of sounds, from the soulful romantic ballads of Dilwale Dulhania Le Jayenge (1995) to the more contemporary pop-infused melodies of Dil Se (1998).

A.R. Rahman, in particular, revolutionized the industry with his fusion of Western and Indian music, creating scores that broke conventional barriers. His iconic work in Roja (1992) and Taal (1999) not only changed the music industry but also brought a new era of musical experimentation in Indian films.

Modern Day: The Fusion of Genres and Global Influence:

Today, Desi Cinema is characterized by a mix of traditional music with international styles. Composers like Pritam, Amit Trivedi, and A.R. Rahman continue to dominate the soundscape, but the influence of global genres like hip-hop, rap, electronic dance music (EDM), and even reggaeton can be felt in contemporary tracks. Bollywood soundtracks now embrace a wider range of genres, reflecting the evolving tastes of global audiences.

The rise of digital music platforms like Spotify and YouTube has made desicinemas film music more accessible than ever before, allowing audiences to discover and enjoy songs from all over India. In the past decade, regional cinema has seen a rise in musical experimentation as well, with composers like Ilaiyaraaja (Tamil).

Conclusion:

Music is the lifeblood of Desi Cinema. It’s what makes us laugh, cry, and dream alongside our favorite characters. From the majestic orchestral compositions of the 50s to the pulsating beats of today, the role of music in Indian cinema cannot be overstated. In Desi films, music is not just a background element—it’s an essential part of the narrative, blending seamlessly with the story to create an experience that is distinctly Indian, yet universally relatable. Whether you're humming a tune from a Bollywood blockbuster or tapping your feet to a Tamil chartbuster, music continues to be the soul of Indian cinema.

[my-music-1460]

Neeti Mohan’s Musical Journey: From Humble Beginnings to Stardom

Neeti Mohan has become a household name in Indian music, captivating audiences with her versatile voice and compelling performances. Known for her range and emotive singing, Neeti has built a remarkable career in Bollywood and beyond. From her early beginnings to her current standing as one of India’s top singers, Neeti Mohan’s journey to fame wasn’t an easy one. Her story is a testament to resilience, hard work, and an unshakeable belief in the power of music. This article traces the inspiring journey of Neeti Mohan, exploring the hurdles she overcame, the successes she achieved, and her evolution into a celebrated star in the Indian music industry.

Early Life and Background

Neeti Mohan was born into a musically inclined family that valued creativity and self-expression. Raised in Delhi, Neeti and her three sisters were encouraged by their parents to explore various talents, whether in the arts, sports, or academics. Growing up in such a nurturing environment, Neeti’s early exposure to music and performing arts laid the foundation for her career. Inspired by legends like Lata Mangeshkar and Kishore Kumar, Neeti’s passion for music blossomed at a young age.

Her journey began with small performances and competitions in school. Determined to pursue her dream, she trained rigorously in classical music. During her college years, Neeti continued her vocal training, adding depth and range to her voice, a skill that would eventually distinguish her in the competitive world of Bollywood music.

The Reality TV Breakthrough

In 2003, Neeti Mohan’s life changed when she joined the reality TV show “Popstars” on Channel V. As one of the winners, she became part of India’s first all-girl band, “Aasma.” This opportunity brought Neeti into the limelight, giving her a taste of the music industry and setting the stage for future success. Although Aasma eventually disbanded, Neeti’s stint with the band was a crucial stepping stone, providing her with valuable experience and the confidence to navigate the world of professional music.

After the band’s breakup, Neeti spent several years working on her craft and performing live to build a solid foundation in the industry. Her resilience during these years paid off, as she continued to make connections within the industry that would later open doors to bigger opportunities.

Breakthrough in Bollywood

Neeti Mohan’s Bollywood breakthrough came in 2012 with the song “Ishq Wala Love” from the movie Student of the Year. The song was an instant hit, and Neeti’s fresh, soulful voice captivated listeners across India. The success of “Ishq Wala Love” led to more opportunities, and soon, she was recording songs with some of the biggest music directors in Bollywood.

Following her initial success, Neeti delivered several more hits, including “Jiya Re” from Jab Tak Hai Jaan and “Tune Maari Entriyaan” from Gunday. Her collaborations with composers like A. R. Rahman, Vishal-Shekhar, and Shankar-Ehsaan-Loy showcased her versatility, as she seamlessly adapted to various musical genres, from romantic ballads to high-energy dance tracks.

Challenges and Overcoming Obstacles

Despite her rapid rise, Neeti Mohan faced her fair share of challenges. The Bollywood music industry is known for its competitiveness, and as a female artist, she had to work hard to establish her place. Neeti’s perseverance and dedication to her art helped her push through these obstacles. She remained committed to refining her skills, taking on diverse projects, and constantly improving her voice and technique. This focus on continuous growth kept her in demand, and soon, she was regarded as one of the most reliable and talented voices in Bollywood.

Expanding Her Horizons

As her reputation grew, Neeti Mohan began exploring projects beyond Bollywood playback singing. She performed live at concerts worldwide, bringing her music to an international audience and showcasing Indian music on a global platform. She also ventured into television, appearing as a judge and mentor on music reality shows like The Voice India and Indian Idol Junior. Her mentoring role allowed her to guide aspiring musicians and give back to the music community that had supported her.

Neeti also collaborated with international artists, adding diversity to her musical portfolio. By stepping outside the Bollywood box, she demonstrated her flexibility and openness to experimenting with different sounds and genres. This boldness in expanding her creative boundaries has solidified her status as a well-rounded artist.

Personal Growth and Artistic Evolution

Over the years, Neeti Mohan has grown not just as an artist but also as an individual. Her marriage to actor Nihaar Pandya marked a new chapter in her personal life, and the couple often shares their positive outlook on life with fans. Balancing her family life with a successful music career, Neeti continues to set an example for aspiring female artists who look up to her as a role model.

Her dedication to personal growth is evident in her music. Whether she’s working on a soft romantic number or a powerful anthem, Neeti’s voice reflects her life experiences, making her performances more relatable and authentic. Her evolution as an artist has allowed her to connect with fans on a deeper level, making her not just a singer but an emotional storyteller.

Recent Work and Future Goals

In recent years, Neeti has continued to be a prolific contributor to Bollywood music. From songs like “Nainowale Ne” from Padmaavat to “First Class” from Kalank, she has shown her adaptability and consistency as an artist. Beyond her success in playback singing, she’s also involved in various musical projects and collaborations, constantly seeking new avenues to explore her talent.

Neeti Mohan remains dedicated to her future goals, which include experimenting with new genres, collaborating with diverse artists, and perhaps even composing her own music. Her commitment to artistic growth ensures that she will continue to make a lasting impact in the Indian music industry.

Conclusion

Neeti Mohan’s journey from a small-town girl with big dreams to one of Bollywood’s most beloved singers is an inspiring story of perseverance, hard work, and unwavering passion for music. Despite the challenges she faced, Neeti’s dedication and resilience have allowed her to rise to the top, making her a prominent figure in the world of Indian music. Through her powerful voice and emotive performances, Neeti has touched the hearts of millions, creating a legacy that will continue to inspire aspiring singers for generations. As Neeti Mohan continues to evolve as an artist, her fans eagerly await what she will bring to the world of music next.

[86kime]

From the enchanting melodies of the 1950s to the soulful tunes of the 1990s, our collection of a to z mp3 old hindi songs free download offers a nostalgic journey through India's cinematic history. Relive the golden era of Bollywood with timeless classics by legendary artists like Lata Mangeshkar, Kishore Kumar, Mohammed Rafi, and Asha Bhosle. Indulge in the romantic ballads, peppy dance numbers, and poignant gazals that have stood the test of time. Immerse yourself in the rich cultural tapestry of India with our curated selection, all available for free download. Experience the magic of vintage Bollywood music like never before.

[shankarjaikishanfansassnintl]

Remembering screenplay writer/ lyricist Vrajendra Gaur on his death anniversary.

Shankar Jaikishan and Vrajendra Gaur, a Very Good Association

The extremely successful Shankar Jaikishan and the prolific dialogue and screenplay writer, lyricist, Vrajendra Gaur came together in 1960 and worked for seven movies in fifteen years. Everyone of the movies had very good screenplay and dialogues with excellent music.

Singapore (1960): Produced by F. C. Mehra, the movie was directed by Shakti Samanta. Vrajendra Gaur wrote the dialogues. Shammi Kapoor and Padmini acted in the lead with the title song filmed on the Malay Beauty Queen, Maria Menado. There are eight songs in the album. Shailendra and Hasrat wrote four songs each. Lata sang three solos and three duets with Rafi, with Mukesh singing one solo. The movie had a successful run.

Pyar Mohabbat (1966): The movie was produced and directed by Shankar Mukherjee. Vrajendra Gaur wrote the dialogues. Dev Anand was cast opposite Saira Banu. There are nine songs in the album. Shailendra wrote five songs and Hasrat four. Rafi sang two solos and two duets, one with Asha and the other with Manna Dey. Sharda sang two solos with Lata and Asha singing a solo each. The latter also sang two duets, one with Rafi and the other with Usha Mangeshkar. Although the music was very good, sadly, the movie did not fare well at the box office.

Duniya (1968): The romantic thriller was produced by Amarjeet. Vrajendra Gaur and K. A. Narayan wrote the screenplay. It was directed by T. Prakasa Rao. Dev Anand and Vyjayantimala were cast in the lead. There are six songs in the album. Hasrat wrote three songs while ashailendra, Neeraj and S. H. Bihari wrote a song each. Rafi sang three solos, Asha sang a solo and a duet with Kishore Kumar. Mukesh and Sharda sang a duet. It had a good run at the box office.

Lal Patthar (1971): F. C. Mehra produced the movie, a remake of a Bengali movie by the same name. The dialogues are by Vrajendra Gaur. It was directed by Sushil Majumdar. Raj Kumar, Hema Malini, Vinod Mehra and Raakhee played the key roles. There are six songs in the album. Neeraj wrote three songs, Hasrat two and Dev Kohli wrote one. Asha sang three solos and a duet with Manna Dey, with Rafi and Kishore Kumar singing one solo each.

Jaane Anjane (1971): The movie was produced and directed by Shakti Samanta. Vrajendra Gaur wrote the dialogues. Shammi Kapoor and Leena Chandavarkar are cast in the lead. There are seven songs in the album. There are seven songs in the album. Hasrat wrote four songs, S. H. Bihari two and Gulshan Bawra wrote one. Lata sang a solo and a duet with Rafi. Asha, Kishore Kumar and Sharda sang a solo each, while Suman Kalyanpur sang a duet with Manna Dey. The movie did reasonably well at the box office.

Jangal Mein Mangal (1972): The movie was produced and directed by Rajendra Bhatia. Vrajendra Gaur wrote the dialogues. Kiran Kumar and Reena Roy played the lead roles. There are seven songs in the album. Hasrat and Neeraj wrote all the songs together. Asha sang three solos and a duet with Usha.Kishore Kumar sang two solos and a duet with Rafi.

Resham Ki Dori (1974): T. C. Dhawan produced the movie and Atmaram directed it. The dialogues were by Vrajendra Gaur. Dharmendra was cast opposite Saira Banu. There are six songs in the album. Indivar wrote three songs, Neeraj two and Hasrat wrote one. Asha sang two songs, a solo and another with a chorus. Rafi, Manna Dey, Suman Kalyanpur and Kishore Kumar sang one solo each. Indivar, Shankar Jaikishan and Suman Kalyanpur received Filmfare Award nominations for Best Lyricist, Best Music Director/s and Best Female Playback Singer. The movie ran well at the box.

Although their movies together did very well, Shankar Jaikishan and Vrajendra Gaur parted their ways.

Seen in the picture below are (L-R): Shankar, Shanker Mukherjee, Vrajendra Gaur and Shailendra at the recording of a song for Pyar Mohabbat.

Photo courtesy: Suneel Gaur

[keepalivebollywood]

10 Timeless Bollywood Classics By The Legendary Lata Mangeshkar You Should Listen Today

For more than seven decades, Lata Mangeshkar has been an iconic voice of Indian film music. As the most recorded artist in history, she’s had a hand in making some of Bollywood’s most beloved classics. Today, we’re taking a look at 10 of her timeless tracks that have stood the test of time and still inspire listeners.

Introduction to Lata Mangeshkar

Lata Mangeshkar is a legendary Indian playback singer. She has recorded songs for over a thousand Hindi films and has sung songs in over thirty-six regional Indian languages. She is one of the best-known and most respected playback singers in India.

Mangeshkar was born on September 28,1929 in Indore, Madhya Pradesh, into a Marathi family. Her father, Pandit Deenanath Mangeshkar, was a classical singer and her mother, Shevanti, was a homemaker. Mangeshkar’s elder sister, Meena Khadikar, was also a playback singer.

Mangeshkar started singing at an early age and made her film debut when she was just thirteen years old. She has recorded songs for films in various Indian languages, including Hindi, Marathi, Bengali, Assamese, Gujarati, Kannada, Bhojpuri, Malayalam and Oriya. 

Mangeshkar has won several awards for her contributions to Indian cinema, including the Padma Bhushan (1969), the Padma Vibhushan (1999) and the Bharat Ratna (2001). She has also been awarded the National Film Award for Best Female Playback Singer five times.

Mangeshkar’s career spans more than seven decades. She has sung songs for some of the biggest names in B

List of the top ten Lata Mangeshkar songs that have stood the test of time 

Lata Mangeshkar is a legendary playback singer in India who has sung thousands of songs in her career spanning over seven decades. Her voice has been heard in some of the most iconic Hindi film songs of all time. Here is a list of the top 10 songs by Lata Mangeshkar that have stood the test of time:

1. Aye Mere Watan Ke Logo: This patriotic song was composed by C. Ramchandra and written by Kavi Pradeep. The song commemorates Indian soldiers who died during the Sino-Indian War in 1962. The song is still remembered today as one of the most emotional and patriotic songs ever sung.

2. Lag Jaa Gale: This romantic ballad was composed by Madan Mohan and written by Raja Mehdi Ali Khan. It was picturized on  Manoj Kumar, Sadhana and released in 1964. The song is still popular today for its soulful melody and lyrics.

3. Chhup Gaye Sare Nazare: The song is a romantic ballad and is one of the most memorable songs sung by Lata Mangeshkar. Her voice is so beautiful and expressive that it perfectly conveys the emotions of the characters in the song.

4. Tere Bina Zindagi Se Koi: This evergreen love song was composed  by R.D. Burman and written by Gulzar. It was picturized on Sanjeev Kumar and Suchitra Sen from the film “Khamoshi” and released in 1975. The song is still popular today for its soulful composition and meaningful lyrics.

5. Bahon Mein Chale Aao: The lyrics of the song are very heartwarming and describe the feeling of being in love. The song is from the movie Anamika. Bahon Mein Chale Aao is one of those songs that will stay with you long after you’ve heard it.

6. Yeh Galiyan Yeh Chaubara:  This melodious song is from the movie Prem Rog. The song is sung by Lata Mangeshkar, and the music is composed by Laxmikant Pyarelal. 

7. Ek Pyar Ka Nagma Hai: This song is one of the most popular songs sung by Lata Mangeshkar and Mukesh from the movie Shor and was released in 1972. The lyrics of the song are penned by Santosh Anand and the music is composed by Laxmikant-Pyarelal. It is a perfect track to listen to when you’re feeling romantic or missing your loved one.

8. Kora Kagaz Tha Yeh Man Mera: The song  was sung by Lata Mangeshkar and Kishore Kumar, and picturised on Sharmila Tagore and Rajesh Khanna. The song starts off with a simple melody that gradually builds up into a crescendo. The lyrics are written in a simple yet emotive style, which perfectly captures the feelings of love and longing. The two singers have done a phenomenal job of conveying these emotions through their voices. The music is also very catchy and will stay with you long after you’ve heard it.

9.  Yeh Kahan Aa Gaye Hum: This is a classic Bollywood song that has been sung by Amitabh Bachhan and Lata Mangeshkar. The song is from the movie Silsila and is one of the most popular songs of all time. The lyrics of the song are very meaningful and the tune is very catchy. The song has a very strong emotional impact on the listeners.

10.  Tujhse Naraz Nahi Zindagi: This song from the movie Masoom is sung by Lata Mangeshkar.  The song is a beautiful ballad that has a message of hope and resilience. It is a perfect song for someone who is going through a tough time in their life. The lyrics are very relatable and the melody is very soothing. This is one of those songs that you can listen to over and over again and never get tired of it.

Describe what makes Lata Mangeshkar’s voice so unique and special

Lata Mangeshkar is often referred to as the Nightingale of India and is one of the most celebrated playback singers in Bollywood history. Her unique voice has been described as “honey-coated” and “clear as a bell”, with a wide range and perfect pitch. Lata Mangeshkar began singing at a young age and made her film debut in “Paa laagu kar jori re” from “Aapki Sewa mein” (1947). She went on to record songs for hundreds of Hindi films and has sung in over 20 languages. Mangeshkar’s voice is truly one of a kind and her contributions to the world of Bollywood music are immeasurable.

How Her Songs Are Still Relevant Today

Lata Mangeshkar is often referred to as the Nightingale of India and has been praised for her exceptional vocal abilities. She has recorded songs in over a thousand Hindi films and has sung in multiple languages .

One of the things that makes Lata Mangeshkar’s music timeless is her ability to connect with her listeners. Her songs are full of emotion and resonate with people even today. In a world where Bollywood movies are increasingly becoming more formulaic, her songs offer a much needed respite. They are a reminder of a simpler time when movie songs were truly reflective of the human experience.

Some of Lata Mangeshkar’s most popular songs include “Bhigi Bhigi Rato Me”, “Tum Aa Gaye Ho Noor Aa Gaya”, “Zindagi Pyar ka Geet Hai”, “Gum Hai Kisike Pyar Me” and “Dil To Hai Dil”. These songs are still relevant today because they deal with universal themes such as patriotism, love, heartbreak and longing. No matter what language you speak or where you’re from, these songs will speak to you on a deep level.

The continued influence of her music and how it has impacted subsequent artists

Lata Mangeshkar is one of the most prolific and respected playback singers in India. She has sung hundreds of songs in Hindi and other Indian languages over her career, which spans more than seven decades. Her music has been influential to subsequent generations of Indian artists, both in terms of her vocal style and the choice of songs she has recorded.

Mangeshkar’s influence can be heard in the work of many contemporary Indian singers. For example, Sunidhi Chauhan has cited Mangeshkar as an inspiration, saying “I grew up listening to Lataji’s songs and try to emulate her style in my own singing.” Similarly, Shreya Ghoshal has said that “Lataji is my biggest inspiration… There is no one who can match her versatility or expressiveness.”

Lata Mangeshkar’s work has also been referenced by a number of international artists. In a 2013 interview, Beyoncé said that she was influenced by Mangeshkar when she was growing up: “My mom used to play a lot of Hindi movie music around the house… I definitely remember being fascinated by the sound of Mangeshkar’s voice.” .

Conclusion

Lata Mangeshkar has been an iconic figure in the Indian music industry for over 70 years, and her influence on popular culture will no doubt continue for generations to come. Her timeless songs have touched the hearts of millions, transcending boundaries of language and geography. There is no denying that Lata Mangeshkar was a pioneer when it came to Bollywood music, and she deserves all the respect and admiration that has been bestowed upon her by fans around the world.

[podo44]

Learn how you can download any mp3 song free

How to download famous Bollywood songs

Streaming platforms such as Spotify, Apple Music, and YouTube Music allow users to download songs for offline listening.

Users can also download songs from music downloading websites such as Saavn, Gaana, and Hungama.

Some Bollywood songs can also be found on file-sharing platforms such as torrents, but it is illegal to download copyrighted material from these websites.

Many artists and bands also release their music on their own websites, which can be downloaded directly from the site.

Which quality song is best for listening

The quality of a song that is best for listening depends on the listener's preference and listening equipment. For high-quality audio, a lossless audio format such as FLAC or ALAC is considered to be the best as it preserves all the audio information from the original recording. These files are typically large in size and may require more storage space on your device.

For a balance between sound quality and file size, an uncompressed audio format such as WAV or AIFF can be a good choice.

If file size is a concern and you're looking to save storage space on your device, a compressed audio format such as MP3 or AAC can be a good option. These formats use algorithms to remove certain parts of the audio that are considered to be inaudible to the human ear, resulting in smaller file sizes.

It's worth noting that some people might not be able to tell the difference between high-quality and lower-quality audio, and the quality of the audio can also depend on the listening equipment and environment.

India has a diverse and vibrant music scene, with many popular singers across various genres. Some of the most popular singers in India include:

Arijit Singh - A popular Bollywood playback singer known for his soulful voice and romantic ballads.

Lata Mangeshkar - Often referred to as the "Nightingale of India," Lata Mangeshkar is a legendary Indian playback singer with a career spanning several decades.

Sonu Nigam - A popular playback singer known for his versatile voice and his ability to sing in multiple languages including Hindi, Bengali, and Kannada.

Kishore Kumar - He was a Indian playback singer and actor, He was popular for his comic roles in Bollywood films, as well as his playbacks singing in the Indian film industry.

Shreya Ghoshal - A popular Bollywood playback singer known for her melodious voice and her ability to sing in multiple languages, including Hindi, Bengali, and Tamil.

A. R. Rahman - A popular Indian music composer, singer-songwriter, and music producer. He is known for his work in Indian film music and for his world music.

Neha Kakkar - A popular Bollywood playback singer known for her energetic performances and her ability to sing in multiple languages, including Hindi, Punjabi, and Haryanvi.

Mukesh - An Indian playback singer who was one of the most popular and acclaimed singers of the Hindi film industry.

Alka Yagnik - A popular Bollywood playback singer known for her melodious voice and her ability to sing in multiple languages, including Hindi, Bengali, and Gujarati.

K. J. Yesudas - An Indian playback singer and classical musician who has recorded more than 50,000 songs in a career spanning over five decades.

These are just a few examples, there are many more talented singers in India.

If you want to linstend free song of the famous singers of  Bollywood then the best site for  you is pagalworld .the best place to download HD Indian videos online for free. Hindi songs, bollywood songs, mp4 video, 1080p 720p HD video songs, ringtones are available for free download. Download mp3songi app now for android iPhone iOS devices to get access to unlimited indian songs 2020 tamil songs 2018 2019 latest hot new releases.

It is important to note that downloading copyrighted material without permission is illegal in most countries, so it's always best to purchase music from legitimate sources.

[sunnyleonesongz]

#KishoreKumar & #Vyjayanthimala Superhit Songs Click... #Kishoresongs .. https://goo.gl/qMv79R 

[bollywoodproduct]

Lyrics Mujhe Allah Ki Kasam

Lyrics Mujhe Allah Ki Kasam

Mujhe Allah Ki Kasam-Song contents: Lyrics in English Hindi Lyrics YouTube Video Song Trivia More Lyrics in English | Mujhe Allah Ki Kasam | Sanam Bewafa (1991) | Salman Khan, Chandni | Lata Mangeshkar Mujhe Allah Ki KasamAllah Allah Ki KasamTum Se Pyar Ho GayaMujhe Allah Ki KasamAllah Allah Ki KasamTum Se Pyar Ho Gaya Bina Eid Ke HiChaand Ka Deedar Ho GayaBina Eid Ke HiChaand Ka Deedar…

[musicverse11]

How Kumar Sanu's Voice Revolutionized Bollywood Playback Singing

In the history of Indian cinema, few voices have left as profound an impact as Kumar Sanu’s. With his mellifluous tone, impeccable control, and emotional depth, Sanu became the voice of romance for an entire generation. His songs from the 1990s, especially, defined Bollywood’s golden era of music, earning him legions of fans and a lasting legacy. Born Kedarnath Bhattacharya, Kumar Sanu rise from a musically inclined family in Kolkata to becoming the reigning playback king of Bollywood is a story of immense talent, relentless hard work, and impeccable timing. Even decades later, his songs continue to evoke nostalgia and remain beloved by audiences of all ages.

The Early Years and Musical Foundations

Kumar Sanu’s musical journey began under the tutelage of his father, Pashupati Bhattacharya, a noted vocalist and composer of classical Indian music. Sanu was exposed to music at an early age, learning classical music and mastering the tabla. Despite his strong classical roots, Sanu’s heart gravitated toward contemporary film music, a decision that would eventually set him on the path to stardom.

After completing his studies at Calcutta University, where he earned a degree in commerce, Sanu began to perform in local concerts and small shows. He was deeply influenced by legendary playback singers like Kishore Kumar, whose singing style inspired Sanu to develop his own distinct voice and technique. His early career was marked by struggles as he sought opportunities in an industry dominated by established icons.

Breakthrough with Aashiqui

The turning point in Kumar Sanu’s career came in 1990 with the release of Aashiqui, a musical blockbuster directed by Mahesh Bhatt and featuring music by Nadeem-Shravan. The album’s success was unprecedented, and it became a cultural phenomenon. Songs like “Dheere Dheere Se,” “Nazar Ke Saamne,” and “Jaane Jigar” became instant hits, with Sanu’s soulful voice striking a deep chord with listeners. Aashiqui not only solidified Sanu’s position as a playback superstar but also set a new benchmark for romantic music in Bollywood.

The success of Aashiqui was followed by a string of hits across multiple films, including Dil Hai Ke Manta Nahin (1991), Deewana (1992), and Baazigar (1993). Sanu’s ability to convey nuanced emotions through his singing made him the go-to singer for romantic tracks, especially during the 1990s.

Collaborations with Legendary Composers

Kumar Sanu’s career is defined by his fruitful collaborations with some of Bollywood’s most iconic music directors. The Nadeem-Shravan duo was instrumental in shaping his early career, but his partnerships extended to other maestros like Jatin-Lalit, Anu Malik, and Himesh Reshammiya. Together, they produced timeless melodies that continue to be loved to this day.

From the soulful “Tujhe Dekha To” in Dilwale Dulhania Le Jayenge (Jatin-Lalit) to the peppy “Yeh Kaali Kaali Aankhen” in Baazigar (Anu Malik), Sanu’s versatility allowed him to excel in a wide range of genres. Whether it was a heart-wrenching ballad or a high-energy dance number, his voice brought a unique texture that enhanced the cinematic experience.

Accolades and Achievements

Kumar Sanu’s illustrious career has been adorned with numerous accolades. Between 1991 and 1995, he won the Filmfare Award for Best Male Playback Singer for five consecutive years — an unparalleled achievement in Bollywood history. Some of the award-winning songs include “Ab Tere Bin” (Aashiqui), “Mera Dil Bhi Kitna Pagal Hai” (Saajan), and “Ek Ladki Ko Dekha” (1942: A Love Story).

In 2009, Sanu was honored with the Padma Shri, one of India’s highest civilian awards, in recognition of his contributions to the arts. Beyond the awards, the sheer volume of his work — over 25,000 recorded songs in multiple languages — is a testament to his dedication and talent.

Sanu’s Influence on Modern Music

Even as new singers and musical styles emerged, Kumar Sanu’s influence remained undeniable. His songs are often reimagined in contemporary films, ensuring that his legacy endures with younger audiences. Tracks like “Dheere Dheere Se” have been remixed and reintroduced in Bollywood, with Sanu’s voice serving as the gold standard for romantic playback singing.

Aspiring playback singers continue to study his techniques, particularly his flawless pronunciation, emotive expression, and ability to maintain pitch perfection. His work serves as a masterclass in blending technical expertise with emotional depth.

Legacy and Timeless Appeal

What makes Kumar Sanu’s music timeless is its universality. His songs don’t just belong to the 1990s; they transcend eras, evoking feelings of love, heartbreak, and joy that resonate with every generation. Whether it’s a grandparent reminiscing about the past or a teenager discovering his tracks for the first time, Sanu’s melodies remain relevant.

Beyond music, Kumar Sanu has also been involved in philanthropic work and other artistic ventures, further cementing his reputation as a multifaceted personality. His journey from Kolkata to the global stage is a source of inspiration, showing that with talent and perseverance, it’s possible to achieve greatness.

Conclusion

Kumar Sanu legacy as the evergreen voice of Bollywood is one that will continue to inspire and delight for generations to come. His unmatched contribution to the golden era of Bollywood music has left an indelible mark on the industry and in the hearts of millions of fans. Sanu’s ability to adapt to changing trends while maintaining his signature style ensures his relevance even today.

To experience the magic of Kumar Sanu’s voice, revisit his classic songs on streaming platforms like Spotify or YouTube. For a detailed list of his top tracks, check out this curated blog. Celebrate the legend by sharing your favorite Kumar Sanu song in the comments or dedicating it to someone special!

[magnus-the-maqnificent]

Like A Bollywood Love Song

A/N: Saw a post about autorickshaws, got inspired, wrote this. Bon appetit.

____ “I can’t believe you,” Alec said, shaking his head, his wind-ruffled hair messing up even more. Magnus grinned at him from across the black canvas, his hairstyle surprisingly agile considering the wind battering him from all angles.

“Why?” Magnus asked, raising his voice so he could be heard over the tututututututut of the autorickshaw. “What’s wrong?”

Alec’s eyes widened incredulously. “Who on Earth travels like this?!”

Magnus shrugged, which wasn’t all that easy since one hand was tightly gripping the rod framework, in the little space between the two, non-invisible Indian hands that were already holding onto the rod. The other was stretched across the canvas that formed the roof of the autorickshaw, clutching at Alec’s arm, right above his elbow. Alec was in a similar position to him, the two of them hanging off the sides of the autorickshaw. It was a result of Magnus’s plan to glamour themselves and hitch a free autorickshaw ride.

In Magnus’s defense though, he hadn’t anticipated the large family that wanted to catch the same autorickshaw that they were occupying. Or that the family would occupy every single corner of space in the autorickshaw, including both sides of the driver in the front. Which was how they ended up here now, feet balanced precariously on the edge of the metal floor, holding on to the rickshaw while it manoeuvred through several turns and streets while one of the family members rattled off the address in Marathi.

Looking back on it, Magnus realised that they could’ve just gotten off and found a different autorickshaw, but he let it slide. Sometimes you had to give into the silly, stupid things. Even if it included the wind slamming into you while riding standing in an open rickshaw and holding onto your beloved’s bicep.

“I’ve seen a lot of Indians do it,” Magnus said now, with another shrug. “They we’re all mundanes, and they turned out fine. We’re a warlock and a shadowhunter. We’ll be more than fine.”

Alec scoffed, but he was also smiling, so Magnus considered it a win. The autorickshaw was now ambling along a street lined with yellow streetlights and an orderly row of mismatched houses, their rusty steel gates flanked by a tree or two. The rickshaw finally came to a stop outside one of the houses, and Magnus hopped off so that the family could get out without slamming into his invisible body and freaking out. Once everyone had climbed off, he and Alec got into the autorickshaw, slumping back against the large backseat.

“Finally,” Magnus huffed, flexing his fingers.

Alec narrowed his eyes towards the driver, who was talking in agitated tones to one of the men from the family. “What’s going on there?”

Magnus listened to their conversation for a few moments, then said, “The driver wants more money. He says he wasn’t warned about how far from the highway this house is.”

“Oh,” Alec chuckled. “I can’t say I disagree.”

Magnus laughed along, resting his head against Alec’s shoulder. They sat in silence while the two men haggled over fares, until at last, the payment was made and the driver pulled up a lever, starting the engine. Magnus straightened, intending to enjoy the rest of the ride in peace. He realised that at some point his hand had found Alec’s, their fingers interlacing with each other’s, but he didn’t let go.

The wind was more welcome now, more gentle than the battering ram it had proven to be earlier. The night was cool, and Magnus couldn’t help but glance at Alec, who was looking outside at the passing trees, his expression cool and calm and open. Alec’s hair was still rumpled, but he made no move to brush it away from his forehead. Magnus wanted to do it for him.

As they turned a corner, the driver, oblivious to the glamoured couple in the back of the rickshaw, flicked at some switch and old Bollywood songs started playing from some hidden speakers in the back. The driver was humming along, clearly a hopeless romantic, but Magnus had other thoughts in mind.

Alec’s face was fading in and out of the shadows as the golden streetlights sped by. It was a full moon night, the air was cool, much unlike the sweltering heat they had been accustomed to in the past couple of days, and the voice of Kishore Kumar floated smoothly through the air. It felt like something out of a Bollywood movie, like a cheesy Bollywood love song.

Alec’s eyes flickered over to him then, and he raised an eyebrow under all the hair blown into his face.

Magnus smiled and shook his head. It was one of those rare moments, when you want to just lie back and cherish every moment, when it feels like an illusion so delicate your own voice could break it.

And yet, Magnus spoke anyway.

“I’ve always wanted to kiss someone in the back of an autorickshaw,” he said.

Alec smiled, and his eyes lit up, soft and blue. “What’s stopping you?”

Yes, what was stopping him?

Magnus returned the smile ten folds and shifted to face Alec. He closed his eyes, and they leaned in together, their lips finding each other even in the hush and quiet of the moment. Magnus smiled into the kiss, tilting his head just so, when the vehicle jolted hard, and the couple was flung apart.

Magnus blinked at Alec, disoriented for a moment. His bottom lip stung, and there was a persistent ache somewhere at the back of his head - he must’ve banged it against one of the rods that held up the canvas. Alec had been pushed against the side of the autorickshaw, and he blinked back with wide eyes, and the two of them burst into a fit of giggles.

“Ouch,” Alec mumbled as he sidled back towards the center.

“It could’ve been worse,” Magnus assured. “It could’ve been a mud road.”

“Yeah, I suppose so,” Alec said, chuckling and running a hand through his hair.

They leaned against each other, braving a couple more potholes before Alec spoke up again, “I feel bad about robbing this guy off his money.”

Of course you do, Magnus thought, but the thought bought a smile to his face anyway.

He shrugged with all the nonchalance he could muster. “I’m sure Goddess Lakshmi will bless him.”

Alec nudged him with an elbow. “You could be his Goddess Lakshmi tonight.”

Magnus’s lips twitched up, amused. “I didn’t realise that I and the Goddess were on the same level.”

Alec shrugged and said, simply, “You always were.”

Magnus froze, the way he always did when Alec caught him off guard, when he said things that titled Magnus’s world off-axis, and he never even realised what he was doing.

Alec bit his lip, looking worried at Magnus’s lack of response. “Did I say something wrong?”

Magnus shook his head, and his face spread into a smile once more, this one sweet and mellow. “Not at all, sweetheart. Not at all.”

Alec smiled back, leaning into the hand Magnus had put against his cheek. Magnus hastily scribbled away a mental note to summon up a wad of bills and stuff it behind the rickshaw driver’s seat, and then leaned in to kiss Alec once more.

The moon was full, the night was cool, and Magnus and Alec were kissing in the back of an autorickshaw.

Yes, it was just like a Bollywood love song.

[my-music-1460]

Exploring the A to Z of Hindi Male Singers: Icons of Indian Music

The Hindi music industry has been graced with an array of talented male singers who have defined the soundscape of Bollywood and beyond. From timeless classics to contemporary hits, these artists have left an indelible mark on the hearts of music lovers. The hindi singer name A to Z encompasses a diverse range of voices, each bringing their unique style and emotion to the music. This comprehensive guide takes you on a journey through the careers of these iconic artists, highlighting their contributions and celebrating their enduring legacies. Whether you're a fan of soulful ballads or peppy dance numbers, the world of Hindi male singers offers something for everyone. Let's dive into this musical alphabet and explore the legends and trailblazers of Hindi music.

The Legends: A Journey Through Time

Starting with the golden era, we have the legendary Kishore Kumar, whose versatile voice and expressive singing made him a household name. His ability to switch between different genres, from romantic melodies to playful tunes, showcased his immense talent. Another icon from this era is Mohammed Rafi, known for his soulful voice and unparalleled range. Rafi's songs continue to be cherished by music enthusiasts of all ages, making him an eternal favorite.

Moving forward, the late Mukesh's deep, melancholic voice brought life to countless heartbreaking songs. His collaborations with composers like Shankar-Jaikishan and lyricists like Shailendra produced some of the most memorable tracks in Hindi cinema. Another stalwart, Manna Dey, was known for his classical training and ability to blend traditional and modern styles effortlessly. His rendition of songs like "Ae Mere Pyare Watan" remains a testament to his mastery.

The Contemporary Icons

As we enter the modern era, names like Sonu Nigam, Udit Narayan, and Kumar Sanu come to the forefront. Sonu Nigam, often referred to as the "Modern Rafi," has a versatile voice that suits various genres, from romantic ballads to devotional songs. His powerful performances have earned him a massive fan following and numerous awards.

Udit Narayan, with his smooth and melodious voice, became the voice of the '90s. His songs for actors like Aamir Khan and Shah Rukh Khan became chartbusters, making him one of the most sought-after playback singers of his time. Kumar Sanu, known for his nasal tone and ability to convey deep emotions, holds the record for the most songs recorded in a single day. His songs continue to be a staple at weddings and parties.

The New Generation

In recent years, the Hindi music industry has seen the rise of a new generation of male singers who have brought fresh energy and innovation. Arijit Singh, with his soulful voice and emotive singing, has become a sensation. His ability to convey complex emotions has made him the voice of a generation. Another young talent, Armaan Malik, has captivated audiences with his smooth voice and heartfelt performances.

The rise of digital platforms has also given a platform to independent artists like Darshan Raval and Jubin Nautiyal. These singers have carved a niche for themselves, bringing fresh sounds and unique styles to the industry. Their contributions showcase the evolving nature of Hindi music and the industry's openness to diverse voices.

Conclusion

The A to Z of Hindi male singers is a testament to the rich and diverse landscape of Indian music. From the golden voices of yesteryears to the fresh talents of today, these artists have shaped and continue to influence the industry. Whether through romantic ballads, soulful renditions, or upbeat dance numbers, Hindi male singers have left an indelible mark on the hearts of millions."Hindi singer name A to Z," captures the essence of this journey, celebrating the voices that have defined generations and continue to inspire new ones.