#all kishore & rafi songs

[miss-conjayniality]

sitarist jay (drabble)

genre: fluff

pairing: jay x gn south asian!reader

word count: 610

warnings: none

A/N: in honor of all the holidays coming up (holi, vaisakhi, ramadan/eid, etc.), AND also my srk x jay post that sparked desi enha discourse, this one goes out to all my desi engenes!!!! 🫶🏼 happy holi!!!! happy vaisakhi a month in advance. and a ramadan mubarak to those who celebrate.

soft desi engene hours. could u just IMAGINE sitarist!jay and dholi!you!?!??? 🥺

jay is grateful to have a lover who hails from such a gorgeous, rich culture that spans millennia. and as any connoisseur of culture would say - music isn’t just part of culture….it is culture. he’s been playing guitar for many years now. and he wants to venture out into other stringed instruments. and what better way than learning the sitar?

jay enjoys the calming, soulful, and twangy sound of the sitar. it sends him into a trance and he feels completely immersed in a different world. despite it being “different” from what he’s done before, he believes that the language of music is universal - one felt within the heart first and foremost.

he holds a deep reverence for south asian music. be it nusrat fateh ali khan, kishore kumar, mohammed rafi, noor jehan, or asha bhosle, he feels the timeless, evergreen spirit of such compositions pulse within his soul.

watching him learn the sitar is an endearing sight. ethereal even! seeing the level of dedication he has towards mastering such an art form warms your heart. he wants to learn bhajans, shabads, and ghazals for you. all he wants in life is to express his love for you through music. just chillin’ in his kurtas with the sleeves rolled up and his sitar by his side, showing you the ravi shankar songs he’s learned so far.

on the other hand, he too admires you for your passion for percussion. jay loves your appreciation towards the different types of dhol. he fawns over the euphoric feeling you get when hitting every thappi and tiparu and the way you chant your DHAs and DHINs while doing so. jay also appreciates the way you treat your dagga and tilli sticks like they’re your babies. he loves the swingy sound of dhol beats and the swagger you exude while you play.

jay sometimes gets annoyed when you pester him with the sound of your loud ass dhol while he’s peacefully and calmly practicing his sitar. but he knows it’s out of love and good fun. it’s the desi equivalent of the percussionist kids in band disrupting the ones who play the wind and brass instruments. antics aside, jay appreciates the lively spirit and camaraderie that comes with these musical clashes, cherishing the shared moments of cultural exchange and musical banter.

in the end, these musical escapades become cherished memories, shaping jay’s musical journey with a touch of spontaneity and joy. the blend of dhol and sitar, once seemingly contrasting, transforms into a celebration of diversity within your shared love for music. as the two of you continue your artistic pursuits, jay realizes that the moments of lighthearted banter and cultural exchange have added a special rhythm to the soundtrack of your relationship - one of seismic adoration.

with each note played and every shared laugh echoing in the air, jay acknowledges that your artistic pursuits have not only strengthened your musical connection with each other, but have also deepened your bond with him. the rhythm of seismic adoration encompasses the highs and lows, much like the crescendos and decrescendos in your collaborative performances. through the language of music, your relationship thrives, creating a symphony of understanding, support, and shared passion that resonates far beyond the notes of your instruments.

[thecrazyinktrovert]

Love English music all you want, but NOTHING, I repeat NOTHING, hits harder than desi music. Like every single singer has their own trademark genre which they can execute PERFECTLY?? 

Can we talk about Arijit’s Mai gehra tamas tu sunehra sawera main tera in Kalank? 

or his Tum sath ho ya na ho kya fark hai, bedard thi zindagi bedard hai in Agar tum sath ho? 

or Tujh sang sukhi roti bhaye in Mast Magan? Ok leave that. 

Lets talk about Atif’s Khayalon me lakho baaten yun toh keh gaya, bola kuch na tere saamne in Tu jaane na?

or Rafta rafta tera hua, tere bin mai hu benishan in Tera hua?

or Tenu lakhan ton chhupa ke rakhaan akkhaan te sajaa ke tu ae meri wafaa, rakh apna bana ke main tere layi aan yaara in Dil Diyan Gallan? Ok leave that

Let's talk about KK's Chaand Teri roshni ka halka sa ek saaya hai in Ajab Si?

Or dil kyun yeh mera shor kare, idhar nahi udhar nahi teri orr chale in Dil Kyu Yeh Mera?

Or lut Gaye hum teri mohabbat me in Tadap Tadap? Ok leave that.

Let's talk about Jubin Nautiyal's tum se jo mil gaye, Mausam khil gaye, khudse ladne Lage hum sawarne lage in sawarne lage?

Or Mausam mohabbaton ke, lamhe ye chahaton ke apne liya bane hai maan le in Gazab ka hai din?

Or tere bina main na rahu mere bina tu in raatan lambiyan? Fine, leave that as well. 

Lets talk about Shreya Ghoshal's kaise huzurji ye lab dikhlaaye, chuppi lagake bhi gazab hai yeh dhaye in saibo.

Or Ye ishq haaye baithe bithaaye jannat dikhaye hain in ye ishq?

Or Dil bharta nahi, aankhen rajjti nahi, chaahe kitna bhi dekhti jaaun, waqt jaaye main rok na paaun in Thodi Der?

And DO NOT get me started on Mohammad Rafi, Kishore Kumar, Lata Ji, Asha ji and Sonu Nigam. Desi songs are peak lyrics, romance, emotion and vocals. You're straight up wrong if you think ANYTHING can beat that. I love Taylor, 1D and all, but Hindi songs? Absolutely unmatched!

Comment/reblog you favourite lyrics below!

[orgasming-caterpillar]

DOYH: Music Taste

Ranveer Kashyap

classical music is life (both Hindustani and Carnatic)

Lata Mangeshkar, Muhammad Rafi and Kishore Kumar fanboy to the core

will occasionally turn on a qawwali (doesnt want to admit that he's obsessed)

is very picky in english songs, but likes Hozier, Sleeping At Last, and Frank Sinatra

Raghav Patil

knows how to play acoustic and electric guitar

had a rock/punk phase in high school (only with music tho) and still likes them

boy's got Arctic Monkeys and Mother Mother in his blood

fell in love with retro bollywood music after he plugged into one of ranveer's playlists

he is… SO DRAMATIC. Like,, Rahat Fateh Ali Khan level of dramatic. Played Zaroori Tha in his head while crying in chapter 17

Madhuri Gaikwad

oh she's THAT girl

has a beautiful voice, wants to be like her favorite (Asha Bhosle)

can recite every hindi item song by heart, especially old bollywood ones. Chikni chameli? Ek do teen? Badi mushkil? Chane ke khet mein? She knows them all.

surprisingly, she also knows a lot of aartiyaan and mantras, catch her singing Madhurashtakam at any time of the day.

Manorama Shankar

MARWADI SONGS

is lowkey embarrassed by them usually, but push her onto the dance floor in a rajasthani wedding, and she's killing it on every single beat.

has a gym playlist

has a whole playlist of bollywood loverboy songs for madhuri, sings them at random times to make her blush

Shrishti Kaur

HOZIER LESBIAN

mitski too

hates mainstream bollywood songs

likes hard vocals, more for practicing than for listening because she likes pushing her limits

[itsskay]

List 5 songs you like to listen to, then publish this and send this ask to the last 5 people in your notifs <3🎶

Hiiee, thanks for asking this question <3

Picking just 5 songs is soo damn hardd, in gonna give you a list

Okay let’s see though according to my mood these days it would be and some of my all time favourites

Plus a bonus here !!

Some others might be ‘Ek Din Aap’, ‘Ishq hua kaise hua’, ‘Hothon Se Chhu Lo Tum’, ‘Jaisa Mera Tu’ etc and A LOT OF PUNJABI SONGS, it’s an entire playlist…😭😭

Oh oh and for some reason ‘Lazy Lamhe’ is a fav these days

I do have playlists for English songs too but they cannot be my all time favs ifykyk

(P.S. the second task done ☑️)

[nyctophile-moi]

intro post:

(dividers by the incredible @saradika)

★nyc ★(she/her) ★19 ★bookworm ★love enthusiast

✰got lovesick all over my bed✰

hello hello hello! welcome to my little corner of the internet on this hell site (said with all the love i swear <33). this blog is essentially a dumping ground for all my scattered thoughts and rambles, along with things I find relatable. well, it's mostly about things i find relatable tbh. i'm very sentimental and a little bit mentally unstable so.. okay who am i kidding? very mentally unstable so some breakdowns might be in order. also f**k jkr!!

➟ basic info :

•asian •19 •bilingual •funny (please let me have this) •scorpio (still skeptical with my belief) •"love" lover •adhd haver(?) •anxious always •oversharer •flirt •coffee addict •eldest daughter •gifted kid burnout •trying to be a woman in STEM •overthinker (just give me a degree in that atp) •sarcastic af •you'll be surprised to know how much stuff i have not watched •will read anything except non-fiction •queer •cannot deal with confrontation •may oftentimes make inappropriate jokes •procrastinator (another degree right there) •easy to please •gets obsessed with things pretty easily •will shit talk with you all you want •overanalyser •pinch of grammar nazi sometimes •pathological people pleaser who doesn't want anyone to see her •may get over shit quite fast •has a new crush everyday •23 wives and counting •if we're mutuals we're besties already

➟ interests :

•people •music •books •playing guitar •making people listen to songs i like •ranting about anything and everything •making my own theories about stuff •character analysis •poetry •classics especially •rewatching the same four shows over and over again •keysmashing •eating food •making playlists •scrolling on pinterest/tumblr •sleeping •researching random shit on the internet •maths •computer science •hating physics (i'm sorry it sucks) •plotting revenge (which i'll never be following through with) •spending a tonne of my time looking at expensive aesthetic clothes that i can never afford •looking at pictures of renee rapp and asking them (read: her) to marry me over and over •collecting wives (okay i'm sorry wifeys that sounds very objectifying ilysm) •going over conversations that have already happened in my head and making myself sound better •yearning

➟stuff i love :

»music

•taylor swift •maisie peters •lana del rey •gracie abrams •niall horan •julien baker •phoebe bridgers •lucy dacus •boygenius •the 1975 •olivia rodrigo •renee rapp •arctic monkeys •lizzy mcalpine •hozier •chappell roan •ed sheeran •the neighbourhood •cigarettes after sex •billie eilish •the national •bon iver •sabrina carpenter •girl in red •lorde •ariana grande •5 seconds of summer •conan gray •ricky montgomery •the lumineers •bleachers •shreya ghoshal •arijit singh •ar rahman •shankar-ehsaan-loy •mohit chauhan •sanam •md rafi •kishore kumar •lata mangeshkar •asha bhosle •mukesh •pankaj udhas •jagjit singh •pritam

»books

•book lovers •beach read •happy place •people we meet on vacation •the picture of dorian gray •pride and prejudice •emma •sense and sensibility •wuthering heights •the diary of a young girl •the murder of roger ackroyd •and then there were none •the fault in our stars •i fell in love with hope •the harry potter series •the seven husbands of evelyn hugo •heartstopper •boyfriend material •murder on the orient express •the mysterious affair at styles •the kiss quotient etc. etc.

(can you tell i have a versatile taste? also, emily henry is my auto-buy author and agatha christie is the queen of crime. hercule poirot is the better detective. argue with the wall pls.)

»movies/shows

•brooklyn nine-nine •friends •never have i ever •love, victor •fleabag •dead poets society •the theory of everything •bridgerton •poor things •derry girls •barbie •la la land •harry potter movies •red, white and royal blue •enola holmes •mean girls •legally blonde •the princess diaries •emma •pride and prejudice •heartstopper •little women •k3g •any srk movie basically •badhai do •shubh mangal zyada savdhan etc. etc.

➟DNI - racists, ableists, ED-promoting blogs, pedophiles, people younger than 13, empty/untitled blogs (y'all might be bots idk), jkr supporters/anyone affiliated with jkr, haters, zoophiles, anti-palestinians, misogynists/misandrists, fatphobes, homophobic people, transphobes, xenophobes etc. and anyone else who fits into that majority!!

(thankyou for reading all of that, can't believe i wrote it <33)

[vagabond-umlaut]

dream girl… kisi shayar ki gazal?

(BRONIT WAS MY FAV GROWING UP) LIKE OKAY WE DIDNT LISTEN TO MUCH BOLLYWOOD SONGS except DHOOM BUT MOHD RAFI AND ALL SIMCE MY DAD OWNED ALOT OF CD… AND THIS WAS ALSO MY DAD’s fav songgg!!!

THOO MY FAV SONGS GROWING UP WERE… churaliya hai tumne jo dil ko and that gazal by jagjeet singh WO KAAGAZ KI KASHTI WO BARISH KA PANI IDK IF YOUVE HEARD BUT WE GREW UP LISTENING TO GAZALS AND OLD BOLLYWOOD SHDJ

yes!! dream girl... kisi shayar ki gazal!!!

my dad too owns a hell lot of kishore kumar & mohd rafi's songs cds! and this is my dad's fave song too! what a coincidence!! :D

chura liya hai tumne jo dil ko >>>> and added the gazal to my playlist! tyy my love :))

[desicinema20]

"The Magic of Music in Desi Cinema: How Songs Define the Soul of Indian Films"

Introduction: No other film industry in the world celebrates music as much as Desi Cinema. Whether it's the grand, orchestrated musical numbers of Bollywood or the soulful ballads in regional films, music is the heartbeat of Indian cinema. In this post, we'll take a deep dive into how music has shaped and defined desicinema, from its early beginnings to modern-day hits.

The Role of Music in the Golden Age:

The 1950s and 1960s were a defining period for Indian film music. Music directors like S.D. Burman, Shankar Jaikishan, and Naushad composed melodies that became immortal. Songs from films like Mughal-e-Azam (1960), Awaara (1951), and Pyaasa (1957) didn’t just complement the narrative but enhanced the emotional depth of the story.

The early Bollywood musicals were often built around the songs themselves. Bollywood songs became a language in their own right, often conveying emotions too complex to be expressed through dialogue. Lata Mangeshkar and Kishore Kumar, the voices of the era, gave life to these songs, making them iconic.

The '70s and '80s: The Rise of Disco & Playback Singing:

The 1970s and 1980s saw an interesting shift in Bollywood’s musical landscape. Disco music entered the scene with tracks like I’m Your Baby Tonight from The Burning Train (1980) and Disco Dancer (1982), marking a more international sound. Meanwhile, playback singers like Kishore Kumar, Mohammad Rafi, and Asha Bhosle dominated the scene, creating songs that were as iconic as the films themselves.

In the 1980s, films like Sholay (1975), Amar Akbar Anthony (1977), and Qurbani (1980) brought forward energetic numbers that resonated with the masses, giving Bollywood a new sound. But it wasn’t just the music; the choreography, the costumes, and the setting also came to define the genre. The popularity of the "item number" emerged around this time, a tradition that continues to define Bollywood today.

The '90s: The Era of Romance and Soundtracks:

The 1990s were marked by an explosion of musical blockbusters. The classic pairing of melodious love songs with visual grandeur became a hallmark of Bollywood during this period. Composers like Jatin-Lalit, Nadeem-Shravan, and A.R. Rahman introduced a range of sounds, from the soulful romantic ballads of Dilwale Dulhania Le Jayenge (1995) to the more contemporary pop-infused melodies of Dil Se (1998).

A.R. Rahman, in particular, revolutionized the industry with his fusion of Western and Indian music, creating scores that broke conventional barriers. His iconic work in Roja (1992) and Taal (1999) not only changed the music industry but also brought a new era of musical experimentation in Indian films.

Modern Day: The Fusion of Genres and Global Influence:

Today, Desi Cinema is characterized by a mix of traditional music with international styles. Composers like Pritam, Amit Trivedi, and A.R. Rahman continue to dominate the soundscape, but the influence of global genres like hip-hop, rap, electronic dance music (EDM), and even reggaeton can be felt in contemporary tracks. Bollywood soundtracks now embrace a wider range of genres, reflecting the evolving tastes of global audiences.

The rise of digital music platforms like Spotify and YouTube has made desicinemas film music more accessible than ever before, allowing audiences to discover and enjoy songs from all over India. In the past decade, regional cinema has seen a rise in musical experimentation as well, with composers like Ilaiyaraaja (Tamil).

Conclusion:

Music is the lifeblood of Desi Cinema. It’s what makes us laugh, cry, and dream alongside our favorite characters. From the majestic orchestral compositions of the 50s to the pulsating beats of today, the role of music in Indian cinema cannot be overstated. In Desi films, music is not just a background element—it’s an essential part of the narrative, blending seamlessly with the story to create an experience that is distinctly Indian, yet universally relatable. Whether you're humming a tune from a Bollywood blockbuster or tapping your feet to a Tamil chartbuster, music continues to be the soul of Indian cinema.

[musicverse11]

Dev Negi: Bridging Bollywood and Global Music Trends

Bollywood’s music industry thrives on a rich blend of talent, creativity, and innovation, with artists who redefine the boundaries of entertainment. Among these gems, Dev Negi has emerged as a prominent playback singer who has left an indelible mark on Bollywood’s soundscape. With his melodious voice, boundless versatility, and magnetic charisma, Dev Negi has become a celebrated name in Indian music. From his humble beginnings in Uttarakhand to achieving stardom in Bollywood, his journey is an inspiring testament to passion and perseverance.

Early Life and the Foundations of Talent

Born on June 25, 1989, in Dwarahat, a serene town in Uttarakhand, Dev Negi grew up in a family that nurtured his love for music. Surrounded by the natural beauty of the hills, he often found inspiration in the rhythm of nature, which sparked his artistic instincts. From a young age, he displayed a deep inclination toward singing, participating in local events and school programs with enthusiasm. His idols included legendary playback singers such as Mohammed Rafi and Kishore Kumar, whose voices shaped his understanding of music and storytelling.

To refine his raw talent, Dev pursued formal training in Hindustani classical music. He enrolled at the Apeejay College of Fine Arts in Jalandhar, where he earned a bachelor’s degree in music. Under the mentorship of Shri Vinod Verma, he honed his craft, mastering vocal techniques that would later set him apart in the competitive Bollywood music industry. These formative years laid a strong foundation for his journey into playback singing.

The Big Move to Mumbai

In 2010, with a dream in his heart and a voice full of potential, Dev moved to Mumbai, the heart of India’s entertainment industry. Like many aspiring artists, he faced initial struggles, from countless auditions to rejections. However, his determination never wavered. He spent hours practicing, networking, and immersing himself in the city’s vibrant music scene. During this period, Dev also performed in jingles and small projects, gaining experience and exposure.

His perseverance finally bore fruit in 2013 when he got his first big break with the song “Aaja Ab Jee Le Zara” from the film Ankur Arora Murder Case. While the song didn’t become an overnight sensation, it marked Dev’s entry into Bollywood and opened doors to new opportunities.

The Rise to Fame: Chartbusters and Stardom

Dev Negi’s turning point came in 2017 with the blockbuster hit “Badri Ki Dulhania” from the film Badrinath Ki Dulhania. The upbeat track, composed by Tanishk Bagchi, became an instant sensation, dominating playlists and radio stations across the country. Dev’s energetic and infectious voice perfectly complemented the song’s lively choreography, making it one of the most streamed and celebrated Bollywood tracks of the year. This song established Dev Negi as a household name and a go-to artist for high-energy dance numbers.

Since then, Dev has delivered a string of chart-topping hits, showcasing his versatility. From the playful and quirky “Chalti Hai Kya 9 Se 12” in Judwaa 2 to the romantic and soulful “Sweety Tera Drama” in Bareilly Ki Barfi, his songs have resonated with audiences of all ages. Dev’s ability to adapt his voice to suit different moods and genres has made him one of Bollywood’s most sought-after playback singers.

The Secret to Dev Negi’s Success

Dev Negi’s rise to fame isn’t merely a story of luck or talent; it is a result of his relentless pursuit of excellence and his ability to evolve with changing musical trends. Several factors contribute to his success:

Versatility: Dev’s discography spans a wide range of genres, from peppy dance tracks to emotional ballads. His ability to adapt his voice to the needs of a song sets him apart from his contemporaries.

Collaboration with Top Composers: Over the years, Dev has worked with some of Bollywood’s most celebrated music directors, including Tanishk Bagchi, Pritam, and Amaal Mallik. These collaborations have not only expanded his repertoire but also allowed him to experiment with different styles.

Relatable Voice: Dev’s voice is both unique and relatable, which makes it appealing to a broad audience. Whether it’s a wedding anthem or a romantic melody, his voice connects emotionally with listeners.

Digital Presence: In today’s digital age, platforms like Spotify and YouTube have played a crucial role in amplifying Dev’s reach. With millions of monthly listeners, his songs continue to attract a global fanbase.

Challenges and Milestones

Like any artist, Dev Negi has faced his share of challenges. The competitive nature of the Bollywood music industry demands consistent innovation and excellence. However, Dev’s ability to stay true to his roots while embracing contemporary trends has helped him overcome these hurdles.

Some of his other memorable tracks include “Butterfly” from Jab Harry Met Sejal and “Biba”, a collaboration with international DJ Marshmello and composer Pritam. These songs highlight his global appeal and his willingness to experiment with diverse musical styles.

A Role Model for Aspiring Artists

Dev Negi’s journey from a small-town boy to a celebrated playback singer offers valuable lessons for aspiring musicians. His story emphasizes the importance of hard work, continuous learning, and resilience in the face of challenges. For those dreaming of a career in music, Dev’s life serves as a beacon of hope and inspiration.

Conclusion: The Star Who Keeps Shining

Dev Negi contribution to Bollywood’s music industry is undeniable. With his captivating voice and an ever-growing list of hits, he continues to enchant audiences and solidify his position as a musical powerhouse. As Bollywood evolves, one thing is certain: Dev Negi will remain an integral part of its vibrant soundtrack.

If you’re a fan of Bollywood music, don’t miss out on Dev Negi’s incredible songs. Explore his playlists on Spotify and watch his performances on YouTube to experience his magic firsthand. Share your favorite tracks on social media and join the conversation about one of Bollywood’s most dynamic singers!

[cosmicrhetoric]

revisiting lupe fiasco's food and liquor for the first time in ten years probably but idk im just thinking abt how like. i honestly didn't really listen to music at all until i was in the back half of my teens. not even top 40 i barely had access to the radio and ig all i knew were bollywood songs? i didn't listen to my parents when they put on lata or rafi or kishore kumar either. but the handful of albums i did know by the time i started processing that i could listen to music independently were all You Have A Brother Exactly Five Years Older Than You type albums

[bbglewis]

shuffle your favorite playlist and post the first five songs that come up. then copy/paste this ask to your favorite mutuals! <3

I've already done my usual favourite playlist, so I'll go for another one I love, this is called "songs papa plays in the car" (he's Indian-British, so half of it is in Hindi)

I Want It All - Queen

Dil Kya Kare - Kishore Kumar

Dirty Laundry - Don Henley

Chaudhvin Ka Chand Ho - Mohammed Rafi

Exactly Like You - the Nat King Cole + Frank Sinatra version

[86kime]

From the enchanting melodies of the 1950s to the soulful tunes of the 1990s, our collection of a to z mp3 old hindi songs free download offers a nostalgic journey through India's cinematic history. Relive the golden era of Bollywood with timeless classics by legendary artists like Lata Mangeshkar, Kishore Kumar, Mohammed Rafi, and Asha Bhosle. Indulge in the romantic ballads, peppy dance numbers, and poignant gazals that have stood the test of time. Immerse yourself in the rich cultural tapestry of India with our curated selection, all available for free download. Experience the magic of vintage Bollywood music like never before.

[adreamoftrains]

Old Hindi songs, timeless melodies echoing through the decades, carry the soulful essence of India's rich musical heritage. These classics, from the golden era of Bollywood, transcend generations, leaving an indelible mark on cultural history. The lyrics, poetic and profound, often reflect the simplicity and depth of emotions, resonating with listeners of all ages. Iconic voices like Lata Mangeshkar, Kishore Kumar, and Mohammed Rafi breathe life into compositions that remain evergreen. These songs evoke nostalgia, transporting listeners to bygone eras, where each musical note tells a story. Old Hindi songs are a cherished treasure, bridging the past with the present through their enduring charm.

[qureshimushranabdulrauf]

The old 🗝️

What’s your all-time favorite album? I am not very found of music or songs but I love to listen melodious song here and there specially of Mohd Rafi ji , Kishore ji Mukesh ji , Lata ji .

[keepalivebollywood]

Binaca Geetmala was a popular radio program in India that featured Hindi film songs. It was broadcast on the All India Radio network. The program became very popular, Many famous Bollywood singers and actors participated in the program, including Lata Mangeshkar, Mohammed Rafi, Kishore Kumar, Amitabh Bachchan, and Dilip Kumar. The program also gave listeners a chance to request their favorite songs. Binaca Geetmala was a cherished part of many people's childhoods and continues to be fondly remembered by those who grew up listening to it. Keep Alive is the ultimate app for Hindi songs. To enjoy Binaca Geetmala Hindi Songs download now and listen to thousands of Bollywood songs, old and new. Visit for more: https://www.keepalivebollywood.com/

[shankarjaikishanfansassnintl]

Remembering screenplay writer/ lyricist Vrajendra Gaur on his death anniversary.

Shankar Jaikishan and Vrajendra Gaur, a Very Good Association

The extremely successful Shankar Jaikishan and the prolific dialogue and screenplay writer, lyricist, Vrajendra Gaur came together in 1960 and worked for seven movies in fifteen years. Everyone of the movies had very good screenplay and dialogues with excellent music.

Singapore (1960): Produced by F. C. Mehra, the movie was directed by Shakti Samanta. Vrajendra Gaur wrote the dialogues. Shammi Kapoor and Padmini acted in the lead with the title song filmed on the Malay Beauty Queen, Maria Menado. There are eight songs in the album. Shailendra and Hasrat wrote four songs each. Lata sang three solos and three duets with Rafi, with Mukesh singing one solo. The movie had a successful run.

Pyar Mohabbat (1966): The movie was produced and directed by Shankar Mukherjee. Vrajendra Gaur wrote the dialogues. Dev Anand was cast opposite Saira Banu. There are nine songs in the album. Shailendra wrote five songs and Hasrat four. Rafi sang two solos and two duets, one with Asha and the other with Manna Dey. Sharda sang two solos with Lata and Asha singing a solo each. The latter also sang two duets, one with Rafi and the other with Usha Mangeshkar. Although the music was very good, sadly, the movie did not fare well at the box office.

Duniya (1968): The romantic thriller was produced by Amarjeet. Vrajendra Gaur and K. A. Narayan wrote the screenplay. It was directed by T. Prakasa Rao. Dev Anand and Vyjayantimala were cast in the lead. There are six songs in the album. Hasrat wrote three songs while ashailendra, Neeraj and S. H. Bihari wrote a song each. Rafi sang three solos, Asha sang a solo and a duet with Kishore Kumar. Mukesh and Sharda sang a duet. It had a good run at the box office.

Lal Patthar (1971): F. C. Mehra produced the movie, a remake of a Bengali movie by the same name. The dialogues are by Vrajendra Gaur. It was directed by Sushil Majumdar. Raj Kumar, Hema Malini, Vinod Mehra and Raakhee played the key roles. There are six songs in the album. Neeraj wrote three songs, Hasrat two and Dev Kohli wrote one. Asha sang three solos and a duet with Manna Dey, with Rafi and Kishore Kumar singing one solo each.

Jaane Anjane (1971): The movie was produced and directed by Shakti Samanta. Vrajendra Gaur wrote the dialogues. Shammi Kapoor and Leena Chandavarkar are cast in the lead. There are seven songs in the album. There are seven songs in the album. Hasrat wrote four songs, S. H. Bihari two and Gulshan Bawra wrote one. Lata sang a solo and a duet with Rafi. Asha, Kishore Kumar and Sharda sang a solo each, while Suman Kalyanpur sang a duet with Manna Dey. The movie did reasonably well at the box office.

Jangal Mein Mangal (1972): The movie was produced and directed by Rajendra Bhatia. Vrajendra Gaur wrote the dialogues. Kiran Kumar and Reena Roy played the lead roles. There are seven songs in the album. Hasrat and Neeraj wrote all the songs together. Asha sang three solos and a duet with Usha.Kishore Kumar sang two solos and a duet with Rafi.

Resham Ki Dori (1974): T. C. Dhawan produced the movie and Atmaram directed it. The dialogues were by Vrajendra Gaur. Dharmendra was cast opposite Saira Banu. There are six songs in the album. Indivar wrote three songs, Neeraj two and Hasrat wrote one. Asha sang two songs, a solo and another with a chorus. Rafi, Manna Dey, Suman Kalyanpur and Kishore Kumar sang one solo each. Indivar, Shankar Jaikishan and Suman Kalyanpur received Filmfare Award nominations for Best Lyricist, Best Music Director/s and Best Female Playback Singer. The movie ran well at the box.

Although their movies together did very well, Shankar Jaikishan and Vrajendra Gaur parted their ways.

Seen in the picture below are (L-R): Shankar, Shanker Mukherjee, Vrajendra Gaur and Shailendra at the recording of a song for Pyar Mohabbat.

Photo courtesy: Suneel Gaur