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DOYH: Music Taste
Ranveer Kashyap
classical music is life (both Hindustani and Carnatic)
Lata Mangeshkar, Muhammad Rafi and Kishore Kumar fanboy to the core
will occasionally turn on a qawwali (doesnt want to admit that he's obsessed)
is very picky in english songs, but likes Hozier, Sleeping At Last, and Frank Sinatra
Raghav Patil
knows how to play acoustic and electric guitar
had a rock/punk phase in high school (only with music tho) and still likes them
boy's got Arctic Monkeys and Mother Mother in his blood
fell in love with retro bollywood music after he plugged into one of ranveer's playlists
he is… SO DRAMATIC. Like,, Rahat Fateh Ali Khan level of dramatic. Played Zaroori Tha in his head while crying in chapter 17
Madhuri Gaikwad
oh she's THAT girl
has a beautiful voice, wants to be like her favorite (Asha Bhosle)
can recite every hindi item song by heart, especially old bollywood ones. Chikni chameli? Ek do teen? Badi mushkil? Chane ke khet mein? She knows them all.
surprisingly, she also knows a lot of aartiyaan and mantras, catch her singing Madhurashtakam at any time of the day.
Manorama Shankar
MARWADI SONGS
is lowkey embarrassed by them usually, but push her onto the dance floor in a rajasthani wedding, and she's killing it on every single beat.
has a gym playlist
has a whole playlist of bollywood loverboy songs for madhuri, sings them at random times to make her blush
Shrishti Kaur
HOZIER LESBIAN
mitski too
hates mainstream bollywood songs
likes hard vocals, more for practicing than for listening because she likes pushing her limits
#dancing on your heartstrings#www.doyh.com/rambles#ranveer kashyap#raghav patil#manorama shankar#madhuri gaikwad#shrishti kaur#oc talk#Doyh lore
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THE 36 MOST POPULAR SOUTH INDIAN (TAMIL-TELUGU-MALAYALAM-KANNADA) ACTORS & ACTRESSES (COMBINED LIST) OF ALL TIME ! (Based on calibrated/weighted ticket-sales figures of their lead films at worldwide box-office over entire careers)
👇
1. .Prem Nazir (Malayalam) 2. .Sheela (Malayalam) 3. .M. G. Ramachandran 4. .Rajinikanth 5. .Jaya Prada 6. .Sridevi 7. .N. T. Ramarao 8. .Arvind Swamy 9. .Mohanlal (Malayalam) 10. .Divya Bharti 11. .Rati Agnihotri 12. .Savitri 13. .Vijay 14. .Prabhu Deva 15. .Madhoo 16. .Venkatesh 17. .Heera Rajagopal 18. .Sathyan (Malayalam) 19. .Madhavi 20. .Nagarjuna 21. .Harish 22. .Sarath Babu 23. .Tabu 24. .Pawan Kalyan 25. .Urvashi (Malayalam) 26. .Nivin Pauly (Malayalam) 27. .Chiranjeevi 28. .Suriya 29. .Shankar Nag (Kannada) 30. .Nazriya Nazim (Malayalam) 31. .Manorama 32. .Sivaji Ganesan 33. .Vishnu Vardhan (Kannada) 34. .Soundarya 35. .K.P.A.C. Lalittha (Malayalam) 36. .Jayaram (Malayalam)
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Janani Janani Instrumental Cover By Madhan's Band | ஜனனி ஜனனி | Ilayaraja | Thaai Mookaambikai 1982
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Music Band: Madhan's Band & Team
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Services we offer: -Corporate Events -Virtual Events -Weddings & parties -Abroad Shows -Musical Instruments Rental
Get in touch with Madhan’s Band:
Website: http://www.madhansband.com/ MOBILE: +91 97867 66666 / +91 98401 53443 EMAIL: [email protected] / [email protected]
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Original Song Credits:
Song : ஜனனி ஜனனி - Janani Janani Movie/Album Name : Thaai Mookaambikai 1982 Star Cast : K.R. Vijaya, Manorama, Saritha, Jai Shankar, Sujatha, Major Sundarrajan and Thengai Srinivasan Singer : Ilayaraja Music Composed by : Ilayaraja
ஜனனி ஜனனி பாடல் வரிகள்:
ஜனனி ஜனனி ஜகம் நீ அகம் நீ ஜனனி ஜனனி ஜகம் நீ அகம் நீ ஜகத் காரணி நீ பரிபூரணி நீ ஜகத் காரணி நீ பரிபூரணி நீ ஜகத் காரணி நீ பரிபூரணி நீ
ஜனனி ஜனனி ஜகம் நீ அகம் நீ ஜனனி ஜனனி ஜனனி ஜனனி
ஒரு மான் மழுவும் சிறு கூன் பிறையும் சடை வார் குழலும் பிடை வாகனமும் சடை வார் குழலும் பிடை வாகனமும்
கொண்ட நாயகனின் குளிர் தேகத்திலே நின்ற நாயகியே இட பாகத்திலே நின்ற நாயகியே இட பாகத்திலே
ஜகன் மோகினி நீ சிம்ம வாகினி நீ ஜகன் மோகினி நீ சிம்ம வாகினி நீ ஜகன் மோகினி நீ சிம்ம வாகினி நீ
ஜனனி ஜனனி ஜகம் நீ அகம் நீ ஜகத் காரணி நீ பரிபூரணி நீ
சதுர் வேதங்களும் பஞ்ச பூதங்களும் சன்மார்க்கங்களும் சப்த தீர்த்தங்களும் சன்மார்க்கங்களும் சப்த தீர்த்தங்களும்
அஷ்ட யோகங்களும் நவ யாகங்களும் தொழும் பூங்கழலே மலை மாமகளே தொழும் பூங்கழலே மலை மாமகளே
அலை மாமகள் நீ கலை மாமகள் நீ அலை மாமகள் நீ கலை மாமகள் நீ அலை மாமகள் நீ கலை மாமகள் நீ
ஜனனி ஜனனி ஜகம் நீ அகம் நீ ஜகத் காரணி நீ பரிபூரணி நீ
ஸ்வர்ண ரேகையுடன் சுயமாகி வந்த லிங்க ரூபிணியே மூகாம்பிகையே லிங்க ரூபிணியே மூகாம்பிகையே (2)
பல தோத்திரங்கள் தர்ம சாஸ்திரங்கள் பணிந்தே துவழும் மணி நேத்திரங்கள் பணிந்தே துவழும் மணி நேத்திரங்கள்
சக்தி பீடமும் நீ ஆஆ.. ஆஆ ஆஆ சக்தி பீடமும் நீ சர்வ மோட்சமும் நீ சக்தி பீடமும் நீ சர்வ மோட்சமும் நீ சக்தி பீடமும் நீ சர்வ மோட்சமும் நீ சக்தி பீடமும் நீ சர்வ மோட்சமும் நீ சக்தி பீடமும் நீ சர்வ மோட்சமும் நீ
ஜனனி ஜனனி ஜகம் நீ அகம் நீ ஜகத் காரணி நீ பரிபூரணி நீ ஜகத் காரணி நீ பரிபூரணி நீ ஜனனி ஜனனி ஜகம் நீ அகம் நீ ஜனனி ஜனனி ஜனனி ஜனனி
ஜனனி ஜனனி ஜகம் நீ அகம் நீ ஜனனி ஜனனி ஜகம் நீ அகம் நீ
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Malayalam Serials In Asianet Tv Channels
Asianet commenced operations by the end of 1992 and started transmission by August 1993, at a time when the only Malayalam-language television channel available was the government-owned Doordarshan.
Asianet continues to be the Top Malayalam TV channel with far better viewership impressions than the rest of the channels. Asianet Movies is the new entrant to the Top-5 list this week with 63418K impressions. Asianet Movies has replaced Surya TV in this week's TRP list, and currently occupies the 5th spot.
Asianet Tv Channel is one of the most popular Malayalam television broadcasting channels based in Kerala, which shows dozen of best tv serials, drama, comedy, movies, and lots of reality shows.
Ammayariyathe Latest Malayalam Series on Asianet Aksharathettu (Mazhavil Manorama), Karthika Deepam (Zee Keralam), Namukku Parkkuvan Munthirithoppukal (Surya TV) and Ammayariyathe (Asianet) are the Upcoming/Latest Malayalam TV Programs. Regular programs started on All major player after the COVID-19 Crisis.
Malayalam Tv Serials Asianet
Padhaswaram is a popular Malayalam daily drama tele serial with a unique storyline which airs on the leading and popular Malayalam entertainment television channel Asianet TV. The story of this tele serial Padhaswaram is about the IT professionals. Padhaswaram is directed by director S. Janardanan and the story is also written by him and the show is produced by renowned Malayalam tele serial producer Mani. The actors Krishna Veni, Kumar, Melvin, Pream Shankar, and Veena Nair play the leading characters in this story. The story of the serial revolves round IT industry and the complex lives of employees out there. The show has already completed more than 278 episodes. In this show, the director tells the story of the IT professionals. Two sisters Krishna Veni and Urmila played by popular and talented Malayalam television actresses Dr. Divya Nair and Amala are the central characters and the main protagonists of this hit and successful popular mega tele serial. The other cast and crew members of the mega serial Padhaswaram are- Dr. Shaju Sham essaying the role of the main male protagonist and the common love interest of the two sisters Kumar, Anzil Rahman, Binoy, Binil, Ghadil, Dr. Divya, Anusree, Manka mahesh, Sunitha, Veena nair, Amala Kurian, Indulekha, etc.
AsianetLaunched30 August 1993Owned byStar IndiaPicture format1080iHDTV (downscaled to letterboxed576i for the SDTV feed)SloganAhead with change, ahead of others.Broadcast areaWorld wideHeadquartersThiruvananthapuram, Kerala, IndiaSister channel(s)
Asianet Plus Asianet Middle East Asianet Movies Star Plus Star Sports Star Vijay Vijay Super Star Suvarna Suvarna Plus
Asianet is an Indian pay television channel which broadcasts mainly Malayalam-language television series. Headquartered in Thiruvananthapuram, Kerala,[1] the channel is part of Asianet Communications, owned by Star India. It was the first privately-owned Malayalam-language channel in the country.
History[edit]
The channel was launched in 1993 with a broadcast of only three hours per day, with the rest of the Tie showing selective programs from the Australian Broadcasting Corporation and CNBC. By late-1994, the channel increased its broadcast time to 12 hours per day and later to round-the-clock broadcasting. Asianet was the first private TV channel of India to do 'live' news broadcasting from its Subic Bay uplink centre. In early-1995, the uplink was shifted to Singapore where it attained full operational status. With a change in the broadcasting policies of the Government of India, Asianet started an uplink from Chennai through VSNL. From 15 July 2002, Asianet had its own earth station at the Asianet Studio Complex in Puliyarakonam, Thiruvananthapuram.
Its headquarters were located in Chennai. Its first owners were Raji and Sashi Kumar Menon. Asianet Communications's majority share was later bought by Jupiter Media and Entertainment Venture, owned by Anoop Sree Ayroor. In 2008, Star India purchased the majority of shares in Asianet Communications.[2][3] In 2013, Star completely acquired the channel.
Coverage and viewership[edit]
Driver easy pro license key. Asianet has a presence in over 60 countries worldwide including the Indian sub-continent, China, South East Asia, Middle East, Europe, United States and the lower half of the former Soviet Union.[2][4]
Asianet is the no.1 malayalam general entertainment channel according to Broadcast Audience Research Council
Programming and shows[edit]
Asianet is a general entertainment channel with programmes in a wide variety of genres including Malayalam-language movies, soaps, reality shows, talk shows, news programmes, travel shows and music-based shows. While programming is mainly targeted at family audiences, there are several programmes aimed towards specific audiences such as shows for children, teenagers, young working professionals and elders.The channel also broadcast a successful musical talent reality show - Idea Star Singer.The channel also hosts and broadcasts the Asianet Film Awards and Asianet TV Awards.
It allows importing 3D objects and inserting them into the story. Anime studio free download windows.
References[edit]
^'Archived copy'. Archived from the original on 12 January 2015. Retrieved 2015-01-27.CS1 maint: Archived copy as title (link)
^ ab'Star buys majority in Asianet; forms JV with Rajeev Chandrasekhar Reuters'. In.reuters.com. 17 November 2008. Retrieved 16 July 2010.
^'Star TV buys majority in Jupiter Entertainment'. Business Standard. 16 November 2008. Retrieved 20 October 2013.
^VCCircle (17 November 2008). 'M & A Star Buys Majority In Asianet; Forms JV With Rajeev Chandrasekhar'. contentSutra. Retrieved 16 July 2010.
Asianet Tv Serials Latest Episodes
External links[edit]
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Asianet_(TV_channel)&oldid=899315120'
Asianet is an Indian pay TV channel operated by Asianet Star Communications, wholly owned by Star India, in the Malayalam language. The canal's headquarters are located in Thiruvananthapuram, Kerala.
The channel was originally promoted by Sasha Kumar with seed money provided by Reggie Menon in the early 1990s. In late 2006, Reggie Menon left Asianet Communications in part, transferring control to Rajiv Chandrasekhar (Jupiter Entertainment Ventures).
Star India bought 51% of Asianet Communications and formed a joint venture with JEV in November 2008. Star India acquired 100% of Asianet Communications in March 2014.
Asianet Communications was the first Malayalam entertainment broadcaster. It was promoted by Sashi Kumar with start-up capital provided by Reggie Menon. Kumar was the former head of the Indian Television Press Trust, and his relative Menon was a businessman from Moscow.
Asianet Malayalam Tv Channel Online
When Asianet faced the financial crisis, real estate firm Rahejas was given 50% of the cable company. The channels were still owned by Sasha Kumar (50% of the shares) and Reggie Menon (50% of the shares).
Later, Rahejas also wanted to participate in operations on the channel. While Kumar resisted Rahejas' overtures, Menon negotiated a deal with them, and as part of that deal, Rahejas gained full control of the cable company. Menon used what Rahejas had paid him to provide Kumar with a golden handshake.
The Zee Group's attempt to acquire Asianet from Menon subsequently failed. This was apparently due to the breaking agreement with the cable company prohibiting the takeover of the channel by a company interested in cable business.
Malayalam Serials In Asianet Tv Channels Asianet
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Starring: Kamal Haasan, Manisha Koirala, Urmila Matondkar, Goundamani, Senthil, Nedumudi Venu, Sukanya, Kasthuri, Manorama
Music: A.R.Rahman
Singers: K. J. Yesudas
Director: Shankar
Lyrics: Vaali, Vairamuthu
Year: 1996 (Source- MassTamilan)
"Male : Un moochil naan vazhnthaal
En mudhmai aanandham
Nee innoru piraviyil
Ennai pettraal innum aanandham
Male : Pani kottum mathathil
Un vetpam aanandham
En kaadhu varaikkum
Kambili pothum karunai aanandham
Male : Sondham orr aanandham
Bandham per aanandham
Kannae un vizhiyaal
Pirarku azhuthaal
Kanneerum aanandham aanandham..."
(Source - Tamil2Lyrics)
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‘Annamalai’ to ‘Dharala Prabhu’: Five Tamil films that were remade from Bollywood movies | The Times of India
TIMESOFINDIA.COM | Last updated on – Apr 24, 2020, 20:14 ISTShare fbsharetwsharepinshare
01/6’Annamalai’ to ‘Dharala Prabhu’: Five Tamil films that were remade from Bollywood movies
It is a common practice for Tamil films to be remade into other languages owing to the unique content the industry produces every year. But there have also been several Tamil films that were remade from Hindi films. And mind you, these are not some low-budget movies that we are talking about. Films as iconic as ‘Annamalai’ to ‘Dharala Prabhu’ are Tamil remakes of Hindi films and they did great at the box office.
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02/6’Annaamalai’ – 1992
Superstar Rajinikanth’s action drama ‘Annaamalai’, which was directed by Suresh Krissna, was a remake of the 1987 Hindi film ‘Khudgarz’. The story of the film is about two best friends who, despite coming from varied backgrounds, turn opponents because of an unexpected twist. ‘Annaamalai’ features Rajinikanth, Kushboo and Sarath Babu in lead roles with Radha Ravi, Nizhalgal Ravi and Manorama in supporting roles.
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03/6’Osthi’ – 2011
‘Osthi’, the action comedy film, which was directed by S. Dharani, features Simbu and Richa Gangopadhyay in lead roles. The film was a remake of Salman Khan’s 2010 blockbuster Hindi film ‘Dabangg’, but it failed to do magical numbers at the box office like the original version. Simbu played the role of a stylish cop ‘Osthi’ Velan, while Sonu Sood played the antagonist in the film.
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04/6’Nanban’ – 2012
‘Nanban’ was a remake of Rajkumar Hirani’s 3 ‘Idiots’, and the film was directed by the remarkable director Shankar. This was the first remake film of director Shankar, and he made it in Tamil since he wished to watch a whole new Tamil version of it instead of a dubbed one. ‘Nanban’ features a huge cast that includes Vijay, Jiiva, Srikanth, Ileana D’Cruz, Sathyan and Sathyaraj in main roles. The music of the film was scored by Harris Jayaraj.
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05/6’Nerkonda Paarvai’ – 2019
‘Nerkonda Paarvai’ was a remake of the Hindi film ‘Pink’, which features Amitabh Bachchan in the lead role. Ajith played the lead role in the remake version, and he delivered a good performance as the lawyer Bharath Subramaniam. Apart from Ajith, Shraddha Srinath, Abhirami Venkatachalam, and Andrea Tariang were seen in the other main roles, and the film was directed by H Vinoth. The film was produced by Boney Kapoor, and it marked the popular Bollywood producer’s first production in Tamil.
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06/6’Dharala Prabhu’ – 2020
The romantic comedy film ‘Dharala Prabhu’ was the remake of the 2012 Hindi film ‘Vicky Donor’. The film, which was directed by Krishna Marimuthu features Harish Kalyan, Vivek and Tanya Hope in lead roles, and it opened with positive reviews from critics. The story of the film is about an energetic young man Prabhu, who accepts to donate his sperm after being approached by a fertility doctor and makes quick money. But he is unaware of how this decision will affect his future.
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Imsai Arasan 23rd Pulikecei (English: The King of Torture, Pulikecei the 23rd) is a 2006 Indian Tamil language historical–comedy film written and directed by Chimbu Deven. The film stars Vadivelu in his debut as a lead actor. Monica and Tejashree play the female leads, while Manorama, Nassar, Ilavarasu, Sreeman and Nagesh play supporting roles. Sabesh-Murali composed the soundtrack album and background score. S. Shankar produced and distributed the film under his production banner S Pictures.
Imsai Arasan 23am Pulikesi Tamil Movie Meme Templates:
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Imsai Arasan 23am Pulikesi Tamil Movie Meme Templates Imsai Arasan 23rd Pulikecei (English: The King of Torture, Pulikecei the 23rd) is a 2006 Indian Tamil language
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Manorama is a butch bi girl she's from Rajasthan she is the sexiest character in the book i desire her carnally
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Chapter 13
Raghav pov
"Me?"
"Yeah, you." Raghav didn't know from where he got the courage to push those words out of his mouth. He wasn't sure he could be scared anymore if he tried. If his stupid bravery came in the way of his ability to form rational thoughts, he was going to be very deeply, passionately fucked in the next few minutes.
Though he had bigger problems to worry about right now. For example, the look of hurt hiding behind Ranveer's seven layers of stoicness. Slowly, with guilt weighing his movements down, he released Raghav's face.
Raghav released a breath that he very much knew he was holding. In fact, he was making a conscious effort to not breathe this entire time. Lord knows what would have happened if he had allowed himself to breathe in Ranveer's scent, while the guy was holding his face like that. He wasn't in a very stable mindspace to start with.
To Raghav's annoyance, being away from him was almost worse than being close to him.
"I shouldn't have told you all that." Ranveer's voice was barely more than a whisper.
Raghav realised he had said the wrong thing a moment too late. "No-! I, uhh, I mean…"
"What do you mean, Raghav?" Ranveer snapped.
"I mean, it's not because of what you told me last night. I'm- I'm glad you told me, sacchi. It's just…" He couldn't bring himself to look at Ranveer. So instead, he looked at the floor and took his face in his hands.
"It's Madhuri," he lied. They had decided to call her and her partner to Ranveer's house. (Raghav was going to stop by anyway, so it was killing two birds with one stone.) (And it wasn't like he could refuse Ranveer) "It's you and Madhuri. I haven't seen her in eight goddamn years and now I'm meeting her for the first time in so long and I called her to your house but if anything goes wrong which I know it will 'cause she's Madhuri she might not even-"
"Oye," Ranveer interrupted his senseless rambling. "Easy. Take a moment. Kya bolna hai sahi se bol."
Sorry, Madhuri, Raghav thought apologetically. He took in a deep breath before starting, "I haven't seen Madhuri in years. You know that. And raat ko I didn't know what I was saying when I said I should bring her over to your house where we can all hang out. I don't even know if you two will get along. Or what if her partner does something? I don't know how I'll cope with-"
"You do realise you can just… not bring her to my house, right?" Raghav stared at him, open-mouthed. He continued, "Like koi tujhe force nahi kar raha hai. You can meet her on your own terms and come to my house some other time."
Raghav's heart was flooded with a sense of achievement -he'd managed to lie to Ranveer- quickly followed by a sense of stupidity. Why hadn't I thought of that?
"Yeah, I… I guess I was just too overwhelmed to think straight." As if anyone can think straight around someone like you.
Ranveer gave him a look that he couldn't dare to decipher.
"Whatever. Ab focus kar," he said. A few quick touches to his phone and the music was back on.
Focus hi to kar raha hu, Raghav thought as Ranveer turned away. Bas galat cheez pe.
• • •
Manorama Shankar was staying in the college dormitory. It didn't take much research to figure that out. Though Raghav still had no idea where Madhuri was. He was stupid to agree to bring her to Ranveer's house when he didn't even know where she was.
With only four days left until the competition, it made sense that Madhuri and Manorama come here early to avoid any last minute accidents. But if that was true, where the fuck was she?
A trip to the dorm supervisor's office told him that she wasn't staying in the dorms. The one Manorama was staying in was a single person room, and from what Raghava remembered Madhuri didn't have any relatives in the area that she could be staying with.
Which was why Raghav was currently headed to Manorama's room. He would try to ask her where Madhuri was and hope she doesn't eat him alive. From what he had gathered about her, it was a sound possibility.
In all honesty, he was terrified. Not just of Manorama, but of Madhuri too.
What if she hadn't forgiven him for… God, for everything. For disappearing with such little notice. For not memorising her number before his parents changed theirs. For that fight the night before he had left. For not saying sorry when it was totally his fault. For-
An even worse possibility crossed his mind. What if she isn't even here?
What if it was some entirely different Madhuri with the same last name and the same passion for dancing and the same birthplace who was coming here to represent the college that his Madhuri had dreamed to attend?
It was stupid to even think that, he knew that. But he couldn't bear the thought of going home without meeting her today. Of never meeting her again. He had almost made peace with her absence during his time abroad. It hurt like hell when he didn't find her once he was back, but he had tolerated that too.
Now, he wasn't very sure.
He wasn't sure he could handle reopening old wounds only for them to be left unhealed again.
Raghav was pulled sharply back to reality when he bumped hard into someone right outside a coffee shop.
"Ud ke jayega kya, chu-" the girl's curse died in her throat. Her lips were formed into a stupidly comical 'o', frozen around the vowel. Raghav might have laughed, if he wasn't so shocked himself.
"Raghu?"
Har face was narrower, square jaw set in that stubborn way of hers. Her hair was coiled into a tight braid the same as ever. Her eyes were lined with thick kajal. Raghav tried to remember a single time he had seen her without it, but his mind was black and white static.
"Raghav Patil?" the girl asked.
Then Raghav did another thing to add to his list of stupidities. He shook her shoulder, which he had grabbed to steady her fall, and screamed "Madhuri! Hi!"
Like a fucking mental asylum escapee.
Oh, how teenage Madhuri would have laughed at him.
She swatted his arm away, laughing half hysterically. "Raghav, seriously?" The disbelief on his face was answer enough. "Kaha pe tha tu!? I tried to call you so many times."
"I- ek second. Were you going somewhere? We should sit and talk. about everything."
They entered the coffee shop bustling with activity. It wasn't very crowded, but the steady stream of conversations from all directions was a bit overwhelming. Especially when…
"Oh my god, Raghav," she began as soon as they sat down. "Pata hai maine tujhe kitne call kiye? I mean, not right away- tu bina sorry bole chala gaya tha isliye mujhe bhi gussa aa rakha tha. Teen char din baad call kiya to connect hi nahi hua. Ek hafte baad number hi change ho gaye."
The night before he had left, he came to tell her that he would be leaving tomorrow. She had started crying and screamed at him for not telling her before. He had started crying too that it was his parents' choice not his. They had been a very unflattering mess of tears and snot and the determination to not apologise before the other does.
"Waha jate hi mumma papa ne numbers change kar liye the," he explained. "And your number wasn't in the number book so…"
"And you didn't remember my number."
"Yeah," he admitted, trying to seem guilty. He was feeling guilty, very much so, but the joy of getting his best friend back was definitely overriding the regret of past mistakes.
"Kuch idea bhi hai tujhe maine kitne calls kiye the? Mujhe laga tu abhi bhi gussa hai isliye numbers block kar betha hai. I tried to call you from so many different numbers. Har baar pata nahi kon buddha phone utha leta tha."
Raghav hadn't laughed like this in years, not since Madhuri slipped out of his life. There was a familiar lightness in his chest as he watched her grinning while giving the waitress their order. She told her to put extra sugar in her coffee and half his much in Raghav's.
"Ek baar ke liye to main usi buddhe aadmi se tujhe substitute kar leti," she teased, uncaring of the waitress' horrified expression.
Gods, it was good to be back. "So, Bangalore, huh?"
"Hmm."
Out of all her friends, Raghav would have been the only one who could truly understand what it meant for Madhuri to get into that college. Would have. Now they had new people in their lives, new friends and almost a decade of things unsaid. A bitter pang resonated through Raghav's heart at the thought.
They filled each other in on the details, sharing as much of the last decade as they had missed. Madhuri's family moved to Bangalore a bit more than four years ago. (Which was still so weird, by the way. They were the definition of small town people. The hustle and bustle of a metropolitan city was something Raghav found hard to imagine them in.) A few weeks after that, Raghav's family moved back to India. ("Kismat hi kharab hai, bhenc-" "Madhuri.") He finished the rest of his schooling in the same school he and Madhuri had studied at together before The Fuckening (as Madhuri named it).
Once the bigger events were out of the way, that was when the actual gossip came in. Raghav could almost pretend that they were fourteen and she was back from a visit to her nanihal, spelling whatever she hadn't been able to talk about on the phone. That these weren't things that had happened years ago.
They talked about school and college, parents and friends and lovers, hopping around the landmine that was nostalgia. Madhuri didn't bring up their childhood years, so Raghav kept his mouth shut too. Besides, he didn't want her to start crying in the middle of a busy coffee shop. (Madhuri was never ashamed of her tears.) (Raghav was.)
"You're dating Manorama Shankar!?"
She shushed him aggressively. "Chilla mat! And yes, I am."
Raghav looked at her with a smug expression, a grin threatening to break out on his face.
"Kya hai?"
"Not what I'd go for, but to each their own, I guess." He hadn't even seen the girl, but if he was going to make up for eight years of getting on Madhuri's nerves, he might as well get started right away.
"She could bench press you and your entire family," she snapped.
"Even my dad?"
"Even your dad."
"Sorry."
Madhuri laughed, "I'm definitely telling her about this."
"Waise hai kaha wo abhi?" Raghav asked.
"Wo to abhi hamare room mein hi-" she shut her mouth immediately, at Raghav's raised brow. "I mean… you know what I mean. Jyada innocent banne ki koshish mat kar."
"Ishq ladane ke liye hamare college se acchi koi jagah nahi mili?"
"Tujhe kya pata ishq kya hota hai."
Ranveer's face appeared in his mind ─leaning against the counter of his kitchen, bathed in sunlight like a figure of gold─ and he quickly shoved the thought away.
"What was that?"
"Hmm?" He had lost track of the conversation.
"Kya soch raha tha?"
Of course Madhuri noticed. Shit.
"Kuch bhi to nahi." He pushed any and all images of Ranveer out of his mind. Just in case the girl could actually read minds, like he had suspected all these years.
"Chal chhod. Tera dance partner kon hai?"
Raghav nearly choked on air. However happy, he was not ready to tell Madhuri about Ranveer. Not here. "Ranveer Kashyap." Even saying his name felt strange now.
She wolf whistled loudly, teasingly, and for a horrifying moment Raghav was convinced she really could read minds.
"What?"
"I think I've seen one of his performances. Nice choice."
"What makes you think I chose him?"
Madhuri mock-repeated his words and said, "Eight years isn't enough to forget a boy like you, Raghav. I know damn well you'll never let someone like that pass."
She probably didn't mean it that way, but the irony was hilarious.
"Are you saying you didn't choose him?" Madhuri asked.
I wish I could. "I did."
Dancing On Your Heartstrings
Chapter 10 (chapter 1-9 here)
A minor correction about the prev chapters
Raghav pov
An array of emotions flashed through Ranveer's eyes, too quick for Raghav to read. He gulped. The significance of the moment, the unspoken knowledge that this right now will determine both their fates, hung heavy in the air. Still he couldn't help but look at his Adam's apple, its motion and how it sent a subtle ripple of activity throughout his throat muscles. Rein it in, Raghav, he told himself, this is NOT the time.
Raghav could see he was conflicted. He couldn't blame him. If he was in Ranveer's position, he would also contemplate if he was worthy of divulging his emotional baggage and secrets.
Whatever they were, it seemed Ranveer had decided he was not worth knowing those.
Ranveer took a step back, "it's none of your business. Please mere case se utar jaa." He took another step back, "Me ab kabhi dance nahi kar sakta, and there's nothing you can do about it."
He pivoted and started to go back, but Raghav took his hand and stopped him there. He didn't turn back, just letting him hold his hand. Raghav wanted to see his face, but it seemed his back had to do.
"Mujhe koi idea nahi hai teri life me kya ho raha hai, nor will I pretend that I do, but it seems you're letting it win, whatever it is that has pushed you into this." Raghav saw his back go rigid, his shoulder tense, and he knew he struck a chord. So he continued, "Some dance to release their tension, others dance to relieve their souls and escape their lives. But I've seen you, Ranveer, I see you," Ranveer's hand on his tightened, his grip on him giving him strength to continue, "and I know dancing sustains you. It feeds your soul. It gives you life. You come alive onstage and it's something people cannot tear their gazes off. You are magic to behold, Ranveer Kashyap. It would be a bit selfish of you to deprive the world of that beauty that only you can create, won't it?"
By the end of it, Raghav's voice was hoarse and he was surprised he wasn't on his knees begging him to stay. It certainly felt like it, like he just bared himself open and put himself on platter for Ranveer, his to stitch or ravage further.
After an eternity of silence, Ranveer faced him. What he saw on his face made his knees buckle in relief, made him release the breath he didn't know he was holding. Ranveer's eyes were wide, lined with silver. There was devastation written plain on his face, as if he was the victim of a Shakespearean tragedy.
He cleared his throat, cleared twice, "That's a lot of pretty words."
Raghav pulled his lips into a resemblance of smirk, even though on the inside he was damn near weeping, "What else did you expect to come out of this pretty mouth?"
Ranveer's eyes zeroed on the said mouth, and it made Raghav's heart stop. He couldn't move a muscle, couldn't do anything but watch him look at his lips. What is happening here? He wondered faintly. What in God's name is happening here?
His already dark eyes seemed darker, and the intense look of his eyes focused on his lips made Raghav bite them, feeling the look as if a burning finger stroked him there.
The movement jarring him out of his thoughts, Ranveer's eyes snapped to his, an odd look of determination and something else in them. Raghav jumped when he felt Ranveer's hand squeeze his. He'd forgotten they were still holding hands.
Ranveer pov
Pull yourself together, Ranveer scolded himself. Dear Lord, what was he doing, shamelessly staring at Raghav's lips like that? He felt goosebumps rising on his arm.
Raghav had gone through all that to get him back to dancing. And Ranveer repaid that by being a creep who didn't know where to put his eyes on. Sure, Raghav's lips were unlike any other he'd ever seen. They were the softest hue of pink, plush as the petals of a carnation. And then he was pulling the bottom lip between his teeth and oh lord.
Ranveer looked at him, determined to not let his eyes lose their way this time. What was he doing? Feeling ashamed of his own actions, he asked the first thing that came to his mind, "Where's the music?"
Raghav smiled, and the sparkle of joy in his eyes was almost enough to keep Ranveer's gaze from flickering back to his lips. Almost.
What brought him back to his senses was when the smile was replaced with a scowl. Whatever mysterious potion had been swirling in the air around them, it was gone now. He could sense the tension trickle back in.
"What do you mean where's the music? First you'll tell me why you ever even thought of quitting dancing."
The question he had dreaded the most was back, but he knew he couldn't avoid it any longer. "Raghav, I…"
"I'm listening," he replied.
"Listen. I know maine tujhe ignore kiya, I'm sorry. Maine bohot stupid decisions bhi liye recently, I'm sorry for that too." Ranveer mentally winced. This was just turning into him apologising for what a spectacular ass he had been, and he hadn't even realised until now. "I'll tell you everything, pakka. Just… abhi nahi."
Raghav weighed the options. Even through his fifteen layers of judgement, Ranveer saw where the favour was falling. "Okay," he said, and relief flooded through Ranveer. "But just know, I'll be haunting you for every waking moment until you tell me."
That was… okay. That was alright. Ranveer had survived worse. "So… Where's the music?"
The smile was back on his face, that unguarded joy back on those damned lips of his. "Right here."
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Madhan’s Band - Song of the Week from the previous show
Tamizhukku Amethendru Per| Madhan’s Band | B H Abdul Hameed| Surmukhi | Wedding Fusion Instrumental
YouTube : https://youtu.be/nyyNSghRTFU
Thanking you for giving us the opportunity to perform at the event NYTS Presents GOLDEN JUBLIEE CELEBRATIONS - Journey of Memories organised by New York Tamil Sangam, USA on 08th Nov 2020
Credits: Band: Bass: Madhan – Band Head Keyboard: Delip Keyboard: Bhuvanesh Drums: Guberan Octopad: Dinesh Tabla: Martin Flute & Sax : Kumar
Technical – Sound, Light & Video SHOW HEAD: JEROME DEEPAK JOHN SHOW RUNNER: MR. VASANTH SHOW COORDINATOR; MR. VENUGOPAL STUDIO, SOUND & LIGHT: PICTURE PRODUCTION (MR. ALFREAD SELVARAJ) STUDIO SOUND ENGINEER: MR. RAJU MIX & MASTERING: SURESH STUDIO SOUND ENGINEER ASST: THIRUMAL & BASKAR STUDIO LIGHT ENGINEER: MR.. RAYMOND STUDIO LIGHT ENGINEER ASST: VINAY KUMAR, SANTHAN RAj & VEDHACHALAM STUDIO VIDEO ENGINEER: MR. ASHWATTHAMA VIDEO EDITOR & POST PRODUCTION: MJ DIGITAL (MOHAMED JAHANGIR) DOP: Mr. VASANTH DOP ASSISTANCE: SRIDHAR CAMERA CREW: MUTHU, BALA & EDISON ONLINE EDITOR: Mr. VENKAT ONLINE EDITOR ASST: SELVAM GRAPHICS: PIXELART COLOURS: KANNAN STREAMING: PIXELART COLOURS: MOSES & ANAND MASTER OF CEREMONY: B H ABDUL HAMEED SINGERS; MUKESH, MURUGAN, NARAYANAN, SURMUKHI, PRIYANKA & VARSHA MUSICIAN: DELIP, BHUVANESH, KUMAR, GUBERAN, DINESH & MARTIN STANDUP COMEDY: MULLAI KODHANDAM & NAGAICHUVAI KAVINGAR MOHANASUNDARAM FOOD DEPARTMENT: CHINNARAJ MESS ______________________________
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Original Song Credits: Movie – Panchavarna Kili Singer – Padma Bhushan P Susheela Music Director – Viswanathan-Ramamoorthy Lyrics – Bharathidaasan Director – K Shankar Producer – Saravana Films
Year – 21th May 1965
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‘Perazhagan’ to ‘Massu Engira Masilamani’: Six times when Suriya played dual roles | The Times of India
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01/7‘Perazhagan’ to ‘Massu Engira Masilamani’: Six times when Suriya played dual roles
Popular Tamil actor Suriya made his debut in cinema with the film ‘Nerukku Ner’, and the actor has developed himself into one of the top stars in the industry. The actor has tried different types of roles with his films and delivered blockbuster hits. But Suriya’s best films were the ones where he played dual roles, and he has surprisingly quite a few films that fit the criterion. Also, the actor is reportedly playing a dual role in his next film ‘Aruvaa’ as well which is directed by Hari. We take a look at Suriya’s films from ‘Perazhagan’ to ‘Massu Engira Masilamani’, where he rocked dual roles.
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02/7‘Perazhagan’ – 2004
Suriya played the dual role for the first time in the film ‘Perazhagan’, and he played the roles of Chinna and Karthik. He had also won the Filmfare award for Best Actor for his performance in the film. Suriya and Jyothika both played dual roles in the film with Vivek, Manorama and Manobala in supporting roles. The film directed by Sasi Shanker was remade from the 2002 Malayalam film ‘Kunjikoonan’, and the music of the film was scored by Yuvan Shankar Raja.
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03/7‘Vel’ – 2007
Suriya played the roles of twin brothers Vasu and Vel, who split up at birth and are raised in different families. One becomes an officer, while the other becomes an influential man. Asin played the female lead in the film while Kalabhavan Mani played the role of an antagonist. The rural entertainer was directed by Hari, and it marked the director’s second collaboration with Suriya after the film ‘Aaru’.
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04/7‘Vaaranam Aayiram’ – 2008
The story of ‘Vaaranam Aayiram’ is about an NSG officer who is in the process of rescuing someone after the news of his father’s disappearance. He begins to recall the bond he shared with his father and the stories associated with him. Suriya had played a dual role as a father and son for the first time. Suriya displayed different age looks for these roles, and the film, which was directed by Gautham Menon emerged as the biggest blockbuster of Suriya.
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05/7‘7aum Arivu’ – 2011
Suriya played dual roles as a circus artist and as the Buddhist monk named Bodhidharma in the 2011 released Tamil film ‘7aum Arivu’. The film directed by AR Murgadoss revolves around a biological war between two of the most populous nations on earth. Suriya and Shruti Haasan played the lead roles in the film while Johnny Tri Nguyen was the main antagonist. Also, this was one of the several films selected by the SIFCC as an Indian submission for the Oscars under the Academy Award for Best Foreign Language Film category.
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06/7‘Maattrraan’ – 2012
After doing several dual roles, Suriya opted to play as conjoined twins in ‘Maattrraan’, which was directed by KV Anand. The story of ‘Maattrraan’ is about a pair of twins trying to save their father’s prosperous career from a Russian spy. However, shortly before the spy is killed, they come across a shocking revelation that may change their lives forever. Along with Suriya, Kajal Aggarwal played the lead role with Sachin Khedekar in the antagonist’s role.
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07/7‘Massu Engira Masilamani’ – 2015
Suriya played the dual role as a father and son again in ‘Massu Engira Masilamani’, which was directed by Venkat Prabhu, as a criminal Maasu, and as an intelligence officer Shakthivel. The film received mixed reviews from the audience. ‘Massu Engira Masilamani’ was simultaneously released in Telugu as ‘Rakshasudu’, and later remade in Bengali as ‘Naqaab’.
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