#Additional Cost

[gibbearish]

love when ppl defend the aggressive monetization of the internet with "what, do you just expect it to be free and them not make a profit???" like. yeah that would be really nice actually i would love that:)! thanks for asking

[dinrelsanddragons]

so for this post from ovegakart i'm imagining spell rules going along these lines...

Nayru's Shield: Level 3 Abjuration Casting Time: 1 Action Range: Self Components: V, S, M (A blessing from a Great Fairy worth 1000 rupees) Duration: Concentration, up to 1 minute The love and protection of the goddess Nayru shields you. You gain resistance to all damage for the duration. Additionally, this spell also summons a magic shield into your hand, granting the benefits of wielding a shield even if you are not proficient with shields. If you do not have a free hand, the shield does not appear, and this benefit is not granted. Finally, this spell also generates an emanation of protection around you, granting a +1 bonus to AC for any ally inside it, you excepted.

Nayru's Mirror: Level 3 Abjuration Casting Time: 1 Action Range: Self Components: V, S, M (A blessing from a Great Fairy worth 1000 rupees) Duration: Concentration, up to 1 minute The love and protection of the goddess Nayru reflects damage directed at you. You gain resistance to all damage for the duration. Additionally, creatures of your choice within 5 feet of you must make a Dexterity saving throw, taking 2d6 force damage on a failed save or half as much damage on a successful save, as shards of Nayru's protection strike them. Finally, ranged weapon attacks and ranged spell attacks that hit you are reflected off of you after dealing their damage, striking the original attacker for half their damage.

Notes: I split Nayru's Love into two spells, for Link and for Zelda. For Link: I figure this should be a hefty spell given the immense benefits it offers, but still accessible to an Eldritch Knight like Link. So I made it level 3. I'm also not sure about the concentration on it, since you can get smacked but it doesn't drop, I just wanted to make it slightly less busted by making it eat the caster's Concentration. For Zelda: More offensive, I originally thought like Armor of Agathys but re-read the handwriting and realized lol nope. So I made it so enemies who attack and hit you take the half damage that the shield stops you from eating.

Farore's Wind: Level 3 Conjuration Casting Time: 1 Action Range: Self Components: V, S, M (A blessing from a Great Fairy worth 100 rupees) Duration: Instantaneous Briefly surrounded by the divine gales of the goddess Farore, you teleport to a location within sight. Using a Higher-Level Spell Slot: You can teleport to any location you know within 1000 feet (4th level spell slot), any location you know within 5 miles (5th level spell slot), any location you know within 100 miles (6th level spell slot), or to any location you know on this plane of existence (7th level spell slot). If you cast this spell at 5th level or higher, there is a cumulative 15% chance for each level above 4th it is cast at (up to 45% with a 7th level spell slot) for a mishap to occur, sending you to a false destination. Holding or carrying an object linked to the intended destination removes this chance.

Notes: I figure the inspiration spells for this should be Misty Step (but range increased to 'anywhere within sight'), Dimension Door (range increased), and Teleport. It's a sort of catch-all spell. The only issue is that, in order to make it NOT BUSTED AS FUCK (which is already is tbh), I had to level-scale it, which seriously kneecaps Link as an Eldritch Knight. I also had to add in that a mishap can occur because even Teleport isn't perfect.

Din's Fire Level 3 Evocation Casting Time: 1 Action Range: Self Components: V, S, M (A blessing from a Great Fairy worth 300 rupees) Duration: Instantaneous An explosion of Din's holy flames blasts from you in a 20-foot emanation. Each creature in this emanation makes a Dexterity saving throw, taking 8d6 fire damage on a failed save or half as much damage on a successful one. Flammable objects in the area that aren't being worn or carried start burning. Using a Higher-Level Spell Slot: The damage increases by 1d6 for each slot level above 3.

Notes: It's Fireball as an emanation, why not.

Zelda's Light Level 3 Transmutation Casting Time: 1 Bonus Action Range: Touch Components: V, S Duration: 1 hour You touch a nonmagical weapon. Until the spell ends, that weapon becomes a magic weapon with a +1 bonus to attack and damage rolls. Additionally, when a creature hits another creature with that weapon, a bright flash of light accompanies the strike. The target must make a Constitution saving throw (using the caster's spell save DC) or be blinded until the end of its next turn. This spell ends early if you cast it again. Using a Higher-Level Spell Slot. The bonus increases to +2, and the weapon deals an additional 3d6 radiant damage with a 4-6 level spell slot. The bonus increases to +3, and the weapon deals an additional 6d6 (instead of 3d6) radiant damage with a 7+ level spell slot.

Notes: It's magic weapon but added blinding and radiant.

Lens of Truth Wondrous Item, Very Rare (requires attunement) While wearing this lens over your eyes, you have Truesight with a range of 120 feet.

Notes: Should this be legendary? True Seeing is a 6th level divination spell, so maybe! I made it attunement so you can't just pass it between people for a free action or whatever and you need to know it well to use it.

BONUS POINTS (or rather, an edit)

Ocarina of Time Wondrous Item, Artifact This ocarina has been protected by the royal family of Hyrule for ages, and is said to have a powerful connection to the unnamed goddess of time. You can take a Magic action to play a song on the Ocarina of Time, with each song producing a different effect or casting a spell. You must know a song in order to play it.

Zelda's Lullaby – When you play this song, this Ocarina opens a magical lock, or has other magical effects based on other locations which specify this song. This song has no effect on nonmagical locks. Epona's Song – When you play this song, you can cast the spell Find Steed at its base level of 2. Saria's Song – When you play this song, you can cast the spell Sending. The only possible recipient of the spell when cast in this way is the Fey known as Saria. Sun's Song – When you play this song, you can cause day to become night or night to become day, depending on what time it is when you play it. The passage of this time is instantaneous to the Ocarina's player, and does not confer the benefits of a long or short rest, nor does it impose the penalties of forgoing a long rest. Song of Time – When you play this song, you can open the Door of Time or cause obstacles bearing the symbol of the goddess of time to permanently disappear. If this song is played in the realm of Termina, it has an entirely different effect: You can go back in time to a maximum of three days, although in doing so you must forfeit all ammunition (nonmagical and magical) and rupees to go back. Upon returning to the past, all magic item charges are restored, and you gain the benefits of a Long Rest. You cannot use the Song of Time again for another three days. Song of Storms – When you play this song, you can cause the weather around you to suddenly and inexplicably become intensely stormy and rainy, complete with thunder and lightning. This storm lasts for ten minutes, after which time it vanishes. Effects of the storm remain. Warp Songs – When you play any of these songs, you can cast the spell Teleportation Circle, with each song being linked to a specific circle and sending those who stand in the circle's area there: the Minuet of the Forest will send to Kokiri Forest; the Bolero of Fire will send to Death Mountain's crater; the Serenade of Water will send to Lake Hylia; the Nocturne of Shadow will send to the graveyard of Kakariko Village; the Requiem of Spirit will send to the Desert Colossus in the Gerudo Desert; and the Prelude of Light will send to the Temple of Time in Hyrule Castle Town. Scarecrow's Song – When you play this song, you magically summon a wooden scarecrow to a location you can see within 60 feet of you. The Scarecrow is a Construct with 10 HP, AC 10, a movement speed of 0 ft., and immunity to psychic and poison damage. It vanishes when you play this song again. Inverted Song of Time – When you play this song, you can cast the spell Haste on yourself. Song of Double Time – When you play this song, you can magically cause twelve hours of time to pass by. The passage of this time is instantaneous to the Ocarina's player, and does not confer the benefits of a long or short rest, nor does it impose the penalties of forgoing a long rest. Song of Healing – When you play this song, you can cast the spell Calm Emotions, with the added ability to affect any creature capable of having emotions as opposed to solely humanoids. Song of Soaring – When you play this song, you can cast the spell Dimension Door. Elegy of Emptiness – When you play this song, you can create a lifeless statue of yourself. This statue is an eerie reflection of you and weighs the same as you do. It is a Construct that has an amount of Hit Points equal to half your maximum Hit Points, your Armor Class, and it has immunity to psychic and poison damage. It is also incapable of moving on its own.

Notes: No Sonata of Awakening, Goron Lullaby, New Wave Bossa Nova, or Oath to Order because they have extremely specific purposes.

[mr-timekeeper]

Don’t think I’ll ever get over the fact that Kaz Brekker nearly shifted the economy of Ketterdam

Like if the crows managed to ruin all of Van Eck’s silos and taken out a large huge amount of the sugar supply. That’s not something that will go down anytime soon it would take years for sugar to go back to the price it was to match up with supply and demand.

This 17 year old kid who likes dogs and can never figure out how to talk to his crush. Kaz “I protect my investments” Brekker almost caused a complete disruption in the stock market and with how strongly Ketterdam is built on their economic system-

Please I need someone else who think economy is a really cool topic to understand just how much that’s insane. A 17 YEAR OLD NEARLY CAUSED A SHORTAGE OF A HIGH DEMNAD COMMODITY ITEM.

Kaz would go insane in America

[kagooleo]

happy new years 2025! it's been nearly a whole year since I started posting about fluffyriceshipping here, and my art has changed a lot since then! what better way to start the new year than with some sweet potatoes with their partners 🍠🌅

[jensownzoo]

My meal worm farm setup (for chicken treats). Super easy, takes a few minutes of maintenance in the morning and a slightly more involved one every few months (still only takes a hour).

Has a drawer for pupae, one for beetles, and the rest for various stages of meal worms plus one extra to sift frass (poop) into. Other equipment is a stainless steel colander for sifting and a plastic spoon for transferring pupae and beetles to their new drawers.

I use either bread crumbs or rolled oats for bedding/dry food and carrots or cabbage leaves for moist food. Sometimes they get other stuff, but that's mostly it. Started by ordering a 5000ct pkg by mail and fed out at least half of that while the cycle got started.

The chickens get a "happy hour" on Fridays where they get a half handful of adult worms. They also get all the debris and any dead beetles (crunchy!) when I do the major maintenance.

I keep this setup in what functions as a mudroom for me because it's right next to the kitchen (I do the daily maintenance while waiting for the breakfast skillet to heat) and also so that I don't have to hear them constantly. It's a pretty loud dry rustling/chewing sound--okay periodically but continuously would drive me batty.

In addition to chicken treats, I also get significant amounts of frass:

(Roughly two cups from one sifting)

Frass is an excellent plant fertilizer, like most manures. High in nitrogen. I use it in my soil mixes and sprinkle it into the containers that I grow peppermint in to help with leaf production.

Anyway, was just starting on my big maintenance (which is why there's so many worms in the beetle drawer and very little bedding) and thought I'd share.

[pansylair]

oh man the shipping problems i thought i cleared are definitely baked into the site now with no way to fix it so the online store is paused 😮‍💨

the bulk of the orders have accurate shipping, i’ll make sure to have a refund sent within the next two days to the 4 or 5 people that got additional fees tacked on by the site.

my apologies for the trouble and thank you as i figure things out! i’ll certainly need to look for another site that I can use for an online store with robust shipping classes

[majimassqueaktoy]

Wait is it legit that you're supposed to get the deluxe addition to have access to new game plus ??

[guzhufuren]

Kaleidoscope of Death costs 28$ but with shipping to Kazakhstan it would be 63$. sigh

[purplesaline]

I firmly believe that the solution to 99% of the problems we're facing as a society right now is Building Community

And the best part of this solution? Everyone can participate to the extent they are able/willing and it doesn't need to reach a critical mass to make a significant difference. Every community that is built, whether it's between two people or an entire town, is beneficial to all of us.

You don't need special skills to do it, you don't need to know how to organize or even be good at socializing! It can be as simple as shoveling snow from your neighbours sidewalk even if you never speak to them.

We all have skills we're good ar and enjoy, we all have resources others lack. I don't have much money but I've got endless time, for example, so a friend drops her dog off with me a couple days a week. I don't charge her because I benefit in other ways but also because it helps build community. Not asking for cash allows her to pay using resources she has more of, either to me directly (she drives me home from my hospital appointments each monday), and indirectly by helping others which further builds our community in a pay it forward sort of way.

Community uses Good Will and Favours as currency instead of money and it's the only thing that can break the back of capitalism.

Community can take a lot of up front investment to get started, and not every person you invest in will add value, but in the long run your total return investment will be more than returned to you.

[mwagneto]

you people have no fucking idea how good you have it. first of all you have stores that are open 24/7. second of all you have stores that sell slushies like there's just a slushie machine. at the store. and you can fill your own cup with it which btw costs the same as in hungary but is 3 times bigger. third of all those two are the same store

[itshomobirb]

they should let me explode things with my mind. for enrichment.

[doingthewritethings]

you go into the pit restored to the body you were born with. no scars, no blemishes, organs regrown. this is not good for jason transgender todd

[oidheadh-con-culainn]

money doesn't buy happiness or mental stability but it is true that anxiety about concrete things is a lot easier to solve if you have money because the worst-case scenario is just... not as bad

take travelling: one time i was travelling and it turned out my accommodation booking had got lost so i arrived at the hotel to find it was booked out. an event in town meant there was no affordable accommodation nearby. if i had been alone, i don't know what i would have done, because i definitely couldn't afford to stump up the money that would be needed to find last-minute accommodation in that city. but the person i was with had a company credit card, and found me a hotel room. the larger your budget, the smaller the chances there will be nowhere you can stay

another time my flight was delayed, causing me to miss the last bus from the airport. i didn't have enough money to pay for a taxi the whole way to my destination, and my phone wasn't working well enough to let me call my accommodation and let them know i would be arriving after the normal check-in time, either. in the end my family had to transfer me extra money so i could pay for the taxi, and call the accommodation from their phone to pass on the message. if they hadn't been able to do that, i'd have been stuck in shannon airport forever (or at least until someone took pity on me) -- not great

a missed bus or a lost accommodation booking or a delayed flight or a suitcase going astray is a lot easier to deal with if the worst-case scenario is "I have to pay a bunch of money about this" vs "i am stranded with no way of getting to my destination/sleeping alone on the floor of the train station in an unfamiliar city/wearing the same clothes for a week straight with no access to my meds"

now sometimes there is no amount of money that will get you from one location to another because there simply isn't any transport and there is no amount of money that can buy things which aren't available to buy, which is why rural travel requires substantially more planning. however. it can still usually make it less miserable being stuck wherever you ended up / increase your options in general

(also, wow travel emergencies have got so much easier to deal with since roaming data, google maps, + mobile banking became a thing... so much less likely to find yourself lost and penniless, unless travelling somewhere super remote, in which case you've got bigger problems anyway)

[hakusins]

(vent in the tags) me thinking i've finally escaped financial problems: :DDDDD

life:

[metanarrates]

What do you think about how most people summarize orv's themes as love. I saw one of your reblogs about how it's too simplified for other works?

my general opinion is that saying "x is about love" is usually too damn vague as an analysis. while love is not a universal emotion (shoutout to loveless aros,) it's a common enough human experience that I really think that you need to specify what ABOUT love is being explored. is this a work about the depths of love? is it about the transformative potential of love? there are a thousand different ways love can manifest, and about a billion different ways a story can offer insight on the nature of love. I think it doesn't do justice to a story if you're not specifying what exactly it has to say about love.

all that out of the way, yes. many of orv's major themes are about love. specifically, it relates the love a reader has for a story to the love that a person can have for another human being. a story, like a person, can contain depths unknown to both author and reader - it is impossible to ever reach a complete understanding. there is always some element that will be impossible to communicate. something left hidden behind a wall.

but you can love that story, that person, anyway. you can offer your own interpretations, and try to understand as best you can. and the love and effort you put in matters deeply. the way that you can affect other human beings, specifically, matters deeply. even if it seems like your efforts will never reach that person, even if they are justifiably hurt by your efforts, even if your interpretations are wrong, even if you are the sole reader of a story. it matters that you were there and tried to love it as best you could.

orv also has a lot to say about love, self-sacrifice, and salvation. kim dokja's love of the story and his companions is a major motivator to why he destroys himself over and over. it's paralleled to his own mother, who sacrificed herself for his sake, and who he resented all his life and yet can't stop making the same choice when it comes to the safety of others. that sort of love and salvation hurts as much as it saves. it's as selfish as it is selfless. it's the same choice his companions make in order to get him back. they love him. they would be able to live with his resentment and guilt if it meant he would survive.

kim dokja's love for yoo joonghyuk, specifically, is both selfish and selfless. it is his love for yoo joonghyuk that was (unintentionally) responsible for much of yoo joonghyuk's suffering. the choices kim dokja makes out of love are what mitigate yoo joonghyuk's suffering, and eventually are what allows him to free himself from his eternal cycle. again, it is the love a reader has for a story, and the way that a reader both craves conflict and craves for the characters they love to overcome it.

it is the same love that drives yoo joonghyuk and han sooyoung to repeat the cycle again, as a choice this time. selfishly and selflessly. han sooyoung damns the world to apocalypse because she wished to save kim dokja's life. yoo joonghyuk chooses both regressions and his time in space to grasp at the chance to keep kim dokja alive. neither of their choices is guaranteed to save him. they know that. love alone isn't enough to save someone. but they make this choice because they love him, knowing that he would hate the choice. they create the story together because they want their sole reader to be understood by it.

and that's the end theme of orv's meditations on love and the nature of stories. if you love a story enough that it saves you... well, perhaps it's possible that the story, too, loves you back.

none of this is easy to describe in a sentence. I agree that it's probably easier to just say "orv is about love?" but I wish more people identified it further beyond that, since that usually is where the discussion just stops. I find orv's discussions on love to be some of the most compelling presentations on the topic that I've ever seen in fiction, and I like discussing it! i want to treat it with the complexity that it deserves.