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vyl3tpwny · 1 year ago

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Hello Vylet, I find your music inspiring to me. as I am beginning to get into music production myself. With that being said I find it very difficult to find a place to start and I don't really have a direction. Is there any advice that you could give beginners like me on trying to get a foothold in music? Like sources, or things that should have a higher priority in learning?

the thing i tell most ppl is to start learning with whatever interests you the most first. for example, if you rlly like drums and rhythms, start by experimenting with drum beats and programming stuff and performing things like that. if you really like the idea of arranging things into a song, get some loops and shit and just feel out how to arrange things. as you get proficient in one aspect, start throwing in more things that you're interested in.

for me, i really liked composing and arranging when i started. so i didnt care about how good the instruments were or how to mix anything or how to refine anything. i just focused on taking instruments, composing things with them, and arranging on a timeline. then i got super interested in sound design so i started to learn more about how synths ACTUALLy worked, and how to use effects to change things.

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whats cool is you can actually find lots of old sample cd's archived on archive .org [just google archive . org sample cds]. so tons of free samples there. looperman is another classic sample resource. freesound also. you can pay splice for sample credits and u can have a certain amount of sounds for a monthly fee. but u can also just sample songs too. hey! you can sample my songs. that's always safe :3

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i always find andrew huang's videos to be great for beginners

fact magazine has a great series called against the clock where you can watch ppl make a song in a few mins and observe workflows and ideas

even if u dont use live, ableton has some great videos and seminars on making music and stuff.

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if you need a DAW, bitwig is available on rent-to-own so you dont need to commit to smth

and if you need some third party plugins, check out vital , ob-xd , klanghelm , and analog obsession for some cheap and free stuff. i say this everytime ppl ask for software recommendations but Vital is such an awesome free synth. i use it on almost every single song i make!!!!

also sylenth is one of my fav synths after over 10 years of using it and it's also on rent-to-own

everything on kilohearts is rent-to-own and i love all their shit too.

hope this helps a little bit!

#vyop

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thornsofthefuture · 2 months ago

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an interview with witchita — a talk about underground music, anxiety and corruption

today's thorns of the future guest is witchita, once an electronic/witch house artist, now a latin urbano artist from mexico. witchita has been in the scene since 2019, when he released his first ever EP called "untitled" through distrokid. the songs from the EP could be described as energetic, with a dose of experimentality.

[this interview includes strong language and possibly triggering content. viewer discretion is advised.]

thorns of the future: what was the first song you've ever made?

witchita: Witchita from my first EP, named "Untitled" I wanted it to sound like "Baptism" by Crystal Castles, obviously it doesn't resemble that song that much due to lack of expertise at that point, but I do like that the first song I ever produced did ended up in a official release of mine, brings a lot of memories and transports me to that time when I first started learning Ableton, and what's mixing/mastering.

thorns of the future: what are some artists that you really like?

witchita: Crystal Castles, Skrillex, Playboy Carti, Yung Lean, Noisia, Dillom, Snow Strippers, 100 gecs, are like some "big names" I tend to always listen to underground and local projects to know what's really happening in the scenes I'm interested. As a fun fact, the last album I've recently listened is "1" by "estratosfera" from Argentina, I've also recently listened to a band called "Garbage People" they're like "garage rock?" sounded cool too.

thorns of the future: tell us about your craziest live show experience.

witchita: I had a show in Villahermosa, in my home state "Tabasco" in mid 2023, that was one of the first time, playing a couple of new songs, and the response to them from the audience was amazing, I saw everybody connecting and enjoying themselves, at least this was crazy for me, and also hearing the feedback from them at the end was super uplifting, I know this isn't very "crazy" lol but it was for me.

thorns of the future: do you have any new planned releases?

witchita: Yes, there's three songs for upcoming releases, one is called "Olas de un ayer" produced by a friend called Rodrigo, that's a "nostalgic" song about my teenage years. I have another one at the moment called "Por Dentro" produced by Trillfox, that's resembles my anxiety and dumb ways to deal with it. The third one, doesn't have a name yet, but it's a "hoodtrap", that's more on some gansta shit, produced by me, and co produced by razorz.

thorns of the future: tell us about the riskiest or the dumbest thing you've ever done.

witchita: Trusting the wrong people back in 2018 led me to being in a vulnerable situation, caused me to not have any money for basic needs, damaged relationships with friends and family, not having a stable living situation, I had to crash friends couches, all of this while I was student, luckily enough I hustled enough to get out of that situation with call center jobs and side businesses and I'm okay since late 2020, shit was awful. When I released "untitled" in 2019 I thought I was going to die any day.

thorns of the future: if you could resolve one major problem on earth, what would it be?

witchita: War. I'm in awe that we're getting a genocide basically being streamed in front of our eyes, and no one's doing shit to stop it. I'm as dumb as the next guy about these topics, but I think bombing children is just wrong and evil. Although I don't think this will ever be resolved, we will see wars until the sun explodes.

thorns of the future: what's your favourite song that you produced?

witchita: HUMX, my latest single at the moment, it's a very simple beat that combines those Witch House elements with a Jersey and urban percussions. I've gotten feedback from listeners that this one's their favourite song of mine.

thorns of the future: what software do you use to make your music?

witchita: Ableton and I will never leave it, great for producing, great for playing live, my favourite producers use it, but to each it's own, FL Studio, Logic, even if you only have Bandlab, you can make great music, the goal is to have the purpose to create.

thorns of the future: what's the artist you'd love to collaborate with?

witchita: Like, DREAM collab, shit, Skrillex, 100gecs, besides that, I'm really almost open to collaborate with any artist that it's "outside" the box, that might have some cool or fresh sounds going on.

thorns of the future: what's the artist you'd never like to collaborate with?

witchita: I wouldn't like to collaborate with artists that don't want try to make things a bit differently or that their shit doesn't sound authentic, type beat type of crowd, that make songs like is a recipe, like making 2001's pop punk exactly as it sounded in effing 2001.

thorns of the future: how did you come up with the name for your project?

witchita: The project used to be under the name "Cry Horror" but I started to feel less identified overtime with that name, razorz (aka EPILEPTICS) suggested me to use the name of my first track for the new project name when I started really getting into more urban and hyperpop influence, he also pushed me to really dive in, into producing these type of genres more.

thorns of the future: what is your song "V" about?

witchita: V is a song about how we're all corrupted, it's in our nature, that you shouldn't trust your governments and police.

thorns of the future: tell us about your hobbies.

witchita: I'm always listening to music, or try to educate myself more about the craft, I don't consider it a hobby, but a passion though. I really enjoy watching films, I wish I could draw better, since I believe is a great way to express youself artistically, I really like cooking as well.

thorns of the future: what's your biggest regret?

witchita: I wish I started taking this music shit more seriosuly earlier, when I was young there was a lot of scammy producers that didn't even finished your songs, or delivered super late. I wish I could started recroding and producing myself since I was a teen. I did write songs there but they're lost in my mind or in some lazy ass's PC.

thorns of the future: tell us about your biggest wish when it comes to your music.

witchita: I hope to drop music until I pass, my biggest wish is to keep trying to innovate, to make better songs and to my music to find it's audience, so it can fulfill it's purpose.

we would like to thank witchita for answering all of our questions. we really appreciate you. that's all for now.

youtube

images & videos: witchita

spotify:

https://open.spotify.com/artist/4EEA2IvXRTLbllO4FvM0sX

instagram:

https://www.instagram.com/witchitamusic/

hyperfollow:

https://distrokid.com/hyperfollow/witchita

peace.

#witchita #interviews #youtube #witch-house #electronic music #Youtube

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defiantdreemurrs · 3 months ago

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For the ask thing: 7(Have tattoos?) and 44 (A random fact about anything)

7: i dont but id like to get stuff related to some of my favorite bands tattooed somewhere in some way at some point, also maybe the ushiromiya eagle tattooed to my thigh because funny umineko reference

44: ableton live is a digital audio workstation created in the late 90s early 2000s by a handful of techno artists who wanted to come up with a new way to play electronic music live using the power of computers and prior to version 4 did not have the ability to use virtual instrument plugins or record audio, only allowing you to sequence outboard gear and play audio files you recorded using other software

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thumpypuppy · 1 year ago

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how do you usually come up with melodies n stuff? also what program did you use to make the isat soundtrack? :-)

Oh my gosh our first ask!

I (Lindar) have a few different ways I do it.

The title theme was originally written on a Teenage Engineering Pocket Operator PO-28. Just a stroke of inspiration, I guess? Sometimes it helps to sit down with an instrument and see what works, and different instruments lend themselves to different ways of thinking about music and melody, so I try to switch it up a lot.

Another way I tend to do it is to find an interesting chord progression and then let the melody emerge from that pattern, which can be a little frustrating sometimes, but has yielded some interesting results. Honestly I've been writing music for over two decades, and the process can be a bit arcane at times having amassed a whole host of different techniques over the years, but the years of experience is not required to make something good and catchy. At the end of the day I think my favorite way to test the viability of a piece of music as game audio is to play it for someone and then see if they start humming it to themself some time later. Hummable music means it's catchy, and that's what you're after, isn't it?

As for working with my other musicians, here are some things I've observed:

Alice is very methodical in her approach. She sits down at her DX7 with her headphones on and will try things and then iterate upon them until she is satisfied, and then will write everything in a sheet music notation software and send me a midi file when she's done. She's a classically trained violinist, comes from a family of jazz musicians, and is a big fan of progressive rock, so a lot of that influences the way she approaches music.

Sadie is also a jazz musician and former orchestra performer, she went to school for it, and honestly it can be incredible to watch her work, because she will simply pick up any instrument and immediately improvise something catchy. She's had several bands, she's been composing for years, and it can be magical watching her work. (She is currently in a band called Dirty Twenties, and you can find her solo work as "Sadie Greyduck" on most streaming platforms.)

Sandra… well Sandra likes punk rock and metal. She has done some of her own work, and we definitely have a similar approach to writing music, but she can be very scattershot in her approach. Primarily she does percussion for the studio, but her constant leaning over my shoulder definitely influences things, and she's the voice of reason when I have the tendency to over-compose.

As far as software is concerned, the studio runs Ableton Live with a host of VSTs that craft the sound we have, and a handful of live instruments as well. Some of the more notable things you've heard in "In Stars and Time" have been Native Instruments MASSIVE, Spitfire Audio Albion ONE, Toontrack Superior Drummer 2 (with the Metal Foundry pack), and our Ibanez 8-string guitar. If you're interested in all of the gear and plugins we have I'd be happy to do a separate post with a rundown of everything.

Thank you so much for sending us our first ask! I hope that answers your question! 😅👍💙

#isat #in stars and time #ask #ableton #game audio #game soundtrack #composer

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canmom · 8 days ago

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abléton stream

time for something a little new! I'll be playing the hit new game Abléton Live… a game… of making the music……. 🎶😌🎵

For real, I've been meaning to get to grips with composing music for a little while, I've been doing a bunch of tutorials on music production on Ableton's site (they are insanely good actually, gentle learning curve, lots of examples, everything runs in browser, it's very software agnostic)... and I thought it would be fun to go live with a music making stream!

We'll be fucking around trying to figure out how to drive this synthesiser software, and hopefully cook up some jams.

#streaming

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johans-room · 28 days ago

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💻Choosing a DAW🎵

The first thing to start making music from home is a laptop, a pair of headphones or speakers and choosing a Digital Audio Workstation, more commonly known as a DAW. A DAW is a very powerful piece of software that will allow you to compose, record, edit, shape and produce audio.

Some of the most popular DAWs used in the music industry include ProTools, Logic Pro, Ableton Live, FL Studio, Cubase, Studio One, among others. While you will need a paid license for these, all of them offer free trials for you to experiment with them and find out if they are a right fit for you. If you do not have the money for one of these, no worries! There are free alternatives that work just as well and will help you get started making music such as Reaper and GarageBand.

It is important to remember that you shouldn’t choose a DAW because it’s the most popular or most expensive, instead, choose the one that feels natural and intuitive to you and has the tools you will need, as this will make the process of making music much easier and more enjoyable.

#music #home studio #creative process #pro tools #ableton #workflow #home recording

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lesbian-gamer69420 · 3 months ago

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Rant Below - TLDR:

I want to stop working at a job!! I wanna be a game developer or streamer or both damn it!

Okay long winded rant about it past here

i think the "i need money to live a better life" brainrot is finally catching up with me. i just dont know how to action on it without making my mental health considerably worse. I have human needs and the better I get at ignoring them to keep my place in society the worse I feel internally. i know the two can coexist and I can theoretically do both, its just a learning process when im perpetually burnt out from working 8 hours a day and coming home to a messy living space and (unintentionally) being surveilled by my roommate in the shared spaces 24/7.

i dont want a better job though... I want to pursue my ambition of being a game developer/streamer and push that through until it pays off for me. its why i switched back to windows- so I could use professional software like unreal engine and ableton live.

with 6 hours in the day to act on all this though... its fucking hard to find energy to do any of it, especially when I'm constantly playing catch up with chores and taking care of my body (eating, sleeping, showering, various chores). I dont know. I think maybe I start small and work my way up if and as I make money from my work, but I can't be slow about it either- I need to work quickly and effectively. (I desperately, desperately want to improve my quality of life, I'm so tired of shit jobs I can only get with my HS Diploma)

I do often try to force myself to do these things, or at the very least swear to myself I won't let myself not do them when I get back home from work, but either the adhd, burnout, annoyance from roommates, or something just keeps me from doing it. Its that same feeling homework gave me back in school. I think "I MUST do my homework" and the other end of my brain responds with much more authority "I don't want to, and I won't."

Anyways, thats been my frustration since things have gotten a bit better in my life. I've never wanted to work a traditional job and hopefully in the next 2-5 years I won't. It's just a matter of finding the right conditions and determination to move past my limits and make money outside of working hourly. I'm sure this post will come after an additional rant about how much I hate work. (cause I also need to get that off my chest while I'm ranting online)

#thank you if you read it all #i know its just me kinda screaming into a void about my personal issues but it helps in lieu of... idk therapy I guess #not that a therapist would tell me anything I dont know

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marvs-alberto · 3 months ago

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How to Produce Music at Home

Introduction

Welcome to Your Home Studio Journey

Embark on an exciting adventure into the world of home music production! If you've ever dreamed of creating your own music but felt daunted by the idea of setting up a home studio, you've come to the right place. At marvsalberto.com, we’re dedicated to making the process easy and guiding you through every step.

Why Produce Music at Home?

Why should you consider producing music at home? It’s incredibly convenient. No more booking expensive studio time or trying to fit your creative moments into someone else’s schedule. Having your own space allows you to experiment and refine your sound at your own pace. Whether you’re a budding artist or an experienced musician, a home studio offers limitless creative potential.

Getting Started with Your Home Studio

Understanding Your Goals

Before diving into the technical details, take a moment to define what you want to achieve. Are you looking to record vocals, produce electronic music, or create full-band demos? Your goals will determine the equipment and setup you need.

Budgeting for Your Studio

Budget is a crucial factor in building your home studio. You don’t need to break the bank to get started. Focus on essential equipment and start with the basics. You can always upgrade as you progress.

Essential Equipment for Home Music Production

Computer and Digital Audio Workstation (DAW)

Your computer and DAW are the core of your home studio. Choose a computer with sufficient RAM and storage capacity. For your DAW, popular software options include Ableton Live, FL Studio, and Logic Pro X. Each has its own strengths, so pick one that suits your workflow and genre.

Audio Interface

An audio interface is essential for converting analog signals, like your voice or instrument, into digital ones that your computer can process. Look for interfaces with quality preamps and multiple input/output options.

Microphones

A quality microphone can significantly enhance your recordings. For vocals, a condenser mic like the Audio-Technica AT2020 is a great starting point. For instruments, dynamic mics like the Shure SM57 are versatile and reliable.

Studio Monitors

Unlike regular speakers, studio monitors offer a flat frequency response, helping you hear your music accurately. Brands like KRK, Yamaha, and JBL provide a range of monitors suitable for different budgets.

Setting Up Your Space

Choosing the Right Room

The location of your studio can impact your recordings. Choose a quiet room, away from external noise, with minimal reflective surfaces. Avoid rooms with many windows or hard surfaces, as they can create unwanted echoes.

Acoustic Treatment Basics

Acoustic treatment helps manage reflections and improve sound quality. Start with bass traps in the corners and absorption panels on the walls. This doesn’t have to be costly; even DIY options can be effective.

Setting Up Your Equipment

Position your desk and monitors correctly for the best sound. The “equilateral triangle” setup, where your listening position and the two monitors form a triangle, ensures balanced sound delivery. Keep your microphone stand and pop filter within reach for easy access during recordings.

Optimizing Your Workflow

Cable Management

A tidy setup is not just aesthetically pleasing but also functional. Use cable ties and organizers to keep your cables neat. This prevents unwanted noise and makes troubleshooting easier.

Ergonomic Setup

Ensure your setup is comfortable for long periods. An ergonomic chair, a desk at the right height, and well-placed equipment can prevent strain and keep you productive.

Software Essentials

Choosing Your DAW

Your DAW is central to your music production. Whether it’s the loop-based workflow of Ableton Live or the extensive plugin support in FL Studio, choose one that aligns with your needs. Most DAWs offer free trials, so explore a few before making a decision.

Must-have Plugins and VSTs

Plugins and VSTs expand your sound palette. Essential ones include EQs, compressors, reverb, and delay. Consider investing in high-quality plugins like those from Waves, FabFilter, or Native Instruments.

Sample Libraries

Sample libraries provide you with ready-made sounds and loops, especially useful for genres like hip-hop, EDM, and pop. Websites like Splice and Loopmasters offer extensive libraries for every genre and style.

Recording Techniques

Recording Vocals

Vocals are often the centerpiece of a track. Use a pop filter to reduce plosives and record in a treated room to minimize background noise. Experiment with mic placement to find the sweet spot.

Recording Instruments

Each instrument has unique recording techniques. For guitars, direct input or miking an amp works great. For drums, multiple mics are usually required. Always aim for the best raw sound to simplify the mixing process.

MIDI Recording

MIDI recording offers flexibility. You can edit performances, change instrument sounds, and automate parameters easily. Make sure to quantize your MIDI notes to keep the timing tight.

Mixing and Mastering Basics

Introduction to Mixing

Mixing involves blending all your tracks into a cohesive piece. Focus on balancing levels, panning instruments to create space, and using EQ to carve out frequencies.

Introduction to Mastering

Mastering is the final polish on your track. The goal is to make it sound great on all playback systems. Use limiting, EQ, and compression to increase loudness and clarity without losing dynamics.

Essential Mixing Tools

Invest in good-quality headphones and reference monitors. Use a spectrum analyzer to visualize frequencies and a metering tool to monitor levels. Plugins like iZotope Ozone can also assist in mastering.

DIY Acoustic Treatments

Bass Traps

Bass traps control low-frequency energy that tends to build up in corners. They are crucial for accurate low-end monitoring.

Diffusers

Diffusers scatter sound waves, helping to control reflections without deadening the room. These are best placed on the rear wall or ceiling.

Absorption Panels

Absorption panels control mid and high-frequency reflections. Place them at first reflection points, where sound waves first bounce off the walls.

Advanced Techniques and Tips

Layering Sounds

Layering sounds can add depth and complexity to your tracks. Layer similar sounds with slight variations to create a richer texture.

Automation

Automation allows you to add dynamic changes throughout your track. Automate volume, panning, and effects to add movement and interest.

Sound Design Tips

Get creative with sound design. Use synthesis, sampling, and effects to craft unique sounds. Experimentation is key to finding your signature sound.

Staying Creative and Inspired

Overcoming Creative Blocks

Creative blocks happen to everyone. Change your environment, collaborate with others, or try a new genre to reignite your creativity.

Collaborating Remotely

Collaboration is easier than ever with online tools. Use platforms like Splice or Dropbox to share projects and work together, no matter where you are.

Troubleshooting Common Issues

Dealing with Latency

Latency is a common issue in home studios. Lower your buffer size during recording and increase it during mixing. Use direct monitoring if available.

Fixing Audio Quality Problems

Ensure clean recordings by using high-quality cables and maintaining your equipment. Address issues like hums, buzzes, and pops using noise gates or filters.

Expanding Your Studio Over Time

Investing in Better Gear

As you grow, consider upgrading your equipment. Higher-end mics, preamps, and monitors can elevate your productions.

Adding More Instruments

Expanding your instrument collection adds versatility to your productions. Keys, guitars, and a drum set provide a broad range of sonic possibilities.

Sharing Your Music with the World

Online Platforms for Distribution

Platforms like SoundCloud, Bandcamp, and Spotify allow you to share your music with a global audience. Each has its own features and audience, so choose those most suited to your goals.

Promoting Your Music

Promoting your music is crucial for reaching your audience. Use social media, engage with music communities, and consider paid promotions to increase exposure.

Conclusion

Recap of Key Points

Setting up a home studio and producing music at home is an exciting and fulfilling journey. From choosing the right equipment to mastering your tracks, each step enhances your creative toolkit.

Encouragement to Get Started

Don’t wait for perfection. Start with what you have and build from there. The world is waiting to hear your music, so dive in and start creating!

FAQs

Can I build a home studio on a tight budget? Absolutely! Start with essential equipment and upgrade over time. Many high-quality budget options are available for every piece of gear.

What is the most important piece of equipment in a home studio? Your computer and DAW are the central elements. These will be the backbone of your setup, so invest wisely.

How can I improve the acoustics of my room inexpensively? DIY acoustic treatments like foam panels and bass traps made from rock wool can improve room acoustics without breaking the bank.

Do I need any special skills to produce music at home? Basic knowledge of music theory and production can help, but many resources and tutorials are available online to help you learn.

How can I stay motivated to create music at home? Set regular goals, collaborate with others, and keep exploring new sounds and techniques to stay inspired. Join online communities to share your progress and get feedback.

Start your musical journey today with marvsalberto.com and transform your dreams into reality right from the comfort of your home!

#home studio #home recording #music production at home #song writing #music production #marvs alberto

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