#Ableton Live
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swankyangles · 4 months ago
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You can get the whole 3 track EP here
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justanoval · 5 months ago
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just got an MRI today and all i could think about was how i could recreate these sounds in ableton
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scuba-divers · 3 months ago
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computer boy on his computer
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kidiotequea · 3 months ago
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5oz flat white w/ a cover of Radiohead's 15 Step in the bg.
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thisnoise · 1 year ago
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Studio corner - Dec 23
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revoltinglittleworm · 3 months ago
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working on something i started back in may, i need to redo the pre-chorus or whatever the hell that part is. but i added the beginnings of an actual chorus !
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teach-or-trav · 6 months ago
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😂🤣🤪
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aaronmeterchanges · 6 months ago
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Listen/purchase: Time Bonus by Aaron Myers-Brooks
"Time Bonus" is a new EP of microtonal electronic music ranging in style from chiptunes adjacent to electro math rock!
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edmconspiracies · 4 months ago
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thumpypuppy · 1 year ago
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I've been meaning to ask (and implied ost spoilers for ISAT for those who haven't played it): How did you get the difference in effect between the tracks "It's Finally Over..." and "Isn't It Over?"? I'm very curious how you produced all the effects in the latter!
That is an absolutely fantastic question!
Here's a little graphic illustrating some of the tools that were used.
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So as you can see we're actually starting with the actual audio track and not the sequenced version.
We've loaded up the track with a Frequency Shifter, which is being automated to create strange pitch warbles.
Next, and most importantly, the audio track has a "Warp" setting, which normally allows samples to fit tracks that are at something other than their original BPM, but what we've done is left it on the "Beats" setting (play around with this and the "Preserve" setting for more fun weirdness) and then stretched and compressed the audio in places.
In order to do this, right click in the marker area of the waveform (where those yellow tags are) and add a warp marker. This is usually used to align hits in a recording to allow you to quantize audio the same way you would a midi track, but if you stretch the audio beyond a "reasonable" degree it has to figure out a way to fill in that extra space, which is where your "Warp" setting comes into play.
Depending on your setting it can try to stretch the audio cleanly, or it can try to fill in the blank space with something that makes sense rhythmically or musically. When taken to absolute extremes it can... well... do some really bizarre things.
Enjoy, and get weird with it!
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grrl-beetle · 1 year ago
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Ableton Live
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thelonelyqueenofthenight · 15 days ago
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Worked on apart of a song in Ableton. It starts in the key of c# minor.
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novanewchorus · 18 days ago
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kidiotequea · 7 months ago
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a cover I made of Subterranean Homesick Alien, one of my favourite track off of Radiohead's Ok Computer. I've had homesick.et as a handle almost as long as KIDiotequeA.
All guitars and bass recorded directish through my pedal board. Tapped in a simple loop for the drums, and had a go at playing some keys.
Any tips on the mix?
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revoltinglittleworm · 1 month ago
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i think this is it yeaa. i say it every time but i really had fun making it :3 i think i am getting more experimental with stuff. it can actually be fun to do vocals... lol. (to an extent...)
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nobodyfamous · 2 months ago
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youtube
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