so one of the things that's so horrifying about birth control is that you have to, like, navigate this incredibly personal choice about your body and yet also face the epitome of misogyny. like, someone in the comments will say it wasn't that bad for me, and you'll be utterly silenced. like, everyone treats birth control like something that's super dirty. like, you have no fucking information or control over this thing because certain powerful people find it icky.
first it was the oral contraceptives. you went on those young, mostly for reasons unrelated to birth control - even your dermatologist suggested them to control your acne. the list of side effects was longer than your arm, and you just stared at it, horrified.
it made you so mentally ill, but you just heard that this was adulthood. that, yes, there are of course side effects, what did you expect. one day you looked up yasmin makes me depressed because surely this was far too intense, and you discovered that over 12,000 lawsuits had been successfully filed against the brand. it remains commonly prescribed on the open market. you switched brands a few times before oral contraceptives stopped being in any way effective. your doctor just, like, shrugged and said you could try a different brand again.
and the thing is that you're a feminist. you know from your own experience that birth control can be lifesaving, and that even when used for birth control - it is necessary healthcare. you have seen it save so many people from such bad situations, yourself included. it is critical that any person has access to birth control, and you would never suggest that we just get rid of all of it.
you were a little skeeved out by the implant (heard too many bad stories about it) and figured - okay, iud. it was some of the worst pain you've ever fucking experienced, and you did it with a small number of tylenol in your system (3), like you were getting your bikini line waxed instead of something practically sewn into your body.
and what's wild is that because sometimes it isn't a painful insertion process, it is vanishingly rare to find a doctor that will actually numb the area. while your doctor was talking to you about which brand to choose, you were thinking about the other ways you've been injured in your life. you thought about how you had a suspicious mole frozen off - something so small and easy - and how they'd numbed a huge area. you thought about when you broke your wrist and didn't actually notice, because you'd thought it was a sprain.
your understanding of pain is that how the human body responds to injury doesn't always relate to the actual pain tolerance of the person - it's more about how lucky that person is physically. maybe they broke it in a perfect way. maybe they happened to get hurt in a place without a lot of nerve endings. some people can handle a broken femur but crumble under a sore tooth. there's no true way to predict how "much" something actually hurts.
in no other situation would it be appropriate for doctors to ignore pain. just because someone can break their wrist and not feel it doesn't mean no one should receive pain meds for a broken wrist. it just means that particular person was lucky about it. it should not define treatment.
in the comments of videos about IUDs, literally thousands of people report agony. blinding, nauseating, soul-crushing agony. they say things like i had 2 kids and this was the worst thing i ever experienced or i literally have a tattoo on my ribs and it felt like a tickle. this thing almost killed me or would rather run into traffic than ever feel that again.
so it's either true that every single person who reports severe pain is exaggerating. or it's true that it's far more likely you will experience pain, rather than "just a pinch." and yet - there's nothing fucking been done about it. it kind of feels like a shrug is layered on top of everything - since technically it's elective, isn't it kind of your fault for agreeing to select it? stop being fearmongering. stop being defensive.
you fucking needed yours. you are almost weirdly protective of it. yours was so important for your physical and mental health. it helped you off hormonal birth control and even started helping some of your symptoms. it still fucking hurt for no fucking reason.
once while recovering from surgery, they offered you like 15 days of vicodin. you only took 2 of them. you've been offered oxy for tonsillitis. you turned down opioids while recovering from your wisdom tooth extraction. everything else has the option. you fucking drove yourself home after it, shocked and quietly weeping, feeling like something very bad had just happened. the nurse that held your hand during the experience looked down at you, tears in her eyes, and said - i know. this is cruelty in action.
and it's fucked up because the conversation is never just "hey, so the way we are doing this is fucking barbaric and doctors should be required to offer serious pain meds" - it's usually something around the lines of "well, it didn't kill you, did it?"
you just found out that removing that little bitch will hurt just as bad. a little pinch like how oral contraceptives have "some" serious symptoms. like your life and pain are expendable or not really important. like maybe we are all hysterical about it?
hysteria comes from the latin word for uterus, which is great!
you stand here at a crossroads. like - this thing is so important. did they really have to make it so fucking dangerous. and why is it that if you make a complaint, you're told - i didn't even want you to have this in the first place. we're told be careful what you wish for. we're told that it's our fault for wanting something so illict; we could simply choose not to need medication. that maybe if we don't like the scraps, we should get ready to starve.
we have been saying for so long - "i'm not asking you to remove the option, i'm asking you to reconsider the risk." this entire time we hear: well, this is what you wanted, isn't it?
*cracks knuckles* we know Tyler isn’t the original Clancy right? Y’all caught that? Clancy’s bishop was Keons, Tyler’s is Nico, and now “Clancy” is Tyler. Because “scaled and icy” is an anagram for “Clancy is dead” and that album was the one where dema was using Tyler’s popularity for their own purposes. Clancy failed to stop the cycle on his own, and despite already being used as a figurehead for dema, Tyler decided to take up the role of “Clancy” in the wake of what seemed like a total collapse of the Banditos. Their leader had been taken out, and now they had no one to organize them.
But Tyler taking on the name Clancy isn’t him taking on the role of leader or even organizer. He is showing us (the Banditos) that we all can be our own inspiration, we don’t need a figure to follow, we don’t need a leader to lead us. We can do this, fight dema, ourselves.
Disney is not slick hiding the fact that the duet between Asha and Magnifico obviously started out as a love song between her and the Star Boy.
We almost had the second coming of Jelsa but without the copyright infringement.
The lyrical difference between the official song and the demo song is that the demo says “Love” but it’s replaced with “Promise” in the official version.
Read "Suki, Alone". Liked it in general. But can they please, please hire someone who knows both the show's actual events and how to follow through on a character arc? Because guys. Guys. That comic is not implying about Suki what they meant it to be implying, and all because of literally one line.
So like. From a writer's standpoint:
What they meant to do: show Suki as a community-oriented person who cares for her people, and believes in everyone succeeding together.
As opposed to (spoilers): the thief girl they set her up in contrast with, who's pretty upfront and consistent on primarily looking out for herself. She betrays Suki for one (1) corn chip to improve her own life at the prison, no surprise.
But the problem is: they give Suki an inspirational line to the effect of "we're all working together and we'll all break out together"
You know
The thing she does not do in the show
So if both the show and this comic are canon, then instead of setting up a compare/contrast with the thief girl, they've just set up a comparison. One were Suki is arguably worse, because she's been leading a significant number of prisoners on with her "we'll all fight and win our freedom together!" business, only to straight up cut them out of the escape loop and abandon them, whereas the thief is only leading Suki on in the sense that Suki keeps telling her what it's morally correct to think and confuses snide replies with agreement
My dudes. My fellow writers. You people actually being paid for this. There were so many ways to fix those awful implications against our girl's character, the simplest of which would be to not include that line. Or they could have, you know, made it canon compliant with what actually happens in the show, so that this comic doesn't set Suki up as a betrayer instead of a community builder. Like... just send all her good prison buddies off to other prisons in the wake of the warden finding out they're colluding. Have it timed to be right before the next new prisoners arrive, thus setting it immediately before the Boiling Rock episodes, so Suki didn't have anyone left in the prison she'd want to take with her on a breakout. For bonus points, include a page or two of her and her Kyoshi warriors opening up the cell of one of her prison friends post-war, thus implying she's tracking down and actually fulfilling her promises. Maybe even show her doing the same with thief girl, who was established as being imprisoned on false charges anyway, and also showing that Suki is A) the bigger person, and B) willing to acknowledge her own role in mistakes (because I cannot emphasize enough how much thief girl was not hiding her own priorities, and it was Suki who approached HER with all this, not the girl ever doing anything special to weasel her way in) (this would also open up an opportunity for paralleling Suki's earlier in-comic mistake of not listening to one of her friend's very valid thoughts and feeling, which lead to the girl leaving their island alone pre-canon; a "seeing people as they are, not what you want them to be" moment)
Anyway yeah enjoyable enough for a quick read but another one for the "this can't be canon or the characters are So Much Worse than they were in the actual show" pile
At least Aang didn't promise to murder anyone in this one
My headcanon: Jason Todd may be a cocky, confident and cocky, but I love when that same confident person has stage fright. He can sing (yes like the singer from this song) and when someone hears him and likes it he panics.
Jason (finishing the song while thinking he's alone in the study):
I see a song of past romance
I see the sacrifice of man
I see portrayals of betrayal
And a brother's final stand
I see you on the brink of death
I see you draw your final breath
I see a man who gets to make it home alive
But it's no longer... you.
Tim (having snuck in and hid behind bookshelf): Go Jason!
Jason: That wasn't me!
Tim (jumping from his hiding spot): We all heard you, dude.
Dick(who was hiding behind the bookcase as well): That was awesome!
Damian(under a table): He's a good singer, he used to sing me lullabies.
Jason: Kill me now.
Stephanie(opening a door way behind a painting): Epic fans unite!
Jason: Oh God.
Cass (appearing behind Jason): Can you sing another song?
If there are a million Reeve Carney as Orpheus fans in the world, I am one of them. If there are only two Reeve Carney as Orpheus fans in the world, I am one of them (Eva Noblezada is the other). If there are no Reeve Carney as Orpheus fans in the world, Eva Noblezada and I are dead 😔
If I weren't already so busy with other fics, I would absolutely start a new one where Sunday joins the Stellaron Hunters after the events of the Penacony quests, except it's not told from his POV.
It's Robin's.
The story would progress through her having to resume her normal life, despite how upheaved everything has just been. She's supposed to tour throughout the galaxy, continue coming out with more music, star on talk shows and be seen by her fans, none of that can stop jus so that she can process things. She probably wouldn't even know that Sunday joined the Stellaron Hunters until someone else finds out, and surprises her with a question about it during an interview or something.
Sunday's story would be told through the scraps of information she can get, on how she closely watches the bounty that the IPC places on him and how it grows over time, scrambling for any hint of his continued presence in this world that she can find just to know that he's still doing okay. Her memories of him would be interspersed throughout, reflections of the kind and caring brother that she can't quite reconcile with the actions he took (but also probably wouldn't stop blaming herself for. If only she hadn't left, if only the Charmony dove didn't try to fly).
I love doomed sibling relationships in media and yes, I was reading Emily Dickinson's ""Hope" is the thing with feathers" and thinking of these two with the lines "And sweetest - in the Gale - is heard/and sore must be the storm -/that could abash the little Bird/that kept so many warm -" because I was imagining Sunday as the mentioned bird and Robin not understanding how anyone could be mean to him because she's the only one who could even come close to knowing him, she's his sister, she remembers when they were little kids and he made that stage and an audience of stuffed animals for the performance that she still holds closest to her heart. She remembers the brother who wanted what's best for the injured dove, and who agreed with her dreams of wanting to help people. He may have changed, but he will always be her brother, even if every time she hears news about him now she'll have to silently pray to Xipe that it's not going to be about his death.
Every time someone comments the state of musical theatre in their country by saying musicals here should be presented in English because the translations are awful, a muse loses its lyre.
I mean, sure, if you think musicals should always be sung in their original language to preserve the exact vocal flow the original artists intended or whatever other purist connoisseur reason, fine. You're entitled to that opinion.
But other than that, the correct statement is this: musicals here should be translated better because the current translations are awful.