#AND MAKE HIM WATCH QUEER SHOWS UNTIL HE PASSES OUT THEN DIES
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bb Exer is scared for his life
#The new update yall#SPOILERS IN TAGS#JACKSON AND HARRY RE-MEET#NO ONE KNEW THEY KNEW EACH OTHER#AND DAVID TOO!?#BABES CAN SEE HIS BOYFRIENDS MAGIC#MAYBE ITS TIME FOR JACKSON TO WRITE IN THE DIARY#MAYBE ABOUT WILLIAMS DEATH THIS TIME#Nah death is too peaceful#ABSOLUTE TORTURE#THRN SIT HIM INFRONT OF A TV#AND MAKE HIM WATCH QUEER SHOWS UNTIL HE PASSES OUT THEN DIES
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So we all know the mechanic Eddie aus out there, all love a greasy dirty Eddie Munson in coveralls, but what about mechanic Steve?
Steve, who has a nice car, who learned how to take care of it himself. Steve who found that he was actually pretty good with his hands, and a knack for fixing things. He understands cars, likes to tinker with them in his spare time, even if he had to teach himself at first.
Eventually he sees a Help Wanted sign at the mechanic’s and…well, why not? He applies, and he’s inexperienced, but they hire him. He sweeps and keeps things clean and tidy at first, and then he learns some hands-on experience, moves up in the job, and eventually he becomes the guy everyone wants to work on their car.
When the owner retires, it’s Steve who takes over the place, making the shop his own and making certain that it’s a safe place in a town where safety isn’t always guaranteed. The kids he used to babysit who aren’t kids anymore all learn car basics, Steve making certain they’re not caught in a jam and unable to help themselves, especially the girls. In the window, a small picture of Dorothy from Wizard of Oz rests, letting those who know…know.
And then maybe one day rockstar Eddie Munson returns to the small town he blazed out of after finally graduating, packing his shit up and high tailing it outta there like the bats of hell were chasing him. Maybe he’s still driving a shitty van, or maybe he got something a little more fancy. Maybe fame and money got to him a little bit and he’s got some fancy high end sports car and a bit of a dick personality. And this car breaks down. Who does he have to call?
King Mechanics.
And Eddie is huffing and complaining at it all, at his car for crapping out, for being late to meet his uncle, for having to wait for some mechanic to show up. And one does, not too much later after that first annoyed phone call. And the mechanic has surprisingly well-styled hair, and a body firm with muscle, filling out those oil stained coveralls nicely, and maybe Eddie starts to sort of flirt with the guy, until he looks at him properly.
Until he sees it’s Steve fucking Harrington.
And maybe they don’t get along well at first, and it’s all Eddie’s fault really, who is now huffy and puffy about having to deal with King Steve. Steve, on the other hand, is nothing but polite and professional, maybe even friendly. He might have taken back the moniker of king for his shop, might have even taken it as his last name after his parents disowned him when he came out as queer, but he’s far from who he was in high school.
And honestly? Teasing Eddie is kind of fun. Watching him get flustered and annoyed is funny because enough time has passed that Steve is comfortable with who he is and everyone in town knows he’s turned over a new leaf and it’s just amusing watching Eddie not realizing this yet.
They didn’t really have the parts he needs to fix Eddie’s car at the moment, however, so he orders them in. Offers to give Eddie a ride to wherever he needs to go. Maybe even mentions Wayne, with whom he actually got kind of close with, and who sometimes comes around for a cold drink now that he’s retired and has more free time on hand.
Eddie is incensed Wayne never told him he was friendly with King Steve, but Wayne never cared much for gossip, and Steve has been a godsend more than once when Wayne’s old clunker died frequently.
And so Steve and Eddie are thrown together, and Eddie realizes that maybe there’s more to Steve than meets the eyes, and that’s even before he discovers the Dorothy in the window. Sadly, he doesn’t discover it until after he goes on some rant about how Steve is clearly homophobic, but Steve just stares at him amused because he hadn’t even known Eddie was gay back in high school.
Eventually, Eddie realizes he and Steve have more in common than he ever realized. Realizes he’s become the sort of people he always despised and was a bit of an ass. Steve meanwhile was already aware of his crush on Eddie and was merely waiting for the right time to make his move.
Anyways. I just like the idea of done-up Eddie, slick and fancy, and dirty grubby mechanic Steve.
hostage tag: @derythcorvinus
#mechanic au#steddie au#mechanic steddie#mechanic steve harrington#rockstar eddie munson#steve harrington#eddie munson#wayne munson#stranger things#plot thots
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I wish you would write a fic where...
More of the consecuted!Ashton being raised by Essek, please 😘
~580 words | Gen | Essek-centric | Mention of this being 100+ years post-canon and most of the Nein have passed, as well as Ashton
Short one! I stopped to think about how, exactly, Essek would somehow adopt Ashton before they even realized they had past memories, and perhaps this isn't fully sound but I had fun with it :D
I wish you would write a fic where... prompt game
--
Deirta Thelyss once claimed, in the gentle and patronizing way of one practiced at such speech, that she knew from the beginning that Essek was a new soul. He dismissed this immediately as justification for the cool detachment with which she raised him while waiting to see if he was anyone worth caring about.
This was a very solid conclusion until roughly three hours ago, where just as quickly as he disregarded his Umavi’s words he recognized this child. This child he had never met before in his life.
It had been a hunch to ask around. A gift of fortune that he was not immediately carted off as a (as Beauregard would have called it) a complete fucking creep.
But he knew where Greymoore had died. And so could extrapolate the - purely hypothetical - radius to investigate very accurately. And it’s not like the Cobalt Soul didn’t research the strangest of topics. Such as - again, hypothetically - any children born in this range of days potentially experiencing strange flashes and memories.
And if it became a long-term, fruitless research project, well. It’s not like he’s had much better to do. Caduceus is lovely, quite lovely, but there’s only so long he can garden before he’s gently being told to stop cross-breeding the plants and experimenting with grafts.
(Only so long he can endure the reminders of what they’ve both buried in this same earth. He has always been a weak man.)
Essek long wrote this off as a fruitless thing. Ashton Greymoore was not consecuted, and calling their brain a biological Beacon would be generous (and swiftly provoke several rebuttal papers if he could publish the findings under another alias), and it had been too long. Frankly, he should have given up after fifteen, sixteen, seventeen, twenty years passed without a youth seeking him out on his rounds.
This child is not even toddling. It’s been over a century since he last met this soul, but he knows - he knows, deep in the pit of arcana in his stomach - that this is that genasi.
At this point the towns in his circuit consider it a queer sort of rite to show Essek their children. He’s learned to entertain them with simple spellcraft, enough of a delight to buy good faith.
“Whoever birthed this little one dropped him on our doorstep,” the weary old orc is explaining; there’s a rush of sympathy and frustration swimming through his bloodstream. Deirta’s face flashes before his eyes, for no particular reason.
They keep talking. Essek keeps nodding and hopes his poker face has improved, because he is panicking.
He had thought this out. Be the benevolent, strange sort of uncle (the memory of Jester’s voice trills, like a fairy godmother!) and be conveniently available when anamnesis occurred and otherwise simply… observe. For science. Because this was quite the unique sort of circumstance, and could disprove or bolster centuries of his work (and Caleb’s, the foundation of so much of it).
Essek can’t simply sit back and observe - can’t watch Ashton Greymoore grow up in an orphanage. Not again.
The small human looks nothing like the Ashton he knew. And giggles and reaches for the flutters and skeins of magic without any hesitation, without pain. And he has a shock of red hair.
So with the heedless decision-making that’s evaded him since Caleb and Jester and Fjord and Beauregard and Veth and Yasha and Kingsley passed he says, “Ah. Well, I could offer-” they? They don’t know that yet, “- him a home.”
#this AU is well suited to little ficlets!! it's fun :D#Essek is about to hold baby!Ashton out at the edge of his arms realizing what he's gotten himself into.#Verrin wasn't that much younger than he was. Beau and Yasha's kids were adopted. the Lavorres wiggled too much to hold#“CADUCEUS HELP I HAVE A SON NOW WHAT DO I DO” “oh that's nice :)” “CADUCEUS PLEASE-”#critical role#cr fanfic#essek thelyss#prompt game#my writing
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since we have a Zombies AU, what about Teen beach? Adrienette could be Lela and Tanner (with Marc as Butchy since he and Mari are HC’s as cousins. And Luka and Kagami could be Mack and Brady, but it would end up as a long-distance kind of poly thing!
On the sunny beaches at the lovely French Riviera, Kagami is a young surfer known around for her impressive moves and skillfull maneuvers
As she's getting back from surfing a wave, she makes her way to The Liberty, a surf shop owned and operated by Anarka Couffaine and her children, Luka and Juleka, to get some board wax
There, she walks in on them watching their favorite film, a 1960s musical titled Wet Side Story, where surfers and motorcycle bikers battle for the privilege to hang out at Big Kwami's, a beachside restaurant
It's surprisingly progressive by showing white and people of color hanging out together and the subtle queer themes
As Kagami and Luka watch the scene where Adrien, the leader of the surfers, catches Marinette, the cousin of the biker leader as she's falling off of the stage during her solo, they can't help but gush over their chemistry
Kagami: For such a campy low-budget film, this scene is truly a work of art.
Luka: Yeah, you can tell by Marinette's reaction that she wasn't expecting a surfer of all people to help her and Adrien... He didn't think about her being a biker, he just saw someone in need of saving.
Soon, Kagami's aunt, Tamika, comes by. Despite being the sister of Tomoe, she's nothing like her. She never excelled at fencing and is always aiming to please and honor her big sister despite the fact that she passed away years ago
When Tamika tells her that she needs to finish packing, this gets Luka's attention
Kagami then explains to him that before her mother died, Tamika promised Tomoe that Kagami would attend the same private school she did in Japan and join the ranks of the school's top-rated fencing team to continue her family's legacy. And she is leaving the next day
Luka: It doesn't sound like you want to go.
Kagami: I don't. But, it's what my mother would have wanted.
However, Luka's not letting her leave without a proper sendoff and without spending just one last moment together. So, he calls Kagami the day before she has to leave, and tells her to meet with him on the beach with her surfboard.
Together, they decide to surf a 40-foot wave that is about to hit the beach. However, the wave proves to be too strong, and they get swept away before they can paddle back
Somehow, eventually, they land on another beach where it's day time and brightly-colored
After their vision adjusts, they find themselves on the beach where Wet Side Story was filmed during the cast's opening number. Deciding not to let this moment goes to waste, Luka joins the film's cast in singing "Surf Crazy" while Kagami is wondering what the fuck is going on
When the song comes to an end, and the two wrap their heads around everything after concluding that this is not a dream, they remember that there will be a storm and giant wave at the end of the film. They can paddle out and it'll take them home. They just have to go along with the film
They go into Big Kwami's and introduce themselves to the surfers- Adrien, Nino, Nathaniel, Myléne, Ondine, Denise, Chloé, Cosette, Aurore, Jean, Austin A, Austin Q, and Austin B- who are all perplexed by the newcomers and don't know what to do or say until Jean just hollers,
Jean: These smoothies are crazy, dudes!
Then a moment later, the bikers arrive, consisting of their leader, Marc, his cousin, Marinette, along with Alya, Ivan, Max, Kim, Alix, Sabrina, Rose, Zoé, Simon, Mireille, Reshma, Lacey, Ismael, and Austin T
Luka: Oh, my God, I love this song.
Kagami: Yeah, and Marc is obviously looking at Nathaniel every time he says, 'Cruisin' for a Bruisin'... Also, is Marinette hotter up close, or is it just me?
Luka: Oh, I was looking at Adrien, but yeah, you're right.
After the start the surf and turf war and the number, "Cruisin' for a Bruisin'", Kagami and Luka are then invited to come to a party at Big Kwami's later that night.
That evening, Luka is enjoying the vibe of the film while Kagami is becoming more stressed by the minute as they need to get back home so she doesn't miss her flight. Luka's attempts at assuring her they'll get home before that don't work, and she starts to storm off as Marinette is singing "Falling For Ya" on stage
As Kagami is about to leave, she trips on the steps because of her flip flops and falls in the arms of none other than Adrien. Seeing this, Luka turns to the stage and sees Marinette about to fall off of the stage, but then catches her, and the two leads fall in love with them
This interferes with the film's plot, and now, none of the characters are sure what to do now. To keep the movie flowing and get out, Kagami and Luka realize that they need to make Adrien and Marinette fall in love to fix things
Luka: Let's just hope Les Moth and Dr. Pavon don't mess things up.
Kagami: Right. Them... Do those villains seem out of nowhere, or is it just me?
Luka: Yes! What is up with that? I get that they have to like, make the Bikers and Surfers get along to save their friends, but why scientists who are trying to control the weather?
Kagami: And the technology seems far too advanced for a 60s film.
Luka: What about Frankenstein?
Kagami: It is based on a book, it does not count.
As Adrien and Marinette express their love for Kagami and Luka, respectively through the song "Meant to Be", they try to subtly suggest to them that there may be someone else they are really meant to be with. Though, they can't lie and say they're not smitten by their damn 60s charm
That night, Luka joins the biker boys for a sleepover/initiation now that he's dating Marinette, while Kagami hangs out with the surfer girls (And Denise) at Big Kwami's as they sing "Like Me."
With Kagami, their relationship advice doesn't match with her modern views on how a relationship should work
Chloé: Invest in a cute sundress. Guys love to see a little knee these days!
Denise: And put those baking skills to use! Feed him a pie, and he's all yours'.
Cosette: Remember to look shy. Bat your eyes and look away to get him interested.
Now, with Luka
Kim: Take the lead. The ladies like a man in control.
Ismael: Don't let 'em know how much you care, alright? You can't be soft.
Marc: Yeah, trust us. The guys will be all over you... GIRLS! Girls! I meant girls! I am heterosexual... Dudes.
Austin T: *Whispering* Nice save.
As the movie progresses, they fail to make any progress on getting Marinette and Adrien together and find themselves falling for the characters themselves. Needing to de-stress, Luka decides to join some of the surfers by the bonfire
They get a little hostile at first when they see his biker attire until Luka correctly guesses the model guitar that Austin Q is strumming, and Adrien invites him to sit with them
Adrien: So, what's a biker doing over here?
Luka: I don't know. What's a cute surfer doing inviting me to sit with him?
Adrien: It's... Wha... What?
Nino: Dude, did he just flirt with Adrien?
Nathaniel: That's... Cool?
Jean: I wanna flirt with guys!
Cosette: Fuck that. I'm flirting with girls.
As Luka plays "Meant To Be Reprise" on the guitar and sings, Adrien is just smitten and sings along as the surfers find themselves thinking about the crushes they can't have for two reasons
Meanwhile, Kagami goes to surf, and catches Marinette's eye. When she returns to the beach, she's confronted by Marinette, who asks her to teach her how to surf
Kagami, after falling off her board while giving Marinette and lesson, realizes that she and Luka are morphing into the film when she falls into the water and her hair does not get wet
Kagami: Why isn't my hair wet?!
Marinette: *Giggles* Everyone knows you don't get wet when you get in the ocean or a pool. God, you're every bit as funny as Luka says you are.
Kagami: ... He talks about me?
Marinette: Yeah... Is there something going on between you two? I-I wouldn't want to-
Kagami: I wouldn't mind if you had a crush on Luka. That is to say, if we were dating, but we're not. But, I am polyamorous, so it would not bother me if you liked Luka.
Marinette: ... Poly what?
Now back to the real issue at hand. Luka and Kagami can't get wet, and they then begin to spontaneously sing and are unable to stop, leading to a song that is nowhere in the movie's cast album, "Can't Stop Singing"
They are then captured by Les Moth and Dr. Pavon and taken to the villains' lighthouse lair before their respective dates with Adrien and Marinette on the beach
Instead, Adrien and Marinette meet. And after some awkward conversation, they find they have a bit in common. However, before they can talk some more, Adrien spots a strange signal coming from the old lighthouse. In morse code, someone's saying "Help us. Kidnapped. Kagami and Luka." Good thing his character bio says he can read morse code
They round up the bikers and surfers to convince them to save Kagami and Luka and expect some reluctance, but to their surprise
Jean: That biker taught me things I didn't think were possible! *Seizes Austin T by the face and kisses him* Hell yeah, I'm saving him!
Zoé: Sure. Fuck it. *Kisses Cosette*
Marc: I'll help you if you do two things for me. One... Quit holding my cousin's hand, pretty boy! *Adrien quickly lets go of Marinette's hand* And two!... Tell me where that cute redhead surfer is.
Nathaniel: *Giggles* Hey, cutie.
Marc: *Smirks* I'll get to you later.
Meanwhile, Kagami admits to Luka that she is glad that she ended up in the film and does not have to attend private school and live up to the expectations her mother had in place for her
When she confesses that she thinks Marinette is braver than her for stepping out of the role the movie had set for her, Luka denies that, saying that she is the bravest girl he knows. And, noticing the little tint to her cheeks when she talks about Marinette, he asks if she likes her
Kagami: ... Don't think I didn't see you almost kiss Adrien.
Luka: Okay, that's fair. But, um... He's not the only person I like.
Kagami: I know, you like Marinette. Who doesn't?
Luka: Yeah, her too. But, I also meant you.
The surfers and bikers storm the lighthouse and in a typical queer teenager fashion, they trash the place with weapons they somehow obtained, and make out on top of the expensive equipment as Elvis plays in the background and disarm the machine... But now it's gonna explode
They escape just seconds before it explodes, and the scene takes them back to the beach. The film's plot returns to normal, and Luka and Kagami realize they are able to return home
Kagami: ... Fuck it. *Kisses Adrien and then Marinette*
Luka: Well, if she's doing it. *Kisses Adrien and then Marinette*
Austin A: Wait, we can just like, date more than one person? That's a thing people do?!
After saying goodbye to everyone, Kagami and Luka get on their surfboard and return to the real world, where no time has passed since they left. Kagami successfully surfs the 40-foot wave without getting dragged into a movie, and all is well... But, Tamika's upset about her delaying her flight
Kagami stands up to her aunt, telling her to stop trying to impress her sister when she's no longer around and to finally take the weight off of her shoulders. It takes a bit of convinving, but Tamika relents and agrees to let her continue her education in France.
Now all is well, and Kagami and Luka start dating
*Post Credits*
*Drenched and coughing up water, the bikers and surfers drag themselves onto the beach*
Marc: Guys! Guys, my hair is wet!
Alya: WHAT THE HELL?! So is mine!
Chloé: My mascara is running!
Kim: My beautiful quiff! Someone get me some grease!
Nathaniel: Why is it so hot outside?! It's boiling!
Austin A: Ew! The water tastes like salt!
Modern surfer: Hey, dudes. Are you lost? You're like totally wiggin' out, bruh.
Bikers/Surfers: ...
Sabrina: ... Hello. What year do you come from?
Modern Surfer: ... It's 2015. Seriously, do you need to call someone? *Holds up a flat phone, and the bikers and surfers scream*
Adrien: This is a phone? *Slowly takes it* Where's the dial?
Marinette: Maybe you open it?
Phone: You have one new message.
Bikers/Surfers: *Scream again*
Max: Guys... There's a woman inside of it.
Cosette: What sort of witchery is this?
*They crowd around Adrien as he taps the screen, and they scream at the image of Jagged Stone as the Home Screen*
Marc: Men can wear makeup?!
Jean: I am in awe of the future! *Sees a bunch of tan shirtless guys* And the awe continues.
#miraculous ladybug#miraculous#answered ask#ask me stuff#mlb au#mlb ocs#Adrilukagaminette#teen beach movie#disney
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Eight shows to get to know me, tagged by @dreamerinsilico. Only the first couple are in any sort of rational order. 1. Blake's 7. The original disaster crew, in which Blake the idealist wants to take down the fascist dictatorship. Unfortunately he's stuck on a spaceship with a bunch of accidental randos, only some of whom are idealists. The rest of them just want enough money to go and live somewhere the government won't bug them. I was a few weeks short of seven when I started watching it (yes, that was too young) and eleven when it ended. It was the first TV I saw where bad things happened to the protagonists, where they died and it made one hell of an impression. (Also, Servalan gave me the first inklings I was bi.) Since the BBC didn't broadcast a repeat, I didn't see it again until I was nineteen and it got a release on video tape. And it was SO MUCH BETTER even than I'd remembered. All the nuances, all the moral quandries had completely passed me by as a kid. What might you have to do to take down a fascist dictatorship? Where do you draw the line on justifying collateral damage? Then I discovered that there was a fandom for this show, that people wrote fanfics and published them in zines, and the university intranet (there was no internet) had message boards where people TALKED about it. It's not an overstatement to say that it changed the course of my entire life. This show is also probably responsible for my lifelong love of morally grey protagonists who snark at each other. So, that one got long, it always does. Shorter from now on, I promise! (Okay, maybe not that much shorter. How everyone else managed to do this meme without going off about their obsessions, I have no idea.) 2. Due South. My first slash fandom, illustrating my other recurrent fannish addiction, besides the snarky disaster crew - the two people who are odd, who are loners (or who socialise, but have acquaintances, not friends) and then they meet each other and they just fit 💗💗💗 And let's be honest, those two people were usually two men, because of the misogynistic writing for TV shows. 3. Burn Notice. My current snarky disaster crew obsession :-))) 4. Hannibal. Trope number two, the loners who fit, put together in one of the best, most complex TV shows ever written. It doesn't just happen to push my buttons, it's also objectively, amazingly good. The first time you watch it, you love Will Graham and want to squish him and protect him, and then slowly you find out more and more. And then you go back for the first rewatch and you realise that it was there, all the time, so many hints, but it was so carefully done that you just didn't see it. (I have stated before and will again that season two of Hannibal is probably the best single season of any TV show I have ever seen.) 5. Black Sails. Another snarky disaster crew, in which practically everyone is queer (SO many bisexuals, yay!). The first season is not what it became, because the writers started carefully with an action show about pirates chasing gold. And with that success, from season two, they were free to write the show they wanted. A show about idealism and love and rage at the world, in which every character is so well written that each time alliances shift and enemies become friends or friends betray each other, it's justified and it makes sense in terms of their motivations and who they are. 6. Deep Space Nine. The Trek series that changed the franchise. Arc plot! Morally grey characters, hello Garak! A Federation captain who says to hell with the rules, I'm doing what seems right at the time :-) 7. Trigun. I wondered whether to put this one in because I prefer the manga to the anime (the manga's longer, with more complexity, especially in Vash). But it's weird loners who instantly click perfection, with the added twist that one of them was put there to betray the other from the start, and then he can't and the angst is off the scale. 8. Farscape. A snarky disaster crew with the amazing bonus of Aeryn Sun, one of those rare at the time female characters who was as amazing and well written as any of the males. (I haven't watched Farscape in many years. I probably should, I wonder how it's held up?)
As usual, tag yourself if you wish to play :-)
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Why Do I Have to Feel Like a Fucking Conspiracy Theorist -- OR -- How I Find a Semblance of Peace on Sunday Night
I’m also going to start this out with a GIANT DISCLAIMER.
I am about to theorize about what may have happened to the SPN finale. I have absolutely no insider knowledge. I am merely speculating here based on the panels and a bunch of Twitter and Tumblr posts that I have been reading over the last few days. If you are not in a good place to read such things, TURN BACK PLEASE. Go take care of yourself and your mental health. You and your feelings are valid and deserve to be handled gently right now.
Additionally, if you are here to give me shit for being unhappy with the ending, please walk away as well. I am here to reach out and share my feelings with people who might be struggling to make sense of something that upset some of us in very deep-seated ways. I am not here to bother you or critique you or tell you that you’re lesser because you liked the ending. If you felt it was good, then go enjoy it.
Long-ass post beneath the cut, everyone.
Alrighty folks...I debated whether or not to do this because I have been spiraling down the hell that is the SPN finale since Thursday. The travesty of what happened to our show--to this beloved show that seemed to have been so perfectly and precisely written for at least four years that it had basically already paved its own tarmac on which to land its plane and we all thought we knew exactly what we were going to get. And then we didn’t. We had a nigh Cas-less and entirely Eileen-less ending. We had no goodbye between Cas and Jack. We had Dean dying young after finally finding his freedom, only to ascend to heaven with no one but Bobby. We had the weird, weird, weird incest-y death scene. We had the bridge crane shot thing because...sure. You do you, Robert Singer.
It was so terrible, so truly awful, and I couldn’t seem to square any of it with anything we had known going in. I tossed and turned and cried and didn’t eat or sleep all weekend. I spent hours just reloading tumblr and twitter, going to the Misha panel, reading and reading and listening and trying to figure out what the fucking hell is going on because I needed to know exactly where to direct my anger. And after a fuckton of talking with @winchester-reload, I think we have at least a very plausible theory about what happened here--I’m laying it out below as much for my own peace of mind as anything else, because otherwise all of these thoughts are going to continue to spin around in my head for weeks and I won’t be able to do jack shit.
Now to start off, unfortunately I do think Dean was slated to die from the beginning of this season. I don’t know WHY they thought that was the best way to go, and I wish they had listened to Jensen on this one. Part of me wonders if it was an order from on high based on the discussion between Becky and Chuck earlier this season--the writers knew it wasn’t a great choice, but they were trying to signal to us that we should feel free to write our own endings to the story because they’d be better (I can wax poetic on the signs of why many of the writers probably wanted Dean to live, but that’s another post). I’m not defending that choice by any means, just laying it out there that I think they didn’t necessarily all want to kill Dean like they did.
However, what I THINK I can explain now is what happened with Misha and why we got so jerked around with Cas’s story. Consider what we know (I can’t immediately source all of it, but I did my best):
At the end of episode 15x19, Lucifer has been returned to the Empty after being killed AGAIN. He talks with Cas. Maybe harasses him a bit about Dean, idk. But then...Jack shows up. New God Jack. And he picks up Cas and pulls him out of the Empty, leaving Lucifer behind, because seriously. Fuck that guy (also leaving behind his abusive father is character growth for Jack, so yay for that).
-Misha was contracted to film 15 episodes this season. He was only in 14.
-Misha told Michael Sheen he had to go back to film 1.5 episodes after the shutdown in March. (Starts at 6:13)
-Misha was in Vancouver during filming of the finale.
-Mark P said at Darklight Con that the last scene he filmed was with Alex and Misha (and Mark P was only in episode 19).
-Misha implied that he was present for various filming moments, including Dean’s death (start at 35:15), and said that it felt like a “mini-reunion.”
-Various sources have mentioned that Jimmy Novak was supposed to be in the finale.
-After episode 18, Stands tweeted a fan who was angered and hurt by Cas's death that they could talk about the “bury the gays” issue after the finale aired.
-In episode 19 we know there were takes of the parking lot scene where the only thing fans observing could hear was Dean yelling “CAS” at Chuck (fuck I can’t find this one right now, but it’s definitely out there)
-Also in episode 19, we had a very strange, awkward montage at the end of the episode.
-In episode 20, we know there were a FUCKTON of missing scenes
-We also had no opening montage, but three other separate montages.
-Carry on My Wayward Son was played TWICE, back-to-back at the end of the episode.
-Episode 20 was shorter than normal and had surprisingly little dialogue. The pacing was VERY strange.
-The cast and crew has been almost completely silent about the finale since it came out. When they have spoken, it has been with an awkward excuse of “Uh...COVID?”
-Samantha Ferris has specifically noted that, despite the Harvelle’s being back in play and a big heaven reunion having been planned pre-COVID, neither she nor Chad Lindberg received any such invitation to return.
-Cas and Dean POP Funko figures were pictured together in a replica of Harvelle’s in 15x04.
NOW with all of this in mind (and I’m probably missing some stuff too because there is so much--feel free to add on to that list), please bear with me because here is what I think we were SUPPOSED to get POST-COVID (after it was determined that the reunion couldn’t happen because of the virus):
In episode 20, we start with our NORMAL OPENING MONTAGE, like always. It traces everything that happened during the season. We are reminded of Cas. The confession. Rowena. Eileen. Jack. Billie, God, the Empty, all of it.
Things then follow along in the episode where they did up until Dean dies and wakes up in heaven. After his conversation with Bobby, he drives off to find Cas (who, in the script, was listed as “Jimmy Novak” in order to protect against script leaks--who wouldn’t want to do their best to avoid spoilers about the finale with the wrapping of a fifteen-year show?). He does indeed find Cas. We get Dean’s end of the confession. Hell, maybe we even get a kiss. And then Dean sets up his new heaven home in the recreated Harvelle’s. Maybe Cas even fucking moves in.
Years pass. We get Sam having his life on Earth (still can’t explain why they cut Eileen and couldn’t even have Sam signing vaguely to the blurry brunette in the background; if anyone wants to take that on, go for it). Eventually, Cas tells Dean that it’s almost Sam’s time. Dean takes Baby and goes to meet Sam at the bridge. The cover of Carry on My Wayward Son plays during this much shorter sequence. End of episode.
But that’s not what we got. Instead, much of what I just wrote about was excised from the episode. The remnants were stitched together after shooting had been wrapped. Filler was added in the form of montages and long, unnecessary extra shots to get the episode to something approaching a reasonable length.
But why? Why would they spend all that time and money and quarantining on Misha, only to almost completely cut him out of the finale? I struggled with why the fuck the CW would want this mammoth show to go down as the greatest queerbait in TV history when they had the chance to do something truly beautiful and monumental with it? It couldn’t just be sheer homophobia, right? Well, I think that factored into it, my friends, but here is where my head is at right now.
It was about cold, hard cash.
Now I could be wrong, but this is what I’m thinking at the moment: Supernatural is going off of the air. Supernatural, the CW’s cash cow for fifteen years. Sure there is still money to be made on blu-rays and merchandise and cons...but they need people watching their shows. They need that sweet advertising revenue. And you know what show they have about to premiere? A show that could, potentially, bring with it a chunk of that SPN revenue?
Walker.
And if any of you know anything about the original Walker Texas Ranger, you know that the show was predominantly a show about a very heterosexual white man being very excessively heterosexual. And for SOME REASON over the years, many of the execs at the CW still seem to think that this show, Supernatural, is really attractive to a lot of middle-American white men...whom they desperately want to watch this new show with this guy from Supernatural that they already know.
Now here’s where COVID fucked us. I think Destiel was greenlit by TPTB, at least in SOME form, before COVID. But then the pandemic happened, and they panicked. They got the cut of the last two episodes and watched them in their original, probably queer form. And then, the execs at CW looked at the economy. They looked at their cash cow, about to make its journey to the great beyond. And they looked at this new little calf Walker that they were so desperately worried about. And they made a choice.
They decided that it would be too risky to take the step with Destiel. They were worried about frightening off their ever-so-valuable hetero male demographic with the possibility that a traditionally masculine man in his 40s could be in love with another man in an overt way. It was homophobia mixed with greed, spun up by fear for their revenues because of COVID.
So they called in Singer, possibly Dabb, although I wouldn’t be surprised if they went straight to Singer. They told them that Destiel had to go: executive orders. And the only way to make it go in a way that removed any trace of what had been there was to rewrite what happened to Cas and cut him out from the last two episodes entirely. It was too late to reshoot anything. They had to just cut and stitch and fill with bullshit montages.
They removed the scene at the end of 19, probably because Cas and Lucifer discussed Dean. All that was left of Misha there was his voice on that fake phone call. They may have cut other things too, but I would bet my life that they cut a scene from the end of the episode and replaced it with that very strange montage. Then they moved onto 20. They cut out every scene with Cas. And left in only two platonic mentions of him, neither made by Dean. They tried to imply that Cas might show up in Dean’s heaven at some point, but that was as far as the editors could go in the time they had. They filled in with montages, awkwardly long shots, anything they could do to fill all of those missing scenes.
And they even had to take the opening montage, because literally everything in it pointed to Cas being there at the end of it all. They wouldn’t be able to leave out his scenes, they were too critical to the season. They couldn’t cut his confession without raising eyebrows. So they cut the whole thing and moved “Carry On My Wayward Son” to one of the newly-added driving montages at the end. Which is why we awkwardly had both songs play back-to-back--again, such a strange choice unless they were out of options and couldn’t exactly buy rights to a new track or compose anything else.
And so we were left with the shadow of the finale that we deserved, that Cas and Dean deserved. We were left without resolution or happiness or words. Bobo told us the most important thing about happiness is just “saying it” and our characters were silenced without anyone ever knowing the truth.
I think the writers might have known and been given the new party line that “Misha never filmed, he couldn’t, sorry, it was COVID, no one’s fault!” But I don’t think most of the cast even knew it had happened until they watched the finale on Thursday with us (though they might have been confused why the bit from 15x19 was sliced, they could reasonably have assumed it was a time thing and also BL episodes don’t make sense anyway). Why do I say that?
Well, first of all, Misha started sending out a bunch of excited texts to fans with some old BTS pictures about an hour before the show started airing on EST. He also wanted his children to see the episode, his YOUNG children. Why would he show them such a traumatic episode if their Dad wasn’t in it? What if it was because he wanted them to witness what was going to be a monumental moment in queer television history that their DAD got to be a part of? And then that was all dashed.
Which is why I think the cast and crew went almost completely radio silent the next day. I don’t think they knew. And based on how they have been acting on social media since then, I think many of them are absolutely furious, but they have been silenced because of NDAs, because they want to find work again in a cutthroat industry, because they don’t want to bring down the hellfire of Warner Brothers Entertainment upon themselves. So the most we have gotten is a little acknowledgement from the MERCHANDISING COMPANY trying to validate our pain (god bless Shirts, she is a LIFESAVER) and a response to my salty tweet about keeping good stuff in the closet from Adam Williams (the VFX coordinator) that seemed to acknowledge the validity of my complaint.
Then there was a scramble behind the scenes, I would bet my life. Talking points were fed to the boys who had panels today, to CE, to all the cast and crew:
Toe the party line. Misha never filmed. This was always about COVID. Do not mention Destiel. Do not mention Dean’s feelings for Cas. Do not promote the Castiel Project or anything that validates the idea that this was anything less than a superb ending.
And that is why we have heard so little from the cast on this front, and what we have heard has been muddled and contradictory. That is why the writers are saying nothing. That is why we have been left adrift.
Now before I close this out, I do want to say that I really, genuinely do not think this was on the writers at all. I feel like they tried to give us the best ending that they could, in a writers room that we know is notorious for splitting along party lines about the overall story (BL and Singer, who have always been about the brothers and their man-pain vs. Dabb and the rest who always seemed to want more for them and for Cas). I think they did everything in their power to at least end with Dean and Cas happy together. If they could give us nothing else, they wanted to give us that. And then the network took it from them. From us. From everyone.
For the sake of fucking money.
And the WORST PART OF IT ALL, for me, is that in the wake of this disaster, the fans have been left to try and figure out what happened. We have had to wade through a mire of conflicting information in the midst of all of our collective anger and grief over this garbage ending of a show many of us have loved and even relied on for YEARS, all the while wondering if we’re just fucking crazy, if we have all fallen collectively into the hole of conspiracy theories. That hurts ESPECIALLY badly because we have taken so many hits over the years from other groups on social media saying we were crazy for seeing things that weren’t there (especially Destiel), for writing meta and analyzing tropes and believing the evidence of our eyes and ears. The network has made us relive that entire nightmare WHILE processing our grief for a show we wanted so badly to celebrate and which instead we now have to mourn.
So again guys, I cannot prove that this is exactly what happened at all; this is simply my idea of what may have happened. But right now, it’s the most sense I can make from this mess, and to be honest, the act of typing it out has helped me enormously in my processing of it all. I feel like I can see more clearly, like I know where to target my outrage and where to direct empathy. I feel like just fucking maybe, I might be able to do my job tomorrow without bursting into tears at random moments.
I really hope that this post has helped some of you to, in some small way, process this too. We get through this the way that Misha told us at his panel this morning, the way the writers have told us to do all season long...we throw out the story God gave us and we make it better. We write our characters the happy endings they deserve.
We save them.
One last thing--if you have not already, please consider channeling your rage into a donation to one of the five causes our fandom has put together to pay tribute to our beloved show and to mourn the ending it should have had:
-The Castiel Project
-Dean Winchester is Love
-Sam Winchester Project
-The National Association of the Deaf
-The Jack Kline Project
#supernatural season 15#spn finale#speculation#destiel#destielgate#the ending was not the ending#fuck the cw#trust the story#we were robbed
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“Humans Burn Bright, but for a Brief Time”
Rewatching Season 14′s Ouroboros I was instantly struck by what I was feeling toward the beginning of the episode.
Cas and Dean are talking in the diner, with Castiel trying to get Dean talking about what he’s living with. Dean’s putting on a brave front about keeping AU!Michael locked away [closet themes], but facing his own mortality while Cas tries to take care of him. In fact, Dean is telling Cas that he wants Cas to kill him put him in the Ma’lak box before it gets too bad. The conversation is interwoven and played over Jack coughing up blood in the bathroom, secretly slowly dying.
It’s harsh. The whole thing suddenly smacked me in the face and I said to myself:
Supernatural didn’t do an episode that reached for the feeling of living through the AIDS crisis,
There is no way. Right?
I thought this was too far of a stretch, I was making this up, I talked myself out of it. And then I kept watching ...
I watched as the queer coded monster of the week mostly killed only gay men. I watched as they died because they hooked up with the Gorgon. They show one victim take advantage of the Gorgon at a truck stop. They aren’t even subtle about it - the truck stop sign indicates it’s literally just called “Truck Stop”.
(The queer-coded Gorgon used to also kill women but says they’re careful now because of toxic masculinity. ... so the monster is actually Bi. Great. the writers do know what that is.)
TFW fights the Gorgon but he is only ever seen using his venom on his gay hook ups and Cas, only knocking Dean unconscious.
Dean is hit on the head and Cas and Sam bring him to the infirmary. We have seen a lot of illness or deathbed scenes on this show and VERY few take place in the infirmary. But in this episode TFW worries over an unconscious Dean in an older hospital setting.
Cas and Jack have a conversation about mortality, about accepting the inevitability of death; dealing with the fact that the people they love, and specifically Cas’s partner Dean, are eventually going to die so they have to cherish the time they have with them, even though it's going to be short.
I felt crazy for even daring to think this could really be what I was watching, so I looked up the author of the episode and it was [drumroll please] Steve Yockey, Supernatural’s resident gay writer born in 1976.
Yockey brought us more than a few contenders for gayest subtext’d episodes of Supernatural, or rather those episodes that lay the groundwork for making Deancas canon including both Banes episodes, Lily Sunder, & Advanced Thanatology. He is also 45 which means he was a teen at the height of the AIDS crisis, and was 20 years old in 1996 when Rent came to Broadway and the US saw a decrease in deaths for the first time after the exponential climb.
It was a scary time to be gay, and a scarier time to be out. There was incredible secrecy and shame to the diagnosis. People had to watch as their friends and family got impossibly sick, knowing it was a death sentence.
Luckily, that is no longer the world we live in. We live in a world where we know what HIV is and how to protect ourselves from it. Where medications mean HIV is a condition and not a sentence. Where PreP and Truvada mean protection from contracting the disease, and mean patients could carry a near zero viral load, so they don’t get sick or spread the disease to their partners.
We face a new epidemic today, a pandemic actually, but we can’t forget our history. The last epidemic we faced decimated one segment of the population in particular and so people were left to deal with it alone, or, if they were lucky, with their found families. It was ignored, treated as a punishment, got no funding or public awareness campaigns, until it did. We shouldn’t forget.
Supernatural so often dabbles in the flirty side of queer coding. We pass GIFs of Dean checking out army dudes, or Crowley making amazing one liners. I think that Steve Yockey, though, slipped one by us, past the network, past the general audience, and told another side of the story, of the experience, of being queer in America that would have been experienced a bit more by someone Dean’s age, or more so a bit older.
Was this intentional? A case of an effect of growing up during a crisis worming it way into your writing without realizing it? Not actually in the episode at all?
At this point I think that yes, Yockey intended it.
But I want to hear what you think so please share your thoughts.
#dean was always bi#spn queercoding#spn meta#deancas#steve yockey#destiel#spn metaphors#spn feels#castiel#hiv representation#queer representation#ouroboros#fav#aids#spn rewatch#spn 14x14#original content#spn#gay gorgon#aids allegory#gorgon#I swear I have fun metas and fun content but then I go and do this too#queer themes
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Kaleidoscope of Death, Ch. 132
Kaleidoscope of Death by Xi Zixu Link to Chinese / Novel Updates
Chapter 132: By Day, By Night
After hanging up, Lin Qiushi got out of bed. He went to the living room to check on the door and television, making sure both those things were still the same as they had been during daytime yesterday.
After that, Lin Qiushi left the apartment in a hurry. Halfway out he even got a call from Wu Qi, asking why he wasn't at work.
"There's something I have to do." Lin Qiushi was already in a car and had honestly completely forgotten about going to work. He tried to wheedle: "Ask for time off for me."
Wu Qi, "okay, how long should I ask for?"
Lin Qiushi, "half a year?"
Wu Qi, shocked, "…half a year?? Are you planning on resigning?"
Lin Qiushi glanced at his watch, not thinking of work at all.
"Or yeah, you can just resign for me."
Wu Qi seemed like he had something to say, but whatever words were on the tip of his tongue never made it out—he only sighed: "Fine, I'll get time off for you. If there's something going on you've got to tell me, alright? Don't carry it all on your own."
Lin Qiushi made a noise of agreement, expression still pensive.
The car continued on, and over an hour later, it arrived at where Lin Qiushi wanted to go. Lin Qiushi got off, went upstairs, and knocked on the door—every motion done in a single smooth breath. The truth was, however, that these few simple motions were only possible after extensive emotional preparation done during the car ride.
The door he knocked on opened after a bit, revealing a beautiful middle-age woman—it was Ruan Nanzhu's mother.
Because before they'd entered the door, Ruan Nanzhu had taken Lin Qiushi home. Now Lin Qiushi had a clear memory of where Ruan Nanzhu's old house was. Coming here this time was simply to confirm one thing…
"Hi Auntie," Lin Qiushi greeted politely.
"Hello." The woman watched Lin Qiushi with curiosity and asked, "is there something I can help you with?"
"I wanted to ask, do you know who Ruan Nanzhu is?" Lin Qiushi asked carefully.
"Ruan Nanzhu?" The woman's tone of doubt sent Lin Qiushi's heart sinking, and the question on her face only grew stronger. "Sorry, I don't know who that is."
"Then do you know Ruan Baiye?" Lin Qiushi brought up another name—this was the name of Ruan Nanzhu's older bother.
"Baiye? He's my son…" Mama Ruan said. "He's not home right now, but he'll be back later tonight. Are you looking for him?"
Lin Qiushi, "ma'am you…only have one son?"
Mama Ruan nodded as the way she looked at Lin Qiushi got stranger and stranger. Which was fair. Suddenly coming to her house and asking questions like these, Lin Qiushi didn't seem like a normal person at all.
Lin Qiushi had no idea what else to say either. After bidding Mama Ruan goodbye, he rushed back downstairs and hurried off to another location.
Ruan Nanzhu's existence had been completely wiped. There was nobody in this world named Ruan Nanzhu, not even to his parents, and even Obsidian, the organization that he led, had stopped existing…
This time, Lin Qiushi's destination was Li Dongyuan's White Deer.
When he arrived at White Deer headquarters, Lin Qiushi discovered that the building that once belonged to White Deer was now commercial offices, labeled with the name of XX Bank. Lin Qiushi was standing in the doorway contemplating how to sneak upstairs when he saw a familiar face leave the building. That person was wearing a suit and speaking to someone beside him; judging by appearance alone, he was that baby-faced Li Dongyuan that Lin Qiushi knew.
Seeing this Lin Qiushi hurried forward and called, "Li Dongyuan!"
Li Dongyuan's feet stalled, and he glanced in Lin Qiushi's direction. With eyes both cautious and distant, he asked, "who might you be? If you'd like to discuss something please book an appointment with my secretary first."
"I—" Lin Qiushi said. "Do you know me?"
Lin Qiushi lifted an eyebrow and didn't speak. His expression though, gave Lin Qiushi an answer—he did not know Lin Qiushi, and even thought Lin Qiushi's question odd.
"You don't recognize me?" Lin Qiushi also couldn't quite convey how he was feeling just then.
"Should I recognize you?" Li Dongyuan smiled a smile that wasn't quite a smile as he scanned Lin Qiushi up and down.
Lin Qiushi suddenly recalled something else. He said, "then do you know Zhuang Rujiao?"
Li Dongyuan didn't answer, and still seemed unfamiliar with the name.
"What about Jin Yurui?" Lin Qiushi tried again.
"You know her?" Li Dongyuan's smile, however, faded. "You're one of hers, then?"
Lin Qiushi could finally be sure why some people didn't exist in this world—because they were still alive. If they still survived in the world outside the door, then they did not exist inside this door. Both Li Dongyuan and Jin Yurui were dead, so they had new identities inside this door.
And, those who had died inside the doors aside, the people who were competely unrelated to the doors did not seem affected by this rule at all. They existed both inside this door and outside it, and had nothing to do with living or dying.
"Is there anything else?" Eyeing Lin Qiushi, who was deep in thought, Li Dongyuan lifted his chin with a cold expression. "If there's nothing else why don't you take your leave? This is a place of work."
Lin Qiushi took one last look at him before turning to go.
"Who is that?" the person standing beside Li Dongyuan asked as they watched Lin Qiushi leave.
"I don't know," Li Dongyuan said. "Looks kind of familiar though. Never mind, bring me that data and let me confirm…"
Lin Qiushi left White Deer headquarters and glanced at his watch. It was already twelve noon. An idea surfaced in his mind, and Lin Qiushi got out his phone to book a roundtrip flight for C City the next morning.
There were some matters he wanted to confirm in C City; it was already too late to go today, so he could only hurry there tomorrow morning and try to make it back in one day.
Fact of the matter was, Lin Qiushi didn't want to try spending the night on an airplane. Hell knows how terrifying that would be.
After taking care of lunch at a random spot in town, Lin Qiushi returned home and took a nap. As he thought about what would happen later that evening, Lin Qiushi thought he wouldn't be able to sleep. But in fact he slept quite well, passing out the moment he hit the bed. When he woke it was already five in the afternoon. Chestnut sat by his side, meowing, looking to be hungry again.
Lin Qiushi got up and, after fixing up some food for Chestnut, called some delivery for himself. He ate while watching TV.
He saw the trailer for Tan Zaozao's new movie. From the language of the advertisement, Lin Qiushi figured out that Tan Zaozao had already won the award. The award-winning movie was exactly the same as it had been on the outside, only the director was a different person this time and not Zhang Yiqing.
This world was so very similar to the world that Lin Qiushi lived in, but there was one fundamental difference—Ruan Nanzhu, the person Lin Qiushi most wanted to see, was not here.
Good thing that was so, actually. This door, for a lot of other people, would likely be of insurmountable difficulty. Like Zhuang Rujiao. Or Cheng Yixie for that matter. That was because here, they could once again see their most beloved person…
The night deepened, and Lin Qiushi got everything ready.
Around ten in the evening, it suddenly began to rain outside.
Water came down as if tossed from a ladle, washing clean the earth scorched dry by the sun. Lin Qiushi stood by the window, watching as passersby scampered home along the sidewalks until only streetlamps were left on the empty streets, with only the occasional car passing by.
Chestnut fell asleep sprawled out on the couch. The atmosphere grew quiet. Some senseless program played on TV as a queer sort of silence began to crawl out inside the house.
Lin Qiushi smelled petrichor. He used to be quite a fan of this smell, until he encountered a particular door. After that, this tainted scent of rainwater became something a lot more unpleasant.
The hour hand turned bit by bit, and twelve o'clock was nearly here.
Lin Qiushi sat in the living room, as if a spirit waiting for the death god's verdict. The switch from day to night came, and the clock hanging on the wall finally began to ring: ding dong, ding dong, ding dong…Twelve chimes heralded in another world.
The moment it became twelve, someone was immediately knocking at his door once more. Backpack on, Lin Qiushi came to the door, and through the peephole saw a woman standing on the other side, smiling at him.
He remembered the woman's name. It was the NPC hidden among the crowd in the Sister's Drum door, Xu Jin.
"Hurry up and come out already," Xu Jin told Lin Qiushi. "Come out already, my sister's coming to find you."
Lin Qiushi didn't open the door. He heard a soft noise from the window, however, and when Lin Qiushi turned, he saw a figure pressed against the glass.
It was a person with all her skin stripped off, her body a mess of blood and flesh from head to toe. The bloody face pressed against Lin Qiushi's glass and her mouth split open, showing Lin Qiushi her stark white teeth. It looked like she was trying to open up the locked window, and judging from her motions, she seemed close to succeeding.
Opening the door looked to be the only option right now. Gritting his teeth, Lin Qiushi twisted open the door handle and faced Xu Jin, standing on the outside.
Xu Jin clearly knew what Lin Qiushi was worried about, and began to chuckle.
"How could I bear to hurt you?" A pause, as her gaze lingered on Lin Qiushi's backpack. "My diary is still in your hands. Did you give it a good read yet?"
Lin Qiushi, "…" Why did he feel like he was being teased?
But there wasn't time for him to worry about that, because Xu Jin's sister was about to come in though the window. Xu Jin grabbed Lin Qiushi by the arm and ran. The two made their way down the hall and came to the elevator.
"Go on inside, but watch out," Xu Jin said. "There are other things that want you dead."
Lin Qiushi asked, "what about you?" He recalled that Xu Jin didn't have a very good relationship with her sister.
"Me?" Xu Jin’s eyes curved up in a sudden smile. "How do you know that I don't want you dead?"
As soon as she said this, the skin on her body began to fall off patch by patch. The startled Lin Qiushi rushed into the elevator and pressed a number.
Xu Jin was chuckling again, and though her laugh was bright like silver bells, her terrifying appearance struck a sharp contrast.
Even though she now looked scarier, she didn't seem keen on pursuing Lin Qiushi.
The elevator started. In theory, Lin Qiushi ought to be safe, but that weird sense of danger once again assaulted the top of his head.
Lin Qiushi looked all around him, and when he spotted a certain something hanging in the elevator, goosebumps appeared all over his body. He'd spotted behind him, on what should have been an empty elevator wall, a huge black picture frame. There was nothing inside the frame, but the frame was pointed at exactly where he was standing.
Lin Qiushi reacted swiftly, hitting the button for the floor closest to him. At the exact same time, black water stains began appearing on the white paper inside that frame. First there was only one drop. Then it began spreading on the canvas paper.
He watched as the shape of that stain began to look more and more like a woman. It dispersed across the canvas and, in a short amount of time, managed to coat the entire large canvas.
Luckily it was then that the elevator reached the nearest floor. Lin Qiushi immediately took off, and the moment he cleared the elevator, a pair of pale white hands burst out of that canvas paper, searching around like it was looking for something to grab hold of.
Lin Qiushi was currently on the sixth floor. The moment he was out of the elevator he turned for the emergency exit right next door, bounding quickly down the stairs.
It was dim in the stairwell, with just enough light to see the path beneath his feet. Lin Qiushi ran down two stories before feeling something was off. He took a closer look, and discovered that he'd been turning round and round on floor six.
The stairs seemed to have become a mobius strip—up, down, backward, forward, it all came back to the sixth floor.
Lin Qiushi's feet screeched to a halt. He took in his surroundings, and noticed, on the white stairwell ceilings, little black spots of water appearing. That chilling stench of rain too was spreading through the air.
The thing had found him. Lin Qiushi made an executive decision and left the stairwell, stepping out onto the hallway. But back in the hall, Lin Qiushi discovered that the corridor had underwent a terrifying change: black frames hung on both sides, and inside each frame was a human head with its expression all twisted up. As for the ceramic tile floor, there was now a new carpet, thick and black—the pattern on it looked the same as in a door they'd encountered before.
Lin Qiushi looked up and saw, on the other other end of the hallway, another painting hanging. That painting was a woman in black with a long, sharp hat. Her eyes were half closed, but it felt like she was staring right down the hall and meeting Lin Qiushi's eyes.
Lin Qiushi wanted to leave the hallway, but when he glanced back, he found that the stairwell he had just came from had disappeared. The length of the hallway too seemed to be slowly shortening; Lin Qiushi could sense the painting of the woman getting closer and closer, closer and closer…
At that moment, a drop of water fell onto Lin Qiushi's forehead. Lin Qiushi gave it a wipe, and realized that it was blood. On reflex he looked up—a black hole had appeared above his head without him noticing, and blood was dripping from its edge onto his head. A pair of black eyes glimmered faintly in the dark, and then right after, a pair of pulpy, bloody hands reached out of the hole for Lin Qiushi.
Lin Qiushi's instincts were to back away, but the strange thing was, the hands stopped when they got to him. As if a miracle, he sensed no animosity from this pair of hands.
The hallway was still getting shorter and shorter, as if it were becoming a cage keen on trapping Lin Qiushi inside. With a clench of his teeth, Lin Qiushi reached up and grabbed the fleshy mess of those hands, and then felt a sudden force as he was brought out of that shrinking hallway.
"Aiya, looks like you can't manage without me after all."
The voice belonged to Xu Jin, but from appearance alone, he couldn't tell it was her at all. The skin on her body was completely gone, leaving only scarlet flesh and blood. She was grinning brightly at Lin Qiushi, and the contrast between her smile and appearance was strange, but Lin Qiushi didn't find it scary at all.
"Thank you," Lin Qiushi said to her.
Xu Jin didn't speak. Her gaze instead leaped over Lin Qiushi to look behind him.
Sensing something, Lin Qiushi too twisted around, and spotted on the other end of the darkness a pair of glowing red eyes.
"Meimei, my sister."
The owner of those eyes was also a skinless monster. She didn't have any legs and could only walk on her hands, but that didn't mean she was slow. She glared at Lin Qiushi with vitriol and bared her teeth; like a hyena hunting its prey, the sheer amount of hatred in her eyes was strong enough to materialize.
"Why did you betray me?" she said. "Do you like him that much? Since you like him so much, why don't I keep him here for you?"
Xu Jin tilted her head, and also smiled.
"But Jiejie, even if you did that, I still won't like you."
After that, she told Lin Qiushi to run, and threw herself at her sister. The two monsters clashed and tangled together.
Lin Qiushi got up and sprinted in the direction of the light. By the time he reached its source, he found that he'd already escaped from the apartment building, and was standing in the yard of the residential block.
It was still raining outside. Lin Qiushi pulled an umbrella out of his backpack and slowly pushed it open, stepping out into the curtaining rain.
The rain came down in sluicing torrents, and the streets were completely empty, with only water splashing along the ground. The rain ought to have been noisy; but at a time like this the loudness of the rain only made the world sound more silent in comparison.
"Help me—help me—"
There was a sudden cry for help. A silhouette came stumbling out of the rain, and Lin Qiushi could just make it out: she was a pitiful-looking young woman, staggering through the rain in a long dress. It looked like she was being pursued by something, and when she spotted Lin Qiushi standing not too far away, it was like she'd found an oasis in the middle of a desert—she came running immediately.
"Help, help!! Please, I'm begging you please help me, something wants to kill me…" She fell to the ground, looking up pathetically at Lin Qiushi. "You're also someone going through the doors, right? So am I, this door is so scary—"
Had this been reality, Lin Qiushi would've definitely helped the young woman up by now. But at this stage he wasn't moving, and a light furrow had appeared between his brows. The truth was, he found the person before him a bit familiar—more specifically, everything that appeared at night now was familiar, and he was certain he'd seen this person somewhere before.
"Mister, mister." The woman collapsed in the rain saw Lin Qiushi unmoved, and slowly crawled forward. She wiped at the rainwater on her face and said, shakily, "I know a safe place, and I can bring you there. Do you want to come with me?"
Lin Qiushi said, "do I know you?"
The woman said, "we met once in the door, and you even helped me out." Her lashes lightly trembled, looking vulnerable as anything. "But I didn't deserve that mercy, I still didn't make it."
"We met inside a door?" Lin Qiushi now found the shape of her eyes familiar. "Which door?"
The woman approached Lin Qiushi, saying, "you know, that one."
As Lin Qiushi watched her, he suddenly spoke: "There's something behind you."
The woman halted.
"A giant picture frame," Lin Qiushi said. "She's here."
The woman wheeled around in fright, but when she didn't see anything behind her, she suddenly realized that Lin Qiushi had recognized her. What had been a pitiful expression immediately went cold.
"It's been a while," Lin Qiushi said, "Yang Meishu."
The woman chuckled coolly.
"You still recognized me?"
Lin Qiushi shrugged. "I didn't want to, but I can count the people who wanted me dead on one hand. Since you're not a ghost, you must be somebody who hates me…"
He paused, and quickly announced, "she really is here."
But Yang Meishu didn't believe him. She said, "do you really think I'm that dumb? You've fooled me once already, you think you can do it again? I—"
As she spoke, getting more and more agitated, she felt a sudden breeze behind her. Yang Meishu glanced back, and found the woman in black standing right behind her. The woman's white face was impassive, and in her hands was a black picture frame that she swung right at Yang Meishu.
Yang Meishu knew this was likely it for her, and a terrible scream came out of her mouth. Right after she screamed, she became a portrait in the hands of the woman; soaked from head to toe, her expression bore both fright and a lively, vivid resentment.
Lin Qiushi took the opportunity to run further away. The woman didn't seem intent on chasing after him either, only watched him go with an icy gaze.
The rain came down in torrents, and Lin Qiushi was completely soaked. In such a strong rain, the umbrella was practically useless. As he ran, he fished out his cell phone and sent Ruan Nanzhu a text.
How are things on your end? After some thought, Lin Qiushi added: I'm fine over here, don't worry about me.
After the text was sent, he didn't get a reply for the longest time. It wasn't until Lin Qiushi found a place to hide from the rain that the message notification dinged, displaying four simple words: I'm good, don't worry.
Seeing the message, Lin Qiushi huffed a bitter laugh. Because how could he not know? Had Ruan Nanzhu truly been alright, the text would not have been so short. Ruan Nanzhu had trained his way through so many doors, so god only knew how many malicious NPCs and dead people from the inside he would meet at night. From what Lin Qiushi understood of him, if he had everything under control, he would've definitely sent a message first asking about Lin Qiushi's situation. Now, even his text message was so short. The situation on his end could not be good.
He wanted so badly just to be by his side—Lin Qiushi clenched his phone and thought bitterly. Whatever he had to experience would be fine, as long as he could be by Ruan Nanzhu's side.
[Ch. 131] | [Ch. 133]
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So, Word of Honor, Episode 36 (and “Episode” 37) again, because I want to do a little bit more unpacking of this, particularly with some of the extra material and information that people have been able to point me to.
Spoilers, obvs. For right now, I mainly want to pull out this bit of my initial reaction to 36 & 37, because I think it remains a key point for me:
It would be nice, though, if the connective tissue from 36 to 37 made any sense. Or existed whatsoever. Just, like, throw me a bone, show, some kind of explicit hand-waviness that actually gets mentioned for why Ye Baiyi apparently was not as smart as he thought he was and didn’t really know what he was talking about when he was doomsaying about how one of the pair will surely, oh surely perish. None of this “Sooooo, they managed to figure out the technique and master it?” from some random shidi who never actually gets an answer. I mean, the door was left open for fanwankery on this one, with what looks to be a very last-minute conceit of all this being a story told by grown-up Chengling to his disciples, which begs the question of how much of what he’s telling them is totally accurate, given any number of issues …
I do feel like there’s an interesting meta thing going on here, in that the entire show has been about – let’s be honest, it was never really about the plot – queer-coding this couple in ways that supposedly fly enough under the radar that people can handwave them as Just Good Friends and Brothers (I mean, I guess) with a Bury Your Gays tragic ending (ugh) for good measure. And Chengling is telling a story in-universe that seems to conform to some of this same formula. And yet, we all know well and good that these guys were husbands … So are we supposed to carry the same assurance out of the show, on a meta level, that what appears to be happening in the story at the end of Ep 36 – what we discover we’re learning through Chengling’s story-telling, isn’t really the truth? Just, look: While we’re getting the Good Friends and Brothers push, there’s stuff like obvious voice-over work that doesn’t match the much more queer version of what the actors actually said, which is apparently blazingly clear to any viewers who know Mandarin and can manage to lip-read. The show has literally put de-queered words into these characters’ mouths. You can’t trust what you hear. But apparently the show has also made this obvious enough that, if you’re a good enough speaker of the language the show is being told in, and you have a good enough eye, you can see what is actually going on. Are we being taught to trust our eyes more than our ears, are we being told that what we’re being told – by the end of Ep 36 on a meta level, by Ye Baiyi-through-Chengling’s-story on an in-universe level, and by what we learn about what happened from Chengling’s story, itself, also on an in-universe level – is inherently untrustworthy, but that if we “speak the language” of this show well enough, and have a good enough eye, we can decode it and see what “actually” happened and is later made explicit in Ep 37?
So, that’s a lot, but the reason I wanted to pull it back out is because I feel like this no-homo, surface-level, smoke-and-mirrors effect that gets layered over a queer bedrock of “reality” is precisely what the show did with its ending, and I want to approach that on a couple of different levels. Particularly since I’ve seen several reactions from other people who didn’t seem to have seen/didn’t have access to the extra of “Ep” 37, or who also found it difficult and vaguely unsatisfying to make the leap from Ep 36 to full belief in, and commitment to, “Ep” 37.
When I first posted this, I was really leaning on the idea of a classic Rashomon effect, given that we see – imho – a final Zhou Zishu/Wen Kexing scene in Ep 36 that’s filmed to lead us to believe that Wen Kexing died, with a subsequent cut to Zhang Chengling wrapping up a telling of the “story” of ZZS and WKX to his disciples. The easiest fanwank on this is that all of what we’ve seen so far has been Chengling telling the story of ZZS and WKX to his disciples, making him an unreliable narrator who in fact doesn’t know the truth of what really happened. I was actually reminded of the contrast in The Untamed (god, I don’t need to warn for spoilers for The Untamed, do I, we’ve all seen Chen Qing Ling at this point, right? Anyway, SPOILERS FOR THE UNTAMED) between the cliff scene in Episode 1 when they make it look like Jiang Cheng stabbed Wei Wuxian, leading to his fall off the cliff, and you go back later and realize this is the version that the storyteller was telling to the people in the teahouse vs. Episode, god, what is it, 33? When we see the cliff scene in “real” time, and discover that’s not what actually happened, that what happened is that Jiang Cheng stabbed a rock and Wei Wuxian shook himself free of Lan Wangji’s grip to fall to his death. You can’t trust what you hear. Also … well, we’ll get back to Chengling in a minute.
The second level of uncertainty to unwind is Gao Xiaolian calling bs on Chengling’s story. So, I felt like the kid who’s practicing his forms in the snow and being coached by ZZS in “Ep” 37 might actually be someone, not just a random kid, and that might be important, but I could not for the life of me figure out who he might be. I wasn’t aware until I watched some of AvenueX’s wrap-up of the show (I think that’s the first place I heard this info pointed out) that this kid is supposed to be the son of Gao Xiaolian and Deng Kuan, and the dad who comes to take him home is Deng Kuan (formerly Da-shixiong of Yueyang Sect, who – let’s face it – Gao Xiaolian really wanted to marry). Seriously, I spent so much time making fun of ZZS’s stupid facial hair tricks in this show, and then they actually do just put a dumbass mustache on a guy, and I completely don’t recognize him. I have to admit, the mustache threw me enough that I had no idea that was Deng Kuan (well, and maybe only seeing him for three episodes also helped). But if that’s Deng Kuan, and if the kid is his and Gao Xiaolian’s son, then she would have some reasonable standing to know a story detailing WKX’s death was bs.
Finally, and most crucially – thanks to everyone who directed me to resources (including AvenueX and other fans who were able to do some translation) who were able to talk about the voiceover work in this final ep, because when I talk about how you can’t trust what you hear, but if you speak the language well enough and have a good enough eye, you can catch what’s really going on? When I talk about de-queered words being put into these character’s mouths? Apparently, this is what happens to Chengling in the final scene. That last scene - and the story he tells his disciples - apparently DOES provide the connective tissue from Ep 36 to Ep 37, but you can’t trust what you hear. Apparently, this is one of the places where you can see something different from what you hear if you’re able to lip-read, with Chengling telling the disciples something much closer to the idea that two people who love each other equally can equally support each other through this cultivation technique and both come out alive.
In the AvenueX discussion of this (Livestream #21, starting around 1:22:30), there’s an additional tidbit about the use of the word “cauldron” – I believe by Ye Baiyi - to describe one person in the pair, a word with a specific and widely-understood meaning within the genre that’s not necessarily known outside of the genre with, yes, sexual connotations. (Come on, slash fans, don’t tell me you don’t giggle every time you pass a perfectly innocent Jiffy Lube auto shop, at something that the mundanes don’t think twice about.) Apparently, “cauldron” is in the script, I believe it’s in the English subs, and it apparently was in the original Chinese subs, until too many people started talking about it and how it had been slipped past censorship, because it’s a perfectly common Jiffy Lube auto shop, right? and then it appears Youku went back and changed the character in the Chinese subs to something that doesn’t even make any sense. So again, we get an example of a case where if you’re a good enough speaker of the language this show is being told in – in this case the vernacular of wuxia – with a good enough eye, you can catch what’s really going on. Something that then gets no-homo’d. And has some nonsensical de-queered meaning laid over top of it. How many times do we have to do this until we learn the lesson that you can’t trust what you hear?
ANYWAY, I’m wondering if the visuals are important, too: Something we see in the last scene with ZZS and WKX in Ep 36, when WKX is either unconscious or dead (CLEARLY UNCONSCIOUS), is that ZZS – twice – doesn’t let WKX’s hands fall. He catches him by the wrists and then catches him again by the hands as WKX’s hands start to slip away from ZZS’s hands – aaaannnnd end scene. I have to wonder if that’s not a subtle but important detail, that we see ZZS refusing to let WKX physically slip away, and maybe, by implication, refusing to let WKX slip away from him into death.
Also, again with Ye Baiyi – in the flashback when WKX is yelling at ZZS, Ye Baiyi says “No one dies!” as he comes bursting into WKX’s sickroom. And then even reiterates it – “No one dies before me!” But then the voiceover during the qi transfer, he’s supposedly going on about here’s how WKX is going to have to kill himself to save his husband? I think the script has dropped the ball in a few places, but that would really be a tremendous flub. That also deserves some unpacking, but I’m running out of free time right now.
So, just some additional thoughts. I will probably have more, but next up, I think, will be a re-watch from the beginning.
One last thought, tho’: What’s the likelihood that Nian Xiang is Actual A-Xiang and Goa Xiaolian’s/Deng Kuan’s kid is Cao Weining, reincarnated?
#zhou zishu#wen kexing#zhang chengling#gao xiaolian#deng kuan#ye baiyi#word of honor#word of honor episode reax
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Even after the new film, which certainly popularized Amy/Laurie in a way I’ve never seen before, I keep hearing a lot of the same old arguments: “Laurie never stopped loving Jo”, “Laurie didn’t really love Amy”, “Amy was a second choice/consolation prize”, “Jo should’ve been with Laurie” etc. And a lot of these people claim this is book canon. As I’ve just reread the book, I’ve got a lot of thoughts on all of this...
(Note: This is all purely based on book canon.)
In the book, after Amy harshly scolds Laurie, he decides to go back to London and work for his grandfather to better himself. At first, he thinks he’s doing it for two reasons: Amy despises him and that hurts him, but also the idea that if he does something “splendid” Jo may love him (or at least respect him, as Amy put it).
So Laurie decides to write a requiem for Jo “which should harrow up Jo’s soul and melt the heart of every hearer”. But he can’t come up with anything because he keeps humming the dance music reminiscent of the Christmas ball in Nice which he spent devoting himself to Amy all evening. So then he tries to compose an opera with Jo as his heroine, but it doesn’t work. “He wanted Jo for his heroine, and called upon his memory to supply him with tender recollections and romantic visions of his love. But memory turned traitor; and, as if possessed by the perverse spirit of the girl, would only recall Jo’s oddities, faults, and freaks, would only show her in the most unsentimental aspects.”
Jo no longer fits as his heroine, no matter how hard he tries. So he gives up on that, and his imagination promptly comes up with another heroine for him without even trying:
“This phantom wore many faces, but it always had golden hair, was enveloped in a diaphanous cloud, and floated airily before his mind’s eye in a pleasing chaos of roses, peacocks, white ponies, and blue ribbons. He did not give the complacent wraith any name, but he took her for his heroine and grew quite fond of her, as well he might, for he gifted her with every gift and grace under the sun, and escorted her, unscathed, through trials which would have annihilated any mortal woman.”
While Laurie doesn’t realize it, the woman he’s imagining is Amy. Amy with the blue ribbons in her golden hair, who put roses in his buttonhole, who he watched feed the peacocks in Paris, and who he first saw again in a carriage drawn by ponies. It’s also a little prophetic, as he does escort the real Amy through future trials. (Bonus: at the same time, Amy spends her time sketching some faceless man who clearly resembles Laurie, but she doesn’t realize it either.)
Contrary to what some in the fandom would claim, Laurie isn’t at all forcing himself to love Amy just so that he can be part of the March family. He doesn’t even realize that she’s become the “heroine” in his story, that she’s the woman he’s fantasizing about. He thinks he’s doing this to improve himself for Jo, but it’s Amy that’s inspiring him.
And then Laurie realizes that his feelings for Jo are disappearing:
“Laurie thought that the task of forgetting his love for Jo would absorb all his powers for years, but to his great surprise he discovered it grew easier every day. He refused to believe it at first, got angry with himself, and couldn’t understand it [...] Laurie’s heart wouldn’t ache; the wound persisted in healing with a rapidity that astonished him, and instead of trying to forget, he found himself trying to remember. He had not foreseen this turn of affairs, and was not prepared for it. He was disgusted with himself, surprised at his own fickleness, and full of a queer mixture of disappointment and relief that he could recover from such a tremendous blow so soon. He carefully stirred up the embers of his lost love, but they refused to burn into a blaze: there was only a comfortable glow that warmed and did him good without putting him into a fever, and he was reluctantly obliged to confess that the boyish passion was slowly subsiding into a more tranquil sentiment, very tender, a little sad and resentful still, but that was sure to pass away in time, leaving a brotherly affection which would last unbroken to the end.”
This passage alone pretty much puts to rest the idea that Laurie never got over Jo. He actually got over her so easily and quickly that he felt disgusted with himself, thinking this made him fickle. His romantic feelings are gone, and soon will leave only a “brotherly affection” when the last of the hurt is gone as well. Maybe he got over her so easily because he simply mistook his strong bond with her for romance, or maybe it was just a rash and immature first love that was never going to last long anyways, or whatever else... point being, he got over her.
And Laurie was actually trying, and failing, to rekindle any love for Jo (unlike his unconscious growing feelings for Amy, which he wasn’t pushing for at all). As a last ditch attempt to revive that love, he writes to Jo asking if she was sure about her refusal, and when she responds that she absolutely could never love him that way, he accepts it without sadness or complaint this time. He’s already over her, so there’s nothing to be heartbroken over. That was his closure. He takes off the ring she gave him and locks it away with her letters, and that’s that.
And that’s when he’s ready to open his heart to Amy. He starts corresponding with her so often their letters are flying back and forth constantly. He wants to go back to her, but he doesn’t want to until she asks; she finally does after she hears about Beth’s passing, and Laurie immediately drops everything to go to her “with a heart full of joy and sorrow, hope and suspense” (and this is after he knows she’s turned down Fred, so we know what he’s hoping for now). Amy is his first priority after Beth dies, even though Beth was dearest to Jo. Laurie meets Amy in Switzerland and, without saying anything, they both know their relationship has changed.
They spend weeks doing everything together and spend all their time out at the lake. Despite the sad tidings, they wind up being their happiest together in Vevey. They both know that they’re in love with each other without even having to say it (they really seem to develop an unspoken communication at this point). And while Laurie knows that she’ll say “yes” to his proposal, he’s still nervous so he puts it off to enjoy his time with Amy in Switzerland. He imagines proposing to her in the chateau garden at moonlight, but instead blurts it out while they’re on a lake in the middle of the day:
Feeling that she had not mended matters much, Amy took the offered third of a seat, shook her hair over her face, and accepted an oar. She rowed as well as she did many other things; and, though she used both hands, and Laurie but one, the oars kept time, and the boat went smoothly through the water. “How well we pull together, don’t we?” said Amy, who objected to silence just then. “So well that I wish we might always pull in the same boat. Will you, Amy?” very tenderly. “Yes, Laurie,” very low. Then they both stopped rowing, and unconsciously added a pretty little tableau of human love and happiness to the dissolving views reflected in the lake.
And there’s so much to say about this little scene. While he had to beg and argue with Jo just to finally accept her firm “no”, he just has to ask a simple question with Amy and he gets his simple answer because they’re on the same page. The rather blunt metaphor of rowing well together, even when he uses one hand and she uses two, is all about how despite their differences they work. They keep time. And it calls back to Jo’s talk with Marmee where they both agree that Jo and Laurie never would’ve worked, in part because their similarities would clash horribly in a romantic relationship (but mainly because , y’know, Jo never once felt a single shred of romantic love for Laurie).
Now, I can understand where people come from thinking Laurie was “replacing” Jo with Amy with lines like "Laurie decided that Amy was the only woman in the world who could fill Jo’s place and make him happy”. I get how this can be interpreted as Amy filling in for what was meant to be Jo’s place in his heart. But it makes a lot more sense in the context of Laurie’s speech to Jo towards the end when he explains his feelings:
“I never shall stop loving you; but the love is altered, and I have learned to see that it is better as it is. Amy and you changed places in my heart, that’s all. I think it was meant to be so, and would have come about naturally, if I had waited, as you tried to make me; but I never could be patient, and so I got a heartache. I was a boy then, headstrong and violent; and it took a hard lesson to show me my mistake. For it was one, Jo, as you said, and I found it out, after making a fool of myself. Upon my word, I was so tumbled up in my mind, at one time, that I didn’t know which I loved best, you or Amy, and tried to love you both alike; but I couldn’t. And when I saw her in Switzerland, everything seemed to clear up all at once. You both got into your right places.”
Laurie didn’t settle for Amy. Amy took Jo’s place in the sense that they swapped places in how he saw them, from romantic to platonic for Jo and vice versa for Amy. And those wound up being their “right” places. He believes he was always meant to fall in love with Amy and see Jo as his sister, and that he would’ve gotten to this point naturally even if things had played out differently.
I’ll admit I wasn’t a fan of how the 2019 film portrayed Jo in this situation, because in the book she was absolutely thrilled for Laurie and Amy, and is happily surprised when Marmee tells her she’d been hoping for them to fall in love. But in the film, they take her sadness over her loneliness too far IMO, and make it seem like she was actually bitter over Amy and Laurie being together, which unfortunately fuelled the “Amy stole Laurie from Jo” crowd a bit. And after her conversation with Marmee where she admits that she only wants Laurie because she longs to be loved, and Marmee points that “that isn’t the same as loving”, this makes movie!Jo seem “silly and selfish” as book!Jo puts it (because in the book, that was only a “what if” she entertained and never wrote any letter).
Anyways, to conclude on all of this, when Amy and Laurie are married at and home, we get the thoughts of other characters on their relationship, and the unanimous opinion is that they’re completely in love and happy with each other. Jo herself insists that their happiness will for sure last, and notes how proud Laurie seems to be to call Amy his wife. Laurie, meanwhile, can’t stop talking about Amy through to the end (and Amy is clearly just as smitten). I dare you to read the last half of Part 2 and not find Amy and Laurie adorable together.
And to hammer that last nail in the coffin on Jo/Laurie as a romance, we get Laurie meeting Professor Bhaer. It’s specifically noted that while Laurie is suspicious of Bhaer and notices his interest in Jo, it was “not of jealousy” but a “brotherly circumspection”. Amy even asks him if he’s at all jealous and Laurie tells her “I assure you I can dance at Jo’s wedding with a heart as light as my heels. Do you doubt it, my darling?” and it says that Amy’s “last little jealous fear vanished forever”. Laurie actually winds up happily supporting Bhaer once he sees he’s a great guy for his sister Jo, and suggests to Amy that they should try to help them out as a couple.
So no, Jo never loved Laurie romantically, Laurie absolutely did get over Jo, Laurie and Amy are so happy together it’s almost obnoxious, Jo is pro-Amy/Laurie and Laurie is pro-Jo/Bhaer, and Amy wasn’t a second choice, she was Laurie’s “meant to be” by his own words.
#amy x laurie#laurie x amy#amy march#laurie laurence#little women#this wound up way longer than i intended#oops#so i added a read more#anyways all this to say that laurie and amy are OTP and laurie and jo are brotp#and jo and amy are my favourite sisters and their relationship is amazing
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Ok, I’m about to go off on a GIANT rant about a specific issue I have with John Winchester & how the show intentionally & canonically portrays him as an ableist, homophobic asshole through his portrayal by JDM, so buckle up.
For the record, this is something I’ve always believed, but after listening to podcast episodes from @otrsupernatural & Carrying Wayward, one super clear example of why has just snapped into place & I feel compelled to share it.
So I want to start by noting a couple things that stand out. First & foremost, I think JDM is an incredible actor & I think he brings his A game with his portrayal of John. John Winchester is undeniably an asshole, & yet JDM balances that so well against the idea of loving parent, to not only make the character more realistic, but also to give real authenticity & depth to the trauma his children experienced at his hands & answer why they act the way they do in regards to him as their parent.
John is someone who, on the surface, appears to be a loving and concerned father, who makes mistakes, but does so because he’s in shitty circumstances & doesn’t have a lot of options or has his own trauma to battle that limits the choices he believes he has.
However, the show also gives us other content that proves there is more to John than that caring but broken man from as early as S1 & into the beginning of S2, & this content screams the truth of his ableism & homophobia, & gives some really strong evidence as to why these are two of the primary struggles of his children through the end of the series.
To explain, we 1st have to look at characters from earlier in S1. In 1x10, Asylum, we are introduced to Dr. Ellicott. He is shown to be someone who is canonically ableist to people with MHI. He sees them as less human, he does unethical experiments on them, he tortures them, just, lots of gross stuff there. On top of that, we see him as a ghost using what appears to be electrical shocks to Sam & Dean to possess & harm them, which resembles electroshock. There are also strong echoes of conversion therapy in this episode.
After this, we have 1x12, Faith, where Sue Ann is using dark magic to attack & murder people she hates, which specifically includes a woman who was pro choice & a gay man. This not only shows that she was homophobic, but that she condemned sexual freedom & bodily autonomy for women as well, which is in relation to homophobia, as well as deeply rooted in misogyny.
So essentially, we are shown a doctor who tries to force people to be less mentally ill or queer by “curing” them, & then a woman who took it a step further & murdered them to “cleanse” the town. We are given two different, but very interwoven ways with which society has tried to get rid of queers & disabled people, & it’s not subtext, it’s literally stated.
Now, in the show, both Dr. Ellicott & Sue Ann are the villains, & while the show demonstrates their ableism & homophobia, it also clearly condemns them for those actions. They are both dead/gone by the end of the episode & their actions are shown as evil. This is SO important, especially for a show that has failed in other episodes to truly state what exactly is the problematic action in the episode (looking at you, Bugs & Route 666).
That said, if Dr. Ellicott & Sue Ann are villains, then we must also extrapolate that ableism & homophobia are intentionally being written as evil in the show, so other characters who demonstrate these actions are also bad. (Yes, I know I’m being super redundant right now, but I just want to be really damn clear on this to demonstrate why I believe John’s characterization is intentional).
Now, in 1x21, John finally “learns” about Sam’s psychic abilities, & I say that in quotes bc there’s reason to believe he knew about it already from Missouri & was just in denial until confronted with the evidence, at which point he has a very strong reaction. As Ali pointed out, it’s interesting that he has such a strong negative reaction, as he clearly doesn’t have an issue with Missouri as a psychic, & yet he’s upset about Sam being one. He demonstrates the mindset of “othering” people outside of his family, which is a common treatment of both people w/ MHI & queer people - the mentality that “those people” are fine in general, but “not my son/daughter/family/me”.
So here in that episode, we are already getting an attitude from him that clearly parallels ableism & homophobia, & that is on top of other comments he made that are clearly rooted in misogyny, like his “that’s my man” to Dean in the flashback in Something Wicked This Way Comes (1x18).
THEN - the final nail in the coffin is the “secret” he tells Dean before he dies in 2x1; that Dean needs to either save Sam or stop him. By now it’s crystal clear he views Sam as something “other”, something not fully human, & his response? It’s literally “cure or cleanse”. Either make him “normal” or get rid of him.
To repeat, John LITERALLY uses ableist & homophobic language & tactics towards him son because he is different, & also tries to force Dean to do the same, passing on that legacy, by trying to erase anything about Sam thats not his personal definition of “normal”, all out of FEAR of who his son is & what he might do.
And the show CONDEMNS this behavior from the very beginning, even before we ever see him act this way!! They make it clear that ableism & homophobia are BAD, show John act that way, & then condemn him AGAIN when Dean tells Sam & it is made clear to the audience that what John asked of him was wrong.
Like… holy fuck. There is literally no way I can watch this & not believe that his characterization was not 100% intentional with him being set up as a bad person & his actions as condemnable. It’s just not narratively possible. John Winchester was intentionally written to be an asshole & we are supposed to see him as one, & any love we see from him is only meant to validate the complicated feelings Sam & Dean have towards him, not undermine the knowledge that he is a bad person. It’s literally in the text.
*Edit - Im adding a point here, since it’s been brought to my attention. John’s concern about Sam being infected with demon blood & possibly corrupted does not detract from the parallel being made between his actions & those of IRL people who are homophobic or ableist. In fact, this is another argument for that in interpretation, & here is why -
For literal thousands of years, mental illness has been viewed as demonic. People w/ MHI were thought to be possessed, evil incarnations, or even just sinfully corrupt & given to wickedness. People w/ physical disabilities were believed to be punished for moral failings, not faithful enough, etc, etc. Queer people were believed to be sexually deviant, witches, destroyers of families, etc.
These beliefs carry across many religions, but especially Christianity, & are present even today in some more extreme sects. And the people that believed these things? Well many of them were parents who “loved” their child & were trying to protect them from evil by purifying them. They too believed they had valid fears & good reasons to torture, maim, & even kill their children.
So to anyone who would argue “well it’s not the same because John had a good reason to be afraid of Sam” - shut the fuck up, because no, he didn’t.
Sam hadn’t hurt anyone. He wasn’t doing anything worth killing him over. He was a good kid who was hurt by someone outside his control & yet he only started doing anything that was truly wrong when he was pushed to it by circumstances that were again, beyond his control, & only then bc he was trying to do what was right!!
Anyone would do that, not just a kid w/ some demon blood powers. So let’s not act like he was inherently dangerous just BC he was different, bc guess what? That’s part of that mindset too. Sam was a good fucking person & John seeing him as less was John’s failing, not Sam’s.
#supernatural#dean winchester#sam winchester#john winchester#i hate john winchester#ableism#homophobia#misogyny#othering#asshole John Winchester
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on the topic of alastair apologizing... let's talk about the Academy. idk, here's my two cents.
EDIT: thank you to @alastairxcarstairs for pointing out that Alastair's hair was natural at the academy, not bleached. I have made a few edits in red! I don't think it changes the idea of my post too much, but it does raise some complications as something that we know has affected alastair deeply (vs a comment about his father & clive which were things he was already feeling and whose traumas to not lie in a comment made) and I think honestly might be one of the only ways for a reconciliation between the two of them, to recognize that they both used shitty ways that the world works against them to hurt each other deeply, and that wasn't right. (also can the two queer "icons" learn to not be racist please & thank)
this got... ridiculously long. I'm sorry. feel free to disagree with anything I've said, it's just my conclusions from what I've read an my own experiences. theres a lot of discussion of bullying, death, and alcoholism.
alastair really didn't say much to or about kit and thomas (except the rumor, which I'll get to in a second) at all. he called thomas names, but it wasn't something that ever really bothered thomas and I think that's probably because alastair never said them with malicious intent.
he said a lot of shit to and about james and his family, none of which james deserved. that's something he needs to atone for.
most of his bullying (except the rumor) with matthew was reciprocated. they both talked shit to and about each other. it doesn't cancel each other out in a way that means it never happened, but its not really something anyone has to atone for imo, just more of a "we both treated each other like shit and that was stupid, let's move on from it and not do it anymore."
the vetis demon... it was a prank. a cruel, scary, idiotic prank. it wasn't alastair's idea, but he went along with it and he helped. obviously it was something very distressing to james and matthew, but they're both fine. I'm not saying alastair should get a pass for it, but clive literally died. they were 14/15 and as someone who lost a classmate at that age, there's a weird sort of guilt about it, even when you had nothing to do with their death. alastair learned the consequences of his actions the hardest way possible, and I don't think people recognize that enough. we don't know much about clive at all. he acted like an asshole, sure, and he was definitely naive and arrogant (a vetis demon???) but we don't know how he treated alastair. was he kind to him behind closed doors? was he always cruel? did he bully alastair? we don't know. regardless, I'm positive that alastair has a lot of complicated feelings about it, and a fuck ton of guilt. because HE can be a better person. HE can apologize and move forward and travel the world and fall in love and get his heart broken and do all of the things that people do after they finish school, and clive never will. alastair learned his lesson, and james and matthew can be reasonably certain that he'd never try anything like that ever again. while he could certainly still apologize for it, I think thats something they can assume at this point without him saying it.
the second one was deliberate, matthew knew that alastair had already told him it was Clive's idea, but he WANTED to get until alastair's skin. he WANTED to make alastair hurt more. he was a child (they both were), and he was upset, and he wanted to make alastair hurt. and he did. alastair snapped.
and, finally, the rumor. the first thing to recognize is that alastair was in a bad place when he said that. he said that because he was in a bad place. all of those^ complicated feelings had just started (clive had literally just died) and to make matters worse, everyone's fathers had rushed to the Academy in wake of the incident except for Elias (thomas pointed this out). then matthew showed up. he started out by calling alastair names, fine, typical. then he said "Has no kind soul thought to inform you that your hairstyle is, to use the gentlest words available to me, ill-advised?..." strike one "...A friend? Your papa?" strike two. then he said "Though I cannot help but wonder whose idea their nasty little trick was" even though Alastair had already explained that it was Clive's idea and why, strike three.
the first one was just racist. maybe he didn't mean it to be, but we know that alastair was self conscious about his hair because of how dark his features are and how alienated he feels as a non-white boy.
the second one was an unfortunate coincidence imo. matthew had no idea what alastair was going through at home or that he was particularly upset about Elias that day because he'd been forced to watch all of the other boys with their fathers.
in matthew's eyes, what he said there SHOULD have been just another throwaway insult, but he was blinded by his privilege as a white boy with loving parents, and anyone who knows alastair's situation can see that it anything other than just a throwaway comment.
I'm explaining all of this not to excuse what alastair did but show how the rumor scene was atypical from his usual bullying. we haven't SEEN enough on paper to make that observation, but we can infer from all of this that that was not how alastair normally behaved. that was how alastair behaved when he was pushed over the edge, that's it.
while he said awful things about Thomas and his parents and Matthew's parents, he was never trying to hurt them, it likely didn't even cross his mind. he didn't start that rumor, and I doubt he even ever actually spread it. there's no evidence that he would be someone to spread rumors like that (something very speculative and secretive, vs something obvious and well-known like what he said about tessa), especially given the rumors around his own family. he only repeated it to matthew because he was pushed out of his limits. it's most likely that he heard the rumor, ignored it, and the ONLY time he has ever spoken it was to matthew that day.
he said it to hurt matthew. that was his only goal. that was his only motivation. he wanted to make matthew HURT. and he did. he really, really did. I think he could see it as soon as he said it. CC has said that he regretted what he said as soon as he said it. he hurt matthew in ways that can never be undone, and I think he knew that as soon as he said it because he has been hurt that way, too.
so, no, I don't think alastair actually owes thomas or sophie or gideon or charlotte or henry an apology for what he said beyond "I caused this person you love very much irreparable harm" because while he said awful things about them, he never did anything to actually hurt them (beyond hurt matthew).
to say that alastair owes matthew an apology... feels a little cheap to me. I don't think alastair will ever genuinely apologize to matthew solely because he doesn't think that what he's done could ever be forgiven. even if he were to become a fucking saint, even if he became the nicest, kindest, most giving man on earth, there is nothing he can say or do that can undo the pain he's caused.
what happened to charlotte and her baby is NOT alastair's fault, nor is matthew's alcoholism (because we could play the blame game all day then - because if it weren't for Elias would alastair have been pushed past his limits? is it his fault? if his alcoholism is because of his brother's death, was all of this just Yanluo's fault in actuality? but that was all in revenge for Wen Yu exterminating a nest of demons, so maybe it's her fault, then? it would never end, and that's not even TOUCHING mother hawthorn's involvement). matthew MUST be responsible for his own actions and choices.
but alastair caused a harm to matthew's psyche that can NEVER be erased. he will carry until the day he dies. alastair may have not intended to hurt him in such a profound was, but he did, and he knows it. he crossed a line that cannot be uncrossed.
this doesn't mean that alastair can't be redeemed or that he can't be a good brother-in-law to james and a good partner to thomas or a good person in general or even that him and matthew can't move past it and learn to tolerate each other. but in his eyes and matthew's, forgiveness is too weak of a concept for what he has done, and I doubt he will even ask for it.
#i say this all with the most love in my heart#alastair fucked up#alastair carstairs#matthew fairchild#thomas lightwood#james herondale#the last hours#tlh#cw bullying#cw alcoholism#cw death
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to dance is to unshackle
um, okay—how else do i express this buoyant happiness that Gaya sa Pelikula has awoken inside me? i’m in complete and utter awe. i did not expect a drop of what the sixth episode has brought us. more than satisfying, it’s utterly fascinating. this is quite a lengthy post, but if you have the time, please bear with me. and since we’re already here, let’s fucking dissect the shit out of this:
right off the bat, it’s sweet how consistently written Vlad was the entire time of the show. at the start of the episode, for one, he was concerned with Karl’s disposition, saying, “anong iniisip mo (what are you thinking)?” and, later on, as we know, he pops that question again in this episode. what are you thinking? always in limbo. true, it’s considerate, yet more than that, it’s always a sign of waiting for permission. Vlad has been like this since the beginning: observant and willing to reach out, confident on the surface, yes, but always afraid of going overboard.
that is not to say that Karl isn’t. in fact, the whole dynamics of their relationship rest on the fact that they can lean on each other and just be honest. many moments show this: Karl’s desire to shift; Vlad not getting into the film lab and Karl knowing something was up; the entirety of Vlad’s birthday; Karl and Vlad’s reticence to open up to Anna, in contrast with how comfortable they feel with each other. in a nutshell, they’re each other’s homes. more on this later.
the part i was most frightened at with this episode was when Karl finally told his parents his desire to shift. to be honest, personally, i wouldn’t know exactly how that pressure on Karl feels, as i was able to study the degree i wanted. yet, back then, i had already known that my parents, who wholly supported me just the same, would have wanted a degree that leaned on science or engineering. that still sucked to know. Karl’s situation is much more complicated. his desire to shift to another course is to make up for lost time, a sense of hurrying before it really becomes all too late. this was a heavy lot to take in. the disappointment and anger in his father’s face when he dropped the bomb was too much to handle. Karl had expected it, yet its impact still hurled shrapnel that he was not able to dodge, sustaining him with several wounds. it would be curious to see how his parents come to terms with his confession. i am certain that a number of people have connected with Karl here.
which brings me to another point. Gaya sa Pelikula creates these characters with their own agency. it’s touted as a BL series, yes, but our two main characters’ point is actually not to fall in love — but to live, part of which is to fall in love. they have their hopes and dreams and own burdens to carry, and while falling in love takes centerstage here, we see how they can stand alone, on their own two feet. falling in love is central to their growth, but it is evident that love is not the whole point of their existence.
speaking of which: ate judit. ah, yes, where do i even begin to explain the exquisiteness with which ate judit was written? how, after all of five episodes, it was only now did it make sense why judit was overly, unnaturally caring and protective, a mama bear that would not let anything happen to his little Vlad. now we know why: guilt.
imagine that. being told you were the reason why your whole family went into shambles. there is much vindication in Vlad’s line of questioning, “why would you say that to a child?” (god, i’m tearing up even as i write this.) this was a pivotal scene, with a focal point on judit, the likes of whom we cannot entirely fault for not knowing any better. the fact remains that we are still in an era that fails to understand the spectrum of gender identities and the far utopia that we seek, where gender and sex would not be a damning classification anymore. and for true allies, it is in admitting that they “didn’t know then what [they] know now” that their support gains more strength. it is in confessing where they got wrong, how harmful their actions were, and in the commitment to do more, that their promise is made good.
parenthetically, can we talk about Vlad’s mom as well? have you all noticed how her voice broke when she said, “siguraduhin mong hindi ka na itatanggi niyan, ha (just make sure he won’t deny you, okay)?” was that pain, or guilt even? i wonder if we’re ever going to see her. it would be a regret not to. for so long Vlad had thought that he was the reason his father left, and that his mother was mad at his queerness. i wouldn’t want this simple call to be the resolution that the show had for him. at any rate, we have two more episodes to await, so i am not going to strike my gavel on this judgment just yet.
but whereas Vlad found his longtime coming reconciliation with his sister, Karl had no one to turn to. his call to Vlad was a cry for help. it was heartbreaking to see him like this. Karl had always put up a fake smile against any adversity that had come his way. to him, these were trivial matters that would pass, and they did so — until now. after all he was, as we would later come to know, living a script that had been prewritten before he even came to being. that explains his nonchalant demeanor toward life, the seeming discontent behind those dead eyes, and a repeated hinting that he was always yearning for so much more. at the end of the call, Karl instinctively goes to the closet - and his proverbial closet - and sees the skeletons he had hidden inside, drop in a mess.
that it was Karl’s brother who was in the photo shook me. that past was so well thought out. things made so much sense in this episode: why Karl tried to fit in, why everything seemed so fake. why he was so discomforting to watch, even! that made sense now.
and what do you do when everything has become a mess? the once seamless film that had been rolling without any glitches now sprawled on the floor, entangled in a hodgepodge well beyond fixing. when that happens, what do you do? well, you dance.
i have so many things to say about faux masculinity. it is a fact undisputed that in this society, gender roles are still very much pillars that we have yet to dismantle. our genders have been geared toward performativity, and our consolation is the external validation we receive through the acts of fitting in. in the process, we lose sight of what we really want. we blur the lines between what is and what should be, in favor of what society has demanded upon us. Karl took that role and lived by it religiously. yet, those things has gone haywire in this episode. more than his parents, it was to himself that Karl has finally admitted that the act can be dropped now: the fixed posture, those rehearsed lines, that painfully faux masculinity, on guard all the fucking time. all of those things were dropped.
that is not to say that Karl was faking all of it. there is no denying that Karl has been a masculine person most of the time. but the show portrayed before us a discarded femininity that Karl had been trying to bury deep inside him — one that all people who have been and who are still in the closet know by heart. the thing is, all of us have masculine and feminine sides, the expression of which vary at different levels in different situations. sadly, we have been preconditioned to believe that male persons must be masculine, and female persons must be feminine. Gaya sa Pelikula acknowledges this hegemony, and then throws it away all the same. true, Karl may very well be comfortable in his masculine expression, but his femininity must also be allowed to grow. one cannot be complete without embracing the entirety of who they are. many have died — been killed — for simply living who they are. society has long been a vicious environment. but people have also long fought for their fundamental right to perform these things, and through them, we know that things can change. that things are changing.
it is against this context that imprints more meaning, more gravity to when we finally, finally see Karl dance. in every sense, his dance was the show’s climax for me. it is, quite emphatically, freedom incarnate.
when i say i fucking bawled at this scene, you best believe it.
quite important to note: when Karl sees Vlad, he stopped abruptly, only for Vlad to signal to him, in an OK sign, that what he was doing was perfectly fine. that Karl could be effeminate all he wants, and who the hell in this earth should care? this allowance has given Karl all the needed validation he will ever need, at least, for that one night where they could bare it all. it was only the two of them, but the house has never been more crowded, because their feelings have seemingly exploded and have been overflowing in a glorious climax for all of us to witness. in this scene, Karl has unshackled the chains with which he had been bound all that time, and it was Vlad who helped him finally break the last of those chains. in this moment, there was only pure bliss.
(that the song playing here was Ride Home by ben&ben is the perfect giveaway. for non-Filipino readers who have only listened to ben&ben now, check this band out. it’s one of the best bands to have ever come out of the Philippine music industry.)
and, of course, in this waterfall of emotions, it is only perfect to time the moment of their first kiss. they have accepted each other, haven’t they? in a meaningful act (the gravity of which we will only realize in full later when Vlad tells the story of his dad), Karl rumpled Vlad’s hair, but only after Vlad had already consented to it. then, afterward, it was Vlad’s turn to ask, what are you thinking? to which Karl had this—and i know we all expected it, nevertheless—to say: i don’t want to think anymore. then they kissed.
i swear to god. i only watched this for the 92432475781 time.
the denouement was so well put, too: now everything is put back into its own place. Karl’s brother. his death. his parents’ expectations. the substitution. Vlad’s father. his parents’ expectations. the horror of realizing one’s difference. the abandonment. in these stories, it becomes more and more permissible to believe that Karl and Vlad have easily found comfort in each other. to say that they are soulmates (as the creator, juan miguel severo, told on his twitter) is not an exaggeration.
and, make no mistake: Karl and Vlad did not find each other’s embraces out of pity. no. it would be unduly harsh to view them that way. rather, they found solace in each other’s embrace and warmth, but it is still they who will muster the courage to face their own demons. the only difference is, they now have each other to find some sort of release. they are not destructively dependent on each other; instead, they help each other grow into the versions of themselves that they can be proud of.
finally, a couple of small things: look at the way Karl was inviting Vlad to lie in bed with him. that simple gesture harks us back to the early days of their dynamics: Vlad had expressed that it was okay to share a bed, but Karl was adamant that they do not. Karl had once dreamed of Vlad joining him there, and that scared him shitless. in contrast to that, now we have this: Karl himself inviting Vlad, and Vlad accepting for Karl’s wholehearted invitation. the moment this happened, there was a consummation of the expression of their love. if they had their doubts prior to this, those could not have been more obliterated now.
needless to say, i fucking, fucking loved this. as one who has only ever written three fanfics (2gether and History 2!), all of which seemingly related to sleeping (what the fuck, do i have a sleep fetish or something), this ending to episode 6 is just the cherry on top.
their lines by the end particularly strike me. here we have Karl who wishes to create his own stories. on the other hand is Vlad who wishes that he be in charge of the endings, too. how do they do that? who knows? but the certainty that defines their pact is that they shall do it together, unbound and free to dance to the song they have chosen of their own accord. and that simple promise, made in each other’s tight embrace under artificially warm lights amid that early january weather, with no certainty at all of what tomorrow has to bring, has made all the difference.
in 34 minutes, Gaya sa Pelikula has, yet again, done more than we could have ever expected.
i just checked and this reached 2k words. i’m not even gonna attempt to proofread this anymore. anyway, this is all i have to say for now. i just simply cannot let go of the best episode i’ve seen in this show without expressing my own reaction to it.
(also: i’m thinking of writing a fanfic; that is, the morning after. just a one-shot, hopefully a cute one. as usual, an introspection of these characters, and what lies ahead. hope i actually get to write it!)
thank you so much, Gaya sa Pelikula. you are proof that things do change.
#gaya sa pelikula#ian pangilinan#paolo pangilinan#juan miguel severo#fanfic ideas have been brewing inside me#char#bl series#philippines#philippine bl series
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true colors
@renegadesnet event 10: pride
↪ [ “But everything was temporary. And pain was one of those things. Well, except love. Everything but love was temporary. Or that was what he liked to believe.” ]
Summary: Two years after the supernova, after Tamaya notified them the gearboxes that contained the lights had gotten soaked and that she needed the money to buy more before the next day (June 1st), Simon realized they were not enough for him anymore.
Simon wanted a bigger flag.
No. He wanted two. The biggest pride flags he could find.
AO3
Hello, friends!! I hope you’ve been having an excellent pride month and have been eating a lot rainbow cake and pissing off a lot of conservatives with the mere fact of your wonderful existence:’) As my contribution to this month and the event organized by @renegadesnet, I decided to write a fic focused on my favorite gay dads and their sons (bc I’m me, and you should have seen this coming.)
Before you read, I want to give a trigger warning: at the start of a fic I talk about a homophobic attack, which is not graphic or violent per se (it’s someone in the middle of the night taking away the flag they put outiside the house), and I do discuss about internalized homophobia during some parts of the story. If you read it and are sensitive to this kind of stuff, proceed with caution and take care of yourself <3
Also, this entry is a collaboration with my talented mother @healing-winston-pratt, who is going to be uploading some fanart of this in a near future, so keep an eye on that👀 she’s the best skjhkjds thank you for accepting to collaborate, I feel this is a great bonding activity and I hope we can do this more often✨
I need to update my tag list because a lot of the people who were included are not active as active as they were before/changed their URLs. But I’m going to tag @the-wee-woo-rita @lackadae @all-weather-is-bad @chiyuki-hiro bc you guys are the only ones who are still active users who I had on my previous tag list lol
With that said, I hope you enjoy this fic. I think that despite the angsty parts, it came out really fluffy and domestic, it was fun to write. And to all my queer silbings who are reading this: I am very proud of you.
But I see your true colors shining through.
I see your true colors, and that's why I love you.
So don't be afraid to let them show.
Your true colors,
true colors are beautiful like a rainbow
Simon couldn’t remember a time when he didn’t know he was gay.
There was a time when he didn’t know he was gay, of course. He was probably too young to even comprehend the meaning behind that word. And there was also a moment in his life when he felt embarrassed about it, and sad, and angry, and really, really scared, and probably thought that no matter how hard he tried, he was never going to be happy living the life he wanted to live.
That the pain was never going to end. That he was going to be miserable for the rest of his existence, and that maybe, there was no point in existing if he was going to stay like that until the day he died.
But everything was temporary. And pain was one of those things.
Well, except love. Everything but love was temporary. Or that was what he liked to believe.
That was the reason why, the first year after the Day of Triumph, he told Hugh they should get a rainbow flag for their house. They went to one of the first stores that opened at the mall (that had just been remodeled after twenty years of being abandoned) and bought one at a not so affordable price. Simon offered himself to install it on one of the fence pillars and had to spend thirty minutes listening to Hugh telling him that maybe he should let him do it, that the ladder Kasumi had lent them was ratty, and that Simon was going to fall.
Fortunately, Simon didn’t. He did almost fall, though, when he was about to pass out from stress because seeing Hugh getting all anxious, made Adrian cry and he started to basically beg him to come down, given that now he was convinced he was going to fall, and hearing his dad saying “Look what you’ve done to the kid, Simon” didn’t help at all to make Adrian (or Simon) feel better.
That night, there was a thunderstorm and Adrian used it as an excuse to sleep on their bed. As soon as he cried himself to sleep, two hours later, after their dads did everything in their power to calm him down, hugging him, giving him kisses, and assuring him his aunt Tamaya wasn’t going to let the storm hurt them, Simon raised his hand to high-five Hugh and tell him that they were amazing parents, just to realize he was already asleep. Simon silently judged him for sleeping so soundly while his son was having a crisis instead of sleeping.
When he woke up (at five in the morning) Adrian was looking out their window, with the Baby Indomitable blanket on his shoulders. The sky was still cloudy, but it wasn’t raining anymore.
“Darling, what are you doing?,” Simon told him. “Today’s Sunday. Let your daddy and I get some more sleep—”
“The storm took our flag,” Adrian blurred out.
Hugh was already awake too. “What?”
“You said the storm wasn’t going to hurt us,” Adrian said, turning around to see them, “but the storm took our flag.”
Simon got out of bed, looked through the window...
And, yes, the flag was completely gone.
But for some reason, Simon knew it hadn’t been the storm.
“Why would the storm do something like this?” Adrian asked.
Simon didn’t know how to answer that. Luckily, Hugh did.
“Because the storm is homophobic, son.”
Adrian laughed out loud and then asked his dads if they could have pancakes for breakfast. He had already forgotten about the storm and the flag.
They didn’t. Neither of them ever forgot about it.
While Simon and Adrian ate their pancakes, Hugh went to his office because, according to him, he needed to check something. When Adrian finished his breakfast and went back to his dads’ room to watch TV, Simon stayed in the kitchen, doing the dishes, and Hugh finally came downstairs. He was pretty quiet, and Simon thought that it probably was because he had told him to eat the burnt pancakes he didn’t dare to throw away, but after he finished them all, he said:
“I lied.”
Simon threw a glance at him. “When did you lie?”
“When I said the storm was homophobic,” Hugh answered.
“Well, of course, you lied, love. Storms don’t have strong political opinions about gay people.”
Hugh didn’t laugh. “What I mean is— that it wasn’t the storm.”
Every joke Simon’s brain could come up with disappeared at that moment. So he continued doing the dishes, and Hugh, thinking he hadn’t made himself clear, continued talking.
“It was someone else. It was a person. I saw them on—”
“I know,” Simon interrupted him. “I know. I’ve always known.”
But even if Simon knew, he still told Hugh to show him the footage because four eyes were better than two (especially considering that the owner of those first two eyes needed to wear glasses). It was all useless, though; the storm made the image all blurry, and the only thing they could see was someone taking it and running away in the middle of the night.
Simon wanted to think that it was just some dumb teen whose friends had challenged him to do it. But when it came to things like those one never really knew.
On Monday, they had promised Adrian to take him to the park that was a few blocks away so they could teach him how to fly a kite, but the thought of going out made him feel as if something bad was going to happen to them if they did, so Simon told Adrian that he and Hugh were feeling sick and that they would stay in their room to get some rest. Adrian asked them if they minded that he stayed there too because he was in the middle of watching a movie he had never seen before.
“Only if we can watch it with you,” Simon answered.
It was a weird day to be alive. They really just stayed there, watching silly cartoons with their kid and listening to him ranting about the weird proportions those characters had.
During the afternoon, Adrian told them he was hungry, so Simon went downstairs to look for something they could eat. He was thinking that maybe they should order something from that Chinese restaurant Tamaya had taken him the other day, when Hugh entered the kitchen and told him Adrian had asked him if he could bring him water.
Simon felt his hands were trembling while he looked inside his wallet for the paper where he had written the restaurant’s phone number.
“Do you want to get another flag?” Hugh asked him.
And something hurt.
Something hurt inside of him. Something started to cry, and to scream, and to flicker, trying to make him invisible to the world.
And it told him, the same way Adrian had told him he was hungry, that someone had taken him by surprise and made a deep cut on his chest.
But Simon didn’t allow it to come out.
He just said: “No.”
And Hugh answered him: “Me neither.”
He called the Chinese restaurant to order some food, while Simon went to their room with Adrian again and cuddled with him, trying to tend to the wounds of that something that was bleeding out inside of him.
Little Simon was crying, and screaming, and flickering, and needed adult Simon to take care of him.
The next day, they talked about the incident with the rest of the Council during their lunch break. It was one of those few occasions the six of them were together in the same room during their work hours. Tamaya was furious about the flag situation. She ranted for a good five minutes without anyone interrupting her about how fucking horrible people were and that she was going to find that little piece of shit and cut his hands off. Kasumi nodded in approval while drinking some horchata she had bought for herself, probably thinking about how to ask Tamaya to let her join her revolution (something she didn’t need to do, since Tamaya always included Kasumi in everything she did). Evander, on the other hand, was very quiet, something that made him feel a little bit relieved because he was not a sensitive person and Simon didn’t want him to... Evander the situation.
He didn’t say anything insensitive that day, though.
In fact, he said something… helpful, even.
“What about a flag made of light?”
Hugh rubbed his eyes and Simon knew what he was going to say before he opened his mouth.
Because he said that phrase constantly.
“Shut the fuck up, Evander.”
But Evander didn’t shut up. “Dude, think about it. No one would be able to take down a flag made of light.”
And everyone realized that, now, it was not only one of those strange occasions when the six of them got together to have lunch during their work hours; it was also one of those strange occasions when Evander had an idea that was actually good.
So after spending another hour discussing how they were going to make it work, they decided they were going to lit up the building in rainbow-colored lights.
Tamaya and Hugh were the ones in charge of almost all the operation because Evander said he had already given them the idea, so he didn’t need to do anything else (and then got mad at Hugh when he told the media he was the one who came up with it). Kasumi helped them, but was especially insistent about putting a trans pride flag somewhere in the building, and after they agreed with her, she personally hung it on the main entrance of Headquarters.
They started turning the lights on each night of June since that yeat.
Hugh and Simon still didn’t get a flag. Three nights after they told their friends about what had happened during the thunderstorm, Simon was woken up by the sound of someone crashing against the trash cans and almost jumped out of the window with his dagger on hand to slay whoever was trying to break into their house, but when he peeked out to see what was going on, he realized the “robber” was Kasumi, who had put a bunch of small pride flags on some pots they kept on their porch and started crying as soon as she realized Simon was watching her, not because she was upset the surprise she had for them had been ruined, but because now she was covered in trash.
(That week was like a sign Georgie was sending them from the afterlife to tell them they needed to install a better security system.)
Those were the only flags they kept around the house. They were small and discreet, and, most importantly, no one had taken them away. Why? Well— because they listened to Georgie’s sign and installed a better security system. Not because there weren’t any more homophobes out there who were willing to do it.
Until that moment, those flags (the little ones Kasumi had given them in a rather unconventional way and the one made of light that Evander had come up with) had been more than enough for them. But, two years after the supernova, after Tamaya notified them the gearboxes that contained the lights had gotten soaked and that she needed the money to buy more before the next day (June 1st), Simon realized they were not enough for him anymore.
Simon wanted a bigger flag.
No. He wanted two.
The biggest pride flags he could find.
***
That was the reason why, after having pancakes for breakfast (because it had rained during the night), he took the car, took the other three people living in that house with him, and after he was able to read the map, they arrived at a store that, among other things, sold flags like the ones they were looking for.
“I want one too,” Adrian told them when they were at the flag section of the store. “For my room, you know. And I want to get ones for Danna and Nova because I don’t think they have any. They would’ve told me.”
Usually, when Adrian asked for something Simon hadn’t agreed to buy him, like some candy, an action figure, or a pair of sneakers, he would turn around and ask him if he had the money to buy any of those things himself, which would anger him so much he would stop wanting that certain thing.
But that day, he felt like buying them everything they wanted. As if money grew on trees (something he always told his kids didn’t happen.)
“Of course, darling,” he answered, “get them everything you want. It’s pride month.”
“It’s May 31th,” Max said. He was inside the shopping cart Hugh had grabbed the second they entered. It was something he always did, even if they weren’t going to buy a lot of things because, according to him, it felt weird and wrong not to.
“It’s almost pride month,” he corrected himself.
“So can I get something for Nova?” Adrian asked again, just to make sure.
“You can get something for Nova,” Hugh assured him, smiling a little bit.
Adrian quickly turned around and started looking for the flag he wanted while texting Nova about something Simon couldn’t read (not like he was trying to, anyway).
After making sure Adrian stayed on the same aisle as them, they started walking around, gazing at the flags and posters available. Simon felt pretty progressive because he was able to name every single sexuality and gender they were supposed to represent. He imagined Hugh was doing the same thing, but with a lot more difficulty than him. He kept his eyes fixated on each flag longer than Simon did, as if he were trying to remember what they meant, and when he did, he pushed the cart (with Max still inside of it, playing a game on Hugh’s phone because he had forgotten his tablet at home), and the cycle began again.
But suddenly, Simon saw ones that he didn’t recognize.
After three seconds of standing in front of those little flags, someone hit him in the butt with their cart. He turned around immediately, ready to say a really threatening “Hey” to whoever had done it.
Hugh was the only other person who was there. He had been the one who had hit him with the cart.
Suddenly, Simon felt a little bit stupid for thinking someone else had done it.
The two of them maintained eye contact for a couple of seconds until Hugh started looking at his own hands grabbing the cart’s handle.
“Simon.” Before Simon could ask him what happened, he added, with a deep voice: “Move.”
Simon didn’t move. Instead, he hit the cart with his hips, just out of spite. Hugh hit him again with it, making Simon feel the unexpected need to grab the cart with his two hands and use his own weapon against him, but Max was there and they couldn’t act like kids in front of him. So he just hit the cart with his hips again, a little bit harder than the first time, and left it there.
He realized he was just going to be wasting his time asking Hugh if he knew what that flag was supposed to represent.
“Cherub,” he called Max. “Do you recognize this flag?”
Max looked up from the screen. He usually didn’t like it when he called him “cherub” in public, but this time, he didn’t seem mad about it. “Um… no? Ask Adrian—” and continued playing.
Adrian came back with a basket full of pins, and for a second, Simon almost asked him if he really was that naive to believe he was actually going to pay for all of them. But then, he realized that it was only the basket where they kept all of the pins they sold and that Adrian had taken it to show them to them.
“Look, they have so many pins here—” he started taking random pins “—this is the aromantic flag… this is the genderfluid flag—”
“Interesting,” Hugh interrupted him, “but which flag is that one?” and pointed at the one Simon didn’t recognize.
Max took a random pin from the basket and started looking at it with curiosity. Adrian almost didn’t pay attention to it, and after a few seconds, he said: “That one’s yours.”
Simon frowned and took one. It was a handheld flag with green and blue stripes, with a white one in the middle. He touched the polyester with his fingertips as if that was going to give him the ability to communicate with it.
“But we don’t have a flag,” Hugh told Adrian. “I’ve heard of the lesbian fl—”
Adrian took a pin of the lesbian flag. “This one.”
“Yeah— but gay men don’t have one.”
“The rainbow is ours,” Simon said, without taking his eyes away from the blue and green flag he was holding. “Like, it’s for all queer people.”
Hugh directed his attention to Adrian again. “You’re messing with us.”
“I do mess with you a lot,” Adrian admitted, “but this time I’m not because if I do and you get mad, you won’t buy me all the stuff I want to get.”
“Huh.”
Simon knew Adrian and Max were a lot of things, but "dumb" wasn't one of those. And Adrian was especially intelligent when it came to convincing his parents to buy him things.
So he decided to believe him.
“Well, I like it,” he said. Then, he asked Hugh: “Do you like it?”
Hugh grabbed one and observed it for a while. “I like that it has blue on it,” he finally answered, nodding a little bit.
Simon noticed Max was spacing out while playing with the pin he had taken, so he waved the flag on his face, making him laugh and sneeze because the damn thing had a lot of invisible dust Simon didn't notice at first.
“Oh, sh—”
“You know? Maybe we should get two of these,” Hugh said, waving it too, but in his case, not on the face of one of their kids. “For our offices.”
“Matching flags, very romantic.”
Max rubbed his nose. “Why don't you get a big one for the house?”
Simon quickly started to look everywhere on that aisle, and he saw a lot of big versions of the flags he had recognized before (and some of the ones Adrian had mentioned), but there were no gay flags in sight.
“Maybe next year, I guess,” he shrugged. “I don't think they have them here yet.”
He grabbed two of the rainbow flags that were there, inside their respective plastic bags, gave them to Max, and he put them on his lap, still holding that pin. Simon made a quick mental note to remind his future self they needed to pay for that (he didn’t know if it had to with the fact that Max had been spending a lot of time with Maggie, Nova’s sister, but he had developed this weird habit of stealing the most random objects one could think of. Luckily, he limited himself to stealing things from his dads and, one time, from a store.) (Kids went through weird phases when they were Max’s age.)
(Because… it was a phase, right?)
Adrian received a text. “Danna says that she already has a flag, so I’m getting her a pin,” he said after reading it. “And Nova says she wants one too.” Then, his whole face lit up. “And I could get one too so we match.”
“Copycat,” Simon accused him, jokingly. “Your dad and I got matching flags, and now you want to get matching pins with your girlfriend.”
Hugh shook his head, disappointed. “I cannot believe you have betrayed your own family like this.”
They stayed at the store another 30 minutes to buy some other things they needed for the house, and from time to time, when he or Hugh grabbed something, they pretended they didn’t see Adrian and said: “Um, but the copycat may be listening” to a point he told them to stop, and refused to forgive them until they agreed to buy him the flag he didn’t intend to get anymore, but now was going to.
He got the last bisexual flag there was at that store.
***
The first time the four of them were together in their room was last June. Something went wrong with the A/C system of the entire house and the only room where one could stay without having a heatstroke was theirs because their A/C hadn’t broken down for some reason. Adrian and Max were sleeping on the air mattress until Simon (who hadn’t been able to sleep lately) heard that one of them woke up and asked Hugh something. He sat down on the bed, at the same time Hugh moved a little bit to allow Adrian to lay down between the two of them.
Then, in the middle of the dark, his eyes met Max’s.
He looked tiny. Young. Pretty young.
And far away.
Simon couldn’t remember who did it. He didn’t remember who talked that night. It could have been him, even. But he was sure that, at that moment, someone whispered:
“Get in here, kid.”
And Max obeyed. He crawled, raised his arms towards them, and Hugh grabbed him carefully by the collar of his shirt and placed him between him and Adrian.
It was a peaceful night. The bed was big enough for the four of them, and Simon was able to sleep and actually rest for the first time in weeks.
At least until their A/C turned off with a weird sound, and the four of them woke up at the same time, sweaty, uncomfortable, and almost at 11 AM, not because they weren’t necessarily willing to stay there longer, but because the heat was starting to get unbearable and suddenly the bed was too small for three adults and a little kid that was not that little anymore.
“This isn’t a room, this is a— a freaking oven,” Hugh said, while Adrian tried to push him out of bed to get the hell out of there and seek comfort on the air mattress he had abandoned in the middle of the night.
“And we are the... cookies,” Max giggled.
“The turkey,” Simon added.
Max turned around. His whole face was red and his hair was a little bit wet. “The lasagna.”
Simon grabbed him by the cheeks; a discreet way to check if he had a fever. “The cake.”
“The ham.”
“The—”
“Dad. Move.”
Later that day, Simon called someone to fix the A/C, and that was the end of the story.
When they arrived at the house, Adrian wanted to hang his flag as soon as possible, on one of his room’s walls, but Simon insisted that they should iron it first so it looked nicer. Hugh said that he was planning on ironing the ones they had bought for the house and offered Adrian to do the same with his, but when he insinuated that he didn’t trust him enough not to mess up his flag the same way he had messed up his favorite shirt (the one he wanted to wear to take Nova to a nice place during her birthday), Hugh reminded him that the only reason he kept doing that for him was that Adrian didn’t know how to iron yet, and decided that he was going to use that moment as a teaching opportunity. Max made the mistake of laughing at his brother when he thought no one was paying attention to him, but Adrian was and dragged Max into the teaching opportunity with him.
Simon joined too. Just because.
And suddenly, the four of them were in their room again.
With the A/C on, of course.
He didn't know if Hugh had noticed, but he had been so invested in his own explanation, that after he finished ironing the two rainbow flags, he started ironing Adrian’s without realizing it. Adrian, instead of giving up and stop pretending he was paying attention, was looking, kind of mesmerized, how he opened the bag of his blue, purple, and magenta flag, and proceeded to put it on the ironing board, now telling him that when Georgie had tried to teach him how to iron his clothes, she accidentally burnt Evander.
Simon was half-listening to the story, half-listening to the music video that Max was watching on the TV. He was sitting on a big and old ottoman they had bought a long time ago but had never found the perfect place to put it and just stayed there for years until they forgot about it. Max was in front of him, sitting on the floor and resting his back on the ottoman, while he covered his blond hair with small butterfly hair clips he had found at the store and bought just because he thought they were cute (who knows, maybe Nova wanted them for Maggie, or Kasumi could use them for herself, she loved them when she was little).
When all the hair clips were on Max's hair, he took a small mirror they kept in the bathroom (but Simon borrowed it for a minute) and gave it to him so he could see the final result.
“Look at me,” Max exclaimed, laughing. “I look so pretty.”
Simon grabbed one of the hair clips and pulled it a little. “Butterfly hair clips are a popular trend this time of the year.”
“This is definitely going to make me the most popular kid in the playground.”
“Definitely.”
He leaned forward to start taking the butterfly hair clips off Max's hair and was putting them on Max’s open hand when he noticed that he hadn’t let go of the pin they bought him at the store.
(Simon did remember to pay for the thing, but if he hadn’t done it, Max wouldn’t have said anything.)
“That was really nice of you,” Simon said.
Max looked at him, confused. “What?”
“Getting a rainbow pin—” he took his other hand and started putting the hair clips on it so none of them would get lost “—to show support.”
Max didn't say anything and Simon continued with what he was doing. After the music video finished, and another one started playing, Hugh gave Adrian his flag and told him he could go and hang it in his room, and as soon as Max heard that too, he gave Simon the hair clips and followed his brother out of the room, asking him if he could help him with it.
Simon, after realizing the bag where the hair clips came in had been destroyed by Max punching holes in it with the pin, took one of the empty pill bottles he kept in his drawers and put them there.
He closed the pill bottle and realized Hugh had been gazing at him during all this time, slightly leaning on the ironing board. “What?”
“That’s my pill bottle, Si,” he told him.
“Ah—” Simon pressed his lips “—can I have it?”
“No.” Hugh smiled at him. “Yes, you can.”
“So funny. Come here—” and patted the bed mattress.
Hugh, being extremely careful not to touch the flags he just ironed, lied on the bed and sighed.
“Do you want me to play with your hair?” Simon asked him with a soft voice.
He closed his eyes and nodded.
After a while of the two of them just being silent, he said, “Hey… I heard what you told Max, by the way.”
“The butterfly hair clips trend?”
“The pin thing.”
“What about it?”
Hugh opened his eyes, just a little bit. “Just don't tell Max I told you, all right? Because he told me he wouldn't tell anyone else until he was sure, but… I think it's important the two of us know,” he explained.
Simon was starting to feel his palms get a little bit sweaty. “Okay— but just tell me, please.”
He checked overhearing their conversation one last time, and that the kids were still at Adrian's room. “Max told me a couple of days ago that he has been thinking about… what he likes.”
He stopped playing with his hair for a second. But then, he continued.
It was his way of coping with the feeling of his stomach twisting inside of him. “What he likes?” Hugh nodded again. “Huh. And has he— does he has an idea or—”
“No, he doesn't,” Hugh answered. “He just knows that he doesn't like girls. Or that's what he told me.”
Simon raised his eyebrows and scoffed. “That sounds like a lot of things. Not liking girls.”
Hugh scoffed too. “That's what I told him. And that he can take all the time he needs to figure it out. Because he can—”
“Yes. Yes, of course, he can,” Simon assured, with determination. “Life is longer than we think it is.”
They stayed silent again. And Simon couldn’t help but feel relive inside his head the moment he called Max an ally, feeling his stomach twisting even more at every second it passed.
“I feel bad.”
“Why?”
His palms started to sweat again. “Because I called him an ally.”
“It’s all right. You didn’t know.”
“I shouldn’t have assumed anything.”
“You didn’t know,” Hugh repeated.
But Simon didn’t listen. “Si.”
Then, Hugh grabbed him carefully by the wrist, and, a little bit surprised, Simon tilted his head. Hugh usually didn't interrupt him when he was playing with his hair.
“What's wrong?” he asked.
“No, what’s wrong with you?” he deadpanned
Simon knew him well enough to know he wasn’t trying to be rude. It was just his way of asking things. Especially when he was genuinely worried and didn’t think about modulating his tone so it It fitted the situation better.
He sighed. Because he didn’t want to lie to him. “I assumed Max was straight.”
As soon as he said it, he realized how silly it had sounded phrased like that. But he also noticed his voice had broken and he had to put a hand on his mouth so he didn’t start crying.
And Hugh, instead of saying the encouraging phrase he expected him to say…
He smiled.
And for some reason, that made him want to cry even more. “Ew, why are you smiling?” he asked.
Hugh took his time to answer him. “Oh, it’s nothing. I think I'm just… happy.”
“Well, I’m not.”
Hugh smiled more. “I know, love, I know… It's just one of those things…” he tried to find the right words this time. “One of those things I didn't think we were going to go through together,” he kept saying. “Like… we're going to be together when Max finally discovers who he really is. Like we did with Adrian. And like other people did with us. And that makes me happy.”
Simon wanted to tell him to shut up and let him cry and be dramatic as much as he wanted because he considered he deserved it. But he tried to do it, the only thing that could come out of his lips was almost imperceptible “Yeah…” and then, a small tear started running down his face. Hugh quickly noticed this and wiped it away with his finger. Simon scoffed and looked away, rubbing his nose.
“Hey…” and he moved aside so Simon could lay beside him.
The space they had was a little too small but he didn’t mind because now he had an excuse to be closer to him.
And there it was again. Little Simon. Little Simon was there again with them.
Just that this time he wasn’t crying, or screaming, or even flickering. He was just… existing.
And all he wanted to do was to exist.
When Hugh held him that way, sometimes he felt as if it was the first time he did it. Which made Simon (and the sad, angry and scared part of Simon) wonder if there was a sad, angry and scared part of Hugh that also craved that comfort and validation, and if it was the one who hugged that younger version of Simon until they convinced each other that everything was fine.
That there was nothing wrong with neither of them.
Because sometimes it was as if people didn’t remind them that as many times as they needed. So the only option they had was to be there for the other, and tell him that it was okay to hug, to kiss, to touch, and to share until the one who was talking ended up convincing both of them.
Love wasn’t temporary.
And their love was as powerful as they wanted it to be.
Those younger versions of themselves wanted to stay like that forever every single time. But their adult versions knew they couldn’t do it because they had other responsibilities that they needed to attend.
Installing those two pride flags that were next to them, for example.
Their younger versions were excited to do that, but they also asked them if they could rest together a little bit longer. And neither of them had the heart to tell them no.
Hugh started to play with a lock of Simon’s hair. “We’ll be there to catch him.”
He knew he wasn’t talking about either of them. Even if, with his eyes closed, he could see little Hugh and little Simon holding each other’s hands and throwing themselves into the world, a little less sad, and angry, and scared than before, without being sure if there was going to be someone down there to catch them if everything went wrong.
“Together.”
And Simon agreed. “Together.”
***
“He’s going to fall.”
Simon rolled his eyes.
“No, he’s not,” Hugh told Max. “I’m here.”
“But what if—”
“Done,” Simon announced before Max could even finish his sentence. “Now, let’s just hope these things stay there as long as possible, because this ladder makes me anxious. I was trembling while putting the first flag.”
Max clicked his tongue. “It’s a windy day. The wind could have pushed the ladder or something.”
Now it was Hugh’s turn to roll his eyes. “Take my hand.”
Simon went down the ladder without letting go of his hand. Then, while Hugh took it and quickly went inside the garage to put it there, Adrian pricked his little brother up with his own rainbow flag pin, and in response, Max punched him in the stomach with all his might (which wasn’t that much). Adrian laughed and pretended to be hurt, but immediately asked him if he wanted him to help him with his pin.
Simon noticed that Adrian had already put his pin of the bisexual flag on his clothes, and watching him pull Max a little bit closer so he didn’t prink him again (now by accident), while Max gazed at his hands, trying to memorize his movements so he could do the same thing when he wanted to wear that pin again, made his mouth curved into a smile.
When his husband came back from the garage, he thought he was going to tell them to stop blocking the sidewalk and get in the house so they could continue with their day. But instead of doing that, he walked towards them and looked at their waving flags, flying on their mansion for the first time in years.
Adrian grabbed Max by the waist and carried him on his shoulders so he could have a better view. And he realized that there would be a day when they would throw themselves into the world completely alone, without knowing how people were going to act and aware that two of them were brave enough to take whatever blows that they were going to throw at them.
But they weren’t going to do it alone. Because Hugh, Simon, and their hurting parts weren’t going to spend a day without reminding them that they were going to be there, ready to catch them every single time they needed it.
Simon started to look for Hugh’s hand just to realize, Hugh was already looking for his too, and when they found each other, he couldn’t contain himself and stood on his tiptoes to kiss him on the cheek. Then, Hugh smiled and kissed him back, this time, on the corner of his lip.
Simon felt proud of what they were.
He was really proud.
And he hoped they were proud too.
#renegades#archenemies#supernova#renegades trilogy#hugh everhart#simon westwood#adrian everhart#max everhart#everhart-westwood family#the warden and the captain are sitting in a tree#obsi's writs#i should get an oscar for the homophobic storm joke
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Seven Nights in Cabin Thirteen
I’m inspired by another post I saw here that I didn’t wish to hijack lol, and OP deactivated or else I’d link their account here. credits to @the-ghost-king for the idea of a demigod therapy/Will being a past drug addict on this post. Yes this is a bad fic. It’s also my first fic ever. Please criticize if you see anything
Will never thought that he would ever appreciate his first monster attack. He was seven years old, and in hindsight his teacher probably only worked there to prey on young demigods (at least, that’s why he suspects the attack happened so early in his life compared to other demigods). But when Lee Fletcher sat him down 4 years later and told him that he was trans and would now be known as Lee instead of his birth name, Will knew that everything happened for a reason.
After many conversations with Lee about how he knew (gods bless that man’s patience) and with an older Athena camper who’s special interest dealt in psychology, Will realized the reason that he always felt disconnected from his mom and sisters in Austin was because he was like Lee. He was a boy.
Telling people wasn’t easy. Of course his older brother had to know; he was the one who introduced Will to this concept. Telling the rest of camp was as easy as telling Chiron, who told Dionysus, who always threatened to turn anyone into a dolphin if they talked shit about any trans kid. Telling his mom... that had to be the hardest part. How was he supposed to tell them? The only similarities they all had were that they were all musically inclined and that they were all girls.
Apparently, Will forgot that Naomi Solace was a musician. The music industry has more queers than an all girl’s school GSA. Her only questions were “Alright, what’s your name then, kiddo?” and “When do you want to set up an appointment with a therapist?” As for his siblings, well, let’s just say the oldest, Frankie, always knew. And it didn’t take long for seven-year-old Mickey to cut her doll-that-somehow-looked-exactly-like-Will’s hair and change his notes from high to low when she accompanied his singing on violin, as part of voice training.
Four years has passed since then and Will can hardly believe it. He’s stealth back at Austin because it’s just easier that way, but since a quarter of the camp knew him since he was seven, he figured there was no point; it isn’t like anyone treated him as though he wasn’t a man-- er, boy-- at camp anyways. So, life went on. He got his period for the first time during the Battle of Manhattan, that was no fun, but luckily Thalia was cool about it and made sure not to tell anyone. He started binding shortly afterwards, got a couple bruises hear and there. Kayla yelled at him for a week for that one, he remembers fondly. Discovered why it’s better to take off your contacts in the shower... that day isn’t such a fond memory. That was the first and last time he ever made himself bleed. Although, he will say that’s what sparked his interest in medicine and what made him the best doctor Camp Half Blood had seen in decades at the mere age of 15 years old. Life at camp was good, if a bit dull. He got used to the routine and the constant influx of damaged campers, the siblings and friends, and the always-perfect Texas Barbecue and Coke.
That is, until the War Between the Camps happened. Lou Ellen woke Will up before sundown that day and told him their plan. They were to hide in the tall grasses and wait for Camp Jupiter to show their ugly faces. Cecil had the genius idea to paint their faces and arms black so they’d blend into the night better, and Will supposes in the hubub of everything they forgot that his hair nearly (”nearly”) glows, even at night. Until Mr. Nico “I’m so smart, I nearly killed myself shadow travelling” di Angelo pointed it out. Whatever, it made sense at the time. They won the war against Gaea, not without sacrifice, and they finally, finally got past all the wars and destruction and health issues that they were able to just hang out and get to know each other as friends.
And boy, was their friendship amazing. Nico had the best taste in music from Will’s eyes, and that’s saying something because Will is a music snob. Nico could be a little stubborn at times, but that’s alright because so was Will (”Gods damn it, Nico, if you don’t take your medication right this second I will-” “You’ll what? Hm? You’ll force it down my throat? Last I checked that was abuse.”). They fit together so perfectly and became fast friends.
It wasn’t always sunshine and lollipops, though. What is, for a demigod? Will relapsed once and passed out right in front of Nico’s cabin. He was crashing from an exciting high that he hadn’t experienced in so long, and he felt so tired and ashamed of himself. Methamphetamine was a goddamned bitch, so while he was coming out of withdrawals, he made Nico promise not to let him leave the cabin for a week were simmering down. He had to make sure something like this never happened again. They Iris Messaged Chiron and explained the situation, and he understood. He made sure to contact the older son of Dionysus who had been Will’s therapist in the past and said what had happened and they agreed on a session for soon after Will got mostly over his cravings.
So now they had a week of downtime together. Awesome.
“Solace, do you need anything? Are you okay?” Nico asked towards the end of the first full day that withdrawals were over.
“I’m-- fuck. I’m fine. I swear.” He responded unconvincingly.
“That’s not what you said last night... no offense, but I’m not fully inclined to believe you when you look like shit.”
“It- It... it’s not something I’d like to talk about, if that’s alright. And... don’t tell Clarisse, please.”
“I’m not going to tell anyone, don’t worry. But I would like to know if this is going to be a common occ--” Before he could even finish asking, Will was already shaking his head and responding.
“One-time thing only, I promise. Gods, I’m sorry I showed up here at all.”
“Woah, buddy. That’s not what I was saying at all. You’re my best friend, I’m glad you came here.” Will almost couldn’t believe what Nico was saying. Then again, did Nico have very many friends? Nico himself certainly didn’t seem to think so. “In any case, you don’t have to explain what happened, or what led up to this, or anything like that. I don't need to know. What I do need you to do, however, is take a shower. I’m sorry to say so, but you smell like ass.”
“Yeah well, I’m…” He couldn’t finish his sentence. How do you explain to someone that he still wanted his drugs, and he didn’t want to leave the cabin because he knew he would leave to go find some before he would even think about going to his own cabin at this point.
“You don’t have to leave,” Nico said, perhaps sensing his agitation. “I have a shower in the cabin.”
“What the fuck do you mean you have a shower in the cabin?” The shock of this knowledge get him out of his stuck mind. “How did you get plumbing in here? How did Chiron allow this?”
“I helped design my cabin, and while I may not have all the experience in architecture that Annabeth does, I do know a thing or two. I did meet with Isambard Kingdom Brunel, you know.”
“I did not know. You- Who is Isambard Kingdom Brunel?” Will asked
“Oh, some civil engineer who is like a million years old.” Will scoffed at that.
“You’re one to talk,” he teased. He was never going to let go of the fact that Nico was technically like 80 years old.
“Oh hush, William.” William… never Will, like most people. William… like he was something special, something that deserved three syllables. “Anyways, like I was saying: take a shower. You look like you were up mowing all of camp with a flashlight.”
Knowing Will’s reaction to drugs, that wasn’t unlikely. He stood up. “Lead the way? I’ve never been around your cabin before.”
Nico’s cabin was unlike any others. Using some sort of Doctor Who-like technology, there was a living room, a kitchen, and one room. Surprisingly, the walls were all light or pastel, a stark contrast from Nico’s general (and unintentional) punk-rock appearance. However, the furniture was all a deep black. Nico led him to his room, a minimalistic one with a bed, a desk, and a lamp. Will wondered where all the personalization was, but made no comment.
“Here’s the shower,” Nico pointed to yet another room in this somehow huge cabin. “If you see something amiss or odd… ignore it.” Will didn’t want to think of the implications of that sentence.
He stepped in the shower and oh my gods, watching the dirt and grime wash off him after his 8 hour high-- which he did not want to think about (and not just because the author doesn’t want to taint his search history), it was too embarrassing-- was a wonderful feeling. He was still tired. He didn’t know why, it didn’t used to be this hard. However, he was pretty sure that he tried to clean the entire outside of the hypnos cabin before going over to the Hades cabin to do the same. This was the first and last time Will would ever thank the gods for Nico’s poor sleeping patterns, he had heard him outside and came to get him before he tired himself out more.
He nearly passed out in the shower again but managed to make it out. He looked around the well-stocked bathroom and realized something that he probably should have bothered to notice before: he didn’t have any clothes with him. Fuck. He wrapped a (black) towel around his chest because he didn’t think his body could take anymore binding and prayed to Dionysus that Nico didn’t notice that his chest wasn’t exactly male.
Luckily, the first thing Nico did say was “Is that a tattoo?”
Will looked down at his sun. “Yeah, it is,” he smiled. He remembered the night he did it, it was kind of hard. He ordered a tattoo gun off amazon and had Frankie do it for him shortly after the Battle of Manhattan. Some people might think it’s in honor of his dad, which is fine. It was really for Lee Fletcher, though. His mom totally freaked, for a really long time, but after his C-PTSD diagnoses she realized that whatever works for him works as long as it isn’t drugs or self harm. He knows she wants a future for him that doesn’t involve music, and that’s why she freaked. She thought it would ruin his chances. But it’s right on his shoulder, only visible in tank tops or no shirt.
"It… its to honor the man who taught me I could be myself." Will said after a small pause.
"That's a very lovely sentiment. If he made that much of an impact on you, he must be a very cool person."
"He was." Will knew that Nico heard the was by the way that Nico nodded solemnly. "I uh… I don't wish to be more of a bother, but do you mind if I go to bed now? That shower really helped."
"Yeah, of course. I can take the couch, you know where my bed is-"
"No, absolutely not." Nico sighed softly, as though he expected this. "I can sleep on the couch, in Austin I actually prefer it to my bed."
"That's-- no offense William, but that's weird."
"It feels less lonely to me," Will protested, then let out a huge yawn.
"Alright cowboy-" Will smiled at Nico's nickname for him "-get some sleep. I'll see you in the morning."
"Nighty night, Neeks. Love you." he didn't miss the small smile on Nico's face before he walked away. Will has always been very loose with his 'I love you's like that. He figured it's better to say it too much than not enough.
He had found his old stash the night before, the one that Clovis had helped him forget about. He couldn't stop himself from thinking about last nights events. At the time,he told himself that he shouldn't do anything with it, and put it out of his mind for about a week, but eventually his urge to smoke overcame his self-control. He went on a rampage of cleaning and was absolutely certain he looked like a madman. The worst part is, he didn't even know why he did it. It was as though his rehabilitation hadn't even happened, as though this was something that was as natural as getting a cup of coffee in the morning. He was so mad at himself, so embarrassed.
These thoughts occupied his mind until he fell asleep about an hour after his last words to Nico. He slept with no dreams, for the first time in about a month.
word count: 2,245
#no beta we die like jason grace#no but really please correct my mistakes#pls rb if you want#also did you catch my mcr reference#pjo#percy jackson and the olympians#pjo fic#fanfic#solangelo#will solace#nico di angelo#cabin 13#percy jackson#trials of apollo#tower of nero#heroes of olympus#ghost thank you#insert tag here#tw self harm mention#tw drug mention#tw high#tw dysphoria
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Discredit Pt. 2: More Recommended Reviews For A.Z. Fell’s
Alright, folks. Some notes first:
1. You all rock. I’m sending out 20k+ virtual hugs for all the notes I NEVER expected to get on this nonsense.
2. This is probably the final section, just because I’m not sure I can adequately follow up part one and it might be foolish to attempt it here. Let alone twice. But for now, here we go.
3. Kudos to the anon who reminded me of Aziraphale’s cash-only policy <3
4. Nicole Y’s review is based off an actual comment I read years ago, but heaven only knows where online it was. I’ve got the memory of a goldfish.
5. Trigger warning for the use of a queer slur in this. It’s the same review as above, number 5 if you want to avoid it.
6. There’s a text-only version of just the reviews at the end, after all the images. I’ll upload that to my Sparse Clutter collection on AO3 in a bit.
Bonus 7. People thinking this is a real shop deserve all the good things in this world.
That’s all I’ve got. Hope you enjoy! 👍
****************************************************************************
I’m a simple guy who likes simple jokes. If there’s a whoopee cushion I plant it. I will call you up to ask if your refrigerator is running and then tell you to go catch it. (Actually that one died out so thoroughly it’s actually capable of a comeback now!). Yes, I’m a dad and yes, I have a t-shirt that says Dad Jokes? I Think You Mean Rad Jokes! which I wear un-ironically every Saturday. All of which is just to say that my wife was well prepared for my stupidity when I walked into Fell’s.
I? I was not.
You see the bibles when you walk in? The ones to the left? Let them be. Don’t even look at them. Definitely don’t pick out the fanciest one you can find and absolutely don’t walk up to the owner with it held in your pudgy little fingers, grinning like a loon, cheerfully asking whether this should be in the fiction section. Just don’t. Mark my words you’ll regret it. Though your wife won’t. She’ll get a great old laugh out of it all.
In conclusion: it’s quite possible that mama did raise a fool and he just got his ass verbally whooped by a guy in a bowtie.
***
Shout-out to Mr. Fell for being the only decent bloke in this city. I’ve popped in and out of his store for years—including before I started transitioning. So he knew my dead name, dead look, whole shebang and I was definitely nervous to play the ‘You know me, but this is what’s changed and are you gonna throw a fit about it?’ game.
You know what he said? “Oh, Rose! What a lovely choice. Crowley dear, why aren’t you growing any roses? Some white ones would look splendid next to my Henredon chair.”
That’s it. He just went straight into dragging his partner for not giving him roses. So hey, Mom? Next time you’re snooping through my social media why don’t you explain to all these nice people why the 50+yo book seller accepts me in ways you won’t. Don’t go telling me age is an excuse or that you’re ‘Stuck in your ways.’ I’ve watched Fell dress in the same damn clothes since I was ten!!
Yeah. Sorry. Rant over. Fell’s a gem. That’s my take. Rose out.
***
Anyone else in the shop when that guy started yelling about buying pornography? And then got escorted into the back room for some ‘private conversation’? Well done, Mr. Fell! Didn’t know you had it in you.
***
Alright alright alright alright I am TOTALLY calm about this.
Went into A.Z. Fell’s last Thursday. Not because I knew anything about the place. Just because I’ve been hitting up every bookshop within a twenty-mile radius, asking if they’re hosting any book signings. Long story short I self-published my novel Blight last month—which you can get for a mere £5 here but I swear this isn’t a promotional thing I’m just BROKE—and have been looking for networking opportunities, tips, stuff like that. So the owner listened politely as I explained all this. Then said he didn’t do anything of that sort, which didn’t surprise me given the shop’s vibe.
But then? Then??? He offered to let me do a signing there??????
As said. Totally calm about this. This man either plans to kidnap me or is actually giving me my first shot at an audience outside my blog. AKA totally worth the risk.
Tuesday the 9th. 7:00pm. Just in case anyone’s interested ;)
***
holy sweet baby jesus i was tripping balls last week you tryin’ to tell me that kING KONG SIZED FANGED FUCK SNAKE IS REAL
***
Witnessed the most perfect exchange the other day:
Grumpy Dude With No Manners: “You. Boy. Where’s the man I spoke with over the phone?”
Mr. Fell’s Partner Who Knows Damn Well Only Two of Them Work There But Clearly Doesn’t Like This Guy’s Tone: “Did this man give you his name?”
Grumpy Dude: “Might have. Don’t remember. Sounded like a fairy though.”
Me: “....”
My girlfriend: “....”
This Poor Sweet Startled Kid On Our Left: “?!?!?!?”
Fell’s Partner In The Drollest Voice I’ve Ever Heard: “None of us have wings. Out!”
***
This shop gets full stars simply because every time I walk in they’re playing Queen.
I mean, I’ve walked in once, but once is enough when you’ve got Crazy Little Thing Called Love blasting full volume.
***
Okay, I’m still kind of shaken up but I needed to write this out somewhere and this seemed as good a place as any.
I spilled my latte on a book. Just tripped on thin air, popped the lid, and chucked a venti’s worth of coffee all over a very expensive looking text. I didn’t mean to, obviously, but it happened and I just started bawling on the spot. Full on sobs because this semester has been absolute hell, I ruined this guy’s antique, there’s no way I can pay for it, I can’t even sneak away because I’m drawing the whole store’s attention...just all the things all at once. I really was straight up panicking and was seconds away from pulling out my inhaler. I couldn’t breathe.
And then Mr. Fell showed up.
Jesus it’s embarrassing to admit but I think I hit him once or twice. On the arms I mean, because he was trying to touch me and I figured, I don’t know, it was a restraint or something. He was going to call the police and hold me until they got there. But then he managed to start rubbing my back and I lost it like I hadn’t already been bawling my eyes out in this shop. Ever cry into a perfect stranger’s chest? I have! But if Mr. Fell seemed to mind he definitely didn’t show it. Just kept holding me while I probably ruined his shirt and then took me into the back and made me a new coffee in this cute little angel mug. He let me stay there while I called my sister and waited for her to arrive.
She’s a good twenty minutes outside of Soho, so we talked for a while. It’s not like Mr. Fell could fix my shit roommate or bio classes, but I guess just talking about it all really helped. I was a lot calmer by the time my sis arrived and Mr. Fell insisted I come back any time I wanted—for browsing or more coffee.
Of course, sis offered to pay for the book herself. I don’t think I’ve ever seen someone look so surprised in my life. “Certainly not!” he said. “Contrary to popular belief, no one should pay for their mistakes. It’s what makes you all so wonderfully human.”
So yeah. Thanks, Mr. Fell.
***
This little shop must have started a book club for kids! Lately I’ve seen the same group of children hanging out at Fell’s. Three boys and a girl. They’re a bit rambunctious at times, but who isn’t at that age? So wonderful seeing literature passed down to the next generation. Even if some of it is rather questionable looking...
***
It’s an honest crime that more of you aren’t talking about what a wonderful bookstore this is.
I’m a book lover at heart and Fell’s always makes me feel like I’m coming home. I just arrived somewhere safe and familiar after a particularly harrowing day. I’ve slipped under the covers of my bed after dinner and a bubble bath. It’s something like that, but with an element of surprise too. One of the reasons why I adore private and used shops over chain stores is that little touch of chaos. You walk in and sure, there are general sections to browse, but everything is just a little bit disorganized from people leafing through books and then putting them back somewhere else. There’s no real record keeping, you’ve just gotta head to one particular corner and hope for the best. It’s not the sort of place you go to if you want something specific because the chances of them having it are slim—that’s just how the universe works—and even if they did no employee knows where it is anymore.
But if you wander the shelves for a while, crouch down low to get a look at everything on the bottom shelf, pay attention to the books that don’t have easy to read titles or any summaries to speak of... you just might find something you didn’t know you were looking for. That’s Fell’s: the comfort of the familiar and the excitement of the unknown.
*** A lot of people might assume that these stories are embellished or outright made up, but as a bookseller myself going on twenty years I believe every single one of them.
That being said, I accidentally moved a rug and found chalk sigils that look like they belong in a cult. Make of that what you will.
***
There’s a special place in hell for 21st century shop owners that only take cash. Who carries cash anymore? Not me! I haven’t bothered with that nonsense in years! You can get a card reader for 15 pounds on Amazon. Or you know what? Be stingy and pay 7 for the little attachment on your phone. This place is nuts if it thinks it’s going to survive much longer on a cash-only policy, especially with some books that look like they’re worth hundreds or thousands of pounds! Yeah, yeah, just let me pull out this giant wad of bills for you. I’ll carry them around a crime-laden city because there’s no ATM near you either.
I mean jesus, you’d think this guy didn’t want to sell anything.
***
I walked in. There was a man screaming at a fern while another threatened him with an umbrella. I walked out.
5 stars do recommend.
***
I once walked in on the same (?) guy yelling at a book for daring to fall on the owner’s head. I think that’s just a Thing over there.
***
Like a lot of people here I didn’t actually go to Fell’s for any books (flat tire, Angel Recovery taking forever) and ended up staying three hours (not because of Angel). No, I wandered towards the back and found this ancient CRT set propped on a table of books, the kind that my Dad used to watch Twilight Zone on. This lanky guy had a marathon of Gilmore Girls going... though how he was managing that with a broken antenna and no DVR, I really don’t know. But yeah. He told me to pull up a chair and I did. Guy gave me popcorn.
I wish I’d paid a little more attention to his name. Charlie? Curley? I really can’t remember, but thanks for the enjoyable afternoon, man.
***
I BOUGHT A BOOK HERE
Not sure how though. Just kinda happened. First edition of Just William. Frankly I didn’t even want the thing, but the owner basically shoved me out the door with it when I took two seconds to look at the spine. Odd that he was so willing to part with this one.
Update: ... hold up. I didn’t buy a book because I never actually paid the guy. ‘Basically shoved me out the door’ was literal. Do I go back??
***
This page has really gone feral the last couple of months so I’m just gonna bite the bullet and say it:
Anyone notice that Fell’s snake and Fell’s partner are never in the same room together?
***
I really don’t like the implications of this…
***
This is precisely why the Internet has turned into a cesspool. You all should be ashamed of some of the stuff you’re writing here. Can’t two men just be friends anymore? Two real life men? These guys aren’t some characters for you to ‘ship’ or whatever. Quit making outrageous assumptions about their sexualities and use this website for what it’s actually for: reviewing the bookshop. Honestly I’m so sick of this sort of this shit.
***
Dude. They run a queer-focused shop together with a flat on the second floor. Fell calls the guy ‘Dear’ and he’s always calling him ‘Angel.’ People have literally seen them kissing. If you want I can give you the number of my physician. He might be able to help you pull your head out of your ass.
***
What the hell is your problem? I’m literally just reminding people to stop making assumptions. It’s gross and insulting. These guys check their Yelp page. You really think they’re gonna be okay with this stuff?
Also: I’m not the five-year-old relying on insults, so.
***
Making an account purely to set the record straight: I’m the hot twink in question and I married that angel. Peace
#good omens#ineffable husbands#air conditioning#good omens fic#guess who spent 48 hours doing nothing but writing and formatting#can I get a wahoo
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