#ALSO I haven’t read it or played the game

[thealogie]

Gotta preface it with ‘I’m not from the US, so obviously don’t understand lots about how election results affect everyday life of people living there’. Also, if I suddenly, still being myself, became a US citizen with a right to vote, I can’t imagine voting for Trump. Saying all that, I don’t think labelling half of the country, tens of millions of people, genuinely evil is very productive or even mentally honest.

I am from the part of the world, which suffered from both republican and democrat US administrations, and lately most of the geopolitical games resulting in tons of blood, have been played, obviously, by democrats. I have to say that I find their utter hypocrisy deeply disgusting. At least your republicans, how I see it, don’t even mask being monsters, they say it like it is. When two negotiating sides state their goals outright, it is possible to come to an agreement at least marginally better than when one side is always being two(3,4,5)-faced, making a point to wrap their actual goals (if they even know them) in pretty words about democracy while double-crossing their negotiation partner even before the ink has dried.

I know that you’re from Iran and are aware of how deeply destructive US foreign policies can be, increasingly so since the start of this century. With one caveat that Trump seems to be especially hostile to Iran, and a democrat would’ve been marginally better when it comes to the US policy regarding Iran. It’s not the same for all parts of the world though, so we might not all be unbiased observers here.

I know that foreign policy doesn’t decide US elections, I only wrote this longwinded nonsense to say that maybe there are solid reasons for half of the US to prefer Trump and reject the democrats, like for the rest of the world there are reasons for either. Economic, political, whatever. Maybe liberals should look into these reasons before dismissing millions of people as genuinely evil, like Hillary did in her time. Idk about you, but when she called half of the country ‘deplorables’ or whatever, no one I know and no one I read (not from US) felt sympathetic. It just sounded incredibly entitled and delusional, and plain dumb. And it looks like since Hillary democrats haven’t learned or even attempted to learn anything, it’s still ‘half of our nation is broken and evil and we can’t do anything about it’. But it’s not how people work, in my opinion. Yes, they might not care about minorities first, they might care about themselves first, but doesn’t it mean that politicians should identify their problems and offer solutions? Isn’t it how it works? Dehumanazing Trump supporters will only radicalize them more, isn’t it what in fact happened, and how it always works with people in general?

Idk about life inside the US, like I said, but how I see it, the only ones to blame here are democrats and liberals in general. If people in the world, and I’m sure inside the US, will see that they finally start addressing the problems instead of hiding behind empty rhetoric, if the level of hypocrisy and delusional entitlement decreases at least to some degree, the support for right-wing populists will also decrease, I’m sure of it. Because most people are not ‘genuinely evil’, but they become embittered and cruel when their concerns are continuously dismissed, things start to fester resulting in ugly political outcomes. I mean, I know you know all this, sorry for being so boring and longwinded. It’s just that I usually like your takes (I came for MASH and stayed for the neighbors as well), including political ones, but here I got a bit of a whiplash, sorry.

I appreciate this thoughtful note. You don’t have to like my takes for us to be on friendly terms. And to be clear I do forever and always blame democrats and liberals for not energizing the people who agree with them.

But as you say you don’t live here and so there’s no way for me to convey to you without asking you to spend months reading right wing political accounts here and talking to people here that a sizable number of the people who support this man are genuinely bad people and want me and people like me out of this country.

This comes from hundreds of personal encounters over the past 8 years and spending the past three months reading dozens and dozens of pieces of reporting that are like “I went to talk to voters in a small town, here’s what they had to say.” And the things you hear are: purge this country of immigrants, make America a dominating force in the world again, get us back to traditional values where women are popping out babies…oh yeah and also the economy would be better under him.

Like idk what you want me to call sexist, homophobic, white supremacists but I think they are evil. And I think it used to be that the Republican Party was more polite about all of these beliefs so I could understand people being disaffected and voting for them for reasons other than hating other humans but now we’re just saying the quiet part out loud and there’s no plausible deniability

[astros-silly-place]

me when it’s girl characters that are surrounded by men in a situation that is truamatic and literally nobody understands them

[myokk]

fast sketch of my one-shot with Ominis💓

legilimency

Word count: 1.700

Rating: M (language)

Ominis Gaunt is a lost case - lost to the whims of one very determined Gryffindor sitting at his side.

They sit in the back of the History of Magic classroom, the only two students not lulled to somnolence by their professor. He: trying his hardest to focus on Professor Binns’ droning (easier said than done). She: trying her hardest to distract Ominis while not being entirely sure of being successful or not (easier attempted than understood).

Professor Binns is completely insufferable, of course. Ominis wonders if the ghost is as blind as he is: Binns willfully ignores the fact that all of his students use his class as an excuse to get a nap in (maybe he simply doesn’t see them sleeping - only one of many reasons why Ominis has decided he could never be a professor), rambling on and on in the most boring way possible. As if he were trying to be as dull as possible (maybe he does it to avoid interacting with the students which…can’t be to blame). In a different life, Ominis could see himself quite liking the subject, but as things stand he despises it.

Especially now.

Ominis fervently wishes that he could fall asleep.

Then, he might avoid hearing her thoughts - they’re consuming him and he can’t ignore them as much as he would like to.

Normally, he loves this class - not the subject, obviously - but the class itself, for the sheer fact that it is the only time where he gets some peace and quiet. Everyone’s minds nice and quiet and shut off for the time being while they sleep. Although he has gotten used to ignoring the thoughts of everyone around him, their various voices mixing and mingling with each other into a dull thrum in the back of his mind, it is nice to have some quiet once in a while.

But right now, with everyone asleep except for the Gryffindor at his side, her thoughts are so loud it’s like she’s screaming at him.

So here he is, wishing he could fall asleep, leave the class, maybe turn off the infernal legilimency that has haunted him his whole life.

(His parents and Marvolo insist it’s a gift handed down from Slytherin himself, just like the Parseltongue Ominis despises. It is not. It is a curse.)

He is stuck listening to her.

It doesn’t help that she seems to have caught on to him - something he had managed to avoid until now. Nobody else, not even Sebastian or Anne, has ever suspected a thing. But, in all fairness, those two are extremely loud and say every single thought that passes through their minds out loud even when they should remain quiet, and nobody else has had the opportunity to spend enough time with Ominis to begin to suspect anything.

Until her.

He had to go and let that blasted girl worm her way into his life, not leaving him alone ever, always looking for excuses to talk and ask his opinion, and being so intelligent that he wanted to invite her to study with him and talk with him and…

Since it happened a few nights ago, he hasn’t stopped cursing himself for that stupid offhand comment he made. They had been studying in silence in the library together, by the history books where nobody else ever ventures (thank you, Professor Binns), and he could have sworn that she asked him if he was finally going to walk her back to her common room (he blames a lack of sleep and wishful thinking for this mishap). His traitorous face had flushed and he had jumped at the chance to escort her - maybe she would let him carry her bag, or… - only to feel his whole body go cold and his stomach drop when her response wasn’t what he’d expected.

A pause: then: a confused voice: ‘Ominis, I didn’t say anything.’

His Gryffindor wasn’t stupid like Gryffindors were normally wont to be. He knew her, and he knew that after his monumental mistake, the gears in her brain were turning and he was terrified that somehow she had figured it out.

(His Gryffindor?)

She had been unusually quiet around him since then, although he bitterly noticed that she was still acting normally with everyone else. Still finding every opportunity to punch Sebastian in the shoulder and laugh with Anne, still whispering with Natsai about Merlin knows what, still…

But she had been avoiding Ominis. He couldn’t stand it.

Well, avoiding him right until this stupid class, when she had to go and sit right next to him (ignoring the fact that she always sits next to him in History of Magic, that everyone already has and adheres to their unofficial seats), and he can’t ignore her.

She’s pretending to take studious notes, but he knows better. The scratching of her quill blending with the droning of Professor Binns’ voice but not drowning out her thoughts. They float above the other noises, her voice sweet and piercing. Ominis wonders vaguely what she’s actually writing, because he’s positive it isn’t notes.

Professor Binns looks so sexy right now with his medieval hat, talking about…whatever it is he’s passionate about. I wonder if he would let me talk to him after class without floating through me like he normally does…

Ominis is determined not to react. She’s obviously trying to bait him. But…what if she is attracted to Professor Binns? Is he an attractive man? At the thought, the fist that’s resting on top of his desk clenches, but he works to make sure his face remains impassive. Apart from a twitch of his lips, he thinks he’s been quite successful.

She: huffing and shifting in her chair, her robes rustling as she crosses her legs. He: keeping his head facing forward, steadfastly ignoring her.

She changes tactics.

Maybe she’s just as insufferable as the other Gryffindors, after all.

I wonder what Ominis would say if he knew I woke up moaning today after a dream about him -

He shifts slightly in his seat, hoping that she’s so busy taking notes (who’s he kidding) that she won’t notice his discomfort as his trousers tighten -

…the girls in my dorm have been bothering me nonstop about who I’ve been mooning over but I don’t want them to…

His hand is in such a tight fist it’s a wonder he’s not breaking any fingers as he tries to remain as still as possible, but his traitorous arousal is making her thoughts harder and harder to ignore. Had he ever been able to ignore her?

…his tongue was deep inside me as I screamed his name…

He feels his face heat up at the thought - where had she learned such vulgar language? - and his whole body stiffens. He’s sure that she can feel the tension and warmth radiating off of him in waves but that…she…his insane little lion keeps shouting at him in the silence of the classroom. She’s now stopped all pretense of taking notes and is sitting stock still.

…his cock deep inside of me as…wait…what else did I hear Garreth say to Leander that night?…um… She shifts uncomfortably, her knee grazing Ominis’s as she moves to squeeze her legs together. It’s all he can do to not groan and remain impassive. Oh god…I…what’s that feeling? This was just supposed to get back at him for probably - maybe - reading my thoughts and I’m officially insane because how would he even be able to do that?…his ears turning red from embarrassment are so adorable and I can’t stand this anymore and…

Ominis tries his hardest not to move his head in her direction. His jaw flexes. Maybe he can drown her out if he starts reciting potions ingredients, or if he focuses on what Professor Binns is saying, but even he knows its futile. He’s hanging on to her every word - thought? - and his head slowly turns in her direction as she keeps going.

…does he know how much I think about him? Oh god, what if he dreams of me the same way I…

He slams the open book in front of him shut, the loud noise causing Sebastian to jerk awake and babble incoherently for a moment before slumping back over his desk, drooling and snoring lightly. Nobody else in the class seems to notice except her of course. Blissfully, she has stopped talking - thinking - and he can finally -

It’s no use. He needs to get out of there. She has invaded his mind and…What if she starts up again with her filthy thoughts that are bleeding into his own and -

Did he hear me? I didn’t actually think…oh god, can he hear me now? What have I done?

Ominis very slowly brings his hand over to where he knows hers is. The quill falls out of her hand and he hears a sharp intake of breath at their contact. His fingers trace her knuckles and then he slowly trails them up her arm. His fingertips are so sensitive that he could swear that he feels every thread that he passes, her skin warm and alive underneath the fabric. Then to her neck, her throat bobs and he feels her erratic heartbeat. Finally, he reaches her face. She remains very, very still as his fingers brush over her features for the first time.

He has never touched someone like this before.

Her skin is like velvet, soft everywhere he touches. Now that he knows what it feels like he’s not sure he can go back to before. His fingers trace the curve of her eyebrows - he finds that her nose is straight before it flares up a tiny bit at the tip - his fingers ghost over her impossibly soft lips. He drags his thumb across her bottom lip as her tongue darts out to wet them. It’s impossibly intimate and the world has melted away and it’s just the two of them in that moment.

He leans forward.

“Ominis, I…” she whispers, stricken.

His hand moves to tuck some of her loose hair away from her face - does she always wear it like this? - and his lips brush against her ear. He inhales deeply, her sweet smell invading his senses. She shivers under his touch and he breathes, “I heard everything.”

[fisherrprince]

A kissaroo from me to you! (judo flips kan-e-senna)

also I had a dream everyone turned into a dragon . alphiesaur

[iwritenarrativesandstuff]

There’s always been something that bothered me about whenever I try to explain the concept of Hatoful Boyfriend and most people’s immediate reaction is “oh! Like Doki Doki!”. My response is always just “…I guess?” because I could never quite explain why that felt wrong to me but I think I finally can put a finger on it now.

(To be clear, I’ve played and enjoyed both games. They’re both fun - this isn’t a criticism at all! I just think they’re, at their cores, two very different things. Also I don’t spoil anything for either game here beyond the obvious; that is, that these games are not what they seem to be at first glance, which I’m pretty sure most people know going in. If that amount of spoiler still bothers you, then stop reading here and play the games first!!!)

When people compare the two games, I 100% understand where they’re coming from. It’s the same gimmick I suppose: cutesy looking or joke visual novel actually turns out to be a smokescreen to hide the horrors within. But. Like. I feel like that’s where the similarities end.

See, DDLC’s whole point is to be shocking. It’s intended to make you jump and disturb you. It’s primarily a horror game with you, the player, as its focal point, and as a result the characters are only really there to be used by the story. The majority of the characters, with the exception of one, are pretty straightforward and lean heavily on the tropes commonly used in dating sims so the game can later distort them in increasingly horrific ways - with the intent of shocking and scaring you. The characters are more tools to be used to tell the story and create the experience than fully fleshed out people, which I think works out well thematically for DDLC. It’s effective in the sense where the characters aren’t really what draws you in, but rather the premise and the anticipation of getting a good scare out of it, with some existential stuff mixed in there for a pretty cool experience. You came to get scared right? Well that’s what you got.

But Hatoful is very different because its intent is not to shock or scare you necessarily. Hatoful, since its initial development, has been designed to make you care. Hato Moa made the game intending for people to start it because of its ridiculous concept, but then to discover it’s depth along the way. Hatoful doesn’t want to jump scare you. It wants to tell you a story. It delves into horror, that’s true, but the horror is much more psychological and it stems from the character’s actions. It’s a character driven story at its core, and it does this by taking itself seriously. It knows it’s completely absurd and leans into the absurdity, but the character interactions are real, so that when actual plot begins to happen, you’ll wonder when you started getting so attached. The characters twist typical dating sim tropes again, but this time to ask “hey why is this character like this? maybe it’s not so straightforward as you think”. And then the game goes a step further and reveals that there is an actual in-universe reason for its insane setup of “a human girl goes to bird school which is for birds and dates pigeons”. Hatoful is less tongue in cheek and more completely unabashed about it’s ridiculous premise and plays it straight - which in turn makes its serious moments shockingly genuine. That, to me, is why it works. The point is to delve into the characters. The plot is driven by the characters. It’s horrifying at times because the characters will sometimes make or be forced to make horrific choices. It’s not a gimmick. It’s a cohesive story. It’s just asking you to dig into it a little further to get there.

Tldr; DDLC is a cutesy facade and Hatoful is unabashedly absurd. DDLC wants to scare you and Hatoful wants you to care. DDLC uses its characters as tools for the experience while Hatoful’s whole point is the characters.

Editing based off a reblog that made me aware I was not completely fair with DDLC here (again, still trying not to spoil too much): The experience in DDLC is heavily based on its thematic content. When I say “the characters serve the experience” and “it wants to scare you” I don’t mean this shallowly, and I think it can and has been frequently misinterpreted in this way. In DDLC, the horror comes from the situation. In that sense, it’s thematically appropriate that the characters are tools in that way - that’s actually part of it and you are meant to feel bad for them - their situations, issues, and personalities are thematically relevant and sympathetic. I shouldn’t have juxtaposed “to scare you” and “to make you care”; that was far too simplistic a summary to the point where it is inaccurate. They both want you to care - a story only has power if you care about it. But I do still feel strongly that DDLC’s draw is the terrifying situation it impresses on the player, and the self-aware questions it asks (in which characters are put through the existential oppressive wringer to emphasize these themes), while Hatoful primarily relies on you slowly but surely acclimating to the absurdity so it can tell what is simultaneously an off the walls story that is also genuine and believable for the characters you’ve grown to know.

[lesbiangracehanson]

completely binged fallout the past few days + im obsessed

[navysealt4t]

hey. hey. 20 minutes into pointcrows last episode of totk. and what hte fuCKKGKKGKKG was that. what the fuck. im viscerally shaking you by the shoulders BLUE WHAT THE UFKC WAS THAT MASTER SWORD REVEAL. i can literally never recover from this WHAT T EHFUCVKKK

DUDEEE YEAH ITS FUCKING INSANE. GODDD WHAT THE FUCK!!!! it’s so so cool i love the story sm. like oh my GID THE MESTER SWORD REVEAL WAS AMAZING I WAS SO EMOTIONAL DURING THE WHOLE THING

[boundinparchment]

Currently making my way through chores and FF16; vacation in a week; think I’ll be on schedule to get 44 out by next Sunday. Maybe. Ideally.

[velvetjune]

semi spoilers for longlegs -> I wanted to like this movie more, but it did make me wanna replay alan wake 2 which was nice

[stergeon]

for the writer ask

💭🚦💛 💌

💭 What inspires you and your writing?

this is a real marketing major-ass answer (from your local marketing major), but i love sharing knowledge and telling stories. writing’s one of those things that’s a bit of a compulsion for me—i’m always writing something. i took a five-year break from fiction writing before i stumbled ass-first into fanfic last year, but even in those years when i was focusing on my career, i was writing guides and trainings and a ton of other stuff—just not anything fun, lol.

writing is also so cathartic. sometimes i set out to tell a specific story, but at other times, a particular emotion gets me in a vice grip and i have to put it to words before it’ll go away. my stories tend to wind up as emotional dumping grounds as a result.

i don’t write things pulled directly from my own life, but there are bits and pieces of myself and things that have happened to me scattered throughout stuff i’ve written, and usually when i’m about 75% of the way through a piece, i’ll realize it’s absolutely related to something i’m currently going through. funny how art works that way, even when you don’t intend for it to.

and occasionally i just have a fire lit under my ass about an issue and i get so hot about it that i gotta compile my thoughts. looking at you, silver snow

🚦 What sort of endings do you prefer to write: ambiguous, bad, happily ever after, etc.?

look, i would love nothing more for them girls (pick whichever girls you please) to have a happy ending where they kiss and are stupid in love for the rest of forever. i love reading those kinds of stories. but in my heart of hearts, i love an ambiguous ending. i like when there are still questions after the story ends. i like thinking about where things could go or how the characters will go on after the events of the story. like, shared space could be read as having a happy ending, but i don’t really think it is. and with the victors; the vestiges, well. you’ll see :0)

come to think of it, i’m not sure i’ve ever written a happily-ever-after, but i don’t think i’ve ever written a 100% bad ending, either. i read too many bury-your-gays stories and watched too many sad european queer coming-of-age films in my youth to ever be happy putting that kinda thing out into the world. i want to write about love with all its ugliness, but not despair or hopelessness. i think what most appeals to me about an ambiguous ending is that lingering feeling of hope. it’s not the same as the kind you get from a happily-ever-after, and something about it speaks to me.

💛 What is the most impactful lesson you’ve learned about writing?

honestly? how to take criticism. i took a creative writing class in high school where we had to read our work out loud and then receive feedback on it from the other writers in the class, and that did a lot for me. going into that class, i’d already been writing for forever and had won some little local writing contests and such, so i was a wee bit of a pretentious douche. but i’d never gotten real critique before beyond, essentially, spelling and grammar checks. it humbled me lol. it made me grow so much as a writer, and i could see where i needed to improve or where my head was wedged way too far up my own ass for others to follow. it also helped me recognize strengths i didn’t know i had, and that was huge. it’s easy to get into a self-doubt spiral when making creative work, and good, constructive criticism can do so much to help avoid that.

to this day i love critique. i like knowing what worked or didn’t work so that i can continue to improve as a writer and do better next time. did my themes land? did something really work, but another part fall flat? i’d love to know!! i try to treat everything i write as practice for the next thing, and frankly that’s helped take some of the pressure off so i don’t go into total Perfectionist Mode.

i know critique is kind of a sensitive topic in fan spaces, but i think that’s because a lot of people have gotten unsolicited criticism that is purely critical and isn’t constructive. but getting good, constructive criticism will do so much to help a person grow as a writer. it’s scary, and sometimes it hurts! writing is very personal for most people, and it stings when things aren’t received the way you think they will be. but i know i’ve grown more from having my failures pointed out (and, very importantly, having the good things about those efforts acknowledged) than anything else.

💌 Is there a favorite trope you like to write?

actually Just answered this in another ask!

[insaneillusionist]

When you spoil yourself on media you haven’t played yet and get obsessed with a character you know nothing and everything about.

[fearsomefive]

Screaming over this interaction I miss them so much

[michi-chelle]

no offense but it didn’t take too long to realize something has changed in the back of my mind—

[bethesdaglitch]

Am I crazy or is this a Higurashi reference

[dirtbra1n]

before I forget Tomorrow and/or in a matter of hours. don’t recall the exact numbers. remastered video game Ghost Trick releases on nintendo switch and steam and elsewhere also. there’s a demo available. you should play that. I have it on good authority that the entire game is as good