#ALSO HE IS SO OBVIOUSLY AUTISTIC AS WELL

[sangrefae]

i Will say it's kind of wild that people are so willing to accept marcille + laios's flaws and understand that they're complicated and nuanced characters while kabru and ESPECIALLY toshiro are torn down and hated for.... being complicated and nuanced. wonder why that is 🤔🤔🤔

[birdricks]

every member of the smith/sanchez family is autistic and queer. see my vision

[cursed-spirit-manipulation]

jjk is about a lot of things but most of all with regard to Shoko Satoru and Suguru it's about how if you don't interact with people who aren't in your weird fucked up school with like 10 ppl total on a regular basis you WILL become an incredibly interesting adult in a way that makes people pity you

[catboycyrus]

HAVE YOU HEARD THE NEWS ABOUT CYRUS BEING CANONICALLY AUTISTIC

well sure but I figured we all knew that for years due to his nature? One of the most obvious autistic characters ever invented right behind Fegan Floop of Spy Kids fame.

[computercreature]

every mob psycho character is autistic for two reasons. one they display autistic behaviors (mob not understanding social cues) and two they all revolve around the show's main theme of connections to other people and, for lack of a better word, masking (mob suppressing his powers and everything that came from that). you can follow this logic for literally every character btw

[transgaysex]

heeehee i like my classmates

[vatelixx]

On the concept of ‘want’,

Spencer Reid x afab!BAU!reader (written with early-ish seasons Spencer in mind)

SMUT!! (and fluff, and aftercare because im not a total hedonist), allusions to both Spencer and Reader being switches (but he’s mostly just down bad), autistic Spencer (the way it should be), mean reader (to everyone but him), reader has a very very high IQ when it comes to everything but a pretty genius— Spencer just wants that cookie so fucking bad.

Warnings: sub spencer (but also not entirely; he talks about human anatomy as he destroys her), maaaaaybe slight corruption kink (what? who wrote that there???), mentions of prior bullying and insecurity, first time (for Spencer, yess devirgin that hot nerd!!— do you think the BAU will get him a cake after?), brief mentions of past hypersexuality for reader, kinda rlly domestic. Some undertones of degradation but predominantly praise. Begging, crying (pussy so good he cried), etc etc

w.c: 5k (I feed)

a/n: Spencer’s first time getting fucked, my first time writing smut (we’re both going through it here). I’ve been watching too much Criminal Minds recently, so i’ve reverted back to my tumblr roots (im home i’m home). This is a new acc so like…. hi!!!

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Right person, right time. It’s a concept that Spencer Reid is more than aware of. Define luck, at surface level, it’s a made-up hypothesis, idealistic, fantastical. Conjured up to aid the desperate (or the delusional). It’s something he refused to humour, obstinate to the notion, well, that was until you came spitballing into his life, sharp features, sharper tongue. You could cut with your words alone, a weapon to the BAU, jagged and fast-thinking, and so entirely unattainable. Rorschach tests, and an endless sea of profilers, it doesn’t matter— he’s not sure anyone is ever capable of truly pinpointing you.

Rocky start— after you became a permanent member to the team, it took months to coerce you into dropping your guard. A year and 14 days, to be exact.

But, it was possible. Hardened words and blunt comments shifted into something more with time. A gravitational pull, perhaps, that led to evolution— you, softer with him, more tender than you’ve ever showcased before.

Maybe it was that night when he told you about highschool, about what they did to him, boys like him, who were too intellectual for their own good. Different, in every sense of the word. Bullying at such a young, impressionable age can have prominent effects, chronic stress inflicted on an underdeveloped brain, they tied him to goal posts, stripped him naked, endless torment that he still carries with him now. Maybe that’s why you lowered your defenses. Put down the sword.

And sure, he never expected anything, nor asked for anything. He was definite that he wouldn’t get to experience cliche-dating. Longing glances and anticipated moments. It’s not like he was ever the most appealing candidate, too nervous, too neurodivergent. It’s hard to grow out of the mentality that no, everyone isn’t making fun of you, not when it consumed the entirety of his adolescence. That you can walk into a room, and not be seen, targeted, as an outcast. He’s just different. But he’s also human, and the chemicals in his brain do make him want.

You apparently. Because, you looked at him softly once, and he was done. Ruined. Gone for good. Or, in Morgan’s personal opinion, whipped.

And illogically, you wanted him too. That wasn’t ever part of the equation.

But theres a pattern now— dates every weekend. Movies, cafes, museums, an endless onslaught of you. Because somehow, thanks to luck, you reciprocated. He’ll never understand why, you’re too beautiful (it’s a hazard), but he tries. He tries.

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December. A haze of christmas markets and blanketing coldness. You kiss him outside and he thinks he might be dying. You make him burn cold. He’s a logical person, so obviously he’s aware that he’s only freezing because your hands are shoved in his pockets, a desperate bid to seek warmth, but regardless, it’s more than he ever expected.

He laughs against your lips, fingers gripping the front of your coat as he draws you backwards so that you’re resting against a wall. “Mm..” he hums, “You should kiss me more often.”

Everyone knows. The entire team is aware of this, an unspoken agreement that your lingering moments and aimless touching are not platonic in the slightest. You work with profilers, secrets are never quite effective. Everyone knows, but it’s taboo, something that needs to be left undisturbed. Do they expect you to break him? Does he? Maybe, maybe it would be worth it— to hurt for you, because it’s always been you. He’ll take anything, he’s not greedy. He’ll live off scraps if he has to, anything to satiate this want that burns solely for you.

“Actually.. you should just always be kissing me,” he suggests, tone soft, “Every day of the week. All the time. And—“ he laughs, “You should also stop stealing body warmth. It’s rude. Hypothermia usually occurs when body temperature dips to around 95F, oh oh but there are so many factors to consider—“

“Is this you trying to imply you’re cold?” you ask.

“Perhaps. Or maybe i’m implying you should be working harder to warm me up.”

You’ve grown soft, he thinks. He shouldn’t be allowed to get away with this level of affection. But its okay, you justify, mostly because it’s him. Spencer, and his pretty smile, and strange habits (sitting cross legged on tables, drinking coffee with excessive sugar, endless facts and a plethora of soft yearning glances at you when you’re interrogating— as if you’re not tearing an unsub to pieces). It’s terrifying, constant eggshells, because you can’t hurt him. Not like the others, distant fragments of your past.

You laugh in response to his comment, admiring the sight of him: flushed, with swollen lips and dilated eyes. He deserves to be like this, so thoroughly assured that despite all odds, you’re invested. All cards on the table. “You have a lot of requests, boy genius.”

He smiles boyishly. You’re hard lines, sure, a blade that can draw blood, but somehow, somehow, he’s always left unscathed. “Alright,” he answers, “You want requests? Here’s one, stay the night. Come over, stay over, i’ll cook breakfast and try not to burn it— and, and you can have the good side of the bed.”

“Spence,” you mutter, because of course there’s an underlying intention to ‘staying over’ and you're trying to be good here. To not let this fall into your past mistakes of sex and inevitable self-inflicted disgust. A cyclical cycle that clings to your skin. Everything is so new to him, the intimacy, the affection, and it’s nice being able to witness it— to see his reactions to innocuous touches, always disbelieving that he’s capable of this.

Fresh-eyes, so untainted to the sharpness of modern ‘love’.

You cup his face, god, under the dim shadows of the streetlight he’s beautiful. It’s a little alarming to be honest. More so disheartening really, because despite how much you remind him, he never believes you— obstinately refusing your compliments, as if you’d ever mock him. No, he’s different. He’s tender and disarming, and sometimes it feels unholy to touch him with calloused hands.

But, to Spencer, there is nothing unholy to this; the second you touch him, the entire universe crashes down into a singular moment.

“Just stay the night,” he reaffirms. It’s taken him over a month to get to this point, to be able to voice his wants, to comprehend his wants. Now, his thumb traces its way down the side of your face, tangible, real. “And tomorrow morning, there’ll be coffee and pancakes and—“ he laughs, “And there won’t be any regrets. I promise.”

You’re looking at him, wide-eyed and slightly disbelieving (because he’s somehow stumbled through the minefield of you without any consequences). He leans forward, his forehead resting against yours. “Don’t make me beg. I will beg.”

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To confirm, he makes you incautious, irrational, willing to blatantly disregard any sort of control. Of course you end up at his apartment; the moment he mentioned begging, you were already half-way down the street.

Spencer’s place is… well, it’s everything you’d expect of him. Scattered novels adorning the floor, a mess of untidy thoughts, neglected papers on science, endless open textbooks left half-abandoned for other pursuits. It’s so him, clean but discombobulated.

He wants to apologize, make excuses for the lack of order, he probably should. He doesn’t do that though. He only crosses the room, stopping when he’s standing right in front of you, just gazing down. He has no idea what’s to come— for once, there are no patterns, no statistics he can reference.

So, he reaches for you, fingers tugging at the edges of your jacket. “Arms. Up,” he instructs and god, it’s a stupid order, but you follow it without any protest. He folds it over the couch, abandoned. Putting it back on alludes to leaving, and he’s hopeless enough to never want you to leave.

His hands then gravitate back to you and he starts to tug aimlessly at the material of your shirt. It’s been raining, and the fabric is soaked. “Hm,” he hums, “Off. Take it off.”

You laugh at that. Straight to the point. You don’t follow his orders, because one was certainly enough, and you’ve never been the type to obey blindly. Instead, you grip his waist, drive him back towards the nearest surface. An end table, some books go clattering, light damage, they’ll survive. His response is a gasp, a hitch of the breath.

“I was promised the good side of the bed, breakfast, pancakes. But sex? Hm, did you invite me over just to get in my pants? I’m wounded, Reid.” you mutter, pressing a series of soft kisses along the curvature of his jaw.

“No! No,” he retorts, breathless, “I was going to get you some comfortable clothes to change into. Damp clothes breed bacteria. You made this dirty,” Adding, “And not in the way I was concerned about.” under his breath.

You roll your eyes, “Oh, here we go—“ sure, you have the experience he lacks, but you’ve been on your best behavior. Dirty? That’s an insult to the exhausting self-restraint you’ve upheld recently.

“Yes— i’m the dirty one here, clearly.” you scoff, “Just casually corrupting you,” You tug him away from the end-table because you don’t want him bruised in any way, shape or form (it’s actually distressing; when you’re working, you seem hellbent on making sure no one even thinks about laying a hand on him. Unsubs be damned.)

Ego-centric, completely independent, individualistic until he came along.

You push him back against the couch, watching as he stumbles, as he falls. For a minute he just lies there, looking up at you with hazy eyes— pupils dilated and lips parted on a half-pained gasp.

And it’s a sight to see, the brilliant prodigy, the young genius, his normally-composed features now twisted into something stricken. His hands tighten around the material of the couch and he lets out a sound that’s a cross between a whine and a groan.

“Oh—“ that’s just a clear-cut moan, “You can definitely definitely keep corrupting me, in fact I endorse it. Completely.”

“3 PHDS, 2 B.A’s and you’re currently asking me to corrupt you? I don’t know, Doctor Reid, that’s certainly very forward,” you say, moving to sit on his lap, aware that you really should entertain this spot more often, even if you’re at severe risk of deflating.

Deflating. God. When did it come to this?

He laughs, “You’re the only person in this entire world that makes me act without a single coherent thought,” IQ abolished. “So yeah,” he murmurs, fingers tracing mindless patterns across the exposed strip of skin above your waistline. “Defini-definitively corrupt me.”

It’s taken so much to get to this point. So much to unpack, to understand, from Spencer’s perspective. There’s a lifetime of bullying that he has to dismantle, and sometimes he still anticipates the punchline when you kiss him— the biting laughs, not entirely dissimilar to school, when someone would belittle him, fake being his friend just for entertainment value.

So, when you stumble into the bedroom, when you remove his shirt, he knows this is improvement. He’s fighting this internal battle, unsure on how he should act: coy or defiant. Both, really. He wants to cover himself up, to pretend like you don’t disarm him, to fight and fight until you make him bleed. Anything, he’ll take anything from you.

“You are so so pretty,” you mutter when he’s sprawled out across the bed. You’ve never been someone to resort to praise; sex had always been cold and clinical, something to relieve stress, to undermine the burden of work, and the endless weight of sanguinary. But now? If he is the eye of the storm, then you’ll happily commit to the chaos of this.

“Careful, you’ll make me inherit a disorder here.” he mutters. Narcism— he’s the least likely to ever develop such symptoms. “Or cry. I could cry, it’s a potential. Maybe break-down?”

“Or,” he adds, his hands tracing up towards your shoulder blades. “All of the above. The trifecta of issues. It’s very likely.”

He rolls over on top, you’re down to just your lingerie now, pretty lace contrasting against your skin. Removing your clothes had been a whole ordeal, he’s fairly certain he almost died; you’re the epitome of beautiful, and he’s not sure how he ended up with everything when he was so resolute, silently accepting, he would always obtain nothing.

“I want to kiss you, but I don’t know, I feel like my body has lost the ability to function at the moment.” he breathes out.

“You should definitely kiss me,” you confirm, posing it as a choice, one that he has any say over— when in reality, youre already tugging him closer. Lips meeting lips. It’s not sane how the world fades into a nebulous haze the moment your mouths connect; time remains constant, logistically, nothing has changed. But it’s just so much that for a moment you doubt the concept of existence, doubt everything but him.

Genius falling for genius. Only you could laugh when he traces molecules into your skin. Spelling out words with elements: Livermorium, Uranium. LV U, it might not be an exact replica of the three worded phrase, but it certainly gets the point across.

“Spence—“ you bite into his lip, tugging the soft tissue between your teeth.

He groans, whimpers, pulls you closer, eliminating every infinitesimal distance between, slotting his hips against yours. He draws away from your mouth, lips leaving a trail of kisses down your neck as he reaches for your hand, interlocking his fingers with yours and pinning it against the bed. His free one is now wandering, slipping beneath your panties to touch.

“Do you know how much I studied about human anatomy after you first kissed me?”

“Weeks.” he answers when you respond with a muffled groan. Your hands are on his back now, tracing the journey of his spine. He’s in over his head, but there’s so much want, so much he wants to do but never thought he would be capable of. And oh, when he begins to draw circles against your clit, slow experimental halos, those soft touches of yours evolve into grasping, gripping. By the time he’s got a finger slotted inside, he’s fairly certain he’s being scratched. Nail indents and faint white lines, souvenirs.

“I know about every erogenous zone the human body possesses, every single one.” He says, because whilst he might lack in physical experience, he has enough intellect to memorize placement, biology. Plus, he’s a fast learner. His finger bends, and both of you moan.

“Spence— fuck, feels good.” you gasp, tangled hands clutching tighter, tighter again until your knuckles are white and you’re trembling.

The human body is something of a fascination to him; the way it reacts, how each nerve and ligament can respond to even the most tentative of touches. But you aren’t every human, you are you, and he has an insatiable desire to discover and catalog every single response your body gives.

He adds another finger, slowly, eyes fixed on your face, gauging the reaction. When he curls both digits, a sharp exhale is your response. “I’m convinced I’ve discovered new anatomy facts in the last few months, just because of you.”

Maybe it’s not fair that he’s so good. First times are supposed to be fumbling and awkward, a mess of hormones and inexperience. To say you haven’t been touched like this before is a severe understatement. The meaningless sex, the onslaught of bodies doesn’t measure up to him, the way he’s so focused on how you respond, on what your body enjoys— it would be endearing (and it is!), but you're currently too preoccupied to voice such a notion.

“Doing so good, holy shit—“ you mutter, blissed out beyond comprehension. You're making art on his back, only vaguely aware of the pain. Though when you realize you’ve scarred his skin, you're drawing away, moving to tangle your hand in his hair instead. But Spencer doesn’t even care, doesn’t even register the inflictions; he likes the physical marks you leave behind, a tangible remnant of all you do to him.

And sure, he’d laugh, usually, at your responses. But it’s hard to laugh, when his own ability to form any coherent sound has been completely destroyed. He’s a mess, his breathing shaky, and his brain is a constant buzz of fragmented musings consisting of you, you, you.

He draws his fingers out, earning a discernible groan, maybe a fuck you (which he does intend to do). But right now, he’s already slotting his face between your thighs, removing those soaked, ruined, panties of yours. He doesn’t have a single thing to compare it to. But he already knows this is his favorite place to be, and he’s fairly certain he’ll be spending most nights between your thighs, learning and memorizing every reaction and noise, each movement, and the ways to repeat them.

He runs his tongue along your clit, savoring just how wet you are, a mess that he can bury his face into. You’re looking down at him with something akin to shock now, and he can only laugh, blow air against your clit, then drag his tongue back over the sensitive bud, drawing it into his mouth to suck.

His movements are tentative at first, unpractised, but soon gaining confidence. He doesnt need to do this, you're aware— you could take him now. And yet, hes here, between your thighs for no reason other than want. Your reaction is visceral, because it’s always been about efficiency in the past, quick touches to get you there before the other person can derive their own pleasure from the act.

He’s not like that. God, hes not like that at all.

“Oh,” is all you can say, gripping his hair down to the root, instructing each movement until he gains incentive, finding repeat patterns that your body reacts to. Then, you can only arch and moan, noises filtered out into the air. He’s back to opening you up now, two deft fingers pressed inside, working diligently to tear you apart.

“Oh? That’s all you have to say to me? Oh?” he retorts.

“Shut up,” you huff, “Put that mouth of yours to work.”

“Mhm— I plan to. God, you’re so perfect.” he mutters, voice distorted, muffled. “That’s it—“ he fights the urge to explain exactly what’s occurring in your body every time his fingers abuse that spot. Instead, he keeps his mouth busy.

He’s certain he’s memorized most areas of your body from years of pining, and that’s what brings him an unrepentant sense of satisfaction. Because he was memorizing your body, you, long before he even got the chance to touch or taste you.

“Wanna stay here,” he says, and he’s being petulant now, because there’s something so good about being reduced to movements. To follow the pattern, to take care of your body, mindless to anything else but you. Pussy-drunk, to put it less eloquently.

“Shit,” you buck up against his mouth, watching as he buries his face entirely into you, as he replaces his fingers with his tongue, nose bumping bumping your clit, consuming his senses entirely.

“Use my face, yeah. ‘M all yours anyway.”

“Fuck, fuck fuck— Spence. Gonna cum—“

When you fall apart, inevitable, he doesn’t stop— not until you’re boneless and spent beneath him. Back arching, stars burning through closed eyes. Pretty constellations that have you blissed out beyond belief. The pleasure is white-hot, feverish in intensity.

And then he’s moving, shifting his body back over you. He’s all soft touches and languid kisses against your mouth, not bothering to break contact as he settles himself fully over you, the weight of his hips pressing into yours. He’s hard, dick pushing up against his boxers, his sexual libido had always been low until you came into his life. Now, his wants seem to fight for release constantly.

“My turn, I believe.” he grins, pressing a kiss to your jaw, “Not that you have to, of course. It’s not an obligation, uh— more so a beg?”

“Of course it’s an obligation,” he goes to protest, to say you don’t owe him anything, so you sigh. “A thankyou, maybe?”

Fumbling hands, still shaky from pleasure, undo buttons. Unclasping his belt, removing loose fabric until he's bare before you. There’s something nervous to his gaze, something unspoken, lingering in the air. “Hey, hey. I’ve got you, yeah? You’re okay,” you promise, before your eyes shamelessly look down. He’s straining, pre-cum lingering at his tip, dick pressed up against his stomach now. “Fuck, okay— yeah. Good. Great even.” first time you've ever stumbled over a sentence in your life.

There’s so much to be concerned about. The fact he’s naked, that you could destroy everything with a few serrated words, years and years of rebuilding, reconstructing. But you don’t— and he can’t help but laugh nervously. “Glad to be up to your standards. I’d uh, hate to disappoint.”

“Always the over-achiever,” you respond, shifting away from him— there’s amusement to your expression when he groans, pitifully, when he rolls onto his back, draping an arm over his face.

Predictable. Condoms in his bedside table. At least he's prepared. You open the wrapper with your teeth, discarding it somewhere amongst the tangle of limbs and sheets, too hellbent on finding him again.

Oh, in this position, you have full, unrestricted view of his body. Endless planes of skin, begging to be marked, sentenced indefinitely to your touch. By the time you straddle his hips, hes a flushed mess beneath you. “I— um, you look really really pretty right now.” he stumbles, idiot.

His dilated eyes take you in. Every contour and curve, the way your hair hangs over your face, eyes up eyes up eyes up. He fails when you run your hand across his dick, thumb brushing against the tip. By the time you’ve slipped the condom over him, hes gone. Bucking and moaning, and so so much better than his hand could ever be.

He wants to be inside of you, but it’s hard to think right now, let alone vocalize the words. I want, he thinks, I want everything, with you.

Your name is on his tongue, muttered and repeated, a reverent prayer of sorts. He needs to gain back his control here, to return to equal footing.

“Yeah—“ he breathes out, “So much of an overachiever, considering I had you making all of those noises—“ his words falter, die out, when you sink down. When you take him. Wrapped around, tight. Warm heat that sets alight every nerve in his overstimulated body. He has half the mind to apologize for his comment because you’re about to ruin him, he knows.

“I thought you wanted me to corrupt you, hm?” you retort. The pace is slow, mostly for his own sanity. Though, the feel of him, the way he slots into you, warm skin pressed against warm skin is intoxicating, and it’s a battle to keep your composure. To not just fall apart under the weight of him.

“What’s that, pretty boy? Struggling? Because you were so egotistical a few seconds ago? Where’s all that ego gone? Straight between your legs, I think.”

A whimper. It’s a whimper, a pained thing ripped straight from his throat. He’s making indiscernible noises now, messy sounds pooling from his swollen lips. The praise, the strained undertones of degradation? It’s too much. But god does he love you for it, because that’s you through and through. Sharp, and brittle to everyone but him, he wants to look, he does, albeit he has to turn his head to the side, bury half of his face in a pillow because he’s gone. At this point, he can only take it.

“I— um, mhm. Yeah,” he slurs. He’s almost incoherent at this point; he’s been reduced to nothing, just a mass of skin, bone, and flesh at your disposal, to own and use and he can’t find it in himself to feel humiliated about it, not when it’s you.

“Can’t— um, I was wrong, you’re— oh god,” the sounds of your body hitting his, back arching as your pace picks up. “Oh, ‘m sorry, ‘m sorry —baby, can’t, can’t take it. That’s…”

It’s a lot for his first time, that’s for certain.

“Yes, you you can. I know you can, Spence.” you mutter, interlocking your fingers, letting them hang near your hips. “You feel so good— so so fucking good. Look at you, so brain dead for me. Taking it all so well, love.”

Love?— oh he wants to be buried with that one. He’s a mindless disaster, impenetrably devoted to you alone.

He doesn’t even know how he’s saying words at this point, it’s as if his brain-to-mouth connection has been severed by your very presence itself. It’s not possible to form a coherent thought when you’re riding him like this, taking him so deep that he’s seeing stars. There’s tears pooling in his eyes, he looks pretty when he cries. Especially when it’s derived from pleasure, when he can let go of the burdens, everything he’s endured, when it’s just sensation. Nothing more, no more thoughts.

There’s safety here, an element of home, home home bliss, that has him keening. He wants to stay buried here forever, where nothing can ever hurt him again. When it’s just you, and your pretty words, and your exploitative power to destroy him. You never do, anyway. Even when you could, you restrain.

“Can’t, ’m gonna…, Please, please, don’t stop.” he whines, “Pleasepleaseplease— oh, can’t— I can’t.”

He grips you tight, rolls you over, mostly so he can feel you closer. The sight of you riding him was excruciating, but this is worse because now there’s no gap separating you. Now, he can bury his face into the crook of your neck, burn himself in the warmth of your touch.

“Spence..” you mutter.

“I know. I know—“ hes ruined, sloppy thrusts, whimpers catching against the stifling air. “Feels s’good.”

He doesn’t know what to do, how to breathe, so he just runs his thumb over your clit, watching your prominent reaction, watching as you gasp, moan— oh, and then you’re clenching around him, tightening the pleasure, and yesyesyes.

You’re too gone, moving still, and he can only cant his hips forwards, buck and squirm until he’s sobbing under the weight of your ministrations, releasing so hard that he can barely remember his name, no cognitive function, in the haze of his orgasm.

“There’s my boy— so pretty for me.” he can vaguely hear you saying, and if you’re talking him through it, he can only hear snippets of praise now anyway.

“Mhm— mhm. Yours, yeah.” he mumbles, body sinking against the sheets, a few little whimpers escaping his lips as you milk the rest of his pleasure from him.

Tangled limbs and sweat-stained skin. “You okay?” you ask in the aftermath.

“So okay,” he agrees, shifting closer, back pressed against your torso— sue him for being little spoon.

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The next morning, you wake to an absence of Spencer. It’s unsettling, to say the least. So, you're quick to fumble over the buttons of one of his shirts, fabric creased, matching the tousled nature of your hair, disheveled, remnants of the ruination of last night.

For a moment, you consider that he might’ve left — but there he is, in the kitchen, attempting to make breakfast.

“Hey,” you mutter, leaning against the counter to watch.

Scratches adorn his back, indent marks from your nails, crescent reminders, stain his waist, and he’s content to wear them. If anything, he can’t wait to add to the budding collection.

Pancakes. The good side of the bed. Coffee. All of his promises from last night are being thoroughly met, even if he’s burning the food, and shit, he didn’t realize the coffee would be finished so soon. For all his calculations, he’s fairly off-center today.

And then, you come padding across his kitchen, embellished in only his shirt, unbuttoned near the top to expose your collarbone, and he’s fairly certain the last remainders of his IQ disappear.

“Hi! Hi,” he says, wide-eyed, “Um, making.. breakfast. You look, wow yeah.”

Breakfast lays forgotten.

[timkontheunsure]

Queer secondary adolescence and Stolas

(I keep forgetting to put this up here)

Ok, so Stolas being teen dad is one of the reasons I get annoyed when people say he's too horny with Blitz. Or that his relationship is too dramatic and teenager-y.

He's a queer guy who never got to be a teenager, didn't get to have a first boyfriend, or explore who he was. Or do any of the normal stuff most straight teenagers get to do.

His family stuffed him in the closet, forced him to have child, and gave him an abusive wife as jailer.

(He around 36, with a 17 year old daughter. 36−17=19 when Octavia was born. Likely married at 18).

He's got some chatting up to do.

Up till now his whole life's been about Via, and mitigating Stella's abuse to hid it from Via.

That's left him barely hanging on, taking an increasing amount of antidepressants; and singing lullabies about not being sure he'll make it till Via's grown up.... 🙁

There's this thing called second adolescence that alot of queer people experience, when they come out later in life.

It happens when they're weren't allowed to do normal teenage things at the right age. So things like having crushes, go on first dates, have extremely anxious dramatic relationships. As well just be a normal horny teenager.

Stolas got to do none of that. So he's doing it now.

He's also pretty obviously an autistic guy (separate post ), who didn't get well socialized as a child.

Blitz appears to have been his first and only really friend.

Stolas is not great at social cues. (He's so happy to be able to help with his special interest, but does realise his tone is upsetting Ozzie).

Even with Via he struggles to understand her. She needs to tell her dad flat out what she needs.

When she tries to be subtle, and snark he assumes it's just her being a moody teen. And that she'll enjoy loo loo land when she loosen up a bit.

Because of this lack Stolas mostly fills in gaps in his social experience with masking.

Such copying Gabriel hairstyle from helluva novella to get ready for his first ever date.

Following Blitz's lead of what to do in an uncomfortable situation.

And trying to match the energy of how Blitz first came on to him.

(He's definitely getting better at it from Blitz reaction).

There's also an idea in CBT called reparenting your inner child. Which about giving yourself some the support, and experiences you missed out on because of abuse.

Stolas needs to go through his secondary adolescence as part of his recovery from his abuse.

So let Stolas be a little horny weirdo. 😛

PS this one will brake you heart. Stolas is standing fully in both these pictures.

You can see how much he's grown by her light switch.

Kid hasn't even reached his full adult height yet when he had to have a kid.

[alexthebordercollie]

it's nice to see mystery trio aus that aren't fiddlestan tbh. The amount of times I'll see one, think it looks interesting, and then it just turns into "wow Stan, you're so much nicer and cooler than your lame brother! Lets date!" And act like it's some kind of karma for Ford or something.

I definitely agree with your take that so often fiddlestan is just used as a way to express dislike of Ford, while ignoring any of Stan's canonical flaws

As a side note, since this is more of personal headcanon territory, but i think Stan would find Fiddleford too reminiscent of Ford when he was young to actually be interested.

Anyway, i always love to see Stan in his natural habitat (being a chaotic uncle)

I love the idea of the Mystery Trio. I think these three would play off each other really well. They're cute and funny together, but you don't need Fiddlestan. It feels like people treat it as a given that if offered the choice between Stan and Ford Fidds would choose Stan. Which is kind of shitty. (Low key it kind of reads to me like Ford is assumed the worse partner because he's autistic :/ even if people aren't consciously treating him that way.)

I think it's kind of presumptuous to assume Fidds would be into Stan anyway. Like physically attracted to him? Sure, obviously. If he finds Ford attractive odds are good Stan would also be nice to look at, but relationships aren't just physical attraction and it's obvious from the journals and BOB that Fidds had a very strong connection to Ford. If he's in love with an autistic nerd enough to throw his life away for him why would people assume Stans's wildly contrasting personality would somehow be more appealing?

I've actually had this comic kicking around in my mind for a while and this ask gave me a good excuse to draw it. (Though it took longer than expected)

While I don't think Fidds would ever choose Stan over Ford, I do think Ford would be a bit of a jealous and insecure partner. He's used to a lot of social rejection and struggles to maintain connections with people. Not to mention trust issues, especially after Bill who tried to sabotage his faith in Fiddleford in particular.

I wouldn't put it past Ford to get antsy seeing Fidds get along with his brother even if there's absolutely nothing going on there.

Also, I hadn't considered the suggestion that Stan might find Fidds nerdiness a turn-off because it reminds him too much of his brother, but yeah I could see it. Still, I'd buy Stan being interested in Fidds before I could really see the other way around happening. I think Stanley's tastes are bit broader but Fiddleford I imagine to have a bit more of a type. At least where romantic attraction is concerned. That said I don't think Fiddleford's actual tastes are really considered, I think he gets shipped with Stanley by people who want to see Stanley get that kind of overbearing love that Fidds showed to Ford. I do understand wanting to give him that kind of partner but Ford deserves love too, we don't need to be taking his healthy romantic option away from him and leave him with Bill. (His abuser.)

[dcmcboxers]

My shout-out to queer youtubers

Hbombs list was great but obviously not comprehensive. I watch a lot of video essayists and wanted to give a little love to the smaller channels that fall under the radar. Please feel free to add to this list!

let's talk about stuff/Sarah Zedig

If you've seen Jesse Gender's videos on the Matrix movies you may already be familiar with Sarah. She does excellent film and culture analysis with a lot of great conversations on paratext and outside influence in engaging with text. Her video on Tunic is one of my favorites.

Pamphleteer

No one makes videos like hers, which has the side effect making them a bit hard to describe. I will link one of my favorites which describes the disconnected temporality of being older when you discover you're queer.

Turbo Queer

Really really under watched channel. Skylar covers a lot of topics from video games, to anarchist history and modern events, to autistic life, to current politics. For a fun one check out her video on the SpongeBob strike episode.

Kaz Rowe

Kaz does a fantastic job examining modern myths and manufactured history primarily pertaining to western Europe, Victorian & Edwardian England, and 1800-1900s US. And of course, talking about historical queerness in all its ambiguities and evolutions. I highly recommend their video on Weimar Germany.

drapetomania

drapetomania interrogates the politics of low class and high class art and entertainment from a queer and Black perspective. Their art history videos alone cover many angles of white supremacist history I haven't seen anyone else discuss and I'm very excited to see more from them. They are also a very under viewed channel that more people should see!

I am error

Evelynn's channel primarily discusses video games in a presentation style and voice most similar to Action Button reviews. There's something just a bit more personal here though. I hesitate to say cozy since that word has a bit of an infantilizing connotation, maybe comforting is closer. She puts an immense amount of thought and empathy into the experience of playing video games and the personal narratives we build with them.

Swolesome

For more transmasc perspectives there's Swolesome. He has a lot of interesting insights into the more traditionally masculine and "broish" communities like fitness as well as commentary on recent trans issues.

Shonalika

Music, disability, and aggressively non-binary. Their video on gender presentation in heavy metal was really insightful. I would also check out the video "Why I Wear Gloves" for more insight on invisible disabilities.

Vivian Strange

Vivian delights in being a bit of a contrarian- something I really appreciate. She's probably going to challenge you and you're probably going to disagree at times, which is what makes her channel so important. Her video on Marquis De Sade is powerful and a must watch (if you can stomach the subject material, although I would encourage you to try). I haven't seen her most recent video on Saw yet but I am extremely excited to.

[neonvqmpire]

we need to talk about how close aziraphale actually was to saying no to the metatron after the kiss and why:

he's extremely conflicted and keeps looking out of the window to crowley in the car.

he previously said "nothing last forever" when crowley told him that he cant leave the bookshop (crowley also meant "you cant leave me"; the bookshop is a metaphor for their lives on earth for him) and he states exactly this as the first objection here. obviously the metatron shuts it down by appointing muriel as the next owner of the shop.

now he's stuck between wanting to be with the being he loves & who he now knows loves him back and his deep inner need/duty to do good. crowley's confession and kiss clearly made him question his decision and change his mind because here is when he actually decides for both.

you can see how he does not want to join heaven alone. he keeps looking out the window when asked if he needs anything to take with him.

he desperately needs crowley there but he can not have him so he lies and says no.

i this moment he tries to say no to heaven one last time. he starts saying "i think i-" and then looks out to crowley one last time. he's really considering crowleys offer here. i think the decision that he makes instead is actually FOR crowley as well.

he decides to join heaven not as he was previously convinced by the metatron to do good and rule together with crowley (which he did not want to do) but instead to go and keep a close eye on heaven FOR crowley.

aziraphale isnt stupid, he remembers what crowley said about heaven being toxic.

i think the confession and kiss makes him question heaven. crowley, who fell for asking questions made aziraphale question heaven too. something that he was always too scared to do. he has started to rebel in his head. he realised that something has to be up with heaven/the metatron bc they offered him the position. he decided to go but with a completely different purpose than before. 

he puts on a smile and it seems fake because it is. he wants to appear like he hasn't just fundamentally changed his position and decided to go against the one force who he was always afraid of yet dependent on. 

this is sth extremely relatable to someone who is queer and autistic and was raised by very conservative family members. even the thought of supporting queer people felt rebellious, terrifying but also extremely exiting and powerful because i knew it was the right thing to believe. 

aziraphale was being so brave here. he saw a glimpse of the life he wants and can have and choose to join heaven anyway to fight for this life. he is convinced it will not be possible for them to be together if heaven is still kicking about and making him feel powerless and scared. he wants to secure their future by changing or possibly even destroying the system from the inside out. 

unfortunately he didn't have time to tell crowley about his change of intention and i think it really breaks his heart. crowley would probably not understand it anyway. they still have a lot to work through and learn but ultimately they will find each other again. they always do.

i am so so interested to see where and how they meet again in s3, if we get it. after everything i just really want them to be happy and to spend their eternity together. they deserve it after all they went through.

[drdrizzey]

Late Halloween drawing!!

The good old Creepypastas from the mid 2017s are what basically got me into drawing and art in general. I quite literally started off just to make fanarts of them and boy, I made so much. I know some of those characters are outdated now but I don't want anyone to feel offended from me drawing them, that's really just a really nostalgic Fanart for me with the classic found family dynamic we loved!! Then later on I really got into those slenderverse ARGs and especially marble hornets and again, I filled sketchbooks just with marble hornets comics and fanarts so thats also something lmao

I had a hard time choosing who to draw here arggh

My inner child heals a bit more every time I draw any Slenderverse and Creepypasta character or even my old Creepypasta ocs

Also I want to add a disclaimer that I do not ship Creepypasta characters with anyone and that to me, they always acted all like siblings to each other! (Saying that because I know some people are really sensitive about ship art in this peculiar fandom and I agree that's a tricky one, but for me they've always just been a big silly family in their spooky manor, having fun)

Here's some dynamics I love and loved picturing them with :

- sally is the cute little sister that nobody can say no to and she KNOWS it, she WILL make everyone play dress up with pink ribbons and no one can do anything about it

- Jeff is a really good big brother to her and really tries his best for that

- Masky is 100% the tired big brother having to care for all of his annoying siblings. Since he's a proxy, Slenderman especially asked him to keep an eye on them and to quote, "give them what they ask for and not letting them break stuff or argue too much" which leads him quite often to having to drive to MacDonalds at 3am, because one of them whined for it. He also pretends he hates it but in reality he really cares about them. Also headcanon, this is some alternative version of Tim/Masky from marble hornets because we'll, obviously this is supposed to be Masky and somehow some people literally dont know where he comes from and just twinkifies him (which is a jumpscare to me because tim is literally amazing, hello?but a lot of people seemed to not know where he came from, well go watch marble hornets if you havent its awesome (i'm looking at yall tma and mouthwashing fans, you WILL love it too)

- my HC for Toby is that the guy has a lot going on but he's also not a kid, i like seeing him in his twenties or so. And he loves ranting about really random stuff just to annoy pretty much anyone and especially Masky because he doesn't complain much, and if he does then Toby will just find it even funnier and follow him around, explaining to him like...I don't know random stuff like describing his whole feed of cat videos or something or internet drama

(also that's not a mischaracterization of them as characters it's just my version of them in the way my little autistic brain in sixth grade pictured them, which means very non canon inaccurate)

Here's the fun reference I used :

[unproduciblesmackdown]

being alive at the time i gleaned some general elements abt encanto but never actually heard we don't talk about bruno beyond awareness it existed popping off & i think i heard like the title recited off key off rhythm but in a way that indicates speak singing nonetheless lol so upon experiencing it it's like oh but it's the Verses? while the last refrain goes harder but prior to that it's comparatively underwhelming to said verses which feels appropriate like verses / pieces of a larger picture & that a "we don't talk about him" as a disappointing Lid on infinitely richer more characterful & dynamic "but: talking about him" instances. like well personally it'd be like um seven foot frame....anyway besides being able to firsthand go like oh damn Real (the kind of thing you know exists if alive at the time) it's like alright hang on lol. one thing when a core theme is yeah like "is it a refuge if 'especial' vulnerability ultimately gets pushed out rather than made safer" subset like the parties whose even observation of truths (problems) & drawing attention to them is seen as Ruining Things, like if you're painted as Making futures that aren't simply what's desired or reassuring rather than a guidance via just observing & sharing the truth. but then it's like whaddaya mean living in fear of bruno stuttering and stumbling you could always hear him sort of muttering and mumbling lmao like now that's just Association between the Truth Perceiving & Telling behavior & behavior that's just apparently distinctive of the same person. & like Not Accidentally when [what if people were magic] specifics are obviously primarily abt a metaphorical meaning & like, indeed it was made clear like oh this situation isn't Just b/c [boo we hate your prophecies] & that [an Ability that isn't directed towards what anyone Wants / is "weird" even by these magic standards] isn't Coincidentally given to someone who just so happens to already be "weird" in other ways & be set up to have a different perspective & be pushed away due to having the supposed "extra" vulnerability of unmet needs / insufficient support, same as someone who doesn't "correctly" have any kind of magic ability....like yeah banger and also like Oh Yeah Kind Of Devastating re: that metaphorical resonance allowing for like [set the metaphor aside] now hang on with this about this disabled family member lol. misinterpretation to The Ruinerrr / The Problemmm / The Maliciousss etc (i.e. the scapegoatinggg) despite their efforts likely entirely to the contrary. then despite like, efforts aside, Just Existing, always kind of muttering & mumbling like & what of it. & then like oh sorry weird pets. weird [auspicious for adaptable tenacious thriving surviving; either way simply creatures, existing] pets.

truly like As Is The Idea I'm Sure quickly becomes like hands behind back standing at the window Uh Oh Sisters musing on all the [disabled person] metaphorical & already literal elements there. blair witching it in contemplation like We've All Been There whether being so resented for the mere disruption of "existing in a group as the 'abnormal' odd one out" or like people talking shit abt anything associated w/you as soon as you've left the room, which is also made relevant like, this wasn't Only directed at this person when seemingly permanently gone, nor were they unaware / unaffected prior....pacing in the Musing parlor like things don't Have to be compared to billions but i only ever even see so many things & it's like billions sure is like "get scapegoated rword" & then said scapegoating is presented as only beneficial & we hate autists & even beyond that it's like, grabbing billions, Imagine If Things Meant To Be About Something Were About Something. quite a contrast when they are & furthermore like, deliberate thought & Care for [who gets scapegoated & why] & the truth of like, people getting pushed aside & out who have a key perspective & are primed / liable to come through for others similarly vulnerable & the supposedly Ruinous, Problems Generating disruptiveness is actually the strongest effort to make essential changes to a group. & come through with like, it'd be undermining thee point if it was "reassuring" us like oh haha people will be supportive b/c bruno will be more normal, so great that it Didn't like no, no Normality Reassurance(tm), presence of abnormalities(tm), Good, & everyone Can Deal b/c if you don't then it's pushing this person away, is exactly what happens, including even if they're still Around but are being mistreated b/c that is entirely part of that pushing away like anyone's victim blaming is ready to pounce at any time but if someone can't stand to stay / leaves b/c they can't see another option like that's not out of nowhere nor Regardless of what full support & flexibility they were getting lol. these Active Measures everyone loves so much, which are everywhere always & would include Staying & Trying To Make It Work & those efforts would be "disruptive" & resented & Bringing It On Oneself & etccc smh

that is to all say like. Woww when clearly basically the core thread was these beats of like, the crucial site of [thee scapegoated], & why that comes down on someone & how that plays out. endless ideas about how someone weird(tm) & disabled (&/or queer. but there's no Or here lol. & again like it's a Context like, to even be the one person without kids? likely not living up to "full" correct sexuality in that way alone; any oppression's logics of "inferiority" being logics of ableism, ready examples being that "inferior" race, gender, sexuality (& their experiences as people classed as inferior) all being pathologized as disordered) are seen & treated as someone Ruining Things & who cannot belong like whew. bracing. winding. which, i also recall like i was watching with headphones & during this one dialogue pause i was like "?? what's this Extra Sound i heard there" & had to go over it like twice before being hit upside the head like well it Was still the dialogue pause but it was also bruno Stuttering in a very quiet whisper for the duration of that pause before continuing like iiiiiiii x_x

[tiredofthehumanlife]

Is he mine? Fucking obviously.

also btw I color code my titles I don't pick them like this for the aesthetics of it

Barbie dolls: Touya Todoroki x gn! reader

Word: 6.5k

Summary: Touya almost died on national television and disappears from from the public's eyes with no way to contact him you decide to keep your pregnancy a secret from him

Warning: You get pregnant! idc of its m!preg or abo or magic or just bareback fucking that got you there I'm just telling you you got pregnant, you keep the baby btw, your son is named Kaito (which according to name berry means sea so there), your son refers to you by Ren and Rena which is a gender neutral term for parent it's like mom and dad essentially, you fuck dabi at one point it's not smut it's just mentioned, Touya goes to rehab and so if he's ooc then it's rehabs fault not mine, I am kidding but he is definitely not exactly dabi core dykwim, you grieve Touya even tho technically he's alive it'll make sense when you read it but you cry a couple times just fyi, idk man, mentioned once that you wanted children before w Touya, 'crotch goblin' used I j feel like that's some shit dabi would say but I digress, Elmo reference tell me if you find it, possible allusions to Kaito being autistic but like boo fucking hoo idk, mention of blunts, SIDs mentioned once, also mentioned that you may or may not have anxiety especially over your son, yeah okay lmk if you any blue words I didn't do that on purpose

part two

Before the war, you knew Dabi. You knew Touya, as well. When he was watching over you from the shadows during the day, he was Dabi. When he was buried in your arms hiding under your sheets, he was Touya. You kept him close to you, there wasn’t another way you’d like to live. You hated to say it but you needed his eyes and hands on you. You didn’t care what he did during the day or even at night as long as he wandered back to you through your door. You didn’t care if you both sat on the couch and stared at the TV or if you ripped his clothes off with greedy hands, as long as you could feel the abnormal heat of his body on yours. Maybe that made you morally questionable, you didn’t care. You knew who you were and you knew who he was. You knew your lungs would collapse if you couldn’t see those blue eyes again. 

After the war that all changed. Watching your lover almost kill himself on live television made you feel sick to your stomach. You had to leave the building entirely, only to find it broadcasted all over the screens of passersby’s phones, billboards, and the small television behind the counter of every convenience store. You hid under your sheets, hoping when you woke up they would smell like him because he was lying next to you. 

You heard of his whereabouts through coworkers' gossip, news articles, and murmurs from the public. None of whom knew you had kissed him goodbye the morning before, having no idea what was to come. You read every article you saw. You eavesdropped on every conversation. You bought every magazine that even slightly mentioned the Todoroki family. You knew the only way you’d know if he was okay was through the third-person retelling by a reporter. 

He was in severe recovery. He was in one piece, technically. His father was paying for his bills. He was likely to be alright. 

Really that’s all you needed, yet somehow it still wasn’t enough. You needed to see him and hold him. You wondered if he was eating solids or if he was on a tube. You wondered if he needed you to add another row of staples. You hated when he asked that of you, you couldn’t turn him down when he looked up at you with his pleading eyes. It made you feel sick to your stomach but you were the only one, besides himself, he trusted to do it. What you would give up now to groan and complain about having to replace his staples. 

Slowly as time pulled along, Touya made the news less and less. You took fewer magazines from their rack, his face didn’t make it to the television, and you felt his image slipping away from you. 

Your sheet smelled more like you than they did him. His clothes had been through the wash multiple times now. You kept tossing them into the dirty hamper straight from the dryer because you couldn’t bear to throw them away or hide them in a closet. Your stack of newspapers and magazines stayed stacked at the corner of your desk. You cried when you had to sweep up the dirt from his boots by the front door. Then you cried for crying over that.

You felt pathetic the way you started to hate him for all this. You wanted to slap him and jab your finger in his face. You wanted to call him a selfish bastard.  You cried in your kitchen when you realized you accidentally bought his favorite foods as second nature. You couldn’t wrap your head around the fact that he had just slipped from your life like that. 

He was alive, yes but alive in the same way a relative across the world was. You knew they were out there but it’d be a cold day in hell before they were in your living room. 

You slowly pieced yourself back together. His clothes were folded and put away on the shelf of your closet. You stopped looking at them when you started to get ready for the day as time went on. You stopped buying his food. You threw out most of the newspapers, only keeping the pages that really mattered. You folded them all up and shoved them into a drawer in your desk. You stop seeing him everywhere in your home. You stopped seeing him in your mind. 

Just as you were getting back on your feet, the world played a sick trick on you. You found out you were pregnant. After some thinking and a lot of it, you made your decision. You were keeping it. Yes sure it came out of nowhere. Yes sure your baby would be raised in a single-parent household. You always wanted this. You thought of asking Touya about it sometimes but you always chickened out. Now you wouldn’t be doing it with Touya, but you could have the life you wanted. A child. You were ready, you felt it in your bones. 

You had the baby. For months before the due date, you had scoured for name ideas. You wrote down names you heard over conversations in cafes. You read every article. You considered naming your baby after Touya. You scratched that idea after realizing you’d like to have his consent for that. You thought of him on your couch over seven months ago. He would’ve said ‘Hell no. Don’t name one of those crotch goblins after me.’ You bought books on the very subject. You slapped post-it notes to your fridge when you found one you liked. Yet all that came crashing down when you finally had your baby in your arms. 

You were fucking worn out. Your hands felt like they were going to cramp from all the squeezing you did to the handrails and your poor nurse. Your hair was sticking to your face. You felt like you stinked. Your lungs felt heavy and your ribs felt tight. With your little ‘crotch goblin’ in your arms you felt a smile grow on your face. 

His face was scrunched up in a cry, a tiny fist pressed against his cheek. You gently rubbed the side of his face with your finger, trying to calm him down. His cry settled as he pushed his face toward you. You whispered a hello. You were fully encapsulated by him, your son, you paid no attention to the doctor still between your legs. Your baby let out a coo as he opened his eyes, staring up at you.

You knew babies could really see at this age, he was probably just looking in the direction of your voice. Whether or not he could see you had no effect on the color of his eyes. You knew them. They were the same ones who would stare at you from across your room as you got ready for bed. The same ones that would plead you for new staples. The same ones that sat across from you during dinner. The same ones that reminded you of the cold and freezing sea. 

“Kaito.” You muttered, earning a coo from him. You nodded. “Yeah? Do you like that name?” he huffed and pushed his nose towards your arm. You hummed. “Kaito it is, then.” 

A year and a half went by before you ever heard from Touya again. You were doing some cleaning while Kaito was at daycare, hurrying so you could still have time for relaxation before you had to go pick him up.

You loved him dearly but a toddler was a lot to handle. Especially alone. You found a daycare nearby that you trusted, and your mental health picked up drastically. A few hours of silence on the weekends and time to work from home without a toddler trying to lick a socket was all that you seemed to need to feel whole. As you were throwing his toys back into the large basket on the other side of the living room, you heard a knock. You paused before throwing the toy truck. You moved to the front door, peeking through the peep hole. 

A woman with white hair and streaks of red, glasses, and a blue sweater was waiting at your door. You pulled away from the door, unlocking it and swinging it open. She smiled at you once she saw you. 

“Hi, can I help you?” You asked, smiling but feeling terribly awkward about the whole thing. She nodded. 

“Hi, I’m Fuyumi. My brother, Touya, was finally released from his mess of operations and hospitals. And he-“ Your smile fell when you finally registered the name. Yes, you heard it but you just didn’t think you’d ever hear that name again. It had just floated over your head. You realize this was his sister standing in front of you. You closed the door so you were squeezed between it and the frame, smiling like it was a perfectly normal thing to do. You couldn’t let her see the tiny rain boots, light-up sneakers, and brightly colored toys on your floor. Fuyumi glanced at you over the frame of her glasses, a slightly confused look passing over her face before she schooled it. She pulled her bag from her shoulder, rummaging her hand through it. 

“-is finally in rehab. They’re letting him have pencils now after strings being pulled by our father. Anyway, he-um- gave me these letters. He told me I needed to find you. He said he wouldn’t trust anyone else to give these to you. He considered our mom, but he said-“ 

“Letters?” You repeated, watching her hands as they dug through her bag. She nodded, looking up at you for a brief second. 

“Yes. here they are, finally.” She pulled a stack of three letters from her bag, sticking them out to you. You quickly took them from her, taking the top one. You shoved the other two into your back pocket, tearing open the envelope. You yanked the folded paper from the envelope, unfolding it as fast as possible. You skimmed over the words, trying to move your eyes along the lines faster than you could. 

‘Love -don’t care- I haven’t stopped thinking of you- wish you could come to see me-I need to see home- your bed- do you think of me-I’m not sure how much longer-I can’t add you to my visitation-I miss you.’ You paused, staring at his signature at the bottom. ‘Yours, Touya’ was simple but he didn’t talk of his feelings. Ever.

You were lucky if you found out he liked dinner. You traced over his name with the tip of your finger. You stopped, looking up at the woman in front of you. She was watching you intently like every move was being cataloged. You slowly straightened your shoulders up and pushed the letter back into the envelope like you didn’t care at all. You put the envelope with the other two in your pocket, pretending you weren’t itching to read the other two. You cleared your throat, staring at Fuyumi like a child caught misbehaving. 

“He tried to get your name on the visitation list but they wouldn’t allow it. You had to be family.” Fuyumi said, giving you a soft smile. You nodded, feeling Kaito’s finger painting on the fridge staring holes into the side of your face. 

“Might’ve been for the best. I don’t know I’m really the same person he…liked before.” You said, squeezing the door a little closer to you. Fuyumi shook her head. 

“I’m not sure if that’s true. He’s told our entire family about you. I don’t think the change would keep him from you. However, I don’t really know you, do I?” Fuyumi said, clasping her hands together in front of her. You nodded. It’s a bit weird knowing that she had a nephew a few blocks away and she didn’t even know if you and her brother were really dating at all. Well, you weren’t now but were you ever? You snorted and shrugged. 

“It’s a lot of change.” You said, watching her closely. She hummed, pulling her bag closer too pher. 

“Well I have to go, I have lunch with Shoto soon. Just, think of sending him back a letter. I think it would be good for him to hear from you.” Fuyumi said before walking away from your door and heading for the sidewalk. You watched her go for a moment, feeling stuck in your place. You felt like you were watching Touya walking away again. You sighed before going back inside to finish reading the letters. 

You read the letters over and over again for a month. You read them so much you didn’t need to see the paper to think through his words. You spent your free time staring at the handwriting. You dissected the word choice, punctuation, and tone. You need to know every thought that went through his head. Kaito asked you what they were, in the words and format of a 1 ½-year-old would. You redirected him to his toys and started reading them only at night when you were alone in your room. You sat up in bed most nights, staring at his clothes on the shelf of your closet and picking at your nails. 

You thought through your two options. 

You could break his heart and tell him you couldn’t be with him. You had changed, you were someone new. You couldn’t see a future. You moved on. You had a new partner, one that didn’t have their face on the news. Whatever it would take to get him to move on. He needed someone else, someone not like you. Someone without a kid. 

Your second option was to tell him. Everything. He had already been through what a year or so of medical operations? That’s what Fuyumi said, wasn’t it? Now he was stuck in rehab, they just gave him access to pencils. He was slowly rebuilding himself. He was obviously making progress in the right direction, communicating. That was a big word for Touya. It was over paper but still. He used the word love eight times in those letters. Kaito would have to get adjusted to his family growing up. Change is hard for young children. Change is hard for you. You‘d be forcing this responsibility onto Touya. He’d either support Kaito or not. Either way, he’d have that thought in the back of his mind. Touya was barely standing on his own two feet right now. Most likely figuratively and literally. You couldn’t add a new stressor to his life. He’d throw a table or something and get his pencil rights taken away again. 

You made the mature decision to break his heart instead. You wrote it out carefully and edited it. You made sure it came off the right way. You sealed the envelope and addressed it using the information from the back of his letters. Maybe it wasn’t something that would make you liked by any of the Todoroki family, but it was better for them. You knew it. You told him it was the change. You had changed too much. You listed all the ways you weren’t the person he thought you were anymore. Of course, you jumped over the child-sized elephant in the room. 

You couldn’t bear to think of him crying over your letter. You wondered if his tears were still bloody. Most likely, that didn’t seem like something that was healable. You ignored the ache in your heart, pulling your son closer to you in a tight hug. You couldn’t think of Touya stuck in a sterile rehabilitation center. You couldn’t think of him reading your letter more than once. You couldn’t think of Touya at all, so you focused on Kaito instead. 

You didn’t get a letter back. You didn’t get any of his siblings at your door. Instead, you took Kaito to daycare, worked, took Kaito home, and went to bed ready to repeat. You and Kaito went on little adventures on the weekends, going to the park, play dates, swimming lessons, zoos, and museums. You couldn’t love your son and life more.

He was getting bigger. He was developing his own personality now, such a sweet boy he gave you cavities. Kaito was so bright. He was the smartest kid you knew and you weren’t biased at all in saying that. He was so beautiful and tiny. You wanted to wrap him up in a blanket and keep him in your pocket forever. Some days he would run through the living room like a plane and all you could remember was when he fit in the crook of your arm. He was so curious he asked you about the world every day. Some days he came home from daycare with a fun fact you never knew. 

The day he manifested his quirk was on the weekend in the backyard. You were on the back porch, watching him run back and forth through the oscillating sprinkler. You sipped your tea slowly, easing your anxiety about him slipping.

Kaito flung his hero doll through the water. It thunked in the grass, face first. Kaito yelled that he was coming to save the hero. He pressed his wrists together, jutting his hands out like a stream of power would rush through them. He jumped up, pushing his hands out again and giving himself a sound effect.

As he passed through the water you saw sparks and flames envelop his hands and fly straight to the ground toasting the ground next to his doll to ash. Kaito landed in the burnt grass, freezing and staring down at his hands. You jolted up onto your feet, setting your tea down and rushing towards him. 

Kaito slowly turned around towards you, a scared look on his face. You scooped him up, wrapping him in a hug. Kaito pressed his nose into your shoulder, holding onto your neck tightly. It’s a bit scary to see fire shoot out of your hands as a three-year-old. You stared at the ring of burnt grass, thinking back on the fire around his fingertips.

It wasn’t blue like his father’s, it was red like a campfire. A part of you was happy, he wouldn’t have to struggle to control a quirk as hot as his father’s. Another part of you was sad, you kinda liked the idea of your son growing up to be a hero and showing the world his blue flame was still hero material. Maybe Touya could find it out that way. You didn’t even know if Kaito wanted to be a hero. Maybe he’d do something simple. A third part was scared, fire is easily destructive. Kaito was new to it, he didn’t know how to control it. Your house could be in ashes in days. 

Touya would’ve been worried if he had been on the porch with you. Hellfire, like his father. Like the father he tried so hard to destroy and landed himself in the hospital and rehab. What made his father like that? A father like Enji fathering Enji? That’s how it works isn’t it, like passing sand from hands to hands, the trauma follows you in a terrible circle. 

Well, your son would have less sand, he’d love who he is. You pulled Kaito away from your neck, leaning your head back to get a full look at his face. His eyes were glistening and he was pressing his fist to his cheek. The image of him as a newborn in your arms passed over you. You wiped at the tears on his cheeks, kissing them afterward. 

“You got your quirk, Kaito. Isn’t that so exciting?” You said, smiling widely to settle his anxiety. Kaito pulled his hands from his face, looking at you confused. You bounced him on your hip and started spinning around, squealing about his quirk. You rested your hands on his back, dipping him down so he hung upside down just a little. You passed his head through the sprinkler, making him laugh loudly. You pulled him back up, dancing away from the sprinkler and the burnt grass. Kaito shook his wet white mop of hair out, drizzling you with water. 

Two and half years pass before Kaito starts school. He’s settled into the routine. He knows the time you give him breakfast, the time he gets dressed, the time he brushes his teeth, and the time you leave. Kaito would rather burn all his toys than be late for school. He’s made plenty of friends there. He’s already been invited to two birthday parties in the few months he’s been there. You wonder if daycare was that beneficial to him. 

Kaito walks his clean plate to the sink, standing on his tiptoes to gently set it in the bottom. You praise him before finishing your own. Kaito heads towards his room, ignoring your words entirely. Every morning he was on a mission to get to school at exactly the right time. Once he tried to get you to force him to go to school while he was sick. He whined about his perfect attendance before you told him he could watch TV. He dropped the subject after that. A knock sounds at your door. You look over your shoulder before concluding it was the mail. Sometimes they needed your signature. 

“Kaito, you better not forget your jacket! It's cold out!” You shouted so he could hear you through his door. You stared at his face peeking through his door as you swung open the front door. You pointed at him sternly, earning an eye roll. Damn you, Touya. You turned to face the mailman, face falling at the man in front of you. 

His hair had grown out and the dye had long been gone. Touya’s scars looked… healthier. Healed a little, paler and a little more moisturized. His staples were removed. You assumed they had been replaced with stitches that had healed over a million moons ago. Half his piercings were gone, a stud in his nose and two in each ear were all that he had left. Or at least was wearing today. His clothes were more put together, relaxed but not in the scrambled way they were a few years ago. Touya stood bolder now like he found something inside himself during rehab that made his chest puff out. His eyes were all the same. You thought if you ever saw him again, you'd only see Kaito in his eyes. You only saw Touya. 

“I finished rehab.” Touya finally said. Your silence stood in the air, like a confession of everything. You realized he could see into your home, slowly moving towards the door frame and holding the door tightly against you. Touya watched you with a look you'd only seen once before. In the middle of the night in your dimly lit living room, a movie in the background as the two of you kissed for the first time without sexual intent behind it. 

“Evidently. You look good by the way, rounded, healthy. Um, what exactly are you doing here, though?” You asked, leaning back inside to look at the clock. Three minutes before Kaito left his room. Five if he was having wardrobe malfunctions. You leaned forward again, pretending you weren't on a time crunch. 

“I know you sent me a letter. I know you said you didn't think I'd still care for you because you've changed so much but I think it's pretty obvious I've changed too. I just wanted to ask if you could give us a second shot we could try again as the new versions of ourselves. Every day I was in there I've been thinking about you. I haven't been able to-” You leaned back again, one minute, three with malfunctions. You put your attention back on Touya, nodding to signify him to continue. He paused, pulling his hand from his coat pocket. “-Am I interrupting something?” He asked. 

You froze, dragging your eyes away from the clock. You met Touya's eyes, staring at him with wide eyes. You weren't getting out of this, you wouldn't be able to. You sighed, pinching your brow. 

“No, I'm sorry Touya. It's very sweet and genuine of you to ask this but I really think there's just a big-” you waved your hands between the two of you. “-hurdle between us that we'd have to get through. I just think you should find someone else to love and cherish or whatever it is people say.” You threw your hands down, looking at his face again. He looked cold, he looked like the man who would show up at your door almost six years ago with blood staining his clothes. Touya shook his head, a new look meeting his features. He furrowed his brows. He stared at the step in front of him. 

“I just don't understand. I feel like this came out of nowhere before the letters, everything was fine, and then all of a sudden you were too different-” Touya said. Your heart dropped to your stomach when you heard Kaito’s door open. 

“Rena! Can you help me button my pants? The button is hard.” You could hear the pout in Kaito's voice. It reached Touya’s ears. You know it did. He froze, eyes glued to the ground. You didn’t bother trying to hide the wreck of a child’s home behind you anymore. The cat was out of the bag. You kicked the front door back, revealing all the toys and children’s books thrown across your living room. Kaito ran up to you, holding his pants up with both hands. You squatted down, pulling his pants together. As you slipped the button through the hole, Kaito greeted Touya. 

“Hi! I’m Kaito. Do you have a quirk?” Ever the extrovert, Kaito wanted to be friends with everyone he met. You zipped Kaito’s pants up. You turned back, pulling his sneakers from the shoe rack. You might as well while you’re already on the floor. You glanced up at Touya to see him staring open-mouthed at Kaito. Kaito was unaccustomed with this reaction, gripping onto your shoulder. 

“Touya. My son asked you a question.” You said, pulling Touya from the depths of his mind. Touya dropped down to his knees, getting on eye level with Kaito. You pulled Kaito’s sneakers on, tying the laces and pulling over the Velcro strap. Usually, he put his own shoes on but with the new friend, you thought you should do it. 

“Hi. My name is Touya. Yes, I do have a quirk.” Touya responded slowly. Kaito was his, there was no way Touya hadn't realized that. It wasn’t frequent that you ran into someone with those eyes, that hair, and that smile.

You looked at Touya as you pulled Kaito’s other shoe on. Touya moved his focus from Kaito to you. His mouth was still a little agape, staring at Kaito with eyes that only you could understand. Kaito squealed, he loved showing off his quirk. You pulled back, leaning away from him, watching his hands. A whoosh came with the balls of fire enveloping his hands. Sparks flew around the edges. He grinned down at his ablaze hands like a crazy person. You smiled at his excitement, looking over to Touya. He stared at Kaito’s hands, face unreadable. 

“Okay, Kaito. That’s enough. No quirk in the house, you know that.” You said, wafting his hands with air. It never put the flame out but it made Kaito laugh. He put his fire down, a few disgruntled sparks flying after. After an unfortunate incident involving your arm and his quirk, you both learned that Kaito needed a few minutes to cool off before he touched something again. The scar was still on your upper arm, a tiny handprint the size of a three-year-old. You didn’t mind it as much as you thought it would. It only reminded you of your son. 

“Hands up.” Kaito held his arms above his head as you pulled on his laces. You looked at Touya as you tied them. Touya leaned forward and held his hand up, all fingers down except for his pinkie. Almost like a pinkie promise. You and Kaito both stared at his hand as his pinkie caught aflame. It looked like a little blue birthday candle. Kaito’s eyes lit up like his hands, a giant grin pulling at his cherub cheeks.

”Woah! Do you have fire too? It’s blue! That’s so cool!” Kaito said, his little hand reaching out for Touya’s. Touya and you both moved faster than light. Touya shot his hand away, the fire extinguishing, and his arm held far away from curious hands. You pushed Kaito’s hand away, sending it back to his side. Kaito looked confused, facing you. 

“His fire is very very hot, Kaito. It’ll hurt if you touch it.” You explained, pulling the Velcro strap of his shoe over the top of his foot. Kaito hummed, fiddling with his hands over his stomach. You stood up, Touya following. Kaito looked over your shoulder at the clock and then down at the graph you had under it with a picture of the hands and what step in your routine it meant. Kaito gasped, rushing away from you for his bedroom. You smiled awkwardly towards Touya. 

“Is he mine?” Touya whispered, his tone unsure if he was ready for the answer. You watched Kaito pull his jacket on before slinging his backpack on. His coat was just a little too big for him. It kissed the tips of his knees and every time you saw it you thought of Touya and his jacket hanging on your coat rack. 

“Yeah, he's yours.” you wanted it to come out with strong conviction.

‘Yes, Touya he's yours what are you going to do about it.’

‘No Touya he's mine but he's genetically related to you, yes.’

‘What do you want from this information, Touya'?

‘Get off my property Touya. Kaito isn't your problem’

All those months you spent planning how you'd beat him to pulp when you finally saw him again fell apart the second you looked into his eyes. Maybe that was Kaito's effect on you or maybe it was just the effect Touya always had on you. 

Touya nodded like he was accepting his fate, watching Kaito run up to you with your shoes. Usually, you didn't have your baby daddy standing on your front porch and you could get your own shoes. You pulled your shoes on quickly, keeping an eye on Kaito as he ran out the door towards the car. 

“Why didn't you tell me?” Touya asked, following after you as you locked your door and joined Kaito at the side of the car. 

“Not right now, I have to get Kaito to school so he can keep his perfect attendance.” You said, reaching over to pinch Kaito's cheek. He groaned and pushed you away, throwing his backpack into the backseat. Kaito pulled himself into his booster seat and buckled his seatbelt. You smiled at him, pecking his cheek and muttering praises to him.

Touya stood behind you, watching the whole ordeal and wishing he hadn't lost the first five years of his son's life. He didn't get to watch Kaito grow from a carrier that locked into the base to a car seat with a back to a booster seat. He didn't even know Kaito's favorite color. He didn't know anything about him. So with all that stirring in his mind, he whispered the one full sentence he could piece together. 

“Can I come too?” You pulled away from Kaito, looking back at Touya. He looked scolded. His shoulders were slumped and he was clasping his hands together at his stomach. He stared at you with wide eyes. You remembered when you grounded Kaito for trying to sneak out of the house at night. He wanted to go to the park, you had to explain that the park was something you visited during the day. He was sad at being grounded. 

“Yes! Rena, can he come? He can tell me at his fire! And his scars, they're so cool!” Kaito kicked his feet, thumping them against the back of the passenger seat. Your heart stalled at the mention of Touya's scars. 

“Kaito. Don't say-” you scolded only to pause when a warm hand rested on your shoulder. You had forgotten how warm Touya was. You missed not needing to pull your space heater from storage. You stared at Touya, eyes wild with concern. He shook his head, lips pressed in a tight line. 

“It's fine.” He muttered. You looked back over to Kaito who looked more than joyous to bring his new friend to school. You sighed, shrugging and moving for the front seat. 

“Get in.” You said, sliding into the driver's side. Touya quickly shut Kaito's door and slid in on the other side of the back seat. 

The entire drive you felt strange. You didn't like having your back to their interaction. A part of you worried Touya was teaching Kaito how to roll a blunt. Or maybe how to set your fire in your sleep. Maybe he was still bitter from the letter and all this was an act. 

The moment Kaito laughed so hard he started wheezing you took back all the negative thoughts you had about Touya. Kaito leaned over into Touya's lap, patting his leg as he wheezed. Touya chuckled with him, a relaxed smile on his face. He gently patted Kaito's back, turning his pat into a rub. Kaito sucked in a gasp of air before it quickly danced behind his teeth and transformed into another laugh. Touya panicked, a new worry that he was doing this all wrong, already turning into his father. His eyes shot to yours in the rearview mirror. You didn't catch them, focused on the road. He saw your smile and small laugh and felt his shoulders relax. 

Kaito had a hard time saying goodbye to his new friend in the school parking lot. Kaito complained and quickly latched onto Touya's arm, pressing his cheek into his scarred flesh. Touya patted his mop of white hair and wished him a good day. Kaito seemed to accept that, launching himself into the front seat to hug you goodbye with his arms around your neck. Kaito glanced over at the clock on the screen in the center of the dashboard. He muttered something and rushed out of the car, jogging towards the crosswalk. You and Touya watched as he was walked to the door by one of his teachers. 

You both sat in silence and stare at the door even after Kaito is long gone. Touya left the back seat and plopped himself into the passenger side next to you. You wanted to pull yourself out of your head and face him, but your eyes were glued to the door. 

It's been a long time since he was a baby. The first few months were hell on Earth. Everything sent you into an anxious spiral, his breaths were one second too long apart. You worried he was getting too much tummy time. You worried he wasn't getting enough tummy time. You worried about his diet. You worried about the sound of his cries. You worried about his number of cries. You worried about the cradle cap. You worried about SIDs. You worried sick over your son. 

To make matters worse, you worried sick over his father. The first year and then some you wracked your brain thinking about him. Where was he? What was he doing? How was he feeling? What state was his body in? Could he still feel? What was he feeling about you? Had he already moved on, found a cute doctor, or something? Was he too far gone and close to death that he didn't even have the time to consider things like that? Why hadn't he said something to you yet? Would he even like you still? Would he even like your son? Would he even want to know if he has a son or would ignorance be bliss for him?

By the time you had finally settled your anxieties over your son's father, Kaito taking up all your capacity for worries, his letter arrived at your door.

You stared at the door to his school, the brightly painted sidewalk making you feel warm. Touya was next to you now, staring at the same school. You knew where he was, what he looked like, the state of his body, his thoughts on you, and what he was doing. You could hear his breathing in your silent car. You knew it all and yet, you still worried for him. You wanted him to touch you again. His hand on your shoulder sparked something that went dormant after five years. 

“He is so…” Touya's voice fell like he wasn't sure the word to choose. You knew how the man from five years ago would respond. 

Annoying. 

Gross. 

Snotty. 

Clingy. 

Sticky. 

Have you had him tested yet? for anything because that child is just- 

“beautiful.” Touya finished. You felt the air in your car slip out the window. You dragged your eyes from the school door, looking at him. He wasn't looking at you, staring at the school. You furrowed your eyebrows. That word you had not expected at all. You thought you'd have to drive Touya home in silence and fully cut contact this time. 

“What?” you said, staring at the side of his face. Touya looked at you, finally meeting your eyes. Your shoulders sank. He unfortunately always had this affect on you. 

“Your son is so beautiful. He’s just like you. I look at him and all I see is you. Kaito is just…” His eyes traveled back to the door Kaito had disappeared through. You wouldn't see him again for a good six hours. 

“I can't explain it but he's just so perfect. I just don't understand how such a sweet person could have anything to do with me. Which is how I felt about you all those years ago. He is a carbon copy of you, you know that?” Touya said, a small smile playing on his lips. He sighed and stared at you, watching your face. 

“He is beautiful.” You paused, keeping your eyes on Touya. You stared at Kaito some nights when he was asleep in your bed from a nightmare and only saw a chubbier and less scarred version of Touya's face staring at you. 

“He looks like you,” you muttered, starting your car again. Touya sat back in the passenger seat, pulling the seat belt down.

“I have photo albums at home. Would you like to see?” you asked as you pulled out the school driveway back towards your home. Touya rubbed at his face. He quickly nodded. 

“Yes, I would,” Touya whispered, looking out the window. 

part two

[nhtmcat]

Benedict Cumberbatch talks about Sherlock and Martin Freeman

Interviewer: Sherlock, anyone knows Sherlock? Obviously, it has been wonderful, but you had said that being in Sherlock that was magic. Why do you think that?

BC: Um… It was a lot of things. It was Martin. It was a modern era take on it. It was Steven… first of all, Steven Moffat and Mark Gatiss took something they were obsessive fanboys over with total respect, and they crafted a modern version of it with huge (amount) details, hugely rewarding loyalty towards the original stories, but with a very witty plot twist. And I think it was also, you know, it was the dawn of Twitter, and this guy was on the internet, and John Watson was blogging. And I think there was a synchronicity where television became, you know, it was pre streaming. It was sort of a water-cooler moment made digital. And I think that's why it went global. And I, I don't know, maybe it was the part that had just been waiting for me at the right time as well. I just loved it. It was just a heck of a thing. And again, the mental geek a bit. He had to be in the digital space the equivalent of the computers. He had to have an AI speed so that he was speaking as fast as most people think, but very quickly. And that was an acting challenge, and also to some extent having him work on this character, how that fits in society now, where you have asexuals, autists, whatever those, you know, you know, whatever theories of those kinds of wonderful superpowers are, you know. And I think that spoke to a lot of people, that he had a superpower. And socially incredible also such a lot of people take pleasure of other people being vicariously rude or straight, or direct.

Interviewer: No filters for him.

BC: Yeah, no filters for Sherlock. And I think that is a part of his appealing. He's brilliant. Brilliant, brilliant, brilliant, brilliant mind.

Interviewer: What was the first time you walk around the street without being unnoticed?

BC: Oh, you know, it was a particular type of hair, which I don't normally have. You know, I have dark hair and I don't usually have it that long. When I just stepped out of some, you know, pre-production, it literally was that I'd go to the hairdressers and come out, dyed and with the shade, and people literally crack it and sort of, oh, Sherlock! It’s him. It was the first time. And I remember when we were making it, Martin was already very famous from the Office. And when we kind of spent time with each other, started all sorts of, you know, people would sort of go, oh, this is Tim Canterbury! ‘Yeah, yeah, I mean, he's being younger than me, doesn't he? Yeah, yeah…’ He just joked about it.

Interviewer: He's such a fun and nice guy.

BC: Yeah, he's great. He's very funny. One of the funniest human beings I've ever met. And just so inventive and brilliant. And he filled that role with so much nuances and care. He's a precision artist, he's technically brilliant, but he's also a musician I mean, he's got jazz in there as well as every other kind of music. He's wonderful to work with, and like I said, I think that was very early in my answer, that was a huge part of it - that chemistry - that I liked to be there really well.

Red Sea International Film Festival, Q&A, 10 December 2024

[cripplecharacters]

Hello! Hi. Hope you guys are doing well. I wanted to ask about referring (pretty blatantly) to autistic characters before autism was a formal diagnosis. One of my characters is nonverbal and autistic and communicates primarily using a notepad (in the Victorian era). Her family (positively coded characters) doesn’t really care or like think negatively of her for being autistic, but they still recognize that she’s not neurotypical, however other characters who appear (not the villains necessarily but negatively coded characters) do care that she’s “abnormal”. Are there any words that really shouldn’t be used to describe her (I have been using ‘odd’ by both groups of characters) or that only one group should use (for example having the ‘mean’ characters use ‘abnormal’ but the ‘nice’ ones use ‘odd’) so I can clearly specify that she is autistic and that it’s not a big deal, while also making sure that the characters who think negatively are portrayed in a negative light (even though they’re not the main villains). While still, not offending anyone or accidentally referring to the character in a pejorative light.

Hi asker,

I'm including some extra context, not just for you the writer, about the Victorian era but also to anyone else reading this ask to learn a little more and maybe be able to apply information to their own characters as well.

The Victorian era is used to refer to the period roughly from 1820 to 1910 in the UK, and often the use of this word for the time is extended to the US as well. Sometimes people use it for other places in Europe, even though Queen Victoria herself only ruled the UK and from 1837 until 1901.

Your character might have been described as 'dumb' or 'mute,' at the time, since she does not speak; for both clarity and reason's sake I would avoid using 'dumb' and only use 'mute' instead. 'Dumb' is, these days, only used as an insult.

Other words people might use for her in the time to denote her as being 'strange' but not necessarily negative might have been (aside from 'strange' and 'odd' that you've already stated): peculiar, eccentric, or unusual. They might use 'queer' as well, as in behaving outside of the norm and not as in gay; that meaning was more by the 1920s.

'Weird' as in "off-puttingly strange" is a more modern word, but it started in the 1820s, so people could conceivably call her weird, especially if they mean to speak ill of her. 'Bizarre' might work, but earlier or in its usage it also had a connotation of unpredictability, too. These two would probably not be used by her family or those who think highly of her, but might be used by people who are fairly neutral on her.

A note on 'moron' and 'imbecile,' which were diagnoses in the early 19th century of intellectual disability but also applied to other people they didn't know how to categorize and could include autistic people: they are definitely used as insults now and were definitely used as insults then when they were diagnoses, but they wouldn't be used on your character because they were not used in that way until the 1910s and 1920s. 'Idiot' is an older word, but it usually was used to refer to people who had more severe intellectual disability; I don't think this would be used for your character much, nor would I recommend it. I don't think it would work to convey what you want the readers to get out of it. Not to mention, it's still very much an insult today.

Now, there's two people from a bit earlier in history who might have been diagnosed as autistic today: Henry Cavendish and Hugh Blair of Borgue. (Obviously we can't know for sure, they've been dead for 200+ years.)

Hugh Blair (wikipedia link) lived from 1708 to 1765. He was described as 'eccentric' and 'daft,' and his behaviors as 'unusual.' He was nicknamed "the daft lad of Borgue." He engaged in a lot of repetitive behaviors, seemed unaware of social norms, and had very strong interests. It's noted that despite being seen as strange, he was generally well-liked.

Henry Cavendish (wikipedia link) lived from 1731 to 1810, so a bit closer to the Victorian era. He was a scientist, a very wealthy man, and notably very shy. He was close basically only to his family, was very solitary, had trouble speaking to others and was noted as wearing old-fashioned clothes. Since he was so solitary, he had trouble publishing his findings, even though he put a lot of work into them. It seems people referred to him as 'solitary' and 'eccentric.'

Some people suggest Emily Dickinson (wikipedia link), who lived from 1830 to 1886, might have been autistic. I am less familiar with her than the above two, but am including her because she is directly in your time period so the way people in her lifetime described her can be relevant. She was very socially isolated, although she was also very affected by deaths around her during her life, and later often ill, which can also be reasons for isolation. She mostly communicated with others via letters in her adulthood. She was seen as an 'eccentric' by others.

I will note that all three of those people were wealthy, so their eccentricities were more tolerated by those around them. A poor person might not have been afforded that second thought.

Now that I've said... all that, I will add my final note:

I think more important than the words themselves is how other characters use the words to describe her.

"Elizabeth is such an odd woman, I should like to write to her and see what she thinks about this" is very different from "Elizabeth is such an odd woman, I can't stand to be around her when she's doing that!" So is "My cousin is a bit peculiar, she does not speak but she can understand you just fine; if you can be patient she will write out her answers" versus "My cousin is incredibly peculiar, she doesn't even speak for goodness's sake! Can you believe it? It's ridiculous."

The way your characters speak about her will not be entirely dependent on the specific words the use, but also in the way they describe her and refer to her. Especially in a time where many things are referred to with euphemisms or vague words (which 'odd' and 'strange' and 'peculiar' definitely are or can be), which the Victorian era absolutely was, both groups of characters can use the same words but their intent can come across due to what else they say about her.

Sorry this is super long, but I hope it helps!

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