i Will say it's kind of wild that people are so willing to accept marcille + laios's flaws and understand that they're complicated and nuanced characters while kabru and ESPECIALLY toshiro are torn down and hated for.... being complicated and nuanced. wonder why that is 🤔🤔🤔
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every member of the smith/sanchez family is autistic and queer. see my vision
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ah yes dungeon meshi, the manga where an autistic man gets repeatedly bullied by people he thinks are his friends and not a single person supports him
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every mob psycho character is autistic for two reasons. one they display autistic behaviors (mob not understanding social cues) and two they all revolve around the show's main theme of connections to other people and, for lack of a better word, masking (mob suppressing his powers and everything that came from that). you can follow this logic for literally every character btw
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Carl Gallagher is autistic. It all makes sense to me
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take 4: the tension (gulf spanned with incomplete, continuously crumbling bridges) between the perspective of oneself as the Deservingly Epic Winner Protagonist Person who dares to be Out Of Line versus the need to actually completely stay in line within this b/c it hinges on being in harmony with the preexisting hierarchies which will supposedly reward the "merit" of this Actor. while everyone whose existence is Inferior, according to the hierarchies, is defined by being Out Of Line, which these same people resent & respond to, also Staying In Line with the hierarchy, by trying to reinforce the dynamics of these inferior / superior groupings. "everything pathologized about the inferior groups / rejected as what's Wrong with their existence so as to "cause" these dynamics is "take 4" b/c this is from me trying to write about winston quant kid 2 billions like holy shit a series operating on this logic huh, giving this unvarnished expression of this perspective b/c it's assuming (& requiring...) we all have it. winston is constantly responded to as Guy Who's Out Of Line. the "superior" parties who hate him & get to have him as their punching bag / hit with the butt of the joke / at least ignored & excluded, but taken advantage of, but who all have to Stay In Line, how's that going for them even when it comes to the writing, where characters can't do anything if it's too disruptive of the In Universe hierarchy, unless it's a finale zone for a permissable shakeup, where ppl insulating/supporting each other being a bit Out Of Line is not a problem b/c they individually recognize each other's transcendently True worthiness in thee objective hierarchy we all assume exists, but definitely can never disrupt the out of universe hierarchy, e.g. the show decides wendy is the true hero, b/c she deserves to be. taylor has to hire back dollar bill & stand back while wags & wendy take the lead & the spotlight & hate the autistic guy they hired & show up so the Winner, who was written into the show with nothing to do but tell taylor they're not quite as good as wendy & then provide a vagina amidst otherwise being an Everyemployee who fails to even differentiate from an Axe Cap style everyemployee, can announce their winningness detached from anything that actually happened ever.
counterpart to winston's departure needing an audience of people to stand there & stay in line, which on that side of the same coin meant punishing his Out Of Lineness that doesn't even act like anyone bothered to think of [this is one particular preexisting guy. you thought he liked scifi once before you lost interest in even suggesting he has interests, though, will roland likes scifi, will roland wore his own open buttonup as quant kid 2 that'd define the Look, will roland happened to have the facial hair just kept for production b/c who would care, will roland brought the entire je ne sais quoi acting interpretation that made quant kid 2 go from "out of line guy we kill once" to "out of line guy we keep around to kill all thee time until finale 'haha but seriously though' material means pushing him out of the way in s6 & then s7 alike" like hmm] like everyone just spitballed "annoying things! cringe loser things! things that would never happen to me, a deserving winner!!" & put it in as easter eggs as though that would even make sense, much less [you have no other priority?] but like. rian's sendoff didn't do any better for acting like she's a specific character who's said & done things we're meant to remember & have thought about then & now. taylor didn't get to have resolution with philip. they Had to have resolution with wendy that, again, has nothing to do with any/everything prior, except perhaps to contradict it. this is what anyone got for Staying In Line like superior winners. the autistic [annoying arrogant inferior undeserving etc] Out Of Lineness that would be so supposedly admired instead seen as pure Other shit that's projected upon ppl so as to Reject it thusly. couldn't be me!! i'm a winner who will always have Superior ranking in the hierarchy & treated accordingly!!! i Must be!!!! like i must Kill people who seem to be disrupting this, even by acting like a person who assumes they're equal to me despite being Different. there all along like wow winston existing Out Of Line is so powerful. he can harmonize with & support taylor so well b/c they're introduced as being so Out Of Line, up to the inevitable point of breaking out & starting their own thing entirely!!! but while it's like, okay yeah, you Have to reel them back in by thwarting them b/c otherwise they break so far from central men's orbit they exit the series or you have to put Them at the center (imagine...) (plus! the role winston plays in them getting as close to this as they ever can be!) but then in the end taylor's just shortchanged b/c when it comes time to take down a central man as thee main thing all season, series finale style, they should be knocking it out in a few episodes with sacker & philip. instead we focus on wendy given the helm & fucking around all season. after disposing of winston b/c who even needs him for anything, this is Stay In Line times, and to do that we can do nothing w/autistic people but hate them & punish them for being undeserving. but don't worry b/c he doesn't get to be so Out Of Line as to easily cause problems for them & thwart them, b/c he just doesn't. taylor waits around on wendy & tells her she's the best b/c they just do. we are all in line on all of this ourselves so whew, there's no Disruption to notice if that key Alignment is maintained. rian was never holding herself Above winston if we just really tentatively suggest she doesn't think that she was, while letting every double standard at play be acted out. rian being "out of line" was that she wasn't being aggressive enough about any of her Superiority, b/c if you didn't leave bruising then nothing was That Bad; cue the assaults and boundary violations Reserved for the inferior losers as fun times & nothing anyone is beholden to with Consequences, we don't even make the viewer stick with the consequences of how it affects the target a second too long, lest you start to think it's Drama & not Jokes.
anyways it's all about the [categorization as inferior Other based on an assumed Hierarchy = inherently defined as Out Of Line] all "why get a formal diagnosis from a professional who doesn't know what to look for when at age 5 my peers went 'something's wrong with this one' & acted 'accordingly'" like even when people "know" what's Wrong with someone to make them the odd one out / "incompatible" w/what makes others exist Right, it's time to interpret everything else about them as "backing that up" no matter what, certainly no matter if it involves theoretically Valued concepts, b/c it's all first & foremost Staying In Line with the hierarchy, where the correct way to do things is: if you Can push someone else into greater vulnerability while you're established as Insulated, you Do. tl;dr winston inherently continuously Out Of Line; being "superior" requires an ultimate (&/or also quite Immediate. especially when it comes to "simple" matters already "correctly" arranged in the supposed Objective Hierarchy, like: winston's "objectively" inferiority (autistic swag)) Staying In Line. and what comes of it. all the most engaging & complex shit when people get to not actually stay in line. the power of it if taylor & tmc & allies didn't have to ultimately be shoved into Staying In Line even when it means wendy is the best & oh who cares about taylor & philip when wags is around etc etc. if winston being someone Out Of Line was seen as relevant & not an easy nonstop joke. while a quant who is so In Line as to correctly personally abuse him even more than others are doing is so ""out of line"" as to decide she's already gotten everything she wants & may as well live the dream now, b/c she's not an aggressive man, one has to suppose, same diff as wendy getting to believe she's Better than everyone & is nobly in charge of orchestrating their fates when she Means & Knows so well, & is somehow pitted against prince being this same figure but without having to confront that fact. he's mean! or whatever. he's talking about killing people & wendy isn't so that sorts it out forever. "abuse your local autists; it's funny & their fault & consequenceless b/c they're not real people" is also harmonious with all our ideas. edgy rulebreaking bold independent Out of Line heroes completely in accord w/the established hierarchies. & those whose existence threatening peership disrupts it who are written off losers who could never upend those heroes' goings on. everyone Actually being peers is unimagineable, not as a figure of speech. we do not imagine it, what are you even talking about. now for the Merited Hierarchy to be acted out as arranged, which is fun, god i wish that were me. Independent Agents ascending it only!! & people who Cheat to get in like loser nerds w/their math, b/c they can't Deserve it. now to keep insisting that everyone else could just be On My Level if they tried, while also responding violently if it seems like weirdos / ppl who aren't Supposed to be here are infringing on my level (the only violence is physical strikes that made contact, & perhaps killed you)
anyways just another installment of [fake fans haunted by billions, & other things which are in real life, such as the fictional series billions] musings i have to excise at all b/c [this was take 4]. winston Out Of Line. superior correct winners who have to Stay In Line at related great costs despite the supposed associated wins of that. his autistic swag. knowing ppl Are different autism style b/c they're "out of line." encountering irl autistic people without realizing it & repeatedly writing "this nerd guy is just So annoying ugh!! he's just like weird & doing everything wrong for no reason & won't just Be Normal or Shut Up & Go Away!! but at least his intractible arrogant cluelessness also means we have fun punishing & taking advantage of him" Type butt of jokes into things. those cringe loser Insistently Annoying Weirdo nerds who we all find insufferable & punish, we all know them, inherent Inferior Other Out Of Line that they are. now it's a Guy we all hate & enjoy seeing suffer & Understand as a less deserving less [person] just dropped into the periphery of this fiction. he will easily be thwarted from an alliance with the [person designed to be Out of Line in a way that Is considered Legitimate] that would let them shatter the limits of the series in 5 sec which we're also holding them back by the scruff of the neck to prevent anyways while pushing forward ppl supposed to be even More correct b/c uh um they're a little more Normal, & perhaps even Women, who are innately more caring & gentle. there they go hurting those around them as much as they can, with nothing stopping them at all, but they're using their inside voices & not issuing physical threats so that's what i'm talking about. that is heroic, vs the villainous efforts to navigate life as though everyone will respect them as a fellow person which Autists egregiously pull, to which you can do anything you want to Reject this. maybe even decide you wanna personally use them. isn't that nice of you. no, we don't know what to do with the "this guy won't stop acting like he gets to think he's a person" but eventually send him away after the dozen trampled boundaries to punish him for fun b/c what else was the point of him? anyways don't worry i saw the autistic swag. the nonbinary swag it didn't even know was there. the nonbinary swag it knew was there but held back by the scruff of the neck b/c all billions' most engaging, potential filled characters are the ones Held Back b/c they're threatening too much [out of line] / their out of Lineness must be contained; vs everyone perfectly in line who keeps being pushed in front of them no matter what b/c uhhh.
let's go Out of Line gang. continual inevitable Disruption of the norm(tm). like even just standing there vs "oh immediately i fucking Hate this guy." billions where anyone considers winston for 5 sec would also shatter apart. taylor would be too powerful even more than they already are if they didn't have to stay wendy's sidekick no matter what. rian who didn't have to come back from the hiatus even more "right" than they presumably intended her to always be (bound to thee hierachy / actually always Staying In Line. if she's out of it, psych, actually that was just a correction of the "objective" hierarchal order waiting to reconfigure itself around the situation). standing around waiting like okay but the payoff that Could happen....okay still time though lol....well here we are
the fundamentalness of the Out Of Lineness. quantessential....send post
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honestly i don’t really think any mental illnesses have been like “destigmatized”- not fully at least. i think the stigma has just changed from demonization to “that’s not a real problem get over it god”
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i wish there was a way for me to likeee. semi change this one thingin this one mod. but 1 im not a modder 2 i feel like thats disrespectful. i just want sort of an inbetween between the game and this mod but that is not a thing that exist... sigh
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Congrats on the systemification
*another one bites the dust plays /silly*
Thanks 👍
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heeehee i like my classmates
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Queer secondary adolescence and Stolas
(I keep forgetting to put this up here)
Ok, so Stolas being teen dad is one of the reasons I get annoyed when people say he's too horny with Blitz. Or that his relationship is too dramatic and teenager-y.
He's a queer guy who never got to be a teenager, didn't get to have a first boyfriend, or explore who he was. Or do any of the normal stuff most straight teenagers get to do.
His family stuffed him in the closet, forced him to have child, and gave him an abusive wife as jailer.
(He around 36, with a 17 year old daughter. 36−17=19 when Octavia was born. Likely married at 18).
He's got some chatting up to do.
Up till now his whole life's been about Via, and mitigating Stella's abuse to hid it from Via.
That's left him barely hanging on, taking an increasing amount of antidepressants; and singing lullabies about not being sure he'll make it till Via's grown up.... 🙁
There's this thing called second adolescence that alot of queer people experience, when they come out later in life.
It happens when they're weren't allowed to do normal teenage things at the right age. So things like having crushes, go on first dates, have extremely anxious dramatic relationships. As well just be a normal horny teenager.
Stolas got to do none of that. So he's doing it now.
He's also pretty obviously an autistic guy (separate post ), who didn't get well socialized as a child.
Blitz appears to have been his first and only really friend.
Stolas is not great at social cues. (He's so happy to be able to help with his special interest, but does realise his tone is upsetting Ozzie).
Even with Via he struggles to understand her. She needs to tell her dad flat out what she needs.
When she tries to be subtle, and snark he assumes it's just her being a moody teen. And that she'll enjoy loo loo land when she loosen up a bit.
Because of this lack Stolas mostly fills in gaps in his social experience with masking.
Such copying Gabriel hairstyle from helluva novella to get ready for his first ever date.
Following Blitz's lead of what to do in an uncomfortable situation.
And trying to match the energy of how Blitz first came on to him.
(He's definitely getting better at it from Blitz reaction).
There's also an idea in CBT called reparenting your inner child. Which about giving yourself some the support, and experiences you missed out on because of abuse.
Stolas needs to go through his secondary adolescence as part of his recovery from his abuse.
So let Stolas be a little horny weirdo. 😛
PS this one will brake you heart. Stolas is standing fully in both these pictures.
You can see how much he's grown by her light switch.
Kid hasn't even reached his full adult height yet when he had to have a kid.
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My shout-out to queer youtubers
Hbombs list was great but obviously not comprehensive. I watch a lot of video essayists and wanted to give a little love to the smaller channels that fall under the radar. Please feel free to add to this list!
let's talk about stuff/Sarah Zedig
If you've seen Jesse Gender's videos on the Matrix movies you may already be familiar with Sarah. She does excellent film and culture analysis with a lot of great conversations on paratext and outside influence in engaging with text. Her video on Tunic is one of my favorites.
Pamphleteer
No one makes videos like hers, which has the side effect making them a bit hard to describe. I will link one of my favorites which describes the disconnected temporality of being older when you discover you're queer.
Turbo Queer
Really really under watched channel. Skylar covers a lot of topics from video games, to anarchist history and modern events, to autistic life, to current politics. For a fun one check out her video on the SpongeBob strike episode.
Kaz Rowe
Kaz does a fantastic job examining modern myths and manufactured history primarily pertaining to western Europe, Victorian & Edwardian England, and 1800-1900s US. And of course, talking about historical queerness in all its ambiguities and evolutions. I highly recommend their video on Weimar Germany.
drapetomania
drapetomania interrogates the politics of low class and high class art and entertainment from a queer and Black perspective. Their art history videos alone cover many angles of white supremacist history I haven't seen anyone else discuss and I'm very excited to see more from them. They are also a very under viewed channel that more people should see!
I am error
Evelynn's channel primarily discusses video games in a presentation style and voice most similar to Action Button reviews. There's something just a bit more personal here though. I hesitate to say cozy since that word has a bit of an infantilizing connotation, maybe comforting is closer. She puts an immense amount of thought and empathy into the experience of playing video games and the personal narratives we build with them.
Swolesome
For more transmasc perspectives there's Swolesome. He has a lot of interesting insights into the more traditionally masculine and "broish" communities like fitness as well as commentary on recent trans issues.
Shonalika
Music, disability, and aggressively non-binary. Their video on gender presentation in heavy metal was really insightful. I would also check out the video "Why I Wear Gloves" for more insight on invisible disabilities.
Vivian Strange
Vivian delights in being a bit of a contrarian- something I really appreciate. She's probably going to challenge you and you're probably going to disagree at times, which is what makes her channel so important. Her video on Marquis De Sade is powerful and a must watch (if you can stomach the subject material, although I would encourage you to try). I haven't seen her most recent video on Saw yet but I am extremely excited to.
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we need to talk about how close aziraphale actually was to saying no to the metatron after the kiss and why:
he's extremely conflicted and keeps looking out of the window to crowley in the car.
he previously said "nothing last forever" when crowley told him that he cant leave the bookshop (crowley also meant "you cant leave me"; the bookshop is a metaphor for their lives on earth for him) and he states exactly this as the first objection here. obviously the metatron shuts it down by appointing muriel as the next owner of the shop.
now he's stuck between wanting to be with the being he loves & who he now knows loves him back and his deep inner need/duty to do good. crowley's confession and kiss clearly made him question his decision and change his mind because here is when he actually decides for both.
you can see how he does not want to join heaven alone. he keeps looking out the window when asked if he needs anything to take with him.
he desperately needs crowley there but he can not have him so he lies and says no.
i this moment he tries to say no to heaven one last time. he starts saying "i think i-" and then looks out to crowley one last time. he's really considering crowleys offer here. i think the decision that he makes instead is actually FOR crowley as well.
he decides to join heaven not as he was previously convinced by the metatron to do good and rule together with crowley (which he did not want to do) but instead to go and keep a close eye on heaven FOR crowley.
aziraphale isnt stupid, he remembers what crowley said about heaven being toxic.
i think the confession and kiss makes him question heaven. crowley, who fell for asking questions made aziraphale question heaven too. something that he was always too scared to do. he has started to rebel in his head. he realised that something has to be up with heaven/the metatron bc they offered him the position. he decided to go but with a completely different purpose than before.
he puts on a smile and it seems fake because it is. he wants to appear like he hasn't just fundamentally changed his position and decided to go against the one force who he was always afraid of yet dependent on.
this is sth extremely relatable to someone who is queer and autistic and was raised by very conservative family members. even the thought of supporting queer people felt rebellious, terrifying but also extremely exiting and powerful because i knew it was the right thing to believe.
aziraphale was being so brave here. he saw a glimpse of the life he wants and can have and choose to join heaven anyway to fight for this life. he is convinced it will not be possible for them to be together if heaven is still kicking about and making him feel powerless and scared. he wants to secure their future by changing or possibly even destroying the system from the inside out.
unfortunately he didn't have time to tell crowley about his change of intention and i think it really breaks his heart. crowley would probably not understand it anyway. they still have a lot to work through and learn but ultimately they will find each other again. they always do.
i am so so interested to see where and how they meet again in s3, if we get it. after everything i just really want them to be happy and to spend their eternity together. they deserve it after all they went through.
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Hell's royalty has a culture that enables Stella's abusive behavior.
Point 1: Keeping up appearances is valued above all else. And I specifically mean the appearance of things being the way they're supposed to be. Conformity basically.
Conformity in this culture seems to include a kind of stoic dignity ("you know excitement is unbecoming of a goetia"), an air of superiority ("don't bow to that one- he bows to us!"), and, of course, some good old fashioned toxic masculinity ("cease this bitch crying").
Individuals at the very top are not immune. Even though he gets past it, Asmodeus seems to spend a lot of time and effort on keeping his relationship with Fizz quiet in order to keep up the appearance of fulfilling his "lust" role.
Point 2: The members of the aristocracy who don't conform are seen as the problem, not the members who are being cruel.
Speaking of Ozzie, there's a chance he'll face real consequences for getting out of line . . . Mammon seems pretty confident about getting revenge. Also, if Ozzie had decided that his reputation was important enough to avoid stepping in to help his partner, well . . . I'm just saying. Cultures of conformity create bystanders who stand by and let abuse happen. So it's good that this guy has the courage (and a good heap of privilege and power) to enable him to step out. Yes, I realize that the crowd at Mammon's celebrated Ozzie and Fizz, but the crowd was distinctly NOT aristocratic.
Now look at Stella's party- this woman is not subtle about being cruel to her husband.
She calls the party a "Not Divorced" party. She openly talks negatively about Stolas in a blatant attempt to humiliate him. She's not trying to hide that she hates the man.
Because he's . . . an oddball. Gentle, not as polished as others in his social sphere, awkward and mostly friendless, probably autistic. And importantly, I think, not traditionally masculine.
So Stella has no need to hide that she treats him poorly. She's proud of it. And her social circle seems to support her in it, or at least, they don't push back. Because based on the aristocracy's unspoken (or if we look at Paimon, very much spoken) value system, Stolas's failure to fulfill all of his expected roles gracefully is worse than Stella's cruelty.
Point 3: Stolas's parenting, while much better than his own father's, still reflects this value system in some ways, and that's . . . complicated.
In some ways, Octavia is doing great. She has her own interests (music! gothy fashion!) that don't seem to be based on any role prescribed to her by others. She has a genuine bond with her dad that's based on care and not on molding her into some ideal princess.
But Stolas still puts on an facade in front of Via. We know that he pretended things were fine when they distinctly weren't for most of her childhood. We could argue endlessly about whether Stolas was right (as Georgia Dow explained in her video) or wrong to stop himself from explaining the situation with Stella to Via in Loo Loo Land, but honestly, the man could let his nearly grown up daughter know that abuse was happening without all out trauma dumping. It would enable her to make more informed decisions, and I think she would want to be able to do that.
Instead, Stolas keeps it to himself. Because he feels like Via SHOULD have this picture perfect childhood. Look at the pictures that are up in his palace. Look at his attempt to gloss over the fighting in the household by taking Via to an idealized childhood destination.
A part of him still thinks that good parenting is keeping up appearances, and that the ugly things are best kept hidden. Look at how hard he still tries to avoid crying in front of people. The values he was taught as a child are part of him.
And while it's not his fault (it's Stella's fault, obviously- these are HER actions), his inability to be open allows Stella and Andrealphus to scheme and (we'll see . . .) probably manipulate Via because of her lack of knowledge.
We're meant to see the moments where Stolas breaks expectations and behaves raw and even a little unhinged as triumphant. Sleeping with Blitz. That is the sound of a fucking divorce. Actually going through with the fucking divorce. Insisting on it. Appearances be damned.
And yeah, more of that please. Because if the people around Stella stop caring about aristocratic social trappings, all she'll have going for her is her shitty personality.
Thanks @akirathedramaqueen for inspiring this post with a conversation.
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The Assembly sees a cast of thirty-five interviewers who are autistic, neurodivergent or learning disabled, question an A-list celebrity for one extraordinary TV interview.
In this half-hour special, it's multi-award-winning actor and director, Michael Sheen, who is to face the grilling of a lifetime from the unique collective. No subject is out of bounds, no question is off the table.
On subjects as diverse as ex-girlfriends and on-screen kisses, to the OBE he gave back or his favourite motorway, how will the Good Omens star fare as The Assembly bring their unique approach to the celebrity interview?
The Assembly cast is a diverse cast ranging in age from eighteen to seventy-seven, amongst the group are musicians, artists, writers and students. Each will take their own approach in their attempt to get to the truth of Michael Sheen like nobody before has- whether that’s finding out his favourite sandwich filling or how he felt when his daughter was born.
The format is an adaptation of French show Les Rencontres Du Papotin, which saw the likes of Emmanuel Macron and Camille Cotin (Call My Agent) face the neurodivergent journalists of the Papotin. Gone was the flattery of the usual celeb fare – in its place, a mix of mischievous prodding, leftfield quizzing and profound exchanges. The superstars left completely off guard: actors asked about a driving ban or the death of a parent, the President asked if it’s really the behaviour of a role model to marry one’s teacher.
The show comes from Michelle Singer and Stu Richards' Rockerdale Studios, creators of mischievous content which seeks to put disabled agency at its heart. Stu is also known for co-creating and writing the BBC Three comedy, Jerk, and Rockerdale are most known for Channel 4’s Mission: Accessible.
Rockerdale Studios has worked closely with the BBC’s Creative Diversity Team, to ensure every element of the series works for and with autistic and neurodivergent voices.
The Assembly is a half-hour special to celebrate Autism Acceptance Week. Expect profound revelation, glorious chaos, and a lot of laughs.
The Assembly airs Friday 5 April, 10:40pm on BBC One and iPlayer
Interview with Michael Sheen
What made you say yes to being a part of The Assembly?
I said yes to being a part of The Assembly because it was just such an extraordinary and interesting idea. Then reading about the original French series, it just sounded so extraordinary, different and potentially a very revealing way to approach the tried and tested interview process, but obviously it is a lot more than just being an interview. The interview part of it is just one aspect of the project and I think there is still a lot of confusion, ignorance and fear around people with any kind of difference. I think being able to be involved in a project like this could maybe break down some of those barriers.
How is this different from any other TV show you’ve been a part of?
It’s very much unfiltered and that’s really exciting and quite nerve wracking for that reason! So much on TV is sort of smoothed out and filtered and made safe and this, certainly in the making of it, felt very not that! All the better and more refreshing for it too. I know a lot of work is put into the research and preparation for a show like this, but in terms of the actual questions being asked and the experience that you have in all being together when you’re filming, it feels very unpredictable in a really good way and really lead by the people taking part, which is terrific.
How did you feel going into filming?
Well I didn’t really have anything to go on, so I was excited. Sometimes when I’m going to be interviewed, I know what the interview is going to be about, I have a vague idea of the questions that will come up, I know the sort of things that I need to get across about what I’m there to talk about. But with this, I really had no idea what I was going to be asked, so I had to be prepared for everything and anything, there was a kind of freedom in that I suppose. Because of the unfiltered nature of what was going to happen and not being able to anticipate what might be asked, it was a little nerve wracking yes, but I was mainly just very excited!
Did your experience differ from what you were expecting and if so how?
Well I didn’t know what to expect really, so it’s not that it wasn’t what I was expecting because you can’t expect anything! There's no way you can expect anything because you just don’t know what’s going to happen, and because it is so unfiltered and unpredictable in terms of what might happen, where things might go, how people might be feeling on the day. For all the difficult questions that got asked at times, it just felt very loving and joyful and that everyone was very happy and excited to be there even though people were nervous or had anxiety at different times. There was a genuine feeling of community and I felt very welcomed into that community and ready to play so to speak, and you have to be ready to play. I felt very safe and looked after and it was just really, very funny as well – there was lots of laughter and wonderful things that people asked, responded to and performed, I mean I wasn’t expecting all of that, that was just wonderful! So many moments that I’ll never forget.
How does this compare to any other interview you’ve experienced?
It’s so unfiltered! The closest thing I can say is The One Show, where you go on to talk about one thing and then they ask you about everything else that’s going on on the show, so you get a question about your favourite bus route, then they ask you about otters! There’s an extraordinary pinball effect of questions and that’s the closest I could describe, but The Assembly is that x100. It really is extraordinary and that’s very unlike any other interview I’ve done really, usually everything is meant to follow on logically and have a kind of smoothness and polish to it, and this is just really raw and unfiltered and uncensored and I love that, I thought that was wonderful.
What can viewers expect from the show?
I imagine it will be very funny and I think quite moving. I was quite moved at times by seeing how much people had to struggle to overcome certain things they were dealing with in order to ask questions at times. That was uplifting. I think it will be different, it will be thought provoking I hope, and challenging in certain ways; challenging certain kinds of myths and stereotypes I think and ultimately just really entertaining and fun and joyful. I can’t really remember what I said, so I don’t know what people will learn about me... but it’s not about me, it’s about that fantastic group of people, but I certainly got a huge amount out of it too and I hope an audience will as well.
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being alive at the time i gleaned some general elements abt encanto but never actually heard we don't talk about bruno beyond awareness it existed popping off & i think i heard like the title recited off key off rhythm but in a way that indicates speak singing nonetheless lol so upon experiencing it it's like oh but it's the Verses? while the last refrain goes harder but prior to that it's comparatively underwhelming to said verses which feels appropriate like verses / pieces of a larger picture & that a "we don't talk about him" as a disappointing Lid on infinitely richer more characterful & dynamic "but: talking about him" instances. like well personally it'd be like um seven foot frame....anyway besides being able to firsthand go like oh damn Real (the kind of thing you know exists if alive at the time) it's like alright hang on lol. one thing when a core theme is yeah like "is it a refuge if 'especial' vulnerability ultimately gets pushed out rather than made safer" subset like the parties whose even observation of truths (problems) & drawing attention to them is seen as Ruining Things, like if you're painted as Making futures that aren't simply what's desired or reassuring rather than a guidance via just observing & sharing the truth. but then it's like whaddaya mean living in fear of bruno stuttering and stumbling you could always hear him sort of muttering and mumbling lmao like now that's just Association between the Truth Perceiving & Telling behavior & behavior that's just apparently distinctive of the same person. & like Not Accidentally when [what if people were magic] specifics are obviously primarily abt a metaphorical meaning & like, indeed it was made clear like oh this situation isn't Just b/c [boo we hate your prophecies] & that [an Ability that isn't directed towards what anyone Wants / is "weird" even by these magic standards] isn't Coincidentally given to someone who just so happens to already be "weird" in other ways & be set up to have a different perspective & be pushed away due to having the supposed "extra" vulnerability of unmet needs / insufficient support, same as someone who doesn't "correctly" have any kind of magic ability....like yeah banger and also like Oh Yeah Kind Of Devastating re: that metaphorical resonance allowing for like [set the metaphor aside] now hang on with this about this disabled family member lol. misinterpretation to The Ruinerrr / The Problemmm / The Maliciousss etc (i.e. the scapegoatinggg) despite their efforts likely entirely to the contrary. then despite like, efforts aside, Just Existing, always kind of muttering & mumbling like & what of it. & then like oh sorry weird pets. weird [auspicious for adaptable tenacious thriving surviving; either way simply creatures, existing] pets.
truly like As Is The Idea I'm Sure quickly becomes like hands behind back standing at the window Uh Oh Sisters musing on all the [disabled person] metaphorical & already literal elements there. blair witching it in contemplation like We've All Been There whether being so resented for the mere disruption of "existing in a group as the 'abnormal' odd one out" or like people talking shit abt anything associated w/you as soon as you've left the room, which is also made relevant like, this wasn't Only directed at this person when seemingly permanently gone, nor were they unaware / unaffected prior....pacing in the Musing parlor like things don't Have to be compared to billions but i only ever even see so many things & it's like billions sure is like "get scapegoated rword" & then said scapegoating is presented as only beneficial & we hate autists & even beyond that it's like, grabbing billions, Imagine If Things Meant To Be About Something Were About Something. quite a contrast when they are & furthermore like, deliberate thought & Care for [who gets scapegoated & why] & the truth of like, people getting pushed aside & out who have a key perspective & are primed / liable to come through for others similarly vulnerable & the supposedly Ruinous, Problems Generating disruptiveness is actually the strongest effort to make essential changes to a group. & come through with like, it'd be undermining thee point if it was "reassuring" us like oh haha people will be supportive b/c bruno will be more normal, so great that it Didn't like no, no Normality Reassurance(tm), presence of abnormalities(tm), Good, & everyone Can Deal b/c if you don't then it's pushing this person away, is exactly what happens, including even if they're still Around but are being mistreated b/c that is entirely part of that pushing away like anyone's victim blaming is ready to pounce at any time but if someone can't stand to stay / leaves b/c they can't see another option like that's not out of nowhere nor Regardless of what full support & flexibility they were getting lol. these Active Measures everyone loves so much, which are everywhere always & would include Staying & Trying To Make It Work & those efforts would be "disruptive" & resented & Bringing It On Oneself & etccc smh
that is to all say like. Woww when clearly basically the core thread was these beats of like, the crucial site of [thee scapegoated], & why that comes down on someone & how that plays out. endless ideas about how someone weird(tm) & disabled (&/or queer. but there's no Or here lol. & again like it's a Context like, to even be the one person without kids? likely not living up to "full" correct sexuality in that way alone; any oppression's logics of "inferiority" being logics of ableism, ready examples being that "inferior" race, gender, sexuality (& their experiences as people classed as inferior) all being pathologized as disordered) are seen & treated as someone Ruining Things & who cannot belong like whew. bracing. winding. which, i also recall like i was watching with headphones & during this one dialogue pause i was like "?? what's this Extra Sound i heard there" & had to go over it like twice before being hit upside the head like well it Was still the dialogue pause but it was also bruno Stuttering in a very quiet whisper for the duration of that pause before continuing like iiiiiiii x_x
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