#ALL THE EMO ANTHEMS

[tequila-daisies]

Slam Dunk tomorrow bitchessss 🌝🤘🏼✨

[josephtrohman]

sorry to be a hater and engage with this but calling the black parade a GREAT song…….i need to be whatever mcr fans are on fr……..

[luke-shywalker]

Me last week: I hate the second Panic! at the Disco album

Me this week: I LOVE the second Panic! at the Disco album

[as-i-watch]

not gonna lie, your post about the strawhats doing karaoke introduced me to the black parade and omg its one of the most beautiful pieces of music i have ever heard.

I now realize the power i hold

[grangerschase]

pink turns blue. is so good. so so good. i would inject the entirety of meta into my bloodstream. and let the melody overfill me like god

[mbat]

i hate when people say that a song is an anthem for a group of people because like, if it is one, then it will just be one

like, people shouldnt need to say 'did i just create the new ___ anthem??' or 'omg guys we have a new anthem!!'

especially cause people say it about songs that arent that different from literally any other song/about songs that have nothing to do with anything ??

[snekdood]

my culture is midwestern emo

[hsmagazine254]

From Emo Anthems to Alt-Rock Excellence: A Captivating Review of The All-American Rejects

H&S Magazine’s Best Artist Of The Week The All-American Rejects Album: Essentials, Genre: Alternative Rock, Pop-Punk Step into the world of The All-American Rejects, the trailblazing band that helped bring emo music into the mainstream. Formed in 1999, this article delves into the life, achievements, and musical evolution of the Oklahoma natives. With their unique blend of anthemic alt-rock,…

[earlycuntsets]

translation: "my chemical romance interview. "for us, the live stage is the only place where we can be ourselves."

The songs are like a collection of rock anthems from all over the world, past and present, and it sets the hearts of listeners ablaze.

Who is the emo band that rocked the Summer Sonic stage?

My Chemical Romance, from New Jersey, who just released their major debut album "THREE CHEERS FOR SWEET REVENGE" in July, came to Japan for the first time at Summer Sonic 04. MCR's music is called "screamo" because of their friendship with their friends, including THE USED, and their style, and it contains the street/garage sensibility unique to the generation that went through American punk in recent years… but if you listen to it with a calm ear, you can see that although the vocals are "screamo style," the songs have a beautiful structure and tearful melodies that are related to British heavy metal, and they also feature beautiful guitar solos. In other words, MCR is a band that plays heavy metal at the street level… That's why they must have been so welcomed right from the start in Japan, a country that has a strong tradition of heavy metal music (probably) - their first performance in Japan was a big success.

45 minutes after the end of the thunderous "Summer Sonic" stage

We caught up with the two excited guitarists!

I've never been to a show like that before! I'll never forget this experience.

--Now Frank Iero (FI): This isn't real.

How was the live show you just finished?

FI: Seriously! I've never done a show like that before. It was a memorable moment in my life. I'll never forget it!

--You seem very excited. What was so amazing about it?

Ray Toro: No, not "What". WTF! I mean, they were so welcoming! I wasn't expecting that kind of reaction at all. It felt like a hometown show. Oh, what can I say… ahhhh… anyway, it feels great!-- (Laughs)

Was the positive reaction because the new york was great? Especially the first single "I'm Not Okay" it's really exciting… It's a great song, and the song structure is well-crafted, building up from the intro, and the solo is uplifting too. Did you feel any magic when you made it?

FI: Well, let me tell you something. This song is something that you can't really call "written".

Really? Is that so?

FI: That's true. The song itself only has four chords, right? Except for the solo, it's all four. So at first, I thought it would be a boring song. But when we got together in the studio and Ray was playing those four chords over and over… Gerald (Way/vocals) started singing. The other members were silent. I closed my eyes and listened carefully. Then I realized it was an incredibly beautiful song. I felt it was worth completing. So I tried to change it up with the chorus. The root remained four.

---The guitar solo in this song creates a harmony with the guitar, creating a grandeur that is reminiscent of Queen. How did this come about?

FI: That solo was all Ray!

RT: Of course we were totally inspired by Queen! We were all saying, "Let's have a big guitar solo. Nobody does that anymore!" So I layered the guitars on it and made it as epic as possible. Also, when we were writing the song originally, we talked about making it as production-heavy as possible in the studio… Another thing I did consciously was to think of all the '80s pop and '70s bands I liked. I thought, "What would they do to make a song that's really epic…?" That's also where the two-second piano in the middle of the song came from. It doesn't really mean anything, but it's a bit like a soundtrack.

In terms of age, he was still very much alive.

FI: To tell you the truth, that second part is from the live album "CHEAP TRICK AT BUDOKAN" (1978) [laughs] I really wanted to include it. To begin with, even though some people have performed it live, I've never heard it performed in a studio album. I tried to include that as well and create the biggest anthem I could think of.

Q: Not just "I'm Not Okay," but all of MCR's songs…The composition is designed to make the listeners excited. They are all uplifting and dramatic. Is this something you do consciously?

FI: I'm totally aware of it.

RT: Yes. You can hear it in the song, but I change parts one after another. For example, We never repeat the same parts twice, and as the song progresses, new elements are added. We want it to feel like it's building from one thing to the next. Every member of the band contributes to that. The drums, the vocals, the melodies…everything helps the song to go higher and higher.

FI: Especially the new album, "It's Not A Fashion Statement, It's a Deathwish" crescendos all the way through. It just gets stronger and stronger. It all comes together in a spectacular finale. The whole band sings together for an anthemic ending. Because I like it! Our styles are completely different, maybe that mismatch is a good thing?

MCR's music tends to be dramatic. Is that due to the influence of the music you've listened to up until now?

RT: I grew up listening to heavy metal, like Ozzy Osbourne. I was obsessed with guitar heroes. I like bands that feature guitar players such as the late Randy Rhoads (g/Ozzy Osbourne) and Joe Satriani, Jimi Hendrix… In other words, Randy is the one who combined heavy metal with classical music, but his guitar playing I think he is the person who has had the biggest influence on my style. It's a bit old-fashioned, but it has a melody. And it's timeless. Melody.

FI: Richie Havens. My first woodstock. He was the opening act for the concert. He took me to an acoustic I just played it with one guitar, like a solo. There wasn't much, just sitting on the stool. He played very melodic and rhythmic guitar. But it's a completely unique style that can't be imitated. He had tiles… Such a great performer. I've never seen him before! I've seen Richie on stage about 10 times now, and I'm blown away every time. He's one of the reasons I don't stop playing guitar. I also love Greg Ginn (guitar/Black Flag) and Thurston Moore (vocals, guitar/Sonic Youth). In other words, I like dirty and emotional guitar more than intellectual style.

——————Hmm. You two have completely different tastes…

FI: Well, we are completely different types of guitarists, but maybe that mismatch is a good thing.

--You mentioned a lot of artists, but listening to your album I can sense a strong influence from heavy metal. But you also listen to a lot of different music from the '70s and '80s, right?

RT: Well, you can't just listen to one type of music, you know? There's so much good music out there. We can't just pretend not to notice it! All of us in the band try to listen to as much as we can and want to absorb as much as we can from all kinds of music.

FI: What we heard was an influence in some way.

FI: I like to use a Marshall JCM900 connected to a SUNN cabinet, and an Epiphone Zak Wylde model Les Paul as the only guitar. I turn up the bass all the way (laughs). Treble is about mid-range. I add gain here and there. But I like to keep it sounding like a real guitar. Not a "buzzing" sound with too much gain, but more of a solid sound.

RT: Yes! And we both try to only use effects when absolutely necessary, and usually plug them straight into the amp. Oh, but we do use wah pedals. Personally, I'd love to see the wah come back!

--I see. So with Frank on the bass and Ray raising the middle, it feels like you've managed to balance the band sound well?

FI&RT: Exactly!

FI: That's how I make it clear that there are two guitars. It's better to have a difference where you can hear each guitar part and it doesn't sound too cluttered.

――――So, let's talk about your playing, not just the guitar sound.

RT: I've been in the middle of it all. But the best thing to do is come to a show and see for yourself! I think there have been times when people thought it was Frank and it was me, and vice versa. We've influenced each other so we have some similarities.

---So you're influenced by each other's playing?

RT: Yeah. At least I got it from Frank.

I learned to play dirty. Not just clean, but more emotional. Instead of being super technical and perfect, I gave myself a little more leeway and tried to avoid feedback and pick-squeezing.

Frank is especially good at pick slides. He likes to make noise out of the guitar, rather than a pretty sound.

He's really good at bringing that out. Making noise, not just playing, is something I'm still learning.

FI: I'm the opposite, I'm learning to play clean, to keep things under control, but still let out emotion when necessary.

RT: A classic example of what you're talking about is "The Jetset Life Is Gonna Kill You." Frank has a really great part here. After the second chorus, it gets really quiet.

"THREE CHEERS FOR SWEET REVENGE" Warner Music Japan [CD] WPCR-11883 Sensual vocal melodies and emotional guitars, as heard on the 1st single.Their popularity is on the rise thanks to the explosive emotion of their vocals. This is the band's second album and their major label debut. Ray's strengths are in his guitar playing, which always lifts the listener up. While talking about the existing screamo sound, such as the "screamo" part, a new sense of flavoring with the essence of gothic and metal shines. And it's the same with everyday experiences! Everything that comes out of it naturally comes out in the work, and the more I shut out certain types of music or certain experiences, the less fertilizer I have. The goal is the stage. Keep playing to the limit. From what I saw on stage a while ago, the live equipment was, you both used similar things. How do you differentiate between the sounds?

RT: I'm more into distortion. I play a lot of riffs and generally like to emphasize the mid-range.

My model was the crunch guitar sound of Metallica's "Master of Puppets" (1986).

FI: On the other hand, I only use distortion to a natural degree.

Can you tell me the specific equipment names?

RT: The amps are Marshall "JCM2000" and "1960".

Cabinet. The guitar was bought by my brother for Christmas 10 years ago.

It's a very easy one to make, but the sound is great!

I also use an Epiphone Les Paul.

036 GuitarBreakers Vol.8

He said it was a good example of how the differences between the two of them are well expressed.

Can you name any?

FI: You Know What They Do To Guys Like Us

In Prison, I guess?

RT: You're right!

FI: You Know What They Do To Guys Like Us

"In Prison" is huge! The first two verses are

It's rhythmic and dirty, and then…

Ray's guitar hero-like, epic solo begins (laughs). And it has a light rhythm. And then there's "To The End" too.

RT: Yes. In some ways, I play more technically than Frank, but "To the End" has a great guitar solo, it's fast, and it's got some rhythmic, dirty parts. But I think you can hear the difference in our playing styles on every song to some extent.

---By the way, on the album, which is left and which is right?

Are you playing the channel?

RT: Well, in the verses, I mostly play on the left.

Ray is on the left. And Frank is on the right in the chorus.

Frank really blossoms in this scene. It's totally different from his previous style.

FI: Mmhmm!

---Finally, could you tell us about your future goals regarding guitar and songwriting?

FI: For now, I'd like to be able to turn the parts I've written for the next album into proper songs.

Also, we have a clear goal as a band.

But I'll keep it a secret until I achieve it (lol).

RT: For me personally, I just want to keep improving.

FI: Me too!

RT: We both love playing guitar.

That's what life is all about, so I want to keep improving both in technique and melody.

FI: For us, it was a live show that lasted less than two hours. I think that the only chance I have is to be myself, to experience a pure and spiritual moment. So my goal is to continue to play all the way to the end. There is a joy that cannot be expressed in words. I don't think you can understand it unless you have experienced it!

My Chemical Playing - A magnificent world created with guitar

The key to My Chemical Romance's songs is the twin guitars. When the two guitars intertwine, sometimes intensely and sometimes elegantly, it gives the listener a great sense of exhilaration.

Ray was crazy about guitar heroes like Randy Rhoads and Joe Satriani, while Frank loves Greg Ginn and Thurston Moore. They come from completely different backgrounds, but as Ray says, "When we get together, we don't know why, but a special atmosphere is born," which is the characteristic of the My Chemical Romance sound. In fact, Alba

If you check out his playing, you can hear many good examples of two-guitar ensemble. One of the best is the backing for "I'm Not Okay (I Promise)." As mentioned in the interview, the bass in this song is a repeat of four chords (D → Bm Em → A), but it is amazing how the performance is not at all simple. Due to space limitations, I will not post an example.

"I'm Not Okay" style guitar solo sheet music.

I'm sorry I can't introduce it, but I definitely want you to check out the ensemble in the A-melody. So, I'll introduce the solo below. This performance was inspired by Queen and was meant to be grand. The harmonies are great, but the chord progression is deliberately E/G#, even though E would have been fine in the flow. This is one of the reasons why it feels so grand.

In the harmonies from bars 1 to 8, you want to be aware of the speed at which you raise the pitch of the choking, and the speed and depth of the vibrato.

The first half of bar 12 means "play five notes in two beats."

2004 volume 8 guitar breakers from theydrewblood.blogspot.com

[soup-is-nice-sometimes]

"Helena is overrated!" "Helena is one of their most popular songs it can't be your favourite!!1?2!" don't care didn't ask what's the worst that i could say things are better if i stay I DONT CARE I LOVE HELENA SO SO MUCH ITS SO ICONIC THE EMO ANTHEM OF ALL TIME THE MV IS ABSOLUTELY ENRAPTURING I WILL ALWAYS COME BACK TO HELENA AND DEFEND IT WITH MY LIFE

I WAS HELENA FOR MY SENIOR BALL BRUH

i do not GAF what your anti Helena argument is Helena ON TOP!!!

[conkreetmonkey]

Splatoon 3 is wild because imagine if you were living in Japan due to a recent economic and cultural boom, and suddenly a space shuttle with a mutant house-sized T-rex riding it suddenly burst from the center of Mt. Fuji and disappeared into space without explanation, and all you ever find out about what the fuck that was about is that Zuckerburg mysteriously disappeared the same day and was never seen again, but still "officially" ran Meta through an open secret Queen-Elizabeth-being-in-good-health gaslighting campaign, and everybody kind of suspected he may have been connected but never figured out anything conclusive.

Also the T-rex is now orbiting the earth in the fetal position like the guy from Jojo, and there are rumors of a substance that, if touched, turns you into a half-dinosaur monster. Nobody understands any of this but Meta employees just keep going to work and pretending Zuck still exists. The same 12 prerecorded voicelines constantly squak from the PA system.

Oddly, the statue in front of Meta HQ of a T-rex eating a human changes overnight into one of a giant human eating a tiny T-rex. Nobody noticed the switch, despite the statue being in a constantly bustling area. It happened shortly after the shuttle incident.

Jack Black's tiny clone, Lil' Jack, now wears a headset at all times and has been acting really shady since the incident. Also they're both hyperintelligent, immortal velociraptors found in an ancient cryogenic chamber who spend their days judging college football and eating the legally harvested flesh of hillbillies. Lil' Jack is probably plotting to kill Big Jack, but Big Jack doesn't seem to care, growing fat and lazy, sleeping on public benches in a bed of throw pillows. Also, he's very open about the fact that, as a velociraptor, humans look delicious, but he hasn't actually eaten anybody aside from the aforementioned hillbillies because he's civil.

Everyone is just expected to move on with their lives after this. This is normal to you.

The local art school was recently attacked by giant sea serpents, which were actually hideously bioengineered hillbillies, fulfilling a biblical doomsday prophecy, and they were driven back by Meta's army of minimum wage, part time child soldiers armed with warcrimey jury-rigged weaponry. The sea serpents had giant frying pans grafted into their mouths, which launched primitive tactical nukes made by filling garbage bags with their explosive blood. They still exist, and occasionally defend their comrades, but spend most of their time in the deep sea.

The local homeless emo twink everyone's attracted to is a closet millionaire who sells bootleg clothing in exchange for live rats, which he messily devours behind closed doors. He's also 8 feet tall and British and only has one eye.

North Korean refugees now flood the western world, after a greasy 14 year old hipster, under the guidance of Ariana Grande and Taylor Swift, beat Kim Jong Un in a mech battle, and the EDM remix of the Japanese national anthem they performed caused like half the soldiers to immediately realize North Korea sucks ass and defect. One of these individuals, 7 foot tall hypergenius, becomes a newscaster alongside a nepo baby rapper with dwarfism who likes to eat entire jars of mayo, and also they're a popular band. Also also, they may or may not be gay. Almost the entire population is gay, so this isn't a huge deal.

The new local newscasters are a famous Japanese lion tamer, an Indian girl with a bloodline trait allowing her to control snakes, and a Brazillian man the size of a smart car who exclusively communicates via grunts.

Gods, souls and zombies are objectively real, and you're effectively immortal because real-life respawning was invented a while ago. It works like a Keurig, but with mucus instead of coffee. Submersion in water kills you.

A good deal of the population is a hivemind. They pretend to be individuals for no reason.

Almost all men are now femboys.

Despite all this, you still have to go to work at 9 tomorrow.

[theres-no-room-in-this-hell]

three cheers for sweet revenge is such a perfect album sfjgklejgfj just the lore behind it and the songs and the cover and everything about it there isn't one bad song on that album like helena is such an amazing song to start it out with and THE LYRICS and i love give 'em hell kid it's so silly and it's sooo jdfkllgtru and then TO THE END??? they put drugs in that one istg!!!! you know what they do to guys like us in prison is also perfect in every way shape and form and it itches my brain in all the right places and MY CELLMATE'S A KILLER HE MAKES ME DO PUSH UPS IN DRAG and then I'M NOT OKAY?!?!?!?!? the ultimate emo anthem also perfect in every way and the music video too??? and then of course there's ghost of you which makes me ascend into heaven every time i hear it, it is absolutely flawless and then there's the jetset life is gonna kill you ksjdfhkjegfkjsdgfkjewgfk how does an album have so many perfect songs i wanna eat it and then interlude?? it's the perfect way to cut an album in half and idc what anyone says interlude is my CHILD i birthed it i love it it's mine and then there's thank you for the venom the guitar is so delectable and everything about the song is delectable RAAAAAAHHH and then there's also hang 'em high??? like the lil cowboy vibe it has going on is amazing and i just refheklgj!!!! it's not a fashion statement it's a fucking deathwish is faultless, 10/10, amazing. and CEMETERY DRIVE?!?!?!? the drums, the vocals, the lyrics, consume my very being my atoms are made up of cemetery drive this one is also my child but it's my favorite child best song on the album imo AND THEN THE ALBUM ENDS WITH I NEVER TOLD YOU WHAT I DID FOR A LIVING!!!!!! best way to end an album, i want to inhale it, i WILL inhale it, i want it to lobotomize me i love it wehjfdjgfadwkbjgfehbmvjshbm and the fact that all these songs are on the SAME ALBUM?????? SOBBING I LOVE THREE CHEERS FOR REVENGE SO FUCKING MUCHHHHHH

[alex-dot-com]

My personal SDV Shane HCs

Sebastian reminds Shane so much of his younger self it makes his heart ache. Seb, Abi and Sam remind him of himself and Jas’s parents when they were younger, before the accident.

His ears are covered in healed piercings, his lip and eyebrow also.

When he either marries the farmer or when the Joja Mart closes he starts working on the farm, and gets big. Like I picture year five Shane fuckin swole. Hay bale lifting and heavy machinery pushing all goes to his shoulders

Im not saying washboard abs, the kinda strength you see in proper weight lifters, all muscle and roundness thats rough around the edges.

I like to think there are old home videos of Shane and Jas’s parents that she plays sometimes, when the saloon gets a TV she brings them in to watch on the proper TV rather than the poor excuse that Marnie has, Shane cries like a baby seeing is old friends on a decent screen, in high quality.

and Seb, Abi and Sam watch jaws drop as alternate timeline versions of them appear on the screen

Shane can fuckin sing, while hes working that man has the OG emo anthems either blasting or singing them himself.

He does the cough at the beginning of ‘dear maria count me in’ and it makes him laugh everytime before he sings with the most angelic ex-emo voice the world has ever heard.

Shane and Jas’ parents definitely had a band of their own, Shane gives me Bass or Keyboard vibes along with primarily back up vocals but once he has a drink in him he could lead vocal for hours.

He seems like the kinda guy that once upon a time was probably the most stressed waiter known to man, nineteen years old Shane having decided to not go to college his roomates/bestfriends are pregnant and are planning a shotgun wedding, stressed outta his mind, industrial piercing rejecting and infected, eye twitching while a customer asks for their fries to be replaced with prawns and refusing to pay any extra costs for that

He gives screaming match in the kitchen with the chef and then going out back to smoke weed with him vibes.

[fuck-you-upmusicbracket]

Welcome to the Black Parade (My Chemical Romance)

When I was a young boy/My father took me into the city/To see a marching band/He said, "Son, when you grow up/Would you be the savior of the broken/The beaten and the damned?"/He said, "Will you defeat them?

A war that sends you reeling from decimated dreams/Your misery and hate will kill us all/So paint it black and take it back/We'll shout it loud and clear/Defiant till the end we hear the call/To carry on!

"Respect your roots."

"It's got a vibe entirely meditating on death and life and to be determined in the face of unrelenting hopelessness. it's got this really cool marching band vibe for half of it and a speaking part that dares the whole world to try and break the singer but the singer still stands proud against the unrelenting assault, it was the anthem for emo kids in the late 00's and 10's. And just imagine being thirteen and just starting to understand how unfair and cruel the world can be and hearing Gerard Way belt out 'Do or Die you'll never make me because this world will never take my heart'"

Never Love An Anchor (The Crane Wives)

I am selfish, I am broken, I am cruel/I am all the things they might have said to you/Do you ever think of me and my two hands/And wonder why they never soothed your fevers?/And wonder why they never tied your shoes?/And wonder why they never held you gently?/And wonder why they never had the chance to lose you?

"This song. this song is from the perspective of a parent, speaking to their child. about how they failed them, how they weren't there for them, out of fear of doing it wrong. they were an anchor to their child's ship, so they pulled away, and maybe they regret it now, but it's far too late. ALSO the guitar riff is meant to mimic the gentle rocking of a boat (or a parent's arms) and that shit has NEVER left my mind"

[vendetta-if]

Hello!

Just wanted to say the IF is amazing, i just spent 3 days straight binging it and loved every second. Please ignore if it has already been asked but what is all the RO's preferred genre of music? And favourite songs if they have any?

Keep up the amazing work!

Thank you for the kind words! And I just wanna say, your ask is the final push for me to actually scour through most of my songs on Spotify and finish assembling playlists for Rin, Santana, Skylar, and Jackal 😆 But I had so much fun doing so and I'll keep adding more and updating all of the characters' playlists as I discovered more new (and old lost) songs that fit them.

I have the links to their spotify playlist which contain a mix of their favorite songs and some songs whose lyrics fit them. I don't think I can link too much stuff in one post unfortunately, so I'll make a separate post to announce the rest of the characters playlists later on 😁But I'll try to link one song that either perfectly encapsulate their music taste or whose lyrics fit the character--or at least a song that they'd enjoy listening to.

Also, I basically have to split up my own music taste and favorite genres among all of my characters and I'm running out of genres 😭 But as for your question, I don't think I've answered something like that before--at least not in detail.

Sorry in advance for the long post (I just love being able to gush about my characters and music 🤭)

Ash

Ash enjoys quite a wide variety of genres, but mostly, their go-to are genres that are more energetic and/or aggressive. So, think like Rock, Phonk, Dubstep, Trap, Drum and Bass, Metal, that kind of stuff. But usually, they listen to songs whose vibes and/or lyrics kind of fit the mood they're in at the moment.

Also, fun fact, they did have some kind of an emo phase during their angsty and edgy teenage years 😂 It wasn't really too apparent (like no, they didn't have that typical emo hairstyle or wore those iconic eyeliners), but they just relate to quite a number of the lyrics of songs that can be considered to be emo anthems.

The song that fits the genre they like to listen to and the lyrics also matched their feelings and obsession love for MC is "So Sick" by Johnny Goth.

"So Sick" - Johnny Goth

Rin

As the child of a classically-trained musician, Rin mostly enjoys classical and instrumental music. One of their favorite instruments is the piano and they used to enjoy learning to play it. Maybe in the future, when they won't be so busy anymore, they can pick up their piano lessen again...

Also, they tend to gravitate towards more soothing and calming songs in general because of the headaches they usually got after using their power too much or to see to far into the future. So most of their playlist is filled with instrumental songs, either piano, cello, or violin, or a combination of those.

As for the song that fits them, I'd say "The Belt of Faith" by Jung Jaeil kinda fits their vibe and the gravitas they carry (Yes, the main soundtrack for the film "Parasite" and yeah, I can see the irony 😂 )

"The Belt of Faith" - Jung Jaeil

Santana

Santana loves that tinge of old-school songs that they were often exposed to whenever their parents listen to in the radio. So, the genres they enjoy are synthwave and retrowave songs 😎

As for the song that encapsulates their favorite genre and whose lyrics fit them quite well is "Gloria" by The Midnight.

"Gloria" - The Midnight

Skylar

Skylar is a pretty chill and upbeat person who loves and enjoys nature, so their favorite genres include those upbeat summer music and Indie/Alternative Folk music. They also enjoy the occasional pop songs.

As for the song that fits their vibe and desire to just fly off and be free is "Get Away" by Surfclub.

"Get Away" - Surfclub

BONUS

Luka

Luka enjoys Electronic music, including Phonk, Post-Punk, and Alternative/Indie. So, yeah, quite a variety of genres. But for one song that fits him the most, from the lyrics to even the title itself is "Everything Black" by Unlike Pluto 😆

"Everything Black" - Unlike Pluto (feat. Mike Taylor)

Jackal

Just like Luka, he also enjoys Electronic music, especially Phonk. But unlike Luka, he sometimes loves Hip-Hop music as well. One of the few songs that kinda encapsulate both of those genres and fits with his personality is "Heartless" by UNAVERAGE GANG.

"Heartless" - UNAVERAGE GANG