#ALL THE EMO ANTHEMS

[tequila-daisies]

Slam Dunk tomorrow bitchessss 🌝🤘🏼✨

[josephtrohman]

sorry to be a hater and engage with this but calling the black parade a GREAT song…….i need to be whatever mcr fans are on fr……..

[as-i-watch]

not gonna lie, your post about the strawhats doing karaoke introduced me to the black parade and omg its one of the most beautiful pieces of music i have ever heard.

I now realize the power i hold

[mbat]

i hate when people say that a song is an anthem for a group of people because like, if it is one, then it will just be one

like, people shouldnt need to say 'did i just create the new ___ anthem??' or 'omg guys we have a new anthem!!'

especially cause people say it about songs that arent that different from literally any other song/about songs that have nothing to do with anything ??

[snekdood]

my culture is midwestern emo

[hsmagazine254]

From Emo Anthems to Alt-Rock Excellence: A Captivating Review of The All-American Rejects

H&S Magazine’s Best Artist Of The Week The All-American Rejects Album: Essentials, Genre: Alternative Rock, Pop-Punk Step into the world of The All-American Rejects, the trailblazing band that helped bring emo music into the mainstream. Formed in 1999, this article delves into the life, achievements, and musical evolution of the Oklahoma natives. With their unique blend of anthemic alt-rock,…

[soup-is-nice-sometimes]

"Helena is overrated!" "Helena is one of their most popular songs it can't be your favourite!!1?2!" don't care didn't ask what's the worst that i could say things are better if i stay I DONT CARE I LOVE HELENA SO SO MUCH ITS SO ICONIC THE EMO ANTHEM OF ALL TIME THE MV IS ABSOLUTELY ENRAPTURING I WILL ALWAYS COME BACK TO HELENA AND DEFEND IT WITH MY LIFE

I WAS HELENA FOR MY SENIOR BALL BRUH

i do not GAF what your anti Helena argument is Helena ON TOP!!!

[earlycuntsets]

translation: "my chemical romance interview. "for us, the live stage is the only place where we can be ourselves."

The songs are like a collection of rock anthems from all over the world, past and present, and it sets the hearts of listeners ablaze.

Who is the emo band that rocked the Summer Sonic stage?

My Chemical Romance, from New Jersey, who just released their major debut album "THREE CHEERS FOR SWEET REVENGE" in July, came to Japan for the first time at Summer Sonic 04. MCR's music is called "screamo" because of their friendship with their friends, including THE USED, and their style, and it contains the street/garage sensibility unique to the generation that went through American punk in recent years… but if you listen to it with a calm ear, you can see that although the vocals are "screamo style," the songs have a beautiful structure and tearful melodies that are related to British heavy metal, and they also feature beautiful guitar solos. In other words, MCR is a band that plays heavy metal at the street level… That's why they must have been so welcomed right from the start in Japan, a country that has a strong tradition of heavy metal music (probably) - their first performance in Japan was a big success.

45 minutes after the end of the thunderous "Summer Sonic" stage

We caught up with the two excited guitarists!

I've never been to a show like that before! I'll never forget this experience.

--Now Frank Iero (FI): This isn't real.

How was the live show you just finished?

FI: Seriously! I've never done a show like that before. It was a memorable moment in my life. I'll never forget it!

--You seem very excited. What was so amazing about it?

Ray Toro: No, not "What". WTF! I mean, they were so welcoming! I wasn't expecting that kind of reaction at all. It felt like a hometown show. Oh, what can I say… ahhhh… anyway, it feels great!-- (Laughs)

Was the positive reaction because the new york was great? Especially the first single "I'm Not Okay" it's really exciting… It's a great song, and the song structure is well-crafted, building up from the intro, and the solo is uplifting too. Did you feel any magic when you made it?

FI: Well, let me tell you something. This song is something that you can't really call "written".

Really? Is that so?

FI: That's true. The song itself only has four chords, right? Except for the solo, it's all four. So at first, I thought it would be a boring song. But when we got together in the studio and Ray was playing those four chords over and over… Gerald (Way/vocals) started singing. The other members were silent. I closed my eyes and listened carefully. Then I realized it was an incredibly beautiful song. I felt it was worth completing. So I tried to change it up with the chorus. The root remained four.

---The guitar solo in this song creates a harmony with the guitar, creating a grandeur that is reminiscent of Queen. How did this come about?

FI: That solo was all Ray!

RT: Of course we were totally inspired by Queen! We were all saying, "Let's have a big guitar solo. Nobody does that anymore!" So I layered the guitars on it and made it as epic as possible. Also, when we were writing the song originally, we talked about making it as production-heavy as possible in the studio… Another thing I did consciously was to think of all the '80s pop and '70s bands I liked. I thought, "What would they do to make a song that's really epic…?" That's also where the two-second piano in the middle of the song came from. It doesn't really mean anything, but it's a bit like a soundtrack.

In terms of age, he was still very much alive.

FI: To tell you the truth, that second part is from the live album "CHEAP TRICK AT BUDOKAN" (1978) [laughs] I really wanted to include it. To begin with, even though some people have performed it live, I've never heard it performed in a studio album. I tried to include that as well and create the biggest anthem I could think of.

Q: Not just "I'm Not Okay," but all of MCR's songs…The composition is designed to make the listeners excited. They are all uplifting and dramatic. Is this something you do consciously?

FI: I'm totally aware of it.

RT: Yes. You can hear it in the song, but I change parts one after another. For example, We never repeat the same parts twice, and as the song progresses, new elements are added. We want it to feel like it's building from one thing to the next. Every member of the band contributes to that. The drums, the vocals, the melodies…everything helps the song to go higher and higher.

FI: Especially the new album, "It's Not A Fashion Statement, It's a Deathwish" crescendos all the way through. It just gets stronger and stronger. It all comes together in a spectacular finale. The whole band sings together for an anthemic ending. Because I like it! Our styles are completely different, maybe that mismatch is a good thing?

MCR's music tends to be dramatic. Is that due to the influence of the music you've listened to up until now?

RT: I grew up listening to heavy metal, like Ozzy Osbourne. I was obsessed with guitar heroes. I like bands that feature guitar players such as the late Randy Rhoads (g/Ozzy Osbourne) and Joe Satriani, Jimi Hendrix… In other words, Randy is the one who combined heavy metal with classical music, but his guitar playing I think he is the person who has had the biggest influence on my style. It's a bit old-fashioned, but it has a melody. And it's timeless. Melody.

FI: Richie Havens. My first woodstock. He was the opening act for the concert. He took me to an acoustic I just played it with one guitar, like a solo. There wasn't much, just sitting on the stool. He played very melodic and rhythmic guitar. But it's a completely unique style that can't be imitated. He had tiles… Such a great performer. I've never seen him before! I've seen Richie on stage about 10 times now, and I'm blown away every time. He's one of the reasons I don't stop playing guitar. I also love Greg Ginn (guitar/Black Flag) and Thurston Moore (vocals, guitar/Sonic Youth). In other words, I like dirty and emotional guitar more than intellectual style.

——————Hmm. You two have completely different tastes…

FI: Well, we are completely different types of guitarists, but maybe that mismatch is a good thing.

--You mentioned a lot of artists, but listening to your album I can sense a strong influence from heavy metal. But you also listen to a lot of different music from the '70s and '80s, right?

RT: Well, you can't just listen to one type of music, you know? There's so much good music out there. We can't just pretend not to notice it! All of us in the band try to listen to as much as we can and want to absorb as much as we can from all kinds of music.

FI: What we heard was an influence in some way.

FI: I like to use a Marshall JCM900 connected to a SUNN cabinet, and an Epiphone Zak Wylde model Les Paul as the only guitar. I turn up the bass all the way (laughs). Treble is about mid-range. I add gain here and there. But I like to keep it sounding like a real guitar. Not a "buzzing" sound with too much gain, but more of a solid sound.

RT: Yes! And we both try to only use effects when absolutely necessary, and usually plug them straight into the amp. Oh, but we do use wah pedals. Personally, I'd love to see the wah come back!

--I see. So with Frank on the bass and Ray raising the middle, it feels like you've managed to balance the band sound well?

FI&RT: Exactly!

FI: That's how I make it clear that there are two guitars. It's better to have a difference where you can hear each guitar part and it doesn't sound too cluttered.

――――So, let's talk about your playing, not just the guitar sound.

RT: I've been in the middle of it all. But the best thing to do is come to a show and see for yourself! I think there have been times when people thought it was Frank and it was me, and vice versa. We've influenced each other so we have some similarities.

---So you're influenced by each other's playing?

RT: Yeah. At least I got it from Frank.

I learned to play dirty. Not just clean, but more emotional. Instead of being super technical and perfect, I gave myself a little more leeway and tried to avoid feedback and pick-squeezing.

Frank is especially good at pick slides. He likes to make noise out of the guitar, rather than a pretty sound.

He's really good at bringing that out. Making noise, not just playing, is something I'm still learning.

FI: I'm the opposite, I'm learning to play clean, to keep things under control, but still let out emotion when necessary.

RT: A classic example of what you're talking about is "The Jetset Life Is Gonna Kill You." Frank has a really great part here. After the second chorus, it gets really quiet.

"THREE CHEERS FOR SWEET REVENGE" Warner Music Japan [CD] WPCR-11883 Sensual vocal melodies and emotional guitars, as heard on the 1st single.Their popularity is on the rise thanks to the explosive emotion of their vocals. This is the band's second album and their major label debut. Ray's strengths are in his guitar playing, which always lifts the listener up. While talking about the existing screamo sound, such as the "screamo" part, a new sense of flavoring with the essence of gothic and metal shines. And it's the same with everyday experiences! Everything that comes out of it naturally comes out in the work, and the more I shut out certain types of music or certain experiences, the less fertilizer I have. The goal is the stage. Keep playing to the limit. From what I saw on stage a while ago, the live equipment was, you both used similar things. How do you differentiate between the sounds?

RT: I'm more into distortion. I play a lot of riffs and generally like to emphasize the mid-range.

My model was the crunch guitar sound of Metallica's "Master of Puppets" (1986).

FI: On the other hand, I only use distortion to a natural degree.

Can you tell me the specific equipment names?

RT: The amps are Marshall "JCM2000" and "1960".

Cabinet. The guitar was bought by my brother for Christmas 10 years ago.

It's a very easy one to make, but the sound is great!

I also use an Epiphone Les Paul.

036 GuitarBreakers Vol.8

He said it was a good example of how the differences between the two of them are well expressed.

Can you name any?

FI: You Know What They Do To Guys Like Us

In Prison, I guess?

RT: You're right!

FI: You Know What They Do To Guys Like Us

"In Prison" is huge! The first two verses are

It's rhythmic and dirty, and then…

Ray's guitar hero-like, epic solo begins (laughs). And it has a light rhythm. And then there's "To The End" too.

RT: Yes. In some ways, I play more technically than Frank, but "To the End" has a great guitar solo, it's fast, and it's got some rhythmic, dirty parts. But I think you can hear the difference in our playing styles on every song to some extent.

---By the way, on the album, which is left and which is right?

Are you playing the channel?

RT: Well, in the verses, I mostly play on the left.

Ray is on the left. And Frank is on the right in the chorus.

Frank really blossoms in this scene. It's totally different from his previous style.

FI: Mmhmm!

---Finally, could you tell us about your future goals regarding guitar and songwriting?

FI: For now, I'd like to be able to turn the parts I've written for the next album into proper songs.

Also, we have a clear goal as a band.

But I'll keep it a secret until I achieve it (lol).

RT: For me personally, I just want to keep improving.

FI: Me too!

RT: We both love playing guitar.

That's what life is all about, so I want to keep improving both in technique and melody.

FI: For us, it was a live show that lasted less than two hours. I think that the only chance I have is to be myself, to experience a pure and spiritual moment. So my goal is to continue to play all the way to the end. There is a joy that cannot be expressed in words. I don't think you can understand it unless you have experienced it!

My Chemical Playing - A magnificent world created with guitar

The key to My Chemical Romance's songs is the twin guitars. When the two guitars intertwine, sometimes intensely and sometimes elegantly, it gives the listener a great sense of exhilaration.

Ray was crazy about guitar heroes like Randy Rhoads and Joe Satriani, while Frank loves Greg Ginn and Thurston Moore. They come from completely different backgrounds, but as Ray says, "When we get together, we don't know why, but a special atmosphere is born," which is the characteristic of the My Chemical Romance sound. In fact, Alba

If you check out his playing, you can hear many good examples of two-guitar ensemble. One of the best is the backing for "I'm Not Okay (I Promise)." As mentioned in the interview, the bass in this song is a repeat of four chords (D → Bm Em → A), but it is amazing how the performance is not at all simple. Due to space limitations, I will not post an example.

"I'm Not Okay" style guitar solo sheet music.

I'm sorry I can't introduce it, but I definitely want you to check out the ensemble in the A-melody. So, I'll introduce the solo below. This performance was inspired by Queen and was meant to be grand. The harmonies are great, but the chord progression is deliberately E/G#, even though E would have been fine in the flow. This is one of the reasons why it feels so grand.

In the harmonies from bars 1 to 8, you want to be aware of the speed at which you raise the pitch of the choking, and the speed and depth of the vibrato.

The first half of bar 12 means "play five notes in two beats."

2004 volume 8 guitar breakers from theydrewblood.blogspot.com

[decaffeinatedcandycane]

Soap in love vs Simon in love

These are random ideas and do not follow the concept Soap will do this, so Simon wouldn't. Just random chaotic thoughts I had.

Its 4 am, I am tired. Is it coherent? eh.. Mistakes, yes. Checked, eh... Autocorrect - unfortunately.

Soap in love is like a puppy who found his favorite toy in the store, constantly jumps and circles around it, but doesn't pick it up.

He will be around you all the time and test your patience, but makes you think he is just bored. And you buy it, cause it's Johnny, friendly Johnny, flirty Johnny, just joking Johnny.

Johnny is a pest.

"Bonnie, you in here?"

*women yelling for him to get out

"Soap get out of the woman's bathroom"

"Wanna facetime?"

"Leave"

"Alright, alright. But-" *barely dodges a heel hurled at his head* "Such uncivilized ladies up in here. I was at the door the entire time. Not even inside. Just the tip, eh. hehe"

He did get an earful by Price and few nasty looks from some ladies. Oof

...

Soap in love is cheesy, but like a friend, eh

"Bonnie, want some pasta?"

"Asking me out again, sergeant?"

"What? NO! Never happened" *que little stutter and blush* "You can't prove anything" *cute ass scottish pouting "Anyway, want some homemade gourmet pasta?"

"Why is there only one piece?"

*deadpan look on his face "Cause you are the only one for me, hen" *toothy grin

...

Soap is "super" secretive about his feelings. Nobody but the entire team knows he has a crush on you.

His face when he is around you resembles a kid in a candy store. And he turns stupid, too.

Forgets what he is doing and focuses on you, obsessing over the thoughts that plague his mind. So far, you taste great in his opinion. But, like a friend, eh

One time he walked out in the middle of the meeting, without saying a word to already fuming Price and followed you to your desk.

You, obliviously thought he used you to get out of the meeting and avoided the captain like the plague, who gave you the stern dad Price look for an entire week.

...

Soap in love is a bit of a show off.

"Hey, bon"

"Soa...Why are you shirtless?... And don't you have someone else to pest today?"

"Excuse me? This is comfortable. And I don't pest."

"Sureee. And you are shivering."

"Nervous"

"Thought you can't be, being Scottish and all."

"Of course" *que proud Scottish stare surprised he didn't start singing the national anthem this time

"Its winter and the AC is busted. Please, dress"

*quietly "Okay." "But you like-"

"Put on a shirt!"

...

Eventually you will either have a bad day or tell him you are tired of his energy and him bugging you every day.

He will sulk, pout, maybe even bite (if he gets offended and he will. He has a thing about people judging him for his energetic nature) but unlitimately get the courage to kiss and fuck you somewhere secluded. Yeah, Soap kind of goes all out. Baby boy gets impatient. With him one thing quickly leads to another.

Soap does whatever he thinks you like and whatever he can to impress you. This is his game. It's funny, cute and a bit odd.

...

Simon in love is a jackass. I am sorry, but your baby skeleton emo boy is a bitch.

He will say the rudest, driest jokes known to mankind. You laugh, not because of the joke, but because it makes everyone in the room quiet and uncomfortable, with just a few laughs. And he knows that! He just likes fucking with people.

He will give you a hard time to see you fussy. It will be the little things. He loves seeing your angry face and imagining you look similar when you are under him.

...

Simon in love is direct. Like some weirdo.

"Y/N"

"Lieutenant"

"What men you like"

"..."

"Or women?"

"Not today"

*you turn to leave while Simon stays in the same spot, intensely staring at you.

He does that sporadically, so you never know if he is usually that direct, or he just likes to annoy you.

...

Simon in love is outward dirty. Nobody pays attention to that, it's the army, but you do, because everytime he says something dirtier he looks at you with a weird glint in his eyes.

You swear the mf chuckles under that mask.

Simon makes sure to drop a dirty comment when you are both alone then watch you pretend to ignore him.

...

Simon in love is touchy. He itches to put his hands on you and whenever he can, he does.

If he helps you with something heavy, he makes sure to brushes your hand, maybe even hold it for a little while.

Instead of getting an item for you, he offers to lift you up, just so he can put his hands around your waist and imagine he is lifting and lowering you onto something else.

He loves caging you in your chair, both of his hands on your sides, his lips close to your ear. He blows lightly to make you shiver. If you forget your bra, you will lift yourself up a little and give him a visual treat. All while he is pretending to look at the computer screen.

...

Simon in love offers to accompany you places, because stalking you is wrong.

But will stalk you, if you let him. He likes the idea of watching you doing your everyday tasks and maybe join you at some point.

Allow him to be near you and you will never be alone, even in your room - he will be there.

...

Simon in love will do anything for you. And I mean it. You have no idea how hooked he is on you. He decided, before you even spoke to each other, he liked you and if he has a chance he was asking you out.

He is the person who imagines a wedding before talking.

...

Simon in love is a hopeless romantic type of guy. You expect this from Price, Gaz, even Johnny, but never Simon.

He looks like a sharp dude, not a romantic one.

Boy will he surprise you.

Creative dates, you got it. Just look at his Pinterest board.

...

Simon in love is a craftsman. He Nora Smith's most of his shit. The first time he made you a bracelet you though he bought it from a jewelry store. That man is no joke.

[conkreetmonkey]

Splatoon 3 is wild because imagine if you were living in Japan due to a recent economic and cultural boom, and suddenly a space shuttle with a mutant house-sized T-rex riding it suddenly burst from the center of Mt. Fuji and disappeared into space without explanation, and all you ever find out about what the fuck that was about is that Zuckerburg mysteriously disappeared the same day and was never seen again, but still "officially" ran Meta through an open secret Queen-Elizabeth-being-in-good-health gaslighting campaign, and everybody kind of suspected he may have been connected but never figured out anything conclusive.

Also the T-rex is now orbiting the earth in the fetal position like the guy from Jojo, and there are rumors of a substance that, if touched, turns you into a half-dinosaur monster. Nobody understands any of this but Meta employees just keep going to work and pretending Zuck still exists. The same 12 prerecorded voicelines constantly squak from the PA system.

Oddly, the statue in front of Meta HQ of a T-rex eating a human changes overnight into one of a giant human eating a tiny T-rex. Nobody noticed the switch, despite the statue being in a constantly bustling area. It happened shortly after the shuttle incident.

Jack Black's tiny clone, Lil' Jack, now wears a headset at all times and has been acting really shady since the incident. Also they're both hyperintelligent, immortal velociraptors found in an ancient cryogenic chamber who spend their days judging college football and eating the legally harvested flesh of hillbillies. Lil' Jack is probably plotting to kill Big Jack, but Big Jack doesn't seem to care, growing fat and lazy, sleeping on public benches in a bed of throw pillows. Also, he's very open about the fact that, as a velociraptor, humans look delicious, but he hasn't actually eaten anybody aside from the aforementioned hillbillies because he's civil.

Everyone is just expected to move on with their lives after this. This is normal to you.

The local art school was recently attacked by giant sea serpents, which were actually hideously bioengineered hillbillies, fulfilling a biblical doomsday prophecy, and they were driven back by Meta's army of minimum wage, part time child soldiers armed with warcrimey jury-rigged weaponry. The sea serpents had giant frying pans grafted into their mouths, which launched primitive tactical nukes made by filling garbage bags with their explosive blood. They still exist, and occasionally defend their comrades, but spend most of their time in the deep sea.

The local homeless emo twink everyone's attracted to is a closet millionaire who sells bootleg clothing in exchange for live rats, which he messily devours behind closed doors. He's also 8 feet tall and British and only has one eye.

North Korean refugees now flood the western world, after a greasy 14 year old hipster, under the guidance of Ariana Grande and Taylor Swift, beat Kim Jong Un in a mech battle, and the EDM remix of the Japanese national anthem they performed caused like half the soldiers to immediately realize North Korea sucks ass and defect. One of these individuals, 7 foot tall hypergenius, becomes a newscaster alongside a nepo baby rapper with dwarfism who likes to eat entire jars of mayo, and also they're a popular band. Also also, they may or may not be gay. Almost the entire population is gay, so this isn't a huge deal.

The new local newscasters are a famous Japanese lion tamer, an Indian girl with a bloodline trait allowing her to control snakes, and a Brazillian man the size of a smart car who exclusively communicates via grunts.

Gods, souls and zombies are objectively real, and you're effectively immortal because real-life respawning was invented a while ago. It works like a Keurig, but with mucus instead of coffee. Submersion in water kills you.

A good deal of the population is a hivemind. They pretend to be individuals for no reason.

Almost all men are now femboys.

Despite all this, you still have to go to work at 9 tomorrow.

[theres-no-room-in-this-hell]

three cheers for sweet revenge is such a perfect album sfjgklejgfj just the lore behind it and the songs and the cover and everything about it there isn't one bad song on that album like helena is such an amazing song to start it out with and THE LYRICS and i love give 'em hell kid it's so silly and it's sooo jdfkllgtru and then TO THE END??? they put drugs in that one istg!!!! you know what they do to guys like us in prison is also perfect in every way shape and form and it itches my brain in all the right places and MY CELLMATE'S A KILLER HE MAKES ME DO PUSH UPS IN DRAG and then I'M NOT OKAY?!?!?!?!? the ultimate emo anthem also perfect in every way and the music video too??? and then of course there's ghost of you which makes me ascend into heaven every time i hear it, it is absolutely flawless and then there's the jetset life is gonna kill you ksjdfhkjegfkjsdgfkjewgfk how does an album have so many perfect songs i wanna eat it and then interlude?? it's the perfect way to cut an album in half and idc what anyone says interlude is my CHILD i birthed it i love it it's mine and then there's thank you for the venom the guitar is so delectable and everything about the song is delectable RAAAAAAHHH and then there's also hang 'em high??? like the lil cowboy vibe it has going on is amazing and i just refheklgj!!!! it's not a fashion statement it's a fucking deathwish is faultless, 10/10, amazing. and CEMETERY DRIVE?!?!?!? the drums, the vocals, the lyrics, consume my very being my atoms are made up of cemetery drive this one is also my child but it's my favorite child best song on the album imo AND THEN THE ALBUM ENDS WITH I NEVER TOLD YOU WHAT I DID FOR A LIVING!!!!!! best way to end an album, i want to inhale it, i WILL inhale it, i want it to lobotomize me i love it wehjfdjgfadwkbjgfehbmvjshbm and the fact that all these songs are on the SAME ALBUM?????? SOBBING I LOVE THREE CHEERS FOR REVENGE SO FUCKING MUCHHHHHH

[alex-dot-com]

My personal SDV Shane HCs

Sebastian reminds Shane so much of his younger self it makes his heart ache. Seb, Abi and Sam remind him of himself and Jas’s parents when they were younger, before the accident.

His ears are covered in healed piercings, his lip and eyebrow also.

When he either marries the farmer or when the Joja Mart closes he starts working on the farm, and gets big. Like I picture year five Shane fuckin swole. Hay bale lifting and heavy machinery pushing all goes to his shoulders

Im not saying washboard abs, the kinda strength you see in proper weight lifters, all muscle and roundness thats rough around the edges.

I like to think there are old home videos of Shane and Jas’s parents that she plays sometimes, when the saloon gets a TV she brings them in to watch on the proper TV rather than the poor excuse that Marnie has, Shane cries like a baby seeing is old friends on a decent screen, in high quality.

and Seb, Abi and Sam watch jaws drop as alternate timeline versions of them appear on the screen

Shane can fuckin sing, while hes working that man has the OG emo anthems either blasting or singing them himself.

He does the cough at the beginning of ‘dear maria count me in’ and it makes him laugh everytime before he sings with the most angelic ex-emo voice the world has ever heard.

Shane and Jas’ parents definitely had a band of their own, Shane gives me Bass or Keyboard vibes along with primarily back up vocals but once he has a drink in him he could lead vocal for hours.

He seems like the kinda guy that once upon a time was probably the most stressed waiter known to man, nineteen years old Shane having decided to not go to college his roomates/bestfriends are pregnant and are planning a shotgun wedding, stressed outta his mind, industrial piercing rejecting and infected, eye twitching while a customer asks for their fries to be replaced with prawns and refusing to pay any extra costs for that

He gives screaming match in the kitchen with the chef and then going out back to smoke weed with him vibes.

[majoryeager104]

Shark week hc’s featuring bf Touya

Summary: Touya as a bf when you’re on your Period 

A/n I’m on my period soooo

Warnings: cursing, blood obviously, second hand embarrassment from twice, he burns your heating pad to ash lmao

I’ve seen some ppl say he’d be clueless (“what size pussy u wear”)

Nah

Fuyumi would’ve explained everything to him with Rei when he was younger

Plus, he’s probably had to pick up pads and chocolates for Toga during his time with the league

Yk all emo big brother like ☝️🥹

Needless to say he’d understand 

And he’d be really thoughtful too. 

His openness might be awkward 

But it’s the thought that counts 

Especially when he’s letting you use his whole body as a heating pad 

But if he’s honest he just enjoys the cuddles 

If you’re in the league, he’ll shamelessly cover for you on missions

And by shamelessly I mean he’d legit go to shiggy and be like “yeah I’ll take her mission… well it’s that time of month, and she’s in the shower right now…it’s like The Shining in there”

WITH NO SHAME

Shiggy would probably understand too though tbh but that’s a story for another time

He’d definitely have toga hang out with you while he’s gone,

And when he gets back he’s got candy and pads, and ibuprofen 

Hes not shameless with that part tho

He’s well aware that if any of the league saw him being so thoughtful they’d make fun of him

So he usually comes in with a bunch of Walmart bags stuffed in his jacket

Which is usually hilarious because it’s crinkling like crazy and he’s just acting like it’s not there

Being aLoOf

The fuckin emo 🖤 ⛓️🥀

He walks in, drops the bags on the bed, and flops over into your lap, letting you play with his hair while his quirk warms you up

Seriously he’s like a heating pad but a million times better 

If you bleed through your pants, he immediately spots it (he stares at your ass all the time it’s nothing new)

Gives you his jacket

Acts mad at first “you should really take care of that, we’re in public” 

But when you’re alone “sorry doll I’ll get you the heavier flow pads next time, now c’mere”

Bc he can’t stay mad when it’s not your fault

And if anyone sees it too? No they fuckin didn’t 😀

Will threaten to kill them if they mention it

Them being Twice bc he’s the only one who would

Not in a mean way he’d just be like “OMG Y/N ARE YOU OKAY YOUR ASS IS BLEEDING”

And Touya would do that really slow creepy ass side eye/head turn

And Twice never mentioned it again

Ofc after that Toga walked Twice through it

Because unlike Touya, Twice never had anyone to explain that stuff

But once again that’s a story for another time 

But I think Touya would be really reassuring if you got embarrassed 

In his own way ofc

“Calm down doll, it’s natural, so shut up and keep walking…I got ibuprofen in the car…”

Back to heating pads because I just had a thought

He wouldn’t let you have a heating pad

He’d get so jealous 

“Wtf am I even here for then”

Probably burned it and payed you what you spent on it

“See? I’m clearly the better candidate for keepin ya warm, that crap didn’t stand a chance”

With a big ass maniacal grin

(This was playing while I wrote it lmao, I don’t make the rules 🤷‍♀️ plus you can never go wrong with Arctic Monkeys ☝️😤)

Banner Creds to Artist 🙌🙌🙌 lmk if you recognize it in the comments so I can add their tag here 🙏🙏🙏

[bohemian-rhapsodys]

Have you ever thought about your funeral? if you're on Tumblr you probably have, so I suggest 1) you get some psychological help 2) pick a song for your friends to play at your funeral. Why? well, why not? it will be your last message to the world, so you have a chance to do something funny.

Don't be boring and play Highway to Hell by AC/DC or Should I Stay or Should I Go by The Clash, be original, choose something that represents your spirit. If you're not insane enough to listen to music and think "wow, this song would be inappropriate to play at a funeral" don't worry babe, I'm here for you and I'll help you on your way to discovering your ideal funeral song. This will work like astrology for those of us who had ask.fm in the 2010s.

So... if you're here you were probably emo or had an interest in emo or some kind of fetish idk. Don't lie. So you could use songs that are simply recognised as "emo" by all your guests to give a message. Bring Me To Life by Evanescene is a safe choice, although Going Under is another. It's never a bad time to listen to Fall Out Boy, there's Immortals or Sugar, We're Going Down. I Write Sins Not Tragedies by Panic! At The Disco would be good, although High Hopes is another option, but if your mother is already dead you can play Hey Look Ma, I Made It or if you die having just graduating college then Death of a Bachelor. Still with emo, My Chemical Romance can't not be an alternative: Welcome to the Black Parade, Dead!, This Is How I Disappear or Famous Last Words will prove your death because if you don't get up to sing you've really gone to the other side. You have Hard Times by Paramore too. Anthem of Our Dying Day or Until the Day I Die from Story Of The Year are bangers, think about it.

If you weren't emo or don't like emo stuff (I don't believe you, but don't worry I'm not going to drag you out of the emo closet with your family babygirl) you can joke about whether you will be buried or cremated, even more personalised!

Will they cremate you? Hot In Here by Nelly, Sean Paul's Temperature, Gasolina by Daddy Yankee, Dynamite by Taio Cruz, Burn by Ellie Goulding, Girl On Fire by Alicia Keys, Drop It Like It's Hot by Snoop Dog, Things We Lost In The Fire by Bastille, Blow by Kesha. And of course, Fireball by Pitbull. You're gon' boggie oogie oogie, jiggle, wiggle and dance like the roof on fire with these ones.

Will they bury you? Drag Me Down by One Direction or Get Low by Liam Payne and Zedd, The Box by Roddy Ricch, She Looks So Perfect by 5 Seconds Of Summer (you'll look stunning in that casket pookie), Six Feet Under by Billie Eilish, Sweet Dreams by Eurythmics, Scream & Shout by will.i.am and Britney Spears (all eyes will be on you, ofc) or Comfortably Numb by Pink Floyd.

If not you can use any song used as an internet meme. Like Like a Prayer by Madonna, Goodbye by Bo Burnham, I Wouldn't Mind by He Is We (you can also ask your friends to make a video of your life -like a recap- titled it "saddest video in the world", full of made up stuff) or Never Gonna Give You Up by Rick Astley.

You can also choose one based on the cause of death. Hit by a car? Life is a Highway by Rascal Flats (bonus points if you are a Cars fan), Ride by Twenty One Pilots, Shut Up And Drive by Rihanna. Run over by an hoverboard? Dumb Ways To Die by Tangerine Kitty (yes, the soundtrack to the video game) or Nobody's Perfect by Hannah Montana. Shot? Bulletproof by La Roux, Hit Me With Your Best Shot by Pat Benatar, Louis Tomlinson's Kill My Mind or Bon Jovi's Wanted Dead Or Alive. Suicide? Don't Try Suicide or Keep Yourself Alive by Queen, I Think I'm Going To Kill Myself by Elton John, Rock 'n' Roll Suicide by David Bowie, Van Halen's Jump. Trying to save someone from a robbery? Smooth Criminal by Michael Jackson, Help! by The Beatles, Gangsta's Paradise by Coolio and the Avengers theme song by Alan Silvestri. Overdosed at a party? Ricky Martin's Livin' La Vida Loca, Ayesha Erotica's Literal Legend, Pitbull's Time Of Our Lives and LMFAO's Party Rock Anthem. Heart Attack? Demi Lovato and One Direction have a track called "Heart Attack" or Boom Clap by Charli xcx. Slashed to death? (I Just) Died In Your Gun Tonight by Cutting Crew. Eaten by a new Jeffrey Dahmer? Cannibal by Kesha. Or if you died young it could be Die Young by Kesha or We Are Young by fun.

If you like to be ironic the following are for you: Best Day Of My Life by American Authors, Stayin Alive by Bee Gees, I'm Still Standing by Elton John, I Will Survive by Gloria Gaynor, Wake Me Up Before You Go-Go by Wham!, Don't Stop Me Now by Queen, Stronger (What Doesn't Kill You) by Kelly Clarkson, Every Breath You Take by The Police, breathin by Ariana Grande, Survivor by Destiny's Child, Call Me Maybe by Carly Rae Jepsen (spoiler: they won't be able to call you unless its via ouija), Lush Life by Zara Larsson, My Heart Will Go On by Celiné Dion (bonus points if you drowned), So Happy I Could Die by Lady Gaga, About That Time by Lizzo, Wake Me Up by Avicii, Unstoppable by Sia, Safe And Sound by Capital Cities, When Will My Life Begin? by Mandy Moore (who doesn't love Tangled?), Rusted Root's Send Me On My Way, Take My Breath Away by Berlin, On My Own by Ross Lynch (Teen Beach Movie 2 representation here), I Don't Wanna Live Forever by Zayn and Taylor Swift, Kool & The Gang's Celebration, Alive by One Direction (bonus points if you're gay) or Viva La Vida by Coldplay.

Do you want your friends to feel like they're inside a sad edit? Somebody That I Used to Know by Goyte and Kimbra, Big Girls Don't Cry (Personal) by Fergie, The Show Must Go On by Queen, We Go Together by John Travolta and Olivia Newton-John, Katty Perry's The One That Got Away, Good Riddance (Time Of Your Life) by Green Day, I'll Be There For You by The Rembrandts, Cry Me a River by Justin Timberlake, Die With A Smile by Bruno Mars and Lady Gaga, Everybody Wants To Rule The Word by Tears For Fears. Or maybe you prefer to joke that you "abandoned" them: All You Had To Do Was Stay, Is It Over Now? or Look What You Made Me Do by Taylor Swift, Want U Back by Cher Lloyd, Problem by Ariana Grande, bury a friend by Billie Eilish, Smash Mouth's All Star, Irreplaceable by Beyoncé, Naomi Scott's She's So Gone, Friends On The Other Side by Keith David (Tiana is the best Disney Princess), I'm Like a Bird by Nelly Furtado, Anna Kendrick's Cups (for the Pitch Perfect girlies), Take Me Home Country Roads but the Lana Del Rey version to make it more random, Eminem's Without Me, *NSYNC's Bye Bye Bye, Let It Go by Idina Menzel (extra points if you died of hypothymia).

Anyway, in any context it's funny to fuck with your guests with This Is What You Came For by Rihanna and Calvin Harris.

Would you like to play a chill good vibes song for them to smoke a joint in your name? Don't Worry Be Happy by Bobby McFerrin, Here Comes The Sun by The Beatles or Michael Bublé's Feeling Good. Have you ever heard the lyrics of Treat People With Kindness by Harry Styles? You should.

Do you like the idea of kidding with heaven/hell? try Stairway to Heaven by Led Zeppelin, Hells Bells or Hell Ain't a Bad Place to Be by AC/DC, Locked Out Of Heaven by Bruno Mars (bonus points if you're gay cause sex won't take you to paradise), all the good girls go the hell by Billie Eilish, What The Hell by Avril Lavigne, Sympathy For The Devil or Knockin' On Heaven's Door by Guns N' Roses, Bad To The Bone by George Thorogood & The Destroyers (you can play the scene from Megamind in the background if you want), Otherside by Red Hot Chili Peppers, Cage The Elephant's Ain't No Rest For The Wicked, Back To Life by Zayn, Heaven by Niall Horan, The Smiths' Heaven Knows I'm Miserable Now, Made In Heaven or Spread Your Wings by Queen, George Michael's Faith, Heaven Is A Place On Earth by Belinda Carlisle, A Whole New World From Aladdin (you can use the original version or the Zayn one if you like 1D), Defying Gravity by Cynthia Erivo and Ariana Grande (to leave a message that you are defying gravity to those who ground you), Almost There by Anika Noni Rose (more The Princess and the Frog representation here). Even Europe's The Final Countdown can be a good bet, as can Hozier's Take Me To Church (again, bonus points if you're gay).

I've named songs from musicals as you may have noticed, and you might like them, so One Last Time from Hamilton, My Dead Gay Son from Heathers or The Whole "Being Dead" Thing from Beetlejuice might hit the spot.

Do you believe in reincarnation or do you want to screw people that you will haunt them by being a ghost/zombie? Oops!...I Did It Again by Britney Spears, There She Goes by The La's, Dark Horse by Katy Perry, Ghostbusters by Ray Parker Jr., Thriller by Michael Jackson or The Phantom Of The Opera main track by Andrew Lloyd Webber (because it gives vampire vibes).

If you're boring you'll probably end up choosing Live And Let Die by Wings because you like the idea of telling your loved ones "let me go", and although it's part of the soundtrack of several films including Shrek the Third (so passing the scene would be funny), why not choose the actual funny equivalent? I'm talking about Let It Grow from The Lorax. "But if this ever-changing world in which we're living makes you give in and cry say live and let die" and "Let's celebrate the world's rebirth we say let it grow" are exactly the same, in case you didn't notice.

And if none of this convinces you: you can always use Boulevard Of Broken Dreams by Green Day and carve in your casket "I never thought being obnoxious would get me where I am today" which is a quote by Billie Joe Armstrong. Or just play Another One Bites the Dust by Queen, or The Office's intro, whatever.

I know if you read to the end you liked the idea, didn't you, sweetheart? So remember that you are too hot and sexy to die, don't do it. Ever. Be immortal like Castiel. Or Godzilla, your choice.

[skeletoncrevvs]

crossbeat magazine, aug 2007

translation/transcription under cut

Crossbeat - AUG 2007 - TRANSLATION

PAGE 30-31 (excluding cover and contents page):

Special feature on rock legends coming to Japan

MY CHEMICAL ROMANCE

AKIRA, Tekkonkinkreet, Lupin III  - "I'm attracted to works that are innovative and take on new challenges. I love them. I can't stop thinking about them."

Welcome to MCR Theatre @Budokan!! A drama of destruction and rebirth explodes in a spectacular live performance!! Japan and Manga

Interview by Takuro Ueno, interpreter: Tomoko Katsuta

We take a look at Gerard's true personality and the band's latest vision as a huge fan of the band.

Pics: Tetsuro Sato

PAGE 32:

The explosion of "Dead!", the confetti of "Welcome to the Black Parade", the flames of "Mama", the fireworks of "Disenchanted", the explosion of "Famous Last Words"! My Chemical Romance's Budokan live show was a spectacular entertainment show with plenty of gunpowder and pyro. The first half was a live performance of the album in which they dressed up as the band The Black Parade, the alter-ego of "The Black Parade", and the second half was a performance of other songs. The set was almost the same as the US tour in the spring, and the live started with "The End", in which frontman Gerard Way appeared as a patient in a white coat.

What impressed me was not only the dramatic songs that quickly became anthems, but also the presence of songs that could be called excellent supporting actors that supported the main characters. The combination of explosive guitar and beats in "This Is How I Disappear" created a sense of intense speed. In the second half, Frank Iero (G) and Ray Toro (G) strummed their guitars with complete concentration in the raging ensemble. The heavy melody gradually changed its expression, and I was also excited by "Sleep," which had a cathartic surge along with a heavyweight groove.

Bob Bryar's (Dr) powerful drumming also really came into play in this kind of song. And what was most impressive was the glimpse of Gerard's "madness" for a short time. 

There's a fine line between madness and sanity. In his sane mode, he's a geek who loves comics and games with all his heart, while in his dangerous mad mode, he explodes with emotion on stage. I think that the album "The Black Parade" is somewhere between the two, and for those wanderers whose egos tend to become unstable because of their wandering, Gerard's message is absolutely real. What I thought after seeing this live performance was that "The Black Parade" is a work that reflects the current era, and it has an immeasurable appeal to stubborn adults.

After performing the album that they had pushed themselves to the limit and creating in a lavish manner on the Budokan stage, Gerard and the other four members shed their heavy costumes and appeared in casual clothes. Behind them was a backdrop with the word "REVENGE" written in large letters, and when the life-sized My Chemical Romance performed "I'm Not Okay" and "Helena," the audience responded with a chorus of their own. Unlike the first half, there was only one flashy performance using gunpowder, and there was no confetti raining down on the audience or flames rising up. At the end, the people who stood on stage were not emo charisma, but young music-loving men who grew up in the New Jersey punk scene.

On this day, Frank joined the stage of the opening act, the melodic punk band Bouncing Souls from his hometown. Gerard asked the fans several times during his performance to give them loud cheers and applause. If you think about it objectively, you can see that Gerard's jumps and fist pumps are not cool, but I think that the attitude of "it's okay to be uncool!" is punk, and such objective opinions are not necessary for My Chemical Romance. Their performance, which was full volume and full force from start to finish, was unmistakably punk, and it is because of this blood that they are somehow hard to hate, even when viewed as a new-age rock band. My Chemical Romance, who graces the front page of this special feature on rock legends visiting Japan, have written another page in rock history with their live performance at the Budokan, but in this interview we also get a glimpse into the true face of Gerard, who loves Japan. He loves Japanese manga and anime, and when he came to Japan last time

Pic: Yuki Kuroyanagi

PAGE 33:

he even went to the cinema. When I explained the purpose of the photo on the front page, he cheerfully agreed to a two-shot with Mario, a character representing Japan.

----What kind of image did you have of Japan before?

"I was imagining the world of Ridley Scott's film, 'The Blade Runner.' I'm also a big fan of comics and Katsuhiro Otomo's work. I especially love 'AKIRA,' so I thought it would be something like the opening scene of that story, and I think that image was correct. But I ended up loving this country even more than I had imagined. I had no idea that Japanese people were people who respected others and their environment so much, and it was refreshing to be able to come into contact with such people and have such a variety of experiences before returning to America."

----You've toured to quite a few countries, but your first visit to Japan was in 2004. What were your impressions at the time?

"I feel like I've landed on Mars. And I mean that in a good way. It's completely different from any other place I've ever been to. The cityscape, the culture, everything I could see was different from any other country. I've had the chance to tour many countries, but when I went there, I was disappointed to see that there were many similarities to America, or even the same things. But Japan is original and amazing. I was fascinated by everything, from vending machines to key chains to TVs. I don't understand what they're saying when I watch TV, but there's a lot to absorb. I'm always looking for something to stimulate me, so this country is perfect for me."

----Your first live show was on the indoor stage at Summer Sonic. How did you feel about the audience's reaction? They were really excited about songs like "I'm Not Okay."

"It was amazing! I'm so glad to get such a reaction.

I never dreamed that we would get such a good response to "I'm Not Okay" in a country we visit for the first time. But it was especially special to have such a good response in Japan. The first time we played in the UK was on tour with The Used. We have a following in the UK now, but the kids who saw our show back then seemed confused about how to respond to our music. I think they liked it, but the reaction was surprisingly calm. After that, we played in a small club in Germany, and it was a big hit. Then we came to Japan and the crowd was so excited, right? It was amazing that we were able to play in front of such a large audience, but when we played "I'm Not Okay," it was even more amazing.

----After that, you did a solo tour in Japan. What is the most memorable episode from your live shows in Japan so far?

"Well... they're all great... let me think about it... there's just so much fun to be had in Japan. The last time I played at Summer Sonic (in 2006) was memorable, the day I was on the outdoor stage in front of Linkin Park. It was a big victory to be able to play at Summer Sonic again, because it was my second time playing at a stadium. At the first Summer Sonic, I was battling drugs and alcohol. So it was impressive to come back and play on that big stage and do a show in front of thousands of people. I remember being able to show a great performance."

----When you visited Japan in January this year, you apparently went to see the film "Tekkonkinkreet."

Pic: Tetsuro Sato

PAGE 34:

I love Japanese. I love the sound of it. I think it's a beautiful language. And it's especially beautiful when people are angry. Japanese is at its best when they're angry (laughs). [top quote]

"It was amazing, but unfortunately it hasn't been released in the US yet. I think it will be a hot topic because the drawing style and the content are very different from what people think of when they think of anime. It was my first time going to a Japanese movie theater. You choose your seat and sit there. And everyone was quiet. I don't know if the movie was boring or if people in Japan watch movies quietly, but everyone stayed seated until the end credits, so it seemed like they liked the movie. But the only one who was laughing was my friend who went with me. It was kind of awkward. I didn't understand the language, so maybe I was laughing at scenes I shouldn't have laughed at? No, I think I laughed at scenes I should have laughed at, but everyone was quiet, so after laughing a few times, I decided to watch quietly (laughs)."

----(laughs) What other Japanese manga and anime do you like?

"I like all the works of Matsumoto Taiyo, the writer of ‘Tekkonkinkreet,’ and I respect Otomo Katsuhiro, who I think is a genius. I also like Tezuka Osamu, the godfather of this world, who wrote ‘Astro Boy.’ I also like ‘Lupin III’ and ‘Science Ninja Team Gatchaman.’ I'm always discovering new things from Japanese creators, and they often surprise me. I'm attracted to works that are innovative and try new things. I'm not interested in anime where giant robots fight other robots. It's just a melodrama with big robots in it."

----After graduating from art school, you worked as an animator for a while.

"I was working on a cartoon called "Sheep in the Big City" (a TV series that aired on the American cable TV channel Cartoon Network). It was completely different from Japanese animation, and the creator, Mo Willems (a popular animation artist known for his picture books such as "Knuffle Bunny: A Cautionary Tale" and "Don't Let the Pigeon Drive the Bus!"), was influenced by 50s limited animation (animation that simplifies the character's movements) such as "Gerald McBoing-Boing".  But I was too young to watch the works of that era in real time, so I didn't really understand them when I was working (laughs)."

----By the way, what kind of comics did you draw?

"I drew [a] really crazy black and white comic. It was about two brothers who work as piano movers. They're said to be the best piano movers in the world, but they’re really not that good. I was inspired by American directors like Terry Gilliam (the director of "Brazil" and "12 Monkeys") and [the] Fritz Lang's film "Metropolis." I drew a dark and eccentric world. It was so outlandish that I got a ton of rejection letters from publishers (laughs). People seemed to have trouble figuring out how to sell it.”

----So from your perspective, what did you think of this work, which was painted with a uniquely Japanese touch?

"First of all, I'm attracted to the art. Look at Otomo's work. Just a single character standing in ruins creates a certain kind of image. That image is burned into your brain. That's why I'm so attracted to Otomo's work. He sometimes puts a twist on it and depicts an unrealistic world. That's what I like about him."

----You've loved comics and video games since you were a child, and that hasn't changed at all.

"Yes. I like video games because they are simply fun and a great way to kill time. I think online games on the Internet are fun because you can play them with your friends. When you're on tour like this, it's hard to meet up with your friends back home. Being able to play with them is one of the attractions.

The appeal of comics is... I love classic science fiction. I'm a big fan of the original Star Trek and The Twilight Zone. Planet of the Apes is good too. The appeal of comics is that anything is possible. You can express anything." 

----You also said in a 2004 interview with this magazine you also check out Japanese bands on YouTube. You mentioned Guitar Wolf, Cornelius, and Michelle Gun Elephant. What attracted you to them? 

"Their intensity. And the way they take music from a certain era and make it new with their own interpretation. Guitar Wolf is especially crazy! Their interpretation of rock and roll is amazing, and that's what makes them great. Their recklessness, that off-tune sound, that craziness! It's like they're playing a cheap tape recorder.”

PAGE 35:

There is an album with a sound that makes you think they just recorded it in a live recording session. But when you get down to it, it's not the sound or the songs, but their unconventionality that gets to the essence of rock and roll. I don't understand the lyrics, but the language difference doesn't matter. The energy of the vocals conveys everything. I love Japanese. I love the sound of it, I think it's a beautiful language, and it's especially beautiful when it's angry. Yes, Japanese is at its best when it's angry (laughs). That's why I love Guitar Wolf."

----I see. That makes sense (laughs). This is your fifth visit to Japan. What does Japan mean to you?

"Japan is a place that continues to inspire me. The more I come to Japan, the more I learn.

You get to know more places, and you get to meet new friends. The record company staff are my friends. The more people I know, the more I get to know Japanese people. I get inspired by them. I think the respect Japanese people have for each other is amazing. I like how they take pride in everything they do. And it's human. Even in things that seem impersonal, like computer manufacturing, you can feel the handcrafted attention to detail and craftsmanship. Japanese people value tradition and history. People from other countries are always thinking about the future and forget that the past is just as important as the present and the future.

----You've probably been to a lot of different spots, but have you been to Akihabara in Tokyo? 

"Hmm? What's it like there?"

----Home electronics have always been popular. There are lots of computers and electronic parts.

"Well, I guess I haven't been there yet. I heard there's a place in Tokyo that sells a lot of comics and manga? I'd really like to go there this time. I've mainly only been to Harajuku and Shibuya."

----That place is probably Akihabara. Personally, I also recommend Broadway in Nakano, but Akihabara is not only a comic book town, but it's also a crazy town where you can see adult women dressed as maids these days, so I definitely recommend you go there at least once!

"Oh, I've heard of it! I read it in a book. Also, a book called "Love Hotel" was recently published, so I'm thinking of reading it. It's a book about love hotels in Japan. Usually, foreigners can't enter those kinds of places.

Pic: Yuki Kuroyanagi

PAGE 36:

It's only recently that I've felt like I'm growing steadily. Before that, it felt like everything was moving so fast, and I wasn't able to cope as a person with that. Now that I'm moving forward at a steady pace, I'm adapting to the changes. [top quote]

Apparently, they were not allowed to take photos, but the author's female photographer was allowed to do so. The maid cafe also looks interesting. What place was it called again?

----Akihabara.

"There are comics there too?"

----Yes. Now, please tell us about this memorable Budokan live. Will it be with the same set and production as the US tour that was just recently?

"Yeah, we brought as much of the same set as possible. The Budokan has strict rules about pyro, but we're using the same equipment that Kiss used in Japan. So it's different from what we use in the US, but if Kiss gave us the OK, we thought we could accept it. In fact, we found that some of the things we use in the US set were unnecessary. For example, we didn't bring the ruins of a big building that we had at the back of the stage this time. It would take too long to send it to Japan. But the costumes and backdrops are all the same... and we'll use confetti, too. It's pretty much the same. But the most important thing is that the band is in top condition. We've been doing the set we're doing now for almost six months, and the composition of "The Black Parade" is perfect. That's the most important thing."

----The set list is divided into two parts, the first half is The album "The Black Parade" by The Black Parade, which can be said to be the alter ego of My Chemical Romance,and the second half is a return to My Chemical Romance and performance of other songs.

"That's right. I wanted to play all the songs on the new album. I wanted to do it in a big way. I didn't want to do it in pieces, so it just naturally came out like this. I also wanted to do something that would change from the beginning to the end of the show. So in the first half, we played a big performance with a big production, and in the second half, we stripped everything away and played our original selves. We wanted to show the core of the band. It was natural that it would be structured like this. The album is about an hour long, so it's not something that you normally hear. That's the length of a standard set. And then we do an encore in the remaining 30 minutes. But we don't like encores. We think it's arrogant to wait for the audience to applaud before going on stage, so after the first part, we go back[stage] and come out again at our own pace to show our support. [our appreciation (?)]"

----For some musicians, the stage is a place where they feel alive and can become their true selves, but what do live performances mean to you right now?

"It's a place where you feel alive. At the same time, it's a place where you can have a control that you don't have in your everyday life, and you can lose yourself. In other words, anything is possible. You can be very honest and let everything out. You can't experience that in your everyday life. From what I've seen of Japanese culture and what I've heard from Japanese kids, it's hard to express yourself with words in this country, so Japanese people express themselves through the clothes they wear. That's the case in America too, so for me, the stage is a place where I can say anything. Even if I'm opening for someone, once I'm on stage I can do anything. As long as I respect the band that's coming up after me, I can do anything."

----This summer you'll be touring with Linkin Park. How did this tour come about?

"They asked me to be their opening act. I was honored and really surprised because I'd never thought about it like that. They said, 'We're releasing a new album. We're going on tour soon, do you want to join us?' Of course I accepted."

----They're bands that have been active in a different scene than you, but there are some similarities between you and them, like the enthusiastic support of your fans and your commitment to art outside of music.

"That's right. The commonality between the two bands is that they have passionate fans who love music. Their new work is also very challenging. I think their fans are very smart because they can understand that. That means their fans could become our fans too. We like to tour with intelligent bands. That's why we toured the US with Muse recently. To really understand their music, you have to love it from the bottom of your heart. Of course, their songs are often played on the radio and are hits all over the world, but to really understand their music, you have to be sensitive. We like to tour with intelligent bands, and that's why we decided to tour with Linkin Park. I think they're very smart people.

----They have had successful arena tours in the US and the UK, and have conquered the Budokan in Japan.  How do you feel about the band's current state as it continues to grow?

"I feel great. It was only recently that I felt like we were growing steadily. Up until then, it felt like everything was moving at an incredible speed, and as people, I wasn't able to cope with that situation. But now we're moving forward at a steady pace, so I'm adapting to the changes."

----What direction do you want to take the band in the future?

"Well, I'm not sure if we want to get bigger. There are already people who enjoy our music. I'm happy to be welcomed by a larger audience, but we're not struggling to survive in this world. Actually, I miss playing small venues these days. At the same time, I want to play shows at legendary places, and I want to think about where I'll play in the future. Maybe it's one way to stop playing shows like we do now, and make the days we do play very special. I don't know if the band needs to get any bigger. I'm very happy with the situation. But I think we need to explore more creatively. ■

Pic: Tetsuro Sato

------

OP NOTE: this translation is ROUGH from google - i tried my best to make sense of some more of the questionable parts. please feel free to message me if i made any mistakes!