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#A morally grey prompt
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DPXDC Watch Out, He Bites
Danny did his best to be the best big brother possible, he helped his little brother learn and train to be the best, even if he knew what it meant. He protected Damian through thick and thin, and as he stared down at the corpse of his grandfather's enforcer in the sand he knew he'd just signed his own death warrant.
Danny had seen it coming for a while, even as the oldest son he'd never been what grandfather had expected of him, too soft and moral. He suspected that was why mother had Damian in the first place, to replace him as heir- and he never held it against his little brother. But stepping in the way of Grandfather's punishment for Damian would not go unnoticed, this would be the last way he would protect his little brother for a very long time.
Daniel turned to Damian, tears coming to his eyes as he wipes the blood and viscera off his hands and out from under his nails. "I can't stay." He saw his little brother's hands ball up as he started to shake. "I'm sorry, if you ever need a place to hide, then come find me."
-
Years later, Damian struggles to find purpose after the death of his father, and rather than be Robin to Dick's Batman he goes on a cross country road trip to find his big brother who would do anything to protect him.
But when Bruce comes back from being stuck in the time stream, Damian introduces him to his eldest son. They get along fine at first, but then some goon tries to kidnap Damian Wayne for the ransom money, and Danny gets there first.
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Villains vs. Antagonists (Guide For Writers)
Hey there, fellow writers and wonderful members of the writeblr community! 📚✍️ It's Rin here and...
Today, we're diving into a topic that's close to many writers' hearts: villains and antagonists. These characters often steal the show, driving our plots forward and giving our heroes something to push against. But here's the thing – while these terms are often used interchangeably, they're not quite the same. So, let's unpack this, shall we?
First things first, let's break down the difference between a villain and an antagonist. It's a distinction that can really elevate your storytelling game!
An antagonist is simply a character (or force) that opposes your protagonist. They're the obstacle, the challenge, the thing standing in the way of your main character achieving their goal. Here's the kicker: an antagonist doesn't have to be evil. They could be a rival love interest, a stern parent, or even nature itself.
A villain, on the other hand, is a specific type of antagonist. They're the bad guy, the evildoer, the character with malicious intent. All villains are antagonists, but not all antagonists are villains. Mind-blowing, right?
Let's look at some examples to make this clearer:
In "Romeo and Juliet," the feuding families are antagonists, but they're not villains. They oppose the protagonists' desire to be together, but they're not evil.
In "Harry Potter," Voldemort is both an antagonist and a villain. He opposes Harry (making him an antagonist) and he's also evil (making him a villain).
In "Cast Away," the island and the challenges of survival are the antagonists. There's no villain in sight!
Now that we've got that sorted, let's dive deeper into how to create these characters and use them effectively in your writing.
Creating Antagonists:
Define their opposition: What specifically does your antagonist do to oppose your protagonist? This could be physical, emotional, or ideological opposition.
Give them a reason: Why are they standing in your protagonist's way? Even if it's not justified, there should be a reason that makes sense to the antagonist.
Make them strong: Your antagonist should be a worthy opponent. They need to pose a real challenge to your protagonist to keep things interesting.
Consider their perspective: Remember, your antagonist is the hero of their own story. Try writing a scene from their point of view to understand them better.
Create contrast: Your antagonist should in some way contrast with your protagonist. This could be in values, methods, or personality.
Creating Villains:
Establish their evil: What makes your villain "bad"? Is it their actions, their beliefs, or both?
Develop their backstory: How did they become evil? A compelling villain often has a tragic or twisted history.
Give them dimensions: Pure evil can be boring. Give your villain some complexity – maybe they love their cat or have a soft spot for classical music.
Create a strong motivation: What drives your villain? Greed? Revenge? A twisted sense of justice? The stronger and more relatable the motivation, the more compelling your villain will be.
Make them smart: Your villain should be clever enough to pose a real threat. They should be able to anticipate and counter your protagonist's moves.
Now, let's talk about how to use these characters in different genres. Because let's face it, a villain in a romance novel is going to look very different from one in a fantasy epic!
In Romance: Antagonists in romance are often rivals for the affection of the love interest, or perhaps societal norms or family expectations standing in the way of true love. Villains are less common, but when they appear, they might be abusive exes or manipulative friends trying to sabotage the relationship.
Tip: In romance, make sure your antagonist's motivations are clear and relatable. We should understand why they're opposing the main relationship, even if we don't agree with their methods.
In Fantasy: Fantasy is ripe for both antagonists and villains. You might have a Dark Lord seeking to conquer the world (classic villain) or a rival magic user competing for the same goal as your protagonist (antagonist).
Tip: In fantasy, world-building is key. Make sure your antagonist or villain fits logically into the world you've created. Their powers, motivations, and methods should all make sense within the rules of your fantasy realm.
In Mystery/Thriller: In these genres, your antagonist is often the perpetrator of the crime your protagonist is trying to solve. They might not be evil (maybe they committed a crime of passion), or they could be a full-fledged villain if their crimes are particularly heinous.
Tip: In mysteries, your antagonist needs to be clever enough to challenge your detective protagonist. Leave subtle clues about their identity or motives, but make sure they're smart enough to almost get away with it.
In Literary Fiction: Here, antagonists are often more abstract. They might be societal expectations, personal flaws, or even time itself. Villains in the traditional sense are less common, but morally grey characters who oppose the protagonist are frequent.
Tip: In literary fiction, focus on the nuances of your antagonist. They should be as complex and flawed as your protagonist, with their own rich inner life.
In Sci-Fi: Science fiction offers a wide range of possibilities for antagonists and villains. You might have alien invaders, oppressive governments, or even well-meaning scientists whose creations have gone awry.
Tip: In sci-fi, make sure your antagonist or villain is consistent with the technological and social aspects of your imagined world. Their methods and motivations should make sense within the context of your sci-fi setting.
Now, let's dive into some tips to make your antagonists and villains the best they can be in your novel:
Make them believable: Whether you're writing a mustache-twirling villain or a morally grey antagonist, their actions and motivations should make sense within the context of your story and their character.
Give them a personal connection to the protagonist: The conflict becomes much more engaging when it's personal. Maybe your antagonist and protagonist used to be friends, or they're fighting over the same goal.
Show their impact: Don't just tell us your antagonist is a threat – show us the consequences of their actions. Let us see how they affect your protagonist and the world of your story.
Give them wins: Your antagonist or villain should have some successes along the way. If they're always failing, they won't seem like a credible threat.
Humanize them: Even if you're writing a truly evil villain, give them some humanizing traits. Maybe they have a pet they dote on, or a tragic backstory that explains (but doesn't excuse) their actions.
Make them adaptable: A good antagonist doesn't stick to one plan. When the protagonist foils them, they should be able to come up with new strategies.
Give them their own character arc: Your antagonist or villain should grow and change throughout the story, just like your protagonist does.
Use them to highlight your protagonist's strengths and weaknesses: Your antagonist should challenge your protagonist in ways that force them to grow and change.
Consider their presentation: How do other characters react to your antagonist? How do they present themselves to the world versus who they really are?
Don't forget about henchmen: If you're writing a villain, consider giving them some underlings. This can add depth to their character and provide more challenges for your protagonist.
Remember, whether you're crafting a dastardly villain or a complex antagonist, these characters are crucial to your story. They're the ones who push your protagonist to grow, who raise the stakes, and who often drive the plot forward.
But here's a gentle reminder: while it's important to make your antagonists and villains compelling, be mindful of the impact your writing might have. If you're dealing with heavy themes or traumatic events, handle them with care and sensitivity.
Now, I know we've covered a lot of ground here, and you might be feeling a bit overwhelmed. That's okay! Writing complex characters is a skill that develops over time. Don't be afraid to experiment, to try different approaches, and to revise and refine your antagonists and villains as you go.
One exercise I find helpful is to write a short story from your antagonist's or villain's point of view. This can help you understand their motivations better and ensure they feel like real, three-dimensional characters.
Another tip: watch movies or read books in your genre and pay special attention to how they handle antagonists and villains. What works well? What doesn't? How can you apply these lessons to your own writing?
Remember, there's no one "right" way to create these characters. What matters is that they serve your story and engage your readers. Trust your instincts, and don't be afraid to push boundaries or subvert expectations.
As you work on your antagonists and villains, keep in mind that they're not just there to make life difficult for your protagonist. They're an integral part of your story's ecosystem. They shape the plot, influence character development, and often reflect themes or ideas you're exploring in your work.
And remember, writing is a journey. Your first draft of an antagonist or villain might not be perfect, and that's okay. The beauty of writing is in the revision, in the gradual sculpting of characters until they leap off the page.
Lastly, don't forget to have fun with it! Creating antagonists and villains can be some of the most enjoyable parts of writing. Let your imagination run wild, explore the darker sides of human nature, and see where your characters take you.
I hope this deep dive into antagonists and villains has been helpful and inspiring. Remember, you've got this! Your unique voice and perspective will bring these characters to life in ways no one else can.
Happy writing! 📝💖 - Rin. T
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puppetmaster13u · 6 months
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Prompt 245
Now Danny would openly admit, if only to himself, that he had a type when it came to relationships. If they were strong, if they were a threat to him, then chances were he would develop some sort of crush. It was how he had dated Sam and Valerie (And Johnny & Kitty) when he was a bit younger, and hell, Sam had technically succeeded in killing him, even if partly. 
Attraction towards smart people who could kill him was honestly par for the course for a Fenton or Nightingale anyway. 
And he’d also admit he enjoyed a bit of time travel, learning about times and culture long before his time, to the point that he could blend in in ancient times just as easily as the time he had been born in. That it was natural to mutter in a language lost to time. 
So color him surprise when another man perks up in the bar he had paused to get a drink in, vibrant green eyes gleaming in interest and responds in turn. And not just in the language, but able to keep up when he talks about things that once existed but haven’t been rediscovered yet. 
And one thing led to the other, and there might have been some assassins and some shenanigans that end with them both laughing together in an inn and then more and- Okay he has a type alright, and he’s ticking each box! How is that fair? 
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darkcademiasss · 6 months
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When its 3am but the grumpy morally grey character had a 'oh, oh' moment as they stare at the sunshine character all while trying not to have a panic attack.
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iminkandpaper · 7 months
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"Villain killed over twenty people in the last two days," Hero slammed the file down on the table. "He must be stopped."
Sidekick opened the file. Her hometown. Her knuckles turned white.
"Villain did this?"
"Yes. Over the weekend."
Hands in her hair, stroking, petting gently. His mouth against her ear, crooning softly that she's so beautiful, so lovely, such a pretty little thing all for him. She gasps. His hands run up the insides of her thighs.
Sidekick frowned. "Are you sure it was Villain?"
A vein bulged in Hero's forehead, and his pupils seemed to dilate. "Who else could it be? Villain is evil. He must be stopped."
I wouldn't call him evil, she didn't say.
His fingers traced the line of her jaw, the curve of her neck. She let out a breath against his chest, inhaling the smell of his dusky cologne.
"I'm just... do we have any proof?" Sidekick rubbed her knucke against her palm, studying the photos carefully. "I somehow doubt this was Villain."
Hero gripped the edge of the table, manic. "Excuse me?"
His lips on hers.
"It couldn't have been."
Her hands tangled in his hair.
"And how would you know?"
Because I was with him the whole weekend, she didn't say.
Sidekick closed the files, shaking her head. "It just doesn't match his MO, that's all."
"Twenty five people," Hero snarled. He jabbed his finger into the file, denting it with his enhanced strength. The table creaked. "He went in there with his minions and set fire to three houses. Did you read the file, Sidekick, did you? Because if you did you wouldn't even be questioning me."
Sidekick leaned away from Hero, nodding slowly to appease him. "Okay. Okay, I believe you."
"Good." Hero backed off. He tried to smile, but it came off rather unsettling.
"Have you seen the crime scene yet?"
"No. I was waiting for you."
Sidekick nodded. "We should get to it. Stop him as soon as possible."
Hero shook hos head, turning on his laptop, muttering to himself about forgotten passwords which Sidekick dutifully repeated back to him.
"Who knows what he'll destroy next - maybe that little food truck on 6th next."
"Mm." She flicked through her texts absently, nit fully hearing him. She read the newest text with a faint smile. Then- "How do you know about the truck?"
"Pardon?"
"How do you know about the truck. The food truck. It's only there on Saturdays, and even then, Mary's schedule is..." Sidekick's eyes widened in realisation. "It was you."
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oddsconvert · 1 year
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I drool over Caretakers that seem like the sweetest and softest guardians. Ever so gentle with Whumpee. They may as well have a halo hovering above their head, they surely have a true heart of gold.
Until whumpee is threatened or hurt... and they see a red mist. They will spill blood for Whumpee, and take no prisoners. It's actually terrifying - like night and day. Jekyll and Hyde. Caretaker is unrecognisable in his fit of fury. They'll have Whumper cowering beneath them on the floor, beaten to a pulp - shielding whumpee behind them.
Whumpee doesn't know whether they're grateful for or terrified of Caretaker-
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starflungwaddledee · 8 months
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For 💖🎀, what about Marx? Little cute creature concealing incredible magic and uncanny features! I think he could be so mean to her ❤️
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oh... anon you are very big brained for this one. he could unfortunately be so so mean to her.... and he has such pretty pretty wings! she would be enraptured instantly.
bonus eye-anim version (cw eyes/flashing gif):
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Can I have a snippet about a morally grey Hero taking advantage of yandere Villain’s jealousy and violent tendencies? Hero knows Villain kills people Hero gets too close to, so they start flirting with other villains that they want stopped or villains that they just plain don’t like.
“You look tired,” the hero said. Usually, they would have the curtesy to ring the bell and not enter through the window. However, they hadn’t had time to change into their normal clothes which left the window as the best option.
They weren’t too thrilled to explain to the villain’s neighbours why they were dressed up like a superhero. Especially not to the old lady above them.
“I...” The villain looked at them, pupils blown up. They looked quite innocent like this and the hero supposed they rather made that impression on everyone in their life. The villain was clever, was quiet when they had to be, was assertive when it was demanded of them, was seductive when they forced themselves to be. Sometimes the villain’s ability to adapt scared the hero. What if the hero was too boring for them one day?
Would they get rid of them?
Although that seemed unlikely, the hero had seen the villain’s deepest secrets and they had learnt about their most vulnerable parts. If this was a long-term thing (and the hero wanted that, not only for the violent benefits but also for the ego boost), they couldn’t allow themselves to slip up.
Then again, the villain was efficient when it came to murder but they also had the tendency to lose all their power when it came to the hero.
They were like a puppy.
“Hm?” The hero raked their fingers through the villain’s messy hair. It wasn't exactly love what they wanted. So what?
Didn’t they deserve a little compensation for all the pain they had lived through? Losing people was part of the job and if the hero could have someone who wanted them, who could protect themselves, who really cared about them, even if the hero didn't have the same feelings for them? Who could blame them for continuing this? Who could blame them for wanting to be loved?
“Sorry, I’m very tired,” the villain said. They closed their eyes and took in a deep breath.
“Hard day?”
“Yeah.” Obviously. The villain had murdered one of the most powerful villains in the entire country a few hours ago and it hadn’t been a quick fight. The hero would know. They had watched carefully.
They doubted the villain knew any of that.
“Got into an argument again, did you?”
No one had found the body yet.
“Yeah, you could say that,” the villain said. The hero smiled gently as their grip grew stronger in the villain's hair. Slowly, the hero scrutinised the villain, noticing bandages and bandaids on their body. Not saying a word, they let go of the villain and walked over to their fridge.
For a moment, the hero had thought the villain wouldn’t make it. The fight had been brutal and bloody and anything but easy. But even if the villain had died, the hero could’ve killed the other villain easily.
It would have been a devastating loss, obviously. The villain had already killed ten of their own kind and their work was incredible.
“How was your day?” the villain asked, despite being in incredible pain. It was adorable how they thought the hero wouldn’t notice.
“Oh, it was alright. Arresting some bad guys, doing an interview, stuff like that.” They closed the fridge, disappointed.
“Being a superhero must be hard.”
“You have no idea,” the hero mumbled, still eager to find something to eat in the kitchen. It was a mess and the hero was truly not impressed.
“...I’ve been thinking about us,” the villain said quietly. “Today was...difficult and I just want you to know that you mean a lot to me. All I do is for you and—”
“We agreed on friends with benefits,” the hero interrupted. “I told you my secret because I trust you, because I care about you, too. You know I cannot have relationships that are more than that.”
The hero looked at them sharply, as if to scold them and apparently, the villain understood. They wanted to say something but did not.
“That being said, there’s a new villain I got assigned to. I don’t know, they’re kind of funny.”
“Oh, really? How funny?”
The villain didn’t learn, they always took the bait.
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Almost finished reading Dungeon Meshi and I got an idea
So in Dungeon Meshi or Delicious in Dungeon, there are these... dungeons.
And from what I have gathered dungeons can be made naturally or artificially but both types have the same few things in common.
They are made to contain demons
They attract adventures
The dungeons have lords who manage/control the dungeon and are given the power to do so by the demons
I know that I'm skimming over some important bits, but long story short, the demons come from an alternate dimension called 'The Infinite Realm' and feed off of people's desires, the Lord of the Dungeon's specifically.
That being said... (incoming dp x dc prompt)
Beings from the Infinite Realms aren't ghosts but demons. And while they do still have obsessions, they lack desires. And so, they've become something they hunger for.
Danny learns this the hard way when he accidentally eats his parents' desire to hunt 'ghosts'.
When the endless, all-consuming hunger, that had been growing inside himself became just a bit satisfied by the action, he got scared. He ran to Clockwork, who immediately explained everything to him.
From there he became terrified. He didn't want to eat people's desires, especially considering that he had some of his own. But CW explained that while other demons will most likely never be satisfied no matter how many desires they consume, because of Danny's halfa status he may be able to. (Also it would be a bad thing if the baby starves itself. No one wants the baby to starve!)
To test out this theory, CW pulls (more than) a couple of strings, and soon his dungeon was set up in Gotham City in the DC universe.
He felt a bit bad since he had to set up shop in another ghost's/demon's territory, but Lady Gotham seemed to have taken a liking to him.
Danny takes his time searching for the most desperate person he can find, (Lady Gotham is leading him to some of the most desperate people in her city, aka the Batfam.), and appears to one of them as a fawn (signifying his hunger and current 'lack' of power). He then looks deep into their mind and offers them the power to fulfill all their desires.
The Batfam? They should be better than this, but damn they were in a tight spot and the city is going to shit because the rouges have been more active than ever, and their family is on the verge of crumbling!... And the answer to fix it all was right there, just within their reach.
They held the fawn in their arms gently. Its ivory wings, coat of starlight, and piercing Lazurus green eyes. Gotham began to change.
A few years later, some members of the JL and the JLD are once again trying their hand at clearing the dungeon but are a bit discouraged because last time their team was wiped out completely.
It was inconvenient how their powers were nullified whenever they were inside the dungeon, but they had yet to find a spell to counteract it.
In an attempt to get past the third floor, they teamed with a team called Team Phantom, which comprised two young adult siblings, their 12-year-old sister, and a few teenagers.
Morally, they were against this. No one this young should be trying to clear the dungeon! But on the other hand, this team was the closest to getting to the fourth floor.
Sucking it up, they teamed up with the young dungeon dwellers and quickly found out why they were so close to getting to the third floor.
These kids were skilled. These kids were powerful. These kids were trained. On top of that, they didn't care about their lives! Because these kids? They wouldn't- no! They couldn't die, and they were using it to their advantage.
The JL/JLD now had much more to worry about than clearing the dungeon.
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shy-raccoon · 1 month
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A villain so powerful and brutal they drive the hero into villainy out of sheer desperation. A hero who's plans to stop the villain once and for all start resembling and then surpassing the villain's plans. A hero who dosen't want to hurt anyone except for the villain but who starts to justify more and more collateral damage as the years drag on.
For example, after years of the villain committing to many war crimes to count the hero is legitimately considering just nuking the Villains's capital city to get it over with. They can even justify it to themselves after all a lot of the capital cities population are the villain's rich supporters and henchmen (but far more are starving in the slums). Maybe the villain even finds out about this plan and is horrifed, They may be evil but even they are not foolish enough to resort to nukes.
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surplus-of-sarcasm · 9 months
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31st Story
Part 2
TW: Captivity, implied past torture, blood mention, restraints, mistrust, starvation mention, defiant whumpee, corrupt system, knife
Heyyy! Long-time no see. I blame college 100% because it takes up all my time, seriously. Happy New Year tho 💙
Villain could tell himself he was already used to the cold, hard embrace of the dull rock of his cell, to the claustrophobia-inducing lack of windows, to the fact that the only times he ever got to see the light was when someone walked in to beat him senseless, a feat made incredibly easy with the help of the chains that shackled his wrists and ankles, not allowing for much movement.
He could pretend that being covered in blood and filth, dazed and starving, was nothing to him, that the maddening urge to find out what time it was wasn't gnawing at him torturously.
"In here, wishful thinking is all you are capable of," a sunken-faced, old prisoner had told him before he was thrown into his personal hellhole. He hadn't said anything, but he'd believed the old hag to be weak and hopeless, and thus so was her sentiment.
Right now, all he wondered was if he'd break even faster than that woman might have. The villain screwed his eyes shut, hoping it would stop the chain of thoughts poisoning his mind, but all that did was make him think clearer, every disturbing image he tried so desperately to expel growing clearer and more vivid by the moment.
It was bad enough handling the physical pain, where every time he so much as shifted his form slightly, the tormented muscles in his back would scream in protest. But the physical side was tolerable, compared to being left at the mercy of his mind; a cruel, sinister thing.
So consumed he was in his own reverie, he hadn't even noticed as the door to his cell was unlocked, at least not until the light skirting around the corner had him snapping his eyes open and sitting up.
"This doesn't look good on you," a silky, almost serpentine voice called out.
"Superhero?" he asked, despising the note of trepidation in his voice.
"No. Just her lacklustre twin," she scoffed.
"Vigilante," he deduced with a slight fall of his shoulders in relief. It's not that he believed Vigilante would treat him well, it's just that no one could rival Superhero in cruelty.
"Still ever the genius," she responded dryly.
"What do you want?" he asked, almost desperate. If she was here to torment him, he wanted her to get over with it. It was becoming progressively more difficult to bear the state in which he was in, the one chock-full of waiting and thinning patience, of hoping the pain would start so it could end, that this time would pass faster.
Except it never did.
"It's strange seeing someone normally so high and mighty like this," she attested, dodging his question.
The older version of him would have let out a frustrated snarl and cussed her out for annoying him, but now all he could do was bite his tongue and stare at her with his new resting face, broken and defeated.
"Well, I'm not here to hurt you," she said, folding her arms across her chest.
That was a response, albeit an indirect one. And of course, she wasn't here to hurt him. She was here to make sure he was comfortable, that he was enjoying his five-star stay in this resort in hell.
Sucks to have an army of enemies and not a single semblance of a friend.
He and Vigilante hadn't really had any direct bad blood, but he was a villain locked up in here, so by default, he was supposed to be her enemy, right? It didn't matter who walked in here or whether they knew him or not. They just loved to see him break, to see him, once so relentlessly powerful, reduced to less than nothing. Perhaps it brought them a sort of sick satisfaction, but he didn't know much about satisfaction anymore to judge.
"I'm going to get you out of here," she said casually, like promising him the impossible was some sort of small punishment, nothing to tear himself up about. Maybe she could rival her sister in cruelty.
Without warning, a hysterical laugh escaped his throat, only for him to bite his lip and stop abruptly, trying to clamp a hand over his mouth only for him to remember he was chained up.
Vigilante's face fell, and his own had silent tears streaming down it. He felt as though he couldn't breathe, as though bricks were raining down on his shoulders and crushing his bones into nothing. His whole being seemed to itch with dread.
"Villain?" Vigilante called out, looking a mixture of confused and horrified.
"Just get over with it! Torture me until the floor runs red with my blood, tell me how death is a mercy above vermin like myself, and tell me to take it with a smile. Hit me harder when I can't bring myself to do it. Hit me until I feel all the pain of death but never attain it. Remember my current words as defiance, as another crime I've committed. I think watching me be humbled to the nothing I truly am will entertain you as any show would," he spat, only for regret to colour his features just as fast.
"Damn it. Villain, I don't want to do. . .any of this to you," Vigilante started, careful, trying for a semblance of gentle, something she was never particularly good at. "Like I said, I'm going to get you out of here," she continued again, hoping the stern tone indicated she was serious and not somehow going to torture him.
She'd never particularly liked him, mainly because he'd always been ice-cold, calculated to a point he seemed inhuman at times, no emotion whatsoever showing up on his face, besides a cool smugness. And by virtue of all the terrible things he'd done, all the blood on his hands. And yet, he was far from the worst thing out there, and most definitely not the villain in her story.
"And let's pretend you're telling the truth, which is completely fine by me because any mercy I've ever had here has always been a pretence, a figment of my imagination, you know. What could you possibly gain from this?" He raised an eyebrow, bearing a small resemblance to his usual self. Well, at least there was a slight amount of fight left in him, even if he was clearly holding back tears now.
But the villain's question wasn't completely outlandish. Vigilante did want something from him, but it wasn't a favour he would ever come to hate. "I need your help. My sister may seem like the goddamn tooth fairy to those who don't know better, but we know what her regime is really doing. This isn't about fighting crime, it's about her insatiable addiction to power."
"And where do I belong here?" The villain's voice still held the same disbelieving tone, his shoulders managing to tense even further.
"You're one of the few people who challenged her, Villain. And as much as it pains me to say it, you're a good strategist," she explained, even though she knew she'd barely convinced him in the slightest.
"I can't be the only one fitting that description, but I can be the only one owing you a favour too," he answered. Even if he didn't look half as confident, half as untouchable as before, the criminal was still just as clever. But it also meant he wasn't believing her anytime soon. Still, he wasn't wrong. The villain may not have smelled like roses all the time, but he'd be loyal to make sure they were even; a man of his word.
"What's it gonna be, Villain? Come with me or stay here?" she asked, folding her arms across her chest, growing impatient.
Well, it didn't make sense for her to give him a choice if she was going to torture him, but sense no longer governed things in his mind, letting a fearful apprehension replace it, no matter how humiliating. The choice could easily be an illusion, another cruel joke in this comedy skit from the filthiest parts of hell.
But it could be a chance, and he was desperate. So desperate he'd risk feeling even further degraded when she laughed in his face and put him through whatever torment she'd have planned.
"Fine," he answered, looking up at her with trepidation in his eyes. He could already feel the regret tasting like salt on his tongue and the burn of acid at the back of his throat he recognised as shame.
So when the sound of his chains being unlocked rang in his ears, and the vigilante helped him up, the feeling of surprise was palpable.
"I just need to handcuff you while they can see us," she explained, noticing how slowly the villain nodded, mistrust still burning in his eyes.
She didn't like how weightless he seemed against her, barely able to walk. She hadn't fought him much, but she clearly remembered that while his frame was somewhat slender, the villain's build still used to be athletic. It was no surprise he'd deteriorated, but that didn't make his fate any less cruel.
"I'm moving him to the other facility," she announced, practically dragging the half-starved villain with her, the only response being curt nods from the guards.
They were lucky that no one here would dare question Superhero and by default, her sister, if they could even tell the difference between both.
And sure enough, there was an entry documented into the other facility, done with the help of a few handsomely paid workers. And while Superhero wouldn't buy into the lie for long, it would at least make sure she didn’t notice immediately that something was up.
✨️Break✨️
The drive to Vigilante's house was almost torturously long and reeking of the tension of two people who weren't used to each other. The villain ran his fingers over his wrists, now free of handcuffs, but they still hurt. All of him hurt, a constant, dull pain that he was almost used to, but that didn't mean he didn't miss the times where he could remember moments without aches all over his body.
That was only the least of it anyway.
"I think you'd want to clean up," the vigilante had suggested when they'd got to her house.
Instead of an off-hand "yeah" like he'd meant to, the first words that foolishly came tumbling out of his mouth were: "I can?"
This wasn't an option they gave him back there, and soon enough he'd stopped caring entirely.
"Oh," Vigilante had responded, giving him a solemn look. "I mean, yes, of course you can," she corrected hastily.
He nodded, quite literally shoving himself into the bathroom and swallowing down the awkward shame in his throat.
He'd grown so accustomed to pain that he'd barely even noticed the sting of the hot water on his open, practically fresh wounds, or how the shower water underneath him turned a dull pink. He was a lot more focused on how his sore muscles relaxed with the heat, how he seemed to get lighter with all the dirt off him, good sensations having become foreign to him in the time of his captivity.
He walked out to find a change of clothes (his clothes) on the bed in the room outside, catching his reflection in the mirror, bruises lining his cheekbones and jaw and heavy, dark circles underneath his eyes. The villain simply ignored the old memories of himself taking the time to style his hair and care for his skin, his mind hardwired for survival, looking around the room for anything he could use in case he had to defend himself.
Not that Vigilante was stupid enough for that.
Still, if she wished to hurt him, she could've done it faster, could've done it earlier. Maybe the villain wouldn't trust her blindly, but so far, he hated her less bitterly than he hated everyone else.
"How'd you get these?" he asked, walking out, looking down at the black zip-up hoodie and black sweats.
Vigilante shrugged. "From your place."
"You broke into my- whatever." It wasn't the strangest part about the situation now. "What are we supposed to do?"
"I think you need to rest," she suggested.
And she was entirely correct, given his exhaustion and how the shower had made him somewhat sleepy, so he nodded his head, walking into "his" room and waiting until she walked up to her room, waiting until he could walk out and check if she'd slept, and once he was sure, he walked into the kitchen, picking up a knife and bringing it to his room.
The villain knew it was scummy, but he wasn't about to risk being hurt again, and if the vigilante truly had good intentions, the knife would never be put to use. Still, the villain had managed to fall into a fitful sleep, still better than any night he spent curled up on a cold, hard floor.
Trust is never easy, especially for those who have been hurt one too many times. But people were not made to live forever encased in solitude, a safe option to the blind and foolish, but never a permanent solution. And while taking a risk in times of suffering might seem like a wretched fate, sometimes it is the lifeline you need to breathe again.
✨️Le Taglist: @larinzz @syberianjade @lateuplight @altu-interactions @enbious-prince @astr0-mj @thelazywitchphotographer @a-fucking-simp-00 @addictedsandwhichaki @justalittlecorrupted @quaggasus @theangstyclown @vernilliom @mothmancommitsarson @starssabove @kurai-hono-blog @talkingsperm @muffinrebel44 @sunnynwanda @annablogsposts @cardboardarsonist @itsmyworld23 @onlywhump @m3rakii @crotchgoblin69 @wtfevenisausername @pendarling @avloki-pal @kaiwewi @those-damn-snippets @genuinelythioehat-is-whump @ghostofnorth
Wanna be on the taglist? This'll take you there!
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DP + DC Writing Prompt
An older Danny Phantom gets kidnapped by Amanda Waller to join her Suicide Squad. Obviously, he’s able to remove the bomb but with this being an older and more jaded Danny Fenton, he’s willing to stay with the group. He refuses to kill but he isn’t exactly stopping them either (mostly spends it trying to make sure that his ‘teammates’ don’t kill themselves by being idiots).
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puppetmaster13u · 10 months
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Prompt 87
“Mother, I crave violence.” 
  Danny paused in the middle of his work, turning off the torch as he turned towards Dan. Who had once again be de-aged for destroying a world a few years before. (Ellie had cackled for hours about her being the older sibling now) The currently-six year old was scowling, definitely not pouting. 
  He raised an eyebrow, setting his tools down. “Jordan, we’re literally in an assassin’s den right now-” Honestly running into someone he’d met in his time-traveling was rather interesting, apparently his old rival had become so ecto-contaminated that he was immortal now. “-and I know you just got out of sparring, so are you really ‘craving violence’ or are you just bored?” 
  Dan pouted, sorry, he scowled. “Your ‘friend’s’ kids kept tryin’ to copy me and got in the way.” He hopped up onto one of the chairs, visibly not happy about not being able to fly as he glared at tiny legs. Tough shit, he knew better than to destroy worlds, they couldn’t always reverse time. 
   Danny sighed, pinching the bridge of his nose. “They’re just trying to play-” Maybe to a human they wouldn’t, but honestly everyone here was so liminal they were probably closer to ghosts than anyone except for Amity. Which had also been displaced in time after getting dragged to the ghost zone, so it had been soaked in ecto longer anyway. 
   “They got in the way and I almost stabbed Dusan!” Dan whined, despite what he’d insist. “At least Elnath can go intangible and Nyssa can dodge!” Ah, that was the issue. He’d been worried. 
   “Little sunbeam, you don’t have to worry,” Danny soothed, scooping up the ghostling. Even though he had been an adult, the chemicals in the brain and body were still that of a child’s. A young child at that. “The trainers are there to keep an accident from happening.” 
  Not to mention that he was rather confident that between Ras and himself they could keep any injuries to minor ones. Sam would have loved to meet him, Danny thinks. Honestly they would have been best friends, but Sam was off on another world on a mission to collect every plant in existence, so good for her, and Tucker was back in the reincarnation cycle. 
  Oh well, at least he wasn’t waiting for them alone, and maybe Dan having more siblings would help stop another timeline-breaking accident from happening. 
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I see y'all with your Quiet One Lloyd AUs and I raise you:
AU where Lloyd never met the Ninja again after their initial encounter in Jamanakai Village. He ran off before he could fall into the Hypnobrai tomb, so no one, least of all the Hypnobrai themselves, have any idea how or why it opened.
Couple years down the line, the Ninja (who still have no idea who the Green Ninja is) are getting their butts handed to them by a mysterious masked stranger, wielding an unknown element in the form of some sort of destructive, green-and-purple energy. An out-of-breath Kai angrily demands to know who this guy is, prompting the assailant to dramatically pull off his hood and mask and say,
"What, you've hung so many kids from roofs you can't even remember all of them?"
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musicoftheheart · 6 months
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hiiiiiiii dori
i’ve written a prompt for you and it feels like something you may enjoy writing so i’m sharing it with you:
“Goodbye, James.”
Thats was the last time he’d heard Regulus’ voice
The first time he saw the Dark Mark across his lover’s arm
And the moment he decided to go against everything he’d ever learned.
Ever treasured.
Ever believed in.
Just to see his lover again.
omg hiii! thank you so much for this, it was so much fun to write <33
word count: 658
“Goodbye, James.”
That was the last time he’d heard Regulus’ voice.
The first time he saw the Dark Mark across his lover’s arm.
And the moment he decided to go against everything he’d ever learned.
Ever treasured.
Ever believed in.
Just to see his lover again.
As much as it shamed him to admit it, James was almost glad his parents weren’t around to see it; to see the deep black ink marring his forearm. He wasn’t sure he could’ve stomached seeing them realise that their son — the boy they’d cradled in their arms, the boy they’d raised to be kind and thoughtful and loving — had branded himself the same as murderous blood purists.
But that was just it, wasn’t it? James had been raised to love and to protect the people closest to him. And nobody had been as close to him as Regulus Black.
He could still feel the ghost of his touch, when he thought hard enough. It was all that kept him going when he’d thrown his first Avada Kedavra; it was all for Regulus. To protect him. To show him that no matter what he did, he was never ‘too cruel’ or ‘too monsterous’ for James. Because anything Regulus had done, James had too, now.
James was yet to see Regulus at any meetings, though. Or missions. Crouch Jr. said it was because James wasn’t very high in the ranks, yet.
So he rose.
He rose and he rose until even Bellatrix Lestrange was beneath him. She feared him, even. The Dark Lord was letting James lead missions; letting him plan them and decide who to bring and who to kill and who to curse until they forgot their own name. It pained him, at first. These were his friends, and he had to treat them like enemies. Marlene, Dorcas. Alice and Frank. Lily, Peter, Remus. Sirius.
For Regulus, James reminded himself, flinging a slicing hex at one of the Prewett brothers.
For Regulus, James thought, using his animagus form to spy on Order meetings.
For Regulus, James thought, facing down children on the battlefield.
He was slowly becoming more and more numb to it. Eventually, he wasn’t sure he felt anything at all.
But then.
It was a meeting like any other. The Dark Lord’s inner circle sat at the table, while lower ranking Death Eaters stood around the room. One seat eternally empty — Regulus’ — between The Dark Lord and Lucius Malfoy, and directly opposite James. James had resigned himself to another hour of missing his love when, moments before the meeting was to begin, the doors swung open.
There, moving across the large manor dining room with the grace and presence of royalty, was Regulus Black. Perfect black curls smoothed back from his face, showing his sharp cheekbones and icy cold eyes and pursed lips.
James couldn’t wait to feel them again.
Regulus didn’t seem to notice him, at first, but James could see it the moment he did. Those gorgeous eyes widened just a touch, his lips fell apart. It took all of James’ self control not to throw himself across the table and invade them with his tongue.
At a guess, James reckoned Regulus took in as little of the meeting as he did himself. Their eyes had locked across the table and it seemed like nothing at all could break their stares, not until The Dark Lord announced the meeting’s conclusion and Regulus all but ran from the room like it was on fire.
By the time James caught up to him, Regulus had hidden himself away in a small drawing room and was pacing, hands tugging at his hair. He turned abruptly when James shut the door behind himself.
”James,” he breathed, running into James’ arms. Everything James had done — the curses he’d thrown, the lives he’d ended — it all fell away into nothing. All that was left was the love cradled in his arms.
”Hello, love.”
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mossyoakswriting · 3 months
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Want to write a morally grey character, but can’t get into the spirit of writing them? Listen to the entirety of “Pure Heroine” by Lorde. This album is perfect for getting into the mindset of writing a morally grey character. My favorite to listen to is “Glory And Gore”.
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