So long as the political and economic system remains intact, voter enfranchisement, though perhaps resisted by overt white supremacists, is still welcomed so long as nothing about the overall political arrangement fundamentally changes. The facade of political equality can occur under violent occupation, but liberation cannot be found in the occupier’s ballot box. In the context of settler colonialism voting is the “civic duty” of maintaining our own oppression. It is intrinsically bound to a strategy of extinguishing our cultural identities and autonomy.
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Since we cannot expect those selected to rule in this system to make decisions that benefit our lands and peoples, we have to do it ourselves. Direct action, or the unmediated expression of individual or collective desire, has always been the most effective means by which we change the conditions of our communities.
What do we get out of voting that we cannot directly provide for ourselves and our people? What ways can we organize and make decisions that are in harmony with our diverse lifeways? What ways can the immense amount of material resources and energy focused on persuading people to vote be redirected into services and support that we actually need? What ways can we direct our energy, individually and collectively, into efforts that have immediate impact in our lives and the lives of those around us?
This is not only a moral but a practical position and so we embrace our contradictions. We’re not rallying for a perfect prescription for “decolonization” or a multitude of Indigenous Nationalisms, but for a great undoing of the settler colonial project that comprises the United States of America so that we may restore healthy and just relations with Mother Earth and all her beings. Our tendency is towards autonomous anti-colonial struggles that intervene and attack the critical infrastructure that the U.S. and its institutions rest on. Interestingly enough, these are the areas of our homelands under greatest threat by resource colonialism. This is where the system is most prone to rupture, it’s the fragility of colonial power. Our enemies are only as powerful as the infrastructure that sustains them. The brutal result of forced assimilation is that we know our enemies better than they know themselves. What strategies and actions can we devise to make it impossible for this system to govern on stolen land?
We aren’t advocating for a state-based solution, redwashed European politic, or some other colonial fantasy of “utopia.” In our rejection of the abstraction of settler colonialism, we don’t aim to seize colonial state power but to abolish it.
We seek nothing but total liberation.
Voting Is Not Harm Reduction - An Indigenous Perspective
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RW&RB MovieAlex vrs BookAlex: A Rant
I'm late to the party on Red, White, and Royal Blue for a dumb reason and now I'm obsessed with it. OMG I WAS SO WRONG.
I love the book. I love the movie. I also love the difference between them that I find myself obsessing over: the lack of June.
I love June. I'm also not mad that they removed her from the movie, because I honestly don't think they had the time to do her justice. The important thing is that when they removed her, they split her personality and scenes between Nora and Alex. And the result is fascinating.
Combining June with Alex gives us a calmer, more emotionally mature, competent version of Alex. He is definitely not the hot mess that BookAlex is. (Don't get me wrong here: BookAlex is my favorite character.) But now it's implied that MovieAlex is better at keeping his temper, handles his shit without being micromanaged, advocates for himself more, and I'm pretty sure the speech he gives is his own. Probably with help, but still. Also not having divorced parents means MovieAlex doesn't have BookAlex's abandonment issues. It's never said that his parents' relationship is perfect, but it's implied that he's had a stable family background. MovieAlex still has flaws and he's not Nora Levels of Competency, but he's definitely a lot more balanced. And this actually changes his relationship with Henry, just a little.
Namely in reference to my two favorite scenes:
1) Storming the Castle.
BookAlex is a ball of rage in this scene, and it's GLORIOUS. Yelling at the windows, aggressively dripping everywhere trying to ruin the rugs, making rude comments about Henry's ancestors. He is defiant. He yells, Henry yells back. It ends in tears, but there's a lot of anger.
MovieAlex by contrast is quieter, more hurt. He hardly yells at all. (I rewatched this scene like 20 times for Repeat to be sure.) He's determined, and he doesn't back down, but you get to see that split second of fear in his eyes that Henry is asking him to leave. There's a lot more emotion and tears in this version. It's ... sweeter isn't the right word. Bittersweet, maybe.
Downside: The lack of transition in the morning from the book. I miss Alex expecting to be dumped, and Henry realizing he doesn't want Phillip's life before deliberately making the choice to be with Alex. Also the comment on Alex's hair, which made me giggle.
2) The Museum Scene
I know a lot of people are disappointed with this scene, and I feel the need to argue about why it's brilliant the way it is.
In the book, they go to the museum because Henry has made his choice, and now he's showing one of his favorite places to Alex. He's the one who brings up the music. He chooses to fulfill his fantasy with Alex there, and he chooses to play a song that embodies the romanticism of their situation, about being in love and not being able to let anyone else know. Your Song.
In the movie, they go to the museum when Henry's still trying to decide if this is something he can have, and he's sharing a part of himself with Alex when he talks about his fantasy. Alex is the one who chooses to fufill it, so of course he chooses a different song. For him, it's a song about how easy it is to love Henry. I Can't Help Falling In Love With You.
I also love that they changed Henry giving the ring to Alex to Alex giving Henry his key in return. I love the symbolism of Alex keeping Henry's ring safe for him, of their two homes side by side. But I also love the idea of exchanging parts of themselves. I love that they have those pieces of each other when they're separated and the emails are exposed.
The book tells the story better overall because it has the time to, and the bickering and friendship between the boys is everything. The movie makes me melt over the flirting and affection between them. I can't pick one over the other because both versions of this story are wonderful.
But emotionally mature MovieAlex and how soft he is with Henry, making sure Henry's taken care of? I am WEAK for that.
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how do you get the angle & fov so close to the original!! is it just trial & error or do you superimpose the photo atop the game somehow
recently ive been tracing the outlines of the rooms in Clip Studio Paint, and then capturing both CSP and the game in OBS and changing the blending mode for CSP to multiply!
i use CSP's perspective ruler tool to find the horizon in the reference picture and then compare it with any doors in the image (theyre very consistently 2m tall) to find the height at which the photo was taken, and then make a little platform in the game so the pov is at the same height
i then trial and error the approximate position by putting down square tiles and lining it up with the floor in the picture. i'll then build up the walls (theyre usually around 2.5m tall, so i just make them 13 blocks/2.5m tall and use the resizable cube to get the ceiling to the right height). then i do even more trial and error to find the FOV, focusing on matching the angle of vertical lines near the sides of the screen.
i use a kitchen cabinet inner corner piece to "save" my position, i'll back into it to get to the exact same spot every single time. i'll also place a small item (usually a clothing hook) on the wall on the spot my cursor needs to be so i can always face the right way!
often the images have to be rotated very slightly for the horizon to be perfectly horizontal. i'll always note down by how many degrees, and when i'm cropping the final screenshot to the correct aspect ratio i'll also rotate it to match :)
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