#A long ago ancestor

[houserosaire]

Prompt #5: Stamp

The ruin had been a church once, not so very long ago. Silvaineaux had just seen his thirtieth summer and he remembered when it had held pride of place in the small village, tall and intact and gleaming with bright-hued glass. It had not compared to Ishgard’s cathedral even then, of course, but it had been beautiful when he was a boy.

It was certainly not beautiful now. The gleaming tiles of the roof were scattered under the snow and the windows gaped like empty eye sockets in the broken remnants of the walls. He swung down from Joyeux almost reluctantly, the crunch of his boots meeting the snow loud in the emptiness that once had been a street. “Wait here, mon fidèle ami.”

Joyeux whistled a low response, quietly, as if the silence oppressed him too.

Silvaineaux reached up to scratch at his cheek. “I’ll be back in a moment.” He said, and left the reins draped over the pommel.

He crossed to what had been the door of the church in determined strides. No door hung in that empty and half broken frame, and the space within had been open to the sky for years. He could not see the flooring under the snow, nor the blood. Yet the dragon’s fire had left its mark on what remained of the walls. Its skull too remained,  empty of eyes and teeth alike.

Silvaineaux spared it one long look, but then turned away. He had not come here for the dragon. Nor only for the memories he had left in this place, though they crowded around him thick and fast until he could almost feel again the heat of the fire that had seared the altar and smell the reek of dragon and blood.  

He closed his eyes as though that might shut them out. The air was cold. He smelled neither blood nor scales even if the faint scent of charring lingered even now. Silvaineaux thought of the page in the book that had brought him here on this fool’s errand, imagining the old picture, counting the pillars, then he opened eyes and turned. He counted the pillars, found the stretch of wall he wanted. 

It still stood even if it was burned black. He tugged off his glove to run his bare fingers across it. It was cold enough to burn and his fingers  came away dark with soot, but he could feel the ridges of the carving he had expected beneath. It was the work of a few moments to tug out the paper he’d brought, to run the edge of a pencil over it until the marks beneath appeared on the sheet. The hawk with its rosary, beneath that the words. ‘In memory of Baron Aristide de Rosaire who gave his life in this place.’  

He had not noticed it on the day he almost lost his own life in this place. No one would notice it now, hidden as it was beneath the char on a ruined wall. Yet his forebear had left his stamp on this place, his blood in this land. 

Silvaineaux reached out again to set his own hand over the shape of the hawk on the wall and finally turned to look at the place nearer the door where the far fresher blood should have been. His breath left him in a sigh that was equal parts relief and grief. There was only snow, the blood hidden away beneath all the intervening years of it. The thing he had half feared was not there either. 

No youthful spirit lingered to rebuke him.

Rolling his paper he tucked it into his jacket and crossed to kneel in the snow there as he had knelt on that spot once before. The last time it had been to take something up. This time he had brought something to leave. He tugged a small metal plate from the pouch at his belt to tuck in against the stone of the wall. It had no family’s crest to ornament it, no embellishment, only a few carefully chosen words.

‘In memory of Florent Gagnon who gave his life in this place.’

[froschli96]

You know what, fuck it, I have to speak my truth! (this is gonna be a rant, so anyone who actually likes assassin's creed revelations and/or the secret crusade, be warned or maybe don't read this at all)

remember how altaïr talks to king richard at the end of ac1, and richard is like "[humans] come into the world kicking and screaming, violent and unstable. it is what we are. we cannot help ourselves."? and how altaïr answers "no. we are what we choose to be." and how that ACTUALLY has meaning bc he himself was "violent and unstable" at the beginning of the game but he has learned and is now CHOOSING to be a better person who cares about others and humanity at large? remember how his calmness and gentleness was something that he ACQUIRED over the course of the story?

and remember how in revelations they then suddenly had a PRE-AC1 altaïr say about the first of his targets "no man should pass from this world without knowing some kindness." and be all wise and calm and collected during a nice little chat with al mualim, who suddenly acts all fatherly? (like, this is suddenly supposed to be a positive relationship? what??)

also, during the confession the target says to altair: "you put too much faith in the hearts of men, altaïr. [...] humans are weak, base, and petty." and altaïr answers: "no. our creed is evidence to the contrary." KJASJFJDKL???? like, it’s almost insulting how close this exchange is to the one with richard. you know, the one that was actually earned after a whole game of character development. like WTF??? cool congrats now that development means nothing. like, apparently that was just altaïr reverting BACK to being the exemplary assassin who understands and believes in the creed that he was apparently just born as. (i also hate how having a young inexperienced altaïr saying this implies that altaïr's faith in humanity is a sign of naivete instead of a sign of the wisdom he has gained after being confronted with counter arguments for a whole game, and also something that distinguishes the assassins from the templars who use humanity's supposed wickedness to justify controlling them like in AC1, but whatever)

altaïr’s development in AC1 mattered BECAUSE he is not NATURALLY a good person, it actually said something about humanity's capacity for both bad AND good and how humans don't have to be forced to be good through mind control bc they can by their own free will choose to be better when taught how and when allowed the freedom to grow. but no. apparently altaïr has just always been calm, wise and gentle. and he just sort of forgot about that during AC1 bc…. ? bc of adha?? bc of abbas???

oh don’t get me started on the whole abbas thing. (it doesnt even make sense that abbas is so hung up about his father and "his family’s honor", like what about the whole point of al mualim not allowing parents to be close to their children bc it would make them weak? like, my dude, you’re not supposed to HAVE any family aside from the brotherhood)

they used the throwaway character that had like 5 lines and made him into altaïr’s main antagonist in revelations… like, abbas wasn’t supposed to be this ONE dude who had personal beef with altaïr, he was just supposed to show how while altaïr’s revered by many, a lot of his brothers also hate him, bc 1) altaïr is a shitty person at this point and 2) bc there’s no real feeling of community and family in this version of the brotherhood, but just a pervasive sense of competition and jealousy — these assassins don’t care about their goal of safeguarding humanity bc they’re too hung up on petty squabbles and divided by rivalries (you know, the things that made malik hate altaïr even before solomon’s temple and that he overcomes in the end which enables him to forgive and to reconcile with altaïr so they can work together and stop al mualim? (you ever just think about "we are one. as we share the glory of our victories, so too should we share the pain of our defeat. in this way we grow closer. we grow stronger." and cry? bc i do. all the time. malik, the man that you are))

and now abbas is altaïr’s childhood best friend turned lifelong enemy?? like, bowden bent over backwards to come up with an explanation for why altaïr is an arrogant ass at the beginning of AC1, when the explanation is right there: he was raised to kill without asking questions and was constantly praised for how good he is at murder, which resulted in him becoming arrogant and disregarding human life. like, it doesn’t have to be some shakespearean family feud type shit. and guess what, this "simple" explanation actually plays into the story’s themes, who’da thunk!

(like, abbas might not have been a "fleshed out" character in AC1, but he had a specific function and now that function is gone. mr bowden, mr mcdevitt, you know characters are allowed to simply exist to tell us something about their worlds and the systems they live in and sometimes that’s more important and also more interesting than having every single character have a detailed backstory to explain all their behaviors, right?)

with all of this revelations loses all nuance in regards to the levantine brotherhood and also the creed in general. like, altaïr being a master assassin at the beginning despite being a terrible person and not actually understanding the creed is a criticism of the brotherhood and the creed itself. like, it said something about the order that someone like altaïr was able to get that high in rank, simply bc he's good at killing, which also tells us what is considered important in the al mualim era assassin order. when you make altaïr’s arrogance the result of his personal conflicts instead of how we was raised by a brotherhood that only valued one's ability to kill, you lose that characterization of the assassin order itself!

and by suddenly making al mualim a semi good "father figure" you also downplay his manipulation of not only altaïr but all those under his care. (altaïr says something about al mualim being "as a father" to him exactly twice in the codex, but he doesn’t mean by that that he WAS a father to him, what he means is that he was the CLOSEST THING he had bc HE DID NOT HAVE PARENTS, not because his mother died in childbirth and his father was executed when he was young btw, BUT BECAUSE IT WASN’T ALLOWED, like his parents actually lived but weren’t allowed to be close to him, he says he came to view al mualim’s "weak and dishonest" love as enough and even better BECAUSE HE HAD NOTHING ELSE, BECAUSE AL MUALIM ISOLATED HIS ASSASSINS FROM THEIR FAMILIES. al mualim "loved" him bc he was good at killing people for him! hm, i wonder if this could be trying to say anything about cults and indoctrination and the inherent contradiction in fighting for peace and free will by taking children away from their parents and raising them to become killers?? like, altaïr wasn't ~the special orphan boy~ taken in by al mualim bc his father died a hero's death, it was "the way of the order" to have al mualim be the closest thing to a parental figure for everyone to ensure absolute loyalty! altaïr saying al mualim was like his father is not supposed to make you go "oh, he must have actually been a good guy for altaïr to consider him a father", it should make you go "oh that's kinda fucked up that he considers the dude who made him into a killing machine and who manipulated him a sort of father figure"!)

and then in revelations they suddenly portray that relationship as positive and healthy??? like, it would be one thing to give it some nuance by delving into the psychology behind al mualim’s "love" and maybe showing how al mualim did care about altair in a complicated, fraught sort of way (like, you know, there’s a lot of interesting things you could say about al mualim at several points addressing altaïr as "my child" in AC1 and how that parallels Garnier referring to the people he drugged and abused as his "children", and what that says about how the templars view the people who they say they want to save and in whose best interests they supposedly act (in any case, al mualim doesn’t use that phrase because he has any real parental feelings but rather to patronize and to invalidate any objections, like in a "mother knows best" way))

but they even fucking DARE to parallel that relationship with that of altaïr and darim in revelations, by having the reflection in the puddle of darim hugging altaïr showing altaïr hugging al mualim…. like their relationship wasn’t inherently abusive but just tragically cut short because al mualim was just "corrupted by the apple"… like WHAT???? so it’s not the very real problems like grooming, manipulation and indoctrination and the hierarchical structure of the brotherhood itself (all of which are antithetical to the assassin ideology), it was just the evil apple all along. great. that’s DEFINITELY a lot more interesting.

god im sorry i really dont want to spread negativity but this is driving me INSANE. like, somebody please tell me im not crazy bc i feel like somehow most of the fandom is in agreement that revelations and the secret crusade have better storytelling and characterization than ac1.

SPEAKING OF WHICH, can we talk about how, even IF we completely ignore AC1 and treat revelations altaïr as his own character…. the narrative still doesn’t really work?

basically, the whole point of his story in rev is that "he gave his whole life to the brotherhood", this obsession led to him not using his time with his family which has him ending up dying alone in a dark library and this in turn makes ezio reevaluate his life choices…. except. he doesn’t? neglect? his family? or whatever? like, his devotion to the assassins is sort of painted as this tragic flaw that leads to a lonely death bc it supposedly comes at the cost of his family, but… his wife has joined the assassins, (at least) one of his sons is in the brotherhood and even when he goes to protect the assassins against the mongols, he takes his family with him (except for the son who stays behind bc he has a family of his own and who, ironically, ends up dying bc of that)… like, you can’t describe altaïr as a good husband and father in the database and have his son tell him that "everything that is good in me began with you, father" when they say goodbye, and then want to make us believe that he put his family behind the brotherhood and that that is a character flaw that leads to his tragedy.

because you HAVE to have a character’s tragedy be the result of a character flaw. like. that is how tragedies work. otherwise it just becomes tragedy for the sake of tragedy which is… boring bc it has no purpose. and we know it is SUPPOSED to have purpose bc ezIO FUCKING QUITS BEING AN ASSASSIN AFTER WITNESSING IT!

it’s like they want to have their cake and eat it, too — they didn’t want to actually make altaïr a bad husband/father, but still wanted to make his life a tragedy where he loses his family which is why instead they outsource all responsibility to abbas who now has to be the reason for ALL the deaths.

like, they try to make at least maria’s death kind of sort of the result of altaïr’s rashness or whatever but like… these guys KILLED THEIR SON and TOLD HIM THAT ALTAÏR HAD ORDERED HIS DEATH. like, altaïr losing it in response to that is not rash, it’s fucking logical and justified! if anything the scene made me angry at maria for trying to stop him. like, GIRL, he was YOUR son too??? but god forbid we give female characters actual real emotions, she has to fill the role of "voice of reason who dies for altaïr’s man pain" i fucking guess.

like, it’s this weird mix where his tragedy is simultaneously painted as his own fault but also not really bc abbas is the one responsible for all the shit that happens. it just… it just doesn’t really go together.

the only way to make his story make sense narratively and to give it actual purpose is by looking at it in the context of ezio’s story, bc the things he sees in altaïr’s memories are supposed to be a revelation (ha!) to ezio specifically. and i guess that’s maybe the crux of it all — altaïr’s story in revelations was conceived of first and foremost to support ezio’s story and development. which is probably also why many people maybe don’t notice bc, having skipped ac1 and started with ac2, the majority of people mostly care only about ezio and only really appreciate altaïr’s story in as far as it serves to push ezio forward. (tho i’ve also seen a few people say that ezio is also written kind of weird in rev, but i’ve never really been an ezio girly myself so i can’t speak to the truth of that)

like, altaïr dying alone in the library doesn’t really have to make sense for his character, i guess, bc it’s only really supposed to be a cautionary tale for ezio.

so, i guess, for once, they actually had a MAN dying for another man’s character development, which is pretty woke actually. ubisoft, i take everything back jksdsfjhgdsahfhsdhfghfdsgjhsdgjh

[potatounicoorn]

I can't stop thinking about them

The way history repeats itself with them

[andthespidersfrommars]

you might not think it’s hard to be a soc fan artist on tumblr, but let me tell you about the time I called someone out for drawing inej with light skin, so they blocked me and then wrote a long post about me that I couldn’t see, along with colour samples taken from my art as examples of how inej is “too dark” in them, and then they end the post with “I’m disappointed in you” 💀

[nyaskitten]

So considering what we know about Chima and the Wyldness and all that blah blah blah, I wonder if after the Merge, a group of Serpentine, maybe a few hundred, would've ventured to the Wyldness to try reconnect with their ancient roots (given the hypothesized idea of the FSM bringing the Serpentine from Chima/the Wyldness.)

I can imagine maybe they find the ancient remains of Serpentine lands, maybe there exists modern day Serpentine in the Wyldness who evolved differently from the ones we know due to conditions, and thus work in different ways from OUR Serpentine.

Maybe the reason Ninjago Serpentine are divided as Tribes has something to do with the Ancient Ways once spoken of centuries ago by their ancient ancestors, back when the Tribes were different animal species, not Serpentine species.

[mentalmeles]

Happy Holidays, hoot house!! 💖

[haliaiii]

Oc posting 5: Juno

[etchedstars]

watching ppl blatantly lie on the internet. if youre gonna make up a fake backstory and ethnicities to be at least make them CONSISTENT

[tecchan]

Mitsugi squatting everywhere is the only highlight of this damn game

[cptnbeefheart]

expose folk & blues music history to american public school students

[quietwingsinthesky]

i understand that the modern day segments are the thing that binds the assassin’s creed games together and that they’re essential to the story. but consider. they suck dick and balls.

[scottyzoomz]

i just saw the latest official art of naruto and i CANT KEEP DEFENDING NARUTO AND SASUKE WITH THEIR HOMOSEXUAL ALLEGATIONS.

CRYING

HELLO?!?!? THIS IS OFFICIAL ART

[windowstothepast]

Stack of Ladies, late 1800s-early 1900s

[razzle-zazzle]

you need to STOP IT with these ho/me/stu/ck aus. first psychonauts, now ninjago? STOP! BONKING YOU WITH A NEWSPAPER!

NOOOOO DON'T BONK ME!!! it won't stop me unfortunately, i love adding hs trolls to things 😌

anyway 💅 alternia as another realm within the 16 and maybe there was an invasion of ninjago at some point in the past, i'm still working out details. but the basic gist is a bunch of trolls immigrated to ninjago and honestly between the serpentine and munce and geckle and merlopians and the occasional skulkin and also the fucking. floating jaguars and boogie bears and everything else they fit right in tbh. they mostly keep to themselves but there is a bit of mingling between humans trolls and serpentine (up until the serpentine war at least), but trolls as elemental masters is next to unheard of given that trolls and humans can't really reproduce together that way.

except when wu goes to find all the holders of the elements of creation for the green ninja prophecy, well. Colton Bekkit and Nya are very obviously trolls, and wu knew that his brother had somehow managed to have a son with Tomeseek. what he wasn't expecting was for the masters of ice and lightning to have been raised by trolls, too. things are about to get chaotic (colton ends up crushing on the other three in three different quadrants pretty much. immediately. nya and kai had to raise each other and so nya's not really in touch with troll culture. things are only going to go off the rails from there)

[childoftheriver]

This beautiful man.

[drumlincountry]

I think a key thing to remember, if you wanna practice anything pagan-y or witch-y without falling prey to fascist propoganda ....is that ideas do not have to be old to be good.

I’m 100% serious. There is no ancient-and-therefore-correct ~ rite of the seasons that u need to emulate or cleave as closely to as you can. You do not need to find out what some pre-christian europeans were possibly maybe doing around this time of year, 2000 years ago. it doesn’t matter. Look at me. listen when I say this: it does not matter!

If a practice nourishes you spiritually & harms no one else .... great job! you have a good spiritual practice! If it connect you with the land & communities which support you & surround you, even better! It doesn’t matter if you made it up yesterday, or someone else made it up in the iron age. It makes exactly 0 difference. Ideas do not have to be old to be good.