#7th Street Productions
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wandasaura · 1 month ago
Text
SINFULLY
summary — it’s been a tantalizing exchange of passion and tension for seven days. they’ve pushed you to the edge, forced you to the cliffs peak, but in a moment of weakness, you become the problem in need of solving, and it only spirals from there
warning(s) — porn with plot, established relationships, threesome, dom/sub, bdsm elements, age gap relationships, professor maximoff, personal trainer natasha, beefy!natasha, innocent!reader, brat taming, choking, pussy inspection, punishment, daddy kink, professor kink, faux pity, manhandling, pussy spanking (w/ rings), spanking, edging, verbal humiliation, light anal play, plugs, ruined orgasm, orgasm denial, masturbation, voyeurism and exhibitionism, threats of bondage, vibrators, dildo, mean dom wanda, crying, begging, dirty talk, name calling, praise kink, subdrop, anxiety, aftercare, men/minors dni
authors note — i definitely missed some tags but i think you get the hint that this is absolute filth regardless of if i mention anything else. enjoy ;)
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“Sorry.” You apologized when your phone pinged with a message from your girlfriend. The one with fiery red hair that encapsulates the effects of her unrelenting passion; not the one with blonde hair that falls around her shoulders in a choppy cut she did herself two weeks ago. Your eyes glance down at the screen, not needing to guess what Wanda had found to warrant texting you so randomly in the middle of the afternoon.
You’d been waging an internal bid since that morning, when you’d enveloped her waist in a tight possessive claim and rested your head on her shoulder beneath her craned head so sweetly she didn’t notice your hand dipping into her pocket and discarding the yellow panties she’s picked out for you that morning, wondering if she’d notice then, or in the car, or in the middle of a lecture with students around to watch her flush and darken with lust. Natasha hadn’t noticed then either, and she’d been standing at the front door, already halfway outside with a thermos of coffee and a yoga mat under her bulging bicep as she waited. She dropped Wanda off at campus on Fridays. You should know. The first time you’d established that the cute girl you were seeing at the gym was your college professor's girlfriend, was on the street corner at 7th and Park on your way to a Spanish lecture. Natasha had all the windows down, but the roof still protected her sports car from seasonal rain, and her hair had been red at the time, peeking out through the windows as the wind blew. She was wild, reckless. Wanda was never that. Wanda had sat in the passenger side of the car with her hair pulled back in a bun. You’d known it was her because her side profile is haunting, encapsulating, delicious. You see her on campus, from down the hall, around the corner, across the parking lots. It’s not a big school, not by any metrics, but its big enough to never have her classes. It’s big enough for you to have swallowed the guilt of fucking a professor to allow you to boldness to leave your panties in her pocket before a lecture.
“Are you okay?” Kate frowns, glancing at you from across the table. You're in the library, a free period granted by your American History professor who actually has a brain on his shoulders and recognizes that sometimes students just need structured time to get their assignments done, or at least started. Your paper is filled with notes scribbled in purple ink, and the document you have opened on your laptop is highlighted with that dusty pink color that’s third from the bottom on the color gradient in Google Docs. Even with the lack of panties between your legs, the wetness you can’t deny dripping onto your denim shorts that feel like a nightmare against your sensitive clit when you twinge just slightly in your seat, you’ve been productive enough to make Wanda proud if she asks how you day at school went. ”You’ve been kind of quiet today.” Kate frowns, her eyes squinting like she’s trying to find an answer beneath the surface of your features. It’s not something that she can directly name. You’ve laughed at all of her jokes, smiled and teased her all like normal, but there's something that hangs over you that she knows isn’t right. “Oh god, is Wanda sexting you?”
Your face flushes. You’re suddenly aware that you’re not empty, not entirely at least. Your core clenches, slick walls pleading for friction, but your ass is full. It clamps down hard on the flared base of a silicone plug Natasha worked into your ass before she’d peeled herself out of bed to take a shower. It’s not one of the bigger ones, not one of the red princess plugs that came in a set of five that Wanda seldomly pulls out for intense scenes you’ve already discussed at length. It’s small, insignificant enough to be worn daily without much interference. It’s more a reminder of control than an interference, but right now it sparks every nerve in your belly and reminds you that you’ve been wanting for days. Four days.
Four days ago, on Monday, Natasha had pinned you up against the wall and touched you for the last time. She’d dipped her fingers beneath your denim shorts because it had been warm enough to bare your legs for her to ogle, and she’d worked you up on her fingers until arousal was dripping down her knuckles. She’d pulled away before you could cum. That was the third time she’d done that. The edging started Saturday night. For no reason. Wanda had come home from a pilates class at Natasha’s gym, which ironically was never run by Natasha but instead of best employee Pepper, who is actually named Virginia, and had taken you on the couch without even consulting Natasha who’d watched from the door frame with yearning eyes. She said nothing when she fucked your cunt with her tongue, her nose inhaling your scent as it bounced against your clit clumsily, and then she’d stopped and walked away like nothing happened, going into the kitchen to finish up dinner that Natash had thoughtfully already started. It hasn't ended since. It happens like this sometimes. It’s days of edging and denial until eventually Wanda explodes, but it’s never been like this before. It’s never reached the seventh day and still nobody’s let you cum. It’s thrilling. You think. Kate’s question catches you off guard. You’re emboldened by their experience, you allow them to corrupt you however they want, but in the absence of their dominating presence, you're just the innocent girl they plucked up off the streets.
“No!” You snatch your phone off the table like if it sits there any longer, Kate might develop a sixth sense for deception and absorb all the contents of your text chain with Wanda. You’d die if that happened. You have a hard enough time telling them what you want in explicit enough details to satisfy their vulgar desires, you wouldn’t be able to look at the Kate the same if she knew what the text said.
You decided to be a whore today, huh?
It’s simple but chilling. Eight words have unraveled you entirely, but you still have twenty minutes before you can sneak away to your car and drive back to Natasha’s house. It’s not their house, despite having been together for six years. Natasha had told the story as such — one day Wanda came over to spend the night and she never went home, the end. Legend has it, the redhead has a highrise apartment somewhere upstate, but she’s never ventured there with you in tow, and you’ve never seen a picture to prove it either. It’s basically your house now too though. Like Wanda, one day you’d gone over to spend the night, and then you’d never returned back to your dorm where Kate basks in the glory of single living. You think she’s pushed your beds together at this point and made a Queen for herself out of the two Twin XL’s, but you haven’t been back to check on the state of your belongings to know.
“She’s just telling me that Natasha wants meatballs for dinner, so she’ll send me money to get something on the way home.” You shrug, and it feels bad to lie, it makes your belly burn with guilt you don’t typically feel so intensely, but with your period four days off from ruining your entire month, you don’t dwell on the intensity of tears thrusting to prick your eyes and you deceive Kate for no reason. There’s no reason to lie, but you find yourself doing it anyway. There was no reason to leave your panties in Wanda’s pocket and risk her job, but you did it anyway. You’re impulsive without them guidinging you. It’s been months since you’ve been distanced enough to remember that.
“I wish Yelena would sugar mommy me.” Kate sulks, and you make a face as if to say they’re not even together, but Kate pointedly avoids glancing into your eyes to find the unspoken taunt. “Who sugar mommy’s you more? Natasha or Wanda?” She questions, and amusement fills your cheeks with hot air as you close your laptop and throw your highlighters and pens back into your pencil case, aiming to start wrapping this conversation up so that you can get home once your phone pings with the end of the allotted essay period.
“Well, Natasha owns her own business and Wanda’s a teacher so…” You break down the logistics of their finances, because it feels imperative that you remind Kate that regardless of anything else, Natasha still trumps both you and Wanda with inconce rates. Kate should know that though, she’s been obsessed with Natasha’s younger sister since your freshman year, and Yelena’s only finally giving her enough attention for lunch dates to be delusionally morphed into plans of marriage. You’re going to hate the day she learns Yelena’s asexual, and she has a better chance of fucking a fire hydrant than the blonde.
“She’s a professor!” Kate interjects, and your eyes roll. “They get paid more, and it’s hotter.” She’s had the hots for Wanda since she took Slavic Languages last semester on a whim after failing Spanish for the second time. You’ve only ever heard impeccable things about Wanda’s reserve when she’s giving a lecture, so even though your blood boils every time you remember other girls think about Wanda the way only you get to have her, you never can say you blame her for fantasizing about the lengths the redhead goes to romantically.
“Neither one of them really sugar mommy me.” You shrug, finding your voice again after Kate. You hope she doesn’t notice how your hips shift against the leather cushion beneath your awkwardly distributed weight, but you don’t think you’re entirely subtle as you attempt to alleviate pressure on the plug. Thankfully, you’re entirely certain Kate doesn’t even know the first signs to look for. She talks a big game, but you’re certain her last kiss was some douche bag at NYU before she was expelled. “I mean, I guess Wanda pays for dinner when we go out, but other than that it's pretty even.” Your words are a breathless huff when you move and the cushion expands without your pressing weight, and presses against the plug when you least expect it.
“Are you sure you’re okay?” Kate frowns, once again drawn to how something just isn’t completely right with you. It comes in waves, and it makes her uncomfortable for a reason she doesn’t know. You don’t even notice the way she shifts like she wants to retreat to basic elementary school survival skills and go find a trusted adult to confide in. You’d find it funny that sexual tension makes her uncomfortable, especially because all she does is yearn after Yelena Belova and some girl in her chemistry class named Maia, but it doesn’t even crash upon the surface of your mental shorelines. You’re so far from what's actually happening she could call you out on your horny bullshit right now and you wouldn’t know she saw through you.
You’re not great at being deceptive, in fact you’re pointedly bad at selling a lie even when you believe it fully, but something keeps you on your toes now, something like Natasha’s quick wit and self-preservation skills finally rubbing off on you. You find something in your head that’s not entirely a lie, and it falls off your lips before you can consider the implications of this potentially backfiring on you later on. It’s not a big deal, she’s not going to care that you’re horny because you’re in a lovely, healthy relationship where you try new things, but you’re making it a big deal and you don’t know why. ”Yeah, I just remembered I left the Zyrtec in Wanda’s trunk.”
“Oh, you’re still dealing with those allergies?” Kate frowns, and you deflate in immediate relief that you’ve managed to salvage the conversation and her worries all in one go. You let her guide the conversation from there, because you’re not sure you can focus on much of anything outside from how your clit graces against the inseam of your shorts when you cross one thigh over the other and shift your weight until your thighs become one. It’s humiliating. You’re humiliating yourself without their influence. Your cheeks burn. How have you fallen so far? How did you get to this point? If Natasha were beside you, you know she’d be grinning like a devil watching you squirm. If Wanda were here, you know she’d scold you for being so naughty in public, for being so needy that you can’t even sit still like a good girl while your friend tries to talk to you. They’ve ruined you.
Kate walks you to your car despite trying to part ways at the door. She’s kind as she tells you about all the events coming up on campus that you’re certainly going to avoid going to at all costs, but she tells you any way so that you feel included. It wouldn’t have bothered you any other day, but you’re certain that the crotch of your shorts is a shade of blue darker than the rest of the denim material, and you can’t face the realization of her knowing you’re so honry yoru thighs are slick with arousal and it’s your fault. You can’t help but think that you should’ve never left those panties in her bag, because now your thighs glimmer beneath the sunshine of June, and your arsenal that slips down your thighs in tantalizing beads are like high beams for anyone to lock in on at their own will. You’d never know if someone stole a glance from across the parking lot, if they took that image home with them and got off on it in secret, or if they didn’t even wait, just slipped into their office and worked it out then and there. You hate that Wanda’s convinced you that’s a hot possibility. You hate that it only makes the coil in your belly grow more and more until you’re clenching your fingers into fists and forcing back tears as Kate drags out her goodbye at the driver's side door of your little car with hardly any life left in it.
The commute back to Natasha’s has never felt so bumpy, and you’re ashamed that by the time you pull into the driveway, you’ve broken out into a hot flash that turns your cheeks cherry red and threatens to push you over the edge into a touchless orgasm that shatters you completely. The plug in your ass has nearly been pushed out twice, but the force of your ass meeting the seat as you bump against the unevenly paved highway forces it back into place. It’s never been a distraction like this, but your senses have also never been on overdrive like this away from your bed or the exotic spots chosen by your girlfriends with caution. It feels like there are fireworks before your fingernails, burrowed deep into your cuticles and unwilling to move. There’s an agonizing pressure in your belly that is enough to riddle you with tears and hiccuping sobs. You’re desperate, on the verge of an orgasm from roadside construction instead of your girlfriends, but just like they’d been doing to your body all week, the drive home ends before you reach your peak, and for the millionth time, you're edged and left stranded in the middle of blinding electricity and somebody forgot to flip the breaker.
Wanda isn’t home yet. She should be, but she’s not. A part of you is worried that she got fired, That she pulled the panties out at the wrong place, or at the wrong time, but she’d never texted you again, and you have the slightest hope that if she were facing unemployment she’d at least give you a heads up. When you’d slipped the panties into her pocket, you’d wanted someone to see them, but that thought swallows you up and echoes in the back of your head now like a demon willing you down a tainted path. It’s too late now. You’re already down it.
Natasha is home though, and the light gleams through the window and tells you she’s waiting in the living room. Maybe she’s not waiting though. She might just be watching TV, she might not even know that its one o’clock and you’re never home any later than one-thirty. You push through the front door like it weighs a million pounds, and there’s not one second to consider if Natasha knows what happened today or not. The minute you glance at her all comfortable on the couch, her biceps bulging as she crosses her arms over her belly and hides the handfuls of skin on her hips from you, you know that she knows, and she knows that you know that she knows. It makes your head swim. You want her with a burning passion.
“Oh, you’re home?” She asks, already rising from the couch though her tone feigned disinterest. You swallow thickly, shrinking beneath her stare. It feels so hot, so heavy. She’s unmaking you entirely, and yet she doesn’t seem to give a fuck whether you’re coming or going or somewhere in the middle. Her eyes sweep over your frame, and you know she’s reading every miniscule emotion portrayed across your demeanor, so you try your best to appear unassume, innocent, even if your belly churns knowing evidence of your disobedience stains your car seats now and your inner thighs. Your denim shorts feel heavy around your waist, the center weighed down by arousal that continues to collect. It’s uncountable, sticky. There’s no hiding the difference in hue anymore, sodden denim exposing your desires.
“I’m home.” You whisper, your throat bobbing as you swallow dryly. It doesn’t help anything. Your head is no clearer and you find your words no easier, but you force yourself to swallow again and hope that this time it helps. Natasha quirks an eyebrow, and the uninterested reserve drops entirely as her green-blue stare — you can never decide which color she wears more authentically — darkens into mystical lust that almost resembles charred ashes.
“Were you proud of yourself?” Natasha backs you up against the door. She’s not a tall woman, she’s only a handful of inches taller than you depending on what kind of shoe you’re wearing, but you feel impossibly small beneath her right now as your back meets the hard wood of the door and one of her buff arms comes up to frame the side of your face. It slams against the wood at first, hard, aggressive, aimed to startle you, and then it slides so slowly you think she may be tracking a fly, before it settles on your cheek with a burning weight that has you itching for more. It doesn’t last there for long. Natasha’s never been a woman skilled with stillness. She’s always moving, always finding ways to keep herself busy, so it doesn’t surprise you that she can’t even keep her palm on your cheek for long enough to capture your attention the way she wants. Instead, she trails it down to your throat, and you know then that you’re entirely screwed. She squeezes, not tight, but firm, and your eyes become wide as your reel beneath the easy dominance. “Were you proud of yourself when you snuck those pretty panties into Wanda’s jacket? I bet you wanted everyone to see them, huh? You probably couldn’t help but think about them falling out onto the floor during her lecture, or maybe you thought she’d find them during her meeting. Yeah? While she was sitting right next to Eleanor Bishop talking about you, and your major, and the future of your program.” Your belly is suddenly filled with a weight you know is guilt, and Natasha can see that. She’d aimed to let the reality of your decisions wash over you, and only when she’s satisfied that you’ve sat with the realization long enough does she lean in to kiss you and simultaneously work the button of your shorts open with the hand that's not around your neck.
“I didn’t think-“ When she pulls away from the bruising kiss that makes your head spin and the coil in your belly threaten to wind up again, you desperately try to find confirmation on your tongue that will assure her you’d never wanted anything to happen to Wanda outside of a little frustration. Even then, you weren’t sure what your aim had been this morning. Maybe it was to get her back. To make sure she knows how much this is killing you. Maybe you’d just wanted the attention. You don't know.
“That’s the problem, isn’t it, moya lyubov? You don’t think. You just let this cunt tell you what to do, even if it gets you in trouble. I bet she’s wet, huh? Oh yeah.” Natasha groans when she cups your core through the denim shorts, not even having to attempt to prod at your entrance through the thick layers, she can feel the moisture and heat radiating onto her calloused skin just from the possessive grip she’s initiated. “You’re always wet, always so easy to fuck. It doesn’t take much does it? I bet that plugs been driving you crazy all day, and you thought you were gonna be a brat and outsmart Wanda, but I bet not having any panties on only made it worse, huh, princess? I bet you’ve been wet since you left. Did you break my rule, baby? Did you touch this cunt without permission?”
A gasp falls off of your lips when Natasha cups your core harder, grinding the heel of her palm into your clit just hard enough to move the inseam of your shorts with it, forcing pleasure on you thats too rough and too intense all at once. Tears prick your eyes, but there’s still a question to be answered, and you’re not gone enough to have forgotten that if nothing else, she expects you to find an answer for her. “N-No!” You wail, frustration bubbling up inside of you when the pressure ebbs into nothing and your clit is left unsatisfied again. “I didn’t!”
Natasha’s tuts, clicking her tongue against her front teeth as she cranes her head at you sympathetically. The hand around your throat eventually trails away, cupping your face and then wiping the tears off your cheeks. “See, I don’t believe you, detka. I’m gonna have to check for myself. Open your legs wider.” She removes her hand from between your legs all together, tapping your hip in warning as she gives you space to comply with her request. When you just stand there, floundering for something to grasp onto and pull you through the dark waters with, Natasha huffs. “Open your legs wider. Now.”
You do as she asks, because it’s only natural that you do. You had half a mind this morning to do that exact opposite of what they asked, and yesterday, you’d pointedly avoiding doing what Wanda asked until there was no other choice but to comply or stand beneath her disappointed glare from across the kitchen, but that wingless push of confidence has evaded you now. It’s nowhere to be found even when you try to find the courage to stand up to her in your fingertips.
Your zipper doesn’t stand a chance against the force of her fingers dipping beneath the waistband of your panties until he bypasses your clit and france’s her fingers along your labia. There’s a distinguished squelching sound that meets the air when she dips just one knuckle into your entrance, filling you up for the very first time since Monday afternoon, and you gasp with so much relief that you don’t even recognize the sinister smirk on her lips as she reads your expression like a book she’s memorized dutifully.
“You’re so wet.” She comments, “Are you sure you didn’t touch yourself?” She knows you didn’t. The way you contract against her fingers as she eases another one into your walls and spreads you out like she’s preparing for a game of rock paper scissors tells her that you’ve not had an ounce of real pleasure since the last time she’d allowed it. She thinks it was two days ago. You’re unaware that she’s seemingly lost in a haze of days and mundane adult routine.
“I didn’t! I didn’t! Daddy, please!” You gasp, your back arching off the door when her fingers scrape along your walls. She makes an interested sound high in her throat, like she’s surprised to find that your sensitive there, and does it again, this time with full intention to overwhelm you with pleasure.
”Oh, are you sensitive right there, detka? Is that your spot?” She coos, and it feels so wrong so be treated like this by her. Natasha isn’t soft, but she’s not cruel, and right now she’s wearing Wanda’s condescension with her blonde hair that tickles your cheek when she drops her forehead against yours. “I didn’t know.” She pouts, and you wonder why for a second, but then it makes perfect sense when she pulls her fingers away and you’re left clenching around nothingness. She’s apologizing for giving you pleasure with nothing else. She’s pretending to care that she’s just wound you up for the hundredth time this week and left you high and dry in the middle of a puddle with wild electricity sparking in the close distance.
A broken sob leaves your lips and your hips chase her fingers but its useless. Natasha doesn;t care that you're desperate, she doesn’t care that nobody’s fucked you good in days, it’s not about that right now. You lost the right to her sympathy when you decided to be a brat. Again. She remembers the last time you were in this position. She remembers leaves changing colors and apple cider always being in the fridge because you love it more than apple juice in the middle of October, and she remembers how your ass had gleamed red for days after Wanda bent you over the island because you just wouldn’t watch your mouth and mind your damn manners. It’s been a while since either one of them had dished out a punishment that actually forces you to think about your actions. It’s been a while since either of them have really fallen hard on their swords as dominic acts and truly sacrificed you to the wolves of letting go.
Natasha will never apologize for loving you to deeply to keep her roles separate. She will never apologize for loving you so much, she gives into your pouting face and crying eyes when you just need her more than anything else in the world. Wanda won’t either, and she’s notorious the hardest nut amongst you to crack. None of you care that your dynamics have been muddled with pathetically sweet domesticity and romance for months at this point, but its beginning to catch up with all of you now. You have all of these limits beneath your belts, all of these wild impulses that you only ever indulge in with each other, these kinks and desires are derived from real trauma, and real connection, and real willingness to be the most unapologetic version of yourself no matter how socially unacceptable, and she’s allowed all of you to forget that the beauty of building a dynamic outside of romance is the freedom to hold grudges and correct behavior. She won’t give in so easily anymore, because before you, she never would’ve allowed anything less than perfect obedience and that had been the one thing that lured you back to her workout classes.
“Please, Daddy!” You beg, and Natasha can’t help but smile at how desperate you sound for her already. She’s barely touched you, and she knows that's your problem,that the root of your begging is the pointed lack of attention her and Wanda have been giving you since Wednesday night in her head, but there's nothing you can do about it right now when she has the cards and its her body that pins you to the door and keeps you immobile beneath her.
“Turn around.” She muses without interest for your tears, she’s already wiped them away once, it wouldn’t be the first time she told you to strop cry before she deems it acceptable. Your cheeks always flame when she does that, like its your fault that she’s unmade you to the point of tears.
“No.” You choke on a desperate cry, reaching out to attempt to tangle your fingers into her hair, but she intercepts before you can succeed, and her grip on your wrists is strong as she pins your hands above your head and glares deep within your eyes like she can see every part of your soul and the privilege doesn’t astonish her. It does astonish her. She can’t believe that you;ve given all of yourself to her like this, but who would she be if she allowed you to read the gratitude rolling off of her so easily? “No, I want to touch you!” You cry out, trying to fight her, trying to convince her to let you win. Natasha knows you well. She knows when you’re being bratty, and she knows when you’re just so overwhelmed with pleasure and emotion that you just don’t even process what they’re saying to you. Sometimes she thinks you make up conversations in your head, but she knows that you’re just drunk on sensations they’re withholding and your body is desperately trying to make up for the lack of stimulation however it can. You’re somewhere in the middle right now. It’s not bratty defiance that keeps you and her in a standstill, wasting precious minutes before Wanda gets home, but its not entirely blind submission either. Your trying to keep yourself above the tide, key word is trying, because you’re failing faster than you even register, and Natasha knows if she plays her cards right you’ll be putty before Wanda even gets in the door. You’ll have no idea whats in stores or you then, and she knows you need that. You need to be caught off guard. You need to be grounded, and humbled, and reminded of your place beneath them. “I want to touch you, Daddy!”
“Daddy gets to decide when you’ve earned the privilege to touch me, and you haven’t yet, little girl, so turn around and stop whining before I give you a reason to stick that lip out at me.” The threat hangs in the air before you and it paints your face white with shock as your eyes meet hers with crystals of tears brimming in your waterline. You don’t have to think about complying on your own regard, because Natasha tugs you how she wants you against the door and doesn’t think twice before pushing your shorts down your legs once your cheek is flush with the wood she’d once thought about painting green after moving in.
You gasp when her hands brace against the globes of your ass, not making any pointed moves, but you know what she’s aiming for when she pulls your cheeks apart and allows cold air to assault your dripping, glimmering core. A whine escapes your lips when she drags a finger down the crack of your ass to your entrance, collecting wetness of the pads of her fingers that she then spreads around your puckered hole that holds tight to the princess plug keeping you open. She circles the jeweled base of the plug with disinterest almost, never grabbing at it, never pushing at it, she just circles it to remind you that it's there, that she’s the one who placed it there and gave you firm orders to keep it where it was until she took it out. At least you’d listened to her. She’d know if you didn’t. You can’t get the plugs in yourself, and it enrages you to no end when she’s away on a business trip and Wanda has no desire to pull them out of the closet where you keep all of the toys you cycle through routinely and healthily. This is Natasha’s fortier, it's one of the only things that she can give you that you haven’t learned how to give yourself. She hopes you never get comfortable enough with the plugs to put them in yourself. She hopes you always gasp and squirm like it's the first time anything has ever breached your puckered hole when she bends you over to do it herself from time to time. It’s intoxicating. you’re intoxicating.
The jewel is a baby pink color, shaped like a heart, but what matters most is the shade that you’d never thought specifically about until Natasha leaned in close to kiss you with lips glittering in arousal to tell that it matches the pink of your cunt after Wanda fucks you raw with the strap and she gets to lick you clean. You’ve never been able to keep your composure around baby pink since then. You still can’t now just imagine the sight she’s seeing as she spreads you open for her and fiddles with you however she pleases.
“How did it feel? Wearing this pretty plug to class today?” Natasha asks, leaning in to let her lips trail along the clammy skin of your neck that only aquires a thicker sheen the longer you stand without any airflow on parts of your body that matter. It’s hotter than hell in the house, or at least it feels that way to you, but the air that continuously brushes against your core is cold and unwelcoming.
”We had a study period in the- in the library.” You gasp when Natasha grabs the base of the plug and turns it clockwise just slightly, enough to let your ass feel the stretch of the plug as sit spins within you. The pleasure is intense, but only because anything would be enough to push you over the edge right now. “I— Daddy, please.” You beg when she presses the plug deeper into you once, and then twice, and then it seems like shes setting a tempo as she taps her fingers against the jewel.
“Keep telling me about your day.” Natasha directs, unbothered by your frustration and arousal, unaffected by the fact that she knows it's hard for you to think straight with her hands holding you apart like you’re some object to ogle, not even considering your prolonged frustration and desire. “Be a good girl for me.”
“I couldn’t sit still.” You whisper and your cheeks flame with embarrassment that you know she enjoys every second of. “Gave Wands m-my panties and was so sticky, Daddy! Please, it hurts. It was dripping all down my legs, and I just hope Kate didn’t see. Please Daddy, I need you.”
“Oh, so now you gave Wanda your panties. Spinning the narrative, are you?” Natasha quirks and eyebrow, and she pulls your gaze back to look at her with a tight grip on your hair. You whine, wince, your entire body tenses and becomes a light with electric sensitivity that has you gasping and moaning and writhing against the door with no reprieve. She slams you back against the door, her tongue clicking against her teeth as she reminds you to stay still, to be good for her, you’re not being good right now.
“I don’t know!” You cry out, dropping your face against the front door again when she lets go of your hair and instead grabs the base of the plug and plucks it free from the confines of your ass without any chance to adapt to the stretch or subsequent emptiness.
”You don’t know anything, because all you are is a slut for Daddy to play with.” She sighs against the shell of your ear like this isn’t a new development for her, and your chest burns with shame as you moan and thrash.
“No, please! I want it back, please Daddy. Please, I want it back. I want to feel good. Please, please. I want to feel good, I want you to make me feel good.” You're a mess of tears and pleas when it finally dawns on you that your ass spasms and clenches around nothing — that the only consistent pleasure you’ve found all day, for the first time in a week, has now been ripped away without so much as a soft, fake apology.
“Shh, come away from the door.” She guides you away softly, affectionately — the gentlest she’s addressed you since you first stepped inside the house. You think it’s because she’s giving in, letting you win, getting ready to led you to the couch or the bed nad make up for seven days without relief, but instead she forces you to stand still beside the front window where Wanda’s somehow appeared despite Natasha’s car still being in the driveway beside yours. She didn’t pull you away from the door to cut you a break, or even pretend to feel pity for your tears and quivering lip, but only so that Wanda could come inside and destroy you in her own way. “Hi, my love.” Natasha smiles brightly when Wanda steps inside the house, her hair glowing with the radiance of summer sunrays brightening her naturally vibrant waves. She drops her briefcase by the door, and you notice for the first time that she brought the meeting bag with her, not the bag she brings that had daisies on it and is filled with extra handouts she expects her students to have lost between their last meeting. You hadn’t noticed that this morning. You’d been too consumed with need that was left untouched.
“Hi.” Wanda smiles, drawing Natasha in for a warm kiss that makes you wonder if she’s still frustrated and mad about your disobedience and boldness. It’s evident that she’s still mad when she doesn’t glance in your direction, instead keeping her eyes on Natasha as both of them pretend like you’re not within ear shot. Wanda fishes the panties out of her pocket, and your cheeks burn as she holds them up to the light for Natasha to see clearly as well. “Ten minutes in these and they’re ruined.” She hums, and you whine like you’re incapable of formulating any kind of response or rebuttal. It’s futile, they're not talking to you, or even paying you any ounce of attention, but you still feel the need to interject because you just haven’ t learned that they’re not going to cave yet. That’s their fault, but you’ll learn.
“She was humping my fingers like a bitch before. I’d say she only made it worse for herself. The little exhibitionist was hoping that people would see her. Was hoping someone would notice that she’s dripping down her thighs like a slut. Couldn’t even behave herself and sit still in the library with Kate, apparently she was all over the damn seat trying to rub one out.” The words are vulgar and they cut against your sharply, enough to have you shaking on your feet by the television, hardly even aware of the face that your ass and your hips are in perfect sight for anyone outside to see.
“Oh yeah?” Wanda quirks an eyebrow, and it takes you a minute to realize she’s addressing you. There isn't an ounce of warmth in her tone as she crosses her arms and unmakes you with a cold sweep of her crystal eyes across your half naked frame, but she’s not looking at you like she hates you either. It’s sheer dominance and lust that overcomes her now, and it's a combination you’ve never seen so deadly and aimed solely at you. Natasha's been on her shit like like this before, but never you, never their good girl, their angel who has only ever seen herself over their knee for punishment four times in an entire years long relationship. Someone should be picking up on the signs, but nobody is. Not you, not Natasha, not Wanda. “Come here.” Wanda arches a finger when she realizes that you’re directly in front of the window and don’t even seem to register it. It wouldn’t be the first time you’ve toyed with the idea of giving the neighbors a show, but even with the cold reserve she’s giving you, untempted by her love to go easy on you, it unsettles her to take your vulnerability for granted in any way, especially like this. If you seemed to realize you were giving anybody a show, if it seemed like showing off was an underlying current in the scene, maybe she would’ve left you there for a while after realizing, but she can’t stomach to do that now. She’s mean, she’s cruel, but she’s not a monster and there’s still boundaries to her wild fantasies that unmake you from the very inside out.
You only come close enough for her hands to reach you if they try, but she doesn’t invite you any closer when you stop to look at her uncertainty, so you take her silence as rejection and continue to stand on your own — cold, but so uncomfortably hot. “Is Daddy telling the truth? Were you acting like a slut in the library? Hoping anyone could see how wet you were?” She taunts, and the words creep up your veins until they reach the middle of your belly where pleasure and frustration and emotions you’re too hazy to name take over entirely.
“No!” You plead with her to believe you, because it had never been your intention to be anything but good for them in the library, but you just couldn't help yourself when your clit caught on the inseam of your jeans or you shifted just right on the chair, and you’d hoped Natasha would see the honor and integrity in your coming clean, but instead she’d weaponized it into this. You were in enough trouble without her meddling, and it turns your lips downwards, but you never have any leeway to say that it’s more than just the teasing that’s weighing you down, so Wanda never stops to consider your pout or sparkling eyes.
“So now Daddy’s a liar?” She digs deeper; sinks her claws into you unrelentlessly without even touching you at all. She doesn’t need to touch you to own you. You’re beneath the wings of her control so beautifully right now she almost hates to be so cruel. Almost. It’s a fleeting moment of hesitation that allows you to think you’ve found reprieve from punishment for a moment, but then she remembers that this is what she really loves when you peel her layers back like an onion, and just like an onion she makes you cry but you keep coming back for more because it adds something, it spices things up, it makes dishes complete and she completes you. And for a moment you think that maybe she’ll bend, that maybe she’ll wind you up with this teasing and condescension and then she’ll let you down soft, let it all be some elaborate mind fuck that renders you a blob beneath their touch, but then she sets her gaze on the staircase beneath your body, and her jaw is locked so tensely you think she might chip a molar. “You’re digging yourself a deeper hole the more you open that mouth, so why don’t you keep it closed and go wait for me upstairs. I want you naked and on the bed waiting by the time we get up there.”
“But I want—“ You’re ready to tell her exactly what you want. It takes a lot to get you to this point of open communication. You’re their shy girl, their innocent angel that still blushes when it comes to asking for sexual acts from your girlfriends, but they have you wanting enough to throw caution to the wind and scream to the entire town that you’re a whore; their whore. You haven’t been broken down entirely, but you’re so close to the edge of fuzzy bliss that you have no morals to stand firm on. You’re malleable in their hands, and they know how to make you into exactly what they want.
“I didn’t ask what you wanted. I gave you a direction, and I expect you to follow it. Am I clear?” Wanda takes a step toward you. Just one. She’s taller than Natasha. You know this, and you love this, but sometimes you forget that she’s only a couple inches away from reaching six foot, and she towers over you with a completion and complex you can’t even begin to mimic to even unsuspecting strangers. She’s alluring. That’s the simplest way to put it, and she unmakes you even further as she sizes you up and makes you feel small like you’re nothing to her. It’s been a while since you’ve fallen so heavily into these roles. It’s been a while. It’s an echo in your head, a warning to tread carefully, but you don’t see it as anything more than a reason to fight harder, claim victory and finally find release in your center.
Your head bobs — just once. It feels so simple to think about motions as numbers right now. One pass of Wanda’s eyes over your exposed thighs and hips. Two taps of Natasha’s heel on the hardwood as she waits for you to comply with the direction you’ve been given. Four seconds before you realize that Wanda’s waiting for words, and that you still haven’t moved even with your nonverbal acceptance. “Yes.” You whisper when you find the words on your tongue, and you think that it’s going to satisfy Wanda, that maybe she might praise you for finally finding the right choice to make, but instead she clicks her tongue against her teeth, and she cranes her head to the side, and her eyes squint as you like you’ve just done the worst thing you could do; not try at all.
“I know it’s been a while since we’ve played like this, but I didn’t think my angel was dumb enough to forget such a simple rule. Are you dumb, princess? Or are you just too needy to think straight?” Wanda sneers, and your face flushes with heat that makes your belly twist with something sickeningly sweet. It’s all encapsulating. You can feel it in your toes, and your gallbladder, and your left lung all the way into the very back section of your brain that probably does something really important and specific. You don’t know. It doesn't matter. The sky could be green and chickens could be flying, and still all that would matter to you would be Wanda and Natasha.
“Not dumb.” Your voice is breathy, soft enough to be delicate and breakable. Wanda knows you, she knows what you can take, and so she lets her eyes sweep across your body until they meet your eyes, and when she finds nothing but bubbling tension beneath your surface, she hardens her glare and crosses her arms over her chest, forcing her tits farther into your line of vision. She’s wearing a generic t-shirt, but she’s dressed it up with a pair of black slacks, kitten heels, and a blazer that you think she’s probably only worn for the commute there and back. Her bra is black, the thin strap sticks out from the collar of her shirt when she moves her arms, and the cups push her full breasts up even further. It's almost considered sinful by your standards, and that's a hard metric to meet, but Wanda does it without breaking a sweat.
“Then address me properly.” She settles you, and there’s nothing you can do to get out of this corner you’ve backed yourself into, so without any other choice, you submit to what she wants of you, and with that last ounce of control out of your grasp, your brain goes fuzzy around the edges until you’re taking the stairs one at a time at a pace that's almost robotic, but Wanda and Natasha are tuned in enough to know that you just can’t move any faster without your thighs creating friction that gets you in even more trouble. They laugh as you retreat, and the sounds of their echoing amusement following you into the dark, empty and cold master bedroom leaves a chill in your bones that you're not sure is ever going to warm again.
“Yes, Professor.” Your words echo in Wanda’s head even after you’ve disappeared into the bedroom. She assumes you’re doing what she asked, getting further undressed and settling into the bed with full intentions of being good for her, but she gives you time to marinate regardless. She kicks off her heels, kisses Natasha twice, three times, four times, until they’re backed up against the wall ripping off layers until it's bras and panties on both of them and t-shirts scattered on the floor beneath slacks and leggings. They don’t go any farther. As mean as they’ve been, as cruel as they still plan to be, it feels premature to go any farther when you’re waiting upstairs and Wanda hasn’t touched you since Sunday.
She thinks that Natasha took care of you. She was under the impression that you’d been given as many orgasms as you were allowed by Natasha while she was at work, handling end of year papers and exams that she just couldn’t focus on in her office at home. Her absence at home had been planned for weeks, she’d forearnderd you the day before she packed up all her favorite red pens and headed for the office that the next couple of days were going to be long without her home, but you had persevered and she had thought that your lack of whining over text meant that Natasha had satisfied you. Natasha just couldn’t keep the days straight without Wanda home to be nagging in her ear about recycling day and bulk collection day and how Pepper always goes to Yoga on Thursdays so she needs to stop counting on her to get finances in for the pilates class at her gym. She hadn’t realized that the last time she touched you was cruel and unsatisfying and four days ago, she has no reason to dwell on the specifics and she doesn’t even now. Not when Wanda breathes against her lips that she’s so happy its Friday, that she’s so relieved the semester ends next week and exams are two weeks afterward. It’s a small tidbit left undiscovered in a glass bottle on the coast. Her eye hasn’t caught the sparkling reflection of sunbeams bouncing off like warning signs.
Natasha enters the bedroom first. She glances at you, and she almost smiles when she finds you on the center of the bed, naked like Wanda asked, but holding a yellow throw blanket over your body as you shiver in direct line of the air conditioner that points toward the bed. She pads over to the thermostat without saying a word, turning the air off entirely though she knows that’s a dangerous game to play for later on when you’re all hot and sweaty and too tired to peel your bodies out of bed and deal with numbers and math and perfect temperature debates that never get settled but instead mulled over with compromises and grumbles of annoyed and reluctant compliance. For right now, she’s okay to sacrifice future comfort for present comfort, but there’s hardly enough time to take note of her wordless gesture because Wanda comes stalking in after her, and she pushes the door closed with enough force to have the sound reverberating through the bedroom. You flinch, grab the blanket a little bit tighter, and for a moment Natasha frowns, narrowing her eyes, trying desperately to see if there’s something beneath the surface that she’s missing, but your eyes are blown with lust, and you crane your body towards Wanda’s with a yearning desire that is so automatic you don’t even seem to realize you’re closing the gap between your bodies until the mattress dips beneath your ebbing weight and you nearly topple off of the bed.
“Drop the blanket and come here. Edge of the bed.” She clicks her tongue, her fingers too. It’s degrading. It makes your belly do flips and your eyes glaze over. “Spread your legs. Wider. Wider. Stop trying to hide from me.” She growls and the first touch of her skin against you is harsh and cruel and demanding as she spreads your thighs wider and opens up your cunt completely. Arousal drips from your entrance onto the bed sheets, pearls of glittering desperation unable to be hidden between your thighs any longer, and now that the moonlight shines upon those inches of skin too, evidence of lust is painted against your skin and it looks like it’s been that way for hours with the way your skin is red and raw with moisture. It’s pathetic, and it’s so unbelievably hot that Wanda isn’t even embarrassed to moan wantingly.
”She’s dripping.” Wanda hums, glancing over her shoulder to look at Natasha who hasn’t taken her eyes off of you yet, though she isn’t intent on unmaking your inner emotions anymore, but rather watching as Wanda sinks a finger between your thighs, spreads your labia, and prods your weeping hole with a featherlight touch only long enough to collect a bead of arousal on her fingertip and hold it up to the light. She pinches her fingers together, rubs the moisturized pads together until they’re both effectively lathered in slick, and then she pulls her fingers apart like they’re a sizzling mozzarella, and the pull of arousal following both of her fingertips makes your cheeks flame worse than any cheese pull ever has. You whine. It’s desperate, and wanting, and so small, but it only fuels Wanda further. She needs to feel you now. She needs to have her way with you for the first time since Sunday and remind you that you’re hers until the word goes up in flames. “You’re so sweet, princess. I could just eat you, but I won’t. No, I don’t think you’ve learned your lesson yet. Right now, I’m going to spank that pretty pussy raw, and then I think I’m going to fuck Natasha, and you’re going to watch it happen, and you’re not going to get more than I give you, and you’re not going to break me down, and you’re not going to complain. Do you understand me, detka? This is your only warning.”
You don’t have the words to answer her, so instead your fingers tap against your thigh twice, and for the very first time her lips curve into a smile and she nods like you’ve done something right. “Can’t find your voice? Too dumbed down to think straight?” She sneers, and her eyes are filled with something that you can’t decipher. Natasha knows its pride. She can practically see it dripping off of Wanda as she basks in your obedience even after deliberate disobedience for days on end. Again, neither of them realize that it’s been nearly a week since you’ve found peace with their touch. Again, neither of them realize that they’ve failed to communicate with each other and in turn left you stranded out in a sea you don’t know how to navigate on your own.
Neither of them realize you are giving them exactly what they want right now because it’s the only thing you can think to do to get any ounce of attention anymore.
Your fingers tap against your thigh again. Two times. Wanda nods acceptingly. “Good girl using your signals.” The praise washes over you like a blanket, and if you’d forgotten how you got into this mess at all, you remember now with every sense you have left in your head. The praise is warm, like sunshine or cinnamon rolls fresh out of the oven and homemade in the dead of autumn. It wraps around your bones first, just hot enough to warm them for a moment before the feeling travels and it drowns your sensitive little heart in lightness that can only mean good things. It’s a momentary encouragement, but it’s enough to get you further into the scene at least. “Show me what stop is.”
Your fingers tap against your thigh twice, and then you stop, and then they tap three more times. Wanda doesn’t acknowledge you at first, so you repeat the action, and this time she nods with satisfaction that you remember. She doesn’t offer you any ounce of praise again, instead she just sinks behind you on the bed and wraps her arms around your waist until you’re flush against her chest and even more spread out than you were before.
There isn’t a warning before her hand comes down on your core with full force, her palm open, aiming to hit all of your sensitive parts with cruelty. It only takes one hit for you to realize that she wore rings today; more than just the promise ring Natasha had gifted the both of you on your respective one year anniversaries. The sting of metal is conflicting. It’s cold, sharp, what you imagine a venomous snake bite to feel like in the wild when it catches you by surprise and flashes through your veins with lighting speed. It’s a quick sensation, but it lingers on your labia and your clit and your weeping cole that caught the brunt of the friction from her palm that’s always rough with dryness.
Your hips jerk upwards, they chase her palm because the sensation is sharp, and it's painful, but as it ebbs away, it’s so sweetly pleasurable that your core jolts with burning desire to find more, to drown in it until there’s nothing left to feel or process besides euphoria. Wanda doesn’t like that. She doesn’t like that your hips jerk, and she wasn’t expecting them to. She doesn’t like that you’re still finding ways to misbehave even beneath her touch.
“Stay still.” She warns, her teeth nipping at your earlobe sharply. It stings, and she never soothes the ache with her tongue, and you whine so earnestly that Natasha almost feels bad, because she’s mean, but not as mean as Wanda, but she doesn’t feel bad enough to save you, and so nobody tends to the ache in your ear, or the pinch in your cunt when another slap doesn’t land in quick succession like you’d hoped. “Can’t even take a punishment. It’s like you’ve forgotten everything I taught you. Did you forget, detka? Do we need to start from the beginning? Reintroduce everything? Do you want to go back to only getting Daddy’s fingers because your tight little cunt can’t handle the strap?”
Your head shakes frantically, and you must look absolutely wild beneath the light that spills in from outside. The city is bright, shiny, dazzling, but Wanda Maximoff is a burning star and Natasha Romanoff is the very universe she explodes in and lights up with brightness that’s too hot to touch let alone look at nad see the full picture without being blinded and breathless and useless and you’re spiraling, you’re spiraling so far down into darkness that your train of thought abandons you and in the very moment that you lose all sense of where you are, drowning the scent ofWanda, and your arousal, and Natasha pacing across the room, apologetic but not enough to intervene, another slap lands between your legs and you howl with pain that becomes licks of tantalizing pleasure you can’t get enough of. You manage to stay still this time though. You don’t jerk, don’t chase her palm. You tense, you tighten, you bite down on your bottom lip until you almost taste copper, but you never move a single muscle.
Another slap comes down, and then another. She didn’t ask you to count them, so you lose count after the sixth. There must’ve been a nineteenth, because that number always makes Natasha laugh, and through thick tears in your eyes you registered her shoulders jostling from across the room before she’d turned away from the sight of you so completely unmade against Wanda’s chest to rummage through the closet. It weighs on you that she doesn’t even stick around to watch you be taunted and pulled apart so slowly and cruelly, it burns in your belly like shame, and for the first time you gasp in pain that has no pleasure, but before you can spiral, grasp onto sensations that have always been beneath the surface, that have fueled your every action since Wednesday afternoon, your brought back beneath the current of lust and willingness to do whatever the the hell they want when a slap comes down on your pussy that perfectly hits your clit. You're close. So close. Wanda knows. Of course she knows.
“Little sluts gonna cum from getting her cunt spanked!” Wanda calls out to Natasha, and your face burns with humiliation when you hear the thick laughter rumble from the closet. She slaps your core again, directly against your clit again, and that’s enough to have you dangling over the edge. You’ll take this orgasm. This orgasm that's going to be painful not just right now, but tomorrow morning when there's no pleasure left and only swollen lips and bruised skin, but for right now you’re willing to take it because it's the only thing they’ve given you outside of half asleep cuddles since Monday.
A gasp falls off of your lips when Wanda’s hand slaps against your clit again, but not with the same cruel pressure. It’s light. Deliberate. Your hips attempt to follow her palm when she retreats, her skin sparkling with slick, but she’s faster than you now, more coherent and intune with her body and its functions. She holds your hips down, forces your thighs wide. Your orgasm crashes over you and then it's gone, ebbing away into waves of pleasure that never dwindle, but never quite crash against the surface either. You’re sobbing, a mess of snot and tears, but no words escape you, and your fingers never tap your thighs, and your hands desperately shoot to Wanda’s wrists and try to pull them back to your core that weeps and drips lips a faucet or a widow, you’re not sure which one it is at this point — an inconvenience or a tragedy.
“Oh, you didn’t think I was just going to let you enjoy that orgasm, did you?” Wanda frowns, cupping your cheeks and bringing her thumbs against the damp skin, clearing away tears that are like diamonds on your flush skin. “Silly girl, you didn’t even ask for permission.” She clicks her tongue, and your brain is too fuzzy to comprehend that she’s blaming you for the ruined orgasm. She’d expected you to ask permission when she knew from the start that you couldn’t vocalize your wants even if you tried. It’s a thick blanket of something uncomfortable that smothers you when you realize that it had been a trap from the very beginning. You can’t handle another trap, another bout of teasing and creautly, but Wanda still has half of a plan to hatch, and you know she’s not going to stop unless you call it completely, but no part of you has the cognition to do that right now. Your brain is muddled, your thoughts aren’t your own, and the only thing you can process is them. Professor and Daddy. Professor and Daddy. Professor. Daddy. You need them. You need them fully and spiritually. You need them sinfully.
“Get on your belly.” Wanda moves away from you until her feet are on the floor and it's just you in the bed that feels too big for just your body. You do as she asks, even if you barely comprehend the task, and let your weight sink into the mattress as you finally lay down. It dawns on you now how tired you are, but Wanda can’t see your face, and Natasha watches your hands closely, but they never tap at your thighs in any fashion. You’ve always spoken up when something was too much. You’ve always used your signals when you were too deep into subspace to drop. She trusts you, and you’re showing clear trust in them, so they keep going, their reserves don’t break, and nobody sheds an ounce of pity as you whine and drip onto the comforter beneath your knees that Wanda props up like you’re just a doll for her to manipulate.
Somebody settles something between your legs, and only when your knees are guided back down and your hips are repositioned do you realize that it's the vibrator Wanda apparently bought three weeks after meeting Natasha. It’s big, and bulky, and you think superpowered though you have no proof, and when somebody flicks it on, you’re not sure who, it nearly sends you flying over the edge before somebody taps the button once, twice, three times and changes the setting to a low pulse that fades and goes at an uneven and deeply unsatisfying rhythm that you think must’ve been invented by a clueless man with no hobbies in life.
“You move a single muscle and I tie you up, understand?” Wanda waits for your fingers to tap against your thigh, even when it takes a full minute for you to process that she asked you a question at all. You tap twice, a silent confirmation of your understanding and acceptance, and so nobody thinks twice before they move on, Natasha pouncing on Wanda and stripping her out of her bra and underwear whilst Wanda does the same with her. They work in tandem. They always have. Wanda moves one way, Natasha moves the other. Even when Natasha’s searching for something dominating in Wanda, allowing her softer edges to shine through, they still move in harmony like its a practiced dance they’re showing you and ever so slowly teaching you. Even though you can’t see them, your face still buried in the blankets as your hips fight to remain still, you can imagine that they’re not moving with any less harmony and unity right now than any other moment you’ve witnessed them in. It makes everything ten times harder to handle, but when you finally do glance to the side, needing air that wasn’t restricted by the fabric that genuinely attempts to smother you in plain sight, you erupt into a whole new world of isolation when you watch Wanda hammer a dildo into Natasha’s cunt while the blonde’s fingers are burrowed between her legs, aiming to pull a quick and harsh orgasm from the redhead who doesn’t seem to have any complaints about not wasting time.
“Please!” It’s the first time you’ve spoken in a while, and your throat is scratchy and dry as evidence. You sound utterly pathetic, you look even worse, but there’s something soft about you as you fight to keep your head held up, twitching and jerking and so utterly helpless but in full control of your body. It’s addicting, alluring, intoxicating. It fuels Wanda on, but she doesn’t say a word, just rubs her thumb harder against Natasha’s clit and works the dildo faster, rougher, angling up to hit that spongy part in her walls that makes her head spin.
You can hear the vulgar squelches of their cunts as they work each other to orgasm, but you can’t distinguish which incessant squeak is Natasha’s and which is Wanda’s. They’re both moving too fast, with rhythmic paces that appear chaotic and unorganized to you right now. The soft tufts of hair between Natasha’s legs are red, ginger really, and they curl just slightly when she lets the bush grow out in the winter, but for summertime, her bikini line is cleanly waxed and her mound is adorned in only short strands of coarse hair that Wanda finds intoxicating to run her fingers over in the middle of the night aimlessly.
You’re still watching them when Wanda leans forward and captures Natasha in a kiss that looks bruising and rough and all encompassing, and your reserve breaks entirely when you watch them both come undone in climaxes that look satisfying and rewarding and soft as their fingers move slower and their wrists snap softly and they work each other through the height of blinding pleasure sweetly and tenderly — everything that you want, that you’ve been denied. It’s like they don’t care about you anymore. Do they not care about you anymore?
Suddenly it's hard to breathe, and even though Wanda never followed through on that threat of tying you down, you feel like your limbs are shackled to the bedpost and even though every nerve screams with oversensitivity from sensations you haven’t even been awarded yet, you can’t seem to move away from the vibrator that still torments your clit.
Natasha catches it first, the way you break,the way your knees lose their tension and your elbows unlock and your head drops against the bed like you just can’t bear the weight, and its confirmation that you’ve been off all along that has her rushing to your aid on the bed and quickly pulling the vibrator out from between your legs. “Hi, my love.” Her words are soft, sweet, so gentle you don’t recognize them and you continue to sob, gasping for breath, clawing at your throat, looking at her like you can’t even see her, twitching beneath her hands like you can’t feel them at all.
Natasha pulls you up into her lap, and apologizes when your clit catches on her thigh and pleasure shots through you so intensely that it hurts and you cry harder, coughing, spluttering, probably covering her with splatters of saliva but she doesn’t even flinch, doesn’t close her eyes and try to avoid the spray of your unruly emotions. She just lets you feel, and she lets herself feel, and she grounds herself in this moment because how did she not see it before? You’re never bratty. You’re never blindly disobedience nor are you rash or sexually impatient enough to do something as bold as slip Wanda your panties.
“It’s Friday.” Natasha blanches, her eyes trailing toward Wanda. She doesn’t let go of your cheeks, but she recognizes that you can’t hear her right now, that over the blood rushing in your ears and the sensitivity in your core not just from arousal but from Wanda’s unrelenting spanks too, you can’t even begin to process anything she’s saying. “I… I knew it was Friday, because I drove you to work, but I was convinced it was Wednesday because Pepper rescheduled the newsletter. Fuck.” Natasha pales, but Wanda’s still confused. Wanda still doesn’t know that you haven’t been properly touched in a week, or shown any kind of affection really, and so while she has sympathy and concern for your state, and her heart aches wondering where she went wrong, she’s not picking up on what Natasha’s trying to get across to her.
“What?” Wanda stalks closer. She’s unbalanced, slightly wobbly, but she doesn’t let it bother her anymore than she can control. You’re her entire priority, her entire world, and Natahsa’s scaring her immensely the longer she dances around the truth in burning shame and personal disappointment.
“I.. the last time I touched her was Monday. Did you let her cum at all?” She whispers and Wanda’s face pales, it’s her turn to realize that they’ve neglected you for days after scenes that warranted aftercare all on their own, let alone when they were strung together so closely and pointedly. She’d wanted to drive you crazy, she’d wanted to fuel you up, but then life had gotten busy, and it’s no excuse, but she’d forgotten all about your sexual escapades because it was just easy to move on with you. You take what life throws at you, and you always do it with a smile on your face — even when it’s breaking you apart.
“No.” Wanda shakes her head, and her hair falls over her shoulder and tickles her cheek as it sways and shifts with the motion of her head. “No, I told you to let her cum. I thought you did. Oh, my baby.” Wanda frowns, rushing the bed with a desperate urge to feel you and protect you. She can see it now, what she couldn't before, or perhaps didn’t want to. The blind devotion, the emotional withdrawal, the attitude and bratting. All the signs were there in theory, but you were just too damn good and appealing to their every desire. You were too damn good at sacrificing yourself for them even when the entire premise of your relationship is to do exactly the opposite. “It’s all done, moya lyubov. All done. Come back to me.”
It doesn’t happen right away. Not for a couple of minutes. But, eventually you begin to recognize hands on your cheeks, and you recognize hands on your lower back and thighs. Wanda touches you everywhere; wherever you can reach. Natasha stays in one place, she never moves, never even brushes her thumbs against your cheeks to clear your tears, she just holds your cheeks and keeps your eyes on hers even when Wanda moves around in your perphieral vision.
The ginger appears entirely calm, cool, and collected in your peripheral and hazed sense of cognition, she always appears so perfectly put together, but you know that she’s not somewhere deep inside of you. That small voice of reason doesn’t find a way out in this moment, instead, you drown in the promise that Wanda knows what to do, that Natasha won’t let you fall, and that they’re the only things that exist in this entire world even if they’re mean. that’s all you can think. Mean, mean, mean. You’ve stopped crying, but then your bottom lip begins to tremble again, and Natasha makes quick work of shaking her head and guiding you back to calm collectedness.
“Can I ask you a question, honey bee?” Natasha whispers, scared to hurt you, to scare you, to break you anymore than you already has. She recalls how you’d flinched when Wanda slammed the door unnecessarily and her heart clenches. She should’ve stopped the scene then. She should’ve trusted her gut in that single moment and stopped before it got to this point. Before it broke you so sinfully. She may like to see you cry, but she hates when it’s because she’s hurt you, failed to see you fully like she promised she always would. She loves when you tremble, when you twitch and jerk beneath her, but not when it’s from anxiety, when it’s because you’re so on edge and wound up that you don’t even know how to regulate your own emotions without her full guidance and attention on you. Wanda fares no better, but she can handle the mistake with grace because she has to, but Natahsa’s one tear away from joining you in your deep pit of darkness — dom drop. Wanda’s about to be playing a dangerous game if she doesn’t get the both of you under wraps before chaos really ensues.
“Natalia.” Wanda cuts in, and your eyes shot to her in alarm, a whine falling off your lips at her harsh tone. Wanda melts beneath your attention, scooping you up into her arms and leaving Natasha alone on the bed and still half dressed. “Idi, perevedi dukh i prinesi yey stakan vody. Tebe nuzhno uspokoit'sya, poka ya ne poteryal i tebya, ladno? (Go take a breath, and get her a glass of water. You need to calm down before I lose you too, alright?)” Wanda lets the words fall out naturally, like it takes no effort to switch back to Sokovian Russian and dance with Natasha intimately and personally. It dazzles you, it’s the first true glimpse at relief you’ve felt, and Wanda’s not lost on how you always seem to fold whenever her native tongue or accent comes out. You’re worse when its Natasha, and there’s evidence in your reaction as you whine and melt into Natasha like you’re just a little kitten desperate for warmth.
“I’ll be right back, printsessa.” She whispers, and her words are husked with a twinge of Russian that drives you absolutely crazy and clears the fog in your head just a little bit, but not enough to earn your voice back or pull away from Wanda’s chest at all. You nod, blink slowly, and grab at Wanda’s bra strap desperately until your knuckles are white and there’s no chance she can leave.
“I’m sorry we didn’t realize sooner, angel.” Wanda whispers once Natasha is out of earshot. Natasha may not be an outwardly emotional person most times. You can count on one hand the amount of times you’ve seen her cry, but you’ve learned that she’s more sensitive to failure and human mistake than Wanda is. If you were any clearer headed, you would’ve recognized that she’s beating herself up over this, but you don’t, so instead you just accept Wanda’s apology and believe her when she follows up with a whisper of, “It’ll never happen again.”
When Natasha comes back, she’s carrying two glasses of water and a protein bar that she only makes you eat when you don’t have enough energy to fight her because you hate the chalky taste. She feels like an asshole for bringing it to you now, but she always worries about you eating enough, call it a Russian stereotype, and she definitely would have brought Wanda one if she thought the ginger would’ve humored her for a second and even grabbed the bar when she handed it over. You weren’t as tuned into your surroundings, your cheek flush against Wanda’s chest as you cuddle as close as you can into her, desperately leeching her warmth. That’s another sign she missed, or maybe wanted to ignore. You’re always hot, their little furnace, but the second she’d come up to you shivering and hiding beneath the yellow blanket, she should’ve known something was wrong. She can’t change it now, and she can tell that Wanda’s already amended all that she can when you’re still so floaty, so she doesn’t waste time on another apology when you’re only half awake as it is, mindlessly chomping your teeth together because she’d fed you a bite of the protein bar when your eyes were closed.
“Off.” The first word off off of your lips is a breathy plead for more contact with Wanda, and she doesn’t hesitate for a second before she’s reaching behind her and unclasping her bra with one hand, freeing her breast for you to cuddle into all while Natasha merely admires the sight like she’s never seen it before. Not Wanda’s breasts, although she does spare a couple of seconds to admire them, but just how tender you are with them, how you let yourself be loved and comforted even when they caused it. She doesn’t deserve you, but she cherishes that you picked her regardless of her worth.
“Take a sip of water.” Wanda coaches when Natasha raises the glass to your lips but you refuse to drink, keeping your lips firmly pressed together and your hands on her breasts, squeezing, touching, just trying to feel as much as she’ll let you. She shifts when your weight becomes too much for her thighs, pins and needles shooting through her limbs, and you gasp when your clit catches on her thigh, and you're reminded of the sensitivity that is simultaneously blinding need. “Nu uh, not tonight, my love. Tomorrow I’ll make it all better, but we’re all done tonight. You were so good for me, so good, but it’s time to rest, so have a sip of water, and then were going to lay down and rest our eyes. We’ve had a long week, huh? You just need some cuddles and sleep to make it all better. I know. I know everything, baby girl. You never have to think when I’m here, so just stop, okay? No more thoughts, take a sip of water.” Wanda pauses, waits for you to comply, and when you do, greedily gulping down half of the glass when you realize how thirsty you are, she smiles. “Good girl. Such a good girl, my perfect girl. My best girl. That’s it, one more and then we’re going to lay down.”
You push Natahsa’s hand away after the last sip you take, feeling full and probably very buoyant fi you tried to go for a swim out back, but you don’t even think to move when you realize you have to pee, or that Wanda and Natasha haven't peed yet despite always going after a scene. You don’t have the entry to remind them, and Wanda, the stickler of the two, doesn’t seem to mind, so you don’t say anything that doesn’t need to be said. She guides you down into a laying position, soft and slow, cautious of the sensitivity in your head after so much crying. It makes you dizzy regardless, and you whine into her chest as she shifts and gets you comfortable.
“Shh, I know. I know. You’ve had such a long day, my brave girl. It’s all over now. All you need to do is close your eyes.” Wanda’s fingers tickle your back, gentle patterns that mean nothing but hold the potential of everything luring you to sleep until you jolt with sudden anxiety, reaching out for Natasha who seems too far away and too clothed.
“Off.” You huff again, and she laughs, but this time not like she did before, when it was cruel and mean and uncomfortable to handle and stand beneath without wilting. It’s soft now, charming, that laugh that fills you with light and love and energy, but there’s no energy right now. You’re tired, burnt out. You settle equally into her chest and Wanda’s when she takes her bra off, throwing it onto the floor to be added into the laundry later on along with your clothes and hers and Wanda’s that are still downstairs in the living room in a heap.
When your eyes finally close, and you fall asleep, you don’t wake up until one o’clock the next afternoon, but Wanda and Natasha are still beside you, wrapped up in bedsheets and t-shirts that drown them and conceal their chests from sunlight. For the night though, their skin is yours to feel fully beneath every inch of your body, because it had been far too long since they gave into this instinctive pleasure that keeps you all going. Never again would they let a week pass without prioritizing this — you. You’re everything to them, and Wanda tells Natasha as much before her eyes close, sleep winning the battle as you breathe deeply and evenly between them.
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blueiscoool · 5 months ago
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Archaeologists Discover 5 Stunning Roman Statues In Ancient City of Perge
Archaeologists unearthed five Roman statues in Perge (Greek: Πέργη), a well-preserved ancient city in today’s Turkey, highlighting the rich artistic legacy of Greek and Roman cultures.
A city rooted in Greek heritage
While its early history remains debated, Perge likely saw Greek settlement by the 7th century BC, possibly as a colony of Rhodes. After Alexander the Great’s conquests the city flourished. By the 2nd century BC, it began minting its own coins, often depicting the Greek goddess Artemis and her temple.
The city quickly became an important hub for trade, culture, and art under Greek influence. The city’s urban design reflects classical Greek architectural principles, including its grand colonnaded streets, theaters, and temples.
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Perge’s significance grew when it became part of the Roman Empire in the 1st century B.C., blending Greek artistic traditions with Roman innovation.
Perge has been on the UNESCO World Heritage Tentative List since 2009 for its historical and cultural importance.
Remarkable discoveries of ancient statues
The latest excavation efforts have revealed five statues, each offering a glimpse into the artistic excellence of the era.
Among them is a 2-meter-tall statue of Aphrodite, the Greek goddess of love and beauty, depicted seated on a dolphin beside Eros, the god of love. Archaeologists believe this statue, dating to the 2nd century A.D., exemplifies Roman adaptations of Greek mythology, merging divine symbolism with lifelike artistry.
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Nearby, researchers uncovered a 1.87-meter statue of a clothed woman, attributed to the Severan Period, known for its refined sculptural techniques.
Another similar statue of a clothed female figure, found in two pieces, further underscores the city’s commitment to detailed and realistic art.
On the Eastern Street of Perge, excavations revealed two additional statues – a clothed man and woman standing side by side.
These discoveries provide valuable insights into the social structures and sculptural traditions of the ancient Greek city of Perge, highlighting the city’s role as a center of artistic production.
A blend of Greek and Roman artistic traditions
Perge’s art and architecture illustrate a seamless blend of Greek and Roman influences. While the city’s early structures reflect Greek designs, Roman rule introduced grand monuments, lifelike sculptures, and detailed frescoes.
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Roman Imperial art, flourishing from the 1st century B.C. to the 5th century A.D., drew heavily from Greek and Etruscan traditions. It emphasized realism, human expression, and monumental scale.
The newly discovered artifacts highlight Perge’s importance as an artistic hub where Greek mythology and Roman craftsmanship converged, enriching the region’s cultural tapestry.
Preserving Perge’s legacy
The excavations are part of the “Heritage to the Future Project,” an initiative to preserve and promote Perge’s cultural legacy for future generations. As archaeological efforts continue, Perge remains a testament to the artistic and cultural brilliance of the ancient Greek and Roman civilizations.
By Nisha Zahid.
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peepoo79 · 1 month ago
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American Physician
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Ch. 1–Student
AN— hi guys I’ve never written a fic before so hopefully this doesn’t suck too badly. If Bateman is horribly out of character…oops <3 anyway without further ado, here’s the hospital AU fic as promised :D
TW: dead dove do not eat—this fic will likely get pretty dark given the source material it’s based on. Will include medical malpractice/abuse, abuse of power, Bateman being himself in the worst way, etc.
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It’s 6:42 AM. Seated next to me are two of my colleagues, Dr. Timothy Price—cardiothoracic surgeon, Harvard medical school alum, and my former roommate—and Dr. David Van Patten, an orthopedic surgeon who I think graduated from Columbia. The cab is cramped and smells like stale cigarettes. Typically, I’d avoid taking a cab and would opt for a private chauffeur, but my usual guy is visiting family in Nicaragua or Venezuela or some other country like that. I stare vacantly out the window as Price and Van Patten hold an overly loud, meaningless conversation. I’m hungover today, which while not out of the ordinary is still uncomfortable and leaves me feeling particularly on edge.
“Bateman, are you listening?” Price says, interrupting my train of thought.
“No, Price, I obviously was not.” I answer flatly, my attention focused on the gathering of bums —5, maybe 6 of them huddled around a fire—that we pass at the corner of 17th street and 7th Avenue.
“Whatever. I need you to settle something for us, yeah? Van Patten over here thinks that prescribing high-dose ibuprofen for post-op inflammation reduction is preferable, hell, more correct than prescribing naproxen. It’s like, basic knowledge that you prescribe ibuprofen.”
I roll my eyes.
“It’s the same shit, Price. They do the same thing.” I turn to face the two of them. For a moment, I almost wonder if I heard him correctly. What a stupid fucking question.
“They’re both NSAIDs. They do the exact same fucking thing.” I find myself practically hissing this at the two of them. “Both drugs reduce inflammation by inhibiting COX enzymes, preventing the production of prostaglandins, therefore preventing the inflammatory response from occurring.”
Price snickers.
“Woah-ho, relax. We were just fucking with you. Chill out,” He says, pulling out a cigarette and placing it between his lips. Irritated, I turn back towards the window. I’ve got a relatively slow day ahead of me, no actual surgical procedures scheduled, only consultations. My least favorite part of this fucking job. I pull a bottle of Xanax from my pocket and take two, choking the pills down dry.
***
I arrive at my office at 7:00am. I’m listening to Songs from the Big Chair—a remarkable album by Tears for Fears—on my Sony Walkman when I get a knock on my door. I begrudgingly open the door to find Jean, the head of nurses on the unit, standing in front of me.
“Dr. Bateman? There’s a student from Columbia who says she’s scheduled to shadow you today,” She says as if it’s a question rather than a statement.
“A…student?” I repeat incredulously. “You’re mistaken. I never approved any request regarding a student shadowing. Tell her to leave.”
“Patrick, she’s already here, just…give her a chance—“ I quickly cut her off.
“No. Tell. Her. To. Leave.”
I turn to walk back to my desk, pinching the bridge of my nose in frustration. The last thing I want to deal with today is a goddamn pre-med following me around like a lost puppy. I turn back to Jean, who’s still standing lamely at the door.
“Oh, and Jean? Be a doll and run down to the pharmacy and pick me up some Advil, my head is fucking pounding.”
“Yes sir,” she says with what seems like an exasperated sigh as she closes the door. A few moments later, I hear another knock.
“Christ, what now…” I murmur to no one in particular as I make my way to the door. It’s too soon for Jean to be back; chances are it’s Price or some nurse or maybe even Evelyn coming to pester me, but to my surprise, it’s a girl I don’t recognize. She’s okay looking, in her early twenties, and has fried, clearly unprofessionally dyed blonde hair.
“Can I help you?” I finally ask, not bothering to mask my annoyance.
“You’re Dr. Bateman, right?” She asks. Her voice is slightly low for a woman and a bit raspy, possibly from smoking.
“No. He’s uh, not here.” I begin to shut the door when she steps in the way. I scowl at her.
“You’re lying, I can see your name on your badge.”
“You need to get your eyes checked then. Leave before I call security.”
Before I can slam the door on her she thrusts a document towards me. I snatch it from her and glance at it…something something, approval to shadow…something something…approval signed by….me. Fuck.
“Where did you get this?” I hold the paper up in front of her like it’s a piece of spoiled meat.
“From the dean, he met with you like, last week. You agreed to let me shadow, it says it on the paper.” She punctuates this by pointing a thin finger at my signature at the bottom of the sheet.
I wrack my brain trying to remember ever having lunch with the dean of whatever the fuck from Columbia. I sigh.
“Right…right…the uh, dean. I remember now,” I lie.
“So I can shadow you today, then?” She asks eagerly. I pause. Regardless of the paper that I may or may not have signed, I had no intentions of allowing a student to follow me around today. But, she’s…okay looking, and blonde….and probably naive and possibly single. There's a potential for entertainment.
“Fine. Just…stay out of the way.“ I agree. She seems relieved, although it’s almost certainly misplaced. She extends her hand towards me, but I make no move to return the handshake.
“I’m Tiffany, by the way.”
“I didn’t ask.”
She shrugs. This annoys me immensely, but I choose to say nothing. Instead, I silently sit back at my desk and begin to half-assedly read through patient files. The girl—Tiffany—flops onto my couch and pulls out a stick of gum. She unwraps it, pops it into her mouth and begins chewing it loudly. For a few seconds, I tolerate it, but I quickly become annoyed and stand up from my desk and approach her, looming over the couch.
“Spit that out. Right now.”
She glares at me and continues chewing.
“No. It’s a free country, I can chew gum.”
I clench my jaw, fighting the urge to bash her skull into the wall behind my couch. I inhale deeply and manage to momentarily steady myself. I crouch down to her level and get close enough that I am surely invading her personal space.
“Listen to me. While you are here in my office, on my unit, you do what I say. Otherwise, you can forget about getting any letters of recommendations from me. Hell, I can make sure you can’t get into any reputable medical school in the country. Understand?”
She stares at me for a moment, then huffs and gets up and walks to the trash can, spitting out her gum. I give her a terse, fake smile in response. I look down at my watch—I’ve got a consult in 5 minutes. I grab my white coat off the hook on my office door and then my stethoscope from my desk, draping it around my neck. I turn and face Tiffany.
“We’re going to room 3 for a patient consult. I expect you to stay out of the way and keep your mouth shut until after it’s done. Understand?”
She nods silently.
“Good. Follow me.”
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ein-shtink · 1 year ago
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Sometimes I think about the fact we’re neighbors. There are more things that bring me and a Palestinian woman living in Gaza together than things bringing us apart.
We grew up watching the same sunsets, the same sunrises. If there were no borders, it would take about an hour for us to go and visit one another. We grew up listening to the same music. Our parents did, too.
Our grandparents read poetry in the same language, watched the same Egyptian movies. The foods are similar, the hobbies are, too. When I was in high school I met a girl my age, who grew up in Gaza but relocated with her family to an Arab village within Israel, a five minute drive from where I used to live. We made movies together. We joked a lot. We were one and the same, more often than not.
I can’t stop thinking about the Palestinians in Gaza. I can’t stop thinking about the horrors they endure. I can’t stop thinking about Palestinian men, women and children, having to fight for food. For hygiene products. For water. I can’t stop thinking about them having no time to hide before a bomb hits, about them not being allowed to evacuate. I can’t stop thinking about the ones who died protesting for a better life, long before this war started. They are my neighbors. We watch the same sunsets.
I can’t stop thinking about the hostages, either. I can’t stop thinking about the desecrated bodies of innocent women paraded around Gaza’s streets. I can’t stop thinking about the sisters who were raped and murdered together, aged 13 and 16. The older one was my sister’s friend. I can’t stop thinking about Shlomo Ron, the art-loving 80 year old man who sacrificed his own life to save his wife and grandchildren. He looks just like my grandpa. I can’t stop thinking about Thomas Hand, who was told his little girl was dead and cried tears of joy, because being dead is better than being taken hostage. I can’t stop thinking about the fact Emily Hand didn’t die, and actually was taken hostage. Ever since she was released, she only whispers, too afraid to speak up.
I can’t stop thinking about the suffering. About the loss. About the mothers on both sides of their border who had to watch their children die. About the pain.
Their faces haunt me.
I don’t understand why the West is calling for a ceasefire when they should be calling for peace. I don’t understand why the West is calling for the destruction of Israel when they should be calling for a solution that will allow both people to live side by side, in peace. I don’t understand why the existence of Israel is a bad thing. I don’t understand why the West refuses to call out Hamas, for the crimes of October 7th and their gross mistreatment and neglectful leadership of the Palestinian people ever since they rose to power. I don’t understand why the West views this decades old conflict through a one sided lens, amplifying the voice of one people’s crying and shutting down the other’s.
We deserve better. Palestinians and Israelis deserve better. We deserve to prosper, we deserve to live long and proud of our heritages in the land we both call home.
Maybe one day nations around the world and our own corrupt leaders will stop making us paint one another as the enemy. Israelis and Palestinians, we’re not each other’s enemies. We’re each other’s neighbors.
We deserve to let our children play.
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nagler · 6 months ago
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Why Did I Spend All This Time Looking At Building Permits For 530 West 27th Street?
With the imminent close of Sleep No More in under a week's time, I found myself interested in when the idea of The McKittrick came into being. The McKittrick itself is a New York invention. The Boston production in its refurbished school setting didn't have The Hotel. But The Hotel is obviously not actually a hotel, it's three nightclubs wearing a trench coat consolidated into a single building. But when did that consolidation take place?
Thanks to a post on Reddit where I wound up musing about the serendipity of the Hotel coming into being in the time between the Great Recession and the opening of the High Line extension, this lead to me going on a deep dive thanks to the one free building report you can access on a free PropertyShark account. For those unfamiliar with what West 27th was prior to the Hotel and the condos, it used to be a cavalcade of nightclubs. Club B.E.D. sat at 530 West 27th street - as DrinkTheHalo has documented extensively, there was Sound Factory and Twilo and Spirit and Home (532) and Guest House (542) making up what we now know as the full Hotel space. After the murder of a club goer in February of 2007 BED closed. On December 27, 2007, the building that we'd come to know as the Hotel was sold for $28,000,000 to 27th Street Property Owner LLC.
There were still nightclubs operating in other parts of the location, but a plan examination was filed on February 27th, 2008. Meanwhile, the Boston production was mounted in the fall of 2009. A town meeting was called on May 19th, 2009 to approve as the school that the housed the production was town property. There has been much written elsewhere about how Boston pulled things together from wherever they could, though the sleepnomoreboston tumblr seems to be gone at this time.
From October of 2009 to February of 2010, Sleep No More ran in Boston. Then, in September of 2010, scaffolding goes up at 530 West 27th. January 2011 sees a flurry of permits, with the final one pertaining to occupancy being filed on February 22, 2011, changing the use to all floors . Come March 7th, the show opened and has been running up until this coming weekend.
Now, we know from the press around the reopening in 2022 that proto-Emursive initially wanted to bring Punchdrunk's Faust to New York (they did on their own, eventually, through Life and Trust). This failed and they turned their attention to Sleep No More, offering it up to Boston and the ART, now chaired by Diane Paulus (the wife of Randy Weiner, sort of but not any more 1/3 of Emursive). Sleep No More runs for a set time period, the kinks are worked out, and the space is secured from 27th Street Property Owner LLC. We know thanks to the Spring 2024 Permitgate A.K.A That's Bullshit Arthur that the lease was formally entered into on December 1, 2010 It had its first amendment in June of 2012, the second in August of 2015, and the third in June of 2022 after reopening but before the closing announcement in late 2023.
With all these dates in hand, we can see that the Property Owner LLC was created in prior to the BED incident, in December of 2007. Centaur (once again, That's Bullshit Arthur). What their plans would have been without Sleep No More are uncertain, probably condos, but they got a tenant who sort of paid the bills for 15 years instead.
The timeline is likely this: proto-Emursive comes to an agreement with Punchdrunk in 2007 or 2008 to mount Sleep No More in New York City with an out of town tryout in Boston in 2009. At the same time Centaur acquires 530-542 in December of 2007 as the 27th Street club era is dying. The Boston production goes as planned, with a building identified prior to the start of the run. The lease of 530 is officially agreed upon December of 2010, with scaffolding being set earlier that fall and the ability to modify in hand thanks to the examination from 2008. The official layout permits are modified in February of 2011, right in time for the show to open in March. All thanks to a theater for Faust falling through.
Timing is everything. Without the club era dying, the building doesn't become available. Without the High Line extension in 2012, the area isn't changed beyond recognition to the point where something other than immersive theater or a strip club makes sense as an investment. I give Emursive a lot of flack. But they threaded the needle near perfectly in terms of timing. Sleep No More, as a show that attracted both the theatrically minded and those with cash to spend, could not have existed at any time other than Bloomberg's NYC. But it's a different NYC now and that's all there is to a permit.
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yuurei20 · 1 year ago
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Happy birthday to Rook’s voice actor Itokawa Yojiro!
A musical theater performer (Itokawa has only voiced three characters in his career, the first being an unnamed background character and the second being Rook Hunt), Itokawa has spent the past year appearing in stage productions such as 
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・Tamakagiru ・Widerstand ・Legendary Little Basketball Team
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・Touken Ranbu ・Stage Nanashi - 7th Special Cause of Death Treatment Division ・Tokyo Revengers
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・Sweeney Todd: The Demon Barber of Fleet Street ・Yakyoku Nocturne
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eretzyisrael · 1 year ago
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Good News From Israel
In the 7th Jul 24 edition of Israel’s good news, the highlights include:
Israeli doctors “think outside the box” to save lives.
Good support for Israel from Germany, Taiwan, India and Argentina.
Seven Israeli AI products that benefit society.
Google has signed Israel’s largest office rental agreement.
An Israeli dancing dog astounds the judges on America’s Got Talent.
Read More: Good News From Israel
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There are many signs that Israelis are continuing with their work to make a better world, despite the continuing war on many fronts.  The wounded returning to work, Oct 7 victims opening cafes, new innovative medical devices and procedures.
The economy expands with increasing gas exports, private and government support for startups, funding, and partnerships, plus a huge demand for Israeli defense technology. Israel is the new powerhouse in Artificial Intelligence systems that will improve our lives, while Israeli sustainable innovations guarantee to safeguard our planet and feed a hungry world.
You can see all these signs on Israel's streets and in the positivity shown by Israeli youth and in the excitement of the participants of youth groups visiting Israel.
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rovbookshelf · 3 months ago
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Production notes for Lady Oscar 1979
from movie pamphlet
March 29, 1978
Announcement of the film adaptation of "The Rose of Versailles"
Following the author's long-held wish to have an all-foreign cast, the film was adapted on a scale never seen before in Japanese cinema. On the left is Jacques Demy, famous for "The Umbrellas of Cherbourg." The production cost was a huge 1 billion yen. The production also involved companies from outside the film industry, such as Shishudo and Nippon Television. A new production method known as the Hollywood method was introduced. The director of this was producer Yamamoto Mataichiro, who was only 30 years old. People in the film industry were excited about the film.
April 15th 1978
Yamamoto leaves Japan. He was in high spirits, but the role of Oscar had not yet been decided. Producer Yamamoto and others flew to America to organize the production, including organizing the music, cinematography, and other staff.
June 26 
The role of Oscar was decided.
Nearly 400 people auditioned in Hollywood, London, and Paris. The image of Oscar was so strong that it was difficult to find the right candidate. Famous actresses such as Dominique Sanda and Jane Birkin were also considered, but no one was selected.
At that time, a friend of the director (who had previously worked as assistant director to Jacques Demy and was also the first to cast the currently popular Isabelle Ajani) introduced him to a promising newcomer. That was Catriona MacColl. Meeting Catriona, who reminded him of Oscar, was the beginning of good fortune for this production.
June 28th
Almost at the same time as the role of Oscar was decided, permission to film at the Palace of Versailles was granted. For a film that requires luxury, it was a dream come true to be able to use the palace, which is also known as the quintessence of the Louis Dynasty. A film crew had entered the palace once 30 years ago, but had damaged the furnishings, and Versailles had refused to allow filming there since. It is no wonder that French filmmakers called it a great achievement and were envious of it. On June 26th, the palace was targeted by extremists, causing concern among those involved that the permission would be revoked, but with the cooperation of the French government, who understood that filming in the palace was necessary for this work, the official permission was granted without any problems.
July 24th
The long-awaited start of filming!!
It's hard to believe how bad the weather had been until early July. The sky in Paris on this day was clear and sunny. All the staff were happy, saying it was all thanks to the Teru Teru Bouzu dolls made by producer Yamamoto. It rained very little during filming. It is normal for schedules to drag on due to bad weather, but in this respect "The Rose of Versailles" was lucky. Ironically, the scene that day was the scene where young Oscar and Andre practice sword fighting in the garden of the Jarjayes family, and it was snowing. The castle of Jossigny, located in the eastern suburbs of Paris, was chosen as Oscar's birthplace. The magnificent challenge of the Japanese film industry has finally begun.
August 7th
18th century Paris re-created in Senlis, located 60km from the North Sea coast of Paris. It is famous for still having the old streets of France. However, even though it is old, there are still traffic poles and TV antennas, and it was a struggle to remove them. After recreating the 18th century, scenes such as the attack on the Bastille were filmed using nearly 800 extras.
August 24th
On location at the Palace of Versailles. A dream come true!!!
It was the first time in 30 years anyone had filmed there. The entire staff was tense. The film crew was required to follow three rules: no eating, no drinking tea, and no smoking. But perhaps this was a sign of the real power of the place. The staff was fascinated by the grandeur of the palace, and was very happy with some of the strict regulations.
September 18-19
Oscar appears in a dress.
The highlight of the story, the ball scene, was filmed in the palace's largest building, "The Treasure of Hercules." This is the scene where Oscar wears a once-in-a-lifetime dress and dances with her beloved Fersen. 
Oscar looks gorgeous, a contrast to her usual military uniform. When the minuet composed by Michel Legrand started to play in the room, it was filled with a royal atmosphere. All the cast and staff had the illusion of having traveled to the 18th century in a time machine.
October 2nd
Finally, filming has wrapped up. After finishing pre-production on September 21st, the film crew returned to Senlis to shoot some scenes that were left unshot, and finally completed all filming on October 2nd.
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manic-maniac-man · 4 months ago
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HUgE Aug 2011
Newone
REACH OUT FOR THE LATEST THINGS
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MOVIE
A rare behind-the-scenes look at Undercover
UNDERCOVER's film "MIRROR~a Documentary film of UNDERCOVER~" has been released. Jun Takahashi held his first runway show in three years at the 2011-12 A/W Paris Fashion Week. This film, which follows his trajectory over the past three months, was also a hot topic at the recently held Short Shorts Film Festival & Asia 2011. All that remains is one screening at the Kiryu Film Festival. Don't miss this opportunity.
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INSTALLATION
A commemorative event where traditional Japanese and Italian craftsmanship resonates
Gucci is celebrating its 90th anniversary this year. To commemorate this, various events will be held. This time, an archive exhibition will be held that will cover the history of Gucci. Under the theme of connecting the brand's birthplace, Florence, and its sister city, Kyoto, through their respective traditional techniques, handbag and luggage collections released over the past 90 years will be on display. The setting is none other than Kinkakuji Temple. This is a rare exhibition that links the traditions of Kyoto with the craftsmanship of Florence.
08 KEY RING
Givenchy by Riccardo Tisci
The perfect accent for a first-time key ring
<Givenchy by Riccardo Tisci> for the 2011-12 A/W collection has further refined its original designs, which skillfully mix Latin street culture with modern fashion. The key ring, which was the first to be produced in the collection, stands out with its stylish yet rugged finish, with a combination of gold hook and ring and black strap. The reasonable price is also a plus. ¥18,900 each (Third Culture)
09 FIGURE
AMOS Landscape Products
Popular figure has been improved and will be re-released
The AMOS TOY figure "YOD" was released in 2007 and immediately sold out. This popular character, known for its charming expression, is making a comeback. This time, it has been made in collaboration with Landscape Products and uses wood as the material. The figure has been carefully hand-carved by craftsmen, and its warm appearance is impressive. Only 30 units will be available worldwide, and it will be released on July 2nd. ¥26,250 (AMOS ΤΟΥ STORE)
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18 LIMITED EDITION
Alexander McQueen
The skull motif that tells the story of McQueen's history
A limited edition of the scarf, a representative item of Alexander McQueen, has been released. This scarf was created to commemorate the retrospective exhibition "Savage Beauty," which will be held at the Metropolitan Museum of Art in New York until August 7th. This special edition is dotted with various skull motifs selected from the archives, including jellyfish and folklore motifs. ¥50,400 (Gucci Group Japan Alexander McQueen Division)
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19 COLLABORATION SHOES
Clarks × Hysteric Glamour
Injecting HYS' rock spirit into a masterpiece
Hysteric Glamour has collaborated with Clarks, a long-established British shoe brand, to produce the boots pictured. They are a modified version of Clarks' classic model, the "DESERT TREK." Using special laser processing, the "HYSTERIC GLAMOUR" logo has been boldly printed on the upper. This pair of shoes has an irresistible rock vibe that is characteristic of Hysteric Glamour. ¥37,800 (Hysteric Glamour)
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atiny-for-life · 1 year ago
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Creative Spotlight #6: Song Mingi
Masterlist
Intro: With so many new Atinys coming in, I figured now would be a good time to shed some light on all the boys' creative solo projects over the years, big and small.
Fashion
As a fashion lover, Mingi also received his own show back in 2020, Minkiway, for which he wrote his own little theme song and rejoiced in getting to be the MC for something:
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The episode ended with Hongjoong dropping by as a special guest to deliver a gift for Mingi.
The show returned in 2022 with Episode 3 and a new intro (go watch it and spam the comments if you'd like for the show to make a comeback!):
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Collab
On August 7th, 2024, Mirani featured Mingi on a song titled Hit Me Up which they performed together live in the released music video. If you're one of the people who've been longing to hear more of Mingi's singing voice, you're gonna love this:
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Music Production/Original Songs
Like Hongjoong, Mingi's also a producer and the first time we get to see him in the studio by himself is during his first 1-Day-Vlog:
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On August 9th 2023, Mingi (for the first time outside of Ateez) got to really show off his wide range as an artist in an original song titled Untitled, featuring not just his rap but also his vocals, though he's not just credited for his voice but also his part in the composition and for the full lyrics:
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The video is shot in retro style 4 by 3 footage and features a rainy street which eventually transitions from video only to a light audible drizzle at the end of the song.
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On August 9th, 2024, Mingi's first LP Fix On/Off was announced and release, consisting of a short Preview which shows Mingi painting. Further information was then provided by Mingi himself in his birthday Inside out clip:
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And finally, the actual purchase link was shared through Ateez's Social Media platforms:
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[FIX OFF] Desire Project
On February 5th 2024, Mingi released his first [FIX OFF] Desire Project, titled Tunnel with him being credited for the lyrics and participation in the composition and arrangement:
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It's the full emo concept with an alter ego and everything - we got the tattoos, the nail polish, the gloomy atmosphere. I love it.
Against a stunning instrumental (I love the drums), we get to hear him sing and rap, including some precisely dropped f-bombs as he laments a lost love and talks about deeply unhealthy coping mechanisms (alcoholism) to escape the memories and fill the void inside himself.
Project #2 of the series was released roughly a year and a month later on March 14th, 2025 under the title Autobahn:
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Featuring the voice of 'Touched' vocalist's Yunmin, the music video open's on a low techno beat playing over the footage of a car speeding through a tunnel (the one from the previous projects perhaps?) before the title card flashes and the song kicks off.
Illuminated by a bright red light, we see Mingi collared and in chains as he tells us the storm's gone and nothing's holding him back anymore. With those few lines the theme of the song is set and his voice shifts, growing soft and pretty as he tells us: "Time to shift the gear".
It's a powerhouse of a song with lyrics full of defiance, calling for a shift in mindset, for letting go of all fears and starting a full on riot if that's what's needed to grow and heal. The song title is worked in as a metaphor for charging ahead at full speed, no more letting others or your circumstances slow you down.
Around the middle of the song, Yunmin comes in with her stunning vocals and, like Mingi, she shifts from soft to powerful as the lyrics escalate, showing off her range until Mingi comes in to join her and they both harmonize, successfully blessing our ears.
Throughout the video, we see Mingi celebrate with his friends once he's freed himself from his burden, his chains, his fears, and proceeds to drive around in his car. That is, until the very end when he joins Yunmin in her location (it looks like an empty warehouse or parking garage) where they both circle each other for a moment before they focus back on their performance.
And as we reach the end of the song, like any solid collab between a rapper and singer should, this banger ends on a killer high note from Yunmin before Mingi brings back his soft call to action: "Time to shift the gear". Let go. Let yourself be free and enjoy life.
On March 16th, two days after the song and MV's release, the behind the scenes video was released, featuring Mingi both in the recording studio and on set:
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In it, we get to see Yunmin and Mingi's first meeting on set and the recording of their shared scenes (during which Yunmin is absolutely sweet and adorable):
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After she wraps and gets to leave, Mingi shares the story with us of how he went to a rock festival where Touched performed and was really moved by their music. This is why he was hoping to feature with them in the future and why he thought to reach out to Yunmin with this opportunity. And luckily, she was on board!
During his solo shoot later on, Mingi goes fishing for compliments with the crew, only to get absolutely flustered when he actually receives some (which is how we get to find out that Mingi created the instrumental for the song!):
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Bonus #1: bbyongMING's descent into a life of crime (allegedly)
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Bonus #2: Hongjoong's little surprise (and Mingi's adorable reaction to it)
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Bonus #3: A message from Mingi's best friend (who's clearly far more important than the long-time human friend's he introduced to us first)
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Bonus: Mingi's Side Quests
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thefablemans · 1 year ago
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title: last ones out
relationship: geto suguru/gojo satoru
summary: from the corner of his eye, suguru catches a glimpse of white. sunlight reflects off it like holding a flashlight against a mirror. his hand curls into a fist, black lid now crushed inside of his palms.
(there was no need for his eyes to see that which his body already knew. each sorcerer leaks its own unique energy, its soul molding and unmolding. once your soul molds against another’s it is impossible to take it for anything else.)
or: on december 7th, geto suguru visits a café.
DECEMBER 7TH, 2009.
There is something haunting about Tokyo in December: the sun shines, as it usually does, in a feeble attempt to mask the sharpness of the air outside, cold biting and burning each patch of skin it can find; the Christmas decorations come out, and the streets become busy, and then busier, and busier still.
None of that is what haunts him, though.
It’s a haunting thing, really, the normality of it all – how the habitual buzz of the city remains the same, the transit of humans, their pathetic blindness to the world around them, the stench of the cursed spiraling around until it is all there is to the world, like white noise is the back of one’s mind. In the corner, there is a woman with a small child. He chides and whines and points at products, and she laughs and coos and pays no mind at all to it. Somewhere, on the left, there is a man on the phone, coffee in hand as he adjusts the sunglasses and curses the weather. It is all the same as it was yesterday, as it was last month, as it was a year ago.
This is why he hates them: don’t they know that everything has changed? The world turned on its axis, and in it of itself, and inside out – and yet, still, all is what it was.
[READ MORE ON AO3]
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prettyfuul · 6 months ago
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Rihanna Celebrates New Product Launch For Her Fenty Beauty Brand at 7th Street Studios on April 26, 2024 in LA
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workersolidarity · 1 year ago
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[ 📹 Several severely wounded children are brought to Al-Aqsa Martyrs Hospital in the city of Deir al-Balah after the Israeli occupation forces bombed several residential homes in the Bureij Refugee Camp, in the central Gaza Strip on Tuesday, resulting in a number of casualties among civilians. ]
🇮🇱⚔️🇵🇸 🚀🏘️💥🚑 🚨
GAZA GENOCIDE DAY 277: WORLD'S WEAPONS MANUFACTURERS IMPOSE UNOFFICIAL BAN ON TRANSFERS TO "ISRAEL", HALF A MILLION GAZANS FACE "CATASTROPHIC" LEVELS OF HUNGER, ISRAELI OCCUPATION FORCES CLOSE BAPTIST HOSPITAL IN GAZA CITY, ALL PRCS CLINICS NOW CLOSED AS OCCUPATION IMPOSES EVACUATIONS, MASS MURDER OF CIVILIANS CONTINUES
On 277th day of the Israeli occupation's ongoing special genocide operation in the Gaza Strip, the Israeli occupation forces (IOF) committed a total of 3 new massacres of Palestinian families, resulting in the deaths of no less than 50 Palestinian civilians, mostly women and children, while another 130 others were wounded over the previous 24-hours.
It should be noted that as a result of the constant Israeli bombardment of Gaza's healthcare system, infrastructure, residential and commercial buildings, local paramedic and civil defense crews are unable to recover countless hundreds, even thousands, of victims who remain trapped under the rubble, or who's bodies remain strewn across the streets of Gaza.
This leaves the official death toll vastly undercounted as Gaza's healthcare officials are unable to accurately tally those killed and maimed in this genocide, which must be kept in mind when considering the scale of the mass murder.
Foreign countries' weapons manufacturers, and exporters of raw materials used in weapons manufacturing, have imposed an informal ban on sales to "Israel" as its genocide in the Gaza Strip continues unabated, going into its 10th month.
According to the Israeli news site Calcalist, the Israeli Ministry of Defense, along with its military branches, are concerned with a situation that is developing in which the Israeli entity could face an ammunition shortage after several countries informally stopped trading weapons and materials with the occupation.
Calcalist says that European weapons manufacturers have begun ignoring their Israeli counterparts, no longer responding to their entreaties, while a major foreign power which is "not the United States", which used to trade with the occupation, has ceased trade of raw materials used in weapons manufacturing with the Zionist entity ever since its response to the events of October 7th began.
At the same time, reporting in the New York Times cautioned that the Israeli occupation army faces a shortage of 120mm artillery shells, with some tanks operating in Gaza being deployed with a smaller number of shells to slow the rate at which such shells are expended.
According to the Times, the occupation army is also facing a shortage of spare parts for D9 armored bulldozers, tanks, and armored personnel carriers.
Although the Israeli occupation promotes the establishment of new weapons manufacturing at home, ammunition produced in the occupied territories is expected to cost "tens of percent" more than imported shells and materials.
And while the Zionist entity is expected to boost domestic production of shells and other "simple" ammunition, it remains highly impractical and unlikely for the occupation to produce all the shells it needs.
Even in the case of boosted production, a large share of shells would still need to be imported due to the limited productive capabilities of the occupied territories, at a time when even the United States struggles to supply its Israeli and Ukrainian partners with all the shells the two warring allies require.
Secondly, for domestic munitions production to dramatically expand would require large amounts of raw materials which cannot be mined in the occupied territories, and so, even in the case of expanded production, many shells would still need to be imported from foreign countries.
Unfortunately for the Zionist entity, aside from the imposition of a quiet ban on sales of munitions to the Israeli occupation, several major suppliers of raw materials used in weapons manufacturing have also banned sales of such raw materials to the occupation.
And while the Israeli occupation has looked to diversify its suppliers of raw materials, and has purchased as much raw materials as possible since the start of the genocidal war in Gaza, defense contractors in the occupied territories have required help from the Ministry of Defense to acquire the necessary materials.
The occupation has caught a few breaks here and there, "another country" has begun selling raw materials to the occupation, while Serbia has provided air defenses since the start of the war.
However, due to the wars in Gaza and Ukraine, a global shortage of ammunition and raw materials has developed, leading to price increases and cut-throat competition for supplies.
Calcalist previously reported that due to the intensive use of ammunition since the start of ground operations in the Gaza Strip, the Israeli occupation army had already used some 100'000 shells by the end of November, 2023, just two months into its genocidal war.
Meanwhile, as the Zionist entity's war of extermination continues in the Gaza Strip, the United Nations' World Food Programme (WFP) is warning that "half a million people in the Gaza Strip are facing catastrophic levels of hunger."
Speaking on Monday in a post to the social media platform X, the WFP cautioned that Palestinian families in Gaza often do not receive full food rations on an ongoing basis.
The WFP declared that "unreliable access to humanitarian aid and limited stocks prevent families in Gaza from obtaining the food rations they need," and went on to to call for an "immediate ceasefire" in the Gaza Strip.
At the same time, United Nations' experts on Tuesday cautioned that famine has now spread throughout the Gaza Strip, explaining that the death of Palestinian children in Gaza as a result of malnutrition and dehydration confirms the spread of famine.
The experts warned that the death of a child the other day from malnutrition and dehydration indicates that health and social structures remain under Israeli attack and are severely weakened by the conditions imposed on the Strip.
The UN experts went on to warn that the Israeli occupation's ongoing starvation campaign against the Palestinian population constituted genocide and caused a famine, continuing by calling upon the international community to prioritize the delivery of humanitarian aid to Gaza by land, and to immediately end the blockade of the enclave.
Previously, on Sunday, a six-year-old child died as a result of malnutrition and dehydration, bringing the total number of deaths resulting from famine and dehydration in the Gaza Strip to 41 since October 7th.
It was also reported that at least 50 children are suffering from malnutrition and famine in Gaza, while symptoms of famine have been recorded in more than 200 children in total.
The Israeli occupation forces on May 7th took control over the Palestinian side of the Rafah and Karm Abu Salem border crossings, where the majority of humanitarian aid entered the Gaza Strip.
Following taking control over the border crossings, the occupation army burned the crossing's facilities to the ground and have since blocked the entry of humanitarian aid convoys, while at the same time blocking thousands of severely sick and wounded Palestinians from exiting Gaza to seek treatment abroad.
In other news on Tuesday, the United Nations Relief and Works Agency for Palestine (UNRWA) announced the reopening of its healthcare center in the beleaguered city of Khan Yunis, in the southern Gaza Strip, several months after its facilities were "severely damaged" in January, with the hope of "supporting displaced families who returned to the area in search of shelter."
In a statement about the reopening posted to the social media platform X, the UNRWA said that "Our staff in Khan Yunis were able to reopen our health center after it was severely damaged last January."
"Given the lack of other health facilities in this part of Khan Younis, the clinic is essential to support displaced families who have returned to the area in search of shelter," the UN refugee agency added.
In further news, the Palestinian Red Crescent Society (PRCS) warned on Tuesday that "all medical points and emergency clinics" affiliated with the organization in the Gaza Strip have ceased their operations.
The Society explained that the closure of its facilities is a result of the Occupation's procedures of forced evacuation in various areas of Gaza where medical points and clinics are located.
At the time of publishing, just 15 of 36 hospitals remain just partially operational, with many sustaining damage from Israeli attacks, while the healthcare sector also suffers from a severe shortage of staff and medical supplies, including anesthesia and antibiotics, leaving healthcare professionals struggling to save lives under catastrophic conditions.
Since the start of the Israeli occupation's genocidal war in the Gaza Strip, more than 500 healthcare workers have been killed and hundreds more injured, while the occupation has arrested and detained at least 310 others and destroyed some 130 ambulances during the ongoing aggression.
The World Health Organization (WHO) has previously warned that the volume of medical supplies entering the Strip is "not sufficient to sustain the health response" and that "all medical evacuations out of Gaza remain suspended."
Several UN agencies and international institutions have also previously warned that the Zionist entity's targeting of hospitals and the healthcare sector in Gaza constitutes a clear violation of the principles and standards of International humanitarian law and the Fourth Geneva Convention, which guarantee special protections for hospitals and healthcare centers during armed conflicts and wars, while targeting them amounts to a crime against humanity and a war crime.
Yet, the Israeli occupation continues to target Gaza's healthcare infrastructure in direct violation of, and in disregard of, all international and humanitarian laws.
Meanwhile, the slaughter of civilians continues in Gaza as the Zionist army targets the homes, shelters and tents of the displaced, starving and suffering Palestinian population.
On Tuesday morning, Occupation fighter jets bombed a residential house in the city of Deir al-Balah, in the central Gaza Strip, resulting in a number of casualties among the civilian population.
At the same time, Zionist artillery detatchments targeted several neighborhoods west of the city of Rafah, in the southern Gaza Strip, as well as in the vicinity of Al-Shifa Hospital, west of Gaza City, and a school in Al-Nuseirat, all of which were subjected to violent raids.
In further atrocities and war crimes, medical sources with Al-Ahli Arab Baptist Hospital in the city of Gaza stated that soldiers with the Israeli occupation army forced medical staff to close the hospital after its surrounds were subjected to violent gunfire from Merkava tanks and other armored vehicles.
According to residents and staff that witnessed the closure, all staff and patients, as well as displaced civilians seeking shelter in the hospital, were forced to leave under the threat of the occupying forces, exposing them to extreme dangers.
The crimes of the Israeli occupation continued when Zionist warplanes bombed a residential home in the New Camp area of the Al-Nuseirat Refugee Camp, in the central Gaza Strip, murdering at least 7 civilians and wounding several others.
In another atrocity, occupation fighter aircraft bombarded a residential house belonging to the Mahna family on Al-Jalaa Street, in the vicinity of the Ghafri Junction, north of Gaza City, while local paramedic crews managed to recover a small baby from the rubble alive.
Similarly, an occupation raid on the Lababidi area, north of Gaza City, resulted in the deaths of 3 citizens and wounded 3 others.
After another house was bombed by Israeli occupation forces on Al-Nafaq Street in Gaza City, local civil defense crews were able to recover a child, along with several other wounded civilians, from under the rubble of their home.
Local sources are also reporting that three civilians were killed after the Israeli occupation forces bombed a gathering of civilians in the Tal al-Sultan neighborhood, west of the city of Rafah, south of Gaza, while occupation Apache helicopters opened fire on several western neighborhoods of the city.
In more occupation war crimes, the Israeli occupation forces bombed a gathering of citizens near the Abu Rasas roundabout in the al-Bureij Camp, in the central Gaza Strip, resulting in the deaths of 9 Palestinians, most of whom were children, while a number of others were wounded in the attack.
Another citizen was killed, and several others wounded, after occupation artillery shelling targeted the Al-Maghribi Junction, in the Al-Sabra neighborhood, south of Gaza City.
According to some reports, at least 33 Palestinian civilians have been killed, and dozens of others wounded, as a result of Israeli bombing since dawn on Tuesday.
In more attacks, at least four Palestinians were killed, and several others wounded, as a result of an Israeli occupation airstrike on the Nuseirat Market, in the camp of the same name, in central Gaza.
As a result of the Israeli occupation's ongoing war of extermination against the Palestinian population of the Gaza Strip, the current death toll now exceeds 38'243 Palestinians killed, including at least 10'000 women and more than 15'000 children, while another 88'033 others have been wounded since the start of the current round of Zionist aggression, beginning with the events of October 7th, 2023.
July 9th, 2024.
#source1
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#videosource
@WorkerSolidarityNews
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animesavior · 5 months ago
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“You either are a wrestler or you aren’t. No one can give you permission. Everyone knows that.” -          Aunt P / Quesa Poblana, Invincible Fight Girl (Ep. 01)
The Toonami Trending Rundown for November 2024. It was a month of big premieres, as viewers were treated to the World Premiere of Invincible Fight Girl, the return of Blue Exorcist to Toonami for the first time in a decade, and the U.S. television premiere of Mashle: Magic and Muscles.
For the social media buzz on the nights of Toonami proper, #Toonami trended in the USA on Twitter on November 9, 23 and 30th, as well as on Tumblr on November 23. Invincible Fight Girl trended in the US during all five weeks of the month, and Mashle also trended on all weeks save for the 2nd (as the latter show would make its debut a week later due to the former show having a doubleheader for its premiere.) As for Toonami Rewind, #ToonamiRewind and Sailor Moon would trend in the US during both the broadcasts of November 8 and 22nd.
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The feature for November 16 was a new Toonami ID titled “Vended.” You can check it out below:
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And on November 23, Toonami released a Game Review of Neva by Nomada Studios. It received an 8/10 score.
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Anime was well represented at the 97th Macy’s Thanksgiving Day Parade, as floats of both Goku and Luffy once again took to the streets of New York City on Thanksgiving.
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Toho Animation has revealed a new trailer and key visual for Dr. Stone: Science Future, the fourth and final season of the series. The first cour of the new season is scheduled to premiere in Japan and on Crunchyroll in January 2025.
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David Wald, the voice of Hannes in Attack on Titan, Tetsutetsu in My Hero Academia, among others, has announced that he will no longer be reprising his roles in any Crunchyroll productions in the future thanks to some abusive behavior from his now former employer. According to David, Funimation/Crunchyroll employees for the past five years have been opening up any fan mail that was sent to him through them, threw away said letters, and passed out any included items between staff members. Which is a violation of federal law (18 U.S. Code § 1702 - Obstruction of correspondence). While Crunchyroll execs have stated that they are investigating the situation, they have yet to update at this time, as the situation may or may not be under litigation.
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If you've read my OP-ED, The 2020’s Anime and Streaming Service Bubble Burst, this behavior hasn’t been atypical for Crunchyroll and Funimation since being bought and merged by Sony, as David joins the likes of Kyle McCarley, Laura Post, Marin M. Miller, Ben Diskin, all of Toonami, among many other talents and industry figures, that Crunchyroll has burned bridges with since their merger.
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Sony won’t be getting away from the monopoly allegations any time soon, as Reuters reported during the month that they have been in talks to acquire media conglomerate Kadokawa for their anime and video game assets. However, on December 19, Sony have since toned it down (for now at least) to a "strategic capital and business alliance" by acquiring a 10% stake in Kadokawa and will collaborate on various future projects.
Finally, In the Sword Art Online universe, November 7th, 2024 is the exact day when Kirito, Asuna, and the players of SAO would clear the world of Aincrad. To commemorate the occasion, Aniplex and Kadokawa has released this key visual from the events of Episode 14.
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Not much else to say other than until next time, stay golden as always.
Legend: The shows listed are ordered based on their appearance on the schedule. Show trends are listed in bold. The number next to the listed trend represents the highest it trended on the list (not counting the promoted trend), judging only by the images placed in the rundown. For the Twitter tweet counts, the listed number of tweets are also sorely based on the highest number shown based on the images on the rundown.
November 2-3, 2024 Toonami Trends
United States Trends:
#Toonami [Trended with #InvincibleFightGirl]
#InvincibleFightGirl [#16]
Tweet Counts:
#InvincibleFightGirl [3,352 tweets]
November 8, 2024 Toonami Rewind Trends
United States Trends:
#ToonamiRewind [#18]
#SailorMoon [Trended with #ToonamiRewind]
Tweet Counts:
#Toonami [1,078 tweets]
November 9-10, 2024 Toonami Trends
United States Trends:
#Toonami [Trended with #Mashle]
#InvincibleFightGirl [#18]
#Mashle [#18]
Tweet Counts:
#InvincibleFightGirl [1,195 tweets]
#Mashle [1,771 tweets]
November 16-17, 2024 Toonami Trends
United States Trends:
#InvincibleFightGirl [#27]
#Mashle [#20]
Tweet Counts:
#InvincibleFightGirl [1,099 tweets]
#Mashle [1,831 tweets]
#BlueExorcist [1,818 tweets]
#OnePiece [29.2k tweets]
November 22, 2024 Toonami Rewind Trends
United States Trends:
#ToonamiRewind [#24]
#SailorMoon [Trended with #ToonamiRewind]
Tweet Counts:
#ToonamiRewind [1,552 tweets]
November 23-24, 2024 Toonami Trends
United States Trends:
#Toonami [#28]
#InvincibleFightGirl [#28]
#Mashle [#21]
Tweet Counts:
#Toonami [2,459 tweets]
#InvincibleFightGirl [1,302 tweets]
#Mashle [2,067 tweets]
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argyrocratie · 1 year ago
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"What is the Houthi movement?
The Houthi insurgency is a Zaydi Shiite Islamist political movement established in 1992 to challenge Yemen’s longtime, and increasingly corrupt, leader Ali Abdullah Saleh. Following massive street protests, Saleh resigned his post in 2011. After the resignation, a national unity dialogue was held in Yemen’s capital Sana’a to try to resolve a host of Yemeni political conflicts. However, those talks eventually broke down, prompting the Houthis to advance on Sana’a with the goal of taking power. This sparked Saudi Arabia’s deadly US-backed air, ground, and naval invasion of Yemen, which lasted for seven years and killed an estimated 9,000 civilians, as well as significant numbers of Houthi forces, in repeated airstrikes. Despite the overwhelming force used by Saudi Arabia, however, the Houthis gained control over roughly a third of Yemen’s land—and two-thirds of its population—over the course of the war.
In April 2022, Saudi Arabia and the Houthis negotiated a truce that has nearly eliminated the fighting in Yemen. The truce halted offensive military operations, allowed fuel ships to enter Yemeni ports, and restarted commercial flights from Sana’a airport. However, it did not offer a comprehensive political settlement, leaving open the threat of renewed hostilities.
How have the Houthis become involved in the war?
After Israel began bombing Gaza on October 7th, the Houthi movement—which has long held what Yemen expert Helen Lackner called a “fundamentalist foreign policy position against the US and Israel”—announced that it was ready to intervene in solidarity with Palestinians. “There are red lines in the situation related to Gaza, and we are coordinating with our brothers in the jihad axis and are ready to intervene with all we can,” the Houthis’ leader said. As part of this effort, the movement has carried out 27 attacks in the Red Sea between November 19th and January 11th, most of them on commercial ships linked to Israel (although some of the attacks have targeted ships without a clear connection to Israel). The movement has also tried to fire on American warships and on Israel itself.
In the attacks on commercial ships, the Houthis have mostly fired missiles at them, though on November 20th, the group’s fighters seized a cargo ship and detained the crew members onboard. These attacks have discouraged shipping companies from traversing the Red Sea, the fastest route from Asia to Europe; many are instead sailing around the Horn of Africa, which adds $1 million to the typical cost of a roundtrip. On January 11th, the White House cited this trade disruption as a key motivating factor for the US’s bombings in Yemen, noting that “more than 2,000 ships have been forced to divert thousands of miles to avoid the Red Sea—which can cause weeks of delays in product shipping times.”
The Houthi movement’s attacks in the Red Sea, as well as the retaliation the attacks have generated, have revitalized the group’s power within Yemen. Prior to October 7th, the Houthis were facing discontent due to their authoritarian rule, their failure to pay salaries, and their control of aid in the face of spiraling poverty. Their confrontation with Israel, however, has seen “their popularity suddenly skyrocket, including in areas in Yemen where they don’t rule and in stark contrast to other Arab [states] who are at best being silent, or at worse, helping the enemy,” Yemen expert Helen Lackner told Jewish Currents. After incurring significant losses in their conflict with Saudi Arabia and the United Arab Emirates, the Houthis’ firm opposition to Israel has also helped them to recruit more young men to their military who believe they will have the opportunity to fight in Palestine, according to Lackner.
In this context, experts say it is unlikely the spate of Western bombings will end the Houthi attacks in the Red Sea—and such attacks could even contribute to the group’s bolstered popularity. “They’re willing to live with some level of retaliation because they can then position themselves as having been targeted by this Western alliance that is serving the interests of Israel,” said Mohamad Bazzi, director of New York University’s Kevorkian Center for Near Eastern Studies. Other experts have also warned that the US strikes risk provoking further escalations: For instance, the Houthis could decide to attack Saudi Arabia in a bid to up the pressure on American allies.
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What is Iran’s role in the regional escalation?
While the groups responding to Israel’s bombing of Gaza—Hamas, Hezbollah, the Houthis, and the Iraqi and Syrian paramilitaries—are spread out across the region, they are all supported by Iran, which has armed and financed them as part of an overall strategy to contest US and Israeli hegemony in the Middle East. This Iran-supported network is often called the “axis of resistance,” and the alliance’s close collaboration reflects an approach developed by Qassem Soleimani, who was a key Iranian military leader until he was assassinated by the US in January 2020. “A big part of his strategy in the region was for the groups to get to know each other, and to share training and expertise—and that continued after the assassination in Baghdad,” said Bazzi.
Experts emphasize that Iran does not have full control over the groups it funds and arms, which often pursue their own agendas. For example, the relationship between the Houthis and Iran, according to Lackner, “is a bit like Netanyahu’s relationship to Biden. If they agree, and they want to do the same thing, then they do it. But they are not afraid to diverge either,” said Lackner. For instance, the Houthis ignored Iran’s orders to halt their advance on Sana’a in 2014, which sparked the years-long civil war and the conflict with Saudi Arabia. In the current conflagration, Bazzi said, Iran is unlikely to be directing the various forces to pursue “specific attacks,” but Iranian military leadership is “probably involved in larger-scale conversations about the division of responsibilities of different parts of the axis of resistance.”
According to Bazzi, at this moment Iran is carefully calculating how to maintain regional credibility by showing support for Hamas, while not going far enough to provoke a war with powerful foes like the US and Israel. “The primary Iranian calculation is about regime survival, and they don’t want to do anything that seriously jeopardizes their survival,” said Bazzi. Parsi said that so far, Iran has benefited from avoiding risky moves—in contrast to Israel, which has diminished its own “global standing” with its operations in Gaza. “Israel’s pariah status globally—at least outside of the West—is something that the Iranians are drawing benefits from. But that only works to the point that this doesn’t escalate into a larger conflict,” he said.
How is the US responding to the regional conflict?
Since October 7th, the US has repeatedly said that it wants to prevent more fighting in the region. Early on, the US dispatched warships and fighter jets to the Mediterranean to deter Hezbollah from entering the fray. Biden administration officials have also ramped up diplomatic efforts to halt a regional conflagration: The president sent envoy Amos Hochstein to Lebanon to try to negotiate a solution to the fighting around the blue line, and reportedly warned Israel against escalation with Hezbollah in private conversations. In October, when Israel had made plans to pre-emptively strike Lebanon, President Biden called Netanyahu to tell him to “stand down” on the attack plans, and ultimately, Israel did not launch a wide scale attack, according to a December Wall Street Journal report. “The priority for the Biden administration is to limit or prevent the broadening of the conflict,” said Schenker.
At the same time, the US has carried out repeated bombings in Iraq, Syria, and now Yemen, even as officials continue to talk about de-escalation. “We’re not looking for conflict with Iran. We’re not looking to escalate and there’s no reason for it to escalate beyond what happened over the last few days,” National Security Council spokesman John Kirby said last Friday, after the first US bombings of Yemen. But yesterday, the US military again bombed Houthi targets for the third time in a week, and then designated the Houthis as a terror organization, blocking the group’s access to the global financial system. By targeting Yemen, experts say the US is significantly expanding the regional war—“escalating regional tensions and adding fuel to a conflict,” as Bazzi wrote in a recent column published in The Guardian. “The conflagration could spiral out of control, perhaps more by accident than design,” he noted.
Many Middle East analysts say the Biden administration’s attempt to avert regional war is failing for one main reason: its refusal to couple a plea for de-escalation with advocacy for a ceasefire in Gaza. “Seeing the wider regional conflict as something that can be managed separately from Gaza is the source of the dissonance [in the administration’s strategy],” Bazzi told Jewish Currents. “You can’t prevent the wider regional war effectively without addressing the core immediate issue, which is the Israeli assault on Gaza. It’s just wishful thinking in the Biden administration that somehow it can separate the two.”
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monste70-comsumer · 1 year ago
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To the people who think that this doesn’t affect them, it does. Our state taxes go to Isreal which is killing people who are just living. Most of the population in Palestine are children who are dying every minute. People are living in tents with no clean water and no food. The women have no menstrual products. There is a famine right now. Nobody deserves to be going to bed with the sounds of drones and bombs, and hungry. No parents or siblings need to be holding their dead loved ones. I feel so many things when I see what is going on in the world. And if you were with Ukraine why aren't you with the Palestinians? Say something or do something that could at least save people's lives. “ pick up the stones there are children in the street”. Nobody deserves to live like this. This has been going on for 76+ years and never October 7th.
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