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mirpuzzle · 2 months ago

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Hii! Sorry if this has already been asked before, but I wanted to know if you think Ghost could've beat Yami Bakura in their duel. What do you think would have happened if he won?

Hello! 🌸 I'm glad you ask. When I see people talking about this duel, they usually act like Kotsuzuka had no chance at all. Now, what if I told you that, had he played his cards differently, Kotsuzuka could've saved himself and his friends?

I've analyzed their duel obsessively like the occultshipper I am and concluded that, yes, Kotsuzuka could've had a chance to defeat Yami Bakura. And I can show you how.

First, let's review the duel from turn 4 onwards. After that, I'll tell you what he could've done.

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👻 Turn 4, Kotsuzuka's turn. Yami Bakura: 3950 LP | Kotsuzuka: 3500 LP

Kotsuzuka normal summons Dragon Zombie, then activates Premature Burial, paying 800 LP to special summon The Snake Hair from his graveyard. He's left with 2700 LP. Next, he activates Polymerization, using Dragon Zombie and The Snake Hair on his field as materials to special summon Great Mammoth of Goldfine. Per the rules of Battle City, fusion monsters cannot attack during the turn they are fusion summoned. He sets a card face-down and ends his turn.

😈 Turn 5, Yami Bakura's turn. Yami Bakura: 3950 LP | Kotsuzuka: 2700 LP

Bakura draws a card. Kotsuzuka activates his face-down trap, Skull Invitation, which will deal a player 300 damage every time a card goes to their graveyard. Yami Bakura activates Spiritualistic Medium. He discards 4 cards from his hand to raise the ATK of The Earl of Demise on his field to 4000 until the end of this turn. Skull Invitation deals him 1200 damage, leaving him with 2750 LP. The anime doesn't show this, but, at this point, Spiritualistic Medium goes to Yami Bakura's graveyard, so Skull Invitation should deal him another 300 damage, leaving him at 2450 LP. The Earl of Demise attacks Great Mammoth of Goldfine, leaving Kotsuzuka with 900 LP. The Mammoth goes to Kotsuzuka's graveyard, triggering Skull Invitation, and he now has 600 LP left. Yami Bakura ends his turn.

👻 Turn 6, Kotsuzuka's turn. Yami Bakura: 2450 LP | Kotsuzuka: 600 LP

Kotsuzuka draws Nightmare's Steelcage and activates it. This card remains on the field for 2 of the opponent's turns, and during that time, monsters cannot attack. Kotsuzuka sets a monster and ends his turn.

😈 Turn 7, Yami Bakura's turn. Yami Bakura: 2450 LP | Kotsuzuka: 600 LP

Yami Bakura draws Ectoplasmer and activates it. During his End Phase, he tributes his Earl of Demise, dealing half of its ATK (1000) as damage to Kotsuzuka, bringing his LP to 0, and winning the duel.

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Now, what could Kotsuzuka have done differently? Let's go back:

👻 Turn 4, Kotsuzuka's turn. Yami Bakura: 3950 LP | Kotsuzuka: 3500 LP

Did you notice something odd during this turn? Kotsuzuka normal summons Dragon Zombie, only to use it as fusion material, when Polymerization lets the player use monsters from their hand, too. I mean, the animation where the monsters on his field get dragged and merged is cool and all, but that little decision cost him his life. So, let's say he uses Dragon Zombie in his hand and The Snake Hair on his field as fusion materials. He special summons the Mammoth. Then, he would still have his normal summon. Now, take a look at his hand:

Do you see that card on the very right? That's Crass Clown; a monster that, if changed from defense position to attack position, returns an opponent's monster to the hand. He should have used his normal summon to set that monster on the field. So, he now has Great Mammoth of Goldfine (which cannot attack this turn since it was just fusion summoned), and Crass Clown face-down on the field. He sets Skull Invitation and ends his turn.

😈 Turn 5, Yami Bakura's turn Yami Bakura: 3950 LP | Kotsuzuka: 2700 LP

For now, let's suppose the duel continues as normal, except for the change I made. Yami Bakura discards his entire hand, and the Earl of Demise attacks and destroys Great Mammoth of Goldfine, Skull Invitation does its thing. Kotsuzuka would still have Crass Clown face-down.

👻 Turn 6, Kotsuzuka's turn Yami Bakura: 2450 LP | Kotsuzuka: 600 LP

Kotsuzuka draws Nightmare's Steelcage, but he shouldn't activate it. Instead, he can normal summon Armored Zombie, which we saw in his hand in the screenshot I showed you earlier. Now, he should change Crass Clown to attack position, which would trigger its effect, returning The Earl of Demise to Yami Bakura's hand. Guess what? Yami Bakura has no monsters left on his field, and no face-down cards, either. Guess what else? He has 2450 LP left. Kotsuzuka has two monsters on the field. Crass Clown (1350 ATK), and Armored Zombie (1500 ATK). 1350+1500= 2850. Attacking with both monsters directly would end the duel with Kotsuzuka's victory before Yami Bakura even drew Ectoplasmer.

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Of course, this isn't the only possible outcome. As we know, Yami Bakura discarded 4 cards that we couldn't see. Depending on what these cards were, he could've changed his strategy to account for Kotsuzuka's face-down monster.

The change I proposed doesn't guarantee that Kotsuzuka would've won the duel, but the possibility was there. He could've saved himself and his friends and I'm screaming.

The only thing that could ruin my... theory? is if the anime version of Polymerization works differently than the OCG/TCG one. If it doesn't allow Kotsuzuka to use monsters in his hand, everything I just wrote would be pointless.

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As for what happens after that, I don't know. Unless Yami Bakura calls the Shadow Game off or something, he'd be the one to suffer the fate that was meant for Kotsuzuka, right?

Imagine that. Kotsuzuka would've saved the world without even knowing.

This also means he'd pick up the Millennium Ring. AUs of this could be very interesting!

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martyrbat · 2 years ago

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favorite things - batman: legends of the dark knight #79

[ID: The cover for the above mentioned comic. In it, Batman is framed to be in the center of a wreath as he screams in agony. Surrounding him is fire. Following it is the subtitle page where we see the story's name (Favorite Things) and the creative team that created the story. It's shown with a peek of Gotham's horizon; where snow is elegantly falling in front of towering golden skyscrapers and tall, blue buildings. It settles on the rooftops of the last layer of the city, which consists of older buildings and water towers. A single gargoyle stretches into the panel in front of them all. END ID]

entire comic with ID below cut!

We fall with the snow, bearing witness to several vertical panels of random Gothamites that are outside on this frigid night. An older man clenches his newspaper in shock. A young couple drops the toys they just bought in fright, staring at an approaching golden light. In an alleyway, we see a cat jumping to a new trash lid to get away from what disturbed its rest – a peek of the corrupt far in the background. A young child with their mother points excitedly as their mother is still turnt away.

Finally, we see the cause for such reactions – the speeding, iconically sculpted car that's swerving between traffic effortlessly: the Batmobile!

Bruce Wayne, dressed as Batman, speaks into the extended microphone that's built into the car. He asks, “How's the party, Alfred? Anyone ask why I disappeared?” Alfred Pennyworth is shown talking into a revolving phone, smiling with slight amusement as well-dressed people dance and socialize joyfully in the background. Alfred reports back, “I told them you had urgent business upstairs, Master Bruce.” Bruce asks, “blonde or brunette?” Alfred answers, “Blonde, sir – I gather ‘gentlemen’ prefer them.”

However Bruce is unable to keep his own masquerade, his facade falling instantly. He rhetorically questions, “How could this happen, Alfred? I can't believe it.” Alfred gazes at an overhead window, the glass still shattered from an earlier event. He bon mots, “I'm afraid burglary is not an uncommon problem in Gotham City, Master Bruce. Even with our security. Perhaps we should invest in a large dog with a taste for the criminal classes.” Bruce remains unamused as he presses down even more on the gas pedal. He argues, “This is no joking matter. You know what they took. And you know why I have to get it back.”

He eventually enters a club just to immediately intimidate the party-goers. Underneath the sharp eye of the pink neon lights and glistening disco ball, he threatens, “I've already been to several clubs in Gotham tonight – you may have heard the ambulances. Save yourself some grief. Hand over Eddie Mulligan.” The crowd stares on until Eddie pops out! He announces, “Hi, Bats! Lookin' for me, big guy?”

Batman quips back, “Let's step into your office, Mulligan!” while throwing him through the door for the filthy restroom. He snarls at the two men still at the urinal to leave now as Eddie pleads for them to not leave him with Batman. They leave anyways as Batman yanks Eddie into a dirty stall.

Batman holds him by the collar and his head, forcing his head to hover over a toilet that has surely broken multiple sanitation regulations. He warns, “Talk to me, Eddie! Half of Gotham’s low lives come to you to celebrate a score. I’m after a gang who specialize in robbing big houses. Fill in the blanks or you and that drug store in your jacket are down the toilet.” Eddie swears, “I don’t know nothin', man. On my mother’s life–”

Batman calls out his lie as he shoves his head into the toilet’s bowl. “Your mother died when you were four, Mulligan – try again!” He lifts Eddie’s head, who still insists that he doesn’t know anything. Deciding the waste of time isn’t worth losing the convict’s trail; the Dark Knight storms out of the restroom, leaving the now dirty man on the even dirtier floor as he still murmurs his swears that he doesn’t know who's to blame for the robberies.

Fire blazes around a black bat emblem. We pull from it, revealing the incendiary weapon set to destroy a museum. Police Captain Jim Gordon murmurs, “Madness. Fire-bombing a museum… to call attention to this.” He asks if there's any witnesses to the accompanying cop. He answers, “A woman thought she saw a couple of Joy Boys running away from the blast.”

Gordon turns from the roaring flames and questions, “Joy Boys?” The cop explains, “Weird kid gang, Captain… Crazy about the Joker. Like to show how they hate the Batman, pullin' stunts like this. Or maybe they’re just celebratin' the season. Christmas comin' an' all…” Gordon mutters, “Just when I thought this place couldn’t get any sicker. Madness.”

Snow continues to fall outside a building, glowing signs advertising an adult-only cabaret named ‘Eye Spy’ and the promise of a live stage show inside. A middle-aged blind woman is shown in a brown, thin jacket over a semi-sheer cover that's attached to her short, pink dress. She climbs into a taxi's backseat as the driver teases, “Nice flowers, Tabitha. Got a secret admirer?” She laughs at her friend and tells him, “Hahaha! Not for a long time, Arnie. These're from the Batman. Had them delivered after my show.” He recoils at the revelation! “He's real?! What's he after?” She coyly smiles and dips her nose to the bouquet of red roses. She reminds him, “I got no eyes but I got good ears, Arnie. Batman wants to know what I've heard about these organized break-ins at all the city's plush mansions.” Arnie scoffs, “Typical. Superheroes always look out for the rich g–”

The start of his unimpressed rant is interrupted by a Joy Boy slamming his hand against the window! He and the rest of the Joy Boys have a mask on of the Joker's grinning face and purple jacket with green pants to mimic the villain's suit. He demands for Arnie to get out of the car as more of the posse circle the car. Arnie flees, leaving Tabitha to the mercy of the gang! She calls for him before suddenly being jerked out of the vehicle! She asks in a panic, “Who are you? What have you done to Arnie?” The leader of the gang speaks, “Good evening, madame. I can’t help noticing you’re blind. Never mind, my dear –”. One of the men holding her suddenly punches her, causing her to collapse! The man continues, “there are some things in life it’s best not to see.”

Batman drops down promptly, sending the abusers down into the snow as he lands on them! He growls, “And one has just dropped in on you. Joy Boys… Your choice of role models stinks!” He decks another member as Tabitha asks repeatedly what’s happening. The leader taunts, “You won’t catch me, Bat-slime! I’ve got the fastest legs in Gotham City!” Batman speaks into a hidden voice commander and calls for the Batmobile before muttering the three magic words: finish the job!

The criminal is caught in the glaring headlights of the Batmobile before it automatically drives! The man lets out a blood curdling scream. Batman reassures Tabitha as he helps her up from the snow, “Scared senseless more than hurt. The car caught him at a glancing angle. Let's see if we can salvage any of your flowers.” He cordially keeps an arm wrapped around her upper back and tucks a red rose gently in her blonde hair. “There's one. Pretty as a picture.” She looks up, revealing her bruising eye. She asks, “D-do I really still look pretty, Batman? After all these years?” He smiles down at her. “More than pretty, Tabitha. You look beautiful…” He starts guiding her away from the scene of the attack as he softly prompts her to tell him what she knows about the break-ins.

Afterwards, Bruce is back in the Batmobile as he reports back, “I've got a name, Alfred. Not much else. The outfit's called ‘the Chessmen’. Their leader calls himself ‘King’, apparently.” Alfred comments, “Really? A bit obvious, wouldn't you say, sir?” Bruce snaps, “Everything about them is obvious… except where they are now, dammit!”

Alfred continues ironing Bruce's cape in the Batcave as he calmly notes, “You sound a little erratic, Master Bruce. Might I inquire when you last slept?” He dismisses his surrogate father's concern, promising, “I had a nap, old friend. I feel fine.” But Alfred presses, “Tell the truth and shame the devil!” Finally, Bruce reluctantly confesses, “Two or three days ago. You know I can't sleep, Alfred. Not 'til I get it back.”

He swings onto the roof of GCPD headquarters, where Jim Gordon is already waiting for him next to the Bat-Signal. Gordon informs, “We got an anonymous call. A direct lead to the gang who robbed half the town's mansions.” Batman exclaims, “The Chessmen! Where–?” Gordon sighs. “It's gotten… Complicated. The chief saw headlines. Insisted on a swat team. They messed up. What should have been a simple raid has ended as a hostage situation – Dammit! If he'd left it to my men or you…” Batman at once leaps off the building, having all the information he needs. His cape flares out as he vows, “Leave it to me now, Jim.”

At the scene, we see the SWAT team waiting outside in utility body armour and holding assault rifles. The chief speaks into a megaphone, “Listen up, Chessmen! This is Chief Yeats! Release my two officers and we can negotiate a deal!” The leader of the Chessmen, King, is standing in the window with a handgun pointed at a cop's head. He has the design of the king chess piece tattooed on his forehead and a purple mohawk. He shouts back, “No deals, pig! Take one more step and I blow a hole in this babe's head! I mean it, Yeats! We already wasted her partner!” The second cop lays dead at his feet.

One of the Chessmen with a rook tattoo apprehensively expresses, “This is too much, King. I thought we said no one was gonna get hurt.” King demands, “Shut up, Rook! Do what I say or we're dead men!" A voice from above booms, “You're worse than that – You're mine!” Suddenly Batman drops down while throwing a smoke bomb! He moves in stealth, avoiding the blind, erratic shooting from the panicked men that's trying to kill him and knocking them all unconscious as they scream, “He's on his own–!” “Rush him!” “Can't see him! Where'd he go?” “Over there!” “Blow his head off, Bishop!” He cries out, “He's moving too fast! Like an animal! A damn ani– ungh!” The Caped Crusader takes him down.

The smoke starts to clear, revealing that Batman is the only other man standing as King holds the hostage in front of him. He warns, “Stay back, Batman! We just wanted to rip off some rich guys! Give ourselves a little Christmas present! We didn’t want anyone to get hurt!” Batman growls, “Tell that to the officer down,” as he opens a small department on his belt and clicks a mysterious button.

Suddenly, screeching fills the air before a frenzy of bats burst into the building! King releases the hostage as he immediately gets swarmed by the bats. He screams, “Get them off me! I can’t stand– AAAA! Please! For the love of god! Get them off me!” The bats eventually flee, leaving King on his knees and the reveal that Batman and the hostage are nowhere to be found. He stammers out for his already defeated backup. “Ch-Chessmen? Where are you, Chessmen? K-King under attack.”

Batman suddenly appears, making the obvious pun in his triumphant, “Checkmate, King!” He continues to be unfunny as he shouts, “Game over!" and punches the man, knocking him back on the ground. Batman stands towering over the defeated criminal as he finally gets to demand, “I'm out of patience, King. The loot. Where is it stashed? Talk.”

The bellicostic police chief leads the SWAT men up to where the hostage situation was taking place, warning them to be very careful. They finally reach the floor and burst through the door, announcing, “Police! Freeze!” But to their dismay, they see the five Chessmen tied up on the floor as King hangs upside down above them. Chief Yeats yells, “The damn bat! That damn bat beat us again.”

One of the SWAT officers points out a note attached to King. It reads: ‘Act like a police chief, not a publicity hound, Yeats… or I'll have to act. I won't always have more urgent business like tonight. B.’ — The chief warns the men, “You didn't see this… Get me? But… uh… tell any news teams to throw focus on… uh… the heroic officer-hostages… Hey… It's the holidays, right?”

We join a single father sitting in a squalid apartment with his two little boys. The children sit on the floor in front of a plugged in space heater as they watch a small television that’s sitting on top of a cardboard box. A clothesline hangs over their head as the despondent man sits in front of the window, somberly waiting for the Dark Knight's arrival. Without turning, he addresses Batman. “I knew you’d come. I’ve been waiting here for two days. Thank god it’s over.” The children turn with a shout, pointing at Batman before running to be held by their father.

Batman asks, “You’ve been holding stolen goods. Where are they?” The man answers, “I already gave them back, Batman. Honest.” Batman queries, “You gave them back?” The father bows his head as he confesses, “Yeah. I was paid to stash them until the heat cooled off. But… I couldn’t keep those things. They didn’t belong to me. Don’t throw me in jail, Batman. It was me who tipped off the cops. It was me who told Gordon where they could find the Chessmen.”

Batman gently questions, “Any particular reason?” as the man starts to weep. “I'm not a thief, Batman. I just needed some money to feed my kids. Please, Batman! Please don't throw me in jail! The kids need me, Batman! Little boys shouldn't be left on their own.” The children start to cry and stare up at the Dark Knight as he looks at the cordolium scene. He agrees, “Okay. Just don't do it again.” And with a swoosh of his cape, he's out the door. The father looks up in shock at his agreement but the only evidence of Batman's presence being a roll of hundred dollar bills that's now sitting on top of the table.

At the Wayne Manor, we're in a child's bedroom. Dolls are perched serenely upon a chair. A toy house that'll never become a home lays next to a small rocking horse who's riding days are long gone. In the center of the room is a circular train track, where Bruce Wayne sits in thought. Still half dressed in his costume, he stares at a bright toy train. Alfred softly approaches. “I see you managed to recover it, Master.” Bruce murmurs, “My favorite thing. The last thing they ever gave me, Alfred. The last present from my mother and father… and I almost lost it.”

Alfred reassures him, “Not to worry, Sir. It's safe and sound in your old bedroom now.” Bruce continues to look at the little train. “You're right, old friend. Right as always.” Alfred gently prompts, “It's getting late, Master Bruce. Almost dawn. Time for bed, I think.” Bruce shifts to his knees, finally prying his eyes away from the toy and the memories it holds to look at his lifelong friend. He quietly agrees. “Yes, Alfred. Time for bed.”

We end on a distant view of the Wayne Manor, the ombré pink and purple sky casting a light on the pure white snow. A promise of peace after a restless, cold night.

END ID]

#hiiii i have covid and am trying to not die as i have my own holiday trauma so this is rly late #but i know youll cope and not complain bc its just a comic and u guys are better than that :) (<- said threateningly)#but !!! finally !!!#i feel like the last two pages are very known (and ill be posting them separately because yknow) but i wanted to id the context :)#i would love to crack bruces pretty little skull open like its a geode rock and look at the crystal that is his fucked up brain <3 #lemme know how you like this format btw ! did it few panels at a time instead of one by one because the layout is very different than #older comics :) i aimed for scene/tone shift instead and what had the best flow while not being too congested and confusing in text !!#transcrypts #<- also while ur here (hi!) maybe check out this tag for other full comic/story ID's i done :)#c: batman: legends of the dark knight | i: 79 #crypt's panels #bruce wayne #batman #alfred pennyworth #posts from the crypt

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