#4. literally everything about him leads you to believe he’s gay. including the way he talks abt men and women

[dreamertrilogys]

that fact that he’s somehow straight is so truly baffling in ways i don’t even know how to explain. this is so awful

[btsandvmin]

How much do we really know?

I really don't understand how any BTS shippers can be confident enough in their ships to turn into “supporters/believers” that believe their ship is real 100%. For any ship. Like even deep diving into some theories or getting literally 100+ reasons from various believers own mouths for why some ships have to be real, nothing has been big enough to count as proof in my opinion. (Of course this includes Vmin.)

Like... They all have questionable moments. Some more than others, sure. But proof of more than very strong and unusually intimate friendships? No.

You could argue some things seem “gay” or has possible LGBTQ+ connections. Like GCF having a LGBT+ song, or 4 o'clock including a reference to a gay movie, or Vmin's literal gay drama whatever that was. But most of it is just fans zooming in on various things and adding their own meaning to it. Like it has to mean something becaues it is connected to your ship. (But only for your ship.) Sometimes, a lot of times, it’s not even directly connected to the ship... It’s just assumed to be connected to them. It’s a guess or a theory, not a fact.

I get questions from Vminies not knowing things about Vmin all the time, and I myself know I’ll never be able to remember or even see everything that is out there with Vmin. And that’s just from the content we are able to consume to begin with. Beyond that is a lot of guessing and assumption based on the fraction of moments we get. But if some Vminies might not even know where the soulmate label comes from, or that 4 o’clock was written with Jimin in mind or that Vmin seem to casually sleep together in private (if we take Tae’s words for it in the Billboard vlive) it’s clear that something I might see as obvious and common knowledge isn’t. Even further it’s clear that other shippers will know even less about Vmin. 

And how can you dismiss something you don’t even know about?

We all focus on, remember or look for/get exposed to our biases or favorite ships the most. Even if we consume the original content we will likely zoom in and see things for our own ship simply because we look for it. And there is nothing wrong with that, it’s natural. But we need to realize it means we will miss things when it comes to other ships, and need to be aware that we know more and end up in echo chambers of both facts and interpretations for our own ships.

It’s so blatantly obvious to me that many non-vminies have no clue about even some of the biggest moments between Vmin. And again, it’s nothing really odd or bad about that... Until you start to act superior even when you lack a lot of knowledge. So much misinformation is spread this way too...

That’s why even though I personally think I know more about other ships than perhaps the regular person, I still won’t preach or explain too much about other ships. Because just as I know others don’t seem to know or notice a lot about Vmin, I know I work the same in regards to other ships. I can’t possibly even remember everything when it comes to Vmin, so how can I with all other ships too?

If I get questions about tae/kook or ji/kook or any dynamic in BTS I might be able to answer it... But I might also lack the full context or might not even have noticed some things to begin with. Coming to me with questions about other ships will give you a very different view than if you ask a shipper focused on that ship directly. I try to be unbiased, but I can’t. I try to be informed but I can’t remember or notice everything. So even if I feel I know a lot, I might never know enough to get the full context of any situation regarding BTS. 

Of course trying to remember to watch unbiased content is very important and helps to keep a better balance. Or as in my case where I actively looked up other ship theories and felt “I know enough to see there are weird things and I can’t dismiss everything since we don’t know the truth of what it might mean”. Just as I feel a lot of things about Vmin shouldn’t be dismissed. Many other shippers also came to me and talked long and detailed about why their ship is real and my isn’t. Many times I lacked knowledge about specific situations about other ships, but so did they about Vmin. I don’t think you can dismiss something if you don’t even know about it to begin with, and there is a big gap of knowledge between the shipping communities.

I mean, the way hyung x maknae line ships have so many great moments and you barely see them outside of the actual content. At this point all ships in BTS are big and get attention, but they don’t seem to register the same way in people’s minds, with the focus  always being on the three youngest together.

This is the thing about worrying about “rival ships” too... They only matter if there is a moment between the ones you already see as “competition”. Does anyone worry or cry about Vmin or Ji/kook when Ji/hope or Hope/kook get very intimate and sweet moments? No, because they don’t seem to register at all. 

I wasn’t even able to find a gif of this ji/hope moment from Run recently... (And I can’t add twitter videos from desktop)

Yoon/min holding hands and joking about breaking up.

Meanwhile if Tae/kook have fun together or if Ji/kook does something cute all hell breaks lose. We have been tainted by the narratives from shippers. The more we see and hear about other ships the bigger “impact” they will have on us.

If moments like this between other members doesn’t make me feel insecure about Vmin, then why would any similar moment from Ji/kook or Tae/kook? People need to stop hyper focusing on both skinship and “rival ship” moments in general and stop adding importance to them, especially when they don’t even do it equally with all ships.

It’s not that one is good:

One is neutral:

And one is bad:

They all happen and exist and we need to realize that’s how it always has been and likely always will be. Any interpretations of these moments shouldn’t change how you view them when nothing is even confirmed. They all happen so we should all accept that and be happy the members have close and intimate relationships with each other.

I really don’t think people understand my stance on all of this. I literally don’t mind if another ship turns out to be real (even if any ship being real is probably not that likely), because I trust in Vmin’s relationship after having watched it for 5 years. But since nothing is confirmed I still remain of the opinion that Vmin’s relationship and behavior is weirder than other ships IN MY VIEW, based on MY INTERPRETATIONS. But I am totally ok with being proven wrong, because it doesn’t matter what kind of relationship Vmin have as long as I can trust that the love they express for each other is real. Thus I also don’t have to downplay moments between other ships. They are there and that’s nice.

We lack a lot of information for many reasons even though we do get to see a lot. But even knowing all the things we know, I still don’t think it’s enough for any ship moments to count as “proof”. For example with Vmin, they were denied to sing a song because it was essentially “ too gay” and Taehyung complained about it, but that doesn't mean they have to be a couple and is forced apart by Big Hit.

We put weight into things because we have our biases and guesses and we find things because we look for them. Here are just some things that fans of various communities says have to mean something but to me really doesn't have to mean anything even if proven:

Physical intimacy Emotional intimacy Jealousy Screen time Fanservice “Sexual tension” Heart eyes or any looks in general Joking about being a couple Showering together Sleeping together Being alone together Living together Writing songs about each other Secret signs Hidden messages to fans Hiding in rooms

And so on...

But even If you do want to count these things to mean something, at least acknowledge how many of those things other ships have too. Vmin literally have several of these confirmed as well. Many of these moments either have happened or gets speculated to happen between many ships. You might find your ship isn’t as uniqe as you feel it is if you actually start diving deeper. If you did and it makes you doubt your own ships superiority, that’s good. Being sure won’t lead to any good for anyone.

Also if you wanna go there.... If other shipper say these have to mean something they are either ignoring Vmin or more likely doesn’t know or say it doesn’t mean the same if they do it.

Fine if hand holding and cuddling doesn’t make you wonder about Vmin, that’s totally legit. In fact you don’t have to wonder about Vmin unless you want to. But using excuses for why something doesn’t mean something you don’t want it to mean or downplaying moments or automatically calling them platonic and “not the same” doesn’t mean you can’t be wrong about those assumptions. Especially when you might not know the full context of it. Again, it should go both ways and include moments from all relationships.

I am legit curious how ji/kookers and tae/kookers are able to be so confident about their ship being real with Tae doing the things he does towards Jimin.... Like... They mean to tell me Tae and Jimin being soulmates, Tae wanting to sing a romantic Christmas song with Jimin, Tae writing 4 o'clock, Tae having Sweet night and telling us it's a personal song while he keeps calling Jimin his only best friend doesn't even have a possibility to mean something non platonic? 😗

Soulmates + Friends lyrics + "how could I know one day I would wake up feeling more" + "are you my best friend?" + "sweet night is a personal song" + "Of course Jimin is my only friend" + 4 o'clock/dumpling fight + the not allowed Christmas song + "Jimin-ah I like you the most" + "I told him to come sleep next to me as I was too lazy to go to him" + “we told our candid stories as honestly as possible” + “Oppa, why are you still awake? I’m dreaming of Jiminie” = Vmin is probably the best known guess to what relationship Tae might be talking about in Sweet Night.

Is it confirmed though? Can I call it proof? NO! Because while it fits in theory, we don’t know and we don’t have all the information to know. But I can make a damn good case for it and that’s the whole point. I can do that because I look for material, see things and add them together with a narrative. Just as other shippers do with their ships. In the end it’s all just narratives though, not proof.

Getting all these asks recently just confirms that the people who worry, or who says other ships are real, haven’t read even a fraction of my posts or they just don’t understand them. Or let alone noticed major moments between all BTS members that should show that their belief is not as “obvious” as they might think.

I am tired of insecurities when it shouldn’t even matter. If any ship in BTS is real, let’s support them and be happy. It doesn’t change the dynamics and relationships between the other members if some of them happen to be a couple. What we see is still there. The “worst” that can happen is that our ideas and theories prove to be wrong. 

But let’s at least try to be aware of how little we see and know, and especially about ships that aren’t our own. I am writing about Vmin because there is a lot to see, but me focusing on Vmin also gives me a knowledge about them I can’t compare with other ships. Which is why I won’t sit and write essays about other ships, and which is why Vminies coming to me for information about other ships is going to lack the depth I can provide for Vmin. All shippers are biased and all shippers lack information.

If you want to ship do it, if you want to speculate go right ahead. But be aware that there is a big difference between facts and knowledge and narratives and speculation.

I hope you found this an interesting read. And if you are considering sending me asks worried about Vmin because of interactions between other members or you want to send “statments” or explenations about other ships being real, just know you are barking up the wrong tree.

[dreamingsnowflake2013]

The Marriage Argument: Tharn’s Perspective

Both Tharn and Type have valid arguments about the marriage so they have inevitably been bound to clash. The reason for the clash is that they’re two people who have been formed by very different experiences, including their individual past traumas, making them into the men they are now: an idealist with a streak for eternal optimism and a realist with a tendecy for negativity; an all-out gay and a former homophobe; a hopeless romantic and a cynical pragmatic, someone who’s loved before and was broken by it and a man who is in love for the first time in his life.

Season 1 focused on Type’s problems, flaws and character developemnt as he had come a very long way. And although Tharn’s issues were addressed, they have never been completely resolved, therefore the focus in Season 2 shifts towards him and delves deeper into his character: his insecurities, hopes and personality traits.  

It’s not only their differences which divide them, but also what they have in common because like repels like, so while Tharn and Type differ in many ways, they are viscerally and uncannily similar in others, which is something many people don’t realise. THEY ARE BOTH FIGHTERS - strong, stubborn as mules and immensely brave - who have overcome huge obstacles, not only in their relationship, but also as individuals. For instance, everyone talks about how stubborn Type is, but it gets rarely mentioned that Tharn is as stubborn, if not even more. He merely isn’t so loud about it.

The most important and inherent aspect of Tharn’s personality is that he is an idealist who has always wished for the impossible and fought losing battles, ultimately having his wishes granted and winning those battles most of the times due to his dogged stubborness and refusal to budge and give up on what he believes in. He’s been like this for most of his life, even before we met him in S01E01, so when some people claim that the Tharn in Season 2 is not the same Tharn, they never really known him or understood him. Therefore, it there is one quote that perfectly describes Tharn in both seasons, it is this one:

Tharn’s always dreamed the impossible dream: to study music, for Type to love him and only him one day. 

Furthermore, he’s fought against the odds and opposition: the prejudice against his sexuality, his parents’ initial refusal to allow him study music, Type’s bullying, Type wanting to keep their relationship a secret from everyone else,... and he has overcome and defeated all of them with his unrelenting optimism and relentless refusal to give up. He still believed in love despite all his terrible breakups and didn’t give up on Type no matter how badly Type treated him, believing Type is a good person.

The very qualities that stopped Than from moving out of the dorm when Type harassed him 7 years ago, leading to them being together, and enabled him to live his life the way he wanted and to win Type’s love, despite the fact he was fighting a losing battle each time - tenacity and pride and insane stubbornness - are both his greatest strengths and greatest weaknesses. So once again Tharn hopes for the impossible: this time, it’s marriage.

Tharn accepted himself a long time ago, coming out to his parents when he was in 12th grade, openly admitting that he was gay in school and later, in work, as well. Unlike Type, he is an all-out gay, therefore he is in a very different place than his lover. However, he, too, had struggled with it. It took him 4 years before he dared to come out to his parents and publicly reveal he’s gay. So ever since, he’s been dealing with everything that comes with it, both the positive and negative. There must have been times when Tharn was marginalized, discriminated against and felt inferior due to his sexual orientation, most noticebly while being bullied by a certain homophobic roommate. 

On the other hand, while Type told his family and friends about his relationship, he’s never come out publicly, so he still lacks the final step and the experience that comes with it.

Performing at his own brother's engagement party the love song he wrote for Type and seeing him propose to the woman he loves, still hurting because Type has refused his own proposal many times and doesn’t want to get married to him, break something inside Tharn. 

He wants the same thing, but he can’t have it and that makes him hurt, desolate, bitter and envious. He’s been with Type much longer than Thorn with Aom and they’ve been through so much, earning their right to be together, yet marriage seems like an impossible dream, the only thing that Type has refused to give him. Not only does he feel cheated of something that should be his, but it makes him feel inferior, marginalized and not good enough. 

Because if he were a woman, Type wouldn’t refuse to talk about him with his co-workers and would have agreed to marry him a long time ago. Instead,Tharn has to come up with excuse why he won't introduce his boyfriend to his collegues. This has been an ongoing issue since season 1. 

 And this is where those who argue that if Type doesn't want to get married Tharn shouldn't make him completely misunderstand the problem - the marriage is only a symbol, representing equality and Tharn's desire to be like any other couple in all the things that matter.

While Tharn can compromise a lot, he is no doormat and has a certain set of morals and beliefs he will never break. He has enough self-worth to know that he deserves better. Once again, it’s the same quality which didn’t allow him to move out of the dorm when Type bullied him. So it says a lot that the only time Tharn seriously contemplated breaking up with Type was when he thought Type slept with Puifai. He couldn’t bear to be treated as second rate, a spare tire, a mistress and a dirty secret and share Type with someone else. It’s a line he will never be able to cross, his pride and heart won’t allow it. Tharn wants equality, thus he wants it all, wants what everyone else has. And being denied marriage to the love of his life makes him feel incomplete, deficient, depraved, as if he were somehow undeserving of it.

Speaking of inferiority, Tharn has never gotten over his abandonment issues: being dumped by all his past lovers, including Tar, his first love,... In fact, it has actually become worse when Type broke up with him 7 years ago. It might have been fake, but Tharn didn’t know that back then, so the heartbreak he felt was real - his body, his heart and his mind went through a real breakup and they remember it all. 

The thing with traumas is that while you might heal and overcome them, you will never forget about them because they leave behind traces, scars that will hurt from time to time and never let you forget about them. During his formative years, Tharn got used to being thrown away and Type’s abandoment was the one that cut him the deepest. Because of all this, Tharn  developed a deeply-rooted and hidden inferiority complex together with his fear of being left behind. Deep down, he always worries that he isn’t good enough and that no matter how hard he tries, he will be abandoned in the end. 

The scar caused by Type’s breakup has never healed and was left to fester, staying latent over the years, and it’s always been only a matter of time before it reared its ugly head. There is always a price to pay eventually and the consequences of that breakup have been merely postponed. 

The mere mention of breakup is enough to trigger Tharn, but hearing Type explaining to Thorn that marriage would make things more messy and difficult when they broke up shatters him, it’s basically the ultimate trigger.

Tharn knows what it feels like to lose Type, he lived through it and it almost destroyed him, so he doesn’t want to experience it ever again because he wouldn’t survive it. Therefore he has been doing everything in his powers to prevent it and bind Type to him in every way possible, desperately trying to stop him from leaving and himself from being abandoned once again. 

And marriage is one of those bonds, actually, it’s a real palpable bond that binds a person’s life to another. It involves people making a sacred and legally binding promise, proclaiming their love publicly, in front of eveyone, and they exchange rings, the symbol of the bond and eternity, as well. In some cultures, the couple’s ahnds get literally binded together. So it’s no wonder that Tharn desires to get married to Type so much. 

Moreover, a proposal, an engagement party and a wedding ceremony are incredibly romantic moments and Tharn is the ultimate romantic with a penchant for grand romantic gestures and declarations, organizing glamping dates on rooftops, giving his boyfriend red roses,... therefore he does want to do it all.

Finally, the primary reason for the inferiority complex and fear of abandonment comes from the fact that THARN IS A MIDDLE CHILD. His family is very loving and he’s never been neglected, but being a middle child means he is neither fish nor fowl, neither the oldest or the youngest. He’s grown used to taking himself out of the equation, to compromise and to share the love of his parents with his siblings. So he desperately wants someone to be only his, someone who he doesn’t have to share with anyone; HE WANTS TYPE AND HIS LOVE TO BELONG ONLY TO HIM, COMPLETELY AND UNCONDITIONALLY. It’s a visceral need on his part and the reason behind his strong jealous streak.

[redxblueihateloveyou]

I'm curious what you think the worst shipping dynamic is? And the reasoning behind it if you have any.

Thank you so much!!!

haha I do have several of those actually. I’ll include both what I think are the worst dynamics and the kind of ships that “I just don’t get why would you ship smth like that”.

1. What I actually call “a mom and a manchild”.

examples: Hatori/Chiaki from “Sekaichi Hatsukoi”, Ikuya/Hiyori.

I guess, technically there’s nothing wrong with this, if they both enjoy being this way, but firstly I just hate adults behaving like infants and I don’t think encouraging such behavior can lead to anything good, and secondly watching this just makes me uncomfortable for many reasons. And moments like when Hyori came up to Ikuya when he talked to Haru and was like “it’s too late and you can’t talk to this man, time to go home” and Ikuya went I just cracked up at this. Also when one part is basically changes the other’s part diapers, but in return gets tantrums or basically nothing or “but I wanna play with someone else tho”, it’s just a kink I do not get, like why would you want to be treated like this is beyond me.

But then I also generally dislike infantile characters, and I can’t ship smth if I don’t like both parties, so maybe bc of this. I always like the mature characters. Like even when I do know in theory that a 13 year old in reality can’t behave like Todoroki, I’m still like, I don’t fucking care, that’s the one I like xD But when 20 years old Ikuya behaves like this, I just do not appreciate it, I guess.

2. “I don’t have an identity, my identity is you or what you want me to be” category, including “my dignity flew out of the window” ones and “I just do what you do”. (I CANNOT HANDLE THIS DYNAMIC, YOU KNOW I CAN’T!!!!!!! I DO NOT WHY, BUT IT’S JUST PISSING ME OFF THE MOST OF ALL PROBABLY)

examples: Eren/Mikasa, Haru/Makoto, Natsusa/Sei from “Number24″.

Sports animes do that a lot. “The only reason I played rugby is because you played it” is a major cringe. And no, it’s not romantic. Romantic is like when you’re both passionate about this and doing this sports together makes it even better/more meaningful, that I get. Not, “I only went there bc you like it” and I’ll have what you have, I’ll do what you do. Like.. huh? You firstly a person, as in fully formed one pls, you can’t exist as someone’s trail. 

Those ships always contain this one person (like Mikasa, Makoto), who are just the accessory of the other character. Mikasa’s problem is not the ackerbond, it’s her life position, she herself chosen to be Eren’s doormat. And some also find this romantic, I think, but I just hate such things. Also the truth of life: if you don’t respect yourself, your crush won’t respect you either. Just saying.

Makoto, I sincerely think, if Kisumi would be his neighbour instead of Haru, he’d be playing basketball at school lmao. Like SD has so many of absolutely terrible scenes, where Makoto just for real turns to Haru and goes “do you think I should go to the basketball club if we’re not swimming?” like dude, I’m... he’s like a walking definition of “meh” if there ever existed one. How can you do not care what you do? Like at all. This is beyond me. That’s sad. Watching him makes me sad.

I just need both characters in a ship be you know THEM, fantastic on their own, then when they’re together they become an absolutely explosive magic. It’s just a true fact.

Also there is one ship who is not quite this category, but kinda touches this theme. Ciel and Lizzy from “Kuroshitsuji”, ike the original Ciel, for whom she wanted to pretend to be a dumb damsel in distress for the rest of her life. Like fucking seriously????? You’d live like this????!!!! Fucking hell, you must really don’t love yourself like at all.

3. Humiliation isn’t my kink.

examples: Dazai/Akutagawa, Midoriya/Bakugou.

Akutagawa and Midoriya are badass motherfuckers and also wonderful human beings on their own. When they encounter Dazai and Bakugou they become sheeps. I hate seeing them like that, that’s basically it. Also humiliation is really not my kink. The whole “treat him like crap” thing. Like some things they did to them is just.. my god, I don’t like it.

Like when Dazai asked Atsushi to throw the phone moment, I literally flinched so hard watching it, I can’t even explain this feeling between the dejection and utter disgust at the fact that Dazai did it, that I felt watching it, but I fucking hated it.

4. Those who bring out the worst in each other or don’t bring out anything in each other.

All my ships literally all with no exceptions make each other the best versions of themselves, push/challenge each other to become better/brighter/happier, etc., or add to each other that piece the other was missing. 

If someone makes someone feel depressed, miserable or even just simply stuck in a rut, that’s probably not it. There are some ships who just simply can’t make each other happy or even make each other unhappy and that’s a fact.

5. Ships with no development or development so tiny that you need 120 episodes and an magnifying glass to see it.

examples: I’d say, but I just don’t want those 10 year olds in my ask box again.

Hate this for obvious reasons. Because as wise ppl say “only fools don’t grow” or "if we don't change, we don't grow. if we don't grow, we aren't really living."

6. Those who are like brothers to each other and said so and don’t emmit any and I mean ANY sexual vibes or attraction in that kind of way towards each other. 

examples: Harry Potter/Ron Weasley (like THE FUCK seriously), Stiles/Scott from “Teen Wolf”, Keith/Shiro.

I just cannot imagine them being romantically involved, I literally can’t. And I don’t get it. It’s like they even say “you’re my brother” thing, but also they just do not give off any couply feels and imagining this kinda make me cringe a bit, cause I have two sisters I’m very close with and their relationship remind me of our relationships so just.. no.

7. They are not each others priority. Meaning both putting someone else or something else before them.

If they don’t put each other first, I most likely probably don’t want it. 

My jam is like Stucky and when they say to Steve “you do this, captain, and the whole world would think of you as a criminal” and Steve being like “fuck you, take your shield, take your idiotic hero rules, I don’t care, he matters to me more than your whole dumbass world”.

My jam is Lan Zhan who went against the whole world and a horde of stupid donkeys and fought for his baby till the end. He really didn’t care if he’d lose everything and what would other ppl think, if it meant that Wei Wuxian will be with him.

On the other hand, we have Jin Guangyao, who had Lan Xichen, but he wanted power and idiots’ love more, so he chose what he chose. Do not get this ship, like no, thanks.

As for putting specific someone else first. Rin/Sousuke, for example. I in general do not get it, but also like there are like 10 moments in the anime like in Yakusoku when Rin forgot about him, when he saw Haru during the tournament and an actual quote “Sousuke looked at Rin, who will always put Haru first”. So like... I do not get it. If you see them as a couple this is technically no good no for Sousuke, no for Rin.

8. Obviously straight ones, but “hey, I need them gay”.

I in fact just do not believe in a “straight ppl do not exist” thing. As I’ve said before there are exceptions where some characters give off the clear bi vibe, but those are pretty rare tbh. And even more rare canonically proven ones like Kanda from D.Gray-man, for example. 

The moment they show some character in anime drool over some girls he doesn’t even know, but he don’t react to any of the guys like this, this just means he’s most likely heterosexual. Cause only straight guys drool only specifically after seeing random boobs.��So this thing always throws me off in some ships.

99% of my ships are either canonically gay or most likely gay, but author doesn’t want to label it. 

There are just lots of animes where main character/s have shown no interest in an opposite gender whatsoever like “Natsume Yuujinchou”, “Kuroko No Basuke”, “AOT”, “Number24″, “Fukigen na Mononokean”, “Tower Of God”, “Owari no Seraph” etc., but did in fact show interest in the same gender one. That I get, yes. 

And btw even if you want somebody to be as I call it a “wishful bi”, I think it should be only in situations like if these characters have some absolutely wonderful/undeniable connection, not just the ship for the sake of gay ship.

_____

That’s probably it. Otherwise I’m fine, I think :D  

[queenofallwitches]

an update and primer:

so the last winter was weird. I had a complete breakdown, went into psychiatric hospital for 40 days in total. two seperate times.

learnt a heap of new things, met a tonne of cool people and had amazing conversations and few fights but overcome my own demons by that.

brain speaking-I have a scarred brain stem and neurological disorder is not a mental diagnosis, but a neurological disorder, proven by MRI scan, ADHD.

also damage to my basal ganglia, and prefrontal cortex.

neurological diagnosis means ADHD is not a "mental" health issue, as some believe, rather a neurodevelopment disorder caused by structural differences in the ADHD brain.

other neurodevelopment disorders include: Tourettes, Autism, Cerebal Palsy, Dyslexia and other Motor and Intellectual Disabilities. (Which recieve, in my view, a lot of insight, media information and stigma reduction by the advocacy networks surrounding these types of disability).

Over the last few years Autism has been over everything, I've seen mainstream media cover Tourettes and yet ADHD is still HUGELY misunderstood, misconceived and misrepresented in media, be in from the angle of documentaries, personal insight of a "typical" case, films, tv, and other media.

one of the first things my dr told me was "in females it rarely presents as hyperactive red-cordial OD child"

which is what my mother BELIEVES, that is because I have an adopted cousin with the ADHD dx who was that growing up, but the representation I'm told is also divergent for women with a higher IQ score than the average IQ. I come in around 142 and tested 123 at age 3 when I was unable to focus, pay attention and had severe trauma. I tested 142 in grade 8.

I'll share my experience as a female who is intellectually gifted, with higher IQ than average, and an adhd brain:

I've been told gifted and talented "genius" children are harder to diagnose because the symptoms present differently, we hide it better (camouflage) and our focusing can be "faked" by mediocre efforts of academic success.. this is true, I would do the assignment the Sunday night hours deadline, last minute, or have my parents half do it for me, plagiarise it (fuck I've killed my whole academic career now) copied but changed my words

from old 1970s encyclopaedias I KNEW they couldn't cross reference (I went through 15 years of school never studying doing homework or assignments and still had top grades).

I literally did not listen, and spent my classes planning the end of the world survival strategies with my GT friend who, basically helped me with my calculus and hard fucking maths, which was the ONLY 50 minutes of the day I put attention into my work.

now I'm going to be heading back to full-time study in the coming months, I get anxious as the pressure of a Bachelor level degree, and the pressure it takes me to perform, is enough to break me down. I've been advised it might be wise to start light (like a basic vet style diploma) and then build up, which is logical, but I keep thinking I'm meant to be doing my thesis by now. which is the kind of pressure one gets as a kid who is told repeatedly, "your intelligence is exceedingly the average and you can do ANYTHING you want"

I wanted to be an astronaut, a storm chaser, and an architect, a town planner and then a journalist. I always held to being a "FBI agent" or spy (I wonder why). so when I found psychology is really a blend of all these things, I kinda found a niche in a psych and social science double degree. but I'm thinking my academic career is LIFELONG, and due to the fact I also want to work in my field alongside my many written thesis coming, I'll be in academics for a long time. I may fail a few things, which I have to come to terms with. I do not fail easily, or readily, but I'm a perfectionist type-a academic who will put my whole life on the line to achieve "merit". I get exams, I get assessments, I read journals super-easy, I talk the talk and walk the walk so well psychologists who are at masters level compliment me on my "knowledge".

when it comes to mental health and trauma, I will always have the personal attachment, called lived experience, which will make failure and burnout, 100 percent realistic. I have to boundary up, bootstraps on, and prepare that yes, my personal "bias" will probably be entwined in this.

which is why I'm looking at the social science for the statistics and thesis writing side of things, and the counselling for the trained therapist side. either way, the degree of counselling requires so much self-insight, and then the social-science will back me away from personifying it. the other choice is criminology, which leads to forensic psychology, which is eternally fascinating. my main concern is the pro-pedophile content Ill be up against, which will look at the anatomy of a shoplifter akin to the devil, and leave the pedophile in the DSM-5 dx "paraphilia" box.

I'm not joining or jumping to anything.

either way I've got 2 year of credit, a heap of pathways and a lot of "academic momentum" from all my life being aimed to be "academic powerhouse". I went through my files and found a lot of awards I'd won in my high school, and top place in the competitions we would be entering in. I remember feeling so sad if I had a "credit" vs a distinction or high distinction, only to see now, a credit in university maths in year 9 is a skillset I don't have anymore so, good on me. or a credit in English, or Science at that age was pretty impressive, considering these tests were random and not studied for.

just a general skills assessment only the top 30 kids in the year were to take on a year by year basis and put out to vet from the top universities and taken by other kids in the same grade around the state.

it puts so much focus on my intelligence, because it's primed to be that way, I know that is true. I know I feel good being academically successful and it gives me a feeling of "achievement" but is it really for me?

I also found 2 letters from my local politicians offering me job placement, work experience and I was 1/4 kids in my 10th grade graduation tom get the letter, and due to my behaviour I pissed ALL the idiots who bullied me off. I was "too pretty to be a nerd" "too smart to be pOpUlAr".

so I made a group of misfits, who are all highly intelligent, creative and my group had the ONLY gay male in the school AND THIS IS BEFORE YOU FUCKING RETARDS MADE IT "COOL". he was bullied badly, so fuck you, you fucks claim "liberalism" but I bet you were the type of idiot who bullied guys like him in high school while you pretended to like my chemical romance and fake cut yourselves. I hate you all, forever.

my grade was full of idiots who were fake emo, who left the scene the moment the scene changed to dub-step and club music. I was there, watching you all, like sonny Moore, went from FFTL to that dubstep skrillex shit he started in 2009.

I dated you, hooked up with you and I went to your gigs. I know who was real and who was fake. I met some of you years later and realised the more emotive ones were the less "alternative appearing".

I can say 1/10000 emo guys from the 00s were genuinely Into the music and scene for the right reasons based on my dating history and this can and will be analysed statistically using SPSS one day to prove a lot. I've had too many relationships from each sub-culture and I have had 4-11 males at a time per public "output" of my energy pursue me over life.

I'm not being cocky when I say I have a long line of "suitors" and its banked back about 50 men. it's been a thing I've avoided as it seems to grow based on my body shape, attitude, appearance, so I am currently out of touch with dating scenes, no interest to try that ANYWAY, given the fact that I have had so many LONG TERM relationships ANYWAY. I can't see another one going well, and at this case, I'm living with an ex but we never went on conventional and now our families label this 3 things: "asexual", "polyamorous" and "open relationship". I'm also "bisexual" but this all to humans outside, looks ridiculous on paper. (wild orgies and lots of swinging or some stupid sex magick probably is what J brother literally thinks we do).

bc humans are intrinsically designed to need to label things they don't understand. we share a lease, not a relationship, and fucking polyamorous, I WISH. there are no girl-girl-guy 3 some, or orgies, or sex magic parties.

this has changed the attitude and perception of this "relation' which Is non-romantic, non-sexual. he can date and likely, will, as can I , and I likely won't date.

I would say 14/15 have had ADHD, or other mental illness and or trauma. which means to me, nothing at all.

I think this "open book" non romantic relationship style of "friends and roommates" not sexual.

attachment is misunderstood by others but works well fro my adhd, meaning I'm not expected to marry, or be a wife in any capacity. he is free to do what he wants, as I am, and open communication is a novel frontier I brought into this in the start, and stayed with for the duration. we fight, but I fight with a lot of people in my life over many petty things. also down to my adhd, I believe, I have rejection sensitive dysphoria, which makes me hypersensitive to rejection, perceived or real.

im not sure if this is trauma or adhd or both. but

I have used sexuality as a weapon in many relationships but it cannot or will not be used here, so I have had to resort to uncovering parts of myself which I never knew, which will stay with me even if he decided to marry and wife up in 5 years, which I'm okay and expecting him to do, and I would much rather that then be trapped in a situation where I cannot be that "wife/mother archetype" as I'm too "femme fatal/other-woman/sex-laced seductress and siren" a "FWB, unicorn, drug buddy, hook-up where im a therapist" or "intellectual and cognitive mind-bender work-study obsessed woman".

both at once and many types of human, including one who is a full-time ceremonial magician of 7 years. I will drink, drug, fuck, fight like males and still be more feminine and high maintenance than 89% of women. I grew up a tomboy and don't mind getting into fun, adventure based situations, like hiking, or anything adrenaline, I would only be reluctant to eat weird shit.

I also have many "neurological" issues including ADHD, and trauma which causes a rupture in the average human and I dating.

I'll tell you how many men have said "you are the unicorn" and then realised what that means, I went as far as canvasing the PUA world back in 2014 after reading the game, a book on PUA, which is essentially, pick up artistry, based on NLP and hypnosis. I did this after reading the copy my ex in 2008 handed me before we dated saying "I gave this up for you". it took me years to open the book, buy when I did I truly believed the only way I would fall in love again, was through PUA. that failed in so many ways but gave me a training foundation for men who were candidates for that, I have trained up J, and the way that sounds is BAD. I know, but I got a lot of value myself, I just don't see it how I wanted to see it.

but that was my original intent, and I achieved this he knows that, knew it was happening and evolved for the best self.

I am thinking we can modulate this into a business model for how I was operating in the BDSM world was mainly psychological, not physical.

I get told all of is incredibly intimidating (I am told) to women and men.

I don't really care anymore, because people have always seen this part of me in the wrong way ANYWAY, but I own who I am NOW. which is what I needed ANYWAY. so it cannot be stolen again, and sexual healing has come from abstinence ironically.

I also don't care what or who is trying to tear up my relations, toxic or not toxic, all people around me will be on a healing journey by default, or cut out of my life, for I am radiating that energy so brightly its impossible NOT to feel that pull.

I will drag your shadows into the light, and make your secrets spin from your lips into my consciousness. its not what I do but its what is design.

I make your weaknesses mountains to climb over. you cannot hide from these in my presence, I won't be this controlling or obsessive female who wants 24-7 attention as I have a life full of meaning without love or sex. I don't want to be wined, dined or expensively gifted, unless specially requested.

I don't want love letters or romantic declarations, this isn't some femnazi bullshit, but it triggers me. I appreciate the efforts and won't make you feel bad about your insecurities, for mine are probably 30 x more pronounced.

I appreciate small things, that most males won't or don't know how to do. like remembering things I've said and being thoughtful. or knowing my silence isn't personal, or a game, but a protective wall. I've had songs sung too me, guitars played, songs written, or things made in ways that are heartfelt. but I've always had them used against me too. so it is the context. I value time, energy, conversations of depth and reciprocal exchange. I also value trauma understanding, my alters and fragments being accepted and valued as me as a whole and a person who is not afraid, or scared of stupid stuff like sensitivity, emotions, feelings as raw as my own. men feel intensely too, lol.

but will only give oral sex 100 times before I don't recieve it, I can communicate now so that wouldn't happen.

but I won't be a bitch about this stuff. I am extremely feminine and care in ways other people, do not, I forget nothing people tell me, so it can be a reward or reverse uno card pull in a fight, but I am not evil or deviant in my relations. I react, depending on how you treat me. I don't need your money, or providing source of income to be okay as I am my own queen, however sharing resources is okay to build something. I don't need to be seduced, but will need to be shown a person is trustworthy.

few cross that.

that will always be time-endurance and testing. there are ground rules I don't play with, or play games. or like being forced or forged into something I'm not. I know abusive and I know safe, and I am a psychology expert, trained psychotherapist and study humans for fun, so I'll always be analysing things.

and I know red flags and I know ego, I know how to placate and please and pleasure, but will only do so, for a bigger and better reason than the mere act of seduction. which is without value and transactional to someone like me, I won't lie.

and I know every tactic in the book, for the book was written by someone like me, many lives ago, and my karma is being burnt for that book.

in terms of walls, I have many, may it be called a maze. or labrnyth.

I will teach you things you never thought you'd know, and change your life in ways you won't ever be able to go back to before. I will blow your mind, sexually, emotionally, intellectually, on all levels, and I'll make your friends and family love me.

I'll bring your walls down and you won't be able to understand this, because you don't understand me, and thats ok.

but I'll always understanding you and make your life better because thats what I do anyway, and people talk to me about things I will never share, as I keep secrets. I am jealous, of everything but, only because I am attached in a disorganised way, and working on that.(I won't even mention how man women or men don't know basic psychology of themselves). I also am a therapist , for my friends and family too.i should not be , but I am. I care, I listen, If you think I'm not listening, I'm still listening. sometimes I interrupt, because I have ADHD and I am horrible at resolute planning, or being "normal". but I don't want to be normal anyway. I need you to recognise and understand my shit, for that is what I do for everyone in my life, and I have helped more than I receive.

I'll probably accidentally give you therapy, but thats fine, because you will uncover your depths and find meaning in this. it's not something that goes bad unless you are fundamentally, evil, even the most abusive relationship I was in, was benefited from this process. yes he's still narcissistic, but he is self-aware. and did I benefit, never, just know the anatomy of self-proclaimed narc and I still can't hate him. will get my civil claim one day.

I will fuck your mind without meaning too. but thats because I fuck my own mind. but the meaning is made in the man- some find this highly offensive or personal (its not). I fuck minds by my own overthinking, or over perception on many levels of reality. so join the ride, or don't come along at all. because once the rollercoaster is in motion, I have no control of what may or may not happen. it's purely experimental.

I am experimental.

and the women who are judging me, are not any better.

look within, and shut the fuck up. self-improve and quit this jealous divide and conquer bitchiness. I HATE gossip, bitches, snitches and fakers.

I look to other women who are intellectually, physically and spiritually "individual". and find value in superior status to my own, which is something my narcissistic ex taught me.

I look for mentors, and teachers and people who will teach me how to improve myself, which I am fearful to reconnect after something is amazing and I can't give anything back of positive value. I am sorry I am working on that.

I won't devalue those below me, but I also need to be mutually benefiting from a relationship.

I dont drag people down, I may disappear if I feel I am doing this by mistake. I am flakey as fuck, and sorry for that. its anxiety and lack of perfectionism, so I am wrong and bad for this. I can change. will change.

if you can find value with my relation, personal professional or romantic, we can move into a symbiotic beneficial agreement based on mutual "terms". but many won't or cannot see this, nor do I impose my bullshit into the lives of randoms at this age.

I don't care if this is cruel, it's real.

I value loyalty, compassion, self-insight/awareness, someone who understands all parts-spirituality, metaphysics while still having intellectual & logical & analytical brain-sight.

I enjoy music, magick and learning new things.

I do not care about appearances I dont think ive dated based on one time. I do value connections and chemistry which is far-few between, I hate fakers. I smell insincerity miles away. but I do respect women who are well-presented, or beautiful, with hair beauty and makeup, I can't do this shit well, so I look up to those who are in professions who do it like art. I find them to be genius level queens who scare me.

I call out bad behaviour and make people uncomfortable if they are repressed. I will change you without even meaning too, I don't even need to date you. its just my presence, over time, amplified by the intensity of the dynamics.

I don't want simplicity, but I also don't need over complexity.

I value passion, independence, creativity, curiosity, problem-solving, deep-disscussions, shared adventures and some occasional risk-taking (lol), sensuality and sexuality for a common cause beyond physical pleasure. I like being taught but not micromanaged. I need my own independence, and need to be trusted with that. I hate being scolded for that like a child, or being pushed to change my ways to conform to societal values. which I will push back and refuse to do. which is not healthy. I don't adult like many others do, but I try to proceed in other ways. and learn to adult like normal people, accept me.

I also value myself, and how I can be celebrated, enhanced and improved vs. the opposite.

I give space, and have boundaries, and understand human psychology, sexuality and relationships in ways few others unless they are trained, can do.

I value MY time. so you can have space to value YOURS. I dont need to be in anyones pocket for a long time. I love being alone, and being around people who are stimulating, but draining people will be drained out of my life quicker than I intend. I am sorry for the people who felt I disappeared, when I was only trying to be 'fair', if I feel I'm a bad influence, I will work on myself until I'm not. I'm still working on it.

I also use this psychology awareness, to enhance communication, connection. you may or may not become an accidental guinea pig. I will be upfront that I am experimental, but that is part of the buy ticket and take the ride. lets work together. not apart.

I am coming from a place of love, and love is what I feel for my animals, which you will be adopting as children.which I want to stop experiments being done on. I love love, in all ways, but hate cruelty of animals and children, violence and suffering. I dont advocate justice, because I find life is fucking cruel, unfair and unjust. by default, so I focus on myself. what can be changed, and what I am able to do in my own locus on control. I will always find myself drawn to the outsiders, the misfits, the vagabonds, the misunderstood. I want to help people who are society, or socially, disadvantaged by trauma and mental illness, but only when I have ability to help myself.

it's a journey.

I will not date anyone who is cruel to animals, outside of specify magical sacrifice, there is not any place for that. nor will I date or fraternise with anything or anyone linked or associated with pedophilia. I won't judge anyone on anything that are outside animal cruelty and pedophilia. I don't and haven't. I keep on good terms with every ex, bar 1 whom I only apologised too this year. it felt good to do that. I change my behaviour.

I am open, but also highly attuned to both logical, factual, empirical , scientific worlds, and spiritual, intuitive, psychic and the "collective unconscious". I walk in both these realms, and I am "conventionally attractive". which puts a lot of pressure on me, to be "stupid". I am always dumbing myself down to fit into normality, but I look ridiculous if I do that so I peacock my intellect.

only to be misconceived.

I give up because I no longer care how anyone but MYSELF can see ME. I won't dumb myself down , but I can enhance you UP. prepare yourself for graded education, evolution and self-growth on mass scales.sorry not sorry.

that sucks for the people who want to be living vicariously through me, for making up to lost trauma years, for family who sold me out for the success I'd bring home, or fake trauma enmeshed friends, or whatever they want or need from me. I value my time and energy, and have given that in abundance, and if you want to be with nut only "one part of me that is alters". I can't provide that now. not sorry.

I have to work on something or not be in a dynamic at all.

I no longer can switch on demand to adapt for you, it will not be effective and that upsets a lot of people. especially now I'm sober. harder to handle this, as I see the world for its ways and why it is, more vividly. I haven't had alcohol for almost 2 months, although, I could drink, I haven't.

I can't do it, anymore. it, being, faking, my selves fronting to impress. I can't. I have no more left to give, and I'm expected by everyone to be a way I can't do it in the way they want.

I will go to another year long outpatient DBT, followed by 10 weeks of A-C-T therapy, and however many ECT OR TMS may or may not help. I'm told it won't (ect) work. but TMS, is something I am open too. but I am telling you, none of this psychotherapy, that will be based on dbt skills, day therapy, intensive skills training, recommencing my studying, and resuming "life worth living" will or can wipe the traumas I've "recovered" memories for.

I will also shut the fuck up, and tell nobody about this if you leave me alone, I told that to my family, and this is open letter to the watchers, stalkers and perps who read this openly as I track the hits on here and have 200+ visits a day every day for the last month. globally. no idea how or who you are but I think its the same people who called the police for the "ayreon song lyrics" seen to be a suicide not last October.

thanks for that wake up call, I have shut the fuck up, since December, more so now. I will burn the journals, or lock them up.

my recovery is not linear, not yet fully integrated and I trust nobody so I don't think my psychotherapy will be deep, I focus on things like ADHD AND my EDNOS. and dbt skills. I won't be talking about sexual traumas.

enjoy the update, and thanks for the "attention".

I have my goals, my work, my meaning and what my life should and could and will look like, but I will not share that with anyone. that means everyone right now.

I've been tested, traumatised and terrorised to the point of not-tolerant of anyone who may bring that back, and banish the fuck out of my sphere every moment I need.

take me as I am, or watch me as I go, which I will go, where I am not wanted I will remove myself, but I will find where I am celebrated because I create that.

I will rise up against all adversity every time but that is survival and that created a resilient and brave woman, in me. who will not be destroyed or decomposed by humans who are fundamentally fucking evil.

I gift you my truth, in progression, and give up the pain of the past.

[fillorian-pocketwatch]

The Makings and Fate of Quentin Coldwater: What Were the Writers Thinking?

Trigger warnings: Quentin Coldwater, seasons 4 and (briefly) 5, mentions of suicide/suicidal ideation, outdated ideas about the purity of women.

General warnings: Spoilers for the show and the books.

Buckle up, darlings, and my apologies in advance: this is a rough ride, and I don’t recommend reading it if you aren’t in the right headspace for it right now.

I hope that those who do read it might drop some LGBTQIA+ positive book/tv recommendations in the comments as a pick-me-up for others. I will add some myself if I can think of some good ones.

So as it turns out, I ran into something entirely by accident: the inspiration behind the character of Quentin Coldwater.

I knew that Eliot and his "will-they-or-won't-they" dynamic with Quentin in the Magicians books were both borrowed from Evelyn Waugh's Brideshead Revisited (Grossman has said so himself)--

but I didn't realize there was an actual preexisting character Grossman borrowed from for Q:

Quentin Compson, from The Sound and the Fury.

This explains so much for me. So much.

I ran across information about the character the other day while doing something completely unrelated (looking up some other book if I recall correctly), and when I saw the similarity of the two names and then learned about the first Quentin’s fate, I thought, could this be LG’s inspiration?

Further research revealed that yes, Lev has said as much in articles. And even if he hadn’t, the fact that he has written extensively *about* TSatF online makes it a relatively easy conclusion to draw.

While the two Quentins aren't actually much alike (at least on the surface; I haven't read TSatF yet, just in-depth summaries/analyses of it)--other than the fact that they are both mentally ill over-achiever college students, are preoccupied with the idea of another world (the world as they each wish it was), and constantly associated with symbolic clocks and watches--Quentin Compson's fate explains everything for me in terms of how to understand Quentin Coldwater's series-four fate.

Quentin Compson ultimately kills himself in the famous classic novel; he does so by drowning after jumping off the Anderson Memorial Bridge in Boston, Massachusetts. Today there is a plaque there to commemorate the character:

In the Faulkner novel, Quentin associates the smell of honeysuckle with his obsessions over his sister’s purity--an ideal he comes to feel let down by after she loses her virginity and then seems to lose herself further in the company of men he feels are unsuitable.

I can’t help but make a parallel with the “drowned garden” of season 4, episode 12.

Quentin makes the following speech in the drowned garden, and as far as I’m concerned, it’s the closest thing we get to a suicide note:

You know the worst part of getting exactly what you want? When it's not good enough. Then what do you do? If this can't make me happy, then what would? Fillory was supposed to mean something. I was supposed to mean something here. But it's all... it's just... it's random. It's so random that the only way to save my friends is to yell at a fucking plant! Honestly, fuck Fillory for being so disappointing. You know what, maybe I was better off just believing that it was fiction. The idea of Fillory is what saved my life! [laughs.] This promise... that... people like me... [weeping] People like me... Can somehow... Find an escape. There has gotta be some power in that. Shouldn't loving the idea of Fillory be enough?

But the idea of Fillory is not enough, in the end, because the idea of happiness is also not enough. And by the end of his time on the show, that’s all Quentin has: the trappings of happiness (or at least the ones available to him, the ones he thinks might get him there), without the actual emotion.

Maybe he realizes, in the drowned garden, that he is at the end of his rope. Maybe that is where he decides to give up.

That, in my opinion, is why he begins to seem so shut down: it isn’t uncommon for people to distance themselves emotionally as a precursor to suicide (hence Jason being accused of “refusing to act” toward the end of S4).

I think it’s also why he doesn’t stop to wait and see how Eliot is after Margo strikes the Monster with the axes: he has given up on the idea that the things he thinks will make him happy actually will, or that happiness is actually attainable for him in the first place.

Quentin Coldwater drowns not in the fading of honeysuckle; for him it’s peaches and plums. In any case, he is definitely in over his head, and the water that spills out of the mirrors after his death feels like an homage to that literal drowning of his predecessor.

The TM writers found ways, as the show progressed, to tie the books back in to the show; the way they did it, however, was often roundabout to say the least. Their takes on how different plot points should occur, or be interpreted from book to screen, were usually close to abstract. They did do it, in many ways, but theirs was far from a faithful adaptation.

It fits, therefore, that they would tie The Sound and the Fury into S4 the way that it appears they did.

It also tells me something about how blame for their decision can be distributed, because either the showrunners:

a.) really did their research re: Compson and put together that this was the character that inspired Lev

or, as is much more likely, they:

b.) discussed it all with Lev himself--or LG was the one to broach the subject to see what sort of take they could spin.

Whatever the lead-in to the decision, I think three things combined to give them the idea for Q’s fate:

1. Quentin Compson;

2. Alice’s description, in the third book, of watching an old god kill herself to make way for a new world (which was when Umber and Ember emerged);

3. The following lines from The Magician’s Land: “The truly sad thing was that Ember actually wanted to do it. Quentin saw that too: He had come here intending to drown Himself, the way the god before Him had, but He couldn’t quite manage it. He was brave enough to want to, but not brave enough to do it. He was trying to find the courage, longing for the courage to come to Him, but it wouldn’t, and while He waited for it, ashamed and alone and terrified, the whole cosmos was coming crashing down around Him.

Quentin wondered if he would have been brave enough. He would never know. But if Ember couldn’t sacrifice himself, Quentin would have to do it for Him.”

So, it appears, the group of writers (LG included, however actively) apparently decided to take Quentin’s thought from book three and put him in exactly that position: make the choice, or fail to make the choice.

But the need for him to make that choice was never horribly convincing. They were very mistaken if they thought it was. And no matter what, it was ultimately a horrible, damaging idea. It hurt the audience, and it killed the show. The only sacrifice that was made was made in the name of ego and “clever writing” that the writers thought was edgy and risky in some desirable way.

[Quote from vulture.com]

It's not so deep.

What they did, ultimately, was borrow from more than one outdated work, and use those as excuses to do the wrong things re: mental illness and LGBTQIA+ representation:

Evelyn Waugh’s characters fail, once again, to live their lives and desires freely and openly (What a waste to rehash the long-denied dynamic from Brideshead Revisited only to deny it again);

Quentin Compson’s legacy of suicide and hopelessness lives on (and this is made all the more offensive when you learn that Compson’s suicide was based largely on ideas of spoiled purity which were solely the burden of women to uphold).

They took what could have been made right and beautiful and instead used their story to perpetuate the same sad old traditions of queerbaiting and Burying the Gays.

Tragedy is not more profound than happiness (just ask Quentin Coldwater). I'd argue that to make something really beautiful, you need to mend what's broken.

The world is a broken place. It's easy to break things here.

The worst thing they did to Q, by far, was to use the beautiful concept of minor mending against him like it was the fuse on a stick of dynamite: the thing he’d spent his whole life seeking--his specific field, his special skill in the actual real world of magic--was what he used to kill himself. He killed himself by *fixing something.* We need no further evidence that Q had given up hope.

What a terrible message, and what a slap in the face to viewers who put their trust in this atrocious writing.

And they did nothing to redeem themselves after the fact, either. If anything, they made it even worse, somehow:

Eliot, by the end of the show, has even less than he started with.

Eliot, apparently, is us: left without Q, stripped of the comfort of a world we thought we knew. Utterly let down by the writers who had the power to make things different.

I hate to end this on such a terrible note. So let me just say that if you were let down by the show, and you miss Q, you’re far from alone! I see you, and I hear you, and I share your pain.

TM got it all wrong. But I have faith that others will get it right.

And no matter what, in the last book, Quentin lives, and has nothing but a whole world of possibility open up before him.

[dimples-of-discontent]

Thoughts on “Destiel is Real.”

So, I’ve been relatively scarce of late (except for when I went bonkers with reblogging deadly Cockles content...which I think I blacked out from b/c it was like being waaayyyy too high and it’s all their fault) because, if y’all don’t know, I have stage 4 breast cancer and am in chemo. I’m tolerating it really well but it takes a surprising amount of time, actually, especially since I’m still working 80% time and also living alone so doing house stuff etc. 

This is all to say that I’m weighing in on things belatedly a lot. Like, I do still want to analyze the Cockles JIB panel as a whole b/c, oh my, was there a lot there. But today I will settle for this piece of it. I apologize if this is reduplicating what smart folks said elsewhere right when it happened. I was also off Twitter to avoid having it bring me down so I might just be really unaware. But as soon as this moment happened I was like, “oh man we’re gonna argue about this for like 84 years.” So here’s my small contribution on what this reminded me of.

To me, listening to Jensen and watching him engage the crowd, inspired a lot of anxiety b/c it did definitely seem like he was pissed off. I just couldn’t tell with what or who, especially given firsthand context from some folks in the room like @bluestar86​ who wrote this account: https://twitter.com/bluestar861/status/1130255687290937344?s=21 about the general positivity Jensen and Misha had shown earlier (which is why Misha mentioned the shirt) and how the energy in the room was almost entirely positive. I totally believe that. But it didn’t reconcile easily with what I felt I saw from Jensen.

Until I remembered SDCC 2011. The one where Misha had been fired and all of them knew but none of the fans do. I wrote a long meta on that panel that I’m actually super happy with so maybe check it out? Anyway, this is how I described some of the dynamics:

The way everyone is sitting at this table isolates Sera and the body language from Jared and Jensen is openly hostile. Jensen especially pushes himself as far away as possible, defensively crosses his arms, leans away, doesn’t make any eye contact. Jared is also pissed and is functionally shielding Misha with his body while he does the first Cas question. Both of them are very protective and Jensen is more than a little hostile. They also both keep egging the audience on in their love for Cas/Misha, as when Jensen shouts “YEAH!” in affirmation of audience shrieks about the character. They want to show Sera what a piss poor decision it was to take Misha away from the fans…and from them. Whatever else you see happening these are some amazing friends.  

So, we had a remarkably angry Jensen at this panel and he was angry specifically because the network had made what he considered--both professionally and personally--to be a fucking terrible decision. But he couldn’t say that. He’s got NDAs and stuff to worry about. So instead he settled, among other things, from egging the audience on to show how much they loved and wanted more Castiel. 

Now I’m not saying the correlation is 1-1 with Destiel. But I am suggesting a thought experiment where something similar could be going on. And by “something similar” I mean “Jensen has inside knowledge about a thing the network has decided that he thinks is fucking stupid and that will hurt the fandom.” Like, oh for example, they’re not moving Destiel out of the subtext.

Additional fuel for this fire. Many have speculated that it’s network president Mark Pedowitz who’s the blocker. Jensen, earlier in the panel, asks the audience to applaud Pedowitz. That’s weird and he’s never done it before. True, Jared was talking about how Pedowitz says that they set examples for other shows and that Pedowitz is complimenting them on it so it was at least that in part. But Jensen is MASTERFUL at throwing shade while appearing to be doing the correct, professional thing. Witness his comments about Bob Singer and last year’s S13 finale. He’s done it with Eugenie and Sera too and probably others I don’t know about. Having the audience applaud Pedowitz if he knows something negative about Pedowitz--something the audience won’t like and that will actively hurt many of them--has a major bite of irony that I feel Jensen is perfectly capable of trying to engineer. (Or maybe there hasn’t been a final decision but he knows it doesn’t look good and why. Don’t lose hope! This is just speculation and a thought experiment.)

I’m going to put the JIB analysis under a cut, since it’s long and has lots of images. It ends with “The most similar behavior I saw was Jensen angrily getting the audience to cheer for something, even doing the same hand-raising gesture. In 2011 it was Castiel (”Go on! Show Sera how much you love the character she killled!”) and this time it was Destiel (”Go on! Show the network how much you love the ship they won’t textualize!”). That’s what made me think, initially, that he may know something about plans for Destiel that a) makes him mad, b) that he considers a bad decision by the network, c) that he thinks that audience will be hurt by.”

Anyway,

If you watch the JIB panel (starting about 12 mins in) you see, first, that Jensen wants Misha not to bring it up. He raises his hand at Misha which I first thought was him being like “shhhhhh don’t bring that up!” but which on repeat viewing I think was him actually just trying to get Misha to shut up so he could literally try to understand what she was saying. Once the audience reacts to Misha’s comment these are their faces:

Jared is absolutely looking at Misha like, “dude, why did you have to go and do that? You just threw a live grenade onstage.” Jensen is hamming it up gesturing at the audience to scream louder. 

Jared changes his face to “well, when you’re right, you’re right! What are you gonna do.”

Here’s Jensen. He’s looking grumpy. Now, is it fake grumpy, a recognized and favored persona that he has. Or is it actually grumpy? Or is it both”

I think it’s both. But I also think he looks sad. And concerned. Like, on behalf of the audience not for him. Now you can say I’m projecting if you want--this is all total rampant speculation--but look at his eyes. I think he’s upset that he has to talk about this at all (since he knows a little about the fandom conflict it sets off) but there’s something else. 

He pauses for a good, long time looking at the audience responding. And according to Saz and others the response was HUGELY POSITIVE! So why does he then announce into the mic with a grumpy fake laugh and what I honestly have to call sarcasm, “Destiel is real!” 

Note that Misha is not worried by this. If Jensen were actually legitimately furious I think Misha would look a little worried. But instead he looks amused and curious about where this is going.

This is Jensen asking “Is it?” for the first time. He looks intentionally confused - that’s the bit he’s doing. 

Here’s Jensen after the audience starts to audibly yell “Nooooo!!” His face says “WHAAAAAAT!?”

People then yell “yes” to drown them out and he asks, “Where?”

Second “where?”. Maybe he’s trying to get them to say “subtext” - a word the cast has great familiarity with and which was used in “Fan Fiction” and which they can joke around a lot about. That’s my guess. Maybe he has a subtext joke set up he wants to do with Misha. (Remember his tweet to Misha during “Fan Fiction: “you keep your subtext to yourself. I’m not that kind of girl. Wait...”)

They don’t - at least not clearly. Someone in the front row says, “Nowhere.” Misha says, “Help” (after mouthing something at someone in the audience that is probably “I’m sorry about this.” Jensen checks on Misha BUT disregards the fact that he’s looking over at the question-asker (who didn’t even ASK a Destiel question, just wear a shirt she liked) and asks “Where?” AGAIN.

Misha then takes things in hand and reaches out to tell Jensen, “don’t get into a fight with these people.” Jared is making a “Yikes!” face at the person in the first row who is continually yelling “Nowhere!”. 

Jensen does sit down, but he’s mad. He’s really tense and it takes him a while to shake it off. 

Who’s he tense with? The most obvious answer is the audience but let’s consider a couple things. 1) The audience was giving a mixed answer, including and sometimes more loudly the “Nowhere!” that you would think Jensen would want to hear IF he were angry/tense about the “Destiel is real” shirt or the audience’s support of it. 2) He was demanding consensus and an answer to where it was real EITHER to have them say “nowhere”--which they did so why not just stop?--OR to get them to say something like “subtext” to lead them into either a question or a bit about it.

So why keep pushing? Hoping to change the answer? Hoping to find consensus? Or maybe just hoping to get them to make a lot of noise about it for a long time (at which he succeeded). Now, Jensen is famously inconsistent about Destiel and also famously different onstage, especially for J2 audiences...though this, the most Holy Gay panel of all the panels, isn’t a place he’d shy away from, e.g. “What would Dean and Cas do on a trip to Rome? Everything I think of right now is inappropriate.” 

Which brings us back to “who’s he tense with”? Could it be only part of the audience? Which part? The part yelling “nowhere” or the part yelling whatever positive things they were yelling? I’m going to hypothesize, based on a LOT of other stuff that I’ve written about, that he’s annoyed with the negative folks spoiling it for everyone with their “nowheres” and is trying to get the positive folks to drown them out and give him a good answer he can run with. 

The fact that nothing coherent emerges is actually what gets him annoyed. And, by extension, the volume and persistence of that small part of the audience, which lets people like Pedowitz shoot down the idea of textual Destiel as something the viewers “don’t want,” annoys the living shit out of him because he sees the viewers all the time and knows that a majority of them either are ok with or actively want textual Destiel.  I imagine him thinking something along the lines of, “Why can’t these nice people just have what they want? It’s b/c of assholes like you.”

He definitely lets his emotions get the better of him. He was already not in the best place, thanks to circumstances I hope to write about later but which boil down to having his special panel with Misha (that he was visibly psyched for from the moment he got onstage, “I always have so much fun with you!”) taken away because he got some awkward wood from being choked and straddled. So with that grumpiness he was primed not to make the best decisions. He gets aggressive and confrontational when he’s pissed, which is a thing I don’t love about him, even though it’s very easy to see why, and maybe this was just his battleground of choice. 

To get back to the thought experiment about whether this is like SDCC 2011, though, I think it could be. I think it’s far more complex, given all the discourse surrounding Destiel and Jensen’s own sexuality. (Here’s a post I wrote in response to a question about Jensen and Destiel and bi!Dean that asked whether I thought he experienced them as about himself and Misha.) It’s tough, b/c each piece of evidence could go both ways (ha). Either mentioning Pedowitz for applause is excellent shade or total sincerity. Either Jensen is mad at the pro-Destiel audience and trying to get them to admit that they’re wrong, or he’s mad at the antis and trying to get them drowned out. 

The most similar behavior I saw was Jensen angrily getting the audience to cheer for something, even doing the same hand-raising gesture. In 2011 it was Castiel (”Go on! Show Sera how much you love the character she killled!”) and this time it was Destiel (”Go on! Show the network how much you love the ship they won’t textualize!”). That’s what made me think, initially, that he may know something about plans for Destiel that a) makes him mad, b) that he considers a bad decision by the network, c) that he thinks that audience will be hurt by.

Given his shift in attitude overall and the mood of the room as described by attendees, it seems plausible to me that his engagement was a performance, using the audience, of what it is the viewers ACTUALLY want. But it could also just have been a grouchy Jensen taking it out on an old, familiar punching bag - the topic he never wants to discuss onstage - Destiel.

[firebirdsdaughter]

Okay…

@briansastro10​

… I think we have a bit of a language barrier here, or something, and I’m afraid I don’t quite follow. If you don’t mind bearing w/ me, I get confused easily, but I do have things I want to say:

1) Horobi had no choice but to follow the Ark. He was hacked, aka mind controlled and brainwashed. He wasn’t ‘choosing’ to do any of that stuff, he was merely being used as a tool.

2) I don’t recall Horobi ever finding out Aruto was even at Daybreak, let alone lost family in it.

3) The thing I was criticising was the show’s decision to include a flashback of Soreo’s death in that sequence, bc it implies that the show and therefore the audience consider/should consider Horobi responsible for Soreo’s death, when not too long ago, they had Aruto shouting at Gai that he was the true cause of the Ark, and, again, the above brainwashing. Horobi was literally not in control of his own actions anymore than a MaGear at that point, it’s not right to let Jin, Naki, and even Raiden off the hook for the stuff they did under the Ark/Gai’s command and then blame Horobi for what he did. Jin was distributing ZetsumeRisers, Raiden was a spy, and Naki was manipulating everything and giving out RaidRisers, all by an external command, bc of manipulation (in the case of Jin and Naki) or hacking (in Raiden’s case). It’s really not right to recognise Yua’s, a full matured human adult who exhibited reasoning and at least reasonable emotional control and knowledge of morality, situation, to excuse her as having been manipulated and mistreated into doing the things she did, whilst blaming Horobi. Including Soreo’s death in that flashback implies that it should be considered equitable w/ Izu’s death, which it was not. Horobi did not kill Soreo, or even cause his death. For one thing, the explosion was caused by people trying to kill the Ark (another Soreo?) and, again, Horobi was brainwashed and not in control of his actions.

4) I will also repeat this as many times as necessary: Horobi was conditioned and used by the Ark. Again, to bring up Yua; she very nearly killed Izu in cold blood on Gai’s orders while Izu was panicked and confused and trying to run away. The only reason that did not happen was that Gai said the wrong thing and Fuwa snapped out of it in time. Here, Izu was completely calm, had plenty of time to dodge, clearly saw the threat, and did nothing. I bring this up bc both Horobi and Yua were in abusive, manipulative situations where they were controlled by someone else—the difference being, Yua was, again, a fully fledged human adult w/ a developed sense of right and wrong, enough that she knew what she was doing was wrong, but her situation had convinced her she had no choice. She was unwell and not in a good place. But she knew. Horobi literally couldn’t. On top of that, he was exposed solely to the Ark’s selective data (courtesy, Amatsu Gai), for years. Like he said in the AIMS basement, his understanding was that the Ark would always rise as long as human malice existed—and he didn’t turn on the Ark bc he suddenly realised humans were ‘good,’ but bc the Ark turned on HumaGear (and tried to make him kill Jin), and he realised what he wanted was peace and safety for HumaGear. But even after breaking free of the Ark, the conditioning and that belief still lasts. To him, seeking human destruction was merely the logical conclusion in order to ensure the safety of HumaGear. Humans teach HumaGear evil and give rise to the Ark, which is a danger to HumaGear, and caused him to do things that hurt HumaGear, the way his mind has been conditioned to work, the logical conclusion is to cut the knot and remove the ‘source,’ humans. It’s not a personal grudge, it’s being logical. That’s his thought process—and, honestly, he’s got a point, the Ark was created by humans, and they’ve never owned up to it, the guy responsible is walking around free, and a number of HumaGear died and suffered for it. It’s unclear when exactly the emotions start catching up to him—he was def managing to hold on to the logic, I like to think by focusing on the fact that he thought this would be best for Jin (he knew Jin was important to him, even if he didn’t know why, and he took the time to take care of him before going out). He’s very calm when talking to Izu and shows no aggression toward her, it’s not until Fuwa and Yua show up guns drawn that he reacts violently—bc he perceives a threat, sees their aggression, which counteracts Izu’s claims about the goodness of humans. All he sees is humans looking to destroy. But despite that, he still goes and asks Fuwa about proving the Ark will not rise again, and that’s another important thing; Horobi is looking for an absolute. He is looking for an absolute assurance that the Ark will not come back, that human cruelty will never be a danger again, and that’s not possible. Fuwa’s response, although it can be translated as a believable blunder on Fuwa’s part, does nothing but make the situation worse, bc he violently rejects Horobi’s question and says he’s there to destroy him and then prepares to shoot him. To Horobi, who got tortured the last time he asked a question, that’s enough. And right on the heels of that, Izu comes in and starts pressuring him about emotions. He’s stated to have been literally terrified of these sensations taking over him, and the Ark trained him react to that kind of thing w/ violence—bc he can’t attack the feelings inside himself, he system concludes Izu must be the source and fires on her… Only that doesn’t work, the sensations actually get worse. His increasing aggressiveness in insisting he doesn’t have a heart after that is basically a little kid getting more and more insistent that they didn’t steal a cookie when they did. He was conditioned to think removing Izu would remove the feelings, but instead that made it worse, harder to control, that frightens him even more, bc he doesn’t know what’s happening, he doesn’t know what those feelings are. He falls back on old answers to Jin’s questions bc he doesn’t know the answer (but we can’t let the son know that, father’s always have to have an answer). Meanwhile, he doesn’t understand why Aruto’s the Ark. Like, he def expected humans to resist, why wouldn’t they, I don’t think he’d’ve been surprised by Aruto being mad, Aruto’s been mad at him before for people he knew less. I think it was Aruto going as far as using the Ark’s power (also, I think the Ark still terrified him) that threw him for a loop and pissed him off (something he might’ve understood? But it had def never controlled him like that before). Additionally, I don’t think he could have conceived to seek revenge on his own—when Jin died, he was clearly overwhelmed and very dazed. It took Azu showing up and telling him how he felt for him to react. A friend put it really well, so I’ll paraphrase: Azu’s role for Aruto was ‘you are absolutely right to want revenge on Horobi!’ while her role for Horobi was ‘hey, hey, you want revenge on Aruto, right?’ Aruto jumped at the chance while Horobi didn’t know what to do, and ended up following the first lead he had—which was literally how the Ark kept him so easy to manipulate. I still don’t see the Aruto side of it (well… it’s complicated), but if you go back and look, I think you can def see how the Ark was conditioning Horobi as a patsy for this from the start.

4) Bc I refuse to ever let this go unsaid when discussing it, Horobi was not the only person responsible for the Izu situation. If I were to list the people I hold responsible, in order, it’d be: Amatsu, for creating the Ark in the first place. The Ark/Azu, clearly the AI w/ the most know-how, who very deliberately manipulated the whole situation, was well aware of what Horobi’s mental state would be like, and manipulated both Jin and Izu into being stupid. Fuwa and Yua for escalating things, esp bc Fuwa’s character development was allegedly about learning not to rush in swinging and literally the next episode Yua is giving a speech to Williamson about how they shouldn’t respond to the HumaGear’s ‘new hearts’ w/ aggression, like she didn’t do that exact thing, like, yesterday, wtf. Aruto, for hanging around outside instead of doing what one might expect from someone who wanted to resolve stuff peacefully and going to the root of the situation, and for not keeping an eye on Izu (I have other opinions about his behaviour there, but those are for another time), and for apparently not even bothering to try and give Izu a backup. And, finally, Horobi and Izu. Yes, I hold Horobi the least ‘responsible’ and I hold Izu responsible. Bc, and I do not mean this as an insult to any of the characters, it’s like taking a dog that was abused and used in dog fights and leaving it alone w/ a domesticated dog it doesn’t know. More than likely, if the domesticated dog starts trying to play like it’s used to playing the abused dog is going to react aggressively, possibly even bite. Neither Horobi nor Izu had the emotional maturity to handle that situation. He had been conditioned to fear and reject emotion, had been kept away from it, and therefore had no control over it, nor knew what it was—to him, it felt like some unidentifiable ‘sensation’ wrenching control away from him, clouding his mind; additionally, he’d just had his one attempt to reach out and understand violently shut down, and he’d been conditioned for years to respond to uncertainty and confusion by destroying the source—when Izu was prodding at him about feelings and ‘hearts,’ she pushed his already fragile state into full panic that he lacked the emotional maturity to handle, and he reacted the only way he knew how. W/ Izu, if she had just told Aruto, or anyone, anything about where she was going, tried to coordinate rather than just running off like that, if she hadn’t rushed him and repeatedly pressured and prodded him, if she had dodged, then things would have gone differently—but, ultimately, her data was just as biased as Horobi was, and she had absolutely no way to understand or work through what was going on for him. Horobi didn’t seek out Izu and kill her in cold blood, she approached him, and made a conscious choice not to dodge. If we want to get really deep, I also blame Korenosuke bc Izu not having a backup is stupid, it protected literally nothing, if they had actually tried to back her up and there was a reason why they couldn’t, I’d be less judgemental, but wtf the Zero-One equipment got hijacked up the wazoo and it’s very uncomfortable that Izu was just cool w/ that bc it ‘benefited humans’ and it made Aruto look kinda hypocritical… But that’s more the writers. But, to try and sum this up… I do give Horobi some responsibility, bc he yeah, he did pull the trigger, but the fact was, he didn’t understand what he was doing (also likely didn’t know Izu had no backup, it probably never occurred to him humans would do that), or why. Essentially, he was still being used as a weapon by the Ark, who manipulated the whole thing bu showing Izu that vision, making her rush in and not tell anyone, then the humans abandon their reasoning for an day and go in all aggressive, Horobi sees this as a threat, but even then still tries to reach out only to get shot down (literally), and then Izu comes in and stresses him out further and he cracks. And she chooses to stand there and take the hit. Gai knowingly shutdown multitudes of HumaGear w/ the intention of them never coming back online, Yua nearly killed Izu before, actively hunting her down, Fuwa, I love him dearly, but Fuwa was down to smash every single robot he saw no matter what they said. These were human adults w/ knowledge of morality and emotional maturity and control (okay, Fuwa’s a little debatable…). All of them, esp Gai, are walking around just fine. Like. Gai. Gai. Aruto goes Ark on Horobi for this but is letting Gai walk???? I don’t even like Aruto, and that’s ooc! But to try and sum up my sum up: Horobi was the gun Azu shot Izu w/. It was a gambit. She deliberately manipulated them all into a situation where this would happen. Yes, Horobi pulled the trigger, but if this were court, a plea of insanity could be made/he’d be being sent to a psychiatric ward rather than regular prison.

5) Horobi blaming himself is one thing. It was very clearly depicted before that he had no sense of free will for himself, he only knew the Ark’s will. It is absolutely natural that after being so deep under the Ark’s control for so long, he’d have immense trouble differentiating between his own, new will, and the Ark’s. He might not be able to tell what he wanted or what the Ark wanted. He genuinely does not know how to make that distinction. He also has literally only just kind of gotten a grasp on consequences and cause and effect. I’d love to think he’ll be allowed to figure out he was manipulated by the Ark and that things like that weren’t things he wanted to do, but I dunno if the show will give me that. What I’m criticising is the apparent intent of saying that the audience should blame him for those things. What I want is confirmation that Aruto knows that the situation was manipulated, that Horobi wasn’t ‘in control’ when that happened. I wanted Aruto to respond to Horobi blaming himself for Izu and Jin’s deaths w/ ‘it’s more complicated than that.’ Horobi blaming himself is understandable, bc he’s barely figured out cause and effect, regret, anger, that shooting things is not an appropriate way to handle a situation. He’s only just gotten a few emotions. Nuance is going to be lost on him for a bit. He’s been trapped seeing only in black and white for so long, he’s going to need help seeing grey. Horobi blaming himself makes sense. I’m just criticising that the humans, who should know that it wasn’t as simple as that, didn’t let him know tha t he didn’t need to shoulder all the blame. Bc he was just a single part of a whole chain of events, not the sole cause. And I’m criticising that the show seemed to be implying that he also had a responsibility for Soreo’s death, which was a completely different situation that he def was not responsible for.

This is likely way more than you were expecting, and I do talk a lot, I know. I just wanted to try and establish my reasoning here. I hope I wasn’t too incomprehensible, I have trouble articulating my thoughts outside of fictional writing. I think I’ve just been keeping a lot of this in.

I should say that if you are bothered by my stance on this, I would recommend blocking me or my Zero-One tags, bc I am stubborn as all hell and will not budge, and will occasionally be very vocal. Horobi is very important to me, and I have no sympathy for victim blaming, esp not when it involves literal perpetrators getting away scot free (*cough cough* Amatsu Gai *cough cough*).

[kattaloop]

Lexa IS More Than A Symbol

I came to Tumblr for the Clexa GIFs and stayed for the very occasional long-form contribution. So I don’t know what’s being talked about and how, but a few friends asked me to comment on this. A week ago, @rivertalesien offered a lengthy reply to an anonymous question:

“Why is Lexa the one that people want to fight for but seems to be the only one kept dead? Not that ODAAT and WE had dead lesbians but they were cancelled and fan efforts brought them back like why is Lexa the only one who can't? She has to be more than a symbol though?“

I have my own thoughts on this issue, some of which I can’t publicly elaborate on. Let me just say that you’re right, Lexa absolutely is more than a symbol and should be treated as such. But what did River have to say about it all?

“First of all, the situations with ODAAT and WE are completely different: those involve complex negotiations with advertisers in order to cover the costs and where the show will be hosted. I know it’s fun to believe that fan campaigns had anything to do with it, but it is always, ultimately down to negotiations with advertisers and studios. It makes the producers and all look good to praise their audience for the “hard work” trying to save the series, but they all know better.“

It’s right to say that money is a driving force in any decisions the networks make. But you can’t isolate a show from the broader programing strategy, and, as far as I know, advertising deals are  bundled. As with any business, money isn’t the only deciding factor, either. Power and prestige have important roles in this game of film and television, and personal preference absolutely exists. As for fan campaigns, they add a voice, one that may have, and has, in the past, convinced executives to revisit the  issue in the first place. Would they have done the same thing without that little nudge from viewers? Maybe, but probably not.

“And Lexa is “kept dead” because, and this is only inference, but I think it’s a strong one: Jason Rothenberg lost a huge business/development deal as a result of the Lexa/Clexa fan drama.“

You did your research, I’ll give you that. But I’m unsure how well you understand the reality of this business. Considering that failed pilots are more common than green-lit ones. Considering that any pilot is a collaborative process with too many components in play than for an outsider to pinpoint exactly one reason as to why it failed. Considering that this industry, for all its rigid hierarchy and rules books, can also be one of the most unpredictable - one person leaves and the whole house of cards can crumble. Considering that you refuse to entertain the pros that would accompany Lexa’s return, pros that someone with Jason’s disposition might be equally interested in as in the more petty revenge fantasies.

“Jason Rothenberg spent the days, weeks and months after Lexa’s death cutting himself off from those fans who were hurt by his actions and no doubt working behind the scenes to make sure he didn’t lose his job over his unethical, unprofessional behavior. His supporters in the cast were openly derisive of Clexa fans who spoke out and a tone of trying to ignore or undermine the fan fallout was the given order. Showing real empathy and offering to work with the audience in order to heal the divide might have gone a long way for improving his image and the show’s. Rothenberg decided to hide instead.“

Yes to everything but the last sentence. You’re assuming - sorry, inferring. I happen to know that it was not his decision. Once again, isolating one aspect from its context and environment usually leads to wrong or, at least, incomplete conclusions.

“One very clear consequence of his queerbaiting is that Greg Berlanti, the very successful (and openly gay) producer of many DC shows including Supergirl, stepped out of a development deal for a new series tentatively titled The Searchers. The project was likely mostly Rothenberg’s, but without Berlanti’s backing, it was dropped. Story was that it was too “expensive” to produce, yet Berlanti went on to get a huge deal with the CW, producing Riverdale as well as the upcoming Batwoman. Would Berlanti want to be associated with Rothenberg after the Lexa debacle? Probably not and that’s probably closer to the real reason the deal went south.“

Except the queerbaiting isn’t even fully acknowledged, still. That’s a lot to base on “likely” and "probably.” Berlanti was already getting these deals. He also had his own issues to deal with. If the production was deemed too expensive, it doesn’t mean that there’s a conspiracy beyond the normal industry processes.

“Outside of The 100, he has no produced credits to his name and how he got the job of showrunner when he had no previous experience in any capacity in a writer’s room or on a production staff is certainly baffling. He very quickly proved he didn’t have the professionalism for the job and anyone else would have been dismissed.“

But he wasn’t dismissed, and that should tell you enough to not be baffled by the fact that they hired him, even without knowing the industry from within.

“The 100 went from 16 episodes to 13 because the order for renewal had already been given and the WB/CW put out feelers in the form of polls asking the audience directly: will Lexa’s death affect if you watch the show? Who does that unless they are seeking to reassure the advertisers that Lexa’s death wouldn’t be a big issue for long and spoil their investment?”

In conjunction with a noticeable drop in ratings and other measurable factors, this is probably a reasonable conclusion. They were hoping for a surge and were slammed, instead. There were a lot of whispers, but nothing I’d consider to be confirmed. What does this have to do with why they wouldn’t bring Lexa back? If anything, it suggests they know of her value.

“Fans are capable of all sorts of interpretations of a text (oh boy are we), but one thing that I think is generally considered across the board is that with season 4, the tone toward Lexa was more than a little OTT and a tad spiteful.”

I’m glad you acknowledge that much of this is based on interpretation. In summary, the praise Lexa received in S4 felt unauthentic, the Flame and Lexa were used as an emotional device, and Clarke’s actions were problematic. How’s that any different than post-307, when nobody seemed too bothered about losing their beloved Heda, when the Flame and Lexa were used as an emotional device, and when Clarke had sex as a coping mechanism and even questioned Lexa’s humanity? The latter were all written before the backlash. It mostly speaks to the show’s persistent issues with continuity, character development, and representation.

“This is just my interpretation, but with fans crying out for her return, pleading for a spin-off and so on, and generally being the most out-spoken fandom for LGBTQ rights and better representation in media (and a never-ending drag of Rothenberg’s name), is it likely that a production that never did anything to try and make amends ever going to give in to such pleas?”

As likely as any other production, to be honest. Allow me to go back to your earlier assessment. “They don’t care about fans’ pleas.” Would they bring Lexa back for the fans? Doubtful. “They care about their own benefit.” Would they bring Lexa back if it benefited them? Now we’re talking.

But they can’t just do it any odd way. As you also said previously, they know better. They may ignore us, but they watch us. They would’ve assessed the different scenarios. From a business point of view, they’d want to avoid another backlash. Then you have a diva showrunner to consider, and a guest star who is in work and, hopefully, wouldn’t return for a guest stint if it didn’t benefit her and Lexa. It’s a tricky balance, made even more difficult by a fandom that likes to tear itself apart over conflicting opinions every 3 months or so.

Considering all of those circumstances, I can’t think of a reasonable way to bring Lexa back other than at the very end. Which would benefit the production, but more importantly, a large number of fans, the tiny matter of representation, and ADC - if done right, which I give her enough credit to make sure before agreeing to anything. I’m not saying that it will happen or that it won’t happen. I’m saying that there’s a strong case for it happen, to balance out your rather one-dimensional approach.

“There is a cruelty to this because almost any other kind of story of this kind would involve a moment of catharsis, but that moment is constantly suspended, always dangled, but never in touch.”

Personally, I’d agree with that, but I can also think of writers who’d be into it. We’ve already established that Jason and his immediate team are lacking awareness and empathy. It makes little sense, therefore, to expect them to act differently, especially if they’re leading up to another shock twist. My guess is as good as yours on whether that’s something good or bad.

“They know what fans want and it’s arguable too that Rothenberg has twisted what the fans want for his own benefit: a spin-off of The 100, but one entirely about something decidedly unrelated to Lexa. Showing online fan interest might be one way of telling advertisers: see, there’s a demand for his work.”

No offense, but this makes no sense and it’s probably the most contradicting and subjective thing you’ve said thus far. If they know what fans want, then there’s nothing to twist. It’s actually part of the reason why the Lexa spinoff campaign started while the show’s still on air: to get the word out, to make sure they know exactly what and who we want, and what and who we don’t want. Jason started talking about a spinoff before 307, so there’s literally no ground for this argument, which also has no bearing on the question. So why bring it up?

“Unless advertisers demand it, is it likely that this unprofessional queerbaiting producer would do anything except the most spiteful of nods? That’s all he’s done at this point and the story this season looks more and more like they are going to finally close the book on any Lexa mentions ever again.”

Unless advertisers become involved in the creative process, this argument is also invalid. Thankfully, there are regulations in place to avoid that. And unless you know what motivates a person, you can’t speak to what they will or won’t do. Even if you did, you can’t be certain. Once again, this is a collaborative process even under the worst of circumstances. Things could go either way.

“Fight for Lexa, there is nothing wrong with her being a “symbol” of a fight for better representation.”

It feels wrong when you reduce her to a symbol, when you put her in the past, when you tell others to seek out other representation, when you dismiss her implied humanity. Our emotions in relation to Lexa are real, and that makes her real in all the ways that matter. What happened to “she’s more than just a character?” Well, she’s also more than a movement. Let’s not use their excuses when they kill of one LGBT character and put another on their place against ourselves.

“Keep using her light, but never forget where it really comes from, something Rothenberg will never understand: it comes from you.”

Now see, this is a great statement. I, too, believe that Lexa is a part of us. Her light guided me out of the complete darkness I had lost myself in, and it became part of my own light. I’ve never come across a character like that, or person, for that matter. A sentiment that still reverberates through the fandom and beyond. I believe that her light can help so many more people whom she wasn’t able to reach in the short time she was given. And so, part of my fight for better representation, better storytelling, will always be to let Lexa’s light shine again. She deserves to live. She deserves to have her story told!

[dysphoric-dumbass13]

guess what bitch. all of the flower asks. if i have to do it, you have to do it

Hahaha, love you too. Asshole.

Alisons: Sexuality? - Hahahaha bold of you to assume I have any clue. I like girls. I like guys. I like nonbinary people. And other people on the spectrum. I’m not pan, idk what though. Plus the label doesn’t really matter.

Amaranth: Pronouns/Gender? - I’m a demiboy, so he/him/his or they/them/theirs. Whichever, it doesn’t really matter. Though I personally feel more masculine.

Amaryllis: Birthday? - Today lol (January 13th)

Anemone: Favorite flower? - Would it be cliche and stupid to say roses? Because those. Weirdly.

Angelonia: Favorite t.v. show? - Damn that’s hard. Between BBC Sherlock, BBC Merlin, Supernatural, Once Upon A Time, and John Mulaney (shut up it counts)

Arum-Lily: What’s the farthest you’d go for a stranger? - It really depends on the situation. I would give away clothing, risk my life, give them shelter in my home, allow them to borrow my phone, but them lunch... I’d do a lot for anyone. Even though I have trust issues.

Aster: What’s one of your favorite quotes? - “Yeah, the asshole who sent me this (love you alex)” - @eyeforaneye-toothforatooth lmao. Truly though? “Your destiny is calling, you better find out what he wants.” and “A half cannot truly hate that which makes it whole.”, both from Merlin, about Merlin and Arthur. They're just so gay.

Aubrieta: Favorite drink? - Tea.

Baby’s Breath: Would you kiss the last person you kissed again? - Meh. Sure. I don’t really care. The one right before that by like 10 seconds, 100%.

Balsam Fir: Have you ever been in love? - Yes. Oh god yes.

Baneberries: Favorite song? - Literally impossible. You are insane.

Basket of Gold: Describe your family. - A disaster. Both biological and chosen. I have 3 little brothers in my chosen family and all of them are younger than me.

Beebalm: Do you have a best friend? Who is it? - I have 5. The bitch who sent me this (love you), Evan, TJ, Shiro, and Sid.

Begonia: Favorite color? - Bloodred and black.

Bellflower: Favorite animal? - Wolves. They’re amazing.

Bergenia: Are you a morning or night person? - I’m not a person. But mornings fuck me up dude.

Black-Eyed Susan: If you could be any animal for a day, what would it be? - A dodo bird. Because they’re all dead.

Bloodroots: When you were a kid, what did you want to be when you grew up? - So many things. A lead singer of a band (which I might get to do soon, yay), a policeman, an fbi agent, a photographer, etc. 

Bluemink: What are your thoughts on children? - I love them, I’d probably adopt older children because they need it the most, but I love children so much.

Blazing Stars: What are you afraid of? Is there a reason why? - I answered this earlier, “I am afraid of spiders. Because they have so many legs and so many eyes and THEY DON’T FUCKING NEED ALL OF THEM LIKE WTF?!?!?!?!?!”

Borage: Give a random fact about your childhood. - About 75% of the food my brother and I ate was Ramen, Pop Tarts, and instant rice.

Bugleherb: How would you spend your last day on Earth? - With the people I love the most.

Buttercup: Relationship status? - Sadly single :(

Camelia: If you could visit anywhere, where would you want to go? - Ireland. Without a doubt. It’s so beautiful.

Candytufts: When do you feel most loved? - I answered this one too. “When I’m cuddling with someone I care about while watching one of my favorite shows or movies. Or just when I’m cuddling someone I care about. And yes, that includes my puppy. (Funny joke, I’m watching Merlin while watching Merlin) (Merlin is my puppy).”

Canna: Do you have any tattoos? - Sadly no. I will though.

Canterbury Bells: Do you have any piercings? - Two in each ear.

California Poppy: Height? - 5′3½″

Cardinal Flower: Do you believe in ghosts? - Yeah.

Carnation: What are you currently wearing? - Jeans and a flannel, as always.

Catnip: Have you ever slept with a nightlight? - Yes.

Chives: Who was the last person you hugged? - Sid. He’s the best, honestly.

Chrysanthemum: Who was the last person you kissed? - TJ. He’s basically my brother. The person before that was Shiro, and both of those were New Years Day at like midnight.

Cock’s Comb: Favorite font? - Calligraphy. It’s so fun to write in. But in computers, Times New Roman for some reason.

Columbine: Are you tired? - *in Snape’s voice* Alllllllways

Common Boneset: What are you looking forward to? - A good night’s sleep for once.

Coneflower: Dream job? - Lead singer of a rock band, which I’ll probably get to do soon!

Crane’s-Bill: Introvert or extrovert? - Extrovert, definitely.

Crocus: Have you ever been in love? - This question was already asked. But yes.

Crown Imperial: What’s the furthest you’d go for someone you care about? - To the ends of the Earth.

Cyclamen: Did you have a favorite stuffed animal as a child? What was it? - Yes. It was a huge stuffed cheetah. Now it’s a giant stuffed bear from Evan.

Daffodil: What’s your zodiac sign? - Capricorn. I was supposed to be an Aquarius. And I personally think I’m an Aquarius more than a Capricorn.

Dahlia: Have you done anything worth remembering? - Not really. Other than date people.

Daisy: What do you feel is your greatest accomplishment? - I don’t fucking know. Winning the school spelling bee in 5th grade?

Daylily: What would you do if your parents didn’t like your partner(s)? - I wouldn’t care. If I love them and they love me, that’s all that matters to me.

Dandrobium: Who is the last person you said “I love you” to? - Sid I think.

False Goat’s Beard: What is something you are good at? - Idk. Singing?

Foxgloves: What is something you’re bad at? - Everything.

Freesia: What are three good things that have happened to you in the last month? - I got a puppy, I got my binder, I gave my (now ex) girlfriend the best gift I’ve ever given in my life.

Garden Cosmos: How was your day today? - Considering all I’ve done is watched Merlin, type this, and cuddle with Merlin? Pretty good.

Gardenia: Are you happy with where you're at in your life? - Nope.

Gladiolus: What is something you hope to do in the next year or two? - Die :)

Glory-of-the-Snow: What are ten things that make you happy/you’re grateful to have in your life? - In no particular order: @eyeforaneye-toothforatooth, Evan, TJ, Shiro, Sid, Merlin, BBC Merlin, Sherlock, Supernatural, Harry Potter

Heliotropium: What helps you calm down when you feel stressed? - Healthily? Dying my hair, listening to music, reading, writing, and getting hugs.

Hellebore: How do you show your affection? - Many ways. Mostly hand hearts, gifts, trust, and hugs.

Hoary Stock: What are you proudest of? - My flannel collection. I don’t know the exact number but it’s immense.

Hollyhock: Describe your ideal day. - cuddling with my friends while watching shows and movies and reading.

Hyacinth: What do you like to do in your free time? - Read. Write. Listen to music. Watch TV. Cuddle.

Hydrangea: How long have you known your best friend? How did you meet them? - ok gimme a sec.

@eyeforaneye-toothforatooth: They hated me when we met. We’ve known each other for... 3 or 4 years? We met in science in 6th grade I think.

Evan: We met in 6th grade. They noticed we had the same flannel on and commented on it. I hated them for like 2 years. Then we became friends, dated, now we’re best friends. I love them so much.

TJ: He was a friend of my best friend’s friend. Started hanging out in 7th grade, been like brothers ever since.

Shiro: Barely knew each other, then kinda “met” in 8th grade. Quickly became friends, dated, became best friends ever since.

Sid: Met him in SAGA this year. He bought me a binder, he’s the kindest person to me at my new school. I love him so much.

Irises: Who can you talk to about (almost) everything? - I can talk to @eyeforaneye-toothforatooth about practically everything. I love them so much.

Laceleaf: How many friends do you have? - Surprisingly a lot.

Lantanas: What’s the best compliment you’ve ever received? - Idk. “You look very handsome today.”?

Larkspur: What do you think of yourself? - What an utter piece of garbage.

Lavender: What’s your favorite thing about yourself? - My eyebrows? Idk they look cool, especially when I do them. One’s got a slit.

Leather Flower: What’s your least favorite thing about yourself? - All of it.

Lilac: What is something you liked to do as a child? - Sleep. When I could.

Lily: Who was your best friend when you were a kid? - It changed at least once every year. Paige, Sheyenne, Peyton, Chloe, the list goes on.

Lily of the Incas: What is something you still feel guilty of? - I followed everyone in kinda making fun of this kid who was a trans girl. I felt so guilty about it then, and I feel so guilty about it now. I hope she is living her best life now, and if she’s reading this I want her to know I am so so sorry. And I have felt it too, I have been made fun of for my gender identification. I am so sorry.

Lily of the Nile: What is something you feel guilty for that you shouldn’t feel guilty about? - Idk. There’s one thing I’m sworn not to tell about but the person who asked me this knows, so it doesn’t matter.

Lupine: What does your name mean? Why is that your name? - My deadname? Means “grace of god”, because my family is very Christian. My chosen name? Means “Defender of men; protector of mankind.” Which is honestly just so badass. I chose it because I liked it and it was genderneutral.

Marigold: Where did you grow up? Tell us about it. - Fort Collins, Colorado babyyyyyyyyy. It was nice and peaceful and small and I loved it.

Morning Glory: What was your bedroom like growing up? - Small. Always a disaster. Sadly shared with my brother.

Mugworts: What was it like for you as a teenager? Did you enjoy your teenage years? - So far? Sucky as fuck. I hate it. I love my friends, but other than that I hate it. I’m only like halfway through them anyway. It’s been spent trying to prove to my parents that I am just as good as my brother, who I happened to raise.

Norwegian Angelica: Tell us about your mom. - Awesome. Sweet and kind, short, with red hair, hazel eyes, and freckles. She’s caring, and she was raised in a Christian house but she’s trying so hard to be accepting, to fight against her religion for her child and I love that so much. I love her so much.

Onions: Tell about your dad. - Kinda annoying. Plays video games all day and makes my brother and I do everything around the house. He tries to be nice and stuff but it really doesn’t work that well. He basically says he “doesn’t care” about the whole sexuality thing and gender thing and then he says stuff like “you can’t really know til your hormones have settled” and “Your name is your name until you can legally change it.” It’s stupid.

Orchid: Tell about your grandparents. - Which ones? I have multiple. I have 4 grandmas and 4 grandpas. Tho I suppose they’re all pretty similar. Very Christian, yet pretty accepting. They love me to death. I have one super transphobic grandpa, but basically all of them helped me raise my brother when I was little and my dad was asleep from working nights and my mom was at work all day. I owe them a lot. And I love them so much.

Pansy: What was your most memorable birthday? What made it so memorable? - My 12th. My best friend Val was there and so was my friend Tei and that was it, and they basically got along too well and I was really left out of things at my own birthday party. It was annoying. It was the first time I ever felt true jealousy, and that’s why I remember it so well. I haven’t liked a birthday since because it reminds me of that. I used to like it because it was a day when my parents actually payed attention to me and were off, but now everyone makes too big of a deal of it and I just wish it didn’t exist.

Petunia: If you’re in a relationship, how did you meet your partner(s)? If you’re not in a relationship, how did you meet your crush/how do you hope to meet your future partner(s), if you want any? - SAGA club, he founded it a couple years ago. He’s super kind to me and he does so much for me, god I don’t deserve him. He bought me a binder. And he’s my best friend. I love him so much.

Pincushion: How do you deal with pain? - Healthily? Getting hugs and cuddles from my better friends. I can’t really do much of that lately though. *cries in a corner*

Pink: Where is home? - With the family and friends I’ve found.

Plantain Lilies: If you could go back in time, what is one thing you would stop/change? - Wow. Hard choice. I’d either kill Hitler as a baby, or prevent my own conception.

Prarie Gentian: Who is someone you look up to? Describe them. - Sid if you’re reading this I am so sorry, and I’m so sorry for mentioning you so much. But I look up to him, because he is one of the best people I know. I love him so much. He’s sweet and just sadncaspdnnhciodsifcnsjxsojcm.

Primrose: Describe your ideal life. - Idc what’s going on in it, as long as it’s with my found family and friends. I’d like my depression, anxiety, and ADHD to disappear though, ideally.

Rhondendron: What is something you used to believe in as a child? - Jesus. Or life. Either one works.

Ricinus: Who’s the most important in your life? - That’s hard. @eyeforaneye-toothforatooth, Sid, Evan, TJ, Shiro, Freddie Mercury, Elton John, or David Bowie (may Mercury and Bowie rest in peace)

Rose: What’s your favorite sound? - Music. Definitely music.

Rosemallows: What’s your favorite memory? - When I was at our first organized rehearsal for OneActs. I just love hanging out with so many fellow gays (and yes, I am including the straight twink that is Simon)

Sage: What’s your least favorite memory? - Um, I don’t want to go into detail on that. I was 5. It was bad.

Snapdragon: At this moment, what do you want? - A boyfriend lol

St. John’s Wort: Is it easy or difficult for you to express how you feel about things? - Depends. In a relationship? Pretty easy. Any other time? Near impossible until I break.

Sunflower: What is something you don’t want to imagine your life without? - There’s 3. Pie, music, and my brother TJ.

Sweet Pea: How much sleep did you get last night? - I doped myself up on melatonin so about 7½. Usually its between 1 and 4, if I’m lucky enough to fall asleep.

Tickseed: What’s your main reason to get up every morning? - The people I care most about. My best friends. Also the reason I don’t stab myself through the heart. They keep me going. I love them all so much. They mean too much to me to hurt them, if I could in any way.

Touch-Me-Not: How do you feel about your current job? - Living or school? Either one I hate it. I don’t have an actual job.

Transvaal Daisy: What’s your favorite item of clothing? - My flannels. Or my band tees. Or my leather jacket from TJ.

Tropical White Morning Glory: Describe your aesthetic. - I don’t fully know what this is asking. I guess the smell of worn flannel, old worn leather, grease from a car, hair dye, smudged eyeliner, and conjoined lips? Idk.

Tulip: What would be the best present to get you? - Idk. Best present I’ve ever recieved was a binder. But I’d say worn flannel from a thrift store.

Vervain: What’s stressing you out most right now? - Grandparents spamming my phone with “Happy Birthday [deadname]!!!” texts

Wisteria: How many books have you read in the last few months? What were they called? - Idk dude.

Wolf’s Bane: Where do you want to be in life this time next year? - Dead or with a partner.

Yarrow: Do you know what vore is? - Oddly enough, no. But I don’t think I want to.

Zinnia: Give a random fact about yourself. - I have green eyes.

Kass I hate you.

[itsmivalin-blog]

Is Sheith [ShiroxKeith] a problematic ship ?

Due to the misinformations and lies some Antis seem to be spreading around.

I wrote this fact-check article about sheith.

Is Sheith [ShiroxKeith] a Problematic Ship ?

[ Tw mention : Pedophilia, incest, child abuse ]

Many people [antis] went ahead and painted the ship between Shiro former leader of voltron currently captain of the Atlas and Keith the former red paladin and current black paladins and leader of voltron

A problematic  [pedophilic/incestuous] ship.

And that leads us to the question, is it really a pedophilic/incestuous  ship ?

• " Sheith is a pedophilic ship "

“ Pedophilia, or paedophilia, is a psychiatric disorder in which an adult or older adolescent experiences a primary or exclusive sexual attraction to prepubescent children or generally children under the age of 13.”

Considering the fact Keith's age was [18] on season 1, [19] on season 5 and currently [21] on season 6/7 while Shiro is [25] that leaves them with only a 4 years age gap.

So No, it's not and was never a pedophilic ship by any interpretation of the word as it's a ship between two legal consenting adults.

• “ Sheith normalize pedophilia cause Shiro met Keith when he was 12! while he was an adult! ”

This is a very common headcanon going around and it's both timeline inaccurate and wrong.

Shiro and Keith originally had a 6 years age gap.

And JDS described Shiro then as a young adult in his late teens/early twenties pre-kerberos mission.

Shiro met Keith when Keith was around [15/16] not [12].

Keith was as old as pidge when he enrolled into the Galaxy Garrison, a military related space academy that can be considered a military high school and it uses military cadet education it's most likely does not recruit elementary or middle school children. ( or generally children below the age of 14 ) .

While Shiro was around the age [21/22]

Their relationship pre-kreb was a purely platonic relationship and Shiro was in a full committed relationship on his way to marriage with his s/o then Adam.

• “ Sheith is harmful and homophobic cause it paints Shiro a canonically gay man as a predator

• "sheith is grooming ”

Again, Shiro was in a fully committed relationship on his way to marriage  with his significant other Adam pre-kerberos mission so he is not by any means a predator.

“Child grooming is befriending and establishing an emotional connection with a child, and sometimes the family, to lower the child's inhibitions with the objective of sexual abuse.”

Shiro's relationship with Keith pre-kreb was a purely platonic relationship with no harmful intents as Shiro simply saw a great potential in a very talented disciplinary case “Keith” who simply needed a bit of guidance.

It is by no means “grooming”.

• “ sheith is incest! They are literally brothers ”

“ Incest /ˈɪnsɛst/ is sexual activity between family members or close relatives. This typically includes sexual activity between people in a consanguineous relationship (blood relations), and sometimes those related by affinity, stepfamily, those related by adoption or marriage ”

It was confirmed by the creators that Keith and Shiro are not related by blood or even adoption or in anyway.

Since they are not related in anyway way.

No, it's not an incestuous ship.

• “ Shiro adopted Keith !”

• “ Shiro raised Keith ! ”

Is yet another very common headcanon going around. That was not confirmed, mentioned or even hinted on. And was dismissed by the staff.

Aside from the fact you can not adopt a brother, and need to be at least 25 and and healthy since life terminal illness could disqualify you from being an adoptive parent.

Pre-kreb Shiro an unmarried young adult [21/22] with a chronicle muscle disorder and only 3 active years left in his life that he was going to spend them on the Kerberos mission could not have adopt a 15 years old.

Befriending someone younger than you is not equivalent to raising them, Shiro did not raise Keith and they only known each other for only 2 years or so before Shiro took off for the Kerberos mission.

Approximately 2 years are by no means enough time to “raise” someone.

• “ Keith called Shiro his brother several times! It's incest”

“Shiro you are like a brother to me”

“you are my brother”

Calling someone that is not related to you “your brother” does not make them automatically your sibling.

Many people refer to their best friends as their brother/sister, and that does not mean any future relationship is labeled incest since they are not related and feelings and emotions indeed evolve and are subjected to change.

That aside, the creators never referred to them as brothers but rather as “best friends” and on the other hand that staff said “the brother line is not literal, and not as important as the way it is being said.”

Josh Hamilton went on to state the “you’re my brother” line was equivalent to Keith saying “you’re everything to me”.

• “Sheith is problematic and unhealthy cause it's power imbalance”

“A power imbalance is the attempt by the perpetrator(s) to use observed or perceived personal or situational characteristics to exert control over the targeted youth's behavior or limit the victim's ability to respond or stop their aggression.”

Shiro has not ever harmed or pressured Keith, but rather always vouched for him and his abilities, even believed in him and wanted him to be his successor to lead voltron as the black paladin.

Shiro is currently the capital of the Atlas while Keith is the leader of voltron and the black paladin, and he displayed obvious confident leading actions and qualities  during season 7. So we can safely say they are on an equal footing.

Processing all the facts mentioned above, we can safely say Sheith is NOT a problematic ship. And it's  not and was never pedophilic or incestuous.

[thisselflovecamebacktome]

Was SoKai forced? A look into the issues surrounding the pair

I want to preface this with while I have done some writing and scripting classes, I am in no way the next James Cameron or whatever. I’m just a girl giving her opinion.

To determine whether SoKai was forced or not, I think two aspects need to be looked into. One, was there implications that the pairing would occur throughout the series or was it a last minute ‘match the remainders’ type ditch? And secondly, was the development there to expect this outcome?

I think we can all agree that the answer to the first question is a clear yes, there were signs from the first part of the first game that the game developers intended SoKai to be cannon and impliedly end game. I’m not here to argue that because whether I ship it or not, I don’t think it is arguable. The second question is where the topic gets more tricky. 

In my honest opinion, SoKai has the potential to be a great love story, but the writing makes it fall short. To me personally, even though I ship both, the reason SoKai feels less natural than SoRiku is because a lot of things that feel like they are vital for growth and really establishing the relationship as more than a crush happen off screen and/or are quickly glossed over. A large part of this has to do with the developers giving Kairi the short end of the stick and keeping her in the whole ‘damsel in distress’ stereotype in general to be honest. 

With SoRiku, we get emotional moments of “I looked everywhere for you” and Riku literally stepping in front of a bunch of heartless that just ‘killed’ their friends to protect Sora while telling him that Riku doesn’t believe that Sora believes that Sora is useless. We also get small fun little moments like Sora saying he needs to call Riku to tell him about something that reminded Sora of him. Hell, we even had Riku call Sora’s name and Sora randomly show up when there was no reason to believe Sora would show up in KH3. Like that’s some gay shit right there. 

When it comes to SoKai, in my opinion, because Kairi as a character is paid dirt, we also miss out on moments as deep as SoRiku have had. Sure, we had Sora begging for Kairi’s life in KH2 and the letters Kairi writes to Sora/for herself, but a lot of these moments lack the communication that the SoRiku moments have. Like when Riku jumped in front of those heartless, we get Sora’s shocked (and in my opinion��somewhat guilty) reaction as he realises Riku is still there and willing to give up everything because he believes in Sora. Likewise, we see the guilt in Riku when he realises the pain he caused Sora. In comparison, when we do get SoKai moments together, a lot of it is a hug/glance before moving on. And the sad thing is that I feel like we did have these deeper moments at the start of the game. Little things like Kairi telling Sora she has concerns over how Riku was behaving and her half joking about just the two of them taking the raft and going felt like it was building up a proper, long lasting romantic relationship over just a crush.

But at some point, it personally feels like the writers just went “well, we’ve told them they want to share a paopu fruit, we don’t need to do any more to develop the relationship” and forgot that people change, relationship change and time doesn’t stand still for anyone (yes this is meant to be ironic given Kairi was sent to a place with no concept of time in KH3). From my understanding, with the exception of Birth By Sleep, the whole Kingdom Hearts franchise is meant to take place give or take during the period of SoKai being 13 - 15. While I obviously cannot talk for everyone, in that time period of my life romantically I dated the boy I liked for most my childhood and thought I was going to marry for a year, broke up with him, dated another two people shortly and had a crush on another person. And hey, maybe I’m a ho, but the point still stands that a lot happens in that time without the ptsd inducing shit these two went through and 15/16 year old me was a vastly different person than 13 year old me. And that’s fine, it doesn’t mean that Sora and Kairi can’t be childhood sweethearts. But I want to see that the way they have changed still compliments each other and that it’s not just them relying on nostalgia and conversations we’re supposed to assume happened. 

And that is the predominate issue I have with Kairi’s arc in KH3. After (from memory) not having an on screen discussion with Sora after KH2 about how things have changed/how they feel (specifically a response from him about the letter she wrote) and where they stand, she’s chucked into a situation where she doesn’t even interact with Sora (or anyone outside Axel) directly for most the game. The worst part about it is that especially in KH3, there are some moments where it literally feels like it’d make more sense for Sora to talk to Kairi than the other characters. Sora feeling frustrated at having to start again and feeling weaker than the others? Sounds a lot like how Kairi would feel being at the start of her journey. Sora’s feelings on Roxas? Probably a good match for Kairi’s feelings about Namine. Like there’s so many intimate things that could help establish them as a couple and make them closer. Instead, the first proper interaction SoKai has leads up to the point I’m sure most shippers have waited for where Kairi pulls out the paopu fruit... and Sora is surprised? Like my dude, you may die tomorrow and you’re shocked and need it explained to you that the love of your life wants to be a part of your life forever? It’s just so awkwardly written and once again in my opinion underdeveloped given the lack of on screen interaction since KH2 before that. The conversation then moves towards them both talking about protecting each other and I was like ‘Yes! Finally some communication about how they feel!’. I want to preface that part that while I would have adored for Kairi to be a kickass keyblade welding badass who slammed Xehanort down herself, I do not need that in a female character for me to love her. What bugs me is that in this game’s trailers and with how the place without magic works, it heavily implied that Kairi was going to be a ‘stronger’ character than ever in the physical sense, but her character doesn’t even feel like a step up from KH2. Don’t get me wrong, I think the “Kairi is Sora’s light” scene was done very well just like her transforming him back in the first game and is a good way to show rather than tell us that they have a strong connection, and once again, I do not need her to be physically strong to like her, but advertising that she is going to be physically stronger then having her fall into the same ‘damsel in distress’ trope was disappointing. Like I could even understand her having to die, but at least have Saix or Xehanort pull a dirty move on one of the others and her dying trying to defend them or Xehanort making her fight rather than just smashing her into pieces. Also, this has nothing to do with SoKai, but the fact that Kairi’s murderer got to go to heaven within the hour that he murdered her was wack af tbh.

And then we get to the ending. And I get at this point, ya’ll probably saying “God this grinch ass prick really just wants to rip everything apart, why can’t she just say she hates KH3 and go?” but I don’t care. This ending was literally the biggest let down to the Kingdom Hearts fandom in general, but especially SoKai shippers in my opinion. Before you go breathing down my neck about me not liking bittersweet endings, that’s not the issue. The issue is that once again, SoKai had a chance to have a big emotional moment and potentially growth along with us as viewers getting some clarity over what happened, but instead, they just brushed it over with the only explanation being a vague “You may not come back” from Mickey. And I’m sorry, I’m not taking ‘there wasn’t enough time/space on the disk’ as an excuse when we had to fight Xehanort multiple times and when the Keyblade Graveyard felt as dragged out as it did. Also, once again not SoKai related, but it still feels out of character that Riku just allowed Sora to go alone like that given how much he loves both Sora and Kairi. Likewise, him and the others letting Kairi cry alone in the ending frustrated me to no end. 

But here’s the thing; even if it doesn’t fully fix everything, the developers could have done one little thing to place importance on SoKai’s relationship. All it would have taken was an extra scene where Kairi says something like “Given we shared the papou fruit, I am the only one who can find Sora/his soul” and either 1. (and preferably tbh) sent her instead of Riku to find him or 2. If they really wanted to include Riku, have Kairi go along with him. Or hey, better yet 3. Have Riku be the one who died instead and have it end with Sora going to leave and then Kairi showing up saying she refuses to be left behind because Riku was her friend too and have Kingdom Hearts 4 (or whatever title is coming next) have them as teammates and switchable playable characters. Because power couple teaming up to find their best friend? Count me in.

Anyway, this is turning into a “Why KH3 was a disappointment story wise” post, but to answer the original question, no, I don’t think SoKai was forced. However, I also don’t think that the writers have really put the time, effort and development into the relationship that it really deserves given it is meant to be the main cannon end game ship, much as Kairi does not as the original main female. Given that SoRiku does get that attention, it often feels like SoKai (and platonically RiKai but that’s a discussion for another day) pales a lot. So while I never thought SoRiku would be cannon, I can understand the arguments that SoKai feels less genuine and heteronormative given the difference in development. And I hate saying because like I said, I could see SoKai being one of the great love stories if written well. 

Given SoKai is still set to be end game, my hope is that in future games we get this development and SoKai and Kairi as an individual gets the chance to shine the way main cannon ships and characters deserve. But I guess all we can do is wait and see.

[yourdailykitsch]

Texas Forever: Taylor Kitsch Is Doing Hollywood His Way (Exclusive) Taylor Kitsch isn’t here to impress. “I get so bored if I play the same or look the same in every role,” Kitsch says on a pleasant January afternoon in Pasadena, Calif. The 36-year-old actor is gearing up for the most transformative role of his career in Waco, the six-part Paramount Network miniseries about the 1993 siege premiering Wednesday, Jan. 24. The Kelowna, British Columbia, native plays David Koresh, controversial leader of the Branch Davidians, who, along with 75 of his followers, perished in a deadly fire following a violent 51-day standoff with the FBI. “Maybe it’s an older school mindset,” he theorizes, leaning back in his chair in deep thought, a cool, laidback confidence radiating from him. “I love the grind.” Kitsch first broke out onscreen in 2006, as brooding bad boy Tim Riggins on Friday Night Lights, becoming a favorite among young female fans of the NBC drama. Since the show ended in 2011, he’s largely steered away from roles akin to the character that propelled him to heartthrob status, instead leaning into parts that weren’t exactly tailor-made for him to begin with: a gay activist in The Normal Heart, a villainous operative in American Assassin, a successful weed dealer in Savages and most recently, one of the elite firefighters battling the Yarnell Hill Fire in Only the Brave. “I grew up on these guys, like the Sean Penns and the Gary Oldmans. I think there’s a high to that. I love that challenge,” he says. “When I started studying acting that was kind of what it was about: figuring out your process to create these different characters.” As Koresh, Kitsch unlocks another hidden ability in his growing breadth as an actor, exuding a level of charm and magnetism in Waco that is both mesmerizing and mystifying, only because the man he portrays wasn’t a good man at all. “There aren’t many characters like this that exist. He’s enigmatic and crazy brilliant and crazy, period,” says Kitsch, who calls Austin, Texas home. In order to realistically embody the sect leader, Kitsch -- who also serves as an executive producer -- grew out his hair and dropped 30 pounds in four months; his 500-calorie diet consisted of egg whites, coffee, vegetables, a tiny bit of protein and, after 4 p.m., broth. “Losing weight when you already don’t have too much to lose, it’s no fun, but it’s just part of it,” Kitsch says of his transformation, adding that it played “a huge part in the cadence” of a “mad genius” like Koresh. “The way you walk, the way you feel… It reaffirmed how smart he had to be because it was never blunt force. It couldn’t be. He couldn’t intimidate that way.” It also required Kitsch to lose himself in Koresh’s world -- and he took it quite literally. For months leading up to filming in Santa Fe, New Mexico, last April, Kitsch devoted “eight to 10 hours a day” familiarizing himself with all facets of David Koresh’s intricate life. That included four hours of guitar and singing lessons, scripture readings, dissecting hours upon hours of Koresh’s tapes and researching his difficult upbringing. “It was almost laughable in the beginning. I would joke around about how much prep I had,” Kitsch recalls. There were moments during the production of Waco that proved challenging. Kitsch zeroed in on the sermons as being particularly “tough” to memorize and he became obsessed with nailing the improbable task. “I’m more known for saying less is more,” Kitsch says, alluding to his famous FNL character, Riggins, “so to be as talky as Dave… But when you’re mixing in scripture, it’s just so hard to infuse into my brain. I’d be in my house in Santa Fe and I’d have all these white boards all over the house of scriptures and psalms and everything that I had to remember in episode five, six or in a monologue. Everywhere in the house I could see it, I would say it out loud, walk over there, see it and say it out loud.” The most daunting part about playing Koresh, though, had nothing to do with memorizing nine-page sermons and everything to do with standing in front of a mic. “The singing and guitar was ******ing scary man,” Kitsch confesses, a nervous laugh escaping his lips. (Koresh performed with his band in local Waco bars and church services. Survivor David Thibodeau, whose 1999 book on which Waco is based, said Koresh recruited members through music.) “I’ve never been in a ******ing singing booth either, putting it on a track so we could go film it two days later. So I’d go in the studio with a real band, which is scary to begin with, and be like, ‘Hey, I’m about to sing ‘My Sharona,’ are you ready?’ and they’re like” -- he gives a knowing look -- “‘All right...?’ They were awesome and supportive, and I gained a lot of confidence from that.” There was once a time when Kitsch’s stardom was fast approaching elite status. Fresh off the success of Friday Night Lights, Hollywood came knocking with two very expensive tentpoles, Battleship and John Carter -- films that held the promise of proclaiming him the next franchise superstar. It just didn’t happen. Both films bombed at the box office and were panned by critics. “I’ll read articles, but I won’t go on Rotten Tomatoes,” Kitsch, who only recently joined Instagram, cracks. Though it didn’t seem that way at the time, in hindsight, his failures were blessings in disguise: Kitsch had the opportunity to redirect his career on a far more interesting path. “I feel I’ve stayed the course,” Kitsch says, analyzing his ups and downs with a refreshing candor. “I’m proud of the way I reacted to John Carter. I’m proud of the way I reacted to Battleship. I still have no regrets really. At the time in your life that these opportunities present themselves, I would have done it again knowing the circumstance and knowing what was going on. What I’m proud of is my work ethic throughout. I’ve never wavered. I feel like I’m getting better and better. I think Waco is a great example of that.” “When you have people who believe in you and give you these chances, I just won’t let go of that opportunity,” he adds, his steadfast loyalty and gratitude to those who have seen him as more than just a pretty face unwavering. “I don’t know if it’s something I’ve learned; it’s something I’m proud of -- that I’ve, in that sense, kept grinding. It’s kind of all I know now. I’ve always -- in sports, in life -- there’s a way I make it where I have to grind, you know what I mean? It’s the underdog thing. It carries me or I carry that with me, whatever that is.” Kitsch has rarely spoken about the much-maligned second season of HBO’s True Detective, in which he portrayed closeted highway officer and ex-military man Paul Woodrugh. He acknowledges that the 2015 season was far from perfect though his experience was “really, really positive” (“Obviously, it’s not the best case that people didn’t react to it that way,” Kitsch says). While it may seem, from the outside at least, to have been a contributing factor in the long gap between TV projects, Kitsch assures that wasn’t the case. “I remember watching season one [of True Detective] -- I haven’t told anyone this -- and sitting in bed and I was like, ‘If I could ******ing get on a show like that…,” he remembers. “You’re allowed to let go a lot easier when you understand you put everything you could that you had control over that you felt you knocked out. You can walk away a lot easier.” Kitsch still keeps in touch with creator Nic Pizzolatto (“I’d go work with Nic tomorrow”) and he’s looking forward to the third installment with Oscar winner Mahershala Ali (“They got an amazing cast”). There’s an ounce of disappointment in his voice when he eventually evaluates what went wrong. “Season one was incredible and I think it’ll go down as all-time, and that says a lot because there is some amazing stuff in the last 30 years. I think the bar was crazy high, which I have no problem swinging for, but there were some constraints in the timing of it,” Kitsch says. “Sometimes you’re on a movie or you’re in a relationship and the magic just isn’t there, or you are in one and everything just seems to play out the right way. I’m sure I could speak for the other leads in it -- man, we were all proud to be there. Everyone came beyond prepared -- you have to when you’re working with Nic -- and we swung.” Next for Kitsch is a tale that has stayed in his brain for the past several years, like an earworm that just won’t leave his head. Titled Pieces, Kitsch plans to write, direct, star and produce the feature film based on his 2014 short about three guys who grew up in the worst part of town with a sudden opportunity to change their kids’ and families’ lives. “It’s a bit savage-y. It’s a bit Western-y. It’s a grimy movie. Everything f***king goes crazy,” Kitsch says with a glint of excitement piercing through his deep green eyes. He’s never done anything this intensive before, executing his own idea from page to screen. Could this be Kitsch’s next chapter in his career? “We’ll see how this goes,” he says with an anxious laugh. Asked if he’s nervous about jumping into something so deeply personal that will truly be his, Kitsch didn’t mince words: “You should be. Hopefully, I’m nervous about my next job too. It’s a story that won’t leave me. I want to do this and I want to do it my way.”

[daphenomenal-1]

Last Words on “Iceman” and My Hatred for the Marvel Fandom

Just the other day, Marvel Comics have cancelled many series, including “Generation X”, Heather Antos’ “Gwenpool”, Gabby Rivera’s “America” and - the topic of this post - “Iceman”, written by Sina Grace. This has been met with both rousing applause and deep scorn. And everything involving Iceman has proved one thing to me: I fucking hate the Marvel fandom.

Where to begin? Well, let’s start with the catalyst for my hatred, and that of course is the slew of comics coming out post “Civil War II”. CWII was something I was looking forward to. I loved the first one and I believe it’s one of Marvel’s best events ever. And with the movie just coming out when the first issue hit, it seemed primed to blow us all out the water. But…it didn’t. What ended up happening was the genesis of what some people call “SJW Marvel”. Now what does that mean?

A little while before CWII, Marvel started churning out comics with a more diverse-heavy cast of heroes. Kamala Khan, Miles Morales, America Chavez and the like all made appearances before the aforementioned Civil War. However, the term “SJW Marvel” didn’t seem to hit its stride until post Civil War and during the lead in to “Secret Empire” - Marvel’s second failed attempt at an epic event. At its core, the term is used to show how Marvel has moved past telling engaging stories and instead focused on what a character was, not who.

How does this relate to Iceman? In “All New X-Men” #40, Jean Grey basically outs Bobby Drake as gay. Then, later, the young Bobby tells the older one and Old Bobby admits indirectly that he is in fact homosexual. This caused a massive uproar, as many saw this as completely out of Bobby’s character. But the hatred for the new Iceman came to a head in 2017, when Marvel hired Sina Grace to write a solo Iceman series after the nonsense with Secret Empire. But long time comic fans hated this new Iceman comic for one sole reason: because it was bad. Many fans complained about the character designs, The inking, the writing and the characters themselves. However, fans of Iceman saw it differently. They didn’t see comic fans critiquing a series; they saw the outcry about Iceman as being “homophobic”. And it happened again, after “Iceman” was promptly cancelled, odds are by new Marvel EIC C.B. Cebulski.

To preface this: I did not like “Iceman”. Not at all. Call me homophobic if you want to, but my issue with Bobby was not because he was gay. My issue was that being gay was the only thing Bobby had going for him. Think about it: what else has Bobby done to make him a likable hero in his solo? All it did was make him look like a whole asshole. Take for instance in “Iceman” #1, when after he went to the hospital and his father told him that he missed his own mother’s birthday, Bobby says, “I think that was when I was literally saving a friend from apocalypse. I can have an edible arrangement here in no time” (p. 10). Any normal person would never say anything like that, especially not to their parents. The way it’s written shows a lack of genuine concern for missing his mother’s birthday and throws a haphazard “edible arrangement” to try to make it all better. We see this happen again in “Iceman” #2, where both him and Kitty put the safety of this mutant to the side - albeit momentarily- to talk about how him now being gay has affected them both. Even the mutant kid addresses it in what’s suppose to be a comedic line: “You’re gay, she’s emo…can you fools get back to rescuing me?!” (p. 16).

But the most egregious one of all has to be the entirety of Iceman #6. In #6, Iceman and his Champions buddies - Hercules, Angel, Ghost Rider and Darkstar - are mourning the death of Black Widow, their former teammate. However, things take a surprising turn when, in just 4 or 5 pages after some drinks, we see another non-superhero act: he destroys a woman’s Sentinel movie prop because it’s a “hate symbol”. This time, we don’t even need context clues to figure out he doesn’t care. He says it himself that he doesn’t care what it was (p. 9).

Immediately after that, it goes into Iceman meeting Judah, his soon-to-be lover. They talk, Judah asks Bobby on a date to a gay bar, Bobby has his first “gay kiss” (which are not me trying to sound homophobic; they refer to it in the comic [see “Iceman” #6 p. 16 & 17]) and then *boom* Sentinels. End.

The issue with Bobby now is that he went from being a “charming, but cocky guy” to being a complete and utter asshole. Disregarding things with “I’m sorry I had better shit to do” lines, destroying people’s property, and hooking up/dating someone he JUST met that very same day. These aren’t the marks of a superhero; these are traits of a dickhead who cares about nobody but himself. Even going so fast as to coerce his friends with a “pls don’t say no” (p. 12)

Which leads into my hatred for the Marvel fandom. I have been very vocal about my disdain for Iceman and his book, but what I’m hit with isn’t a rational discussion on what the book did right/did wrong. It was “You’re homophobic” or “You’re an MCU stan” (whatever that means) or my favorite: “Iceman is a great story, next argument” without any reasons as to why it’s a great story. This is why I hate the Marvel fandom: because the moment you don’t like something, you’re immediately racist, sexist or homophobic. Hate Ms. Marvel? Racist. Hate Captain Marvel? Sexist. Hate Iceman? Homophobic. You hate America? You’re all three of them! This doesn’t do anything to help your cause. If anything, it makes it worse. Nobody will read a book if you say “if you don’t read it, you hate gay characters and you hate gay people.”

Another reason the series has had poor reception is it’s competition. This is the same year Tom King released “Mister Miracle”, a true modern-day masterpiece that everyone should read. This is also the same year that Sean Gordon Murphy flipped the Bat-script with “Batman: White Knight”. Compared to those two alone, Iceman looks like the worst fanfic you can find. Take some time and read “Mister Miracle” and “White Knight”. They are actually brilliant comics and should be talked about more.

In the end of the day, my problem with Iceman isn’t that he’s gay. My problem is that being gay is all he is. He has no other character traits that makes him likable. He needs to be rebuilt, and the cancellation of the book is a great first step. However, being called homophobic because you don’t like Iceman? That’s wrong and it doesn’t do anything to make people read Iceman. And sales proved it. It consistently produced under 20,000 copies, and if people really cared, they would have read it.

Later on, I’m going to pitch my Iceman story. Where Iceman could have gone to save it’s comic arc. But I hate the Marvel fandom and I’m glad Iceman is cancelled. It needs a change. As always, I invite all to have a conversation about Iceman.

[lilnasxvevo]

I wrote an essay once when it was really late and I was really frustrated

I am not going to send it to my literary journal and I did not even hand it in for the class I wrote it for (the next essay I wrote was passable enough to submit) but I think it is kind of funny so I am going to share it with you

Zoom Zoom

           Draft number four of this FUCKING essay because I can’t FUCKING write. I just through out the last three because they sucked and excuse my language but I’m so frustrated at myself and I typed the wrong homophone in the last sentence and I went back and changed it but then I changed it back so you understand where I’m at right now because I NEVER!! MAKE!! SPELLING MISTAKES!! I was on the editorial staff of my high school newspaper for two years and that shit was flawless! I was editor in chief and that shit was free of god damn error! I do not make! Spelling mistakes!

           I’m so frustrated because part of me just wants to write about a motherfucking TV show and the rest of me is like, “No, Thomas, that’s so fucking stupid, write about something that’s serious, something people can take seriously, something people can respect, but NOT something boring” and I’m like OK!! WELL!! THAT’S A TALL ORDER YOU’VE GIVEN YOURSELF TOMMY BOY!!

           I’ve been trying to copy the style of the essays we’ve been reading in the last three drafts I just started and abandoned. I wrote…lets see…(I will be keeping all future grammar and spelling errors that I make) over 1300 words that way so far today. Fuck it!! I am going to be writing like ME and what I write like is a protagonist from a really sub-par young adult novel. I read a lot of those! But I was already like that before I read all those books. Actually most of the ones I read are pretty great. Holly Black, David Levithan, uh those Girl, 15, Charming but Insane books I forget who writes them but if I look it up I have to stop my timer and that is just not happening—check em out, they’re great. Oh, Eoin Colfer, too. I have his autograph! I actually also have David’s.

           I made a list of all the things I could write this essay about. I didn’t want to write about being queer again because I don’t want you people to pigeonhole me. There’s like 50 items on that list. I’ll spare you. The list sucks. I texted my best friend “What should I write this essay about” and she said “Roman Catholicism” and I was like “Maybe” and she was like “Vampires” and I was like “LMFAO you will never believe what I wrote last time spoiler it was vampires.”

           I have ADHD. Sometimes this surprises people! Sometimes it does not! Usually it doesn’t surprise other people who have ADHD because we go based on our lived experiences instead of stereotypes unlike SOME people. I was diagnosed when I was 17 which is super super late but they literally, and you can look this up, base most criteria off of the symptoms of little white cisgender boys, who are usually hyperactive, and I was inattentive type. My third grade teacher used to slap my desk with a ruler when I spaced out. She never brought up my attention issues to anyone else. I hated her. I still hate her. Curse you, Cathy Sellers!!

           I have chilled out on the caps lock because maybe that was kind of a gimmick. Ok. Well. The ADHD. I actually don’t remember why I brought up ADHD, which is classic ADHD. Oh. I think it was to say that maybe you will be surprised that the inside of my head is this giant mess. Not to be all “welcome to my twisted mind” or that edgy shit. Maybe I’m trying to make an embarrassing essay on purpose. The point is some people think I’m very composed and stuff and the inside of my head has never once been composed. Well, maybe a few times. I miss standardized testing because they don’t really matter and they were fun to focus on and it was fun to fill the bubbles in and they made me feel smart. I am smart. I promise I’m smart. Sometimes people think I’m dumb because I’m a trans man which I don’t understand but I promise I’m smart.

           I just slapped my face to try to get myself to wake up a little bit. I am wiped. That cold that’s been going around is kicking my ass, though not as bad as it’s kicking the ass of other students in this class who I have maybe potentially had to drive to the pharmacy this week.

           I am so obsessed with this show on BBC America right now called Dirk Gently’s Holistic Detective Agency. In ADHD circles this is sometimes called a hyperfixation—it’s kind of like the special interests autistic people have, surprise surprise ADHD and autism are both developmental disorders and they have a lot in common. Dirk Gently is all I can think about. It’s a really great show and I loved it last season because it has the actor Samuel Barnett as the lead actor and I swore my fealty to him in like 2014 and then he got a lead on a TV show which is crazy because he never gets big roles like that so I was like NICE!!! Yeah, so last season was sci-fi, and the show is really great and it has this big diverse cast and all the characters are really interesting and the show never leans on stereotype instead of fleshing out a character as a unique person and there were electric crossbows last season that were designed by that Adam Savage dude from Mythbusters. So but this season, THIS SEASON, is SO good because apparently the show is planning on “switching genres” every season but with the same main cast so now they’ve been running around trying to find each other after everyone got separated at the end of last season (spoiler) and now they’re all in Montana and instead of sci-fi it’s FANTASY which is my FAVORITE. There’s another dimension that’s this great high-fantasy nation called Wendimoor and there’s a door between the valley of Inglenook and this one town in Montana for reasons that I refuse to explain, just watch the show. Ok and in Inglenook, there’s—it’s kind of sketchy how it works but there’s this guy named Panto Trost who has pink hair (his whole family has pink hair and it’s unclear if it’s genetic or if they dye it as a tribal marker or something, and when I first saw it I was like, HOLY SHIT, WHY DID I NEVER THINK OF THAT), and he’s the prince of Inglenook, and there’s this guy named Silas Dengdamor, who’s some kind of minor prince in Inglenook somehow, and THEY. ARE. A GAY INTERRACIAL HIGH FANTASY COUPLE. THEY ARE IN LOVE.

           And the guy who plays Silas, Lee Majdoub, he’s really active on Twitter and Tumblr, which is crazy because almost no one is active on Tumblr under their real name and it’s mostly just depressed young adults like me, but Lee fields questions about the show all the time and talks about how it was an honor to play a gay prince and he has so much love for Silas and he put so much work into this character which you can tell because he has an answer ready for everything. Has he ridden that train we saw? Is he gay or bi or what? What are his hobbies? If he lived in our world what would his favorite movie be? His five favorite songs? Does he agree with his family’s stance on the feud? (Oh my god I forgot to MENTION that the Trosts and the Dengdamors are TWO FAMILIES AT WAR, which makes Silas and Panto basically gay Romeo and Juliet, but hopefully they won’t die but Dirk Gently is a “don’t get attached” kind of show.)

           And did I mention he’s respectful??? My favorite answer he’s ever given is when someone asked him what it was like to kiss Chris Russell (the other actor), which is a question every fucking presumed-straight actor gets when they play a gay role, and since there is a 4 inch height difference between them, Lee answered something like, “It was a little weird because Chris is very tall, so I felt a little like Natalie Portman in Thor. Natalie Portman and I both have dark hair so we’re practically twins.” Also he is very handsome. It is important that Lee Majdoub is very handsome. Okay, it’s important to me.

           Wow, glad I got that off my chest. It’s kind of all I ever want to talk about. Two weeks ago, before I could do my actual writing assignment for the day, I had to freewrite about Kevin Spacey for like AN HOUR. What I wrote ended up being kind of unusable for this class thus far, I just haven’t been pleased enough with the way it handled a very sensitive topic to hand it in, but it was about Kevin Spacey and Jeffrey Dahmer and OUT magazine and news media and Anthony Rapp and me.

           I wanted to write about a historical figure for this paper but all the ones I could think of that I have a strong connection to were gay. While I was typing that sentence, I thought of Dorothy Parker. Well, shit. Another day, then.

           This paper is what we call a RISK!!! pleasedontfailme

           Here are some excerpts from the other three papers I tried to write today:

·         Sometimes I sing and dance in front of them. Sometimes I scream. One time, I stood on a desk.

·         The last time I told her I was proud of her I could only do it because she had consumed an obscene amount of wine and called me to talk about one of Shakespeare’s history plays

·         I am afraid that I am a husk a husk a HUSK a husK a husk a husk a husk of Corn-ell because

I promise these essays were not good. These were the only good parts. I wanted to include them because I wanted you to understand that I covered a lot of fucking ground before settling on whatever the fuck this is. I am sorry if you feel you would rather be reading one of those other essays, but I did not want to write them.

           I just scrolled back up to the top because I remembered abruptly that this essay doesn’t have a name. It’s called Zoom Zoom now. When my sister is bored while she drives, she says, “Zoom zoom! We’re zooming!” She is 24 and has a master’s degree. This particular catchphrase of hers always comes to mind when I try to describe how my brain works—childish, too fast, bored. Her boyfriend says “Brroom brroom” when he drives. I think he picked it up from her. He calls me Thomathy. Because Thomas can be Tom for short and Tom is like Tim and Tim is short for Timothy. Get it? He says “Thomathy” sounds like a disease. I think he likes me anyway. Even though one time during a heated game of Monopoly I told him I would eat chips at his funeral.

           I have three cats. One is ten years old, the other two are one. I have a rabbit. He’s a jerk. That’s all you need to know about me. Oh, I’m from Wisconsin. My favorite color is orange.

           Yeah so thanks for coming to my TED talk. Please buy a t-shirt on my way out, they’re $20. I know TED talks don’t usually have t-shirts but I want your money. Yes. Now scram.

  Are they gone?

Jesus, I’m so fucking tired.

[adrianvsart]

memorable and overall funny camp camp quotes

well…after 8 HOURS, i’ve finally rewatched the camp camp series for almost the 5th time. and boy, was it agonizing to say the least. nevertheless, it felt very rewarding after i finished gathering all the quotes together.

ill be updating this as new episodes are released but these are the ones out to the public so far (not including the new ones released on the rooster teeth website as i will wait until its posted on youtube).

it’s under the cut because, oh boy, is this LONG;

Episode 1, Escape From Camp Campbell

“Can you believe it, Max? We’re getting not one! not three! but two new campers today!” “Yup! it’s really truly horrifying.”

“I’m not here to make friends, David! I’m here because camp is where kids are sent when their parents don’t wanna deal with them. Why do you think we return the favor when they hit seventy?”

“Hang on a sec, what are you even doing out here?” “Well, it’s definitely not because the bus only comes from the city to drop off and pick up campers and so far seems to be my only reasonable method of escaping this fucking nightmare of a camp. Definitely not that.” “Heeey…language.”

“Suck a dic-” “All I want is for you kids to have as much fun as I did when I was a Campbell camper! Is that really too much to ask?” “I refuse to believe someone as happy as you can possibly exist.”

“No, silly! This is adventure camp! Ad-vent-ure! My mom said so! Unless she was lying…again. Sorry about that hand by the way, just exerting dominance, you know how it goes.”

“Max, you are not leaving my side for the rest of the day!” “We’ll see about that, CAMP. MAN.”

“Tell ‘em just how much you love it, Max!” “See, that’s the sad thing…he still actually thinks that I love it.”

“Gooood morning, Gwen!” “MOTHERFUCKER!”

“Nurf, you don’t crank shit! Get down from there Space Kid!”

“What about that astronaut kid?” “Astronauts, the wannabe jocks of the scientific community? Please.”

“Yeah, so far every attempt to answer our questions just raises more questions.” “Hey, good for you! You’re starting to catch on!”

“[Pulling out guitar] Well, I’m glad you asked, because I have a little song that I can sing–” “No.” “[Putting back guitar] When Gwen’s not around.”

“You are the bane of my existence.”

“This is bullshit!” “Woah, check out the balls on new kid.” “[Looking down at her crotch] Where?”

“Oh god, it’s coming back, the crippling anxiety and regret.”

“Why would you help us?” “I’m an agent of chaos.”

“Oh no. I hope YOU learned, David! I hope you learned that before today, you only had one little bastard to deal with. But now you’ve got three." 

Episode 2, Mascot

"Oh, he talked! Did you hear that?!” “Are you a gypsy?” “Uhhh…”

“[After just flinging the camp mascot to the next island with a huge rock instead of hitting David] Aw, man…That was supposed to kill you.”

“Well, Max, we were going to make hand-made ice cream, but someone killed our mascot and now we need a new one BECAUSE EVERY GOOD CAMP HAS A MASCOT, MAX!”

“Lady-sickness. My mom used to get that all the time.” “How do you cure it?” “EDGE CLOSER TO DEATH.”

“Calm down, it’ll be fine. Besides, anything’s better than hanging with DAVID." 

"Sorry everyone, just…really overwhelmed by all this friendship right now.”

“What’s WRONG?! I wanted to spend my summer in an air conditioned laboratory! Not walking around a future Wal-Mart parking lot!” “Aw, come on, Neil! Nature can be your friend if you just give it a chance!” “…There’s a raccoon trying to scavenge Nerris.”

“It’s resistent to charms!” “Nerris! Play dead!” “I’m out of mana!" 

"Uh…this looks like the place teenagers go to get stabbed.” “…Probably.”

“Hey, so, how’d you lose that hand anyway?” “[unintelligible mumble] JEWS [unintelligible mumble]” “…I feel like you should be more specific.”

“[Sigh] Well, I guess Nikki was right. Enjoy wearing my skin.”

“[After killing a squirrel] Mascot.” “DUDE! YOU FUCKING KILLED IT!” “…Oh.”

“[Aggressively killing animals] I AM THE KING NOW! THE THRONE IS MINE!" 

"Wh-Where’d it go?! Bring it back!” “Oh…I don’t know how. This is kinda why I’m here.”

“Where do we go now?!” “I don’t know! This was a really bad idea in hindsight!”

“I WANT A VIKING’S FUNERAL! LIGHT ME UP!”

“…Why do you always have to make things weird and complicated?” “Well, I mean, I think this is all pretty normal…”

“Does this mean we’ll be the Camp Campbell Platties?!” “No, I don’t think so.”

 "…What about the pussies?“ "Definitely not!” “Yeah, I like that!” “Pussies for life.”

“…So what’s with the Quartermaster and Jews?”

Episode 3, Scout’s Dishonor

“Ah…another wonderful day at Camp Campbell. All that’s left to do now is recharge with a full eight hours of lying in bed…awake! Waiting for tomorrow!”

“Alright, guys, our first attempt to bust out of this god-forsaken hellhole didn’t work.”

“So…what are you gonna do on the outside?” “Probably live with the animals. Try and get raised by wolves, maybe work my way up to alpha. Pee on stuff.”

“I think I’ll go to my dad’s house and tell him that mom sent me to an abusive summer camp. Pretend to like him more so she’ll try to buy back my love." "That’s really dark, Neil.”

“Where are we?” “Where happiness goes to DIE.”

“WHY DO YOU KEEP HITTING ME?! AND WHY IS IT ONLY CLOUDY OVER YOUR SIDE OF THE LAKE?!”

“God, your face is gross.” “…What…?” “Oh, sorry, that just slipped out…” “Dude…” “Sorry… I know… That was mean.” “It really was…”

“Oh, we don’t kidnap campers. That’d be immoral.” “THAT GUY LITERALLY STABBED ME IN THE BACK!”

“Neeancy, boys are supposed to be tough.” “And rugged.” “And if they pee in you, you get pregnant!”

“Y'all are some ignorant fucking cunts!”

“[Dreamily]…he can pee in me anytime.” “Tabii seriously, what the fuck?!”

“That was super gay.” “We JUST learned a lesson about stereotyping!”

“You know, maybe I don’t hate Camp Campbell, maybe I hate EVERYTHING." 

Episode 4, Camp Cool Kidz

"This sucks…This is the kind of peasant work my parents left their home country to avoid." 

"That’s fucking stupid, nicknames don’t make you cool.” “Pssh, spoken like a true first-part nicknamer.”

“No one’s TOO cool to talk to. Even cool kids take giant, uncomfortable shits from time to time. Helps remind you that we’re all equal.”

“Oh, maybe he’ll give us a raise! Or, tell me I’m like the son he never had!” “…Or explain why he’s wanted by the government.” “Or that. Yeah, there’s that." 

"WE GOT OURSELVES AN UPRISIN’!”

“Max! I am very disappointed in you for this behavior! But I’m also torn, because you were clearly paying attention during knot-tying class!”

“This is just like Le Mis! Ah, I love it!” “Don’t make this lame, Preston.”

“Whoa, whoa, whoa. Hold the hell up! Did you nerds forget who revolutionized this place?! I should be leading you! Not "x-treme sports barbie” over here!“

"Rage-against-the-machine-fight-the-power-9/11!” “Progressive buzzwords can’t save you now.”

“Like the minutemen of the Revolution, we will fight for our independence!” “Minuteman…mommy calls daddy that when they argue.”

“I’m not sure I’m comfortable with this. It’s only been a few hours and we’ve already gone shirtless!”

“Aw, man! Sooo uncool.” “MURDER HIM!”

“What are you kids doing?!” “We’re gonna kill Space Kid!”

“You guys are here to rescue me?!” “No! Shut up David!” “Aw…”

“No fighting! Violence never solves anything!” “STAB HER, BITCH!”

“OH GOD! SOMEONE STOP-DROP-AND-ROLL ME!”

Episode 5, Journey to Spooky Island

“I was VERY innocent and impressionable back then!” “…So, last week?”

“What’s scary is how much I wanna kill myself right now.”

“So help me if this involves vampire romance.” “I-It could’ve been werewolves. You don’t know!”

“Here’s a horror story, go look at the job market you’re dealing with after this camp shuts down!”

“[After a squirrel jumps out of Space Kid’s spacesuit] Wait a minute! How is it that you aren’t even phased by that?!” “Might’ve helped if I hadn’t put it in his suit to begin with.”

“Wh-what do you think about that moaning and wailing?” “Pssh, it’s just teenagers from that church camp working on those repressions again. Not that I know anything about it, just being a kid and all.”

“So…No dead campers then?” “Nope! We’re good!” “Damn.”

“What’s with space case?” “Squirrel-splosion.”

“Ah…So the revolution has begun…”

“Pssh, ghosts don’t exist. You die, and then you’re faced with eternal nothingness. It’s gonna be great.”

“HOW DO YOU KNOW?! YOU’VE NEVER DIED!”

“We’ll see who’s yawning when we’re all DEAD!” “Why would we…?”

“That seems redundant.” “Yeah, and I think endangered…”

“I AM NOT ABOUT THIS SHIT, NIKKI! SCIENCE HAS IT’S LIMITS!” “Don’t be so naive, this is mild experimentation at best.”

“You know what this is? Proof that the founder of Camp Campbell is a rich piece of shit with terrible morals and who also potentially kills people! …ALL THINGS I WAS ALREADY PRETTY SURE OF!”

“But the monsters! The wails! You can’t explain that!” “Actually…” “THE HELL I CAN’T!”

“Guess that goes to show that sometimes, the only thing scarier than monsters and ghosts…is real life. Specifically old people having sex. Weird, kinky sex. In a dungeon. Boy, that is…that is some dark shit.”

Episode 6, Reigny Day

“Under my rule, I WILL MAKE CAMP CAMPBELL GREAT AGAIN” “[Thinking] This is probably fine.”

“WHAT DID YOU DO WITH NEIL, NURF? SHOVE HIM IN A LOCKER? MAKE HIM PROM QUEEN, ONLY TO COVER HIM IN BLOOD?”

“You seem pretty confident about that. Where were you on the night of-” “Shut up, let’s go find him.”

“Yeah? What did you think I meant? I’m not some kind of secret police or something.”

“[Nervously] All right kiddos, why don’t we take this conversation somewhere else, like another room! Or another camp!”

“We shall make an example of him! Let the hunt begin!” “[Thinking] This is still fine.”

“[After Preston destroys the floorboards with a crowbar] This has escalated quickly.”

“[Thinking, after getting nervous about the judges] This is no longer fine.”

“[Thinking] I can’t believe I lost to Dolph, he isn’t even a counselor!” “[Thinking] Plus he really looks like Hitler.”

Episode 7, Romeo & Juliet II: Love Resurrected

“Please, the theater demands your utmost respect-” “[Through megaphone] SHUT YOUR YAPS, IT’S TIME FOR THE PLAY!” “Ahem, thank you Gwen.” “[Through megaphone] DON’T MENTION IT!”

“Y'know, Juliet should’ve done karate instead of kissing boys. HIYAH! Maybe she wouldn’t have died then.”

“Has anyone seen my phone? I must have dropped it while doing my smile exercises.” “Don’t admit to that…”

“Guuys, you’re just adding to my anxiety! If you don’t return the phone, I’m going to have a panic attack, and that’s on you!”

“Yo, did someone say black magic?” “[Facepalming] Amateurs!”

“Thanks for your contribution, an inanimate object stuffed with hay could have acted better! [Turning to the platypus] Platypus, you’re doing great! Stole the scene! Keep it up!”

“Alright people, get your SHIT together!”

“You’re up next, break a leg, buddy.” “You’re right! If I’m injured, I can’t preform! Hit me! Hit me hard! It’s gotta look convincing!”

“Our love is forbidden just like Romeo and Juliet’s but we will be together even if it costs us our lives. UGH! It’s so romantic, I wanna die!” “He called us cunts last time he saw us.”

“I’m gonna make that kissing scene so hot, it’ll be rated TV Y 7.”

“It appears, my son, in her sorrow, she killed herself.” “Nooo! [Seinfeld music]”

“Ugh. Why is he so sweaty? Robots can’t sweat. THIS ISN’T CANON!”

“I don’t know who this BITCH is, but she is KILLING IT! AH!”

“I need to stop this!” “Why? This is awesome! Whoo! You go girl!”

“The theater! The cruelest mistress of all! My career! Like the mistakes of so many teenage girls, has been aborted.”

“Oh, nobody plays Bonquisha like that!” “[In distance] Kick his ass!”

“What about me? Where’s MY apology?” “I’m gonna be honest, I’m not sure who you are.”

“[Holding up a picture of Cameron Campbell] Have you seen this man?” “Oh, uh, I’ve been told to tell you no.”

“They don’t give Oscars for stage performances.” “That’s how good it was.”

Episode 8, Into Town

“What did I say? I said don’t do fire safety camp and political history camp in the same day unless you reeeeaaally want it to turn into riot control camp." 

"You’re still on fire, btw!” “Thank you.”

“Eyy, we’re talking here!” “The moon landings were a hoax filmed in Area 51 orchestrated by the government as a publicity stunt designed to humiliate the Russians in the space race!” “Noooooo! No! I can’t hear you! I can’t hear you! I can’t hear you!”

“Ah! Sweet 22.2 degrees Celsius, here we come!” “You idiot! This isn’t about air conditioning!”

“Just what exactly do you think he’s into?” “Hookers and blow!” “[Simultaneously] WHAT?!”

“Neil, you go be Neil in the nerd shop. Just stay here and keep an eye on the wagon. Get ready to haul ass if you see David about to leave.”

“Eeny-meeny-miny-mo, what lame place did David go…in?”

“Don’t serve your kind here.” “Your kind? Your kind?! Care to be more specific, sir? I’m calling you out!” “Kids.” “Oh, well that’s totally understandable.”

“Him? Yeahh, he’s a bit on edge now, isn’t he? Kept saying something about how it was all some kid’s fault.” “I know what you’re thinking. You’re totally right.”

“So, he come here often? Is he a sad drunk? Happy drunk? Gay drunk?”

“He beat a women?! David, you unbelievable bastard, I didn’t know you had it in you!”

“[Coughing] Max? I think I’m dying.”

“[To Max] Don’t come back. [To Nikki] Come back when you’re 18.”

“Yeah, but I didn’t wanna drive him to murder! I just wanted to show him that his entire philosophical outlook on life is flawed and that the fundamental beliefs and ideologies he holds so dearly are trivial so that he’ll start crying himself to sleep like the rest of us! I’m not a monster!”

“You sick bastard! Your getaway from the camp is TO GO CAMPING?!”

“Just. Kill us!”

Episode 9, David Gets Hard

“FUCK YEAH, SCARE ME STRAIGHT!”

“Well, we’re gonna learn that little shit some manners, David! Because we are contractually obligated to!" 

"After all, there’s only one camper at Camp Campbell worse than him, and it’s me.”

“What do you want?” “Double desert, no activities for a week, and David’s social security number.” “Done.” “Gwen!” “SHUT UP, DAVID!” “Okay…”

“Today’s the day I get hard!” “Okay, maybe we don’t phrase it like that…” “Oh no! Rule 1: no backing down! Look out, world! I’m hard and I’m coming! Whether he likes it or not, Nurf is gonna let me in!”

“…So does he want to help Nurf or fuck him?" 

"You’re pathetic.” “And getting blood on my boot.”

“No, no! You’re being positive again! Gwen’s the fucking worst! She slacks off, reads garbage and has no idea what she’s doing with her life!” “[Angrily] What?”

 "There’s no time-travelling doctor coming to save you Gwen! Get your shit together!“ 

"Right! I know that’s probably hard to hear!” “No.” “And may have even been a little too far!” “Not at all” “But by golly, it seems to me you’ve never been very polite to anyone!” “[Muttering] God damn it.”

“Man, he is…way more fucked up than I thought.”

“[Sarcastically] Oops, didn’t see you there! [Normally] Just kidding, I was fully aware of the situation. I’m just acting out for attention. That being said, I do think I need corrective lenses, my mom just won’t take me." 

"Oh, so we’re doing the whole Freudian thing now? Everyone wants to fuck their own mom, get over it!”

“So, what are you gonna do now?” “STAB MY DAD!” “NO! What?! Why?!”

“What do you expect? I’m just a kid! Eat my farts, butt-nut!”

“Well, I guess it turns out at the end of the day…sometimes you just gotta hit kids.”

Episode 10, Mind Freakers

“Sure, Harrison, that’s it. It’s certainly not because I believe in the fundamental laws of everything in existence which goes against the slightest chance of magic even being possible.”

“Get rekt, Harrison. Why don’t you do a real magic trick if you’re so good.”

“Oh! You just got Abraca-OWNED, Max!”

“Yes, and it would’ve been even better if it had happened to Neil as I intended, but you get the idea. Magic!”

“I do NOT feel okay!”

“It’s not like I’m gonna loose sleep over it. [Later that night] Shit.”

“Yeah! I believe! Cut me in half! I’ll be fine! …I’ll be fine? I’ll be fine!”

“Okay, Neil. I got you, fam.” “I don’t know what that means, but thank you.”

“How does Harrison have the Gaul to do something so hurtful, ya know?” “Yeah, it’s kinda shitty. I feel-” “It’s like he doesn’t even care how this affects ME!” “You?!” “Yeah! How can he be so selfish?”

“I don’t know, Neil. There’s still so much I need to learn. I gotta reach level 4 and I haven’t even been sorted into a house yet.”

“Just proving that any idiot with half a brain can do that trick you pulled off yesterday.” “Wait, are…are you calling yourself an idiot, Neil?” “SHUT UP SPACE KID.”

“YOU SHUT YOUR WHORE MOUTH, HARRISON!”

“The only thing I’m killing is your hocus-pocus bullshit, Harrison!”

“And that, ladies and gentlemen, is the greatest trick of all. Getting a cynical, close-minded asshole to believe in magic!" 

Episode 11, Camporee

"Guess who’s got two thumbs, diplomatic immunity and is here to host the annual Lake Lilac CAMPOREE?! This guy!”

“David, what the hell! No one told us about this!” “We’ve literally been telling you about it everyday for weeks.” “Yeah, but we never listen to you guys! Put up flyers or something.”

“Darn it, Teddy, you KNOW I’ve got a crippling gambling addiction!”

“Yo, David! I think I speak for all of us when I say that I don’t wanna become some fascist military peon!” “[Raising his hand] He does not speak for all of us.”

“BOO! Give us actual advice!”

“[Nervously] We just, uh, you know gotta believe in ourselves!” “Nope, we’re boned.”

“Oh, Jesus Christ! Campers, we are winning that FUCKING trophy!”

“[Innocently] Kill.”

Episode 12, The Order of the Sparrow

“Gwen, why is David dressed like a turkey?” “Because he’s fucking David, Nikki, you’ve been here long enough to figure that out.”

“Wow, that is racist.” “Seriously, are you offended?”

“[Whining] Do we have to?” “No, but-” “WAIT! Nevermind! It’s mandatory!”

“Tell us now, turkey man!”

“I can be nice! I’m the nicest!”

“David! You know me! You know I love nature! You know if I could, I would have BABIES with nature!”

“Resistance is futile, turkey man!”

“David. Witness me. Witness my love for nature! [Tries kissing platypus but it bites him instead] Ow! You whore! Let me love you, god damn it!”

“I can’t believe I frenched a platypus for this!”

“Life sucks. And we live in a world of desensitized, apathetic assholes. Why don’t you just get with the program and stop giving a shit.”

“That’s why I’ll never stop trying, because somebody fucking has to.”

“Wake up, buttercup!” “Nikki! No more arrows!” “You can’t control me, white devil!”

“Alright, I fixed it. Everybody hurry up and…ah, shit, he’s awake.”

“Max? Did you-” “DO NOT look too deeply into this. You suck, this world sucks, and one day we’re all gonna die and none of it will matter but if we didn’t do this, I’m pretty sure you’d kill yourself or something.” “[Sniffling] Oh, Max…” “Or shoot up the camp. I dunno, it was a possibility.”

Season 2, Episode 1, Cult Camp

“[Bursting through the door] Goooood morning, David!” “Goood morning, Gwen! Wait, this feels backwards.” “Yep!”

“But today’s the day!” “[Gasp] You’ve realized your love of Camp Campbell and everything it stands for?” “[Happily] HELL NO!”

“Ha, are pulling my leg?” “No leg-pulling here, but we are keen on handshakes!”

“You know, I think now is the perfect time to use my vacation days.” “[Simultaneously] Aw, Gwen. Are you sure?”

“[Picking on Max after he raises his hand] Yes, Max.” “[Points at Daniel] Who the fuck is that?” “Why, what an excellent question!”

“You’ve got to be shitting me.” “Whoa, watch the language there little fella!”

“I don’t really know what you’re selling here, Daniel…but I am BUYING IT!”

“Oh my fuck, he’s ACTUALLY- [Banging on David’s door] A CULTIST! YOU HIRED A FUCKING CULTIST, YOU IDIOT!”

“Again with these cult jokes, Max? Please.” “He gave everyone a "de-toxification” diet then started spouting off Latin from a book with a pentagram!“ "He’s bilingual AND cares about nutrition?!”

“[Sweetly] Hey, David?” “Yes, Nikki?” “WAKE UP AND SMELL THE KOOL-AID!”

“I would just like to point out the fucked-up implications of specifically YOU [points at Dolph] putting specifically ME [points at himself (Neil)] into a gas chamber.”

“I love you, Daniel!” “[Gasp] But…That’s not right! Max doesn’t love anything!”

“Poor guy, must have been some bad fruit punch.” “[Sigh] You’re a moron.”

Season 2, Episode 2, Anti-Social Network

“Nurf, leave me alone, or so help me, I will post photoshops everywhere of you kissing guys!” “Woah! Hey, somebody’s a little tense. You might want to look into some agression therapy. Besides, maybe I already tried to explore my sexuality…you don’t know. [Sniff] Chris, why did you leave me?”

“Oh my fucking god! Is it always just adventures with you two?!”

“It’s a chat bot.” “What do you mean?” “I mean, it’s a programmed, repetitive, humorless, inhuman, simulation of a person.” “Yeah, Neil!”

“Okay, okay. So maybe a couple of you might have critical thinking skills. Good for you, but other than that it’s all going according to plan.” “And what plan is that?” “The "get everyone to leave me the hell alone” plan. I’m a genius!“

"What could possibly go wrong?” “Everything, but until it does, I’m gonna go plug David into this thing and see how it plays out. Have fun doing…whatever.”

“Damn, Neil, you did that with graphing calculators?”

“This doesn’t make any sense. Every calculator’s running an updated version of my chat bot, but they’re all acting different.” “Yeah, I’m about three seconds away from removing the batteries from David’s.”

“Well I guess it’s a good thing we got them all. Can you imagine if someone impressionable and naive enough to believe everything they heard from a chat bot had-” “[Simultaneously] Oh my god, Nikki!”

“I can only hear about "shipping” people’s “bae’s” for so long.“

"Calculations complete. My analysis is…absolutely fucking not! You humans all suck.”

Season 2, Episode 3, Quest to Sleepy Peak Peak

“Get rekt, Mr. Waffles.”

“Actually, we’ll take whatever we can get, preferably we wouldn’t be talking to either of you.”

“[After kicking the ground and supposedly making the Earth shake] Oh no, my anger has manifested!” “Get to a door frame!”

“How do you know so much about it, Gwen?” “Yeah, I thought you had a…liberal arts degree.” “[Sighs] Associates degree.” “Oh, that is so tragic.”

“You coming too, Max?” “Still got those dice?” “Yep!” “[Grabbing the dice and walking away] Nope.”

“You can be the dwarf, because they’re dumb and ugly, just like your face.” “Aww, yeah. That one hurt. But my mom says I’ll grow into my looks.”

“Oh god! It’s chirping menacingly at me!”

“Anyone else want a twenty-sided asskicking?”

“Big deal, so you threw a bunch of dice at some animals. Kind of a dick move, to be honest.”

“This is a level 1 cave at best. There aren’t even any fire-breathing dragons or even a dang ol’ goblin!" 

"Oh, well, I guess that will work.” “[After the volcano starts to shake] IT FUCKING BETTER!”

“[After seeing the lava] Woah! Okay, well, saw the volcano, think it’s time we head back!”

“You’ve angered the mountain, Harrison! Gosh, you suck!” “I do not suck! You’re the sucking one!” “[In background] You both suck!”

“Oh, this is gonna be goood! Neil, are you seeing this?” “[Angrily] I’m going to hit you, Nikki!”