#panel meta

[possamble]

Needlessly close reading and long commentary on chapter 57 and how the audience actually has an extremely limited view on what Marcille has been like over the course of her life.

I am once again thinking about how pre-dungeon Marcille is so quiet and stoic that she seems like a completely different person. How jarring chapter 57 is for the audience. Like you have Marcille, who has been just the most blindingly expressive person with resting baby face

And then the chapter drops a title page of Marcille hearing from Falin for the first time in four years and it's like.

Who is that. Genuinely. Would you even realize that's Marcille without the context clues?

And then the chapter just keeps coming in with the sucker punches.

We have SEEN Marcille meet strangers. It was never with this understated of a smile.

literally who the hell is this. the few times the audience gets to see some Signature Marcille Faces that they're used to is when she finally gets to see Falin again

when she's testing out her new spells

(and when Laios and Falin are fantasizing about her being their damsel in distress, funnily enough)

And then finally. Finally you get to a fully recognizable Marcille when she fucking DIES and comes back to life to geek out about necromancy.

We know she loves magic. We know she loves Falin. So it's not so surprising that she wouldn't be able to keep a mask up when thinking or talking about the things she loves. But why the mask in the first place? Where does it come from? It's tempting to think that, maybe, Falin's departure just hurt her so much that it turned her into a quiet person.

But that's only half true. If you go back, the first instance you see of this incredibly mild personality is actually introduced much earlier, in chapter 17.

What if she was always like that. What if her default after her father died was to hold people at arm's length, to never really emote past being polite and friendly. What if Falin was the first person who was able to bring her out of her shell, and when she left, Marcille just went back to how she was.

And when comparing her detached demeanour with someone else...

It's not exact, but wouldn't you say there's a resemblance? Wouldn't you think she might be trying her best to imitate what she saw of her own mother working as an accomplished mage?

It would certainly explain why she's hiding behind her portrait in her nightmare, at least.

We aren't told that Marcille has been distancing herself from everyone around her using a mature and dignified personality she modelled off her mother. But we sure as hell are shown it, I think.

[goodoldfashionedengineer]

I really don't like the narrative of "Bruce thinks if he hadn't made Jason Robin, Jason would have ended up as a criminal."

I much, much prefer the narrative Robins (2021-) gave us. Jason knows he did illegal stuff to survive. He did what he had to do. But has been called a crook, a criminal, a kingpin and similar stuff so many times and yeah, he is one, that he believes this narrative of "oh, I so would have ended up as a criminal." Jason does not have a high opinion of himself. He knows his skills, he knows what he is, but his self worth isn't big.

And then you have Bruce. Who doesn't think that at all. He expects Dick and Stephanie to still be heroes if they hadn't been Robin. But Jason? No. Jason would be successful. He would use his skills, combine it with a passion and help others that way. In #5, they were all in a simulation based on Bruce's idea of what their lives would've been if they hadn't been Robins. And Jason? Jason is a famous race car driver. So good that he wins and wins and wins. He has his own charity dedicated to his mother. Every single penny he wins goes to that charity.

[umbrellacam]

ok sorry I just have to yell about this real quick -

Nightwing (Vol. 2) #139 - The Resurrection of Ra's al Ghul, part 6 Dick: "I let you make the choice for yourself...because I knew you'd make the right one."

Dick didn't know shit, lmao!! "Because I knew you'd make the right one" my ass lol.

Let's rewind two minutes shall we:

Dick: "Tim... Listen... There are no easy answers... But you have the right to make the choice for yourself." || Dick (internal narration): "No-win. If I stop him, I don't trust him. If he goes through with it, I shouldn't have trusted him. C'mon, Tim..."

He doesn't know what choice Tim is going to make, whether his grief will overcome him and he'll take the Lazarus water or not, and has in fact been physically fighting Tim this entire issue to stop him by force. But ultimately he knows it's Tim's right to choose for himself, and decides to hope, and have faith in his brother.

And he has that faith rewarded, and reaffirms it afterward, despite the fact that he wasn't sure.

And paralleling that moment of "yes of course I knew you had it":

Red Robin (2009) #12 Dick: "How'd you know? How did you know I'd be there to save you?" || Tim: "You're my brother, Dick. You'll always be there for me."

TIM DIDN'T KNOW SHIIIIIIIIT HGKLJDKFLSD

At least not consciously! Being caught by Dick is certainly not something he planned for, as he seems to be trying to imply.

Again, rewind:

Tim (internal narration): "I did it. I saved the people he loved. I saved everything he worked so hard to build. No compromises. He won't say anything, he never does. But I know. I know that Bruce will be proud of me. Not a bad day." || Tim: (in the midst of pASSING TF OUT) || Dick: (swoops in and catches him)

Tim may not have actually known that Dick would be there. But that catch... A falling Tim being caught by Dick is a motif that occurs over and over and over across the years of their relationship. Why do I feel like there's a part of Tim, faint as he faded out, and much stronger when he woke up, that went, "Oh, it's Dick - of course if it was anyone, I knew it would be Dick"?

After their conflicts and miscommunications in this arc, after Tim sweeping back into town and explaining not a single thing as he races to thwart Ra's, despite Dick's frustrated pleas, after cutting Dick off with a simple, "Batman...trust me," and Dick's responding, "Of course"....

Tim feeling like he knew, even if he didn't know, or plan, or expect. Because that's his brother. And choosing to express that trust, after Dick chose to trust him...

Just. Dick and Tim. Verbally reaffirming their faith in each other, even after in-the-moment doubts. BROTHERS. My emotions.

[marudol]

kabru and the dungeon lords

kabru is a very critical character to dungeon meshi for a thousand and one reasons, and not merely for his status as the point-of-view character in the story's b-plot. kabru represents the compass by which dungeon meshi's world works. he has big-picture motives that involve the entire world, much grander than the original a-plot of "let's save falin."

he is our classic hero, a character who suffered great personal tragedy and must ensure that no one suffers the same fate. as such, he is a great parallel for dungeon meshi's most integral characters:

the dungeon lords themselves.

🚨manga spoilers ahead.🚨

thistle

picture this: you are a child, separate from anyone else in the world who looks like you due to circumstances beyond your control. you are taken by pale-skinned adults who try to treat you well; who clothe you, feed you, and put a roof over your head.

it is not enough.

who am i describing - kabru, or thistle?

kabru-thistle parallels focus on their shared past as trans-racial adoptees. their shared experiences are not a universal one to all trans-racial adoptions in the dungeon meshi universe: the floke twins are treated well by their gnomish foster (grand)parents; allowed to be children while they are children and treated as adults when they are adults.

not all trans-racial adoptees are given the same courtesy. kabru was raised by an elf who infantilized him, even once he was fully-grown. milsiril did not always know what kabru needed from her, so she defaulted to treating him the way she would treat an elf his age rather than understand what his age meant as a tall-man.

by contrast, thistle was raised by tall-men. freinag saw thistle as a son and so he and delgal thought themselves as brothers. but as delgal aged and matured, thistle remained stagnant. eventually, delgal's relative age surpassed thistle's- but no one could even conceive of that, because thistle's numerical age made the tall-men around him treat him as an adult rather than a teenager.

they both feel immense responsibility for the tragedies suffered by their people. kabru explicitly believes there must be a "reason" he survived utaya and that the reason was to destroy the dungeons to ensure it never happened again, and thistle IS the reason the golden country survived their war, and why eodio made it to adulthood all.

kabru and thistle are characters pre- and post-accomplishing their goals. kabru has yet to assume total responsibility; thistle already has.

they must save them- they must protect them all.

[🩵]

marcille

once upon a time, a child lost a parent before they were ready to, and the trajectory of their life changed forever. desperate to understand, the child grew into an adult and dedicated themself to preventing their personal loss from happening to anyone else ever again. as a result, they looked downward into the dungeon's depths.

they will find the answers they seek.

who am i describing- kabru, or marcille?

marcille and kabru stand as important secondary figures to laios, our main protagonist. in the words of another excellent post, they are the heaven foils to laios's earth. where laios is grounded and thinking about the here and now, they have both identified big picture problems plaguing their world and pursue these goals with intense fervor.

however, these goals have been diverted by censorship. marcille cannot access information about historical ancient magic through traditional means and the elves won't tell kabru what happened to utaya's dungeon, so they both decide to go and do something with their own two hands.

entering the dungeon is a step towards their grander goals, which are both rooted in opposition to long-lived supremacy. critically: the solutions they come to are vastly different.

marcille's solution is very fantastical - "fixing" everyone's lifespans by making EVERYONE long-lived (though her original solution seemed to be more grounded; being a lord gave her the chance to indulge in the full fantasy).

on the other hand, kabru wants something more concrete and based in the real world. he wants to use the dungeon as a means to an end before destroying it entirely, whereas marcille wants the dungeon to be the end. hers is a magic idea borne about by escapism, while kabru wants to solve a societal problem with something tangible to improve the lives of the shorter-lived without resorting to the fantastical.

(note the similarity in these compositions!)

kabru and marcille are aiming for the heavens; they have chosen to act as stewards to bring about a better future for as many people as possible.

but eventually, they must crash back down to earth.

[🩵]

mithrun

a long time ago, a dungeon lord met their maker and the demon ate its fill, but failed to breach the surface. carnage and destruction was sown in its wake. in the aftermath, a survivor dedicated himself completely and utterly to the cause with no room for reproach.

the dungeon will be conquered. and if he has it his way, it will be conquered by his hand.

who am i describing- kabru, or mithrun?

if thistle represents kabru's past and marcille represents kabru's present, than mithrun represents one branch of kabru's future- and a rather bleak one.

mithrun has suffered great tragedy at the hands of a dungeon and, as a result, dedicated himself to be what he believes is his one remaining desire: to finally be consumed entirely. he thinks he has nothing else to live for, so he runs himself ragged every single day just to inch closer and closer at a chance to kill himself while pursuing his goal.

this great fervor is one that kabru artificially mimics long before meeting mithrun. kabru is willing to die for his goals. he does die for his goals. he thinks he is going to die without a chance for resurrection when he sabotages the canaries, which is why his 'last' thought is "it's up to you now, laios!"

remember: kabru believes his survival has to serve a purpose- his survival must have been 'worth it.' in order to make his own survival palettable, kabru dedicates himself entirely to the dungeon's destruction without long-lived intervention as a means to avoid repeating utaya's fate. kabru self-deprives, fails to care for himself, and he is constantly killed in pursuit of his goal to conquer the dungeon before people like the canaries can. while kabru has desires, he only indulges in the one that has guided him for over a decade.

functionally, he and mithrun are identical when they first meet.

kabru has purposefully deprived himself of his desires beyond ensuring another utaya doesn't happen again, and mithrun is proof of what happens when you follow that to its logical conclusion. however, over the course of their week together and the final arc of the story, kabru makes the choice to divert from mithrun's fate.

kabru looks into the eye of his ultimate goal, and in the culmination of his arc, ultimately refuses this destiny.

what do you want, kabru? are you hungry, kabru?

kabru indulges. instead of blindly following through the dungeon's destruction and sacrificing what he wants for the greater good, he wants, and he befriends laios instead of ending his life. he leaves mithrun's fate behind...

...and senshi- one of the most steadfast representatives of dungeon meshi's thesis- sets mithrun on a path where he, too, can learn to chase after newer, healthier desires.

[🩵]

laios

one day, a child was hungry for the answer to a question: "what is wrong with me?"

there is no satisfactory answer. a mother and a sister believe nothing is wrong, but everyone else in their small world disagrees. those eyes, that personality- something must be wrong.

but there is no recourse.

so, these children endeavor to focus on the world around them in ways that won't hurt them. one chooses to study and love humans, because humans are beautiful and complex and amazing. the other chooses to study and love monsters, because monsters are easier to understand and always obey one simple rule: eat or be eaten.

they double down on their interests soon enough. monsters have hurt one child enough, and humans can't get enough of hurting the other.

you know which one is kabru. you know which one is laios- dungeon meshi's fabled narrative foils.

laios and kabru are as textually close to being explicit foils as humanly possible. the first sentence of kabru's page of the adventurer's bible says it perfectly: "in every possible way, he's a contrast with laios. laios loves monsters, while kabru has an endless interest in humans" (56).

in basic terms, a foil character is a character with traits that contrast against another's, typically the main protagonist. this contrast serves to highlight the themes of the story, and we see that illustrated perfectly with laios and kabru.

where kabru has denied himself care, laios gives it to him without thinking. where laios believed no one could ever want to be his friend, kabru proves him wrong. the nature of nourishment and human connection are both critical foundations to dungeon meshi's story, and the main character struggling with human connection while his foil struggles with nourishment is no mistake.

kabru wanted to be laios's friend all along. the b-plot of dungeon meshi is driven by kabru's unconscious desire to understand and ultimately aid one inscrutable laios touden. the reason they cross paths at all is because kabru wants to meet him! he takes a chance when toshiro appears and sees his chance through.

but kabru doesn't realize it until he's already said it. he betrays himself, completely unaware that his supposed interest in the touden siblings skews a little more to the right than he could have possibly known.

killing laios would have been the ultimate preventative measure. he was yet to be dungeon lord, and with the canaries intent on handling marcille, kabru could have dealt with him right then on that cliff. but kabru doesn't take the opportunity because he doesn't want to.

he'd rather befriend laios than see him dead, and he takes the chance by the sleeve and doesn't let go until he is listened to.

and in the end, kabru is rewarded for his leap of faith: laios puts an end to the demon. laios has ensured that another utaya will never happen again.

laios saves the world.

all because kabru allowed himself to be selfish.

[paintpanic]

he's soooo mysterious ok

[jayladfanpage]

Saw a post saying that Cassandra Cain would hate Jason Todd and I'm sorry but. Are we talking about the same Cass Cain? Are we?

I understand the sentiment of "Cass would be outraged by Jason's morals" (when we're talking New Earth, at least,) that makes sense. I do think she would hate his ideals. Not Jason himself, though.

Cassandra knows death. Literally the thing that motivates her to be a hero is that, because of her ability to read body language, she experienced death after her first kill. She didn't just watch that man die, she died with him. She knows exactly what Jason felt like when he died, she knows how much it fundamentally changes somebody. I think she wouldn't understand how Jason changed for the worse, but she, out of everyone in the Bats, would actually, genuinely be able to see the boy Jason used to be when looking at Red Hood without separating Hood and Robin in her mind. Your death isn't something you ever forget.

Also, not only does she know the pain Jason went through when he died, she knows the grief Bruce went through, and is still going through when she finds out about Jason's death.

Obviously, everyone loves this scene (Batgirl (2000) #7) because it perfectly encapsulates both Cass' and Bruce's ideas of what makes a vigilante/hero. But there's a second layer to this, which is that Cass, who speaks in body language, feels Bruce's grief. In this scene, Cass isn't just shocked to learn that a Robin died, she's mourning Jason just as much as Bruce is. She can feel all of his regrets, all of his pain, all of his guilt. Cassandra would never be able to look at Red Hood without remembering what Bruce felt, what she felt, when he died.

Lastly, while Cass' morals aren't as much about "second chances" as Bruce's morals are, she is still desperate to save people. And Jason's main thing is that Bruce (and Dick, I'll make a meta post about Brothers in Blood at some point) can't save him. Saving Jason Todd goes directly against Bruce and Cassandra's morals, but another thing that Bruce and Cass have in common is how unwilling they are to give up. Everybody will be saved, or they'll both die trying to make it so. "Everybody" includes Jason, who's always worn his heart on his sleeve, who most likely wouldn't even try to hide his emotions/body language from Cass, because he never bothers to hide his pain, is always begging to be saved, just in a way that Batman can't fix. Jason doesn't just need help, he wants it. So Cass would never hate him, because she sees that Jason wants to be fixed, wants to change the man that he is, but feels like he can't do that until Joker dies, as seen here:

(Urban Legends (2020) #6)

And I think Cass would see that and would do everything she could to save Jason from himself without killing Joker. She could never hate Jason, not when she so fundamentally understands him and his struggle to believe he could ever be a good person. She knows his guilt doesn't absolve him just like her guilt doesn't absolve her, but Bruce gave her a chance to be a hero when he saw that she'd changed, became a better person. And I think she would go her entire life trying to give Jason the chance to change, too.

[quanblovk]

Smh shouldn't have worn slippers to a knife fight /j

[sang-i-fetge]

List of Jason Todd/Red Hood's weapons/gadgets/touys

Note: This is mostly from comics written by Winick, as I refuse to acknowledge most of n52. Feel free to add more, though!

Note2: This post was originally formatted in a different way, as I foolishly forgot about the image limit.

Blades

1— His iconic dagger!

Can cut through stone, and most of Batman's gear. It's been heavily debated what kind of knife it is; wether a kris, a parrying dagger, or a third secret thing.

2— The blades he gives Mia to defend herself!

I'm not sure what kind of blade they are, they vaguely look like wakizashis? Their size varies from panel to panel so idk😔

3— The katana for the 'duel' with Oliver!

4— And to link with the next section, the exploding katana!

Yes, it's a katana that explodes. Jason baits Oliver into holding it.

Explosives

— First of all, he blows up many many things and it's not specified what exactly he uses. So the unspecified explosives that only appear as a cool fireball panel get a bullet point.

5— The jumble of explosives in the Final Confrontation™️, we can see some dynamite, C4...

6— Bomb in a crate

7— Small bomb. Not lethal!

8— Bigger bomb. Yes lethal.

9— Continuing with this absolute icon: the bomb under the Batmobile (should I capitalize that?)

10— Small Rocket, used against Brick

11— Grenade?

12— Small, cylinder-shaped explosives. Detonated upon impact?

13— Small explosive that attaches to flat surfaces, used against Dr Freeze

14— Grenade.

15— Molotov Cocktail

16— Enough C4 to destroy a whole building, modded so it explodes if its temperature reaches one point, countering Batman's method of freezing bombs.

17— My absolute favorite, the exploding helmet!

Even if it's listed under 'explosives', it's also an important piece of technology in the Red Hood's arsenal.

Firearms

18, 19— The guns in the wall from Annual #25, there's surely more.

20— Machine guns hidden in crates!

21— Machine guns hidden in cars!

22— Rocket launcher, used against Black Mask

23— Even more hidden machine guns! This time in an electricity pole.

24— Machine gun (also hidden, but surprisingly not attached to anything)

25— Handgun👍

26— AK-47, you know the panel from where it's from

27— Submachine guns, I think 🙂

28— When out of ammo he uses his guns as blunt weapons, which I wanted to note

Tasers

29— The nazi-killing taser

30— The reason for the creation of this post! The grapple line taser! Attach it to a grapple line and it will shock whoever is connected to it. Noticed it in a reread of utrh and needed people to see it

31— Bonus: the bat-symbol taser. Iconic enough to be here.

Tech & Surveillance

32— Monitor and microphone?

33, 34— cameras :)

35— thing to see the feed of the cameras

36, 37— phones :)

38— his little tech den in #650

39, 40— computers :)

41— whatever this thing is

42— The surveillance device that looks like he taped a canon camera to his face

43— Wiretaps!

44— Bugs!

He also has his evil lair in B&R2009 bugged.

Miscellaneous

45— Does his crowbar count

46— smoke bomb!!

47— Injectable adrenaline. He just has that in his utility belt.

48— His batmobile-evade suit.

49— Is saying his belt buckle mean

50— Unspecified poison! Goodbye Egon

51— This thing that attaches to its target and launches them off

Not pictured:

The fancy weapon dressing he gives onyx to patch up the shoulder wound he inflicted (I forgot to screenshot 💔)

Also, he has this whole hq-ish thing in Annual #25

(Edit: That rectangle in the gun wall kinda looks like an anti-drone gun now that I think abt it)

It has a murder board, which I think is cute.

[jojo-schmo]

[The Forgotten Land Roleswap: Chapter 2, 62]

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[possamble]

Hold on

Was she

Hiding behind a portrait of her mother????? I know I joked about her emulating her mother to put off an air of a competent woman and mage but??? Did Ryoko Kui just straight up make the most straightforward visual metaphor of her feeling like a child behind the demeanor that she directly modelled off her mother??

[knightmareross]

He's trying ok

[umbrellacam]

Saw a post where someone wasn't sure if Tim being good at computers was a fanon thing or not and friend I am happy to inform you that he's been a computer/tech guy from some of his earliest appearances in the comics.

Detective Comics (Vol. 1) #620 (Rite of Passage part 4) - immersed in the ~web~

Robin II: The Joker's Wild #3 - tabletop roleplaying games and spending hours in the basement on the computer - not beating the geek allegations on these fronts, Timmy

Detective Comics (Vol. 1) #676 - Dick was more into traditional detective work and tended to outsource the computer stuff in these days

Batman (Vol. 1) #514 (Prodigal part 10) - hackin' through all the garbage and garble

Robin (1993) #33 - Robin sneaking in and connecting Oracle with the baddies' mainframe so she can do her thing and steal all their data >:)

Nightwing (1996) #6 - "no you're really talented and well suited to be Robin." "no, you." "no, YOU!"

Tim is definitely not as good as Babs/Oracle, but he's certainly her back-up for computer work in the 90's batfam. They're tech buddies and Robin!Tim is her little assistant sometimes, it's super cute:

Birds of Prey (1999) #19 - happy to play with big sister's fancy high-powered toys

Legends of the Dark Knight (1989) #125 - real cute kid

And Dick will hand off computer jobs to his little brother when he doesn't want to bother Babs 😂 (that outsourcing I mentioned):

Nightwing (1996) #68 - examine them pixel by pixel, eh? welp, sounds like a job only you can do, Timbo, you got this buddy, byyyyeeeee

And then when he'd grown up and been doing this for years, he leveled up accordingly, and did stuff like use his access to the League of Assassins computers to overload the generators in every base he could find, etc. etc.

Red Robin (2009) #8 - yeah that was pretty dumb of you Ra's :)

So yeah, it was a bit of a specialty of Tim's, in large part because he was introduced just at the turn into the 90's, when personal computers were really starting to take off and become widespread. (Robins gotta be cutting edge and all)

Of course, by no means does it follow that the other Bats suck at computers (there is no 'smart one' they are all incredibly smart and capable). This is especially true as reboots and the sliding timescale of comics have moved the DC characters into modern times, where computers run the world and everyone grows up with one in their pocket. The baseline familiarity and expertise that everyone can be expected to have is just much, much higher these days.

It gets exaggerated in fanon as all character traits do, but computer guy Tim is definitely not something just made up out of whole cloth :)b

[veinsfullofstars]

🌅 MetaDede Week 2024 Day 5 & 6: AU & Secrets 🌅

(ID: Kirby series fanart comic of a moment in King Dedede and Meta Knight’s youth, when - during a trip to the beach with their friends - the teenaged penguin realizes that he might feel more than just friendship for his little winged buddy. Transcript in Alt Text. END ID.)

Oh.

Previous Day | Next Day | Prompt List (made by @/mtddweek)

Started 08/20/24, finished 08/24/24. | Childhood Friends AU Masterpost

[soleminisanction]

I think my least favorite internet criticism of Meghan Fitzmartin is the idea that she "just wanted to push her ship," meaning Tim/Bernard. Because honestly? I think that's straight-up bullshit.

Having read the Urban Legends stories, the Pride Special reprint, Tim Drake: Robin and Young Justice Dark Crisis, plus what interviews and social media she's been doing as these comics came out, there is zero evidence to me to back that statement up. If that were true, the Urban Legends stories probably would've been more about bringing Bernard back and re-establishing him as a character. Y'know, building up their relationship.

But it wasn't about their relationship. It was about Tim and his feelings, his internal conflict, what he needed. That's what Fitzmartin even said in the interviews after, that she, "felt like this was something Tim needed." And that's true going into TD:R too -- yeah, Bernard is there and their relationship is a prominent subplot, but he gets about as much page time as Darcy and Detective Williams, and the focus is always on Tim's ongoing story and his developing relationships with all the people around him.

That's why I like that they went with Bernard as his "closet key." Not because I'm super devoted to the pairing or anything -- I truly could take or leave the arrangement -- but because they're tolerably cute together and, more importantly, dating a civilian supporting character comes with far less baggage than establishing a relationship with a fellow hero. By their very nature, superhero stories are more heavily weighted towards the hero characters than their civilian support, that's just a fact, and, with rare exception, civilian love interests tend to act more as sounding boards to develop and reflect the leads. Making Tim's first boyfriend an old civilian friend means the story could be about Tim's personal character growth, internal conflict, and explorations of his sexuality.

I genuinely think that's the only reason Fitzmartin went with Bernard. She only had around 30 pages to tell that Urban Legends story (and I guarantee you, she was assigned that page count before writing), so bringing back a previous civilian friend meant she didn't have to try to establish a whole new relationship on top of introducing a villain faction and telling a superhero-based investigation story. And for whatever reason, Bernard was the most popular of Tim's civilian buddies to rare-pair him with before this all happened. (Just check AO3: Prior to the release of the Urban Legends stories, Tim/Bernard had ~42 fics, Sebastian Ives got 4, and Danny Temple had 1.)

When Meghan Fitzmartin says that she went back, read Tim's old stories, and felt he needed to come out of the closet, I believe her. And I'm happy she felt that way and was allowed to act on those feelings because it's something I felt too, reading those stories. Those feelings that had nothing to do with "ships" or even with characters like Kon or Dick and everything to do with Tim and who he is as a person.

To sweep all that away as "she just wants to push her preferred ship" just feels so... dismissive and rude.

[distort-opia]

Dearly beloved in today's installment of "I want to crack Tom King's brain like an egg", I cannot stop laughing:

Batman: The Brave and the Bold #9 ("The Winning Card")

First of all, leaving aside the attempted The Killing Joke parallels. Leaving aside that the entire story, Joker was presented as an utterly inhuman monster who spoke only in old-time movie cards and pretty much only laughed, and Bruce had to be the one talking, had to be the one chasing because he could not understand this creature for the life of him; and the first time Joker has a speech bubble and is portrayed as a human being is when Bruce tells a joke because he wants to connect. Leaving aside the plethora of things that are driving me insane about this comic on a symbolic level, all the ways in which it directly spells out that Batman and Joker are monsters who are alone and what they want from each other is understanding...

Bruce telling the WORST JOKE OF ALL TIME and then laughing at his own joke, which is so bad that the Joker himself is like "What the hell?? You're insane!" is the funniest possible fucking thing. I'm never going to recover, I wanna hunt King down for sport in the worst and best possible way--

[theomnicode]

How does Genos show he cares? How to write a relatable cyborg character

Warning: Very long post incoming, tl;dr at the bottom

This meta doubles as Genos appreciation post. :D

Ever since his introduction, Genos has shown multiple times his very humane side of caring about Saitama and caring about defeating evil for the betterment of mankind. (Chapter 5: Itch explosion)

The first line he utters to Saitama is to tell him to hide because he does not want this casualty and when he forgets Saitama was there with him, he worries about him having become a casualty to his incinerator. (Chapter 6: Saitama)

Genos has to resort to almost blowing himself and mosquito girl up because he sees no other way to rid the world of such a powerful monster, but fortunately Saitama intervenes. They exchange names and go their merry way but later on, Genos knock on his door as he promised he would. Saitama is very uncertain about this new cyborg buddy of his, but he lets him in regardless and they have a chat.

Here Genos shows that he also worries about Saitama's health, after having barely met him, when he considers how odd it is that Saitama has balded completely at his age already, which is very abnormal medically considering. (Chapter 7: Mysterious raid)

Genos seems to have bunch of medical knowledge inside his head, as later on in the series he improvises a defiblirator and would have used it on Tank-top master if Bang hadn't gotten his heart started first. (Chapter 144: Silver fang)

He also remarks about Kombu's not so proven scientitic research about it growing hair when Saitama has defeated the Kombu monster and taken the leaf parts for him to eat, making the assumption that Saitama must've gotten the Kombu for growing out his hair. Genos cares a lot about Saitama's health already and they're barely acquainted at best at this point. (Chapter 20: Rumour)

The first duo battle they have shows Genos showing a lot of concern towards Saitama's well being, even when he really does not have to, but he's not yet acquainted well with the level of power Saitama actually possesses so he would not need to worry so much. (Chapter 7: Mysterious raid)

He also looks very disdraught about the fact that he cannot just rush to Saitama's aid because he's too busy himself with Armored gorilla, when the other monster decides to take advantage of Saitama's immobile state. (Chapter 8: You mean this guy?)

Poor Genos is such a worrywart because of his own trauma of losing everything in an instant, it honestly does him good to be able to trust Saitama and that Saitama cannot be harmed that easily. It is good that nowdays, he trusts in Saitama's capabilities to handle himself and he worries a lot less (Chapter 165: Absolute evil), even if he immediately went for an enthusiastic armless glomp on him the moment he saw Saitama was back safe and sound. (Chapter 168: Awakening of the gods)

Otherwise he might want to rush to Saitama's aid without thinking about himself and his own opponent first, like he does with Armored Gorilla, who manages to grab his shoulder when he turns his back to his own enemy. If he cares too much, he lets his guard down against enemies and that is not a good habit to have when his enemies are extremely strong.

A very glaring weakness that could be exploited without mercy in any kind of (double) battle if he does not have the insurance that Saitama is just about impossible to be harmed...well, physically at least.

Genos trust in Saitama's capabilities has unfortunately gotten to the point where he thinks Saitama is an answer to every possible problem mankind could face and where Saitama is basically some sort of messiah. Not without reason either, because Saitama performed some insane feats during the Garou fight. (Chapter 166-168, Chapter 173.)

-*-

Moving back in timeline, Genos is instantly very protective of Saitama, to the point of zealousness and jealosy popping up from time to time when other people try to monopolise Saitama's time to themselves.

Genos overprotectiveness early on also shows in way that he wants to take care of anything that might threathen Saitama's well being without mercy, like blowing up the entirety of the House of Evolution building and ramming himself into the next enemy he sees, that being Carnage Kabuto, but in doing so he can and will easily overexert himself. (Chapter 11: The key to his power)

Genos has immediately become the guard dog of Saitama, that even Flashy flash makes a remark on and tells Genos to sit out like a dog, that Genos immediately refutes by having a peep hole into Saitama's apartment and rejects the proposal of Flashy becoming Saitama's master. (Chapter 193: World I know nothing about)

Genos just outright refuses anybody from monopolising Saitama's time to themselves when he's the one who feels like he has the right to 1 on 1 interaction with Saitama, being his obsessive disciple. 😂

Anybody who dares to waste Saitama sensei's precious time, they have to go through him first.

Early on, Saitama has also learned that he can't scare Genos away with his problems. Genos is far too loyal and even if Saitama wanted to stew with his problem alone, Genos cares far too much already and is far too loyal to be sidelined that easily. (Chapter 15: Hobby and work)

Saitama has also learned that Genos can get quite passionate, intimidating and murderous even if he feels like Saitama's been hurt in some way, such as embarrassed due to low score on his exam when Genos thinks he deserves much better scores, so Saitama has to rein him in lest he seriously go off on some random poor dude who just examined his scores. (Chapter 16: Passed the exam)

(Ah Genos, always over the top reaction. Never change. :D)

-*-

One thing about Genos that gives him points in Saitama's eye is that he is quite willing to explain any concept to Saitama, without judgement even if the logical deduction of said thing would've been easy for to understand. Other people might make snide remarks at Saitama, but not Genos. (Chapter 17: Sparring)

Genos also always has Saitama's best interest in hand and asks if he's going to be fine considering his hero rank and that he hasn't seen Saitama active. (Chapter 18: Business activity)

Genos integrates into Saitama's life almost seamlessly, from grocery shopping to meticulously cleaning the house each and every day, from cleaning the windows, vacuuming, cooking, doing dishes and even scrubbing the toilet on daily basis. There is a lot house work that he does for Saitama.

However, the most outstanding character quality in Genos is that he refuses to give up, no matter how dire or dark the situation may seem, such as during the meteor incident, where he goes completely alone to face such a dragon level threat that it could wipe out the entire city and then some. He cares much about Saitama, but so does he care about the innocent citizens getting caught by such a disaster. (Chapter 21: Giant meteor)

Being close to Saitama, it gives Genos strenght to carry on through even the most difficult tasks shoved on him, because not trusting himself enough and his capabilities will only cause him to hesitate in the face of potential collateral damage and that can be a big weakness in itself when time is of the essence.

After the meteor incident has been dealt with, Genos also shows that he cares a lot about Saitama's feelings and does not want them to be hurt, so that is why he omits telling him that public has made Saitama their enemy, hoping that with time their unjust anger would fade. Unfortunately, that is not to be because Saitama goes outside and faces these angry people anyway. (Chapter 22: Voices)

Genos holds Saitama is very high regard and immediately writes down Saitama's inspiring quote. It is not enough that he cares about his physical and mental well being, but he also cares about Saitama as the person and his feelings, even if he idolizes him a lot.

This trait is further explored in the anime with the extra scene where Genos comes to bring Saitama back home because he worries for Saitama's well being again since the public is turned against him, listens to Saitama's rant and affirms his feelings but still tells Saitama that he would always follow him, no matter what the public thinks about him. Saitama however does not quite get it and only thinks Genos is just buttering him up like earlier, with complements and such, because he does not think of himself very highly but it still manages to bring a smile to his face, something that Genos unfortunately does not get to see. (Episode 7, The greatest apprentice)

Genos being a caring, loyal, headstrong and hardworking protector is put to another test against Sea King, where he gets pummeled and pummels back as much as he can give in an incredible fight, but chooses again to self-sacrifice himself to save a little girl from the corrosive acid of Sea king when he sees no other option to save her, besides throwing his more resilient cyborg body in the way, but at the same time, allows himself to become inoperable and at the mercy of Sea king. (Chapter 26: Glimmer of hope)

It is in Mumen rider's care and headstrong intervention that saves Genos from dying at the hands of Sea King because Saitama had become lost and only just made it there to save them both. At the end, Genos contemplates that he will still follow Saitama, even if the public turned on him en masse and he found himself in a tight spot. (Chapter 28: Since it's raining)

As soon as the letters start pouring in about their heroics, Genos sees how ugly the masses treat Saitama in the form of hate letters and he does not want to stand idly by while everyone throws disparaging comments about Saitama. But poor Genos also feels like he's the one to blame, for showing the letters to Saitama. 😭

This has become quite a long ramble about how Genos is very caring, headstrong, hardworking hero and I could go on for even longer than that since I've only checked out the first portion of the manga for this meta to use as examples, but as a final thought, not a whole lot encompasses Genos as a character than the last panels I can put into this post.

Genos cares so much he does not just fiercely fight for the individuals; he fights for his sensei, for the citizens, for the other heroes and for the world to be a better place, rid of evil. That he still came to Tatsumaki's aid even when the situation seemed hopeless because he could. This humane side of him is very relatable, caring about our loved ones and other human beings is very intrinsical to our own well being as social people. (Chapter 134: Twist & Chapter 137: Resonance)

However, he still has those self-destructing tendencies that are hopefully curbed now that he got positive reinforcement from Saitama for not blowing himself up, so that he values himself a bit more. That he is not expendable piece. (Chapter 155: Results)

Last thoughts, Genos is incredibly passionate individual when it comes to protecting others and avenging his loved ones. He even threw his remainder of a torso directly at Cosmic Garou, just because he's resistant to radiation, with his brain being encompassed behind heavy fortifications. (Chapter 166: Squared.)

(^ Chapter 186: Turning point ^)

Hope y'all enjoyed this incredibly long post about Genos and how he shows his caring side. :D

Thank you @themisterhip for this meta idea on discord. :)

Tl;dr Genos is hardworking, passionate, very caring, meticulous, fierce, intelligent and well-researched individual who fights to the best of his ability for other people, no matter what it takes. Ironically, Genos is one if not the most humane character in the series, despite being a cyborg.