#3d printing consulting

[mccaela-donovan]

McCaela Donovan|Creative Strategist & Principal Consultant| Boston, Massachusetts

Creative Strategist & Principal Consultant

To know more about me Click the link Below

[jcmarchi]

Nourishing the mind, hand, and stomach

New Post has been published on https://thedigitalinsider.com/nourishing-the-mind-hand-and-stomach/

Nourishing the mind, hand, and stomach

As early as middle school, Branden Spitzer loved to watch cooking shows and experiment with recipes in his family’s kitchen. It was a clear harbinger of his interest in materials science, he says now. Once he discovered that he could delight others with a perfectly executed pie, he began to see the many ways that his passion for baking might branch into other areas requiring technical acuity.

“We have this deep connection to food, the things that we wear, the products around us that we experience or work with every day,” says the MIT senior. “I hope we can make those things even better using science and engineering.”

Spitzer is a materials science and engineering major and has rounded out his education by cross registering for food science classes at Harvard University. He has pursued a variety of research opportunities related to food and sustainability, from extending the shelf-life of produce to developing lab-grown meat.

Spitzer also sees food as a means of social nourishment. He enjoys exploring restaurants and having dinners with friends, and takes special pleasure in planning and putting together meals. “I love making pies and cooking because you can share something with people that they think is really tasty,” he says. “And by eating the food they can understand all the thought and everything that went into it. I want the work or research I go on to do to have that same sort of tangible impact.”

Sampling a huge menu

Upon beginning his first year at MIT, Spitzer was overwhelmed by the seemingly endless amount of activities the Institute had to offer. He says the busy student culture was one of the things that attracted him to MIT, yet once he was face-to-face with it all, he didn’t know where to begin. He recalls one of his first-year advisors instructing him to “ride the wave,” and he took this to heart. Open to trying anything, Spitzer set forth on several academic and extracurricular journeys that would lead him in completely different directions through his four years.

He pursued research projects centered on food and sustainability. In one of his first research positions, Spitzer worked for Mori, a Cambridge-based startup that makes a silk-based coating that slows the spoiling of fruits and vegetables. His longest-running research project, in Professor Markus Buehler’s Laboratory for Atomistic and Molecular Mechanics, involves working with mycelium, the root systems of mushrooms, to improve and alter the growth of the material for use in 3D printing. He spent a summer interning for a company in South Africa that is working on a lab-grown meat product, and currently he is interning for Faerm, a plant-based cheese company in Copenhagen, Denmark. He hopes to continue this in this direction after graduation, either at a startup or in graduate school studying materials science or biological engineering.

Spitzer also strives to make a positive impact on his local community at MIT through his work. He participated in activities ranging from physical education to the arts, and everything in between. He joined the student organization MCG, the MIT Consulting Group, solving real-world business problems for clients. Spitzer is also a member of the Phi Delta Theta fraternity, where he served as vice president for three semesters and introduced an initiative to prioritize inclusivity and mental health awareness. And, he joined MIT’s lighting design group, which he says exposed him to new entirely new communities of artists and engineers.  

Spitzer has been fond of traveling since he was a child. He recalls taking trips with his family often, visiting historical and global landmarks. In the past four years he has embarked on multiple study abroad and work experiences through MISTI and is enthusiastic about the unexpected places his internships have taken him. He has spent time in the U.K., Brazil, and South Africa, and will be studying in Denmark this semester.

In Brazil, Spitzer helped to develop and teach a materials science program and class. He says it was exciting to share the subjects of polymers, recycling, and sustainability with students in a different part of the world. In South Africa, Spitzer interned for the Mzansi Meat Co. (now Newform Foods), which he came across by surprise after searching for companies that were making cultured meat products.

Pirates at MIT

Spurred by MIT’s physical education requirements, Spitzer has found a passion for several sports activities. Sailing, for example, has become one of his favorite hobbies. “It’s super cool that we have a chance to do these crazy things,” he says when referring to his time spent taking out sailboats to practice for his sailing class on the Charles River.

Sailing is one of four physical education classes needed to obtain the MIT Pirate Certificate, an incentive that encourages participation in MIT’s P.E. offerings. Spitzer pursued this achievement, enrolling in archery, rifle, and fencing classes over several semesters. The diverse course selection allowed for unexpected discoveries. “I was surprised and blown away by how much the rifle practice was an exercise in thought, focus, and meditation,” he says. “It was very different than I expected, in a very pleasant way.”

Ice skating is another discovery Spitzer made through his four required gym classes. He has taken many more classes by now though since they are “super fun.” Beginning as a nervous newcomer with no experience, Spitzer now takes an intermediate skating class where he develops his skills in turns and speed skating.

Spitzer also enjoys recreational cycling and indoor rock climbing in his spare time, as well as yoga and dancing. He has taken multiple dance classes in his time at MIT and has been a member of the organization MIT DanceTroupe for four years.

Whether in the kitchen, lab, or gym, Spitzer has found a robust community in all corners of the MIT campus and beyond. Rather than choosing one area of focus, Spitzer states the most integral aspect of his student experience at MIT was getting a taste for everything: “You just try things out here. You learn the things you love or the things you hate, and get to do something really cool along the way.”

[techart-digitalservices]

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Strategies for Making Surgical Centers More Profitable with Technology

Overview:

Surgical centers are utilizing technology advancements to improve patient care and increase operational efficiency and, ultimately, profitability in the quickly changing healthcare industry. In order to successfully strike a compromise between state-of-the-art medical care and long-term financial viability, this article examines strategic techniques that use technology to increase surgical center profits.

Using 3D Imaging for Accurate Diagnostics:

By integrating 3D imaging technology, surgeons may now see anatomical features with never-before-seen detail, improving diagnostic precision. This enhances surgical planning efficiency while simultaneously improving patient outcomes.

Intraoperative Imaging Devices:

During surgery, real-time imaging gives doctors instantaneous insights. This technical breakthrough optimizes resource usage by reducing the need for follow-up surgeries and guaranteeing accuracy throughout procedures.

Little-Invasive Techniques:

Minimally invasive surgery can be performed with the use of robotics, which shortens hospital stays and recovery times. In addition to being favored by patients, these procedures also result in higher patient turnover and more financial success.

Robotics under Surgeon Control:

Using robotic technologies under the supervision of surgeons improves operating precision. Surgeons are regarded for their superior surgical skills and are able to perform complex treatments with higher accuracy, which improves patient satisfaction.

Digital Documentation for Optimal Performance:

EHR systems ensure accurate documentation, minimize paperwork, and digitize patient records to expedite administrative processes. Staff members can concentrate on patient care thanks to the time savings that result from this efficiency, which also boosts overall productivity.

Automated Workflow Management and Scheduling:

Allocating surgery suites, personnel, and equipment is optimized when automated scheduling is used through EHR systems. This not only shortens patient wait times but also increases the surgical center's ability to do treatments, which eventually boosts profitability.

Portals for Patients to Access Information:

Putting patient portals into place improves engagement and communication. Patients will be more informed and happier as a result of having access to information, pre-operative instructions, and post-operative care data.

Handy Mobile Applications:

Creating smartphone apps for patients facilitates communication and adds convenience. Through the ability to schedule appointments and get medical records, mobile apps improve patient satisfaction and foster enduring loyalty.

In summary:

By utilizing technology, surgical centers can position themselves for more revenue while also guaranteeing better patient care. Surgical centers may establish a smooth and effective operation that generates revenue by carefully combining robotic-assisted surgery, EHR systems, telemedicine, data analytics, and patient-centric technologies. Surgical centers may become lucrative and sustainable in the digital era by combining technology and surgical quality; this is more than just a business decision.

Your call to action must have a deadline for an offer!—-____Visit www.AmericanElite.bizBe the first five businesses earning between 10M to 50M per year that SET UP a FREE BUSINESS DIGITAL & PROFIT MAXIMIZATION CONSULTATION & receive a FREE CUSTOMIZED LOGO & BRANDING CONSULTATION WORTH $1000.00!(Offer good until January 31, 2024)

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[onlinefree4ucom]

Unveiled 2023: India's Top 5 Profitable Business Concepts

Preferences of 3D Printing Businesses 100% in-demand 3D printing has revolutionized conventional fabricating forms by permitting the creation of complex plans with unparalleled exactness. The preferences of wandering into a 3D printing trade are multifaceted: Cost-Efficiency: Conventional fabricating regularly includes tall setup costs for moulds and models. 3D printing disposes of these costs,…

[cadvision]

https://cadvisionengineers.com/industry/medical-devices/

Medical Devices Industry Solutions - CADVision Engineers

Discover CADVision Engineers' industry-leading solutions tailored for the medical devices industry. Our comprehensive offerings encompass product development, engineering services, and quality compliance support, driving advancements in healthcare technology.

[creativemindsldn]

Hiring a business and life coach can be incredibly beneficial for your mental health and preventing burnout. Here's why:

1️⃣ Gain Clarity and Perspective: A coach can help you gain a clear understanding of your goals, values, and priorities. They provide an external perspective and help you see the bigger picture, enabling you to make more informed decisions and avoid feeling overwhelmed.

2️⃣ Develop Effective Strategies: A coach can assist you in developing effective strategies to manage your workload, set boundaries, and prioritize tasks. They help you establish healthy habits and routines that promote work-life balance, reducing the risk of burnout.

3️⃣ Accountability and Support: A coach provides accountability, helping you stay on track with your goals and commitments. They offer support, guidance, and encouragement during challenging times, fostering resilience and preventing burnout.

4️⃣ Stress Management Techniques: A coach can teach you valuable stress management techniques, such as mindfulness, relaxation exercises, and time management skills. These tools can help you reduce stress levels, increase productivity, and maintain a positive mindset.

5️⃣ Personal Growth and Development: A coach can assist you in identifying and overcoming limiting beliefs or self-sabotaging patterns. They help you develop self-awareness, increase self-confidence, and unlock your full potential, which contributes to improved mental health and overall well-being.

6️⃣ Work-Life Integration: A coach can help you find a healthy balance between your personal and professional life. They guide you in setting boundaries, managing expectations, and creating a harmonious integration of your work and personal life, reducing stress and promoting mental well-being.

Remember, investing in your mental health and well-being is crucial for long-term success and happiness. Hiring a business and life coach can provide you with the necessary tools, support, and guidance to navigate the challenges of life and work, prevent burnout, and cultivate a fulfilling and balanced lifestyle. Book today creativemindsldn.com

#creativeminds #mentalhealthsupport #mentalhealth #mentalhealthmatters

[gracytaylor]

[dreamdolldeveloper]

back to basics

mostly free resources to help you learn the basics that i've gathered for myself so far that i think are cool

everyday

gcfglobal - about the internet, online safety and for kids, life skills like applying for jobs, career planning, resume writing, online learning, today's skills like 3d printing, photoshop, smartphone basics, microsoft office apps, and mac friendly. they have core skills like reading, math, science, language learning - some topics are sparse so hopefully they keep adding things on. great site to start off on learning.

handsonbanking - learn about finances. after highschool, credit, banking, investing, money management, debt, goal setting, loans, cars, small businesses, military, insurance, retirement, etc.

bbc - learning for all ages. primary to adult. arts, history, science, math, reading, english, french, all the way to functional and vocational skills for adults as well, great site!

education.ket - workplace essential skills

general education

mathsgenie - GCSE revision, grade 1-9, math stages 1-14, provides more resources! completely free.

khan academy - pre-k to college, life skills, test prep (sats, mcat, etc), get ready courses, AP, partner courses like NASA, etc. so much more!

aleks - k-12 + higher ed learning program. adapts to each student.

biology4kids - learn biology

cosmos4kids - learn astronomy basics

chem4kids - learn chemistry

physics4kids - learn physics

numbernut - math basics (arithmetic, fractions and decimals, roots and exponents, prealgebra)

education.ket - primary to adult. includes highschool equivalent test prep, the core skills. they have a free resource library and they sell workbooks. they have one on work-life essentials (high demand career sectors + soft skills)

youtube channels

the organic chemistry tutor

khanacademy

crashcourse

tabletclassmath

2minmaths

kevinmathscience

professor leonard

greenemath

mathantics

3blue1brown

literacy

readworks - reading comprehension, build background knowledge, grow your vocabulary, strengthen strategic reading

chompchomp - grammar knowledge

tutors

not the "free resource" part of this post but sometimes we forget we can be tutored especially as an adult. just because we don't have formal education does not mean we can't get 1:1 teaching! please do you research and don't be afraid to try out different tutors. and remember you're not dumb just because someone's teaching style doesn't match up with your learning style.

cambridge coaching - medical school, mba and business, law school, graduate, college academics, high school and college process, middle school and high school admissions

preply - language tutoring. affordable!

revolutionprep - math, science, english, history, computer science (ap, html/css, java, python c++), foreign languages (german, korean, french, italian, spanish, japanese, chinese, esl)

varsity tutors - k-5 subjects, ap, test prep, languages, math, science & engineering, coding, homeschool, college essays, essay editing, etc

chegg - biology, business, engineering/computer science, math, homework help, textbook support, rent and buying books

learn to be - k-12 subjects

for languages

lingq - app. created by steve kaufmann, a polygot (fluent in 20+ languages) an amazing language learning platform that compiles content in 20+ languages like podcasts, graded readers, story times, vlogs, radio, books, the feature to put in your own books! immersion, comprehensible input.

flexiclasses - option to study abroad, resources to learn, mandarin, cantonese, japanese, vietnamese, korean, italian, russian, taiwanese hokkien, shanghainese.

fluentin3months - bootcamp, consultation available, languages: spanish, french, korean, german, chinese, japanese, russian, italian.

fluenz - spanish immersion both online and in person - intensive.

pimsleur - not tutoring** online learning using apps and their method. up to 50 languages, free trial available.

incase time has passed since i last posted this, check on the original post (not the reblogs) to see if i updated link or added new resources. i think i want to add laguage resources at some point too but until then, happy learning!!

[theambitiouswoman]

Hobby Ideas 🎨💻🎵🧁🪴

💰 Hobbies to Make Money:

Freelance Writing

Photography

Graphic Design

Web Development

Online Selling (e.g., Etsy, Amazon, eBay, Shopify)

Blogging

Stock Trading

Real Estate Investing

Affiliate Marketing

Freelance Consulting

💪 Fitness Hobbies:

Running

Yoga

Weightlifting

Cycling

Swimming

Martial Arts

CrossFit

Hiking

Rock Climbing

Dance (e.g., Zumba, Hip-hop)

☀️ Outdoor Hobbies:

Camping

Fishing

Birdwatching

Gardening

Geocaching

Kayaking

Mountain Biking

Backpacking

Stargazing

Horseback Riding

💻 Technology Hobbies:

Programming

Robotics

3D Printing

Virtual Reality (VR) Gaming

Home Automation

Drone Flying

Cybersecurity

App Development

Electronics DIY

PC Building

🎵 Music Hobbies:

Playing an Instrument (e.g., Guitar, Piano)

Singing

DJing

Music Production

Songwriting

Music Recording

Karaoke

Music Theory

Joining a Band or Choir

Vinyl Collecting

📚 Brainy Hobbies:

Chess

Sudoku

Crossword Puzzles

Board Games

Reading

Learning a New Language

Brain Teasers

Logic Puzzles

Math and Mathematical Puzzles

Astronomy

✨ Other Hobbies:

Cooking and Baking

Painting and Drawing

Pottery and Ceramics

Woodworking

Knitting or Crocheting

DIY Home Improvement

Model Building (e.g., model trains, airplanes)

Collecting (e.g., stamps, coins, vintage items)

Volunteer Work

Meditation and Mindfulness

[seat-safety-switch]

Now that nobody wants to work for their soulless and faceless capitalist oppressors, those oppressors had to get a little bit creative. How were they going to get the essential work of making everything just that little bit worse done? We all know what all the high-viscosity-greasy business consultants are gonna suggest: automation. Robots don’t get sick, or take piss breaks, and they won’t get too uppity when you ask them to convert a low-income neighbourhood, still populated with living people, into a high-value, 3D-printed condo complex.

The only problem with automation is that nobody knows how to fix it when it breaks. That fancy salesman? Well, he can sell you another couple of units, or next year’s new-and-improved one, or an extended warranty. What he can’t do is fix it. He has never once had a thought about the way the terraforming machine works, or the brickwork extruder. Hell, if he encounters someone who can fix it, he probably can’t even explain the problem to her.

You end up needing to bring in a whole different class of consultant, the scary, grizzled legends who will get it going again. And business folks hate that kind of person: they’re paying them to sit in a boiler room for a few weeks, just thinking. No doing. Studying. You can’t schedule it. In the end, at some unpredictable point in the future, these eggheads get up wordlessly, hit the machine with a hammer, and then things are back to normal. Monkeys at the zoo could do that job, they explain, seemingly oblivious to just how bad of an idea it would be to give a claw hammer to a Japanese macaque.

Most folks don’t even bother. Once they’ve tried the really-smart-hammer-person a few times, they decide that it would be easier just to scrap the machine and buy another one. Certainly, the nice salesman thinks so, and doing so includes some visits to that one strip club on the East side that serves a decent steak sandwich. It may be wasteful, but this cycle is natural. And it’s great for me: after a few strategic hammer hits, I’m now a small-scale slumlord, with a freshly-printed block of attractively-priced row homes. We didn’t need that police station anyway.

[ganbaramen]

Link! Like! LoveLive! SPECIAL STAFF INTERVIEW

[This interview was published online on the G's Channel website, and is print in the Link! Like! LoveLive! FIRST FAN BOOK, released Dec 27, 2023.]

The Hasunosora Jogakuin School Idol Club is a group of virtual school idols that made their striking debut in April this year. How did their fan engagement app “Link! Like! LoveLive!” come about? Fujimoto Yoshihiro and Sato Kazuki discuss the app’s origin and what they think about the project.

It’s all about enjoying Love Live!—! The untold story behind the birth of the fan engagement app LLLL

—The smartphone app “Link! Like! LoveLive!” (which we’ll refer to as “LLLL”), celebrated its six-month anniversary in November. Let’s look back on the past six months and discuss the birth of LLLL. To start us off, could you two tell us about your roles in developing this app?

Sato: I’m Sato Kazuki from CERTIA, a producer for this app. I’ve worked for game companies as a planner and director, and now I’m a self-directed game producer. From arcade games to consumer software to apps, my path has involved a variety of media. I’ve been following Love Live! as a fan since the µ’s era, and became a producer for Hasunosora’s game after being consulted for a Love Live! app where the members stream.

Fujimoto: I’m Fujimoto Yoshihiro from Bandai Namco Filmworks, and I’m also a producer for LLLL. I started with the desire to make a Love Live! smartphone game.

***

—LLLL’s official start of service was May 20, 2023, but I heard that the road there was quite long. Could you talk about that?

Fujimoto: If we want to start from when development began…. we’ll have to go back to 5 years ago.

Sato: A big part of the appeal of Love Live! comes from these school idols being independent and putting their souls into it as a club activity, so there is a certain kind of enjoyment and emotional payoff from supporting them.

If you insert a “player” who can essentially play god into this, it inevitably feels like a mismatch. Then wouldn’t it be great to turn that idea on its head and instead have an app where you support these independent idols? And streaming would be a great match for that. As we worked out this concept where you cheer on the members as just another fan, this “school idol fan engagement app” took form.

—What led up to integrating motion capture into the app?

Sato: From the very beginning, we had decided that virtual concerts and streams would use 3D models. The development team already had the know-how for streaming with 3D models, so of course we were going to use them.

The key idea is to have the virtual concerts, live streams, and story intimately linked to make the entire experience real-time, so we decided it would be best to have them appear in the same form in both the streams and the activity log (story), which is why the story also uses 3D models. The visuals should be precisely linked so we carefully animated the story with 3D models.

Fujimoto: It is quite rare for the cast to also do motion capture, but it was necessary to realize the vision that Sato-san has described. Yes, it would technically be doable to have the cast only voice the characters and instead have actors do the motion capture, but that would be a lot less palatable.

Sato: It certainly feels a lot more real when the cast is both voicing and moving their characters. The fact that this project is a part of the Love Live! series helped a lot in being able to implement this. The cast loves Love Live!, and it’s because of how much the project staff and cast members put into this that we could make it a reality.

—As an example of this hard work: the cast had intense training on motion and talking, with lessons and rehearsals starting about a year before the app was released.

Sato: In both the live streams and virtual concerts, the cast do the motion capture, in real-time too! Even now, this fact isn’t well-known, or rather, it seems like there are a lot of people who think “No way they go that far!”. Yes, the cast do it themselves!

—So why does doing it in real-time make it good?

Sato: What a pointed question! (laughs)

Fujimoto: What’s important depends on what you value. What we’re aiming for is the feeling of a real concert.

Sato: Putting it concisely, the feeling that it’s live is very important to LLLL. It seems to me that the feeling of being live has recently been highly valued, not just in concerts but in the entertainment industry as a whole. We can look back on works of the past whenever we want through subscription services and the like, so following something now has its own appeal that can evoke a certain zeal. Bearing witness to this moment in history is now viewed as being more significant than it used to be. That’s why we maximize that feeling of being live by having the cast do the motion capture and by streaming in real-time. We felt that those two points are essential.

—So rather than just being parts of the concept, these are essential to the project.

Sato: At one point, we considered doing only the talk and MC in real-time, while having the performance part be recorded. But because we want to get at the heart of the pleasure of having it be real-time, we couldn’t make that compromise.

Actually, the cast do occasionally hit the wrong notes or mess up their dance formations, but these are little things that signal that it’s live—in fact, such happenings can increase how real it feels, which can make the performance feel special if you approach it with the right mindset.

***

—Can I ask about the Fes×LIVE production, like the camerawork, lighting, and outfits? It feels like the production value goes even higher every time.

Fujimoto: I think that’s probably because, just like how the Hasunosora members are growing, the staff is as well, going further each time after saying things like “For the next performance, I want more of this!”.

Sato: Things like flying over the stage or swapping outfits in the instant that the lighting changes—we won’t do those. A core principle is that we aim for a production that matches what school idols would do and constrain ourselves to portray what’s possible in reality.

***

—The story following school idols at a school steeped in tradition—that’s a new challenge, too.

Sato: We had certain reasons for setting this at a school with a long history—so long that this year is the 103rd. There’s this common image of streamers debuting as no-names, and then working their way up to become more popular. But if Hasunosora were like that, the fact that there would be a lot of fans from the beginning would make it very unrealistic. After all, there’s no way your average rookie streamer could be like “This is my first stream!” and yet have 5000 viewers. (laughs)

We thought hard about how to resolve this in a way that makes sense. Then, we figured out that it would work to have a tradition-laden school that was already a “powerhouse”. So in the end, we made it a point to have the school be a powerhouse with a history of having won Love Live! before.

—So the school already had fans following it, with high expectations for the new school idols: Kaho and the other first years.

Sato: Yeah, it’s meant to be like one of those schools that are regular contenders at Koshien, the national high school baseball championship.

—The world-building is done so thoroughly that such an answer could be arrived at pretty quickly.

Sato: We consulted with many people, starting with the writer team, about implementing the concepts that we mentioned before—having the cast do motion capture to maximize the live feeling, and doing the streams in real-time.

In the beginning, there was a lot of resistance to the idea of trying to successfully operate an app while constructing the story and streams such that there would be no contradictions between them. If you do streams in real-time, such contradictions can certainly arise—you have to work out the setting in quite a lot of detail, and even then, things can happen that are impossible to predict.

But my thinking was always that this is doable if we adjust how often we synchronize the story and streams. I think it’s impossible to stream every day and release a new story every day. But on the other side of the spectrum, if we were to write a year’s worth of story ahead of time, and then do however many streams within that year, that would certainly be doable. 

Following that line of thought, in the early stages, we had a lot of discussion about how often we could do streams, searching for the limit of what would be possible to implement. As a compromise, we arrived at the system of fully synchronizing once a month. For each month, we can keep the setting relatively flexible, not setting everything precisely in stone until the month is over. We thought that a monthly frequency should make it possible to both maintain the charm of the story and implement streams.

But right now we’re streaming three times a week, so there end up being a lot of things like “they shouldn’t know this yet” or “this event hasn’t happened yet”. It feels like putting together a complicated puzzle.

Fujimoto: There’s one aspect that we haven’t made clear before—I don’t think there are many people that have realized it. It’s that the talk streams are the furthest along in the timeline, while the story shows what has already happened. It’s not that the story happens on the day that we update it, but rather that the story describes what happened up to that day. People who have realized this have probably read quite closely.

Sato: That’s why it’s called the “activity log”. The With×MEETS serve the important role of synchronization between what happened in the activity log—the world of the story—with reality, so we carefully prepare for them each time.

—That makes sense! One nice thing is that if you keep up with the With×MEETS in real-time, then watch the Fes×LIVE, it feels like keeping up paid off—”Good thing I watched the With×MEETS!”.

Fujimoto: It would be great if our efforts got through to everyone enjoying LLLL.

—If you set things up that carefully, it must be difficult when irregularities happen. In August, several cast members had to take a break to recover from COVID-19, causing many With×MEETS to be canceled. How did you deal with that?

Sato: The silver lining of that period was that it avoided the most critical timing. If that had been off by even a week… it might not have been possible to recover from that. This project always has this feeling of tension, because there is no redoing things.

***

Tackling the Love Live! Local Qualifiers! The culmination of the story put viewers on the edges of their seats!!

—On how people have reacted to LLLL: was there anything that went exactly as planned, and on the other hand, was there anything that defied your expectations?

Fujimoto: To bring up a recent event, the Love Live! Local Qualifiers in October very much stood out. There was tension all around—even I was nervous about how it would go. The feeling that “these girls really are going to take on this challenge, at this very moment”. It was like watching the championship of the World Baseball Classic… Well, maybe that’s an overstatement, but an atmosphere similar to that. I’m really happy that we managed to create such an atmosphere with the cast and everyone who participated as a user.

Sato: Not just in sports, but also in the world of anime or fiction, there is definitely a certain excitement that arises when you “witness” something. Bearing witness to the moment that “drama” is born produces an impulse, something that hits deep. This is not something that can be produced in an instant. Rather, such an overwhelming concentration of passion can come about only because so much has happened up to that point.

That’s why, aiming for “that moment”, we first have people experience the Hasunosora members’ existence and reality day after day. After having connected with the members and viscerally felt the sense of being in sync with their “now”, something new will be born…

The closest we’ve gotten to an atmosphere of tension that’s as close as possible to the real thing is what Fujimoto-san just mentioned, the Love Live! Local Qualifiers. I think part of why that was such an “incredible” event was the weight of everything that happened in the Love Live! series up to that point.

—Is there anything else from the fans’ reactions and the like that was unexpected?

Fujimoto: For the talk streams, we have a system where everyone can write comments in real-time. Some users go all in on the setting and act as if they’re in that world.

Sato: The characters are not aware that their everyday lives can be observed in the story, so these users adhere to the rule of not talking about anything that’s only depicted in the story, commenting as if they don’t know what happened there. And if you do that, your comment might get read. So you really can be a participant in the performance. We were surprised at just how many people were earnestly participating like that.

—It’s like making a fan work in real-time, or rather, it’s like playing a session of a tabletop RPG.

Sato: I think what we’re doing here is very much like a game. It’s the “role-playing” of a tabletop RPG taken to an extreme, a pillar of a certain kind of “game”, or maybe more like a participatory form of entertainment.

—Oh, I see! It’s as if we’ve returned to the classic reader participation projects of Dengeki G’s magazine, which is kind of touching.

[Translator’s note: Love Live! originated from Sunrise collaborating with the Dengeki G’s magazine editorial department, bringing Lantis in for music.]

Sato: Yes, indeed. In the era of magazine participatory projects, the back-and-forth would have several months in between. In comparison, a real-time system makes it easier to participate, which I think is a significant and useful advancement. For now, in the first year, it feels like we’ve been grasping in the dark while trying to do the best with what we have. But we’re thinking about how best to adjust the frequency and volume of activities from here on.

Fujimoto: Also, the users have largely figured out all the hints we cooked in!

Sato: They’ve been looking in quite some detail. (laughs) Our cooking has paid off.

***

—Is there any challenge that LLLL is taking on anew?

Sato: Going back to what I said at the beginning, I was a huge fan of µ’s, so I started by trying to analyze and put into words just what made me so attracted to, so crazy about them. 

A big part of the charm was that it involved youth and a club activity, so by following their story and cheering them on, you could vicariously re-live the passion of those three years in high school. So I wanted to make it so that you could re-live that experience of youth in depth.

My goal is to have it feel so overwhelmingly real—through LLLL’s real-time nature—that you can unwittingly delude yourself into the sense that you’re re-living your high school years.

Fujimoto: If we’re talking about a new challenge, maybe it’d be good to touch on how frequent the interactions are.

For example, let’s consider a one-cour anime. No matter how much you’d like to keep watching it, it ends after three months. Even if it turns out there’s a continuation, you’ll have to wait before you can watch that.

In contrast, if we turn to virtual content, people are streaming three times a week on YouTube. In that vein, what we’re aiming for with this project is this: you can follow this group you like throughout that limited time between matriculation and graduation, and during that time they’ll always be there for you to meet.

***

—Some people are expecting an anime as one of the future mixed-media developments. To put it bluntly, what do you think about that?

Sato: What we are doing right now with Hasunosora would not work outside the structure of an app. As mentioned before, it’s not quite a tabletop RPG but rather a participatory form of entertainment, and it’s that structure that allows fans to experience the true spirit of the Hasunosora Jogakuin School Idol Club.

—So for now, we should experience it through the streams in the app! Is that what you’re saying?

Fujimoto: Exactly. It wouldn’t be an exaggeration to say that LLLL is a project to make you fall for these girls throughout their streams—that’s how much effort we’re putting into it.

Sato: Starting LLLL by going through the story and then participating in the With×MEETS streams might be more common, but you can also start enjoying it in a novel way by just jumping into the latest With×MEETS stream. The members’ engagement with the comments has been especially noticeable in the most recent streams—it feels like a symbiotic relationship.

***

—Finally, a word for those who are looking forward to the project’s future.

Sato: I can confidently say that LLLL is a new experience made possible because of the times we live in. Because of that, it is very high-context, so it’s hard to explain how it will make you feel or what kind of game it is—you must play it to understand. We are very aware of how much of a hurdle this is, and how it might be difficult to get a grasp on if you start later.

But if you’re willing to take that first step into the world of LLLL, we promise to bring you content that is worth following. So to those reading this interview: please do consider trying it out once, even if it’s with a window-shopping mindset.

Fujimoto: Hasunosora’s story can only happen because of everyone watching. We hope you’ll keep supporting us!

Sato: We’ve prepared plenty of tricks up our sleeves for the end of the school year in March, so please look forward to it!

Credits

Translation: ramen Translation check: xIceArcher Various suggestions: Yahallo, Yujacha, zura

[donnerpartyofone]

In 10+ years of active job hunting, all of the interviews I have had are:

I applied for an assistant role at this hip-sounding consultancy and I got through several rounds of scrutiny with an HR person who seemed convinced I would get the job. Finally I booked an interview with the actual boss, and the second it started everything fell apart. I had an initial technical problem with the video call and that didn't look good, but there was already a bigger issue: She immediately started shouting at me for wasting her time because I had made a mildly self-deprecating joke to the HR person (it had to do with my work with horror media which is not to everyone's taste). She was yelling and yelling about how you NEVER, EVER SAY ANYTHING NEGATIVE ABOUT YOURSELF EVER, WHY WOULD YOU EVER, EVER SAY ANYTHING CRITICAL ABOUT YOURSELF EVER. Then she sort of parlayed that into interrogating me about my goals in life, with the implication that I must not have any. It was apparent to me that she knew before we even started that she was never going to hire me because she felt that I had shown weakness to the enemy basically, and I can only assume she booked the interview because she enjoys torturing vulnerable strangers, but it was very shocking in any case.

I applied to be a production coordinator at this startup founded by one of these guys with more money than things to do. They were supposed to make, like...inventions? This is a somewhat aspirational description: They had an early 3D printer and the idea was that citizens would send in their invention ideas and the company would print and sell them. They'd had moderate success with kind of a modular power strip, and I guess they just assumed ideas like that would keep coming. The interview lasted 4 or 5 hours. I was sent into a little windowless room where I was interviewed by one person at a time for a very long time. The first guy was this zany douchebag who bombarded me with problems to solve: WHAT IF A GUY CALLS AND SAYS HE CAN'T SEND HIS INVENTION BECAUSE DOESN'T HAVE A SCANNER? WELL WHAT IF HE DOESN'T HAVE A CAMERA? WELL WHAT IF HE HAS NO COMPUTER? WELL WHAT IF THERE'S NO LIBRARY NEAR HIM? WELL WHAT IF THERE'S NO POST OFFICE? WELL WHAT IF HE CAN'T WRITE OR DRAW? WELL WHAT IF HE CAN'T DESCRIBE IT? COME ON! YOU GOTTA THINK OUTSIDE THE BOX YOU GOTTA THINK OUTSIDE THE BOX YOU GOTTA THINK OUTSIDE THE BOX!!! The second guy was a sad sack manager who was subtly venting about how his staff didn't like him. The third guy was this chick who was openly throwing mad shade on the second guy, while also insulting me to my face. I forget who even else there was. It was like a police interrogation, by the fourth hour I didn't even know what I was saying anymore. I'm sure I would have confessed to murder. A month or two later I noticed I had all these voicemails my shitty phone never surfaced from the company trying desperately to hire me, but it was sort of a dodged bullet because they folded shortly after that.

I got a call back for an archivist position at a radio station. I only realized after the fact that due to being a humongous dumbass, my cover letter addressed the wrong company--a more popular station with a similar acronym--but I actually don't think that was the problem. The conversation was pleasant but I didn't have the exact technical abilities they wanted; they would have been willing to train me if they couldn't find anyone else, but that's not what happened.

At this point I'm really freaking out. I don't have the resources to go back to school or whatever and I'm not convinced that getting a degree or certification in a useful trade would really allow me to beat other candidates who are younger, more experienced, and with a more normal work/education history. Actually I DID get a certification in what I thought would be a useful trade before I even quit my old job to avoid drinking myself to death, but I've never gotten a call back for any relevant jobs--surely because I don't have any practical experience, it's all classroom shit and I'm not exactly internship material. Right when I quit my job I saw a career counselor, and I also worked with this corporate climber ex-colleague who gave me a lot of resume and cover letter advice, but none of that has made a difference. Recently a friend got my resume to his recruiter, he blew all this smoke up my ass about how great my resume is and how if I don't hear from the recruiter it's because she's a flake, and I really had to hold my temper because there is such abundant evidence that the problem is ME. I mean only psychos even call me back and most of them weren't interested anyway. I think unemployment is not available to me since I wasn't laid off or fired. I don't really know how temp agencies work, and I seem to have a lot of inconvenient handicaps, like I cannot do basic math, it seems pretty pathological. I don't really know how anything works, obviously.

I'm in this position because I thought preserving my mental health was more important than my job, and I foolishly assumed "something would work out" even though I had been looking for a new job almost that whole time. Also I followed a lot of well-meaning and extremely bad advice about "following my dreams" or whatever, which I actually had some unique and amazing opportunities to do--I mean if I didn't take them then I would still be wondering what-if--but I should have known never to take a chance on myself like that. I could, if I really wanted to, blame my family for not teaching me anything about real life, but the truth is that following dreams has paid off big time for every single person in our orbit except for me, so it's hard to fault people for just repeating what is personally true for them. I mean it's frustrating when someone asks you why you're looking for a job when you should just go get a book deal instead (!), but just because we're from the same family doesn't mean we're from the same planet. It's nobody's fault for assuming good things about me (although it does make me mad that they still won't face reality and everyone just thinks I'm "not trying"). But now I'm in danger and it's been coming for years, for most of my life in a way, and I don't know what to do. I apply for everything, but I look overqualified for the small things I might actually be able to do, and the jobs I do look qualified for won't give me a second look because I'm not THAT qualified really (and/or the market is flooded with people like me). I feel like I've hit up all the professional help I can find. Is there like...some sort of, I don't know what, psychologist that specializes in telling you how to get a job? I just don't know. HMU if you are able to explain to me what a job is and how to get one.

(That's mostly a rhetorical question unless you literally have specialized insider knowledge or your NYC-based boss is hiring or something. Please bear in mind that I am a middle-aged adult and I know how e.g. LinkedIn works. I have been using job boards extensively and elaborately for more than 15 years. As per my thesis, I have consulted many professional experts already. Please don't do the equivalent of reading someone's post wondering about something, and sending them a Wikipedia link to the topic like they've never heard of that before. Just please don't. I shouldn't have to say this but I know that I do.)

[techart-digitalservices]

The Future of Online Selling

Augmented Reality (AR) for Enhanced Shopping Experiences

Shopify is embracing AR technology to bring products to life in the online space. By integrating AR features into product pages, customers can visualize items in their real-world environments before making a purchase. This immersive experience not only reduces uncertainty but also enhances customer satisfaction and confidence.

Voice Commerce and Conversational Shopping

Voice-activated devices and chatpots are becoming integral to the e-commerce experience. Shopify is adapting to this trend by enabling developers to create voice commerce solutions and chatbot integrations. Customers can now interact conversationally, ask questions, and even complete purchases using voice commands, providing a more natural and convenient shopping experience.

Artificial Intelligence (AI) and Machine Learning (ML)

Artificial intelligence and ML are transforming the way online stores operate. Shopify is leveraging these technologies to provide personalized recommendations, optimize pricing strategies, and automate various aspects of the sales process. From predicting customer preferences to streamlining inventory management, AI and ML are driving efficiency and enhancing the overall customer journey.

Models Based on Subscriptions and Recurring Payments

Shopify is leading the way in enabling the growing popularity of the subscription-based business model. Developers may construct smooth, customisable subscription experiences with sophisticated subscription management tools, enabling companies to establish enduring relationships with their clientele.

Conclusion:

In the ever-evolving landscape of tech-art services, Shopify stands out as a key enabler of digital creativity. Its versatile platform, secure transactions, and customizable features make it an ideal space for tech-artists to showcase and sell their digital masterpieces. As the tech-art industry continues to grow, the collaboration between technology and artistic expression facilitated by platforms like Shopify will undoubtedly play a pivotal role in shaping the future of digital creativity.

[netherworldpost]

I believe I may have seen part of a live Cybertronic Spree performance by accident last year. Hell of a thing to walk in on when you’re not expecting it.

(Following up with an attachment of a second ask on the same subject, please all see said screenshot)

This is. An amazing thing to randomly experience I can imagine.

I have so many complicated feelings.

If we could better address licensing, we would have more things like this.

If we could prioritize live shows without having ticket sellers have intensely predatory processes, we could have more like this.

When I was in consulting I used to tell my clients "you should look to cosplayers for your talent pool needs"

and when they would start to deride the idea in toxic terms I would grab them by the lapels and growl

"Listen to me you stupid son of a bitch i am tired of you no paying attention -- electronics, 3D printing, sewing, moulding of plastic -- and I cannot stress this enough, an attention to detail you cannot comprehend. Hire. Cosplayers. I'm tired of arguing with you."

(...for legal purposes this story is exaggerated)

The fact that something like this show exists at all is a testament to the unkillable spirit of People Who Make Weird Things and the equally unmanagable spirit of People Who Support People Who Make Weird Things and the intrinsic overlap of the two.

[danco110]

“I like the pixelated look you have here, Mei-”

“It is a MOSAIC, Yuto! Not pixels!”

Mei fumed at the consultant trailing behind her. Her traditional kimono contrasted sharply with Yuto’s business suit, she noted, as the two climbed to the higher boughs of Boseju.

“Well, it still looked cool!”

“…Thank you,” Mei managed, through gritted teeth. “Though, perhaps we could remain focused on future construction , rather than existing?”

“Sure, but…Hey, is something wrong?”

Mei finally spun around to glare at Yuto. “Some of our elders - not even all of them - have requested your presence here to help give Boseju a more ‘modern’ look. Now, I am told to escort you up through the tree.”

“And…I can take a wild guess as to how you feel about the whole ‘modern’ thing, right?”

Mei nodded stiffly.

“Hmm…Well, to start, I apologize for the ‘pixelated’ comment. And I also-”

Mei held up a hand to stop Yuto. Her expression softened ever so slightly as she spoke. “Most of my frustration lies not with you. Though I do wish you would treat our historical depictions with a little more reverence…”

“Sorry.”

“…But, I will concede, I suppose a more modern touch couldn’t hurt - in measured quantities…and in separate buildings. It is also part of our history, after all…or, it will be, anyways.”

Yuto gave a nervous chuckle. “Ah-heh. Well, I appreciate the…loosening up? But, yeah, separate buildings would probably be a good idea. Though, looking around, I presume you mean museums and such. Not…arcades or anything.”

“Well…” Mei shrugged, pausing in her response. “Maybe an arcade wouldn’t be the worst thing in the world…”

“You…” Yuto’s eyes went wide. He smiled as he regained his wits. “Yeah! And we could decorate it with…something like that!”

Yuto pointed to another tree mosaic on a nearby wall. Mei’s short-lived enthusiasm faded immediately, prompting the consultant to cringe at his own words.

“Is…that one historical, too?”

“Yes.”

“Right. Maybe not that one, then?”

Mei smirked. “Better not.”

[Does/did Boseju have modern buildings on its branches, you think? Or is/was it all just older stuff?

Oh, also, “woah poggers…it’s like a 3D-printed save icon” meets “IT’S NOT FUCKING WEED YOU PIECE OF SHIT STONER”]

[piromantic]

trying to get something 3d printed on campus so i go to the printing center website and its like 'you must consult the printability of your project with the wizard under the light of the full moon' and i'm like sure whatever where am i meeting this wizard and the faq doesn't say anything but it does tell me that i have to bring an offering of filament but only PLA not PETG because the latter damages the machines and then i check reddit for advice on printing something clear and the redditors are like 'if you don't use PETG you'll never get that clear as glass look so you might as well kys' and i'm like ugh whatever i'll just ask the wizard. but then i remember i have no way of contacting the wizard and then i complain to my friends about this process and they're like 'idk man i just asked the wizard about it'