#direction

[todays-xkcd]

I love their cover of 1,200 Balloons, Dalmatians, and Miles.

Supergroup [Explained]

Transcript Under the Cut

[Ponytail, Cueball, Megan, Knit Cap, and Hairy are in line at a theatre box office, the marquee above announcing "Playing Tonight The New Supergroup: 176 Pilots, Seconds of Summer, Non Blondes, Live Crew, gecs, Doors Down, Inch Nails, Republic, Direction, and Seconds to Mars".]

[ooctlt]

Where are these guys on a scale from "uncanny sense of direction" to "could get lost in a paper bag?" (I believe in my heart that Gideon is the latter)

[its-where-the-wild-things-are]

[thebookquotes]

"You have brains in your head. You have feet in your shoes. You can steer yourself any direction you choose."

Dr. Seuss, Oh, the Places You'll Go!

[savagechickens]

Direction.

And more about life.

[randomness-is-my-order]

the pjo show’s cinematography is so warm and homey and clever and detail-oriented so i wanna compile a few of my favourite still shots because why not??

^this one had me smiling so hard, not because it’s a particularly beautiful shot but the framing of the three is so well done. the focus is on sally who is talking to grover (both prominently in the front of the shot) while percy – who isn’t a part of the conversation but a listener of it – is still properly visible through the glass of the door and like??? i just think it’s a super cool way of having a passive character in the shot that i haven’t ever seen before, in a way that percy is both highlighted and still so clearly in the background that it doesn’t take away from the focus characters. also percy’s sweater matching the colours on the door is the cherry on top!!

^next is this one. it’s so perfectly angsty and though not complete, the symmetry is still eye-catching. it encapsulates the feeling percy must experience in that moment–him, amidst destruction, knowing he’s the cause but not knowing how or why. he looks all of twelve with his haphazard hoodie and almost forlorn look. he is not gloating, he is not cheerful. though he doesn’t know the gravity of his parentage, it’s almost like the show is telling us that his powers–which cause the door to break, too btw–will always be a source of isolation for percy. he is a force of nature, a destructive one most of the time, and the fact that he is just a child who is confused will never matter because this world doesn’t care for childhood but godhood alone.

idk, this shot just evokes a very unsettling kind of sadness for me. i think it’s beautifully framed.

^i absolutely love this one simply for the fact that the sheer struggle of the fight is so prominently visible. and yes, i cheated, this isn’t exactly a still shot but like an action sequence screenshot but whatever, it’s too good to not mention it here. the way percy is, honest to gods, bracing against the spear for his dear life, the evident and overwhelming rage on clarisse’s face, the blocking of the scene – it’s perfect. clarisse is not playing and percy is genuinely in danger and i love how this shot and the whole scene really sold us on that fact.

^ i just think it’s extremely cool that we can see the minotaur howling in pain, percy having his mouth wide open as if he’s letting out a yell as he goes to plunge the horn and that as percy does this act–killing the minotaur–which is surefire source of safeguarding himself and grover, something that will get him to camp, we can see thalia’s tree in the background. there is no reason percy had to make the kill here, with the chaos of the fight, so the fact that this is the spot and this is the shot as he kills the minotaur makes me think it’s deliberate. having thalia in the background is so impactful because again, percy could have met a similar fate in some other alternate universe but here, he wins and he survives.

^ do i even need to explain??? the shot is pretty and beautiful and almost magical. percy, alone with a tin of fire, burning blue food and talking to his mother. maybe one thing i can point out is that the sally-percy bond has been heavily indicated through glowing lights since the start. if you recall, the “you are not broken” speech by sally was given in front of the warm, glowing headlights of the car and percy’s face was illuminated by that warmth just the same way it is illuminated by the tin-fire in the forest.

^ first, this is too fucking gorgeous. second, percy is wearing his red jacket again and this dream happened after he reached camp so in my opinion, this dream was initially a comfortable imagining of percy’s mind and was then hijacked by kronos but i could be wrong since i don’t clearly remember how they manifested in the books originally. nevertheless, it’s a great detail to have him wear the red jacket because even if he may not have it with him anymore, it’s still clearly something he holds dear – and might associate sally’s memories with.

also, the fact that percy seems to have alot of scenes with fire might be because as someone who can control water, fire can never truly be a source of danger for him and therefore, he can find comfort in its warmth unhindered, always?

^ how could i not love this epic moment? the trident is perfect, big and blue and grand and majestic. half the screen is water, obviously. but what makes this good shot a great one is that there is literally no one else directly near percy except annabeth. the campers are all far away and in this shot itself only annabeth remains close to percy, though she is fittingly on the land, observing the scene before her. remember how i said percy’s legacy promises isolation but this shot tells me that despite that, percy will have someone who he can count on to be by his side (also cool that even in the bathroom, annabeth was technically still near him, even if she was, well, stalking him) and maybe this is my delusional ass talking, but annabeth being here is foreshadowing for me. i just think it’s a choice to have this epic revelation where they could easily have had percy standing alone in the middle of the lake but no, annabeth is also there and not only because she’s the one who led to that revelation but because she’s someone who isn’t intimidated by percy’s parentage and still can be beside him.

^ i adore this shot because 1) it shows us just how young and tiny percy is and 2) it tells us that maybe that door is so fucking huge because it’s being inclusive of centaurs and other giants of their world. also, symmetry strikes again!!! the colours are so well balanced, not bright and vibrant but on the pastel side that indicates an aged feel to them.

and lastly,

^ i just find it funny that a private academy like yancy has an official vehicle that looks as beat up and terribly malfunctioning as this. 😭 like this half van was so out of place i literally goggled at the screen when it first appeared.

okay, i’m done for now. i also really liked the faceless sally scene in the start paralleling medusa’s eventual beheading but i already made a post about it. this legitmately only covers about 10% of the shots i wanted to talk about but these might be my favourites. this was long af so if you read the whole thing, mad respect to you.

[quietlotus]

“Follow your bliss and don’t be afraid, and doors will open where you didn’t know they were going to be.”

— Joseph Campbell

[rothswardestate]

Life lesson No. 3

Life is what you make it, even when the storms roll in.

[undelightfulfeetgasm]

I remember the post on tumblr that said "one day, we will be 50,driving a car and we will hear one of the 1D member is no more and we will slowly pull up the car and sit there blankly".

I was supposed to be 50 and not 24 dammit.

[chasingrainbowsforever]

~ Goodness Gray-cious! ~

[cavalier-consciousness]

+ the colour of pomegranates, 1969. dir. sergei parajanov

[thetypewriterdaily]

learning to have fun along the way as the journey of my life unfolds 🪩💃🏻💕💌🫧

[its-where-the-wild-things-are]

[marisasonoftom-blog]

[ronanceautistic]

GUYSSSS PLEASEEE SHOWER ME WITH LOVE ITS MY FAVE IVE EVER DONE