#30s london
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Claude Cahun (Lucy Schwob), La vitrine de chaussures (shoe showcase), London, 1936
Claude Cahun (French pronunciation: [klod ka.œ̃], born Lucy Renee Mathilde Schwob; 25 October 1894 – 8 December 1954) was a French surrealist. Lucy Schwob was a writer, actress, and outspoken member of the Parisian lesbian community between the two world wars. She and Suzanne Malherbe, her stepsister, became partners in life, love, and art, and took the ambiguously gendered pseudonyms Claude Cahun and Marcel Moore for their collaborative theatrical and photographic works. The images they made mostly depict Cahun, and sometimes Moore, in a variety of masculine, androgynous, and feminine personas set in minimally staged scenes in their home. (x)
Claude Cahun and his companion Suzanne Malherbe accompanied Jacqueline Lamba and André Breton to London during the first international exhibition of surrealism, organized by David Gascoyne, Roland Penrose and ELT Mesens, inaugurated on June 11, 1936.
[Anne Egger, 2023, Atelier André Breton] (x)
#claude cahun#photography#1936#shoe showcase#vintage#art deco#london#1930s london#30s london#high heeles#vitrine de chaussures#cahun#lucy schwob#lucie schwob#lesbian#lgbtq+#lbtqia#parisian community#shoes#surrealist#surrealism#Lucy Schwob
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Claude Cahun (Lucy Schwob), La vitrine de chaussures, London, 1936.
Claude Cahun (French pronunciation: [klod ka.œ̃], born Lucy Renee Mathilde Schwob; 25 October 1894 – 8 December 1954) was a French surrealist. Lucy Schwob was a writer, actress, and outspoken member of the Parisian lesbian community between the two world wars. She and Suzanne Malherbe, her stepsister, became partners in life, love, and art, and took the ambiguously gendered pseudonyms Claude Cahun and Marcel Moore for their collaborative theatrical and photographic works. The images they made mostly depict Cahun, and sometimes Moore, in a variety of masculine, androgynous, and feminine personas set in minimally staged scenes in their home. (x)
Claude Cahun and his companion Suzanne Malherbe accompanied Jacqueline Lamba and André Breton to London during the first international exhibition of surrealism, organized by David Gascoyne, Roland Penrose and ELT Mesens, inaugurated on June 11, 1936.
[Anne Egger, 2023, Atelier André Breton] (x)
#claude cahun#1936#shoes#cahun claude#la vitrine de chaussures#cahun#photography#high heels#Lucie Schwob#london#1930s london#30s london#shoe showcase#Lucy Schwob#lesbian#lbtqia#lgbtq+
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thinks about how adrien was lied to profusely about BOTH of his parents’ deaths. explodes
#ml#ml spoilers#anna rambles#ml london#if i was him i would genuinely have to disappear for 30 years and also destroy the world maybe
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Dora Maar. Man looking inside a sidewalk inspection door. London. C. 1935
I Am Collective Memories • Follow me, — says Visual Ratatosk
#BW#Black and White#Preto e Branco#Noir et Blanc#黒と白#Schwarzweiß#retro#vintage#Dora Maar#London#England#UK#Britain#1935#1930s#30s#street photography#Photographie de rue#Strassenfotografie#fotografia de rua#ストリートフォトグラフィー#cities#cidades#villes#都市#Stadtbild#paysage urbain#paisagem urbana#シティスケープ
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early design for my sister and i's comic project "bites n' bribes" - a comedy about a group of gangsters starting a restaurant as a money laundering front
#zeno's art#ocs#bites n bribes#rio saffron#its in VERY VERY EARLY DEV RIGHT NOW BTW!!!! this is literally the only design we have#anyway this girl isnt really a gangster - shes a teen girl hired by them as shes the only one who knows how to cook#(she isnt aware they're gangsters tho)#the story takes place in a mix of south + north america + london in the 1920s-30s#i'll probably post more designs as they develop#feel free to ask questions about the project and i'll let my sis answer them for you!
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#Dazed and Confused#1993#September 24#30 years#Jason London#Wiley Wiggins#matthew mcconaughey#Cole Hauser#Michelle Burke#Richard Linklater#Texas
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#come on now!#bruce springsteen#song: im on fire#this is in london 2013. great version#vid#concert: 2013-06-30 london
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Werewolf of London (1935)
#werewolf of london gif#henry hull#valerie hobson#universal monsters#jack pierce#makeup effects#stuart walker#universal horror#30s horror#30s movies#1930s#1935#gif#chronoscaph gif
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WIP Wednesday!
Thank you to @iboatedhere, @nocoastposts, @zwiazdziarka, @onthewaytosomewhere, @firstprincehornyramblings and
@suseagull04 for the tags today!
I'm cheating a bit today because this is no longer a WIP, but I can't share any words from my exchange fic and I haven't written anything else yet! But here's the snippet that comes right after my last snippet from Sunday:
“What do you think, love?” Henry asks Alex as he throws the stick off to the side of the enclosed area by the green fence that demarcates the off-leash area. “How long do you think we should aim to stay in London?”
“Good boy!” Alex grabs the stick out of David’s mouth upon his return and throws it out again. “I’d love to see more of the city this time, H. I feel like last time we were in and out.”
Henry ponders for a moment and Alex registers the unimpressed look on his face and the crease between his eyebrows. “We were in and out because that was the goal, remember? I’m not looking to spend any more time with my bloody grandmother than I need to.”
“But I want to get a chance to see it through your eyes, sweetheart.” Alex looks over at Henry as his expression changes. His ‘stressed out’ face turns into his ‘melting puddle of goo’ face, which was ultimately Alex’s main objective.
This is for @flufftober Day 30 Prompt: "Forever?" - a little bit of miscommunication but in a good way! 😉
If you want to read the whole fic, you can find it here!
No pressure to participate, friends, but here's my tag list under the cut! I know it's late!
@welcometololaland, @cricketnationrise, @myheartalivewrites, , @kiwiana-writes, @firenati0n
@rmd-writes, @celeritas2997, @noahreids, @alasse9, @14carrotghoul
@three-drink-amy, @anincompletelist, @anchoredarchangel, @cha-melodius, @sparklepocalypse,
@stereopticons, @smblmn, @leaves-of-laurelin, @lilythesilly, @emmalostinwonderland
@nontoxic-writes, @indestructibleheart, @maxbegone, @orchidscript, @piratefalls
@clockwrkpendrxgon, @run-for-chamo-miles, @tinyarmedtrex, @getmehighonmagic, @henryspearl
@judasofsuburbia, @heysweetheart-writes, @blueeyedgrlwrites @bitbybitwrites,
@jmagnabo92, @wordsofhoneydew, @theprinceandagcd, @miss-minnelli
@hgejfmw-hgejhsf, @dragonflylady77, @agame-writes, @nocoastposts, @lightningboltreader
@inexplicablymine, @na-dineee, @notspecialbabe, @benwvatt, @cactusdragon517
@onetwistedmiracle, @ninzied, @porcelainmortal, @aforgottennymph, @caterpills
@kordeliafawkes, @stratocumulusperlucidus, @idealuk, @stellarmeadow, @eusuntgratie
@lizzie-bennetdarcy, @dreamtigress, @duchessdepolignaca03, @tailsbeth-writes,
@priincebutt, @stellarmeadow, @softboynick, @fullsunsets, @na-dineee
@firstprincefairytale, @rachelica9, @readstheroom, @anti-homophobia-cheese, @thighzp
@mikibwrites, @swearphil, @flowerfan2, @rarelyrad, @letloverule1111
@endlesstwanted, @glasshouses-and-stones, @swoonoveryou3, @thedramasummer, @jackzimmermemes
@miharaikko, @kj-bee, @dani-dabbles, @henryhenhazza,
@sophie1973, @msmarvelouswinchester, @henrys-vodka-shot-glass, @shadegarden, @imintomakinghistory
@littlemisskittentoes, @reagcdfox, @lesliesknopes, @magicmelinoe
#rwrb#rwrb fic#red white and royal blue#firstprince#rwrb fanfic#wip wednesday#flufftober#flufftober2024#day 30#prompts#writing prompt#“Forever?”#London?
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Anne Jane Thornton, a 15-year-old girl, dressed as a cabin boy on a transatlantic voyage to find the man she loved, who had gone to America in 1832. On arrival, she found he had died so she took posts on other ships, calling herself Jim Thornton. On her return crossing to London on The Sarah, a crew member noticed that she was a woman and she was taken to the ship's captain, who kept her on as a crewman.
"Normal Women: 900 Years of Making History" - Philippa Gregory
#book quotes#normal women#philippa gregory#nonfiction#anne jane thornton#cabin boy#cross dressing#transatlantic voyage#america#england#london#30s#1830s#19th century#the sarah#ship's captain#crewman#sailor#jim thornton#the interesting life and wonderful adventures of that extraordinary woman anne jane thornton‚ the female sailor#autobiography
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Jumping in the Deep End 🐇🕳️💛
So there’s sth else I noticed related to the Gracie rabbit hole I’ve fallen down that I haven’t mentioned yet bc I feel crazy saying it but I’ve already said a lot of insane stuff lately so fuck it. But before u read this post I do recommend reading this other analysis I wrote as well as this post first bc it’ll make everything make more sense. Ok continuing….
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Not long after The Secret of Us was released on June 21, I watched this interview that was uploaded the day the album was released where Gracie texts her fans. One of the first things I noticed was how Gracie suspiciously looks straight at the camera as she makes a typo which I mentioned in the analysis I just linked, but another thing that caught my attention was that one of the fans is named Aimee (3:06 mark in the vid). I thought this was a little strange bc Aimee isn’t really the typical spelling of that name, it’s usually spelled like this instead, Amy. But even more strange was that the day after this interview was uploaded, June 22, Taylor just so happened to play thanK you aIMee as one of the surprise songs in London. What an interesting coincidence!
June 22 was a big deal bc it was Midsummer Day which celebrates daylight. This is likely why Gracie made yellow 💛 the main color of the album and chose to release it on June 21, Midsummer Eve—bc this album is abt a coming out journey (see these posts for more on that: x, x, x, x, x, x, x). And if you look at the text “Aimee” sends, it sounds like sth an artist would ask another artist rather than a typical fan question. Aimee specifically asks abt her creative process which is a very artist thing to do. So basically all that to say I wouldn’t be surprised if Aimee was actually Taylor and this text was also an easter egg for us to find just like the intentional glitches and typos.
If this text was in fact from Taylor, I believe the purpose of it may have been to lead us down the Gracie rabbit hole where we could find endless cross references between Gracie’s music and Taylor’s music. If you watch the music videos for those 3 songs Aimee mentions and listen to the lyrics, they could easily be interpreted as being abt Taylor’s secret relationship w this korner of the internet that is almost like the Hanging Gardens of Babylon bc there’s no tangible proof it ever existed but there is a lot of folklore surrounding it and the story has been passed down and become a myth. “Wonder if you regret the secret of us.” I believe these 3 songs could be from Taylor’s perspective. And to go even further w it (fair warning, this is where we really go off the deep end), I think it’s very possible that not just these songs are abt this secret relationship, but most of Gracie’s songs bc all of them reference each other and have lyrical and visual parallels to each other much like Taylor’s songs (see this post).
Now I want to make it very clear: Gracie is her own person w her own talents outside of Taylor. I don’t want anyone to get the wrong idea or think I’m trying to undermine Gracie’s artistry or give all the credit to Taylor. And I also don’t think this secret relationship was the only inspiration for these songs since it’s very clear Gracie uses her own personal experiences and feelings, and I believe she could be writing abt more than one muse or from more than one person’s perspective in each song, similar to how in hoax Taylor sings abt 3 different relationships simultaneously. I am simply trying to point out the insane amount of parallels between Gracie and Taylor’s music that I think are too abundant to simply chalk up to coincidence. And I’m not saying that my interpretations are for sure the right ones, I could definitely be wrong. It wouldn’t be the first time. This is just a fun clown theory that I think is worth considering.
So going back to those 3 songs in the text—Mess It Up, I know it won’t work, The Bottom—I wanted to do an analysis on them and the mvs bc I think the reason why “Aimee” might’ve been pointing us to those specific songs and mvs is bc they are an important part of this coming out story. Plus the specific symbolism and imagery used in the songs can be cross referenced w pretty much every other song in Gracie’s discography (and w many Taylor songs) making them all connected.
For instance, the main themes in Mess It Up are:
Not growing up -> minor, tehe, Wishful Thinking, Older, Better, Augusta, Alright, Difficult // Peter, The Archer, cardigan, betty, peace
Groundhog Day (This is related to the next theme) -> Under/Over, Risk mv, I Love You, I’m Sorry, us // The Prophecy
Making the same mistake over and over/Bad habits -> Long Sleeves, Rockland, The Bottom, Best, Will you cry?, Difficult, This is what the drugs are for, Fault line, Block me out, Blowing Smoke, I Love You, I’m Sorry, us, Let It Happen // Anti-Hero, coney island, Florida!!!, Fresh Out The Slammer, The Black Dog
Not being able to sleep at night -> Rockland, Hard to Sleep, Camden, Painkillers, Difficult, This is what the drugs are for, The blue, 405, Risk, Blowing Smoke, Let It Happen, Tough Love // Midnights the stories of 13 sleepless nights, hoax
The birthday cakes -> 21, Stay mv, Mean It mv, Risk mv // All Too Well short film, coney island
“Let it happen” -> The song Let It Happen on TSOU, Better
Lying -> For Real This Time, Best, Full machine, Where do we go now?, Block me out, Blowing Smoke, Let It Happen // Getaway Car, illicit affairs, the lavender haze/bearding/red herrings
Phone calls -> 21, Rockland, Full machine, I should hate you, This is what the drugs are for, The blue, Block me out, us, Let It Happen // cowboy like me, Anti-Hero mv, Fortnight mv
Going onto a porch in order to apologize to someone -> Risk mv (technically not to apologize but it’s still related to coming out and making things right) // betty, cardigan, this is me trying, long story short, Fresh Out the Slammer
The main themes in I know it won’t work are:
Closets -> Peter, seven, cowboy like me, I Know Places
Drawing the line in the sand and putting up boundaries or crossing boundaries -> Mess It Up, Long Sleeves, For Real This Time, Best, Felt Good About You, Let It Happen, Gave You I Gave You I
Cutting ties w someone -> Friend, Blowing Smoke, Free Now
Being someone’s ghost/haunting someone -> I miss you, I’m sorry, us, Block me out // Basically all of TTPD and much of folkmore and Midnights (Anti-Hero mv)
The main themes in The Bottom are:
“I told you I was down bad, you hate to see me like that” -> Down Bad
Making the same mistake over and over/Bad habits -> Long Sleeves, Rockland, The Bottom, Best, Will you cry?, Difficult, This is what the drugs are for, Fault line, Block me out, Blowing Smoke, I Love You, I’m Sorry, us, Let It Happen // Anti-Hero, coney island, Florida!!!, Fresh Out The Slammer, The Black Dog
Opening up the door and letting someone into your house, closing the door, or going into someone’s house uninvited -> Mess It Up mv, Under/Over, tehe, I should hate you, us, Let It Happen, I Love You, I’m Sorry, Gave You I Gave You I // cardigan, hoax, Anti-Hero mv
Dragging someone down/Hitting rock bottom/Coming down after a high or being high (drug metaphor; becoming more famous=“getting higher”) -> Long Sleeves, Rockland, Wishful Thinking, Painkillers, Alright, This is what the drugs are for, Fault line, Right now, Block me out, Blowing Smoke, I Knew It, I Know You, Gave You I Gave You I, Free Now // Many songs on TTPD use the drug metaphor, gold rush, long story short, Anti-Hero mv (pushed from balcony), seven, this is me trying, illicit affairs
Being the problem -> 21, minor, Rockland, Wishful Thinking, Older, Painkillers, Best, Difficult, Block me out, Unsteady, I Love You, I’m Sorry mv // Anti-Hero
Mess It Up
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So as I stated before this song is all abt making the same mistakes over and over and reliving the same day like it’s Groundhog Day. Gracie, the narrator, keeps trying to make things right and apologize to the person she’s hurt, but every time she tries she messes it up which is represented by her dropping the cake repeatedly. But finally at the end of the mv, she is able to get it right and properly apologize. She knocks on someone’s door and they open it which symbolizes this person opening their heart to Gracie and forgiving her. If you go to the 2:12 mark in the mv when the letters and numbers on the fridge fall, you’ll see that they spell out a secret message “Hi (13, 31) Peter Pan - T” (the “I” doubles as a 1, the “3” doubles as an E, and the “L” doubles as an R/r if flipped on its side). Taylor was 31 yrs old when the Mess It Up mv was released on May 6, 2021. Peter Pan is the boy who never grew up. This means that it’s likely the narrator’s inability to grow up that is causing issues in the relationship. This is why the song starts w “Opened two double doors, typical, pretty sure I could grow up.”
“Did I fall out of like when I called you” -> Did I cross a boundary and make things worse when I called you? Boundaries are one of the main themes in I know it won’t work. I believe that Gracie and Taylor could be using “phone calls/texts/letters” as a metaphor for the anon messages and riddles we’ve received over the years. As a result of trying to solve these messages and riddles, kaylors have gotten a ton of hate and many have had to leave the fandom bc the environment is so toxic. This song could be Taylor acknowledging these issues and apologizing for how we’ve been treated.
“'Cause every time I get too close, I just go mess it up” -> It’s possible Taylor has tried many times over the years to properly apologize to us by giving us more cryptic messages containing these apologies, but the problem is that these anon messages and riddles are the main reason why we get bullied so this only makes the issue worse in the end.
“Funny that (Funny that) didn't work (Didn't work), I could be anywhere, I'm on your block” -> I believe this could be related to I Love You, I’m Sorry. “The way life goes, Joyriding down our road, Lay on the horn to prove that it haunts me, (I'm wrong again, wrong again) I love you, I'm sorry.” This song also has the lyrics “I wanna speak in code” which makes me think of the anon messages and queer flagging.
“I keep thinking, maybe if you let me back in, we can make it better, breaking every habit” -> Taylor talks abt breaking bad habits in The Black Dog which I believe represents putting an end to the bearding/lavender haze/red herrings/smokescreen/blowing smoke/not growing up.
It’s very interesting that Gracie uses a birthday cake to apologize. Birthday cakes are a common symbol that shows up in Gracie’s music. They also appear in 21, another apology song, and the Risk mv which is likely abt the mass coming out (see this post). In the All Too Well mv, Sadie’s character receives a birthday cake at the same time that Taylor sings, “But then he watched me watch the front door all night, willin' you to come, And he said, ‘It's supposed to be fun turning 21.’” In both 21 and ATW 10 min version, the older person in the relationship misses their significant other’s 21st birthday which greatly hurts them. These songs could be 2 sides of the same coin from opposite perspectives like dorothea and TTDS. With how many connections there are between Gracie and Taylor’s music, I’m inclined to believe this isn’t a coincidence.
(From the Mean It mv. When the 21 candles are thrown in the box they almost look like a backward "t" and "s")
“If it doesn't go away by the time I turn 30, I made a mistake and I'll tell you I'm sorry, ‘Sorry.’” The narrator is saying once she turns 30 she’ll apologize to the 21 yr old if her feelings haven’t changed by then. This is immediately followed by a “sorry” meaning the narrator has actually already turned 30 yrs old which is another indicator that Gracie is in fact speaking from someone else’s perspective bc Gracie was only 20 at the time of this song’s release in 2020. Plus just a few tracks later in the same album, the narrator says "I miss you, I'm sorry" which she said she wouldn’t say until after she turned 30. Taylor was 30 yrs old when the album minor was released in July 2020 and when 21 was released as a single on Feb 20, 2020. If this song is from Taylor’s perspective at 30 yrs old, then the significant other/ex being 21 indicates it (along w all the other cross-referenceable songs) is likely not abt a literal romantic relationship; rather, the song is an allegory or metaphor. The 21 (acoustic) mv has "I miss you" on the piano and "I'm sorry" in the notebook which indicates that 21 is directly related to I miss you, I'm sorry. The emphasis on birthdays and age in 21 fits well w the Peter Pan metaphor that shows up in many of Gracie’s songs. Even though the narrator is getting physically older, she is not getting metaphorically older. To add even more credibility to this theory, the song minor has the line “Hit me 3-1-0” which could represent both Taylor turning 31 in 2020 and a backwards 13. 13s show up several times in Gracie’s mvs and songs. The Secret of Us is a 13-track album that was released on June 21. Additionally, the first 🏴 message was sent July 21 and the second to last message, which I’m now pretty certain is abt Gracie’s album TSOU, was sent May 21 (x).
Look at the numbers on the houses ⬇️ Going column-wise there’s 226(1), 226(3) which is a 13 and there’s also ✌️✌️ which Taylor has used a ton for TTPD (Taylor said in Nov 2021 she wanted to try to plan sth 3 yrs in advance); 2267 -> 6+7=13. Adding up 2+2+6+3 also gives u 13 while 2+2+6+1=11=K. And 6+6 from the 2261, 2263 (again going column-wise) is 12 which is 21 backwards. The 13 showing up in the Risk mv just confirms these choices in the Mess It Up mv were completely intentional.
Gracie and Taylor performed I miss you, I’m sorry together at eras which was Taylor’s suggestion since Gracie’s set was canceled that day (x)(x). I just think it’s very interesting that Taylor wore a yellow dress when they sang this song and then a yr later she just so happened to be featured on the title track of Gracie’s very yellow album 💛 which they (allegedly) didn’t start writing until Nov 13 a few months later (x). This indicates that this performance was likely planned ahead of time and not a last minute decision like they said. I think much of the timeline we’ve been given for Gracie and Taylor’s friendship might be a red herring to prevent ppl from figuring out what these songs are really abt. Gracie and Taylor (allegedly) wrote us together on Nov 13, 2023 spontaneously; but Taylor wearing yellow during IMYIS along w the pap walk w the Cassandra handbag, almost burning down the house 🕯️🧯, and and the fact that all this happened on Nov 13, the day Karlie and Taylor met, indicates that us was actually written much earlier and that the Nov 13 story was just a red herring.
I know it won’t work
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This song is all abt boundaries. There are different types of boundaries that show up in the mv: A shoreline, a line in the sand, a fence. It’s clear the narrator doesn’t want to end this relationship and put up walls but she believes she has no other choice bc of her circumstances (not being able to grow up -> Peter, closets).
“I left you here, Heard you keep the extra closet empty, In case this year I come back and stay throughout my twenties” -> The narrator knows there’s no guarantee she’ll actually “grow up” and come out of the closet so her ex keeps the closet empty just in case she wants to move back in and stay in the closet.
“What if I won't? How am I supposed to put that gently? And down the road you will love me until you resent me” -> Since these lines directly follow the ones I just mentioned, you might be inclined to think that “What if I won’t?” is the narrator asking “What if I won’t move back in and rekindle our relationship?” BUT I believe the wording was intentionally ambiguous bc that way it could also mean “What if I won’t grow up and leave the closet? Will you eventually come to resent me if I can’t be the hero you want?”
“But it's a lot, All the shine of half a decade fadin', The whole facade seemed to fall apart, it's complicated” -> This perfectly parallels the 11/09/2019 ♠️ message. The narrator is saying her ex is asking a lot of her by wanting her to come out and destroy the facade. I believe decade might’ve been changed to half a decade so as to not make it obvious Gracie is singing from Taylor’s perspective. The “shine” symbolizes the love and support from fans that has come w being such a famous and successful artist. That’s not an easy thing to give up.
“Why won't you try movin' on for once? That might make it easy, I know we cut all the ties, but you're never really leavin'” -> Taylor knows that even if us kaylors walk away from her we will always eventually come back bc we can’t help but be invested and this puts a lot of pressure on Taylor that she doesn’t want.
“I'll open up, I'm thinkin' everythin' you wish I wasn't, The call was tough but you're better off, I'm bein' honest, So, won't you stop holdin' out for me when I don't want it? Just brush me off 'cause I'm your ghost right now, your house is haunted” -> This entire 3rd verse is extremely telling and fits perfectly w the 2019 failed coming out. The call to not come out was tough bc she was conflicted abt it but she thinks she ultimately made the right decision. Taylor is asking us to stop holding out for a coming out bc it’s not what she wants. Of course I don’t think this is how Taylor currently feels bc I think she’s getting ready to burn down the closet but I think this song shows how she felt at one point. I think the ghost imagery is supposed to connect this song w I miss you, I’m sorry and us as well as all the ghost imagery Taylor has used.
The Bottom
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This song is abt hitting rock bottom and being worried that you will drag the ppl you love down w you. It’s kind of a more scathing version of Anti-Hero. I think this song could be directly related to the Mess It Up mv. Someone opens up the door to let Gracie in bc she wants to apologize by giving them a cake. But the narrator warns this person that they should keep their guard up bc she will always be doomed to repeat the same mistakes and drag ppl down w her. Since this song is kind of self explanatory, I’ll instead focus on the mv.
The first thing I noticed when watching this mv is the striking similarities to the Bejeweled mv. Both seem to be inspired by Disney movies/fairytales and even the bells during the title card parts sound similar. PLUS 🎃 anon told us to watch out for things that “ring a belle” -> there are bells in both mvs and one also shows up during the burning castle scene at the end and it is literally ringing; and Bejeweled should look and sound familiar if u have watched The Bottom mv; AND Belle is a Disney princess which is another indicator that 🎃 was referring to these mvs (Taylor wears a yellow dress just like Belle at the end of Bejeweled). Gracie said that The Bottom is supposed to be a satirical mv (see description of vid) and this parallels the Bejeweled mv being satire.
Another thing that’s interesting is that The Bottom mv is kind of the opposite of the Bejeweled mv. In The Bottom, Gracie is dragging a body down the stairs and burying it (descending) while in Bejeweled, Taylor is using an elevator to get higher and higher until she reaches the top floor (ascending). Ascending and descending are things that 🫚 emphasized in this message. Ascending and descending are also things a plane does when flying from one place to another -> “I thought the plane was going down how’d you turn it right around” and all the plane imagery lately. I think 🫚 could have been trying to get us to realize that the beginning stages of this coming out plan (the “ascent,” PR stunts w MH and 🏈, red herrings, 2023-early 2024 🛫) aren’t what we should focus on, it’s the end stages of the journey (the “descent,” cracks in the facade, getting louder w queer flagging, mid 2024-Dec 2024(?) 🛬) that are important.
Yellow shows up a few times in this mv, and I think it’s significant that the room in which the murder happens is a bright one w yellow chairs. Yellow is commonly used to symbolize happiness; Taylor and Gracie use this color in a very similar way to represent daylight/sunshine/summer/being out of the closet/not hiding your real self 💛🌼☀️🏝️ So putting these things together, this scene is symbolically similar to the yellow closet in the Lover house where Taylor has had to put away her sunshine and happiness bc she wasn’t able to come out during Lover era. What was supposed to be a joyous celebration ended w death and destruction.
It’s also interesting that throughout the mv, Gracie is dancing and performing (showmanship/PR) while in a literal spotlight. This ties in perfectly w the very last scene where Gracie is smoking a cigarette which represents bearding/red herrings/lavender haze/smokescreen/smoke and mirrors magic/Blowing Smoke/bad habits. In The Black Dog, Taylor uses smoking as an example of a bad habit/self-destructive behavior she is trying to quit.
Lastly, I wanted to leave you w a few things that I think are very interesting and that could tie in w this theory:
#i'm so glad i'm finally finished w this analysis i thought it would never end#the secret of us#gaylor#gaylor swift#kaylor#aimee#thank you aimee#surprise songs#6/21#6/22#eras tour#easter eggs#glitch#midsummer#daylight#london#21#30#31#13#it's actually ridiculous how many rabbit holes there are like you can get lost down there and never come out
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Here we go, all seventeen kiss prompt drawings! This definitely ended up bigger than I expected -- three whole weeks! -- but it was tons of fun and got me drawing more than I usually do :D
I wanted to collect these all in one post mostly because I like looking at them all together, but also because I actually changed a couple of the first ones after posting and wanted to share this version. Word of advice, don't draw in one sitting then post it immediately at midnight xD Other than that, though, I'm super happy with all of these <3 Hope y'all had fun too!
All the pings for people's ocs under the cut since it got long!
@thedeafprophet 's Aurora
@dualclock 's Scrimshander *
@jane-d-ankh-veos 's Nostalgist *
@viric-dreams 's Ockham (with and without the viric) *
@violant-apologia 's Apologist
@capn-twitchery 's Grace
@waterlogged-detective 's Doe
@peliginspeaks 's Hallowrove
@neathyingenue 's Silvia
@lord-emerson 's Oswald
@anomaly-beans 's Merry
@cosmogone-spectacles 's Oversol (with and without the veil)
@the-masterless-press 's Mathilde
@pacmanthepeach 's Raz
@gmalaart 's Cavendish
@house-of-mirrors 's Orsino
@msbeanfl 's Ms Bean
(* these ones specifically got edited, if anyone's keeping track)
#hey when did tumblr bump the image cap to 30 hell yeah#anyway look at me go i Did A Thing#my art#ask game#oc: cordelia/theodore pembroke#oc: flint silverstein#oc: vincent bell#fallen london#fallen london oc#long post#so much green. only 2 images dont have green but then thats balanced by 2 having double green lmao#i dont think pem was the same shade of green twice either lol#hue yes but i shifted the brightness/saturation to fit the other oc
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contacted the GIC yesterday to see where i'm at on the waiting list and was informed it would be approximately another four (4) years before my first appointment with a specialist. i initially got referred way back in 2020, so that's an eight year wait in total - and it'll be another year, possibly two, before i can get any kind of gender-affirming treatment or surgery on the NHS, so let's make it a round decade to be on the safe side. now tell me why every other month some trash newspaper publishes the same fucking scare-mongering article about how gender clinics are dangerous because they're "rushing" people into transitioning "before they're ready"
#i will be in my mid-30s before i can get top surgery <3#the cognitive dissonance of seeing some liberal journalist write about the pressure put on confused adolescents to transition#with that infuriating tone of syrupy false concern#meanwhile your average trans londoner has to wait TEN FUCKING YEARS to get treatment#idk man i wanna talk about this more but i'm too tired i don't have the words. i'm just tired of it all#be shh now
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#music#mario and sonic at the olympic games#mario and sonic at the london 2012 olympic games#wii#WHY IS THIS SO LONG#WHY IS IT SO GOOD YOU BEAT HIM IN LIKE 30 SECONDS
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#romance club#w time catcher#soulless#seduced by the rhythm#wave patrol#sins of london#kali call of darkness#kali flame of samsara#queen in 30 days#love from outer space#love sin & evil#my hollywood story#sails in the fog#song of the crimson nile#on thin ice#vying for versailles#path of the Valkyrie#the desert rose#heavens secret#heart of trespia#hell and high water#shadows of saintfour#theodora#gladiator chronicles#the flower from tiamat's fire#chasing you
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