#male gb was always supposed to be a commentary on toxic masculinity and unlearning it
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I like both versions of starlight for different reasons but the wembley production is such a strange phenomenon because even though most of the characters are still there and relatively unchanged writing wise, they all feel completely separate from their original versions.
Even the characters that in theory have changed the least, like Dinah, who’s the same gender, and has kept the same songs, plot and lines, pretty much since the beginning, feel like completely different and new characters. Like, obviously there’s the massive changes in costumes, but the way she and others are portrayed is just so different from the way that the characters were originally written to be played that they feel like separate people with the same name. (This isn’t necessarily a bad thing, just something I observed.)
And I also think that this really speaks to just how important casting and direction are in defining characters themselves. The chosen actor and the way they’re directed to play the character will always make a massive impact on how the character is received by the audience, no matter what the previously written lines are.
#side note: gb is the exception here because changing their gender changes a massive part of the original character itself#male gb was always supposed to be a commentary on toxic masculinity and unlearning it#and having the character female takes away that entire aspect#like this is one of the few times where changing the characters gender matters to the plot and will change the way they come across#no matter how similarly they’re played#please forgive me for this strange disjointed rant it’s 2:30 am#stex#starlight express#stex london 2024
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