#valerie hobson

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The Bride of Frankenstein (1935) - Pressbook cover

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Valerie Hobson / The Bride of Frankenstein (1935)

Photograph by Roman Freulich.

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CONRAD VEIDT and VALERIE HOBSON in THE SPY IN BLACK (1939) | dir. Michael Powell

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Werewolf of London (1935)

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🧈🧈🧈

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Valerie Hobson by Sasha, 1939

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Propaganda

Valerie Hobson (Great Expectations, Kind Hearts and Coronets, Bride of Frankenstein)— Played the older Estella (younger was Jean Simmons) with such ice cold heartbreak, no one has ever bettered it. In later years she married John Profumo (yes, that one) and stuck by him, which IMHO was probably the greatest acting she ever did.

Olivia de Havilland (Adventures of Robin Hood, Gone With the Wind, The Heiress)— The woman who took on the Studio System at the height of their power and Won! A double Oscar winner! Is magnetic and beautiful in everything she's in and gave us all the juicy scandal with her sibling rivalry with Joan Fontaine! Before the Oscar Slap was the Oscar sister snub! Also everything she wears in Robin Hood she makes beautiful even a purple green and orange monstrosity how does she do it! Anyway this scene is one of my old Hollywood favourites

This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Valerie Hobson:

Olivia de Havilland:

She is just perfection. She has a smile that is looks like it is barely holding back, and yet so reserved as well.

Broke the contract system and won freedoms for actors (the de Havilland Law is still in effect I believe). 2 time Oscar winner. Beautiful and smart

She legally challenged the movie studios' unfair contracts and won, setting a precedent for other actors to be treated more fairly. This was at great cost to her financially and essentially getting her blacklisted for years but the resulting judicial opinion is still known as the De Havilland Law and has won her a great deal of praise and admiration.

Her performance in The Heiress is one of my all-time favorites, she’s so good at making melodrama feel real and grounded without sacrificing any of the passion/drama.

Serenely beautiful, she struck a balance between crowd-pleasing fluff and prestigious drama. Famously at odds with her equally successful sister Joan Fontaine, she was too much of a lady to ever say anything public. Successfully sued Ryan Murphy for portraying her as a saucy gossip in Feud.

the period costume + eye patch combo in That Lady is just an absolute serve

She has the most adorable and cherubic face and voice

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Valerie Hobson (April 14, 1917 – November 13, 1998)

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Seen in 2024:

The Spy in Black (Michael Powell), 1939

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"We mustn’t forget that Conrad Veidt was a German, and at that time, with the war just starting, it was difficult for him. I think he always felt faintly embarrassed by the fact that he’d been a German star and had a very ripe German accent. Very cleverly Emeric made him not a German in Contraband. He was just as believable being a Dane, and that was charming."--Valerie Hobson, Emeric Pressburger: The Life and Death of a Screenwriter by Kevin MacDonald

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"The bride of Frankenstein"

On stage we saw Boris Karloff, Elsa Lanchester, Colin Clive, Valerie Hobson i Ernest Thesiger. The film is a continuation of the 1931 film titled "Frankenstein" in which most of the same actors appeared.

The film is not one of my favorites, but it is important in cinematography. Elsa's appearance in the film has become iconic for creators of comics and fairy tales. "The Bride of Frankenstein" is finally another one of Universal's unique and important monsters.

In the first scene of the film we can see Mary Shelley who, encouraged by her friend, begins to tell the sequel to her book.

of course, this part of the Frankenstein story also had a sequel titled "The Son of Frankenstein", in which Béla Lugosi appeared.

Dwight Frye appeared in the film, who in the first part, in which he played Fritz, died after being murdered by Frankenstein, but in Frankenstein's Bride, he played Karl, who was also killed by the monster. I don't think Dwight gets a happy ending in any movie.

The same people worked on the film as on the first part.

"The Bride of Frankenstein" was included in Time magazine's list of the 100 greatest films in history in 2005.

It is also interesting that Colin Clive, the film's Doctor Frankenstein, had a broken leg during the filming, which forced him to sit in most of the scenes in the film. this is called sacrifice.

The scene where Karl kills his aunt and uncle in a monster style was deleted from the film.

time for a summary.

The monster created by Dr. Frankenstein survives the mill disaster that took place in the movie Frankenstein. Meanwhile, its creator leads a quiet life with his beloved wife, Elizabeth. He does not know that at the same time another scientist, Dr. Pretorius, is conducting experiments on reviving human corpses. He wants to create a woman who will be a partner for the monster.

Worth watching (wait for the entry about nosfertu, I will be refreshing my film today, so I will write an entry soon).

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The Bride of Frankenstein (1935)

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Valerie Hobson and Boris Karloff in The Bride of Frankenstein (1939)

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The "Why Henry Frankenstein is Awesome and I Love Him and Elizabeth" Post

I love Henry as well as his relationship with Elizabeth from Frankenstein (1931) and Bride of Frankenstein.

What should be noted is that Henry from the movies is different from Victor in the novel. He has faith in his creation and doesn't abandon him, he tries to teach him and the motivation to create was because of a genuine desire to understand life and make progress in science. It's only when the creature attacks Fritz does he concede to putting him down, but even then, he understands that the creature was being tortured by Fritz and wants him to be killed in the more humane way. And unlike Victor in the novel, Henry actually told his loved ones the danger and helped to avoid serious collateral damage.

Honestly, as much as we give credit to Boris Karloff for his performance, and rightfully so, we need to give credit to Colin Clive. He created a version of Frankenstein that makes him more humane, flawed but good, someone who loves more than he hates, and he is may favorite version of him, and in this moment, this is why.

At the end of Bride of Frankenstein, when Elizabeth tries to take Henry away from the castle, he refuses saying that he can't leave them, them being Pretorius, the Bride, and the Creature. It's remarkable that even after all the horror the Creature had inflicted on Henry and others, Henry still seems to hold some kind of compassion for his creations, that he is willing to die with them. Colin Clive says it not as if he wants to stay because he has a death wish or even because he feels obligated to stay, but because he does care. And when Karloff's creature tells him to go, which is such a wonderful delivery, as if he cares for his creator, it gives the Creature sympathy and redemption, but also makes Henry more complex of a hero than just some dumb and selfish person is can come across in the novel.

Photo credit to @colincliveforever

This look he gives before leaving is what made me love this version of Henry. Clive looks back at him with such pity and compassion that makes the ending a bittersweet tale.

Now, let me explain why Henry and Elizabeth are perhaps my favorite Universal Monster couple.

Elizabeth comes into the film determined to find out what is going on with her fiancé, asking his best friend and his professor, then not only had decided to join friend to investigate, but motivates the professor to go with them to speak to Henry. People may say she is flat, but in these scenes, we see her character; she loves Henry deeply, is on good terms with his friend, even gently putting him in his place when he suggests his romantic feelings, then will not be talked out of seeing Dr. Waldman, and convinces the men to go and see Henry. Without her, the plot may not have went forward the way it did.

Although Henry wanted no one to come in, as soon as he sees Elizabeth is there, he is willing to let them in, and tries to gently tell her to go, as he is so close to achieving his goal. Unlike perhaps some other Universal heroines, Elizabeth doesn't immediately dismiss his experiment, nor does she try to lure him away, but says she does support him, but will not leave him. Proving so, she goes into the lab and witness Henry bringing a dead body back to life, despite looking frightened at first. I love too that while Henry barks at Victor to sit down, he gently asks her to sit, "please", he adds. I love the trope of a guy getting soft around his lady love, and clearly, Elizabeth is his moral backbone.

Much what makes them work is that Colin Clive has great chemistry with both actresses who play Elizabeth, that even the jarring change from the blonde Mae Clarke to the brunette Valerie Hobson can't change that. Regardless of which actress he is playing with, Colin Clive always treats his Elizabeth with tender respect and love, making me wish I knew more about their relationship.

Hobson's Elizabeth shows off exactly what I loved about her character is how she has an inner strength, most notably in the scene where she tells off Pretorius, which makes even someone as unbothered as he is be, well, bothered by this. Even when she is kidnapped, she attempts to tell Henry where she is, and, even though we don't see it, I am headcanoning that she escaped on her own and got to the castle.

Then comes a moment that becomes one of my favorite Henry x Elizabeth scenes. At the end of Bride of Frankenstein, Elizabeth gets to Henry, desperately tries to get in the lab, unaware of the danger. Henry tells her to leave, warning her of the danger, but her response? "I won't unless you come," a line that Hobson's delivery truly sells the belief that she truly would have stayed with him.

Photo credit to @colincliveforever

Among the other Universal Monster series couples, they are far from boring, far from uninteresting, and in short, I love them to bits, both separate from each other, and together.

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