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mrs-gauche · 1 month

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So, I *think* I've calmed down enough to form coherent sentences about this trailer now, after watching this about a gazillion times. 😂 There is just SO much in this and I still can't believe it's all real.. I feel like people have already dissected every single frame anyway, so here are just my poor two cents (that's a lie, it's an essay lol), I'm sure 90% of this has probably already been said lol, but I just had to write my thoughts down, so there you go. 🫠

But first, can I just ask you guys this.. Does anyone else feel SO friggin overwhelmed every time something huge like this drops? 😂😭 Like, I LOVE the collective excitement and freaking out over all this with the fandom together in real time, and maybe it's because I'm not a native English speaker, but I'm watching the trailer live and within like fifteen minutes there are already a bazillion notifications, messages, people have already made hundreds of theory posts, edits, fanart and shitposts, meanwhile I'm sitting here still looking at the FIRST FRAME and trying to process what I'm even looking at. lmaoo Like, it takes me SO long to take it fully in, calm down and look at ALL of it in detail, while I go radio silent for like two hours, making people think I just died watching the trailer, I guess. lmaooo So.. sorry if it takes me forever until I even go on here and look at everything you guys are posting. 💀 <3

Anyway, so first of all, I'd like to just generally say... Everything about this blew. me. away.

Look. After like 20 years of watching BioWare's entire animation catalogue of the same 25 movements in every cutscene, that it would make you jump every time a character but even slightly moved differently than everyone else, we're now getting a game that is SO INCREDIBLY CINEMATIC, SO SMOOTH, unlike any BioWare game before. A game where everyone just moves and expresses emotions like their own person, making everything a hundred times more immersive and impactful!!

Not only that but there's a BioWare game now with PHENOMENAL LOOKING HAIR and REALISTIC HAIR PHYSICS. Guys, do you understand this is HISTORY??? lmao We've been asking for this for YEARS and it's happening!! 😭

And the cinematography? THE CINEMATOGRAPHY?? Just looking at that very FIRST LOCATION SHOT alone. The camerawork, the composition, the fluidity of movement, the shift of focus, the lighting, the use of MoCap, the facial expressions... As someone who spent a *LOT* of time using the flycam to make cinematic gifsets of DAI, where - with all respect to the devs - 90% of the camerawork basically consisted of "zoom in/zoom out"... this. blew. my. fucking mind.

Like, they did it. They mastered the Frostbite engine on all fronts. And it truly hurts my heart seeing people compare this to Fortnite or whatever, when in my opinion this time they actually managed to find a perfect mix between stylized and realism, in favor of making the characters even more expressive and this coupled with the use of MoCap and the incredible cinematography will make these emotional scenes hit SO hard and.. ugh, I just love it so much. 🥹❤️❤️

With this being said, let's dive into it!

Okay, so I know this is super random, but it was literally the first thing I noticed about this trailer. lol Did you noticed that it said "BioWare" *before* "Electronic Arts" in the beginning, unlike that first... controversial reveal trailer, where it was the other way around? 😂 Not reading anything into this of course (or do I? lol), but.. Idk, I thought it was.. interesting. 👀

So we start off with the first of many amazing tracking shots, with the camera orbiting around Rook in this place devoid of color or life. The note at the bottom made me chuckle "Game engine footage with some costum camera angles", I was like "Oh, so they used the flycam to make this?". lol So some shots of these will look different in the final version (what kind of spoilers are they hiding?? 👀👀).

I do hope that next shot DOES end up in the game though, because holy SHIT, that FIRST wide shot already blew. me. away.

Look at the COMPOSITION of this.

Actually, you could probably take every single location/wide shot of this trailer and hang it on your wall. lol But seriously, the way this place just looks... dead. It makes me think of "void" rather than Fade.. like an ancient graveyard. The raw Fade looks generally creepy, but this is haunting even for that. There's no life, no color, no motion. It's all broken and crumbled. Almost like it reflects Solas' feelings. People are speculating if this place might change depending on Solas' state of mind.. This is the Fade after all, but Solas is here physically and this being the place that was supposed to be the new prison for the gods.. It's probably different from the rest of it.

We also see all seven statues of the pantheon from the ritual site again. Solas "I have the high ground", *literally* talking down to Rook, while standing on two separate cliffs (how did Rook even get there, I wonder? lol), like there is quite literally a rift between them (for now..!) and Solas is keeping a distance, as always. We still don't know how that connection between the two even works, I assume Rook can only contact him while asleep? But to think that this is the place where he is trapped now, where he is even more isolated than ever before, is making me so emotional. ;-;

I love how it's just black and white though. It gives the scene a destinct atmosphere that might be important, if this is where we get to see Solas doing a lot of introspection. In the art of filmmaking, the absence of color is often used to force the audience to focus on the contrast, textures, and tones present in the image, which can evoke a deep sense of emotion.

And speaking of emotions...

"You have no idea what you have done."

We had already heard that line before, but something about that booming, echoing effect they used on his voice sent a shiver down my spine!

"The blighted elven gods walk free. And all because you disrupted my ritual."

To me, he *sounds* much more frustrated here than he *looks* when saying that. lol He looks incredibly worried though, and just so tired. A moment ago, he was SO close to achieving his goal after hundreds of years of preparation and then he failed again... and now there is this completely clueless stranger who got him in this situation, but who he has to rely on now to stop these gods, when he's unable to trust anyone, and yet he can't even yell at them too much, because he *needs* them. He must be so exhausted.

And yes, it is kinda funny how they put "elven gods" in quotation marks. lol

Thank god he still has his freckles though. ❤️ We're actually seeing a lot more texture on his face here than in the gameplay showcase. And yes, not only did he get his eyebrows microbladed but apparently he's also sporting eyeliner and lipstick now. 😌✨✨ The only downside to the lack of colors here is that his super purple eyes are not poppin' anymore. lol

"You battle against gods. They will not rest until you are on your knees. Fearful. Cowering. Helpless in the face of such power."

I love how they play this line so early on in the trailer, that it makes you go "WAIT... IS THAT- NO WAY" and not until the end do we get the confirmation with the most amazing entrance ever.

We then get a shot of what I think has to be Treviso in flames and Ghilan'nain symbolically coiling her tentacles around a crow statue's head, as she's probably about to take over the city. 👀 *falls on my knees the second I meet her in the game* lol

Then there's the shot of this horrifying Blight.. lump.. growth thing that has completely devoured an elf (and several other bodies it seems) with a hair style that has everyone wondering if this could be Felassan! 🥺🥺🥺 As much as I would LOVE for Felassan to make an appearance.. I kinda hope this *isn't* him.. because good god, whatever happened to this persom here must be pretty traumatizing (are they even still alive?) and also, how do we get them out of there? lol Either way, seeing as there are Harding, Bellara and Neve accompanying Rook here, this might be earlier in the game (and this is them dicovering that the Blight is already spreading rapidly?) and yet it already shows us that this Blight is on a whole other level than anything we've seen before, and it's taking every living thing.

Then we see another snowy place (or might this be within the same area?) that's also in huge parts taken over by the Blight. You can also see a dead(?) dragon lying on the ground at the bottom right corner? 🥺

Then Elgar'nan literally pops up right next to Ghilan'nain, and btw, I love how I can't even tell where her body begins or where it ends in this shot. lmao What ARE you, Ghili?? 💀

It looks to me like maybe she was struck by a bolt/spear from a ballista or something? The Grey Wardens tried to take her out maybe? Looks like the power of Elgar'nan's mere presence blows the Wardens away then lol, like they're just insects to him.. and in the blast we can see a person that looks like Evka?? <3333 (please don't die here though 😭)

Then we're getting a first glimpse of a dragon that shows up multiple times in this trailer. Also, to me, it looks so much like the dragon from the Golden City vinyl cover, which has me like 👀👀👀👀

Next there are a few scenes from the prologue we've already seen in the gameplay showcase, but it's coupled with new lines from Varric, that have me super worried. :(

"Rook, you've got this. I've seen your work. You're clever, adaptable. And you don't know when to quit.

My first reaction to this was "Oh god no, that sounds so much like a "passing the torch" kind of dialogue to me" as in Varric either dies (PLEASE NO but it IS super suspicious how he's not seen or mentioned in any other scene so far) or retires his role as the leader of this group and hands it over to Rook. And he just sounds... weary. 🥺 I wonder what he means by "your work" though? Is he talking about things Rook has done before Varric recruited them? Or is it maybe later down the line, after Rook has already proven themselves to be a great leader? 🤔

Then we get another shot of that one dragon and our first look at Harding with the bruised face (whoever did this, come fight me!) and some poor person tangled in.. something, I'm not sure. lol

Then there's a super quick shot of the floating building in Minrathous, followed by Rook opening a gate Aragorn style, which leads me to believe that this is actually somethere IN that floating building maybe?

But the fact that Rook and everyone else seems to be wearing casual clothes in the following shots, plus the architecture in the background has me wondering if they might be at the Lighthouse actually? 👀

Especially because in the very next shot we see Rook, Bellara, Neve and Harding all in casual clothes again in front of a giant eluvian and I wonder if that's the mirror that we've read about in the Game Informer article. The special eluvian at the Lighthouse that can take you anywhere? :o

Speaking of the Game Informer article, it also told us that Rook, Harding and Neve went back to the ritual site after what happened in the beginning, which is probably what we're seeing here!

"You want allies to go after the elven gods. I've got places to look."

Well, good thing we have a clever detective on the team that apparently knows people who would willingly fight some gods. lol Notice how Harding's face is still injured in this scene. 👀 So I assume whatever happened to her must've happened at the ritual site? Btw, I love how the trailer makes it look like they're all in casual clothes and the second they're stepping through the eluvian, they're in full gear? 😂 (I'm sure those two scenes take place at different times though.) It's crazy how much different the Arlathan Forest looks now, without the cataclysmic storm and all. I love the lighting, the colors and the soft rain! :3

Then we get another gorgeous location shot to hang on the wall. <3 My guess here is definitely Anderfels, given the landscape and those "pillar ring" things we've seen before (I still have no idea what those are, the funniest guess is still griffon training flight path 😂 But something tells me those things will be important.).

"I'll be damned! A griffon!"

Davrin and Assan!! <33333 And the dialogue makes it sound like this might be the first time they meet each other?? 🥹🥹 Followed by a scene of Davrin taking care of business and what might be the return of children in DA?? 😭 Seeing that little girl made me so happy, because that was actually one of the few things on my wishlist for DA4, because I always felt like children make the world feel SO much more real and immersive and besides Kieran, children were completely absent in DAI.

Am I trippin or does it look like this child is smiling here, while running away from a horde of darkspawn?? 😶 Kids in the Anderfels are build different, I guess. lol

"In war, victory."

CHILLS!!

Then we see Assan again, who is pinning down a.. thing I can't identify. lol I'm very curious about all those cages in the background though.. 🤔

We then get one of the shots that made me freak out the most, because it's a flippin *underwater* shot of elven ruins??? 😱😱

We know it's elven because if you look very very closely, you can see a Halla statue in the distance, to the left side. I'm immediately reminded of the stories about Arlathan having sunken to the ocean floor! There's also still all that mention of Ghilan'nain's grey "goop" that smells like the ocean and another shot later on of a dragon (Elgar'nan?) emerging from the ocean! 👀👀👀

And aside from all that, it's just such a sick level design!! 😍 What do these ruins look like if you enter them in the game? How do we get there?? There's an eluvian in the middle of the ocean on the newest map that's included in the Collector's Edition! 👀👀 If that one flippin theory of mine actually turns out to be true and there are somehow two parts of Arlathan, one on the ocean floor and another in the center of the Fade/the Black City, I'll do a triple backflip. lmaoo

Then Lucanis jumps in with some incredibly smooth fighting moves against the Venatori... and PURPLE WINGS!! So we were right with our speculation about the reveal trailer! Why does he have them? Is it some connection to a pride demon that revived him? 😂 I don't know, but it looks SO cool!! And after showing off, we hear his first line "I'm ready" with that sweet sweet accent, which is just the cherry on top!! <333

What the heck is up with the sky in this one?? My first thought was the Lighthouse?? 😍😍 Because if you look closely, there are a few wolf head ornaments on the walls? 👀 And this could be in the Crossroads and just like a real Lighthouse, there's a light on the top..? 🥹

Then there's Bellara using some magical device, that looks super similar to the things that were next to the big eluvian in that other scene!

Which makes me think that this might be where we help Bellara find this artifact in order to get the eluvian at the Lighthouse to work properly (since it doesn't seem to work right without Solas, according to the Game Informer article).

"I've never seen this before. There's something kind of exciting about it!"

Not gonna lie, that line and that weird looking device gave me Peebee flashbacks from Andromeda, which I honestly wasn't the biggest fan of. 😂 But Ghil Dirthalen (member of the community council) responded to me a few weeks back on twitter and confirmed that Bellara is nothing like Peebee at all. lol So that's a relief. 😂 I'm really looking forward to learn more about her and every time I see her magical gauntlet, I'm reminded that we're *definitely* not in Ferelden anymore. lol

Anyway, we then get a few shots of the Deep Roads?? Kal-Sharok??? 👀👀 And of course, there's Harding's big reveal of her new magical powers! The animation on this looks sooo amazing!!

Like many suspect, the Titans' awakening might have something to do with this! I totally agree with what Ghil Dirthalen said on twitter recently and, rather than this being Harding having Solas' petrification powers, it's actually Solas who has the powers of the Titans/stone sense/whatever Sandal did to those ogres back then lol. (I need Sandal to return and be her "teacher" or something 🙏❤️) We know of Solas' orb, which was likely created by obtaining the heart of a Titan. And if the Titans are connected to the Forgotten Ones, Fen'Harel was once considered their ally in Dalish legends. 👀

Also, if you look closely, you can see that the moment her powers are triggered, we see the blue glowy effect all over her body, like glowy lyrium veins almost?

And that in turn could hint at something in connection to her blood? So that big injury we see on her (which is still visible in this scene btw!) was maybe the moment her blood came in contact with something that awakened these powers? (We need Valta back to explain! lol)

"What is happening to me?"

That delivery gave me chills again... She is frightened. Ali Hillis is so good. 🥺🥺🥺

Next up is the Grand Necropolis and people have already pointed out that the ceiling we see at that entrance hall or something looks like a GIANT rip cage?? 💀 (What kind of creature would be THIS big???)

First look of Emmrich in-game!!! And he's wearing a fancy new outfit!! And I paused at the perfect moment to catch Rook already falling in love with him, clearly. lmao

There are two characters next to the gate that could be anybody, really. Myrna from Tevinter Nights or Joanna from the short story "The Flame Eternal"? The guy on the right is actually giving me Executor vibes?? 👀👀👀

Then there's Giant Skeleton Monster (Manfred's mom?), and don't even ask me what this could possibly be. 😂 I just hope we don't have to fight THAT (we totally will 💀). I got flashbacks of the Human Reaper endboss in ME2. 😭😭

"Let the Fade draw close!"

There's something kinda... posh about the way he says this? 😂 Like, he's not really intimidated by Giant Skeleton Monster and it's just another Tuesday in the Grand Necropolis and Professor Volkarin is just doing his every day job. lol

Then there are two shots of what I think is somewhere in the Anderfels but snowy again, like that area in the beginning where Elgar'nan and Ghili showed up? And a destroyed watchtower that is occupied by the Wardens. Then we get a *third* and final shot of this beauty again.

"Draw the dragon out into the open. Then attack."

I assume that's Taash?? Sadly, that shot of her drawing her weapon is all we got from her in this trailer, but she looks awesome!! <333 We're gonna be Lord of Fortune buddies, even though we might disagree on the matter of dragon hunting lol (look, I don't want to *fight* dragons, I want to be *friends* with them 🫠😂❤️ I want to see them live their best lifes.. for the most part (I get to the Elgar'nan dragon and the blighted "twin dragons" in a second lol))

We see the docks of Minrathous for a split second and then a first glimpse at a romance scene between Rook and Neve? 👀 At the Lighthouse maybe?

"You and me Rook. Maybe that's what scares me."

What does she mean by that exactly? Does Neve have commitment issues? lol Or is this more like a "We're a dangerous match, Rook. We'll be too powerful of a couple. Like Bonnie and Clyde." kinda statement? 😂

And THEN... Well, then we get probably THE most badass looking introduction/entrance of any character in DA yet. lol And YES, I freaked out SO hard.

SHE'S BACK. Returning like the QUEEN that she is. 🙏 And of course, she has to come down a flight of "stairs" again. lol (And no, Claudia Black did not lie, she just wasn't contacted at the time. 😁) Gosh, that transformation is so SMOOTH. I could watch that forever, it's so darn beautiful. 😍 Again, the way this is done, cinematically.. just *chef's kiss*.

In retrospect, it seems almost like a given that she would be back because.. well, everything about the way DAI ended. lol Flemeth wanted her to inherit her "godhood", and she looks more than ever like her mother now. Remember the designer notes on that last scene in DAI.

Flemeth intends to let Solas have the power, so long as she can pass the essence of her godhood onto Morrigan, a gift Flemeth had always planned for her daughter yet one Morrigan misunderstood as hostile possession.

So, what exactly is she now? Did she receive whatever Flemeth sent through the eluvian at the end of DAI? Does she carry Mythal now?? If so, does Solas know (I NEED a conversation between those two technically "half-siblings", because Flemeth/Mythal is both their "Mother"? 😂)?? Remember when I said that this one dragon that appears multiple times here reminds me a lot of the dragon on the vinyl cover with the Golden City, which is very likely Mythal? So my very first thought was that the dragon is actually Morrigan?? lol Just throwing that out there.

It seems to me that she is with the Dalish/Veil Jumpers in the Arlathan Forest now? (Btw, if you look closely, you can see elven mosaics in COLOR in the background? :O)

"These are the times in which legends are born or slain."

That line goes so HARD aHhhh. Also, speaking of slain, that new outfit is slaying too. <33 Her return also means that the Well decision and potential consequences are back on the table, which will definitely keep me up at night again. 💀

That moment right there. She is everthing. ❤️❤️❤️ I wonder if we're gonna see Kieran again?? 🥺🥺

We then get the most impressive tracking shot and choreography of what I think is Teia and Viago fighting some Venatori?? <333333 Like, seriously, the way the camera is following his movements in this shot without a single cut, makes me think of something like flippin Games of Thrones' Battle of the Bastards. 😱 And those hair physics on Teia as she's swinging around?? Absolutely amazing.

Followed by Lucanis and.. is that Zara Renata (the character with the best name ever lol)?? Fighting over an ominous glowing staff. lol We know these two still had unfinished business with each other after the Wigmaker Job in TN.

Then we get our first in-game look of my man MANFRED (🎉🎉🎉🎉), proving yet again to be the most fashionable character in the whole game, using his pelvis effectively. lol I love him so much.

Then there's another terrifying shot of Giant Skeleton Monster, which almost looks like it's in command over the crowd of people here, like they're possessed or something? Uhg.. As if this thing wasn't scary enough. 💀

"Our gods are back. Our gods! How do we stand up against that?"

Again, CHILLLLS!! Chills all over. It's gonna be so interesting to hear what the Dalish, Bellara or Davrin think about all these revelations!

Then we see the Wardens again, confronting one of the super duper blighted "twin dragons" we see at the end (more on that later).

We see Neve using a barrier or something against a guy who wears the same armor as her, so maybe the Shadow Dragons are corrupted, too?

Then we see Rook dramatically tossing a sword on a table at Weisshaupt? And holy moly, Davrin in that new armor here looks FINE. 😍

Back in Treviso, we see a cool finishing move from Rook, obliterating a poor Venatori guy. That bow on Rook's back though (I need it)! :O

"I believe in all of us. So let's get it done."

That little pep talk from Rook certainly worked for me. lol Like, whatever it is we're doing here, I'm so pumped, let's gooooo!

Then we get literally a millisecond of a frame, where you can see Ghili lying on the floor.. with the lyrium dagger stuck IN HER CHEST??

EXCUSE ME?? They wouldn't just spoil her death like that, right?? lmao Also, that adds another billion questions about this damn flippin dagger and at this point the list of questions is getting so long that I've completely given up speculating. 😂💀 We see how Rook tries to retrieve(?) the dagger but the power it emanates pushes them back?? What the heeellll.

And then I died. No, really. lmaoo

What can I say.

I cried. I screamed. My soul left my body. It happened. We FINALLY saw him. The Dreaded Wolf, He Who Hunts Alone, Roamer of the Beyond, God of Rebellion. The one everyone's been talking about since flippin 2009. And by GOD, he lives up to his NAME.

He's dreadful, he's horrifying. He's a monster, a nightmare. He's perfect. And just like Solas, he's just a Little Guy and bald. 😭😭😭

...At least in comparison to this dragon!! Look at that friggin SIZE DIFFERENCE. Someone measured the size by comparing them to Rook, who we see for a split second before Fenny leaps in. So, make no mistake, Fen'Harel IS the size of a high dragon, like he was described in Tevinter Nights... It's just that this blighted dragon is HUMONGOUS. lol That dragon, let's call him Elgar'nan, because we all KNOW, right?? Who else could it POSSIBLY be?? He's got the horns, he's the dragon on the vinyl cover with the Blighted Black City, he's ENORMOUS!! I've been saying this forever. Fen'Harel vs Elgar'nan, Battle of Gods was all I ever wished to see and FUCK, I CAN'T BELIEVE THAT WISH CAME TRUE. 😭😭😭

And look WHERE they are fighting!! It's Minrathous, you can clearly see the floating building in the background!! Which means the Dread Wolf is OUT. He's no longer trapped, or in the Fade. Remember Sandal's prophecy "When he rises, everyone will see". And he HAS RISEN. lmao And look at the lighting!! It's the same dim, gloomy RED we've seen at the end of the reveal trailer with the eclipse. "AN ECLIPSE AS FEN'HAREL STIRRED". IT'S HAPPENING. Remember the 2020 teaser MURAL.

Is this the Black City or is it the floating building?? Either way, it's BLIGHTED. In the trailer, Minrathous has clearly been completely taken over by the Blight. "All the world will soon share the peace and comfort of my reign", that's what Elgar'nan said at the end of the 2023 teaser, and what better way to take over the world than to start with the biggest capital in Thedas, a nation which built their own empire over the ruins of Elvhenan, ruled by the most powerful mages!

And I am SO scared. You can see Elgar'nan snapping Fenny. The dragon is blighted, and maybe so is Fen'Harel. He's also clearly been through so much. "The Wolf chews his leg off to escape the trap.", is what Cole said in Trespasser. I don't think he always looked like that. In the murals and the 2022 cinematic, he has a lot more fur. And I can't help but think about the devs saying that Solas wasn't always bald either. lmao How are they connected.. are they one and the same.. are they bound to each other.. we still don't know. But I'm SO. F*CKING EXCITED. TO FIND OUT.

Those few seconds of this scene were breathtaking and whoever made this trailer knew exactly what they were doing, because the editing is so perfect as Fen'Harel charges at Elgar'nan in slow-motion and the music cuts out completely while that beautiful wolf howl can be heard and you can almost HEAR everyone's jaw dropping on the floor. lmao THAT's. how. you. do it. *standing ovation* *sobbing*

Okay. Breathe. Moving on. We gotta get to the end. lol

The very next shot is SO funny to me, because we literally just got to see Elgar'nan, the biggest flippin dragon we've ever seen in DA and it's followed by a shot in which Elgar'nan looks SO tiny next to Ghilan'nain. lmaooo

His ego doesn't allow to appear small though, I guess, so he f*cking levitates to top her in height. lmao These two ancient clowns are already killing me.

What's interesting though is that this is the exact same angle from which we left off in the gameplay showcase. And Solas is nowhere to be seen, so... did he literally just "poof" away right there into that Fade prison?? lmao

We get a quick montage of all the lovely monsters we will face. Like I mentioned, there's the Elgar'nan dragon taking a swim in the ocean, I guess? (I hope he drowns. lol) And a shot of what I think is Irelin (from TN and The Missing) doing.. something with some magical device. Someone fighting a magical "automaton" in the Arlathan Forest. lol Harding doing her THING again, acting like Toph from Avatar, literally bending the flippin earth, like a true Child of the Stone!!

And right before the end, there's one of my personal favorite shots, Rook basically bitch slapping a Pride demon into full K.O.?? lmao

The trailer ends with a final beautiful shot of Pokemon Ruby & Sapphire. lol No, seriously. A SUPER blighted pair of angry dragons, seemingly at the same snowy place that Elgar'nan and Ghilan'nain popped up earlier in the trailer. 👀👀👀

So, they might have something to do with this? There was a dead dragon lying on the ground in an earlier shot, so maybe the elven gods revived them? If I see Blue and Red, I'm of course immediately reminded of lyrium.. whatever that means. Or, given that they seem to be attacking Grey Wardens in this place... maybe we are looking at an altered form of Archdemons?? Or something similar to Corypheus' dragon? 👀 There is an interesting theory floating around that Ghilan'nain might look like *that* because she somehow merged with her lover Andruil. As I mentioned in the beginning, Ghilan'nain seemed to have been struck by a spear or something.. and in this shot, you can see that the red dragon is pulling a spear out of its body! Sooo... maybe that actually IS her?? And she somehow transformed into two different blighted dragons, representing herself and Andruil??? The tinfoil hat is strong with this one. lol

ANYWAY. The release date is revealed to be 31st of October, making this the best Halloween of all time!! Not only is it perfect because of its origin, Samhain, the thinning of the Veil between the living and spirits.. But also because we all get a chance to dress up as Manfred, walk into the store, buy the game and then go Trick or Treat (but mostly trick) in the name of Fen'Harel, the Trickster God. 😂😂💜💜💜

And that's it!! Now we only have to wait two months before we can all lose our collective shi— NO WAIT, OF COURSE WE'RE NOT DONE YET.

WHAT THE HELL

IS THIS

EXCUSE ME, how do you throw this in there in the background at the very last second, HELLO??? A rocky object, split in half. HUH, WHERE HAVE WE SEEN THAT BEFORE.

Oh, you sneaky sneaky people. The mural depicting a Titan's death.... Remember the description of this place in DAI's files.

"A final eluvian is situated in a beautiful bolt-hole where Solas has painted murals. Fen'Harel was here and wanted to make sure nobody ever found what the other gods were doing. This place was the breaking point for him that turned him against the gods."

Whatever this is... I think it might be the very reason why all of this is even happening. The Evanuris mined the Titans' blood and "something else" before they collapsed and sealed the Deep Roads with stone and magic.

"Terror, heart-pounding, ice-cold, as the last of the spells is cast."

"What the Evanuris in their greed could unleash would end us all. Let this place be forgotten. Let no one wake its anger. The People must rise before their false gods destroy them all."

I'll leave it at that. I'm so so so flippin excited. I want to thank all the devs involved, I'm so full of joy and can't wait to finally return back to Thedas in October. 🥹🥹🥹 (And if anyone wants to get me that "Rook's coffer" collectibles thing for my birthday two days after release, my address is— naah just kidding!! ..or AM I?? 👀😂😂)!! 💜💜💜💜💜

#dragon age the veilguard #dragon age the veilguard spoilers #tinfoil time #datv #datv spoilers #solas #da4 #and now I go lie on the floor lmao #until October 31st lol #*crying of happiness*#the hype is REAL

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maythedreadwolftakeyou · 19 days

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Hiii, do you have any tips for drafting out embroidery patterns? I've got one in mind, but drafting it out and color picking is so nerve-wracking!!

[Hi!!!! this got kinda really long so I'm gonna crop it under a read more. And I honestly don't have any real training/instruction in fiber arts so this is just how I do things, and probably others do them very differently!]

Haha so my fandom embroideries are VERY different from my non-fandom personal pieces in this respect. For non-fandom things i just kind of throw myself in like WAHOO FREEFORM LETS GO and go for a kind of messy colorful approach that ends up as things like this:

Versus my fandom stuff is way more structured and designed to fill space, be very precise, etc. So for those I do go in with a digital mock up of the design I make in photoshop, that I then color in, and then as my last step translate to thread colors.

For my Dragon Age series. this has been because I'm specifically trying to mimic the stained-glass style of art you see in parts of the game like the dialogue wheels, some icons, windows, etc. The icons in particular were really easy to copy into embroidery because they already come in handy circles:

This is mostly because I have desperately wanted to pick up stained glass work as a hobby for like 6 years now. As in once every 3-6 months I put everything I'd need to start doing it into an online shopping cart and look at the price total and then sadly close the window because I just don't actually have any space I could do it in (I live in a 2bed apartment so i have no garage or yard or anywhere it wouldn't make everything else a mess or be a hazard). The day after one of those events I impulse bought and completed a floral embroidery kit from the craft store and kinda was like... ok, well, I did this once how hard can it be to use this medium to mimic the hobby I wish I could be doing? Plus, it's only like 60 cents per color! I can afford that! So I took the first design I wanted to do, the romance icon, and basically redrew it sloppily in photoshop, then freehand-copied the design onto fabric and stitched it the next day:

I learned a lot from this piece and changed my approach a little. Here you can see I tried shading in the parallel direction to my thread, which looked messy and added texture, so now I shade horizontally to my thread direction instead.

But it gave me a basic approach for turning the Tarot cards or DA Keep tiles (or any other art!) into embroidery patterns, which I couldn't copy as directly into this really smooth stained-glass style. There's a basic process I follow when doing these conversions that generally follows the same order, which I'll go through below.

STEP 1: SHAPES

The first thing I do is pick the shape of my display frame which is usually a circle, but could be an oval or rectangle too, since I hang the finished pieces on my wall to have nice way to show them off. I like to fill the whole space so knowing the size and shape of what I want the finished project to look like is a good goal for me. Since I am doing fandom pieces I want to be recognizable, I do stick pretty close to the "original" character design/art, but you can absolutely change as much as you want and freehand draw your own interpretation instead. If you're doing original art just substitute the below composition notes with "sketch out roughly what you want it to look like". I personally do my pattern drafting digitally as I find it easier, but you can do this part by hand too.

First, I keep the reference image I'm working off of open next to me while I work, and draw in the shape of my frame (here, a circle). If I'm adding in the little border to be fancy, I add a second inner circle. I keep these as their own top layer so I always know I'm working within the final "frame" and don't spend time designing any section that will fall outside it. Then I will take copies of the reference image and knock the layers down to 25-50% opacity, and start moving them around underneath the 'frame' layer until I like the way their positioning looks as a composition. Sometimes elements of a card I want to include don't all fit in, so I'll chop the section out and add an additional layer to throw in (like the background circle things in the Hermit design below). Or I'll just freehand things like adding much bigger diamonds behind Solas in my Hierophant design because I did NOT want to do 1000 tiny ones. Then once I'm satisfied with the general composition, I'll use the plain ol circular brush tool to trace out the major shapes of each element. I try to keep in mind that I can't go too small, and curvy lines are more difficult to fill in than straight ones. I usually do a rough messy version first, make it mostly transparent, and then a cleaner and more precise one over that.

(you can see parts of the rough one on the left and the fully 'cleaned up' on the right for the Hierophant design)

Now: depending on what you are doing next with the pattern, this might be where you stop and start coloring. If you are planning to freehand your design or just trace it onto fabric (or even print it onto fabric here), there's no need to do more than this kind of lineart! However, if you are working digitally and want to create a scalable vector so you can print it at different sizes, you can use the pen tool in photoshop to trace your design and make a "work path" of the lineart. However, another note: THIS PART IS VERY FRUSTRATING AND TEDIOUS BECAUSE THE PEN TOOL WAS CREATED BY THE DEVIL TO TORMENT US. It is so so so easy to accidentally delete a line or even the whole path and not notice later on. Ask me how I know 😭 Anyway I'm not going to include a pen tool tutorial because I don't even know how to use it well and have to google or watch videos every other time I try to use it. But if you can muddle through it gets you some really clean lines that eventually look like this:

With the work path selected, you can select the brush tool/size/color and use the "stroke path" option to create lineart of the vector. Then you can save this as a transparent png file for use at different sizes and for printing and it looks so nice and clean! one of the big benefits to this is that you get really fine lines that are easier to be precise with stitching on. This is extra perfect if you are printing the design directly onto your fabric (which you can do with an at-home inkjet printer for designs under 8inches wide, as long as you stick a piece of stabilizer on the back of your fabric and cut it down to printer sheet size--this is what I do and can make another post about that process if people want haha), or if you are printing onto transfer paper like you can buy at craft stores.

This is where I end the lineart for my designs. After I have this, I move on to the next phase, which is...

STEP 2: COLOR

For interpreting my designs into thread, I start by thinking of it as flat colors first. You can't "shade" as easily with threads as you can with things like paint or brushes in digital art (though you can A Little, which I will get into), so to start color planning I pick the "main" color each section will be in the piece.

For the existing icons this was simple--I kept the same sections as the original designs, so for each I just color picked or eyeballed the color in photoshop and colored it in (but you could do this on paper with pencils, markers, whatever as well--they don't need to match your threads exactly and usually won't, it's just to give you an easy reference to follow as you go). For the tarot cards which were more complicated in coloration, I just did my best and went with what looked good next to each other, even if it was a little off the original art. It will be off more later anyway when you have to pick threads so don't stress it too much honestly. I will often make layers with different color options and turn them on/off for direct comparison to try to determine what I think looks best as well, like below where I was debating between more blue/desaturated for the background or brighter colors.

I do wanna note I have regrets about the color selection, shapes, or shading in EVERY SINGLE ONE of my finished pieces. But no one else ever comments or probably even notices! One aspect of this hobby is just learning to be satisfied with what you've made and using what you learned to get closer to your preferences next time. I'm only going back and redoing some of my designs' colors because I want to make it easier for others to choose on the patterns I sell, more than I care for just for myself. Also since I'm doing this lineart/stained glass looking approach where I go over the distinct shapes with black thread at the end, it means I get these clear delineations between sections you might not necessarily have in your own pieces, and that's ok.

Ok right. Now while shading/coloring in detail is hard with thread, you CAN make whats essentially dithered gradients. "Dithering" in the concept of art means using 2 (or more) colors to give the impression of a third color, or to gently scale between the existing binary rather than a hard line. Think of it like blocky pixel art or gameboy game images. If you're doing needlepainting, you use really small stitches close together to get this effect, which translates to "smaller pixes"--if you look at the jellyfish in my first photos that's a very messy casual version of that. If you want a better example, I recommend looking at @ammocharis 's pieces like these in her pinned post, which are truly amazing! I simply do not have the patience myself 😂 For my stained glass style, I work only in very long straight stitches, so I can only shade in one direction and have to be a little more precise with it.

So for shading, I think about in each section which direction my threads might go. Then perpendicular to that direction I pick which side will be the light one and which the darker one. Sometimes I color this in on my pattern mockup, but sometimes I don't! Or I'll only do it for certain sections to make sure I don't forget. Like for my Tower design I only colored it as flats, and waited until I selected threads to decide how the shading would go. I am currently working on a smaller, simplified version of my Hierophant design and I did add shading digitally for that one just for fun. But it's not as important as having the flat color version you can use to quick-reference how you want your design to go while you're stitching. You might also notice I don't actually color my gold--I just throw in a stock image of gold foil for that layer so I can't confuse it with any of my yellow thread sections.

Here's a close up where you can kind of see what I mean by the "dithered" effect between colors--some are more obvious (like the red on the far left or middle orange) and others pretty subtle (dark grey to dark red on the wolf face):

Now, while I use single layers of satin stitches for this, and just alternate thread colors increasing/decreasing as I go, you can accomplish the same thing with short overlapping stitches like with needlepainting, or with clusters of french knots, or whatever else. But in GENERAL you are going to be able to trick people into seeing gradients out of dithering best when you are using the same type of stitch for that whole area. So if I was using multiple stitch types like having french knots, daisy chains, ladder stitching or whatever else for some sections, I would keep those to contrasting areas/colors. A fantastic example of using different layered types of stitching to create more intricate color/texture in an embroidery would be these incredible tarot card depictions by @hattedhedgehog, which I like even better than my own embroideries. Here's his take on the Tower card as well for comparison to mine (I'm so in love with it!!!).

But anyway, at this phase, your design is actually still digital--the above is just to explain how it translates later in the process. The next step is...

STEP 3: THREAD SELECTION

I will admit here I am not great at this part. I am constantly second guessing my thread colors, and can spend over an entire hour in the thread aisle at the craft store agonizing over choices. Really, I think this is just one of those things that takes practice and you get better at it over time. What I have had the best luck with is actually printing out a reference photo of my design/the original artwork and taking it with me. If you already have threads you can do this part at home too, but DMC alone has over 500 colors and I definitely don't even own half that so I like to torture myself by looking at them all together on the thread racks. Plus Anchor and Artiste and whatever other brands there are out there. One approach is to just sit there and pick out what you want for each section and line it all up together on top of your printout. Or in the case of my Tower I laid a bunch of options out on top of my template in the hoop to guess how they'd look in the frame.

For me since I am also doing this dither shading thing, I also need 2-3 colors per sections depending on its size. Sometimes it's easy and the threads have a color just a little darker or lighter right next to them in the numerical lineup! Other times, there is no good match, or it looks too far away to shade nicely, or I want one to be a warmer or cooler tone than the other... which means a lot of standing and fretting to myself over it. I actually take a lot of photos at this stage because it can be easier to see how they will look in the end from a photo than in person to me? Idk why. Plus then after they get scrambled in my bag I remember wtf order I meant for them to go in later. But as long as you're not preventing other customers from shopping themselves, you can spend as long as you want staring at thread in the embroidery aisle and they won't kick you out unless it's closing time, so take your time.

Now, IN THEORY, you can sort of combine steps 2 and 3 by color-selecting from your threads and using that to color in the design. However I have tried this and it led to mixed success because the photoshop eyedropper brush simply isn't actually that exact (in my experience, it desaturates compared to what we actually see). And because then you have to have the threads on hand while you're coloring... which means you might buy ones you don't end up using if you don't like them. So I prefer to just use this as a refinement step where I pick threads based on the design colors, then will re-color the design a second time to match those threads more closely to be sure I like the effect.

I've even used this as a tool when I needed to adjust my color choices mid-project, by digitally coloring over over my WIP:

Or here's a design (but I haven't posted the finished piece yet bc it's a gift so shhh) I made with certain color tones initially, but after buying thread I re-did the color mockup to be more vibrant, because I liked those threads better in the store:

Once you have your thread, you can make yourself a little reference chart with the colors you intend noted on the sections you want them, like below:

(note: i didn't end up sticking to these colors because I ended up dying my own thread for several sections. And then forgot I made this entirely and picked new ones because I put the project down for a year between design and stitching. Sigh).

Or for my Solas pattern I did this in a really detailed way, which i am sorry but i have redacted because... i have it for sale now and don't wanna just give that away haha. But if you buy the pattern from my shop this is one of the files you'd get with it, for ease of reference. I do also include a text-only list of them as well.

Now I don't go to this much trouble for all my designs, just the ones I put up for sale (or plan to). You can also just make a text list of your color plans if you want. Though for fun I also have been using my scrap thread to make these little "color palette" keyrings for my finished pieces, so if I ever remake them or update their patterns I will know what the original colors were, plus I can compare what i used to other threads if I wanna change part of the design up. This step is absolutely not necessary and I'm just doing it because I'm selling the patterns now, but they are kinda fun to look at.

And don't forget.. if you start a section in a certain color and decide you don't like it, you can just cut the threads and pull them out! I did that with my original hierophant piece actually. I had an entirely different color for one row of diamonds i thought just clashed way too much with the others, so I used photoshop to paint over it with some alternate options until I found one I liked better. Then I cut away all the old threads and put in the new color. It can be a little harder to fill a piece the second time since the fabric will have stretched out a little, but as long as you're using a good stabilizer it usually doesn't move too much.

You can also just make test swatches on spare fabric to test before you add them to your real piece. I wish I'd done this for some color transitions that didn't end up looking the way I wanted, but I am simply too lazy most of the time. My exception is usually for metallic, satin, or sparkly threads, because I want to know how they feel while embroidering. But if you're really worried about a certain color or shade it's a good thing to remember you can just do.

SO yep, that's my general process for drafting patterns. I start with the shapes/design, then do my flat color version, then I pick my threads. Makes it sound easy and short when phrased like that :) But I can honestly spend 8-10 hours just on making the lineart and coloring it in. If I was better at art, probably this would be less, but I'm working with what I've got (not much) 😂 I think all aspects of this are also something that gets easier over time, but it will probably never look as bad as you worry when you start out. I think all my pieces look awkward and rough right up until I do the finishing steps and move them to the display frame sometimes.

I hope this was helpful and answered your questions!! Feel free to post/share your WIPs to ask for feedback or advice ever too :) I've only ever had people in the embroidery community on tumblr be encouraging and helpful to me, and I'm happy to answer any questions myself when I can or if parts of this were confusing

#ramblings #my stuff #my embroidery #embroidery #dragon age embroidery #calicostorms #oh god tumblr changed the alignment of all my images so theyre all huge now great #WELL I keep tryign to rearrage them to be on the same line and it is NOT working so. thats how they will look i geuss #this is gonna annoy me all night... thats what i get for expectign a Functional Website though

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