Two publications, two photographs, same month, same year, same model, same dress, one parasol.
Le Figaro-modes : à la ville, au théâtre, arts décoratifs, no. 32, août 1905, Paris. Mademoiselle Marie-Louise Derval. Photo Paul Boyer. Ville de Paris / Bibliothèque Forney
Les Modes : revue mensuelle illustrée des arts décoratifs appliqués à la femme, no. 56, vol. 5, août 1905, Paris. Mlle Marie-Louise Derval. Toilette de plage. Photo Paul Boyer. Bibliothèque nationale de France
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For much of my life, so much media was made by men. Men with working class and military backgrounds. Chain smoking war veterans and high school diploma engineers and sleaze writers. Journalists who were 20th century journalists and not 21st century journalists. Men who were actually pretty familiar and relatable because they're like guys in my family.
This made me think, you know what would be great, if women made some of this stuff too. One day, feminism will win. We will get to be in the public sphere just like these same men.
And now women do all of these things!
Women with MFAs.
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thinking about taisho era jade born into a merchant family and he's schemey and sly as usual but really he just loves purchasing strange flora and fungi from the west. and then he meets you, an orphan who makes a living by selling flowers that you grow by yourself, not knowing how difficult it actually for other people to grow said plants because you were born with an insane green thumb and so all plants thrive under your care hehehe. he's so intrigued by you he basically hires you as his greenhouse assistant and loves spoiling you with new flora and eventually accessories that remind him of your plants (giving someone a hairpiece = marriage proposal)
he's supposed to be marrying someone with a stronger family backing so he can increase his business relations but nope. he's dead set on marrying the person who made his heart bloom♡
more thoughts continuing here!✧Masterlist
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White Peacock
Ohara Koson
Showa period, 20th century
woodblock print, ca. 1934-1941
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Samuel Barber (1910-81) - Adagio for Strings, Op. 11. Performed by Kenneth Slowik/The Smithsonian Chamber Players on period instruments.
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L'Art et la mode, no. 32, vol. 31, 6 août 1910, Paris. Bibliothèque nationale de France
Robe de casino en liberty et tulle "vieux bleu" Bandes brodées de soies plusieurs tons rehaussées d’argent. (Casino dress in liberty and “old blue” tulle. Embroidered bands of multi-tone silks enhanced with silver.)
Broderies de MILTON ABELSON, REGENT house, regent street, LONDON w.
Imp d'art L. Lafontaine, Paris.
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