#2010s Patriots

[tampatom12]

"2024 is off to a hot start"

.

.

Julian Edelman sharing a few Behind the Scenes photos via Instagram // Wednesday, January 31st, 2024

[dangermousie]

In support of Hot General Summer (tm)

I realized that my recent poll not only lacked visual support but also left out a lot of my fave cdrama generals. So, in support of my Hot General Summer agenda:

Xiao Qi, Rebel Princess

Wei Wu Ji, Sound of the Desert

Ling Buyi, Love Like the Galaxy

Zhousheng Chen, One and Only

Zhao Yun, God of War Zhao Yun

Sima Yi, Secret of Three Kingdoms

Han De Rang, The Legend of Xiao Chuo

Zhan Beiye, Legend of Fuyao

Gao Chang Gong, Lan Ling Wang

Xiang Yu, Story of Han Dynasty

Cao Pi, The Advisors’ Alliance

Meng Tiang Fang, Ancient Terracotta War Situation

Chu Bei Jie, General and I

Zhu Zan, Jin Jiu Ling

Wolfie, The Wolf

Xiang Yu, Legend of Chu and Han

Cheng Yi, The Promise of Chang’an

Liu Xiu, Singing All Along

Huo Xin, Painted Skin the Resurrection

Meng Qi You, Glamorous Imperial Concubine

Yang Bros, The Young Warriors

Weng Gui, Princess Jieyou

Xiao Ping Zhang, Nirvana in Fire 2

Pei Zhao, Maiden Holmes

Ji Ye, Novoland Eagle Flag

Zhu Qi Zhen, Imperial Doctress (it’s a reach he’s an emperor. But he leads his force in battle and I wanted Wallace Huo there so...)

Yuan Ling, Lost Love in Times

Yi Xiao Chuan, The Myth

Gu Tingye, The Story of Ming Lan

Lu Bu, Three Kingdoms 2010

Xu Lingyi, The Sword and the Brocade

Yue Fei, Patriot Yue Fei

Xiang Yu, The Myth

Ping Zhang, Nirvana in Fire 2

Guo Jing, Legend of Condor Heroes 2008

Xiang Yu, The Legend of Qin

[vertigoartgore]

2014's All-New Captain America Vol.1 #1 cover by cover artist Stuart Immonen, inker Wade Von Grawbadger and colourist Marte Gracia.

[retr0-dayz]

[f4nger]

[mcmansionhell]

this house may or may not be real

on grayness in real estate

Allegedly, somewhere in Wake Forest, North Carolina, a 4 bed, 5.5 bathroom house totaling more than 6,600 square feet is for sale at a price of 2.37 million dollars. The house, allegedly, was built in 2021. Allegedly, it looks like this:

A McMansion is, in effect, the same house over and over again - it's merely dressed up in different costumes. In the 90s, the costume was Colonial; in the 2000s, it was vague forms of European (Tuscan, Mediterranean), and in the 2010s it was Tudor, dovetailed by "the farmhouse" -- a kind of Yeti Cooler simulacra of rural America peddled to the populace by Toll Brothers and HGTV.

Now, we're fully in the era of whatever this is. Whitewashed, quasi-modern, vaguely farmhouse-esque, definitely McMansion. We have reached, in a way, peak color and formal neutrality to the point where even the concept of style has no teeth. At a certain moment in its life cycle, styles in vernacular architecture reach their apex, after which they seem excessively oversaturated and ubiquitous. Soon, it's time to move on. After all, no one builds houses that look like this anymore:

(This is almost a shame because at least this house is mildly interesting.)

If we return to the basic form of both houses, they are essentially the same: a central foyer, a disguised oversized garage, and an overly complex assemblage of masses, windows, and rooflines. No one can rightfully claim that we no longer live in the age of the McMansion. The McMansion has instead simply become more charmless and dull.

When HGTV and the Gaineses premiered Fixer Upper in 2013, it seemed almost harmless. Attractive couple flips houses. Classic show form. However, Fixer Upper has since (in)famously ballooned into its own media network, a product line I'm confronted with every time I go to Target, and a general 2010s cultural hallmark not unlike the 1976 American Bicentennial - both events after which every house and its furnishings were somehow created in its image. (The patriotism, aesthetic and cultural conservatism of both are not lost on me.)

But there's one catch: Fixer Upper is over, and after the Gaineses, HGTV hasn't quite figured out where to go stylistically. With all those advertisers, partners, and eyeballs, the pressure to keep one foot stuck in the rural tweeness that sold extremely well was great. At the same time, the network (and the rest of the vernacular design media) couldn't risk wearing out its welcome. The answer came in a mix of rehashed, overly neutral modernism -- with a few pops of color, yet this part often seems omitted from its imitators -- with the prevailing "farmhouse modern" of Magnolia™ stock. The unfortunate result: mega-ultra-greige.

Aside from war-mongering, rarely does the media manufacture consent like it does in terms of interior design. People often ask me: Why is everything so gray? How did we get here? The answer is because it is profitable. Why is it profitable? I'd like to hypothesize several reasons. The first is as I mentioned: today's total neutrality is an organic outgrowth of a previous but slightly different style, "farmhouse modern," that mixed the starkness of the vernacular farmhouse with the soft-pastel Pinterest-era rural signifiers that have for the last ten years become ubiquitous.

Second, neutrals have always been common and popular. It's the default choice if you don't have a vision for what you want to do in a space. In the 2000s, the neutrals du jour were "earth tones" - beige, sage green, brown. Before that, it was white walls with oak trim in the 80s and 90s. In the 70s, neutrals were textural: brick and wood paneling. We have remarkably short memories when it comes to stylistic evolution because in real time it feels incremental. Such is the case with neutrals.

Finally, the all-gray palette is the end logic of HGTV et al's gamified methodology of designing houses with commodification in mind: if you blow out this wall, use this color, this flooring, this cabinetry, the asking price of your house goes up. You never want to personalize too much because it's off-putting to potential buyers. After twenty years of such rhetoric, doesn't it make all the sense in the world that we've ended up with houses that are empty, soulless, and gray?

A common realtor adage is to stage the house so that potential buyers can picture their own lives in it. In other words, create a tabula rasa one can project a fantasy of consumption onto. Implied in that logic is that the buyer will then impose their will on the house. But when the staged-realtor-vision and general-mass-market aesthetic of the time merge into a single dull slurry, we get a form of ultra-neutral that seems unwelcoming if not inescapable.

To impose one's style on the perfect starkness is almost intimidating, as though one is fouling up something untouchable and superior. If neutrality makes a house sell, then personality - at all - can only be seen as a detriment. Where does such an anti-social practice lead us? Back to the house that may or may not exist.

In my travels as McMansion Hell, I've increasingly been confronted with houses full of furniture that isn't real. This is known as virtual staging and it is to house staging as ChatGPT is to press release writing or DALL-E is to illustration. As this technology improves, fake sofa tables are becoming more and more difficult to discern from the real thing. I'm still not entirely sure which of the things in these photos are genuine or rendered. To walk through this house is to question reality.

Staging ultimately pretends (sometimes successfully, sometimes not) that someone is living in this house, that you, too could live in it. Once discovered, virtual staging erases all pretensions: the house is inhabited by no one. It is generally acknowledged (though I'm not sure on the actual statistics) that a house with furniture - that is, with the pretense of living -- sells easier than a house with nothing in it, especially if that house (like this one) has almost no internal walls. Hence the goal is to make the virtual staging undiscoverable.

If you want to talk about the realtor's tabula rasa, this is its final form. Houses without people, without human involvement whatsoever.

But what makes this particular house so uncanny is that all of these things I've mentioned before: real estate listing photography, completely dull interiors and bland colors all make it easy for the virtual furniture to work so well. This is because the softness of overlit white and gray walls enables the fuzzy edges of the renderings to look natural when mixed with an overstylized reality. Even if you notice something's off in the reflections, that's enough to cause one to wonder if anything in the house is real: the floors, the fixtures, the moulding, the windows and doors.

This is where things are heading: artifice on top of artifice on top of artifice. It's cheap, it's easy. But something about it feels like a violation. When one endeavors to buy a house, one assumes what one is viewing is real. It's one thing if a realtor photoshops a goofy sunset, it's another to wonder if anything in a room can be touched with human hands. I won't know what, if any, part of this estate costing over 2 million dollars actually exists until I visit it myself. Perhaps that's the whole point - to entice potential buyers out to see for themselves. When they enter, they'll find the truth: a vast, empty space with nothing in it.

The better this rendering technology gets, the more it will rely on these totally neutral spaces because everything matches and nothing is difficult. You are picking from a catalog of greige furniture to decorate greige rooms. If you look at virtual staging in a non-neutral house it looks immediately plastic and out of place, which is why many realtors opt to either still stage using furniture or leave the place empty.

Due to the aforementioned photography reasons, I would even argue that the greigepocalypse or whatever you want to call it and virtual staging have evolved simultaneously and mutualistically. The more virtual staging becomes an industry standard, the more conditions for making it seamless and successful will become standardized as well.

After all, real staging is expensive and depends on paid labor - selecting furniture, getting workers to deliver and stage it, only to pack it back up again once the property is sold. This is a classic example of technology being used to erase entire industries. Is this a bad thing? For freelance and contract workers, yeah. For realtors? no. For real estate listings, it remains to be seen. For this blog? Absolutely. (Thankfully there is an endless supply of previously existing McMansions.)

The thing is, real estate listings no longer reflect reality. (Did they ever to begin with?) The reason we're all exasperated with greige is because none of us actually live that way and don't want to. I've never been to anyone's house that looks like the house that may or may not exist. Even my parents who have followed the trends after becoming empty nesters have plenty of color in their house. Humans like color. Most of us have lots of warmth and creativity in our houses. Compare media intended for renters and younger consumers such as Apartment Therapy with HGTV and you will find a stark difference in palate and tone.

But when it comes to actually existing houses - look at Zillow and it's greige greige greige. So who's doing this? The answer is real estate itself aided by their allies in mass media who in turn are aided by the home renovation industry. In other words, it's the people who sell home as a commodity. That desire to sell has for some time overpowered all other elements that make up a home or an apartment's interiority to the point where we've ended up in a colorless slurry of real and unreal.

Fortunately, after ten years or so, things begin to become dated. We're hitting the ten year mark of farmhouse modernism and its derivatives now. If you're getting sick of it, it's normal. The whole style is hopefully on its last leg. But unlike styles of the past, there's a real, trenchant material reason why this one is sticking around longer than usual.

Hence, maybe if we want the end of greige, we're going to have to take color back by force.

If you like this post and want more like it, support McMansion Hell on Patreon for as little as $1/month for access to great bonus content including extra posts and livestreams.

Not into recurring payments? Try the tip jar, because media work is especially recession-vulnerable.

[detectivejay]

I'm sure this has been done countless times, but polls are fun and I'm curious, so... For the purposes of this poll, I'm only counting shows/books/games/etc. where Sherlock is a main or very prominent secondary character, there's a decent amount of other Sherlock canon characters represented (at least a version of a John Watson), and there are some references made to the ACD originals. Not counting where he's only a relative of the lead but not a main (like Enola Holmes, RKDD, etc.)

Not counting the ACD original canon as an adaptation here, as none of these would exist without it. Everything else listed is adapting it in some way.

There's also some series I haven't watched/read yet but have been recommended that aren't on here yet for the purposes of space, including Detective L, Miss Sherlock and the Bonnie MacBird Sherlock books.

Feel free to reblog this for a larger sample size :)

[fancyfeathers]

I was wondering this for a while, who would most likely desire a darling like Dazai but female out of the Moriarty brothers, also if you consider the light novels the mental abilities of Bsd verse far surpass the MP verse, so the character with Dazai's level of intellence and his persona.

Okay so I deep dived into reading about Dazai cause I am already a huge BSD fan (Paul Verlaine is the best character and I will fight someone on this) and while Dazai is undoubtedly a genius, he is not quite as smart as say William or Mycroft, he is probably in between Sherlock and William. If you set it in perspective he seems smarter because of the times the mangas/animes take place, Moriarty the Patriot taking place in the Victorian Era while Bungou Stray Dogs is set in modern day (2010s-2020s), so it makes sense how Dazai would seem smarter because he has access to quite a few more modern tools while William does not. There is also the fact that Dazai is written to be this smart mentor character rather than the main character so there is a mysterious feeling to him that adds to the genius appearance.

Anyway continuing on lol

Also for reference I’m going to be using more ADA Dazai for reference, like after all the stuff in the PM happened

The answer is William, because it is pretty obvious that William has a thing for energetic genius detectives when you look at his interactions with Sherlock. He probably meets his darling when she gets hired via her detective agency to investigate a disappearance of one of his students or something similar, similar to what happened to Lucian, something that would also catch William’s attention. They would not talk, he would just see her out of the corner of his eye, walking about campus. Then when he looks into her and the disappearance he finds out that she is a detective from a well known agency who was hired to look into the disappearance by the family of the student. He did not even speak to her until the student was found and the case was closed, she found the student, but he was the one who put an end to the one who kidnapped them in the first place, the other making the other’s job even more difficult. He would play the role of worrying professor and thank her for saving his student, and drops the question…

“I wonder how you understand criminal activity so well? You found him so quickly, it is quite remarkable.”

He looked into her, digging as deep as he could to see if she would be an issue, similar to what he did with Sherlock. Sure to find out she was a detective with a high intelligence level with self sacrificing tendencies was easy, but it took a bit of help from Albert and perhaps asking Mycroft for a favor to find out about her past…

138 counts of conspiracy to murder…

312 counts of extortion…

625 counts of assorted fraud and other crime…

She was an executive of a criminal organization during her youth and now she deserted them to turn a new leaf. Honestly they are an enigma even to William, so he begins to keep tabs on her, having Moran or Bonde staking out near her agency and having one of them or Fred follow her when she breaks from her normal pattern of working at her agency’s office or going on certain cases. He will even find one of her colleagues whom she mentors and ask the young boy about her.

“Hm? You want to know about her, well she found me when I was kicked out of my orphanage, she is a bit of an odd one but she and the agency took me in when no one else would.”

Eventually he follows her himself one day when she is leaving work, but he certainly did not expect to find her visiting a grave. William pieces it together that she is one of the only people who visits this grave and takes care of it. She just turns over her shoulder to look at him with a smile.

“Hello Professor Moriarty, I was wondering when you were going to follow me yourself rather than having your colleagues do it.”

She knew he was following her this whole time and he sits with her at the grave in silence for a bit, waiting for her to say something, to explain what she is doing here and of course she catches on and answers before he even needs to ask.

“The person buried here was my first friend, when he died he encouraged me to do something meaningful and help other people instead of what I was doing. He wanted me to do something good with my life and so I left. I threw out everything I had before to do something meaningful, I know it will never make up for the wrongs I have done, but it is a start and well… I really do hope the wicked can change their ways because otherwise everything I have done has been in vain and I am a disgrace to the promise I have made to him.”

In a way her words may put the world in perspective to him but he cannot stop his plans to rid the world of the class system. Then again he now has a new found respect for her that he would not dare lay a hand on her, but that being said he cannot allow her to get in the way and if push comes to shove he will deal with her as necessary, but again he respects her too much to harm her…

Taking her in…

He looks at the good she has done and unlike the nobles he has killed she has actually tried to make amends for her actions.

She has made herself a new, taking what was once was wicked in her heart and making it pure…

Her heart is a reflection of what he wants to do to this horrible world.

[zoobus]

I noticed in the tags for that post about white people clinging to historical ancestor culture stuff in order to "avoid" doing cultural Appropriation had "white people have no culture is one of the worst winning soundbytes of 2010s SJ". Isn't that true though? That white folks gave up what culture they had to assimilate into a blob of "whiteness" to contrast as "not those people?"

You guys are killing me with this shit. What does this even mean? What would it mean for a group to not have a culture? Assimilate? What are the previous cultures assimilating to if there's nothing there?

WASPs, football worshipping rednecks, Appalachian hillbillies, Minnesota Nice, valley girls, the Amish, the Mormons, laid-back cali surfers, bible thumping patriots, granola Oregon hippies, jersey shore, Florida crazy, New York bodega mentality. What created these? How did these stereotypes form when white people have nothing

Just because you think it's boring doesn't mean it's not real, like I genuinely can't wrap my head around attempting to lump what would ***have*** to be dozens of cultures into one and then insisting the paste you just made up is nothing. Culture doesn't require you to find it interesting or cool to exist. It just happens. It's the natural output of humans living around each other.

[evermoredeluxe]

The Kraft Family (owner of the New England Patriots) gifted taylor a framed floor ticket from her first sold out stadium show at Gillette Stadium on June 5, 2010 as a birthday present (x)

[queerism1969]

Atrocity created by CAPITALISM

Irish Famine (1845-1852)

Indian Famines during British colonial rule (Various, 18th-20th centuries)

Indigenous Genocide (Ongoing since colonization)

Slavery (16th-19th centuries)

Indonesian Genocide (1965-1966)

Pinochet Dictatorship (1973-1990)

Argentina Dictatorship (1976-1983)

Brazilian Dictatorship (1964-1985)

Pakistan Incident (Bangladesh Genocide, 1971)

The Gilded Age (Late 19th century)

The Great Depression (1929-1939)

Operation Condor (1960s-1980s)

Banana Wars (Early 20th century)

Batista Dictatorship (1952-1959)

Guantanamo Bay (Ongoing since 2002)

Vietnam War (1955-1975)

My Lai Massacre (1968)

Sinchon Massacre (Korean War, 1950-1953)

Kent State Massacre (1970)

Patriot Act (2001)

Red Summer (1919)

Jim Crow (Late 19th-20th centuries)

MK Ultra (1950s-1970s)

1985 MOVE bombing (1985)

1921 Battle of Blair Mountain (1921)

Malayan Emergency (1948-1960)

Mau Mau Rebellion (1952-1960)

Covert war in Yemen (Ongoing)

Stanley Meyer incident (1998)

Genocide in Turkey (Armenian Genocide and others, WWI era)

Congolese Genocide (Late 19th-20th centuries)

Greek Civil War (1946-1949)

Invasion of Cyprus by Turkey (1974)

Washita River Massacre (1868)

Minamata Disaster (1950s-1960s)

Bhopal Disaster (1984)

Kentler Project (1960s-2003)

Thomas Midgley Jr. and leaded gasoline (Early 20th century)

Forced labor in private US prisons (Ongoing)

Collateral murder in Iraq (2010)

Julian Assange and leaks (Ongoing)

US drone strikes (Ongoing)

US sanctions (Ongoing)

US support for dictatorships (Ongoing)

Korean War and civilian casualties (Korean War, 1950-1953)

Nazi funding and collaboration (WWII era)

Hitler and "Judeo-Bolshevism" (WWII era)

[tampatom12]

“We actually met each other off the field at an autograph signing,” Gronkowski recalled. “From there, that night we went out together and that's when we officially really became wingmen for life, when I was 21 years old. We went to a club called Splash. I was dancing all over the place. Julian was being Julian, and that's when our friendship and our wingman-type of style hit it off together.” -Rob Gronkowski to People magazine about how he and Julian Edelman's friendship began // Thursday, January 4th, 2024

[crisisofinfinitemultiverses]

Captain America: Patriot 1 (2010) by Mitch Breitweiser

[justinspoliticalcorner]

Andrew Prokop at Vox:

The left’s hopes for sweeping change from the 2010s have crashed into the reality of the 2020s. The energy of the Bernie Sanders presidential campaigns and the George Floyd protests is a distant memory. Some members of the Squad have moved toward the Democratic mainstream, while others lost primaries. Several of the progressive prosecutors elected in recent years have been ousted from office (by voters or due to scandals) or appear headed that way. In Democrat-dominated spaces — like cities and mainstream media outlets — there’s been growing pushback against the left. Ambitious progressive rallying cries of just a few years ago, such as defunding the police and Medicare-for-all, are now absent from the discourse. Politicians who assiduously cultivated left activists are now increasingly tacking to the center — most notably Vice President Kamala Harris, who has abandoned many of the positions she took while running in the Democrats’ 2020 presidential primary. Altogether, it’s seemed that progressives have moved from being on the offensive to being on the defensive — in both politics and the nation’s culture.

Of course, it’s not as if progressives’ gains over the past 20 years or so have been entirely wiped away. The Democratic Party remains significantly further to the left than it was a decade ago and certainly two decades ago (see, for instance, my recent article about the rise of the New Progressive Economics). Yet, as bloggers Noah Smith and Tyler Cowen have argued, there are growing indications that the leftward drift of the party and of the country’s culture broadly has stopped. On some fronts, there has indeed been a reversal. “No matter who wins, the US is moving to the right,” Semafor’s David Weigel argued last week, citing “immigrant rights, LGBTQ rights, climate change policies, and criminal justice reform” as issues where progressives are on the defensive. Being on the defensive is not new for the left — it’s the historical norm. Bursts of activist energy and successful reform are typically followed by long stretches where either the new status quo persists or a backlash reverses at least some recent change.

[...]

The era of rising progressive ambitions lasted from about 2005 to 2020

Historical periodization is a tricky thing, but here’s a rough attempt at it. From about 1980 to 2005, the left was mostly irrelevant to national politics. The Cold War was over, and capitalism reigned ascendant. The Republican Party moved right, while the Democratic Party moved to the center. The country cracked down on criminals, unauthorized immigrants, and non-working welfare recipients. 9/11 made patriotism mandatory. Same-sex marriage was viewed as politically toxic. But 2005 to 2020 was, broadly, a period where progressives and the left became increasingly influential inside the Democratic Party, in Democrat-dominated spaces, and in the larger culture. Call it the era of rising progressive ambitions. The disasters of George W. Bush’s second term kicked off the shift, discrediting Republican governance. This enabled the election of the nation’s first Black president, Barack Obama, whose agenda was strikingly ambitious and progressive when compared to the Clinton years. Democrats’ leftward shift accelerated in the 2010s, which saw:

The increased cultural influence of the social justice left, which transformed how much of the country thought and spoke about racial and gender issues (“the Great Awokening”)

The launch of viral protest movements like Occupy Wall Street, Black Lives Matter, and Me Too

The nationwide spread and Supreme Court’s protection of same-sex marriage rights, followed by increased advocacy for trans rights

The rise of more economically progressive and even democratic socialist politicians, as seen in the support for Sanders’s campaigns, the Squad’s arrival in Congress, and party leaders’ embrace of some of Elizabeth Warren’s ideas

A leftward move of mainstream Democrats on issues like immigration and criminal justice, where activists had made the case that status quo policies were cruel and harmful

Increased public discussion about causes like Medicare-for-All, the Green New Deal, and student loan forgiveness

Basically, on a host of issues, the “Overton window” — the boundaries of which political and policy ideas are deemed fit for mainstream discussion, rather than fringe or self-evidently absurd — opened far further left. Trump’s election didn’t stop the left’s rising influence. Indeed, it intensified it, raising the stakes of politics and heightening passions. (Trump’s rise simultaneously opened the Overton window further right on some issues, as leading Republicans increasingly embraced bigotry and flouted democratic norms.) The assumption spread among Democrats that the establishment’s approach had failed and that bold new progressive ideas were necessary. During the party’s 2020 presidential primary, most candidates — including Harris — scrambled to the left, wooing activist groups. Joe Biden, the most old-school major contender, won, but rather than a full-on pivot to the center for the general election, he embraced much of the progressive agenda. It was a political necessity for helming the Democratic Party of 2020.

[...]

The backlash and disillusionment of the 2020s

Things feel different in the Biden years. In part that’s due to the constraints and disappointments that always exist when a party tries to turn a bold campaign agenda into governing reality. Narrow congressional majorities limited Democrats’ legislative possibilities (and then they lost the House). The conservative Supreme Court, meanwhile, blocked some Biden actions like student loan forgiveness and rolled back abortion rights protections. But the trend was broader. Democrats in cities disavowed police cuts as they struggled with rising crime and complained they couldn’t handle a migrant influx. Corporations have laid off DEI workers. Mainstream media companies, increasingly influenced by progressive causes (and sensitive to left criticism) in the 2010s, are now more forthrightly asserting their journalistic independence and challenging progressive ideas. Activism in protest of Israel was met with fierce pushback at universities. Commentators started declaring that “wokeness” had peaked as social justice controversies grew less intense and frequent.

[...]

All of this has happened before

Meanwhile, there’s also been a conspicuous decline of energy and intensity among progressive activists. While many certainly remain committed to their longtime causes, others have disengaged or shifted their focus to opposing Israel’s war in Gaza (an issue that bitterly divides the Democratic Party and where Democratic leaders are disinclined to embrace the left). Perhaps if Trump wins, progressive energy would surge again in opposing him — but perhaps too many people are now burned out and apathetic, and the mobilization won’t match the bygone days of Trump’s first term. And a backlash against Trump’s governance would not necessarily spur the Democrats to resume their leftward march. Activists naturally get disappointed and disengaged when major change proves elusive. “Every major social movement of the past 20 years has undergone a significant collapse,” the activist Bill Moyer wrote in 1987, “in which activists believed that their movements had failed, the power institutions were too powerful, and their own efforts were futile.” Fatigue, burnout, and organizational crisis then ensue; some move on to new causes.

This Vox article explains how the progressive left has been in defense and retreat mode since 2020 after being in the ascendency since 2005 or so.

[mr-snailman]

“In twenty years, if you’re still living here, coming over to my house to watch the Patriots game, still working construction, I’ll fucking kill ya.” Good Will Hunting (1996)

“You gonna shoot me? Go ahead. But you’re gonna have to shoot me in the back.” The Town (2010)

| your best friend watches you walk away.

headache and a fuckin half to make this work I’ll tell ya that lmao but it was worth it :) words from an old book about Southie I found on the internet archive, poem is “The Worm King’s Lullaby” by Richard Siken, which, okay, probably overdone, but still

[gigiberry]

1940s Lookbook

Fedoras, trench coats, Hollywood glamour, and American patriotism, it’s the 1940s! WWII had a huge effect on the fashion of the 40s. Rationing meant people were encouraged to wear utilitarian garments with less fabric. Wide-legged high waisted pants were popular on men and women, as the war necessitated more women to enter the workforce, often working in factories.

Check out my other lookbooks: 2010s, 2000s, 1990s, 1980s, 1970s, 1960s, 1950s, 1930s

Look 1: hat, hair, earrings, outfit, tights, gloves, shoes

Look 2: hair, earrings, dress, ring, tights, nails, shoes

Look 3: hair, top, pants, shoes, mustache and watch (basegame)

Look 4: hair, earrings, dress, tights, nails (basegame), shoes

Look 5: hair, glasses, shirt, undershirt, pants, watch and shoes (basegame)

Look 6: hair, dress, tights, shoes

Look 7: hair, bandana, earrings, necklace, shirt, pants, shoes

Look 8: hair, earrings, dress, tights, shoes, necklace, and nails (basegame)

Look 9: hair, earrings, necklace, dress, gloves (basegame), shoes

Look 10: hat, hair, suit, shoes

Look 11: hair, earrings, necklace, shirt, skirt, tights, nails, shoes

Look 12: hat, hair (basegame), outfit, shoes

Thanks to the awesome cc creators: @zurkdesign @sentate @renorasims @gilded-ghosts @happylifesims @saurusness @pralinesims @magnolianfarewell @coloresurbanos @twentiethcenturysims @aveirasims @wistfulpoltergeist @simsbrush @plumbobteasociety @aladdin-the-simmer @vroshii @mlyssimblr @dcwnandout @waxesnostalgic @madlensims @syaovu @serenity-cc @tamo-sim @uxji @linzlu @simtone​