#2.07 anti-hero

[kent-farm]

—Superman and Lois, “Anti-Hero”

[melrosing]

2.07 thoughts

liked the Rhaenyra and Jace convo but feel like they could’ve managed a better build to this + drawn it out a bit more. love that Jace needs to lean into targ supremacy more than anyone bc what else does he have etc, but there’s so much they could’ve done w that in earlier eps showing where he feels insufficient and self conscious of his heritage and the lowkey resentment towards Rhaenyra for it. would also like to have seen Rhaenyra defend herself, resulting in more tangible fracture between them. she’s so diplomatic on absolutely everything and we’re near the end of S2 now! PLEASE let d’arcy do more w this role

liked the saera mention!

liked aegon rehab and larys basically tormenting him into reclaiming his role, like instead of having it thrust upon him as per S1 (which I did think was a good place to start Aegon as a character) maybe he will seize it this time bc if he doesn’t have the power of the iron throne then what does he have etc, he will never know peace, his son is gone, and so on

Alicent lake scene sure did happen. but I felt nothing like it felt lazy sorry what exactly were they trying to convey. I like being able to read my own meaning into scenes but this was like they were actively relying on the audience to do so

hilarious watching a bunch of actors in bad wigs walking into dragonstone really enjoyed that

however I think it really speaks to how little they know what to do with Rhaenyra’s interiority that you have her watching on as Vermithor burns and demolishes all the poor people she herself stuck in front of him and like. what are we supposed to understand is going through her head. she’s just fucking staring lol. and then before she can even reflect Vermithor is successfully claimed so all’s well that ends well. like my god please can someone write Rhaenyra

Daemon and the riverlords ok I liked Oscar Tully fine. but I think they’re lacking the adventure w Daemon’s interiority that they seemed to promise in the first few eps. like if you want to compare to OG bad incest man redemption anti hero Jaime Lannister and his OWN riverlands adventure….. like im sorry but this doesn’t even compare lmao

liked the dragon keepers arguing w Rhaenyra and fucking off outta there. like the framing of the dragons as gods and smallfolk claiming them as blasphemy and the way they maybe feel like Jace in that if anyone can claim these beasts maybe they’re just glorified zookeepers

excited that we get to see Dreamfyre?

v excited to see what they do w Daeron

that’s it though I was really rooting for this series but I think you can really tell they were rushing to meet deadlines and had to make a bunch of last minute edits. It’s been a 6/10 on average for me so far w a 7/10 for the high points and a 4/10 for the low. and I can’t really believe that was the penultimate episode where it’s supposed to feel everything is really coming to ahead whereas actually it feels more like the midpoint of a few fumbled arcs

[thehylianbatman]

The Missing Episodes of Star Wars: The Clone Wars

This post has nothing to do with Disney or their movies.

Hello. Star Wars is extremely close to my heart, and extremely important to me. As a narrative and a creative work, I believe Star Wars is unique and distinctive. I believe that Star Wars is now in an unfinished state, and will more than likely remain so forever, but my anti-Disney tirades can go in another post. For now, I simply want to inform you about Star Wars: The Clone Wars, and share my theory that there are episodes of Star Wars: The Clone Wars being hidden from us.

All information in this post is publicly and freely available from Wikipedia.

Here is a list of every episode of Star Wars: The Clone Wars released before production was cancelled by Disney in 2014, along with seasonal notes.

SEASON 1 (2008) - This season contains 6 standalone episodes, 5 arcs of 2 episodes, and 2 arcs of 3 episodes, covering episodes 1 through 22 of the series. The seasons opens and closes on standalone episodes. As the first season of the series, these formats are all appearing for the first time.

"Ambush" (1.08)

"Rising Malevolence" (1.07)

"Shadow of Malevolence" (1.09)

"Destroy Malevolence" (1.11)

"Rookies" (1.14)

"Downfall of a Droid" (1.02)

"Duel of the Droids" (1.06)

"Bombad Jedi" (1.05)

"Cloak of Darkness" (1.10)

"Lair of Grievous" (1.12)

"Dooku Captured" (1.16)

"The Gungan General" (1.20)

"Jedi Crash" (1.22)

"Defenders of Peace" (1.24)

"Trespass" (1.25)

"The Hidden Enemy" (2.01)

"Blue Shadow Virus" (1.26)

"Mystery of a Thousand Moons" (2.02)

"Storm Over Ryloth" (1.15)

"Innocents of Ryloth" (1.17)

"Liberty on Ryloth" (1.19)

"Hostage Crisis" (2.04)

SEASON 2: Rise of the Bounty Hunters (2009) - This season contains 4 standalone episodes, 2 arcs of 2 episodes, 3 arcs of 3 episodes, and 1 arc of 5 episodes, "Senate Spy" to "Brain Invaders"; this covers episodes 23 through 44 of the series. The seasons opens and closes on 3-episode arcs. The 5-episode arc is appearing for the first and only time.

"Holocron Heist" (1.23)

"Cargo of Doom" (1.13)

"Children of the Force" (2.03)

"Senate Spy" (2.05)

"Landing at Point Rain" (2.07)

"Weapons Factory" (2.08)

"Legacy of Terror" (2.09)

"Brain Invaders" (2.12)

"Grievous Intrigue" (2.14)

"The Deserter" (2.06)

"Lightsaber Lost" (2.11)

"The Mandalore Plot" (2.13)

"Voyage of Temptation" (1.21)

"Duchess of Mandalore" (2.16)

"Senate Murders" (2.10)

"Cat and Mouse" (2.17)

"Bounty Hunters" (2.19)

"The Zillo Beast" (2.22)

"The Zillo Beast Strikes Back" (2.23)

"Death Trap" (2.15)

"R2 Come Home" (2.18)

"Lethal Trackdown" (2.20)

SEASON 3: Secrets Revealed (2010) - This season contains 3 standalone episodes, 5 arcs of 2 episodes, and 3 arcs of 3 episodes, covering episodes 45 through 66 of the series. The season opens and closes on 2-episode arcs.

"Clone Cadets" (3.01)

"ARC Troopers" (3.02)

"Supply Lines" (2.24)

"Sphere of Influence" (2.25)

"Corruption" (3.04)

"The Academy" (2.26)

"Assassin" (2.21)

"Evil Plans" (3.03)

"Hunt for Ziro" (3.05)

"Heroes on Both Sides" (3.06)

"Pursuit of Peace" (3.07)

"Nightsisters" (3.08)

"Monster" (3.10)

"Witches of the Mist" (3.12)

"Overlords" (3.09)

"Altar of Mortis" (3.11)

"Ghosts of Mortis" (3.13)

"The Citadel" (3.14)

"Counter Attack" (3.15)

"Citadel Rescue" (3.17)

"Padawan Lost" (3.16)

"Wookie Hunt" (3.18)

SEASON 4: Battle Lines (2011) - This season contains 1 standalone episode, "A Friend in Need", 1 arc of 2 episodes, "Mercy Mission" and "Nomad Droids", 1 arc of 3 episodes, "Kidnapped" through "Escape from Kadavo", and 4 arcs of 4 episodes, covering episodes 67 through 88 of the series. The season opens and closes on 4-episode arcs. The 4-episode arc is appearing for the first time.

"Water War" (3.22)

"Gungan Attack" (3.23)

"Prisoners" (3.24)

"Shadow Warrior" (3.19)

"Mercy Mission" (3.20)

"Nomad Droids" (3.21)

"Darkness on Umbara" (3.25)

"The General" (3.26)

"Plan of Dissent" (4.01)

"Carnage of Krell" (4.02)

"Kidnapped" (4.03)

"Slaves of the Republic" (4.04)

"Escape from Kadavo" (4.05)

"A Friend in Need" (4.06)

"Deception" (4.07)

"Friends and Enemies" (4.08)

"The Box" (4.09)

"Crisis on Naboo" (4.10)

"Massacre" (4.11)

"Bounty" (4.12)

"Brothers" (4.13)

"Revenge" (4.14)

SEASON 5 (2012) - This season contains 1 standalone episode, "Revival", 1 arc of 3 episodes, "Eminence" through "The Lawless", and 4 arcs of 4 episodes, covering episodes 89 through 108 of the series. The season opens on a standalone episode and closes on a 4-episode arc. This is the first season since Season 1 to open on a standalone episode, and the first season to open and close with episodes/arcs of different lengths, as well as the first season to have fewer than 22 episodes; it contains only 20 episodes.

"Revival" (4.26)

"A War on Two Fronts" (4.15)

"Front Runners" (4.16)

"The Soft War" (4.17)

"Tipping Points" (4.18)

"The Gathering" (4.22)

"A Test of Strength" (4.23)

"Bound for Rescue" (4.24)

"A Necessary Bond" (4.25)

"Secret Weapons" (5.04)

"A Summer Day in the Void" (5.05)

"Missing in Action" (5.06)

"Point of No Return" (5.07)

"Eminence" (5.01)

"Shades of Reason" (5.02)

"The Lawless" (5.03)

"Sabotage" (5.08)

"The Jedi Who Knew Too Much" (5.09)

"To Catch a Jedi" (5.10)

"The Wrong Jedi" (5.11)

SEASON 6: The Lost Missions (2014) - This season contains 1 arc of 2 episodes, "The Disappeared, Part I" and "The Disappeared, Part II", 1 arc of 3 episodes, "An Old Friend" through "Crisis at the Heart", and 2 arcs of 4 episodes, covering episodes 109 through 121 of the series. This is the first season to contain no standalone episodes.

"The Unknown" (5.12)

"Conspiracy" (5.13)

"Fugitive" (5.14)

"Orders" (5.15)

"An Old Friend" (4.19)

"The Rise of Clovis" (4.20)

"Crisis at the Heart" (4.21)

"The Disappeared, Part I" (5.16)

"The Disappeared, Part II" (5.17)

"The Lost One" (5.18)

"Voices" (5.19)

"Destiny" (5.20)

"Sacrifice" (5.21)

The series had 5 seasons conventionally constructed, intentionally sequenced and released weekly on television, and 1 season released in bulk on a streaming service, Netflix. Altogether, this covers 121 episodes of the series released before Disney's interference.

However, this is not all of the information we have. You'll notice that, next to every single episode title, there is a sequence of two numbers. This sequence is that episode's production code; the first digit is the production block, while the next two digits are the episode's particular order within the production block. This information is more pertinent for a look at the series from a production standpoint, so here is that information put together:

BLOCK 1 - This block contains episodes from Seasons 1 and 2.

1.02 - "Downfall of a Droid" (S1E6) 1.05 - "Bombad Jedi" (S1E8) 1.06 - "Duel of the Droids" (S1E7) 1.07 - "Rising Malevolence" (S1E2) 1.08 - "Ambush" (S1E1) 1.09 - "Shadow of Malevolence" (S1E3) 1.10 - "Cloak of Darkness" (S1E9) 1.11 - "Destroy Malevolence" (S1E4) 1.12 - "Lair of Grievous" (S1E10) 1.13 - "Cargo of Doom" (S2E2) 1.14 - "Rookies" (S1E5) 1.15 - "Storm Over Ryloth" (S1E19) 1.16 - "Dooku Captured" (S1E11) 1.17 - "Innocents of Ryloth" (S1E20) 1.19 - "Liberty on Ryloth" (S1E21) 1.20 - "The Gungan General" (S1E12) 1.21 - "Voyage of Temptation" (S2E13) 1.22 - "Jedi Crash" (S1E13) 1.23 - "Holocron Heist" (S2E1) 1.24 - "Defenders of Peace" (S1E14) 1.25 - "Trespass" (S1E15) 1.26 - "Blue Shadow Virus" (S1E17)

BLOCK 2 - This block contains episodes from Seasons 1, 2, and 3, tied with Block 4 for the most seasons within a single block.

2.01 - "The Hidden Enemy" (S1E16) 2.02 - "Mystery of a Thousand Moons" (S1E18) 2.03 - "Children of the Force" (S2E3) 2.04 - "Hostage Crisis" (S1E22) 2.05 - "Senate Spy" (S2E4) 2.06 - "The Deserter" (S2E10) 2.07 - "Landing at Point Rain" (S2E5) 2.08 - "Weapons Factory" (S2E6) 2.09 - "Legacy of Terror" (S2E7) 2.10 - "Senate Murders" (S2E15) 2.11 - "Lightsaber Lost" (S2E11) 2.12 - "Brain Invaders" (S2E8) 2.13 - "The Mandalore Plot" (S2E12) 2.14 - "Grievous Intrigue" (S2E9) 2.15 - "Death Trap" (S2E20) 2.16 - "Duchess of Mandalore" (S2E14) 2.17 - "Cat and Mouse" (S2E16) 2.18 - "R2 Come Home" (S2E21) 2.19 - "Bounty Hunters" (S2E17) 2.20 - "Lethal Trackdown" (S2E22) 2.21 - "Assassin" (S3E7) 2.22 - "The Zillo Beast" (S2E18) 2.23 - "The Zillo Beast Strikes Back" (S2E19) 2.24 - "Supply Lines" (S3E3) 2.25 - "Sphere of Influence" (S3E4) 2.26 - "The Academy" (S3E6)

BLOCK 3 - This block contains episodes from Seasons 3 and 4.

3.01 - "Clone Cadets" (S3E1) 3.02 - "ARC Troopers" (S3E2) 3.03 - "Evil Plans" (S3E8) 3.04 - "Corruption" (S3E5) 3.05 - "Hunt for Ziro" (S3E9) 3.06 - "Heroes on Both Sides" (S3E10) 3.07 - "Pursuit of Peace" (S3E11) 3.08 - "Nightsisters" (S3E12) 3.09 - "Overlords" (S3E15) 3.10 - "Monster" (S3E13) 3.11 - "Altar of Mortis" (S3E16) 3.12 - "Witches of the Mist" (S3E14) 3.13 - "Ghosts of Mortis" (S3E17) 3.14 - "The Citadel" (S3E18) 3.15 - "Counter Attack" (S3E19) 3.16 - "Padawan Lost" (S3E21) 3.17 - "Citadel Rescue" (S3E20) 3.18 - "Wookiee Hunt" (S3E22) 3.19 - "Shadow Warrior" (S4E4) 3.20 - "Mercy Mission" (S4E5) 3.21 - "Nomad Droids" (S4E6) 3.22 - "Water War" (S4E1) 3.23 - "Gungan Attack" (S4E2) 3.24 - "Prisoners" (S4E3) 3.25 - "Darkness on Umbara" (S4E7) 3.26 - "The General" (S4E8)

BLOCK 4 - This block contains episodes from Seasons 4, 5, and 6, tied with Block 2 for the most seasons within a single block.

4.01 - "Plan of Dissent" (S4E9) 4.02 - "Carnage of Krell" (S4E10) 4.03 - "Kidnapped" (S4E11) 4.04 - "Slaves of the Republic" (S4E12) 4.05 - "Escape from Kadavo" (S4E13) 4.06 - "A Friend in Need" (S4E14) 4.07 - "Deception" (S4E15) 4.08 - "Friends and Enemies" (S4E16) 4.09 - "The Box" (S4E17) 4.10 - "Crisis on Naboo" (S4E18) 4.11 - "Massacre" (S4E19) 4.12 - "Bounty" (S4E20) 4.13 - "Brothers" (S4E21) 4.14 - "Revenge" (S4E22) 4.15 - "A War on Two Fronts" (S5E2) 4.16 - "Front Runners" (S5E3) 4.17 - "The Soft War" (S5E4) 4.18 - "Tipping Points" (S5E5) 4.19 - "An Old Friend" (S6E5) 4.20 - "The Rise of Clovis" (S6E6) 4.21 - "Crisis at the Heart" (S6E7) 4.22 - "The Gathering" (S5E6) 4.23 - "A Test of Strength" (S5E7) 4.24 - "Bound for Rescue" (S5E8) 4.25 - "A Necessary Bond" (S5E9) 4.26 - "Revival" (S5E1)

BLOCK 5 - This block contains episodes from Seasons 5 and 6.

5.01 - "Eminence" (S5E14) 5.02 - "Shades of Reason" (S5E15) 5.03 - "The Lawless" (S5E16) 5.04 - "Secret Weapons" (S5E10) 5.05 - "A Sunny Day in the Void" (S5E11) 5.06 - "Missing in Action" (S5E12) 5.07 - "Point of No Return" (S5E13) 5.08 - "Sabotage" (S5E17) 5.09 - "The Jedi Who Knew Too Much" (S5E18) 5.10 - "To Catch a Jedi" (S5E19) 5.11 - "The Wrong Jedi" (S5E20) 5.12 - "The Unknown" (S6E1) 5.13 - "Conspiracy" (S6E2) 5.14 - "Fugitive" (S6E3) 5.15 - "Orders" (S6E4) 5.16 - "The Disappeared, Part I" (S6E8) 5.17 - "The Disappeared, Part II" (S6E9) 5.18 - "The Lost One" (S6E10) 5.19 - "Voices" (S6E11) 5.20 - "Destiny" (S6E12) 5.21 - "Sacrifice" (S6E13)

Looking at this list, gaps are plainly evident. 1.01, 1.03, 1.04, and 1.18 are all missing, and Block 5 is 5 episodes shorter than the previous 4 blocks. Where are these episodes?

The missing episodes from Block 1 are easy; they were cannibalized and stitched together to make the Star Wars: The Clone Wars film. The film is 98 minutes long, while episodes of the series are typically around 22 minutes long; 22 minutes per episode times 4 episodes is 88 minutes total runtime, 10 minutes short of the film's runtime. Those 10 minutes are likely the credits and polishing for the film's theatrical release, if not simply the episodes themselves being slightly longer.

Therefore, we can add these to the list:

1.01 - The Clone Wars Film (FILM) 1.03 - The Clone Wars Film (FILM) 1.04 - The Clone Wars Film (FILM) 1.18 - The Clone Wars Film (FILM)

This resolves the issue of the missing episodes from Block 1, meaning that all of the episodes produced before 5.22 were released. This gives us a total of 125 episodes. But what about Episode 5.22 and the rest of Block 5?

This is where the trail gets murky. Fans of the series who were around when it was cancelled may recall The Clone Wars Legacy, the plan to release content from the series in different means in order to not waste the work that went into it. Some may think that this simplifies things. In fact, it does the opposite.

Here is a list of all the content from The Clone Wars Legacy:

Darth Maul: Son of Dathomir, a comic adapting a 4-episode arc covering Darth Maul's story after getting captured by Darth Sidious at the end of "The Lawless", released by Dark Horse Comics.

Dark Disciple, a novel adapting either an 8-episode arc or two related 4-episode arcs covering Asajj Ventress' story after her last appearance in "The Wrong Jedi".

Crystal Crisis on Utapau, a rough story reel of incomplete episodes of a 4-episode arc, covering the emotional fallout of Ahsoka's departure from the Jedi Order after the events of "The Wrong Jedi".

The Bad Batch, a rough story reel of incomplete episodes of a 4-episode arc, intending to work as a backdoor pilot of sorts to a spin-off series focusing on the titular Bad Batch.

Those keeping track of the numbers will quickly spot that we have the content of 20 episodes released as The Clone Wars Legacy. This does not easily fill in the gaps we have, nor does it finish things off neatly.

The production codes of the original episodes adapted into the material for The Clone Wars Legacy are known. The production codes of the in-production 20 episodes are listed below:

BLOCK 6 - This block has 16 known episodes.

6.01 - "A Death on Utapau" (REEL) 6.02 - "In Search of the Crystal" (REEL) 6.03 - "Crystal Crisis" (REEL) 6.04 - "The Big Bang" (REEL) 6.09 - "The Bad Batch" (REEL) 6.10 - "A Distant Echo" (REEL) 6.11 - "On the Wings of Keeradaks" (REEL) 6.12 - "Unfinished Business" (REEL) 6.13 - "Lethal Alliance" (BOOK) 6.14 - "The Mission" (BOOK) 6.15 - "Conspirators" (BOOK) 6.16 - "Dark Disciple" (BOOK) 6.21 - "The Enemy of My Enemy" (BOOK) 6.22 - "A Tale of Two Apprentices" (BOOK) 6.23 - "Proxy War" (BOOK) 6.24 - "Showdown on Dathomir" (BOOK)

BLOCK 7 - This block has 4 known episodes.

7.05 - "Saving Vos, Part I" (BOOK) 7.06 - "Saving Vos, Part II" (BOOK) 7.07 - "Traitor" (BOOK) 7.08 - "The Path" (BOOK)

While we can add these to the list of produced episodes of Star Wars: The Clone Wars, this raises more questions than answers. Not only was there a Block 6, but there was also a Block 7 as well. Block 7 is nearly entirely unknown, while Block 6 also has gaps, and, to top it all off, none of the things we gain from this are in Block 5, meaning those episodes are still unknown as well.

However, we do gain one answer from this: the production blocks got shorter. The last episode of Block 6 is 6.24, not 6.26 as one might expect from Blocks past. This makes Block 5's gap a little more clear-cut; it means we're only missing 5.22 through 5.24. That's 3 episodes, a common arc length. If Block 5 was as long as the other blocks, that would be 5 episodes missing, which could be either a 4-episode arc and a standalone episode, or a 2-episode arc and a 3-episode arc. All still common arc lengths, but not as clear-cut.

Of course, there's no definitive proof that the blocks got shorter. It's possible there'a 5.25 and 5.26 and a 6.25 and a 6.26. That would be a 2-episode arc missing from Block 6, as well.

The only "proof" I have seen stating that the blocks got shorter, besides the lack of trails for a theoretical 6.25 and 6.26 confirming that Block 6 remained the same length, and therefore Block 5 must have, as well, is a statement by Pablo Hidalgo on Twitter, stating that there is no 5.25 or 5.26. I do not know where he gets his information from, and his relationship with Lucasfilm is murky to me, so I'm hesitant to just accept it as fact. There's also the fact that he could be lying to cover Lucasfilm and/or Disney for the sake of money and employment.

This is not an allegation or a statement of belief, merely an acknowledgement of possibility.

However, the production blocks do seem to be 26 episodes long specifically just to cover the film initially, which leaves 22 episodes for the regular season; since Season 5 definitively got reduced by 2 episodes, it's entirely possible that the production blocks did also get reduced by 2 episodes, and the new season length merely reflects this.

All this does is muddy the waters, however. Without solid answers, we've got next to nothing to go on.

Except Disney.

Of course, Disney resurrected the rotting corpse of Star Wars: The Clone Wars to be completely sure that the money well within was completely dry, before discarding it and moving on to whatever live action thing they're working on now. These episodes do, however, give us some information. Listed below are the episodes Disney released:

BLOCK 6

6.05 - "Gone with a Trace" (DISNEY) 6.06 - "Deal No Deal" (DISNEY) 6.07 - "Dangerous Debt" (DISNEY) 6.08 - "Together Again" (DISNEY)

BLOCK 7 7.21 - "Old Friends Not Forgotten" (DISNEY) 7.22 - "The Phantom Apprentice" (DISNEY) 7.23 - "Shattered" (DISNEY) 7.24 - "Victory and Death" (DISNEY)

While these episodes have been "adapted" (read: scrubbed and censored) by Disney, the fact that they continue to use the original production codes leads me to believe that these episodes originated as original episodes of Star Wars: The Clone Wars. However, they've been written or additionally written by Dave Filoni, who, aside from assisting with one episode ("Lethal Trackdown", S2E22, 2.20), was not a writer on the series until after Disney bought the property; he was a director. This tells me that the direction he took the episodes in was not their originally intended direction, but rather, the Disney-approved direction given to him. This says, to me, that we cannot pull any information from these episodes besides possibly basic premises, as these are not the original episodes with renewed production, but new "adaptations" of what was being produced when the series was cancelled.

However, this does give us new information, in telling us that the final episodes of Block 7 were the finale of the series. This feels too large of a fact to be new or changed; I feel that, while the content and direction of 7.21 through 7.24 may have changed, them being the series finale is just too big of a basic premise to ignore or change. If it isn't, then why make those episodes the finale of the revived series? Why not 7.01 through 7.04, or invent new numbers in 6.25 through 6.28?

Therefore, going off that conclusion, we have a solid ending point: 7.24, the end of the final production block, Block 7.

This also supports the idea that the production blocks get shorter with Block 5, as, while 5.24 is not known, both 6.24 and 7.24 seem to be the end of their blocks.

Therefore, with all this information, I feel we can see a basic roadmap of where Star Wars: The Clone Wars was going to go, and what Disney took from us. Looking at a list of the production blocks:

Block 1: 26 episodes Block 2: 26 episodes Block 3: 26 episodes Block 4: 26 episodes Block 5: 24 episodes Block 6: 24 episodes Block 7: 24 episodes

If all information is correct, this means LucasFilm were planning on producing 176 episodes of the series. Looking at a list of the released episodes before the buyout:

Season 1: 22 episodes Season 2: 22 episodes Season 3: 22 episodes Season 4: 22 episodes Season 5: 20 episodes Season 6: 13 episodes

This means that LucasFilm released 121 of their ostensibly planned 176 episodes. Adding the 4 episodes used for the film gives us 125.

Subtracting these two gives us a figure of 51 episodes remaining. These 51 episodes were likely in various stages of completion when the buyout occurred.

Looking at the seasons, Season 6 is not constructed like the rest, but rather, a bulk release of product. Assuming that Season 5 was intended to be the new model going forward, we can subtract 7 of those 51 unreleased episodes to round out Season 6 to it's intended length of 20 episodes.

This leaves us with 44 episodes. Divide that by 2, and you get 22 episodes. 22 episodes for a theoretical Season 7 and a theoretical Season 8.

Out of the 51 episodes not completed and released by LucasFilm, 28 have been adapted and released via other means. This leaves at least 23 episodes of Star Wars: The Clone Wars about which we know absolutely nothing, listed below:

5.22 5.23 5.24 6.17 6.18 6.19 6.20 7.01 7.02 7.03 7.04 7.09 7.10 7.11 7.12 7.13 7.14 7.15 7.16 7.17 7.18 7.19 7.20

These include a 3-episode arc from Block 5, a 4-episode arc from Blocks 6 and 7, and almost the entirety of the middle of Block 7.

These numbers are not solid. It's possible that Blocks 5 through 7 were intended to be 26 episodes as all the others were. That would add 6 episodes, for 182 planned episodes, and 57 uncompleted, about which we know nothing about 29 of them.

It's possible that Seasons 5 and 6 were intended to be 22 episodes as all the other seasons were, and things simply didn't work out that way. This would mean 11 episodes would be needed to round out the seasons, rather than 0 for Season 5 and 7 for Season 6.

This could leave us with 40 or 42 episodes to divide between a theoretical Season 7 and 8. 2 seasons of 20 episodes, or a season of 20 and a season of 22.

There are many possibilities, wrapped in shadows and behind closed doors, regarding this series. We will likely never know the facts, simply because the facts are nebulous and were not, nor ever will be, solidified.

But we can know for sure is that the original intended versions of Blocks 6 and 7, plus the final 3 episodes of Block 5, will likely never be finished, and that we have lost George Lucas' original vision for this series. Those 51 episodes, while potentially getting adapted, will never be released or even completed the way they were originally intended.

(Although George Lucas has stated previously that Star Wars is "like poetry, it rhymes", this series does seem to be lacking in rhyming. Production blocks and season lengths both change midway through, and there seems to have been intended 8 seasons, which is annoyingly only 1 short from matching the intended number of Star Wars movies: 9.)

This is a tremendous shame, because Star Wars: The Clone Wars is a fantastic series which lovingly and accurately adapts a big-screen property for the small screen, tells a dense, varied, but cohesive story, and expands the universe that so many of us have loved since 1977.

We wanted to know about the Clone Wars since that time, and we finally got it. While we may never see the original, epic conclusion, we should still be grateful for 6 seasons of wonderful television.

This post was typed listening to the theme for Star Wars: The Clone Wars on repeat for about 3 hours. As stated at the top, all information is publicly and freely available on Wikipedia.

Thanks for reading.

[moo1982]

I love this! Especially thinking of Charlie killing a Balrog with his bare hands 🤣🤣

I think the show runners always intended for Sauron and Galadriel to be the centre of the show and what I can tell from interviews before the whole of S1 had aired the pairing was even framed romantically with Halbrand having been described in articles as " Galadriel's love interest". I think things quickly changed after the backlash from antis at the time. There was plenty of pining for eachother in S2 to suggest a romantic connection between Galadriel and Sauron. There has been no such build up for Elrond and Galadriel, so I think the kiss came as a big surprise for all. I think scenes were refilmed for some reason and possibly plots dropped as several things currently don't add up in 2.07 and 2.08 (as many have pointed out). I am a supporter of the theory that it wasn't Elrond in Adar's tent for all the good reasons that @apoloadonisandnarcissus has presented in her posts. But whichever way you see it, indeed it is an indication that the show runners are not afraid to push boundaries and hopefully the popularity of Haladriel/Saurondriel will empower them to go further with this relationship now. It's an opportunity for Galadriel to be THE hero of RoP, fall into darkness, acknowledge her love for him and her desire for power yet has the strength to reign on these and help bring about his defeat. She will be such a hero because it will cost her so much.

the knowledge that much of season two was written before the first ever graced our screens leaves me curious about season three--how might the writers find themselves influenced by fan reaction?

the showrunners were completely stunned when it was suggested, before the show even aired, that people were going to ship galadriel and sauron. season three will be the first time the show is written with true awareness of how popular the dynamic has become.

has the popularity of haladriel / saurondriel given the showrunners the freedom to delve deeper into the relationship? we've seen the show's willingness to push boundaries with the elrond kiss, transgressing a boundary that seemed to many distasteful. (she is his future mother-in-law after all.) my tinfoil theory is that the showrunners believed when writing seasons one and two that galadriel and elrond would be the dominant pairing fans latched onto--hence the kiss--but now, with the audience vocally drawn to haladriel, will the writers lean more into the intrigue of galadriel x sauron? because i am leaning towards a firm yes.

in my mind this is a good and accurate depiction of the dynamic between the showrunners and the fans:

the showrunners: galadriel and sauron are good and evil given form. the fans: and they kiss? the showrunners: and they kiss? the fans: .... the showrunners: ... the fans: ... charlie killing a balrog with his bare hands because he's australian: a little help anyone?? the fans: ... the showrunners: ... the fans: ... the showrunners: yeah. yeah! and they kiss.

[suprhoech]

Oh to get hugged by Hoech like this.

[lost-shoe]

Tyler Hoechlin - Clark Kent/Superman/Bizarro

Superman & Lois - Anti-Hero (2.07)

[tennant]

Tyler Hoechlin as Clark Kent/Superman SUPERMAN AND LOIS - “Anti-Hero” (2.07)

[breezeyb]

Yeah, wow, last night’s episode was a lot to take in for Jonathan’s situation. But knowing Jonathan will be Superboy in some way towards the tail-end of the season makes me excited and hopeful for his character redemption/resolution/whatever happy word you wanna use for him getting out of his current shitty situation. So, here’s a short list of foreshadowing in regards to Jonathan’s character development (aka my way of coping because ouch my heart hurts for sweet baby jon).

2.07 - Anti Hero

1.13 - Fail Safe

1.05 - The Best of Smallville

[spoilertv]

Superman and Lois - Episode 2.07 - Anti-Hero - Promo, Promotional Photos + Press Release https://www.spoilertv.com/2022/02/superman-and-lois-episode-207-anti-hero.html

[pass-the-bechdel]

Continuum full series review

How many episodes pass the Bechdel test?

73.81% (thirty-one out of forty-two).

What is the average percentage of female characters with names and lines for the full series?

32.75%

How many episodes have a cast that is at least 40% female?

Ten.

How many episodes have a cast that is at least 50% female?

One, episode 2.07, “Second Degree” (50%).

How many episodes have a cast that is less than 20% female?

One, episode 3.09, “Minute of Silence” (18.2%).

Positive Content Status:

The definition of unremarkable—it may not be making any egregious mistakes, but aside from its chief concern, it’s not saying anything of interest (average episode rating of 3.00).

Which season had the best representation statistics overall?

Season three not only had the best Bechdel scores, but the highest amount of female characters.

Which season had the worst representation statistics overall?

Season four. While it didn’t feature the episode with the least female characters—that would be season three—it features the least Bechdel passes and the least amount of female characters.

Overall Series Quality:

Worth watching.  It won’t blow your mind, but it won’t waste your time, either.  

MORE INFO (and potential spoilers) under the cut:

If a word describes Continuum, it’s “solid”. It’s a well-made show, one that understands the basic building blocks of well-made genre television and doesn’t attempt to upend them for the sake of upending them (except when it does). However, my enjoyment of the series is more intellectual than visceral, and creating a list of my top ten favorite episodes is nigh-impossible, since I don’t really feel that strongly about them as individual units.

So if the series is rarely great—if even its best rarely makes your heart race the way the best episodes of Nikita or Person of Interest do—then why do I still consider it exceptional and worth one’s time?  

Reason number one: Kiera Cameron. 

Television, over the past decade, has done a steady job of perfecting its female genre-show anti-heroes, which, unsurprisingly, has resulted in a fair amount of sameness. It is often enjoyable sameness, to be clear—Root and Shaw are fantastic characters, and I love them—but sameness all the same. These female characters do not care for the rules (except when they do—for example, they never look unattractive or unmade-up). They are loud. They are often hedonistic. There is a sense that characters have to be fun, even if they are A Lot. They are, in many ways, rebels. And to be clear, these stories are absolutely necessary; that we now have these characters is important. Yet, there are other ways to be, which are also equally compelling and equally feminist.

Kiera Cameron is not a rebel. All she ever wanted to be a comfortable drone (even as her instincts told her something was terribly wrong) and a mother.  In another place, in another time, she’d be one of the Nazis who were allegedly “just doing [their] job,” which is not something one usually says of heroes. She is also decisive, quick-thinking, adaptable and manipulative, with a keen understanding of people. She likes operating under a clear leadership structure, but she can operate perfectly well—thrive, even—without it. Within forty-eight hours of being stranded in an entirely new world, she has integrated herself into its law enforcement apparatus and made a life for herself.  

Kiera is, in the end, the best part of Continuum, because of the way the series allows her to be shaped by her contradictions. Credit must also be given to Rachel Nichols, who is one of the more underrated white actresses currently working on television. Continuum asks a lot of Kiera, and she allows her to be a lot of different things while still being recognizably Kiera.

A good protagonist deserves a good antagonist, and boy, does Liber8 deliver. The group may have an extremely silly name, but it is, like Kiera, something one doesn’t see every day: an enemy group with a point, and which arguably holds the moral high ground, even as it performs mass murder.  

In a worse show, the various members of Liber8 would have been hypocrites. They would have either not believed in what they preached, or been more concerned with themselves than with the cause, or proved willing to abandon it for their survival. Alternatively, they would have been presented as all bark and no bite, more Robin Hood than Osama Bin Laden.  And while all those things are true for one specific member of the group—Kellog—the fact that he exists at a remove both allows the series to explore that hypocrisy, while leaving Liber8 free to actually be something else.  

Furthermore, I enjoy that Liber8 is smart. Mass murder is not the only thing they do. While I’m not sure I’d call Continuum a competence porn series the way something like Leverage is, there is something very satisfying about seeing Liber8 continuously switch up their tactics and be clever about how they approach their battle against corporate interests.  Yes, they do mass murder, but they also do blackmail, corporate espionage, political assassination and political patronage, sabotage, whistleblowing, community-building, and public relations.  They know that their cause will need funds, but don’t sell out in order to obtain them. It is very satisfying. 

I’ve heard commentary on Continuum arguing that the series’ unwillingness to cast explicit judgment on Kiera is a weakness. In her own small way, she is complicit in the oppression of millions, and is willing to replicate oppressive power structures; shouldn’t the series have something to say about that? And yet, this...objectivity, I guess you could call it, is, I feel, one of the series’ chief strengths.  It’s not that the series isn’t aware of what Kiera believes and has done; it’s just that the series trusts the audience to draw its own conclusions. Kiera can be heroic and have a fascist mindset. The members of Liber8 can be mass murderers who are also in the right.  Dillon can be a cheerleader for the privatization of his police department, and still be sympathetic.  A TV series can be a traditional police procedural at heart and admit that cops are scum 80% of the time. One doesn’t negate the other, and that the series goes as far as it does with its characters and concepts feels uncommonly audacious for the sort of show this is.  

Another element that makes the series memorable is its commitment to its central conflict.  Person of Interest may have been about the surveillance state and the increasing role of artificial intelligence, but most of its episodes were actually about Finch and company being super-heroes. The same could have been the case for Continuum—“police procedural” is a key part of its DNA—and the fact that it isn’t—that its anti-capitalist sensibilities are almost always there, and critical—helps make the series feel singular, and relevant. It’s not the first TV show to have something to say about a specific thing, but it’s easily the show most dedicated to saying it.  

This, however, is a double-edged sword. 

Simon Barry, Continuum’s creator, is a white dude. It shows. For all of the thought the show puts into the dangers of unchecked capitalism (or just capitalism, if you’d prefer), it puts very little, if any, into how oppression is shaped by prejudices or group identities. The future of Continuum may be terrible, we’re shown, and yet it never quite seems terrible enough, or weirdly uniformly terrible.  That Jaworski, of all the Liber8 members, is the one who is most forcibly dehumanized by the corporate state rings very false.  Having the majority of Liber8 consist of people of color isn’t enough—not when the series is claiming that 2077 is a direct reflection of 2012.  

Similarly, while the show boasts more female characters than is the norm for shows like this, I can’t actually say it does much beside that. Going through the series, it’s hard not to notice that very few of the female characters have what I would consider a satisfying overall story.  Betty is killed off after months of misery. Katherine is killed off before she can really have any sort of impact besides filling in a necessary storytelling role. Garza and Emily are in a sort of limbo by the time the series ends. Ann Saddler just disappears. Aside from Kiera, only Sonya is said to have a story with a beginning, middle, end, and like Betty’s, it ends with her death.  While these are all fantastic characters, their stories are generally disappointing.  

Part of the problem is, of course, that the show barely has time for deep dives into its characters’ psyches, given all the things on its plate. The show only has so much time to spend on character development, and its priority is breadth rather than depth. On the other hand, it’s hard not to notice that of the characters who do get consistent focus and character development (Kiera, Alec, Carlos, Dillon, Julian), only Kiera is a woman.

It’s also worth noting that while the show kills off fairly similar numbers of male and female characters—at least when speaking in absolute numbers—things look quite different when speaking in relative terms. It’s perhaps best seen with Liber8’s dwindling numbers: sure, you can kill off Jaworski, Chen, and Kagame, but you’ll still have Travis, Marcus, and Kellog.  Kill off Sonya, on the other hand, and the hole she leaves becomes very hard to fill.  The same rings true for the series as a whole, which is why its final season feels so bereft, when it comes to female representation. 

Additionally, while it’s pleasing to see male and female characters used more or less in the same way (although it’s worth noting that this doesn’t actually result in a 50/50 gender ratio) it is less so when the series in turn makes an implicit argument that there is not a sexist element to institutionalized oppression. Scattered instances of potential subtext aside, the series has very little to say about sexism in the future, which again, rings quite false when so many of the characters are freedom fighters.

And yet…

Had the series been more traditional, it’s likely these issues would have felt fatal. Instead, they merely feel bothersome; they annoy instead of cripple. It either speaks to how satisfying Continuum generally is, or how dispassionate my enjoyment of the series is. In any case, Continuum does what it does so interestingly, it’s hard not to set all of these aside and just get swept away by it. It tried something different and did some very interesting things with it, and, as it turns out, that’s more than enough.  

[ljones41]

Memorable Television Episodes

Below is a list of television episodes from the past two to three decades that I find memorable:

MEMORABLE TELEVISION EPISODES

1.  “BABYLON 5″ (3.10) “Severed Dreams” - When President Clark of Earth Alliance escalates his brutal repression upon Earth’s population, Captain John Sheridan of Babylon 5 declares the space station independent.  Hugo Award winner.

2.  “GAME OF THRONES” (3.09) “The Rains of Castamere” - The new King of the North, Lord Robb Stark, his mother Catelyn and his wife Queen Talisa; arrive at the estate The Twins for the wedding of his uncle Edmure Tully to one of Walder Frey’s daughters.  Brandon Stark’s small traveling group decide to split up after a close call with the Freefolk.  And Daenerys Targaryen plans to invade Yunkai in order to free that city’s slaves.

3.  “LOST” (2.07) “The Other 48 Days” - This episode depicted the first 48 days on the island of the surviving Tail Section passengers of Oceanic 815.

4.  “AGENTS OF S.H.I.E.L.D.” (1.17) “Turn, Turn, Turn” - In this companion piece to the 2014 movie, “Captain America:  The Winter Soldier”, S.H.I.E.L.D. has been compromised by an old enemy from the past and Agent Phil Coulson’s team do not know whom to trust.

5.  “THE FLASH” (6.09) “Crisis on Infinite Earths: Part Three” - The Arrowverse heroes continue their efforts to prevent the Anti-Monitor from destroying the multiverse and creating a new one. 

6.  “GAME OF THRONES” (1.09) “Baelor” -  Robb goes to war against the Lannisters in an effort to save his father, Eddard “Ned” Stark, imprisoned at King’s Landing.  His half-brother Jon Snow finds himself struggling on deciding if his place is by Robb’s side or with the Night's Watch. Khal Drogo falls ill from an infected battle wound and Daenerys is desperate to save him.

7.  “LOST” (6.14) “The Candidate” - With Jack Shephard's help, the Man in Black rescues the castaways/candidates from Charles Widmore's compound.  But their plans for leaving the island are forced to change.

8.  “BUFFY THE VAMPIRE SLAYER” (5.22) “The Gift” - Buffy Summers and her friends prepare for battle when the hell god Glory plans to use her sister Dawn to open up a portal to a demonic dimension.

9.  “D.C.’s LEGENDS OF TOMORROW” (2.17) “Aruba” - The Legends decide to break a cardinal rule of time traveling in order to prevent the Legion of Doom from using the Spear of Destiny to change the world’s reality for good.

10. “BABYLON 5″ (3.22) “Z'ha'dum” - After his supposedly dead wife Anna Sheridan turns up very much alive on Babylon 5, Captain Sheridan ignores previous warnings and  travels with her to the Shadows' homeworld Z'ha'dum. 

[kent-farm]

Now you're just bringing Chinese food so you don't get in trouble?

—Kara Danvers, Supergirl, "City of Lost Children"

[kent-farm]

—Superman and Lois, “Girl… You’ll Be a Woman, Soon” + “Anti-Hero”

[kent-farm]

—Superman and Lois, "Anti-Hero"

[kent-farm]

Long day.

—Clark and Lois, Superman and Lois, "Anti-Hero"

[kent-farm]

—Superman and Lois, “Anti-Hero”