#2 dead 4 injured

[im-defalut]

Shakira has straight up murdered pique and all the English speakers should reeaaaalllyy look at the translated lyrics couse she's killing it

[maaarine]

Gorillaz — Skinny Ape

[citrusinicake]

i dont even know what this is

[paperboatprince]

henry, lark, and sparrow

[impgall]

A woman talks to her maternal grandmother and the whole world collapses

[kodorki]

did it hurt? when your favorite game in a series was shit on and ignored because the main character wasn’t a girl in a lesbian relationship?

[whumptober]

WHUMPTOBER 2024: PROMPTS LIST

Welcome to Whumptober 2024 — Seventh Time's a Charm!

Please make sure to read the Event Info and FAQ below carefully, as most of your questions will be answered there already. For everything else, you are welcome to come to our ask box or ask questions in our Discord server here.

This year’s AO3 Collection can be found here.

This year's playlist can be found here.

The 'Anatomy of a Whumptober Prompt' post can be found here.

And our 'Resources for Writing Sensitive Topics' post is here.

We’re very excited to see the community come together for another year of Whumptober! Go wild with the prompts, and support your fellow creators - we wish you all the fun!

Best of luck and happy whumping,

Mods Vanne, Yenn, Kitty and Surro

(Text versions of the prompts, as well as event information, rules and FAQ are posted below the cut!)

Whumptober 2024 Prompt List

No. 1: RACE AGAINST THE CLOCK

Search Party | Panic Attack | "If only we could hold on.” (Icysami x Renegaderr, Strangers.)

No. 2: TRUST ISSUES

Amusement Park | Role Reversal | “You got away with the crime while the knife's in my back.” (Charlotte Sands, Rollercoaster)

No. 3: SET UP FOR FAILURE

Fingerprints | Wrongfully Arrested | "I warned you."

No. 4: HALLUCINATIONS

Hypnosis | Sensory Deprivation | “You're still alive in my head.” (Billy Lockett, More)

No. 5: SUNBURN

Healing Salve | Heatstroke | "If my pain will stretch that far." (Lottery Winners, Burning House)

No. 6: NOT REALISING THEY'RE INJURED

Unhealthy Coping Mechanisms | Healed Wrong | "It's not my blood."

No. 7: ONLY FOR EMERGENCIES

Unconventional Weapon | Magic with a Cost | "It's us or them."

No. 8: SLEEP DEPRIVATION

Isolation Chamber | Forced to Stay Awake | "Leave the lights on." (Coldplay, Midnight)

No. 9: OBSESSION

Broken Window | Bruises | “Frame me up on the wall, just to keep me out of trouble.” (Fall Out Boy, Irresistible)

No. 10: BLOW TO THE HEAD

Slurred Words | Passing Out from Pain | "I can't think straight."

No. 11: SEEING DOUBLE

Convenience Store | Loneliness | “Leave no trace behind, like you don't even exist.” (Taylor Swift, Illicit Affairs)

No. 12: STARVATION

Underground Caverns | Cannibalism | "Just a little more."

No. 13: TEAM AS A FAMILY

Familial Curse | Multiple Whumpees | "Death will do us part." (Set It Off, Partner's In Crime)

No. 14: LEFT FOR DEAD

Hunting Gear | Blackmail | “Because I want you to know what it feels like to be haunted” (tiLLie, kooL aiD mAn)

No. 15: CHILDHOOD TRAUMA

Painful Hug | Moment of Clarity | "I did good, right?"

No. 16: NECROSIS

Swamp | Wound Cleaning | "No, I can't feel anything."

No. 17: NOWHERE ELSE TO GO

Ruined Map | Shipwrecked | "We had a good run."

No. 18: REVENGE

Unreliable Narrator | Loss of Identity | “I see what's mine and take it.” (Panic! at the Disco, Emperor's New Clothes)

No. 19: BLOOD TRAIL

Abandoned Cabin | One Way Out | "Is there anybody alive out there?" (Bruce Springsteen, Radio Nowhere)

No. 20: EMOTIONAL ANGST

Shoulder to Cry On | Giving Permission to Die | "It's not your fault."

No. 21: BODY HORROR

Body Horror | Tattoo Gun | Spirit Possession | “Let the bedsheet soak up the tears.” (Apparat feat. Soap & Skin, Goodbye)

No. 22: BLEEDING THROUGH BANDAGES

Tourniquet | Reopening Wounds | "Oh that's not good."

No. 23: FORCED CHOICE

Public Display | Broken Pedestal | "I'm doing this for you."

No. 24: RADIATION POISONING

Collapsed Building | Equipment Failure | “I never knew daylight could be so violent.” (Florence + The Machine, No Light, No Light)

No. 25: SURGERY

Stitches | Being Monitored | "It's for your own good."

No. 26: NIGHTMARES

Breakfast Table | Parting Words of Regret | “I'm haunted by the lies that I have loved, the actions I have hated.” (Poe, Haunted)

No. 27: VOICELESS

Laboratory | Muzzled | “I have no mouth and I must scream.”

No. 28: DENIAL

CCTV | Exposure | "They caught me red handed."

No. 29: FATIGUE

Labyrinth | Burnout | "Who said you could rest?"

No. 30: RECOVERY

Hospital Bed | Holding Back Tears | "What have I done?"

No. 31: ASKING FOR HELP

Therapy | Making Amends | "I'm alive, I'm just not well." (Elliot Lee, Alive, Not Well.)

Alternatives List:

Body Swap

Communication Barrier

Finding Old Messages

Forgotten

Friendly Fire

Motion Sickness

No-Holds-Barred Beatdown

Regret

Secrets Revealed

Shivering

Survivor's Guilt

Time Loop

Used As Bait

Venom

Vermin

Event Info & Rules

WHUMPTOBER is a month-long, prompt-based creation challenge (think: Inktober, but whumpier). There are 31 official themes this year - one for each day of the month - which can be used, skipped, or combined in any way you’d like. They are meant to serve as inspiration without being taken literally (e.g. you don’t have to include the exact wording of prompts into your work). Feel free to run rampant on interpretation. For example, if the prompt is “flame", you could create something with reference to a candle/campfire, your character could have suffered a burn, or the flame could be a reference to an ‘old flame’ - an old relationship. It’s truly down to you!

In total, there are 4 prompts for each day. These are optional suggestions and can be used in conjunction with the theme, or as options/alternatives.  We want to give everyone as much creative freedom as possible, as well as increase event accessibility for folks with triggers and squicks. There is also a list of 15 alternative prompts that can be subbed in for any day, again to give participants as much creative freedom as possible.

Creators can PRODUCE work in any media they choose, including but not limited to: writing, visual artwork, photo/video/audio edits, paper crafts and elaborate recommendation lists (not just a list of links). Creators can PARTICIPATE as much or as little as they want (i.e. you don’t have to do ALL the prompts if you don’t want to) and prompts can be used in any order. They are also free to use even after the event ends.

When uploading Whumptober content to your blog, be sure to tag it with:

#whumptober2024 …..(the event tag)

#no.1, #no.2, #no.3, …..(theme number)

#bruises, #stabbing, …..(the theme or specific prompt you chose)

#altprompt …..(if you use an altprompt, tag the post with the number of the prompt you replace)

#fandom or #OC, …..(ironman, original content, oc, etc.)

#medium …..(gifs, fic, podcast, art, etc.)

#teeth, #etc …..(trigger warnings & any additional tags. Keep in mind not to add “tw” in front but only use the word/trigger itself)

#nsfwhump …..(only for nsfw content)

#your own tags go here

PLEASE BE DILIGENT WITH YOUR TAGGING. Only properly tagged posts are considered for archiving on the official @whumptober-archive blog. They must be tagged in the order above. An elaborate post about our tagging system can be found [here]

Unfortunately, due to the sheer number of participants in recent years, we cannot guarantee your work will be archived. A random selection of properly tagged posts from all genres will be reblogged each day.

Whumpers who produce content for 31 total theme days are considered event completionists and will be tagged in a masterpost at the end of the month. A form will be published at the beginning of November asking you to tell us if you completed. This is based on trust and we will not check this.

Frequently Asked Questions

Please read this before you send an ask!

TIMELINE

July: Trope voting form released. Late August: Prompt list is released for at least four weeks of preparation time. Tropes cannot be posted earlier than August 25th because of Moderator obligations in real life. (But, you know, go ahead and start writing/drawing, and add the themes in later, if you want!) September: Do as much or as little on your works as you want. You can prepare everything in advance or let September go by with vibes and start working in October. It’s up to you. October 1st: Challenge begins! A storm of whump breaks upon us all! During this time, some posts will be reblogged to the whumptober archive blog. We open the yearly AO3 collection for posting (optional). November 1st: The challenge is officially over! Completionist form opens for those who want to be included in the hall-of-fame. Early November: We release completionist and participant badges, solicit feedback, and post a hall-of-fame list of completionists by the 10th.

PARTICIPATION AND COMPLETION

Q: What counts as participation? Create or continue at least one work inspired by one of this year’s prompts. Q: What counts as completion? Creating work(s) inspired by at least one prompt from each day (or alts), for a total of 31 unique prompts. Q: Do I need to create 31 works? No. You can, if you want. Or you can create one work that you add to every day with a new prompt. Or several works that combine prompts. You can also update an existing work by adding new material with the current prompts. Q: Do I need to post my works somewhere to be a completionist or a participant? No. Q: How do you know I actually completed the challenge? We’ll take your word for it! Q: Do I have to finish my work(s) to be a completionist? No, you can post WIPs. And you’re not obligated to finish them in October, but if you want it to count towards being a completionist, you must have completed 31 prompts by the end of the month. So for example, if you’re writing a long fic and you fit 31 different prompts into the writing you did in October, it’s okay if that fic isn’t finished by the time October ends, you’ll still be a completionist. Q: Is co-writing/illustrating allowed? Yes, absolutely, and it would count towards being a completionist for both/all of you. Q: Is there a min/max limit on word count for written works? No. Q: Is there a min/max limit of quality for art? No. Q: Do I have to do something each day to be a completionist? No. You can skip days whenever you want, and as long as 31 daily prompts (or alts) are in your works done in October, you can be a completionist. For example, if you wrote a 1000-word ficlet that covers prompts in days 2, 3, and 17, you can check all three days off your list even though it’s only one work. Q: Is this challenge just for fics? No! Artworks, GIFsets, headcannons, rec lists, poetry, moodboards, or any other creative work is encouraged. Q: Can I combine Whumptober with other creation challenges? Absolutely, as long as the other challenges allow it too.

PROMPTS

Q: How do the prompts work? There are FOUR prompts per day: a theme and three ideas. You can use one, two, three, or all four prompts for each day. If you don’t like any of the daily prompts, you can substitute one of the ALT prompts instead. Q: How strictly/literally should we interpret the prompts? As literally or as figuratively as you want. For example, if the theme is WATER, that could mean drowning, waterboarding, raining, swimming, take place underwater, be lost at sea, construct a metaphor about a character’s mood that changes like a flowing river, crying, or whatever else you can think of that fits that theme. Q: Can I combine prompts? Is there a limit on how many? No limit and combine as many as you’d like. If you create a work that checks off multiple prompts, that work will count for a fill of multiple prompts. You need to address 31 different prompts to be an official completionist, but you don’t have to produce 31 separate works.

WORKS

Q: What’s whump? Hurting a character, whether that’s physically, emotionally, intellectually, psychologically, or any other way you can think of. Comfort afterwards is optional. Angst is emotional whump, so it counts. Q: How do I know if it’s whumpy enough? If your character is just mildly inconvenienced, it probably needs more whump. However, no participant has to prove whumpiness to the mods. Whatever you write is up to you. Q: What kind of characters can I create for? Anything. Generic “whumpee,” OC, PC, NPC, major characters, minor characters, or whatever you want. There are no limits. Q: Does it have to take place in a specific fandom? No, you can create works for your own worlds or for fandoms or for both. You can also create more generic or pan-fandom works. You can do cross-overs or use OCs, whatever you want. Q: Can I create AI-created works? We will not reblog or promote any works we know to be generative AI-created. Q: Is there anything we’re not allowed to write? As long as it contains whump and is based on our prompts, it’s fine. Please courtesy tag your works if you post them so people who follow the #whumptober2024 tag can filter according to their preferences. Q: What about sex, minor characters, and potentially disturbing content? You can create whatever works are legal in your country and post them accordingly. Please courtesy tag anything you think might be objectionable if you post to Tumblr so people who follow the #whumptober2024 tag can filter according to their preferences.

POSTING

Q: Where can I post my work? Post where and how you want. You don’t even have to (cross)post it to Tumblr. Just keep in mind if it’s not on Tumblr we will not be able to add it to the blog archive. There is an AO3 archive for Whumptober 2024, as well as the parent collection for works completed outside of the event. Q: Can I start posting early? You can, but this is an October event and wouldn’t it be more fun with everyone doing it at the same time? We won’t be reblogging any work predating October 1st. Q: Can I post late? Yes. For the sake of our hardworking Post Fairies, only a day’s themes will be reblogged to @whumptober-archive each day of October. But you can post whenever. Some of us are still working on and posting Whumptober fics from years ago. Q: Do I have to use your tags? Only on Tumblr and only if you want us to reblog your work on @whumptober-archive. Q: How do I have my works reblogged to the archive? Properly tagged posts will be reblogged to @whumptober-archive. If you want the official archive blog to reblog you, post on Tumblr and tag correctly (see this FAQ link for more info on tagging). Please note not all posts will be reblogged each day. Q: Can we @ you? For questions and comments, of course. We’ll be getting a flood of notifications, so if you really want us to see something send an ask. Q: Can I cross post on other blogs? Yes, multiple platforms and blogs are perfectly acceptable, as long as they allow cross-posting (to us). You can also post different works to different accounts under different names, without posting them everywhere at once. If you post some works under your main and others under an alt blog, that’s fine for completionist purposes. Q: Can I upload/repost my Whumptober content to other social media platforms? Of course! We’ve created an AO3 Collection to archive any fics posted there, which can be found here. The blog is the official archive, so please respect the personal boundaries of any whumpers in your social circle (don’t out anyone as a participant who would prefer not to be outed).

Most importantly, have fun, create, and enjoy all the whump posted this October!

[imperiuswrecked]

BDS HAS CALLED FOR A TARGETED BOYCOTT OF PRO-ISRAEL PROPAGANDA CHARACTER SABRA!!!

BOYCOTT SABRA (RUTH BAT-SERAPH) IN MARVEL'S CAPTAIN AMERICA : NEW WORLD ORDER!!!

As Captain America: New World Order is released I urge all fans who are against Zionism to flood the Captain America tags with messages of Boycott Sabra. All the links provided in the graphic are publicly available from their websites, and social media.

Anti-Zionism =/= Anti-Semitism!!! We are boycotting Sabra not because she is Jewish but because she represents a Pro-Israel, Pro-Zionist message that should not be platformed in any media. Her comics have Pro-IDF propaganda.

Marvel was made aware of the fact that this character promotes a Pro-Israeli & Anti-Palestinian sentiment when the character of Sabra was announced for Captain America 4, despite fan concern, and calls for Marvel to remove this character from the movie and despite have more than enough time to respond to what type of statement this would promote, a Pro-Zionist, Pro-Israel stance and despite reshoots Marvel has still chosen to keep Sabra in the movie. Shira Haas is the actress playing Sabra, she is Israeli and has shared Pro-Israel posts online even during the genocide of the Palestinians.

Marvel claims they will be reinventing the character however a character whose very nationality and backstory relies on Pro-Israel & Pro-Zionist ideals is irredeemable especially because not once in all her comic appearances does she ever change her Anti-Palestinian stance. Israel is currently committing a Genocide against Palestinians. Since of October 7th more than 30,000 Palestinians, of which over 12,000 are children, have been murdered by Israel. Over 60,000 have been injured, more missing, and millions displaced in Israel's genocide and ethnic cleansing of the people of Palestine. This is in addition the 75 year long occupation, countless war crimes, and 16 year blockade on Palestinians.

Marvel claims to care about Jewish characters, but Marvel hasn't even cast Jewish actors for Jewish Characters like Moonknight. Marvel choosing to back a Pro-Israel, Pro-Zionist character like Sabra sends a very clear message that aligns with Marvel Comics long held Anti-Palestinian sentiment. There are other Jewish characters for Jewish representation, such as Magneto, and Kitty Pryde, who were not created with a Pro-Israel, Pro-Zionist background.

BOYCOTT SABRA!!! Send a message, write a tweet, make a post, and tag Marvel and Disney and let them know why you are Boycotting Captain America: New World Order. I love Sam Wilson as Captain America but I will never support a movie that has Sabra as a character.

For more information about the character's history here is a breakdown of her appearances in Marvel Comics.

The Incredible Hulk (1968) #256 - Sabra's Origin

On the cover of Sabra's origin issue is the image of a dead Palestinian boy.

continued...

As we read the issue, we find Bruce Banner/The Hulk has stowed away on the ship "The Star of David" to Palestine, in the comics it is called Israel, however Marvel Comics has long been erasing Palestine, calling it only Israel.

This is Marvel Atlas (2008) #2 page on Israel

Marvel Fandom Wiki states that Palestine was the name of the land before Israel. While I understand that Marvel's 616 Universe is fictional, it's important to state that they base their locations on Real Life locations, and in 1948 Palestine underwent The Nakba, in which Israeli Forces displaced over 750,000 Native Palestinians and killed countless men, women, and children, stole land and homes, and forced the remaining Palestinians into the Gaza Strip which is the world's largest concentration camp, or confined to the West Bank all of which is under Apartheid laws today, or out of Palestine with no right to return to their homes and lands.

That being said, Sabra was created in 1980, as a Mossad Agent, Mossad is the Israeli Secret Service which has done so much harm to Palestinians. In her first issue she was working as a cop in Tel Aviv.

The Editor's note states: "The word Sabra denotes a Native-Born Israeli, the name derived from an indigenous form of fruit - a prickly pear possessed of a sweet interior, and a spiny outer surface to protect it from it's enemies."

Sabr (arabic, it also means "patience") is a cactus prickly pear that is Native to and found growing in Palestine. Read more about it in this article talking about the politics of Palestinian erasure and the Sabr fruit.

The Prickly Symbolism of Cactus Fruit in Israel and Palestine.

“If you look at most Palestinian villages demolished in Israel, what’s left is cactus fruit and olive trees,” says Qattan. Since 1948, he adds, this has imbued the cactus plant with a “mythical symbolism.”

When Blum’s father started the farm, he knew that many parts of the world have cactus fruit plants, so he wanted to make theirs the best. They chose Dimona, in southern Israel, because of its intense sun and “the Zionist dream of making the desert bloom.” 

"Making the desert bloom" is a racist Zionist ideals and propaganda that has caused severe ecological damage to Palestine by destroying thousand years old Olive trees to plant non indigenous trees that are not native to Palestine in a form of ecocide. So even the character Sabra, her very name brings a connection back to the Nakba, the ethnic cleansing of Palestinians & promoting Zionism.

However Sabra's name also has another very real and very tragic memory. One I will discuss here before returning to the comics. Just two years after her appearance in comics in 1980, Israel's war crimes continue.

The Sabra & Shatila Massacre 1982

The article linked above has information of what occurred September 16-18, 1982. There were the Refugee camps of Sabra & Shatila, where Palestinians displaced from Israeli Occupation lived, and they, as well as Lebanon Civilians, were killed by the right wing Lebanese Militia working with the Israeli Military, which took the lives of 2,000 - 3,500 people in 2 days. Raped, tortured, murdered. Many Palestinians know the history of the massacre and bringing up the names of Sabra & Shatila is a constant reminder of the deaths that occurred, the war crime that was committed, and that 42 years later not one person involved in the massacre was held accountable.

The Sabra and Shatila massacre is remembered as one of the most traumatic events in Palestinian history and its memory is commemorated annually by Palestinians in Lebanon and in Palestine.

Marvel promoting a character like Sabra who's very creation ties into the Pro-Zionist Israel a statement that Marvel is promoting a Pro-Israel message. No matter what changes occur to the character in the movie, already her very creation, her very name is linked to the deaths and torture of thousands of Palestinians. It does not matter that she was created 2 years before the Sabra & Shatila massacre, her name is still connected to the ethnic cleansing of Palestinians from the 1948 Nakba and the creation of Israel.

For anyone who says "Well Marvel couldn't change her name just because of Political Controversy" let me remind you that when the American Black Panther Party gained popularity Marvel changed The Black Panther's name temporarily to the Black Leopard because they didn't want to associate the character with the American Black Panther Party.

Now that you have an understanding of why Palestinians are rightfully boycotting an Israeli Propaganda character let me return to the the comics.

Back to The Incredible Hulk (1968) #256; this comic is one of the most Anti-Palestinian, "Arab Terrorist Propaganda" comics I have ever read so I will briefly outline the plot: The Hulk meets a poor Palestinian boy who was stealing a watermelon (The watermelon is the symbol of resistance for Palestinians) and Bruce spends time with the boy, Sahad, however Sahad is killed by a bomb. Hulk is enraged and fights the Arabs, Sabra intervenes and thinks Hulk is in league with the Arabs and attacks him.

Hulk takes Sahad's body away and Sabra thinking Hulk was fighting with the Arab Terrorists goes after him in order to protect Israel. However she finds that Hulk wasn't the monster she thought he was. Hulk's angry speech about the Israel-Palestine conflict leaves Sabra shaken and for the very first time she sees a Dead Palestinian Arab Child as human.

"For an instant, Sabra prepares to give chase. She is, after all, an Israeli Super-Agent... A Soldier... A Weapon of War. But she is also a woman, capable of feeling, capable of caring. It has taken The Hulk to make her see this Dead Arab Boy as a Human Being. It has taken a monster to awaken her own sense of humanity.

Reminder this is her FIRST FULL COMIC, this is her ORIGIN, and you would think that perhaps she is more sympathetic to the plight of the Palestinians after this but she isn't. Let's continue with the rest of her comic appearances.

Marvel Super Hero Contest of Champions (1982) #1-3

Sabra is included in the contest of champions where superheroes must team up to battle their foes, she is teamed up with Iron Man, and The Arabian Knight (1st incarnation: A Saudi Bedouin with mystic artifacts/powers). Again, the Anti-Arab racist stereotype of Arab men being misogynistic towards women (misogyny is not a trait of ONLY Arab men, it is something that occurs world wide, however focusing it only on Arab men is racist) as well as the Zionist Propaganda lies that Arabs hate Jews, Arabs vs Jews, Arabs and Jews are enemies because of their religion. Not to mention that this Arabian Knight (Abdul Qamar) is from Saudi Arabia, he has no ties to Israel, so Sabra is judging him because he is Arab and has conflict with him because of their countries, it ties into the stereotype that "All Arabs are the same", Saudi Arabia is not Palestine.

Even after The Arabian Knight saves Sabra, she states her hatred and racism towards Arabs; "I would rather be dead than allied with you!"

The Incredible Hulk (1968) #279 - Sabra once again states it was the Hulk who taught her about Humanity.

Marvel Super-Heroes (1990) #6 - Sabra fights Israeli Anarchists who want to overthrow the Israeli Government and saves the American Ambassador's son, who is deaf. The main villain is a woman who Sabra saved by giving her some of her life energy, and she is upset because she did not want to be saved nor does she want to fight for Israel with the powers Sabra gave her. Sabra takes her life energy back and it kills her.

A constant running theme throughout her comics is that one of Sabra's repeated goals is the protection of Israel even above her own life.

The Incredible Hulk (1968) #386-387 - Sabra thinks the Hulk is in league with people who are trying to kill a boy, and attacks him. Later she thinks Hulk has defeated her and has this speech where she says that Israeli Soldiers are beating their wives out of frustration.

Again, how is that not the fault of the soldiers, why is it even when they are perpetrators of violence it's not their fault because they are frustrated?!

The main plot was that a Jewish man, who survived the German Nazi concentration camps, believed the boy to be the next Hitler which is why he wanted to stop him.

I never downplay the horror of the Holocaust or what Jewish people suffered from Nazis, from Anti-Semitism, throughout their history, but I am mainly focusing on how Sabra's character is in the comics and how that related to Anti-Palestinian, Anti-Arab sentiment.

The New Warriors (1990) #58-59 - Sabra reveals that her six year old son was killed by Arabs, bombed on a school bus, after she urges the New Warriors to kill Batal, a Syrian Super-Agent. Batal then states that it was the PLO (Palestinian Liberation Organization) that killed her son and to stop generalizing all Arabs.

Batal: Well Sabra? There's a Palestinian over there -- aren't you going to push him out of his seat and claim it as your own? Sabra: I don't respond to child-killers

Again, Sabra's racism against Arabs doesn't end at Palestinian Arabs, but extended to Saudi Arabia and now Syrian Arabs. LET ME BE VERY CLEAR THAT SABRA IS BEING RACIST: Batal has 2, TWO, only 2 comic appearances, he is there as security detail like Sabra is, there is nothing about his character that indicates he's anything but a Syrian Superhero, and Sabra still called him a child killer because she thinks all Arabs are child killers. Batal is written with the stereotypical racist Arab Man writing that many Arab characters suffer from, and he does insult Sabra by calling her an "Israeli Pig" after she treated Batal with disrespect, distrust, and suspicion ever since his arrival.

Sabra is then mind controlled into stopping the peace conference and killing everyone who allowed it to happen. She is stopped by the New Warriors.

Sabra's son is never once shown in a flashback, we are only ever told of him and how he died.

X-Men (1991) #67-69, 72-73

Sabra's dead son's name is revealed to be Jacob, she uses her position in Mossad to get secret information for the X-Men.

She later has plans to track down and kill Magneto, but ends up fighting with his clone, Joseph, before being told that wasn't the real Magneto and stopping.

Excalibur (1988) #120-121

Sabra teams up with Excalibur to defend "Israel" from Legion's ghosts. Then she is debriefed of her mission by Mossad.

Uncanny X-Men (1963) #366, 367, 379

Sabra takes Joseph (Magneto's clone) to an Israeli Military bunker where scientists study his DNA and state he is a clone of Magneto. Later Sabra attends Joseph's funeral.

X-Men (1991) #111

Sabra makes a statement about Magneto; Israeli Super-Agent Sabra weighed in on the looming war with her usual candor, "It is clear to me at least that Magneto has become the monster he claims to despise. There are some factions who believe this rumored son of Israel has brought much shame to his countrymen. Factions who believe he should be dealt with once and for all. Okay maybe not factions. But certainly Individuals... like me."

New X-Men (2001) #131-132

Sabra attends a funeral for Darkstar in #131. In #132 Sabra interacts with the mutants, and x-men, and says to Quicksilver (on the apparent death of Magneto), "I'm sorry Quicksilver, but good riddance. Magneto was a master-race lunatic who coherenced the entire Genoshan mutant population into a war with humanity and brought this on himself."

JLA/Avengers (2003) #4

Single panel appearance where Sabra is shown protecting the Wailing Wall in Jerusalem. Again she is called an Israeli hero.

Side Note: I don't think there's been a single comic where Sabra has a major presence that has not mentioned at least once that Sabra is an Israeli Super Hero, a Mossad Agent, or an Israeli Super-Agent at least once. It's so noticeable that they always mention it and how big of a role it plays in her character.

Excalibur (2004) #5

Flashback two panel appearance of Sabra on Genosha.

Civil War: X-Men (2006) #1-4

Sabra fights on the side of Tony Stark/Iron Man and battles Archangel, then aids an injured Micro Max.

Civil War (2006) #6

Sabra fights on the side of Tony Stark/Iron Man.

Union Jack (2006) #1-4

The Arabian Knight has changed mantles, the 2nd incarnation is portrayed by a Palestinian Hero, Navid Hashim. I make mention of this because in Union Jack (2006) #1 Navid is called a Saudi, then in Hulk (2008) #45 Navid is called a Afghani, however the Marvel Fandom Wiki stated he was a Palestinian and I wanted to confirm it, which I did in:

Marvel Encyclopedia, New Edition (2019)

In the first issue of Union Jack, right off the bat, Sabra has an issue with The Arabian Knight, and is antagonistic towards him.

Navid is written in Marvel's usual racist writing; the misogynistic Arab man stereotype. Navid tells Sabra she should embrace her role as a mother instead of a hero. Sabra snaps and chokes him while telling Navid that Palestinians killed her son. Note how now it's Palestinians and not, Arabs, and not the PLO? Because by now the PLO is no longer considered a Terrorist group, so Marvel can't blame them and instead shift the blame to all Palestinians for the loss of Sabra's son. Arabs is too general, so of course it's the Palestinians.

To this date Sabra's son, Jacob, has still never appeared in any flashbacks, never seen drawn into a comic with Sabra, no mention of who the boy's father is. Nothing except Sabra's loss and hatred of the Palestinians. Even in her first solo comic series, which I discuss further down, does not mention her son. Using the death of an Israeli child to justify villainizing the entire group of Palestinian people is Zionist Israelis do. It's Anti-Palestinian Propaganda.

Later Navid gets hurt and Sabra checks on him, he tries to apologize;

Arabian Knight: About your son... I only meant. Sabra: Don't. We are allies of the moment. Another day I would have driven the dagger home.

Later Sabra, The Arabian Knight, and others are mind controlled by the villain to attack Union Jack. Union Jack is told that he can distract them by turning them against their "natural enemies" and then Union Jack insults Sabra and uses Sabra's hatred and racism towards Arabs to turn her against The Arabian Knight. Sabra calls Navid a terrorist as she attacks him.

The mind control gets broken, and the team rallies to save the day by the last issue. The final exchange between The Arabian Knight and Sabra shows a tense acknowledgement between them meant to show begrudging respect. This is the nicest Sabra has been to any Arab character since her creation. The bar of "showing respect" is literally on the ground.

Secret Invasion #6

Cameo one panel appearance of Sabra in Israel fighting a Skrull.

Astonishing Tales (2009) #6 - Astonishing Tales: Sabra

Tagline in the comic states: Sabra: Whether as an agent of Mossad, or a superhero, the Israeli mutant Ruth Bat-Seraph has never doubted her decision to put her country above self. Fighting alongside the Avengers, X-Men, and Captain Britain, as the patriotically garbed Sabra. Ruth has proven herself a champion to all nations.

"Sabra in Flight" - is one of the most disgusting pieces of Israeli comic propaganda I have ever read thus far in Sabra's comics. For my first time reading it I was shocked at how easily they projected the narrative of Israel as something noble and worth dying for. This piece of utter trash is the very first time Sabra has her own solo comic story. Let that sink in. This is the first time in 29 years since Sabra's creation 1980 that she has her own solo comic story. Sabra's total presence in the comics is 42 years.

The only things we know of her character is that her name is Ruth Bat-Seraph, she was born and raised in a special Israeli Kibbutz (Israeli settlement), that she manifested mutant powers that include; flight, energy quills, poisoned quills, super strength, and life energy transference. Sabra had a six year old son named Jacob who died in a bombing. She has always stated or maintained her solidarity and defense of Israel even above her own life. She is racist to any Arab, especially Palestinian Arabs.

It also important to note her costume changes over the years, her Star of David has diminished greatly from being on different parts of her uniform to just barely being a necklace/neck accessory. Her roles as Israeli Hero is greater than that of her being a Jewish Hero.

This comic introduces us to Ruth at a Israeli social function in Jerusalem, where is with her mother. Her mother tells her not to spill anything on her Sabra uniform, and mentions how people want to talk to her, Their Greatest Soldier. Again the emphasis on her being an Israeli Soldier and a Mossad Agent is hammered home in the first page of this comic.

Mother: "Your dad would be so proud of you, Ruth. To see his daughter in uniform protecting the Nation." Ruth: "I just hate being put on display at these receptions. I am a Mossad Agent after all."

Then the next bit of news we learn is that Sabra has a brother. So now we know she has a mother and brother who is living, and her father is deceased. Next a old friend of Ruth's arrives with her teenage daughter, Yael, in tow, she introduces Sabra to her daughter and leaves them to talk. Sabra then mentions to Yael that she must be getting close to her mandatory military service soon. Yael mentions she is nervous because her friend was in the military and was paralyzed in Gaza.

Sabra then spends the next part of the comic reassuring Yael that it's ok to be nervous and that she was nervous too sometimes and mentions a story where she faced Hydra, and that when Yael goes into the Israeli military (IDF: Israeli Defense Force) she will learn a lot.

Sabra: "You'll learn a lot when you enter the Military. But the biggest thing you'll discover is that you have two families; your military family, and your personal family. Both will always be there for you, and perhaps even sacrifice themselves for you. A hard truth I learned the day my dad died rescuing me."

Yael mentions how her father was killed by surface to air missiles, and then goes on to say she was accepted into the air force flight academy and she always wanted to fly but that she was nervous. She mentions she might go into Military Intelligence. Sabra says that is good too but Yael then says she feels she was always meant to fly. So to convince Yael go into air force and alleviate her fears Sabra then takes her in her arms to fly her over Jerusalem and tells her that this land is what their dads died for. And she is convinced that Yael will make the right choice.

Side Note: Excuse me while I throw up, this entire comic made me feel so disgusted. I always try to write and speak about comics as professionally as I can but fuck this comic. Fuck this Pro Israel Propaganda. Fuck Sabra. Fuck this Pro-IDF comic. Fuck making an entire comic about reassuring a young teenage Israeli girl to go and join the IDF to fight in Gaza, to kill Palestinians. THIS. This is why Sabra will NEVER be able to be divorced from her origins, her character, as a Pro-Israeli Super Agent. No matter what Marvel tries to put into the movie this is who the character is at her very core.

Over 12,000 children have DIED since October 7th. Israel is committing genocide against the Palestinian people, but Marvel and the MCU, and Disney think it's ok to have a Israeli Superhero in a Captain America movie? Boycott. Scream out online to them. Tell them we do not want their Israeli Propaganda. Sabra should never ever be used for any platform, movies, shows, animation, comics, ever again. Over 30,000 Palestinians have been slaughtered by Israel in the last few months alone. Never forget.

I'm shaking with rage as I write about this comic but we move on. There's still some comics left to discuss. However in my firm opinion this character is indefensible, she literally is an Israeli Propaganda character. She is propaganda for the IDF.

History of the Marvel Universe (2012)

Cameo Appearance.

Amazing Spider-Man (1963) #685, Amazing Spider-Man: Ends of the Earth (2012) #1

Sabra teams up with Spider-Man and other heroes, she is introduced as a Israeli based mutant, she fights spider robots in Jerusalem.

X-Men (2010) #31, 34-37

In Paris, Sabra greets Storm and later she helps the X-Men using her influence as a Mossad Agent.

X-Men (2013) #9, 11, 16 + X-Men Legacy (2012) #23

Sabra aids the X-Men.

Captain America: Steve Rogers (2016) #18

One page Cameo, Sabra appears to have completed a mission and gathered files.

Avengers (2018) #11

Sabra and the Arabian Knight are at a meeting called by The Black Panther. T'Challa wants everyone to work together, they are currently discussing an issue with Namor the Sub-Mariner, King of Atlantis. Ursa Major makes fun of the situation; "Haaaa, look at Sabra and the Arabian Knight! Even the Jew and the Muslim are agreeing! How touching!

Zionist propaganda of making it seem as if the conflict between Israel and Palestine is a religious conflict between an Arab and a Jew. Making of a Jewish and Muslim character getting alone because they should be fighting is racist, Islamophobic, and anti-sematic. The conflict between Israel and Palestine is NOT a religious conflict, Israel has been occupying and murdering Palestinians for 75 years. It is a conflict between Israel being a colonizer and Palestine being colonized. Israel is committing a genocide as I create this post.

At the end of all her appearances spanning 42 years Sabra has not once changed from her palestinian, arab hating, israeli zionist roots. All we get is her trading a few words back and forth with Arabian Knight and acting like an adult at a table full of kids. There isn't even respect between them. That is all the appearances of Sabra.

Why is important to boycott Sabra? In addition to the character being Pro-Israel, Pro-IDF Propaganda, giving a large platform like the one an MCU movie provides will give the actress a larger platform.

Israeli Actress, Gal Gadot, who is Pro-Israel, Pro-Zionism, Pro-IDF, and was a former IDF soldier, was cast in a high profile role of Wonder Woman, she used her platform, power, and access to thousands of fans to further messages of Zionism and even promoted a Pro-Israel propaganda film to be aired in Hollywood. The film was used to further the Zionist agenda of continuing their genocide against the Palestinians in Gaza. Bearing Witness (2023) is a Israel IDF propaganda film that Gal Gadot endorsed as Israel continued their genocide of the Palestinians in the Gaza Strip.

Wonder Woman isn't even Israeli, however the actress used her ties to the character to promote Israel. In Wonder Woman: 1984 there is a very racist, Anti-Arab, Anti-Palestinian message including a scene where Wonder Woman, played by Gadot, saves 4 Arab boys from a missile. Article Link

Why is that scene so controversial? Because Israel murdered four young boys who were playing on a beach in Gaza back in 2014 by a drone missile strike. Article Link

Gal Gadot and now Shira Haas having roles in movies with as much exposure as DC and Marvel movies promotes Israel, and Zionism. Pro Zionist groups have already voiced their approval of Shira Haas playing Sabra.

I will boycott any piece of media that features Sabra, the Israeli Propaganda Super Agent.

Use the Captain America tags to Boycott Sabra.

If you have read this far then please support Palestine. Support Palestinians and fight against Zionism. Comics were created by Jewish Creators, do not let Zionists try to erase their contribution or use comics to promote Zionism. Comics are never created in a vacuum, they are the pulse of current pop culture, of current news. Comics are Political and always have been. Marvel choosing to keep Sabra in the MCU sends a clear message of support for Zionism & Israel.

Find a Protest near you

Donate or Join Palestine Action

Donate to Palestine , HelpGaza , Palestine Donations , Aid Palestine

Learn about Palestine

[frogaroundandfindout]

Dead on main au where

1. Danny wears a 1/2 face mask as a ghost to make sure his parents don’t find out who he is

2. The decision to start wearing the mask was a spontaneous thing that happened at school and he stole the mask from his high school’s theater department

3. Danny moves to Gotham as soon as he turns 18 on a scholarship but it doesn’t include dorm fees.

4. Danny hides out in an abandoned theater (the attic is surprisingly well insulated!!!!) and spends most of his time there as a ghost because he can’t anywhere else in Gotham.

5. An injured Red hood limps his way into one of his favorite old hideouts (the theater obviously), and promptly passes out from blood loss with the hazy image of a masked glowing spector as the last thing he sees.

6. He wakes up enough to hear soft reassurances of safety and feel cool hands carry him with no noticeable strain.

7. Jason comes to in a giant nest of blankets with his wound neatly stitched up, a killer headache, and a sticky note wishing him well/ promising the writer didn’t leak under the helmet (a fact Jason is well aware of considering his head is very much unexploded)

8. Jason tries to leave but he passes out again and is honestly too tired to try again when he comes back around. So he just…falls asleep.

9. Jason wakes up again to warm food on an old silver tray and an empty room, not knowing Danny is watching him from the corner to make sure he doesn’t fall again. Not that Danny wouldn’t catch him again, but he’d prefer it didn’t happen at all.

In short, Danny plays elusive nurse to the dangerous red hood while Jason sees a literal ghost that lives in an abandoned theater wearing a phantom of the opera mask and decides he’s found a keeper. Clearly he appreciates the drama.

[domokunrainbowkinz]

put on and took off my eyeliner so many times the outer corners of my eyes are STINGING. wish i actually learned how to put on makeup in high school like the rest of society

[dcandmarvelimagines]

sweeter than you ever knew. (pt. 3)

Series: pt 1 pt 2 pt 3 pt 4 pt 5 Pairing: Wade Wilson x Logan Howlett x Fem!Reader Rating: Mature Word Count: 3.8k Warnings: AFAB reader (uses she/her pronouns), 1st person POV, non-mutant Reader, canon typical violence (mostly all off screen), descriptions of dead/dismembered bodies, reader is injured (leg injury and slapped), the kidnapper emotionally manipulates the reader, on page murder. Author's note: Thank you so much for all the support it's been crazy!!! This chapter is a bit intense, I'm not going to lie. We just need to hold hands and get through this. But I swear, the next part of this will be sooo tooth rottingly sweet. It's so long that I actually had to make this five parts lmao. I could not stop with the comfort and softness. ao3 Tags (if you would like to be included or removed, just let me know. If I forgot someone I'm so sorry!!): @fallout-girl219 @xolosimp @o0aligoth0o  @thedevilsaysthings @jaeyuni @redmitsuru5 @jeffs77 @spideybv28 @trumanbluee @jennapearce13 @chxrrybomb22 @7soulstars @what-the-jams @lostinheavensworld @purplestars222 @movieat @whiskeyghoul @paintballkid711 @unmotivated-artist164 @sun7lowxr @minniekitties @ceobuggy @amararoseblog @harryshousewhore

The first thing I felt was rough rope as it scraped against my skin. I worked my eyes open, the task feeling too great. I was strapped to an old chair. Nausea swirled in my head as I tried to take in my surroundings. It was a plain, nondescript gray room. The walls were concrete. In the middle of the room, directly in front of me, was a large iron door. It looked like something you would find in a bomb shelter. Around my chair were shafts of moonlight provided by a skylight above. There was a bite in the air that made me shiver. My breathing was uneven as I weakly struggled against the ropes. 

“I see you’re awake. Wonderful.” The man with ice cold eyes appeared from the corner of my vision, a folder in his hand. “I don’t want to waste either of our time.” He lugged a metal chair in front of me and I cringed at the horrible screech as it echoed around the room. “Where is Wade Wilson and Logan Howlett?” I blinked, my brain foggy. 

“I don't know who those people are.” The man tsked. There was a flash of anger across his calm face before it was replaced by cool indifference. 

“Bullshit, we see you coming in and out of their apartment.” My stomach churned, either from whatever they shot me with or from the creeping anxiety.

“Oh you mean Al’s roommates? I work for social services for her. I don’t know anything about them.” The man grinned. It was vicious and predatory. 

“You are a bad liar.”He sat on the chair, crossing one leg over the other. “Why do we have photos of you with both men? What? One not enough for you?” He flicked open the folder and pulled out two pictures. One was of Logan and I on the fire escape. It had been captured at the perfect moment to have clear shots of our profiles in it. The other was of Wade and I at the bar. No, not just the bar, the bathroom. I was half exposed, Wade’s face against my bare breast. The woman who interrupted us had worked for him. Now I was actually going to throw up. I had been followed for months at this point. “Now, I’m going to ask again. Where are they?” 

“They don’t tell me about their jobs, I swear. Please just let me go.” The man shook his head with a hum, sounding like a disappointed teacher, sliding the photos back into the folder. 

“I’ll leave you here for a couple days, see if that jogs your memory.” Days? 

“Wait no! Please!” But he had already disappeared through the metal door. In the doorway, I saw a woman waiting. I blinked in shock. The woman, the one from the dingy bar bathroom. She was the one who had taken our picture.  My kidnapper nodded at her before the heavy door thudded shut. Days did pass, the skylight allowing me to count by the motion of the sun. My body soon grew stiff and achy as I sat on the chair. I wanted to sleep, anything to pass the time, but I wasn’t able to calm my mind enough. The shadow of the woman never moved from the small window. I could feel her watching me, my arm hair standing up at the feeling. To distract myself, I thought of Wade and Logan, of them bursting in here and rescuing me in a blaze of glory. But as the days bled into one another, hope started to fade. 

The man reappeared after four days. He removed the chair from in front of me, opting to just stand. “Have you thought about your answer?” 

“I don’t know where they are.” It was the truth. They didn’t give me any information about their jobs. They could be on Everest for all I knew. 

“I don’t believe you!” He began to pace, wearing a line into the concrete floor. 

“I don’t care if you don’t believe me, it’s the truth.” He rushed at me suddenly, fingers digging brutally into my cheeks as he gripped me. My fists clenched as I forced myself not to jerk away. 

“Stop bullshitting me,” his voice was a venomous hiss. “Tell me now.”

“Do you not understand me?” My voice had lowered too, anger boiling inside me. “Get it through your fucking head that I. Don’t. Know. You are wasting your time. Let me go. Do it before they find me here. They’ll kill you before you can even try to fight back.” 

“Oh is that right?” I knew he was toying with me, but I fell stupidly into his trap anyways. I was angry and tired and so fucking scared. My brain was barely functioning. 

“Wade’s gonna make a necklace of your intestines.” 

The slap made a stomach churning crack. My mouth filled instantly with blood from my split lip. My cheek throbbed in the aftershocks. Tears pooled and trickled down my pulsating cheek. Another thunderous slap caught my other side. Blood splattered across my sweats. It was so hot, it practically burned through to my skin. 

“What a shame.” His hand wrapped in my hair, yanking my head back, neck stretched too far. The warm blood rushed down my throat and I gagged. “You had such a pretty face. I see why those two kept you around. It’s so nice to have some stress relief. But it seems that they’ve moved on to a better piece of meat now.” He winced when I spat at him, the saliva and blood sticking to his cheek. He touched it like he couldn’t believe it, rubbing it between his index finger and thumb. 

“When they get here they’re gonna eat you fucking alive!!” His face twisted in rage. His grip tore at my hair as he ripped my head to the side. Something pricked my neck, cool liquid rushing through my veins. My vision began to fog, body feeling too dense, brain going fuzzy. 

“Sleep well.” 

It had been days. 

I watched the sun beams make their slow progression across the dusty floor, only to be replaced by the darkness of night. My face still stung and my lip kept dripping blood. I called to the woman who was still standing there, hoping that she would take mercy and help me. But I might as well have been shouting at the wall. No one came. No one helped. All I could do was wallow in my pain and loneliness. Maybe they had really abandoned me. What was I to them anyways? Exactly what he said, stress relief. Nothing more than a convenient body. Something to pass the time. If I was worth anything, they would have been here.

My eyes had just slipped shut, head lolling to my shoulder, when the door opened. “Good morning!” It was him. My shoulders slumped, hoping I could just ignore him, that he was just some hallucination. “Your saviors haven’t appeared. So we have come up with a solution.” I opened my bleary eyes when I heard the chair in front of me creak. He clutched my phone in one hand and a wickedly sharp knife in the other. He swiped my phone open before clicking on the screen. I could hear ringing and then someone picked it up on the second one. My eyes were fixated on the knife as he flipped it, catching the hilt each time. 

“Baby cakes?! Where are you? What happened?” Wade’s voice was horrifyingly panicked. 

“Aw baby cakes?” The tip of his knife traced my cheekbone and I held my breath, hoping I wouldn't flinch and cut myself. “What a cute name.” 

“It’s not as cute when you say it,” I grumbled. My voice was thick through my swollen lip. 

“What happened? Why do you sound like you have cotton in your mouth?” The man pinched my busted lip, fresh blood bursting forward, and I whined in pain. My nails bit into my palms. Over the line, I heard a growl, letting me know Logan was also listening in. 

“Sometimes I just don’t know how to handle myself around such a pretty lady.” Wade let off a string of choice swears and Logan snarled. “She has such a naughty mouth. I see why you keep her around. But it seems you’ve left her for good, huh? She won’t be too pretty once I’m done with her.” 

“Don’t you dare fucking touch her,” Logan was spitting in rage. “If you do I swear I’ll rip that worm you call a dick and ram it down your throat.” I smiled despite myself, something warm unfurling in my chest. They were still trying to find me. After over a week, they were still hunting. 

“I told you,” I hissed, “they are going to eat you alive.” 

There was a split moment where I knew I had fucked up. His eyes snapped to me, lips pulled back in a horrifying smile.

Then the knife flashed.

The pain in my leg was indescribable. I thrashed, desperate to escape the blade stuck through my thigh. I knew I was screaming but I couldn’t hear it over the pounding in my ears. Fresh blood from my lip and tears traveled down my chin. More blood pooled under my thigh, soaking into my ruined pants. I was only faintly aware that others were shouting and someone was laughing. 

His hand hammered the knife in deeper, the wood seat cracking under me, the hilt flush with my leg. I wailed, pleading sobs of mercy clogging my throat. “Stop moving so much.” There was more shouting. My head knocked against the back of my chair. The corners of my vision grew dark. “Do you want to say goodbye? Who knows if you’ll make it to see them.” All I could do was weakly whimper. “She seems preoccupied. I’ll see you two soon.” He tapped my face, the force just under another slap. “You sound so nice screaming. Maybe I will actually keep you around.” 

He left me like this, bleeding, trembling, pinned to the chair like a piece of meat. More days passed and the bleeding didn’t stop. It wasn’t normal. I should have died like this. Cold was lingering on my skin and small shivers racked my body. My bare feet had long gone numb. Someone, my foggy vision only registered them as a blob of white, entered the room. They carefully removed the knife and then eased me out of my pants. They methodically stitched my skin together, the haze of shock covered the pain of the stitches. Once a thick white bandage covered the wound, they turned and left. 

On the fourteenth day, I heard shouting. Then gunshots. My head jerked from where I had been sleeping. Panic spiked. I needed to run. “Fuck,” I mumbled, looking around desperately for something, anything, to save me. The room was mostly bare besides a table against the opposite wall. Then I saw it. 

The knife. 

I tried to wiggle closer, but failed to move an inch. “Fuck,” I repeated, desperate now. More shouting and gunshots, closer this time. The more I fidgeted, the more of the seat fell away from under me. Think think think. I continued to sway, lifting the chair onto its sides before it cracked against the floor as it fell. Then I heard a splinter in one of the legs. I took a breath to steel myself before I tipped myself completely over. I nearly sobbed in relief when the chair leg connected to my uninjured leg was the one that snapped off. I awkwardly propelled myself across the scratchy ground, the exposed skin on my left side becoming ragged. The rope on my left wrist began to fray, just enough that when I got to the table, I was able to yank my hand off and reach blindly for the knife. The blade caught my palm but I gripped it tightly, ignoring the bite of pain. 

I made quick work of my other binds, the knife almost slipping from my wet grip, and rose to my freezing feet. My injured leg protested instantly, nearly giving out when I put weight down. But I had to run, had to escape. I limped toward the door, and looked through the small window. I couldn’t see anyone, but I heard screaming. I had to yank hard on the door to get it open. There was a dead end to the right and a long twisty hallway to my left. I took a few tentative steps out. When no alarm sounded, I sprinted. 

The stitches in my thigh ripped right away. I couldn’t think about the pain. Only escape. I clutched my stolen knife close and ducked into any small nook I could when I heard people thundering by. I should have followed them, maybe found an exit, but the squelching sounds of limbs being severed launched me forward. I turned left, left, right, middle at a fork, up a flight of stairs. I was hopelessly lost but all I could think of was escape, running on pure instinct to find it.  

The smell of blood hit me first as I turned a corner. Body parts were strewn across the wide room. Intestines dangled from the ceiling beams. Heads, half crushed, lolled away from their torsos. I wretched, nothing came up besides bile. But I could see outside through large bay windows. My legs were like water under me as I moved to the door. I stepped on an eyeball, the firm jelly bursting between my toes. Just keep going. My head was swimming, nausea from the gore around me mingling with the searing pain in my leg. 

I collapsed. I could barely feel the pain as my hands slammed down on broken glass. Then I heard two men’s voices. I scrambled to hide behind a stack of boxes, jamming my sore body into the smallest crack I could find. “I know she’s in here, can smell her.” My knuckles turned white around the knife. My breath was weak, I had lost too much blood. 

“Could you maybe sound less like a pervy vampire?” I heard boots lightly hitting the floor as they spread out. “Do you think this scared her?” He sounded timid, maybe even a little afraid. The first man laughed. 

“What do you think? You pulled this guy’s entire spine out! Of course she’s fucking scared!” The shout made me jump, huddling deeper into my hiding spot. “Fucking idiot.” A pair of red boots passed my hiding spot, then planted back in front of me. I sucked in a breath as fear rippled through me. My eyes closed tight.

“Hey,” the voice was soft, barely above a whisper. “There you are.” I was so on edge, so terrified, that the hand with the knife whipped out on pure impulse. The tip pushed through something firm, before that gave way to softness. It sunk deep, blood rapidly flowing over my hand. I couldn’t open my eyes. I had attacked someone and they were bleeding all over me. My victim barely made a noise when I stabbed them. 

“You can let go of the knife, you're okay.” A hand caressed my face and my teeth sunk into the leather glove, jaw latched tight. I felt like a cornered animal, ready to tear into anything that came near. “Sweetheart,” the name, the voice, pulled me back. I released the hand and opened my blurry eyes. Logan and Wade were squatted down in front of me. Their faces were covered but I recognized the suits. 

My knife was stuck through Wade’s neck. 

“Wade,” my voice shattered, tears welling. “I’m sorry, I-I didn’t see it was you.” He pulled the blade out with a little grunt. There was a hole straight through his throat. My stomach churned again but I held it back. The muscles and tendons laced together rapidly before the skin closed over it completely. 

“Don’t apologize. I said the height of romance was stabbing, didn't I?” Logan reached out again and brushed a strand of hair out of my eyes. A frown drew down his lips when he saw the bruises on my cheeks. “What do you say we get you out of here, yeah? I don’t think extreme violence is really your scene.” 

Logan was examining my leg the best he could without touching me. I could hear him sniffing as he leaned closer. “We need to take her to a doctor. She’s lost a lot of blood.”

“They stitched me up but I think all of them have ripped now.” My head felt so heavy. “My fingers are cold…is that normal?” 

“We have to carry you out, is that okay?” As Logan asked, Wade was already reaching for me. He scooped me into his arms and clutched me tight to him. I hissed as my thigh stretched, head falling heavily against Wade’s chest. Logan walked beside us and I reached blindly for his hand. He gave it a small kiss, but didn’t hold it. 

After two weeks, I was safe. 

I was safe. 

But we had to get out of this building first. Logan walked a head to peer down corners before signaling we could move forward. Wade moved slowly, keeping a firm hold on me. He stayed uncharacteristically quiet. I felt limp and weak in his arms, ready to sink into sleep as soon as I could. To keep myself conscious, I tried to remember all our turns, but it felt like there was an impossible amount. There was a round of clicking and the shuffle of feet as we rounded a corner. 

“Ah shit.” 

“Fuck.” 

My sore eyes opened to find rows and rows of armed men. In front of them was him. There was a cruel smile on his face as he took me in. The woman was tucked behind him, her eyes pinned on me. “I see you pulled your stitches. You should have waited for me to get you instead of trying to run off on your own.” Logan snarled as his claws extended. 

“Listen here bub. I don’t make idle threats. So best believe I’m going to follow through with skinning you alive.” Wade moved suddenly, his back to the men. He moved far quicker than he had before. I heard men readjusting their guns, their anxiousness clear.

“And where are you going Mister Wilson?” 

“First off, Mister Wilson is my father.” I groaned as Wade placed me on the hard concrete floor, safely tucked behind a stack of boxes. He stood, “you can call me Marvel Jesus.” I watched with an unfocused gaze as his hand snapped open a holster and handed me the gun that it held. “Just dropping off special cargo.” I took it, my hands shook at the light weight. There was a flash of gold along the black metal but my hazy brain couldn’t make out the text. I carefully tucked it under my leg to hide it from view. Once that was done, Wade traveled back to Logan’s side. “What do you say darling?”

“Let’s fucking go.” My hands slapped over my ears at the thunderous noise of all those guns firing. I was desperate to drown out the screams, the wet slap of limbs falling to the floor. My first instinct was to take deep, calming breaths, but my nose was too full of the scent of iron. The time stretched, the fight going for hours. 

Just as a sense of shaky calm fell over me, hands grabbed me. I recoiled instantly. “Don’t be difficult.” It was him. He was trying to pick me up, trying to move me. But my body was dead weight and he struggled to lift me. Something cool pressed under my thigh. 

Now don’t be afraid of it. If you show fear around guns, you’ll end up shooting yourself in the foot. 

Okay, see this little switch? No, not me you insatiable minx. This. Get a feel for it. If you are ever in danger you have to know where it is right away. 

He was distracted, watching something over the boxes next to me, his arms suspended in mid air. A female scream cut through the rest of the deep shouts. That rush of time, the feeling that wasn’t easy to explain, snapped. I blinked in confusion. With the man’s focus somewhere else, I put every ounce of concentration into my hands, willing them to stay still, as I lifted the gun. I found the safety and flicked it back.

Now don’t get any big action hero dreams of just pulling this trigger and letting bullets fly. It requires a lot of force, so you have to pull the hammer back first. Make sure you hold it with both hands, okay? Last thing you need is a concussion from it flying back and hitting you in the head. 

My sweaty thumb slipped from the hammer. The movement seemed to catch the man’s attention. There was a split moment where neither of us moved. Then, as if in slow motion, he reached for his own gun. I raised mine and pressed the barrel to his forehead. Both of my index fingers wrapped around the trigger. I squeezed with every ounce of strength I had left. 

You can’t look away, pumpkin. 

You gotta make sure anyone who is trying to hurt you is dead. 

I didn’t. 

One second his head was there, eyes bulging in fear. The next, just a cloud of red remained. Squishy chunks of brain, shards of skull, and a splatter of blood went everywhere. It was in my mouth, in my hair, across my bare legs. All sound died and was replaced by a dull ringing. His body slumped before it fell. I stared at it, dark red spluttering from the exposed veins of his neck, the liquid pooling on the floor. The concrete was quick to drink it up. Logan was the first to appear at my feet. He took me in, his face unreadable under his mask. I saw his mouth move but it was jumbled, words half broken. I shook my head, tapping my ears. It was like a dial slowly moving up on the radio. The sound of bullet casings hitting the ground, screams of pain, the thud of bodies. 

“You alright?” Logan sounded panicked, his loud gruff voice cutting through the renewed sound. I nodded. “We’ll get you out of here, don’t worry sweetheart.” I nodded again. There was one last shout of agony before silence fell again. Logan maneuvered the dead man off me, throwing the body carelessly away. He slipped the gun from my sticky hands before hoisting me into his arms. I buried my face in his neck, taking in his scent. Sweet, earthy, the tang of sweat. 

“We got you. I got you, sweetheart. Always will.” 

[nebulaafterdark]

The Succession (Pt 5)

Summary: After the battle of Rook’s Rest, Queen Y/N is forced to rule alongside Prince Regent Aemond, in an attempt to keep her children safe and eventually seat her mother, Rhaenyra, on the throne. While attending her husband, on what appears to be his deathbed, she begins to unravel the dark truth of his near passing.

Warning: Suggestive language

Aegon Targaryen x Velaryon (Strong!Reader)

Part 1 | Part 2 | Part 3 | Part 4

“You do not understand,” Y/N protests. “I need to see my brother, he must be tended first. If he dies, my mother will kill me.”

“If you die, the King shall kill us.” The grand maester taps her chin. “Let’s see the damage.”

Y/N moves her hand from her shoulder. “How bad is it?”

The maester begins cutting away surrounding fabric to reveal the extent of her wound. An open, oozing gash, torn clean from one side through the another.

Alicent rushes in, “what have you done?” She demands.

“Aemond is dead.” Y/N whispers, “I killed him.”

“I meant to yourself, what have you done to yourself?” Alicent demands.

“He stabbed me, and he fell.”

“What of the dragons?”

“Baela and Moondancer are searching for Jaecerys and Vermax. Vhagar is dead, as best I can tell.”

Alicent holds a hand to her head.

“Mayhaps you might look in on my husband?” Y/N says, “tell him I am well and that I love him.”

“You expect me to lie to my injured son?”

“Only the first part would be untrue.” Y/N arches a brow.

“Drink this, your grace. For the pain.” The maester presents her a black vile, milk of the poppy. “We’re going to pack the wound.”

Y/N’s eyes widen, “why?”

“I fear the blade must’ve twisted, your grace. The area has been gouged clean. There is not enough flesh for a stitch to hold.”

“Seven hells,” Y/N grimaces, chugging it down.

Even milk of the poppy does little to dull the pain as they begin pressing against the wound. Her screams can be heard echoing the Red Keep for less than a minute, before she faints.

————————————————————————-

“And now I need you to wake, sister.” A voice says, reaching Y/N in her dreamless sleep.

“Jace, she needs time.”

“There is no time.”

Y/N groans, willing her eyes to open.

Jacaerys pats the side of her face, “there you are.”

“You’re alive?” Y/N croaks out, blinking at him in the dim light.

“As are you.” Her brother says, simply, “at present Daemon’s army is marching on us from Harrenhal and mother is on her way for the throne.”

“That is no matter,” Y/N says, “we were only ever holding it for her.”

Baela looks to her betrothed.

“Sister,” he takes her hand, “what is expected of our mother now…to truly seize power, you understand what it would cost?”

“Aegon is in no state to bend the knee, I’m sure if I could speak with her-”

“I fear there may be no chance, if you, yourself, do not provide a show of strength.”

“Helaena has Dreamfyre and I have Stormborn, my children’s dragons are small. Sunfyre is gone.” Y/N reminds them.

“You’ve Vermax and Moondancer.”

Y/N looks to her brother.

“We will stand with you.” Baela assures her.

“Against our mother, you will stand with me?”

“Surely you have not done this for a crown, which would’ve been yours in time. You have done it for Aegon.” Jace sighs, “he is an idiot, but from what I understand, he loves and cares for you.”

“He does,” Y/N nods.

“He has been in talks with our mother for some time, attempting to make terms. That is why he lies injured.” Jace tells her, “his raven did not arrive in time and Rhaenys thought it an attack levied against her. Still I do not wish for his head.”

“Do you think she would do it?” Y/N wonders, “kill him in front of me?”

“You have not seen her these past weeks, since Luce’s death, I cannot say what she’ll do.” Jace loves his mother, fiercely, but he loves his sister too.

“We can anticipate even less of my father’s movements,” Baela admits. “He’s not returned to Dragonstone in nearly as long.”

“I hope to resolve this peacefully.”

“I do not believe our mother thirsts for Aegon’s blood, this is merely a precaution.” Jacaerys tells her. “You must dress, prepare the dragons and the King’s Guard, we do not have much time.”

“We will also raise the smallfolk, they will stand with us.” Y/N says, crying out as she sits upright. “And Aemond’s body, make sure it’s found. I plan to make a gift of it to our mother.”

Jacaerys nods, taking Baela’s hand and setting off to their tasks.

Chérie comes to dress her, pulling out the red dress Rhaenyra gifted her daughter as a symbol of solidarity on the day of Lucerys’ petition. A show of force against the Hightowers, even as she stood beside them.

Y/N shakes her head. “Bring me the green dress.”

Chérie swallows hard, “at once, your grace.”

The green dress is arguably the most beautiful gown she owns. A gold hand embroidered tapestry over emerald green satin. A wedding gift from Aegon. She’s never worn it, save for his rooms upon request, or to have it fitted after the births of their children. This day she stands for her husband and his house. This day she wears Hightower green.

She passes her husband’s apartments on her way to the throne room, turning the knob with familiarity. “Where are the children?”

Aegon looks to her, “in with the maids, shrouded by guards, my darling. I’ve just had the wounds dressed, I did not want them to see.”

Y/N nods, “of course.”

“You are a sight for sore eyes,” Aegon smiles.

Y/N shifts between feet. “Thank you, my love. I am headed to the throne room to meet with my mother and discuss terms of the succession.”

Aegon holds a hand out to her, “come.”

Y/N closes the distance between them, lacing their fingers together as she stands at the side of his bed.

“If her only want is my head, let her have it.”

“What?” Y/N reels back, “no.”

“Hush now and listen,” he insists. “My body is broken, the maesters say I will never be whole. You will be free to remarry-”

“Stop it.”

“A fitting father for our children.” Aegon continues, “so long as I live, I will only stand in your way.”

“No,” Y/N tears her hand away from him, “you’re wrong.”

“I say this out of love,” he insists.

“No harm will come to you. Those are my terms, I present my mother with the throne, and the body of the man who killed her child. I offer her the peace I have made and all the good with it. It is nonnegotiable.”

“It needn’t be this way,” Aegon tells her.

“You’re mine, Aegon.” Y/N insists, “my husband, my confidant, my dearest friend. You are still all of those things to me, however many times I need say it, however many years it takes for you to believe me, I have time. We have time.”

Aegon sighs, “I don’t know what I’ve done to deserve you.”

“A punishment for something, surely.” Y/N lets out a laugh.

Aegon shakes his head, “a gift from the gods.”

Y/N presses a quick kiss to his lips. “I’ll be back.”

“I will be here.”

Y/N closes the doors to her husband’s chambers behind her. “Stay with my husband.” She orders Cole, waiting to collect her in the hallway.

“Your grace, I am needed at your side.” He says.

“No, you will stay here and defend my fucking husband as though your life depends on it, and best believe it does.”

————————————————————————

Rhaenyra meets Daemon along the gates of the Red Keep. The streets are lined with smallfolk and the occasional yellow cloak, clearing a path for them.

Aegon the fourth begins to fuss in his grandsire’s arms.

“I’ll take him,” Rhaenyra offers. The babe quiets almost instantly.

“He well and truly does not like me.”

Rhaenyra only laughs. “It happens that way sometimes, I’m afraid. Though it may help if you smile.”

Daemon scoffs.

The line of bystanders continues down to the throne room, where Jacaerys and Baela stand on either side of Y/N, at the iron throne.

“This is quite the battalion you’ve assembled, daughter.” Rhaenyra remarks, “do you plan to challenge my claim?”

“Not in the least,” Y/N assures her. “I should like nothing more than to see you sit this throne. But I do have terms of my own.”

“Let’s hear them.”

“First and foremost, the guaranteed safety of Aegon and our children.”

“And what of Aemond?” Rhaenyra wonders.

“Bring him,” Y/N says, to the guards.

Daemon watches as a large black sack is carted in and laid at Rhaenyra’s feet.

“I slain him myself, with the help of my brother and his betrothed.” Y/N tells them, “you may see for yourself. Though I must warn you, he fell from the sky. The sight is not a pretty one.”

Daemon is the one to tear back the fabric and confirm that it is, in fact Aemond. Nodding to his wife.

“What other terms do you have?” Rhaenyra asks.

“Alicent, Helaena and her children.” Y/N swallows, “I wish for their safety as well.”

Rhaenyra pauses, as if to consider.

“You should also know that these guards and the smallfolk which line our halls are here for me. In my name, for my claim, not Aegon’s. The White Hart appeared for me; they follow me.”

“And who do you serve?”

“You, mother. Same as I always have.”

“You will bend the knee?” Rhaenyra purses her lips.

“Now, if it pleases you.” Y/N assures her, “so long as my terms are met.”

Rhaenyra nods, “very well. I should like to be crowned in the dragon pit, where I will reaffirm your title as my heir.”

Y/N takes a deep breath as she rises, approaching her mother and taking Aegon IV in her arms. “Thank you, my Queen.”

“Mother.” Rhaenyra corrects her, gently.

————————————————————————

Over the next weeks, Aegon grows tired of lying about. His unlikely budding friendship with Lord Larys seems to be the culprit.

Y/N is halfway to Aegon’s bedchamber when she hears his pained cries. Rushing in to find him collapsed on the floor.

“I can’t, I can’t.” Aegon protests as the grand maester attempts to bring him upright.

“I am so sorry, your grace.” Orwyle apologizes.

“Leave him.” Y/N shoos him away, “leave him.”

“Your grace,” the maester sighs, allowing Aegon to rest against the floor, “I must get him back to bed.”

“I will do it.” Y/N shakes her head.

“My Princess, surely with your injuries you cannot.”

“If I should need your assistance I will call upon you, Grand Maester. At present, I require a quiet word with my husband.”

The maester nods, “yes, your grace.”

Y/N waits until the doors close behind him to address her husband. “Aegon, I know how dearly you desire to walk again. But it has been but a moon turn since you arrived here in such a state they could not say if you would live. You must remain abed.”

“You did not marry a crippled man.” Aegon bites out, bitterly. “I did not father children as a crippled man.”

“You did not marry me with one arm that may never rise above my head or a scar across my face.” Y/N reminds him.

“My cock is ruined, did I tell you that?” Aegon laments, “it is burnt and disgusting, they do not believe it will rise.”

Y/N sighs, lying down at his side, “allow me to worry about that.”

“It is not you.” Aegon explains, “my love, I cannot bear to look upon my own reflection. I do not know the man staring back at me.”

“I hear your words, husband. You are entitled to this grief. But you needn’t punish yourself for it, nor face it alone. We will fight this battle together, as man and wife.”

“It is difficult for me, allowing you to see me in this state of disrepair, I am…they tell me I will never be whole.”

“My heart aches for you,” Y/N tells him, “but I do not pity you. I believe in you.”

Aegon nods, “you’ve no idea how much it pleases me to hear you say this.”

“You are different, I will not deny this. But different needn’t always be a bad thing. However different our circumstances, I can appreciate the distaste for one’s own reflection. I have felt it most my life, I do not look the part of a Targaryen Princess.”

Aegon exhales, looking to his wife. “You are devastatingly beautiful, the fact that you cannot see it is a tragedy all its own.”

“I love this body because you are in it, not the other way round. When you are no longer in pain, we’re going to train your cock, like a dragon to heel.” Y/N points a finger toward it. “Dohaeris, Rȳbās,” serve, obey.

“Ow, fuck,” Aegon protests clutching his side as he laughs.

Y/N covers her mouth to stop her own outburst.

By the time the Grand Maester rushes in, they are curled up on the floor, cackling like animals and holding their wounds. “Your graces!”

Aegon mutters to his wife, some form of gibberish, only she seems to understand.

Nodding as she chokes out, “lykiri.” Be calm. Sending them into such a state the Grand Maester simply excuses himself, without another word.

“Is everything alright?” Alicent asks, standing with a hand to her heart just beyond the door.

He smiles, “the road ahead is long and painful, but his grace laughs. He has joy.”

“And Y/N?” Alicent wonders, “how is she?”

“The wound is clean but slow to heal.”

“Is the arm lost to her?” Will it move?

“There will be pain, but it moves even now.” He rests a hand on Alicent’s shoulder, “better days in due time, your grace.”

Series Taglist: @oh-you-mean-me @barnes70stark @lovelyteenagebeard @niyahnotnia @narwhal-swimmingintheocean @callsignwidow @hyde-jpg @novelswithariana @klutzylaena @ynbutbetter @ravenqueen27 @danart501 @woodlandwrites @saraiadg @tempo-rary-fix @lxdyred @supernaturalstilinski @httpvomitello @dd122004dd @shadowrose13-blog1 @dracaryxzs @magictrump @vee-mage @mrs-starkgaryen @labellapeaky @multifandom-loser @minttea07 @blackdiamond2317 @baybaybear1 @tea-effect @heavenly1927 @sabyreads @champomiel @8812-342

[latanyalove]

When You're Injured

Part 2 - Part 3 - Part 4

This may have a part 2 so if you want a continuous of this, please support me by liking, reblogging and commenting this!

☆ ☆ ☆ ☆ ☆ ☆ ☆ ☆ 

Trafalgar D Water Law was the captain of the Heart Pirates and a former member of the Seven Warlords of the Sea. Law was a highly intelligent and cunning pirate, often outsmarting his opponents and using his wit to his advantage in a fight. He was also known to be a master strategist, capable of coming up with elaborate plans to defeat his enemies.

So why were you, one of his crew members, trying to hide the fact that you were dead sick?

The crew had taken a toll after being ambushed by a carefully calculated group of pirates. Even though they won the battle, people were still heavily injured and needed to be taken care of. The crew had been pushed to their limits and the captain was already doing all he could to nurse most of them back to health.

Your injury didn't seem severe compared to some of the other members of the crew who had sustained more serious wounds, including broken bones and deep lacerations.

In comparison, your injury was just a graze, and so you felt it would be better to hide it from the captain and not add to his already heavy workload.

Law looked around the deck, his gaze taking in each crew member. "Is everyone ready?" he asked, his voice steady but concerned.

The crew nodded in agreement, some with a slight grimace of pain as they shifted to get comfortable. "Yes, Captain," they replied in unison. You also said "Yes, Captain," trying to make your voice sound as steady as possible while your arm throbbed painfully in your grip.

Law looked around the deck one more time before speaking. "We're going to make camp on the island that we've anchored by," he said. "Get some rest, and I'll make a plan in the morning."

With a collective sigh of relief, the crew members cheered in appreciation of not having to move for more. Everyone was exhausted and the thought of having to move further was daunting. They welcomed the chance to rest and regain their strength, even if it was just for a few hours.

After the plan was laid out, the crew split up into two groups. One group would stay behind and set up camp while the other group was able to explore the island. The group that stayed behind worked quickly and efficiently to get the camp set up. Meanwhile, the other group was able to explore the island and enjoy its natural beauty.

You and Ikkaku were part of the group exploring the island, and were both excited to be able to take in the sights and sounds of the environment. You were also happy to have an opportunity to take your mind off of your injury and get away from the hustle and bustle of the submarine. You and Ikkaku walked around the island, taking in the sights, sounds, and smells of the environment.

Ikkaku looked over at you with a concerned expression. "Are you sure you weren't injured?" she asked as she walked. You shook your head and smiled.

"No, I'm fine," you said, trying to sound more confident than you felt.

"That's good," she said. "We don't need any more injuries on top of what we already have."

You nodded in agreement, feeling a rush of relief that your injury had gone unnoticed.

Both of you came across a patch of bright flowers, and you were immediately fascinated. You were able to identify half of them with just a glance, but for the ones you didn't know, you quickly plucked them and placed them in your bag.

Ikkaku smiled as you carefully collected the flowers, noting your interest in the environment around you. You smiled back, feeling a sense of satisfaction that you were able to recognize and appreciate the beauty of the island.

Seeing how enthralled you were with the flowers, Ikkaku decided to mess with you.

Ikkaku glanced over at you with a mischievous grin. "So, what do you think of the Captain?" she asked. You blushed, feeling your cheeks heat up. "He's... he's a good leader," you said, trying to avoid the conversation and focus on the flowers.

Ikkaku chuckled. "Come on, admit it," she said. "You have a crush on him!" You shook your head, feeling a little embarrassed.

"No, I don't," you said, but you couldn't stop the smile that spread across your face.

Ikkaku laughed. "It's okay, I won't tell anyone," she said. You laughed and rolled your eyes, feeling relieved that the conversation had shifted to something a bit less serious.

Ikkaku was right though. Even though you were the most recent to join the Heart Pirates, you were quick to befriend Law and quickly developed a strong bond with him.

You didn't care if it was because of your devil fruit powers or not; you were quickly enamored with the Heart Pirates and grateful for the opportunity to join them.

You had eaten the Yume Yume no Mi (Dream-Dream Fruit), which gave you the ability to shoot a cosmic ray to make people fall asleep for an desired amount of time or fall sleep so deep that they can die. You had seen first-hand how powerful your ability was, and you had to be extra careful to not let your powers get out of control.

Law was intrigued by your devil fruit power and was eager to learn more about it. After some research, he discovered that you could also use your powers to control people's emotions, but with a catch - a flower was needed in order to do so.

For example, with a lavender flower, you can make someone feel calm and relaxed. The specific emotion that the flower induces depends on the type of flower used. A rose can make someone feel more passionate or in love, while a chrysanthemum can make someone feel more joy or happiness.

With the discovery of your devil fruit's power, you and Law became even closer. Whenever Law would get overwhelmed by the amount of paperwork, you would use your power to calm him down with a lavender flower. Law was amazed at how effective your power was, and how it could be used to help him manage his stress.

Law knew exactly when to give you a subtle glance when he was arguing with someone, like telepathy, "Use it on me now before I cut this person in two," would transfer to your mind and you would quickly wave a flower at him to help him relax before he lost his temper.

He was grateful for your devil fruit powers and the calming effect it had on him in those intense moments, allowing him to get back to a more level-headed state.

But these recent days, you could feel your heart beat faster when he would look at you or when he would lean towards you to whisper what flower to use against the enemy. You were surprised by these feelings and although you tried to keep them under control, the more you were around Law, the more your heart seemed to flutter with anticipation.

You knew that you were developing feelings for him, but you were unsure of how to act on them. You were scared of the consequences of your actions and you were hesitant to express your emotions.

You knew that your devil fruit power could help Law, but you also knew that it could not help you express how you truly felt.

You carefully examined the petals of the flower, trying to distract yourself from the thoughts that had been running through your head. You knew that your feelings for Law were strong, but you were not sure if he felt the same way. You were scared to make a move and risk ruining the friendship that you had built over the years.

With a sigh, you looked up from the flower and replied, "Me and Law are just... friends."

Ikkaku replied, "Are you sure about that? Because the way he looks at you says something else. It's like he can't keep his eyes off you. I think he may have feelings for you too."

You were shocked by Ikkaku's words and couldn't believe what she was suggesting. You had never considered the possibility that Law could have feelings for you, and you were left speechless.

You felt your cheeks heat up and you quickly looked away, not wanting to face the truth. You felt a mixture of emotions, ranging from joy to fear, and you were unsure of how to proceed.

"Let's separate to get more materials," you said, trying to come up with an excuse to be alone and process your thoughts.

You knew that the material was important, but you also wanted to take this opportunity to think about what Ikkaku said and to figure out how you could proceed in this situation.

She nodded and went off to the left, while you headed to the right. You took a deep breath, trying to calm your nerves and clear your head.

As you walked, you thought about what Ikkaku had said and your feelings for Law. You were unsure of what to do, but you knew that whatever you did, it would have to be carefully considered.

Suddenly, you felt a sharp pain from your injured arm that brought you back to reality. The pain was sharp and pulsing, radiating from your arm and throughout your body. You winced and gritted your teeth, trying to bear the pain.

You felt a tightness in your chest and your breathing became shallow as you tried to cope with the pain. You felt a wave of nausea wash over you and your vision started to blur, but you forced yourself to take a few deep breaths and focus on the situation.

What was going on? Why had the pain suddenly become so intense? Was this pain connected to the emotions you were feeling?

As the pain intensified, you felt yourself beginning to lose consciousness. You felt your body swaying and you put out a hand to steady yourself, but it was too late. You felt yourself slipping away as the world around you started to blur and fade.

You tried to fight it, but you felt yourself slowly sinking into a deep fog. You heard a distant voice, but it was too faint to make out what it was saying. With one last effort, you tried to open your eyes, but you could not.

Darkness descended and you felt yourself slipping away into unconsciousness.

"Oh my! You will be my wife!" A familiar voice stated happily, "Oh, this must be fate! I knew the moment I saw you that you were the one for me. I can't believe I've finally found you again, my one and only true love!"

☆ ☆ ☆ ☆ ☆ ☆ ☆ ☆ 

[heli-writes]

A dragon's heart, part 7.

Pairing: Barbarian!Bakugou Katsuki x female!reader

Summary: The dragonblood tribe is known for being cruel, barbarian warriors that slaughter, loot and rape all places they pass through. They are feared among the villagers and even bigger cities. Having lost most of their women to a plague, they're trying to ensure their tribe's survival by kidnapping women from other places. However, they're not the only monsters in human form out there. When y/n experiences this first hand, she has no choice but to ask for help from no other but the barbarian leader Katsuki Bakugou himself.

Disclaimer: mentions of injuries, mentions of dead animals, hunting of animals, kissing, allusion to arousal

[Please don't read if you are sensible to or triggered by the topics mentioned above.]

Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 8

Series Masterlist

~*~*~*~*~*~*~*~*~*~*~*~*~*~*~

„You shouldn't move yet!“, y/n says angrily. Katsuki is up and walking around camp. It seems as if he's getting ready to leave. Y/n follows him closely.

„Seriously! This wound is not even close to being healed yet. You can still rip it open again!“, y/n keeps scolding him but Katsuki simply ignores her. Y/n grips his arm and pulls it which has no effect on Katsuki whatsoever. He's just too strong.

Y/n doesn't give up yet. Quickly, she catches up to him and stands her ground in front of him. „I'm not joking, you need to sit down!“, she says loudly and stares up at him.

Katsuki almost laughs in her face. She's glaring up at him, anger twinkling behind her eyes. She has put her hands into her sides and huffs at him. Her cheeks are slightly red. He doesn't need to understand her language to know what she is saying. „I'm fine, you little shit. I've had worse injuries and went into battle with them.“, he grins at her. Y/n shakes her head in disapprovement and Katsuki ruffles her hair.

When they're all packed up, it's time to mount the dragon. This time, y/n pulls her up by herself and even helps Katsuki up with his injured leg.

Y/n doesn't want to admit it yet but she's growing more comfortable to ride the giant beast. She clutches the handle of the saddle a little less tight and even takes a closer look at the view.

She's never been this high before. Everything looks so small. Hungrily, she takes in the landscape around her. Now and then, she gleefully points out things to Katsuki.

Katsuki doesn't catch on the things y/n discovers but he's content watching her this excited. It's the first time she truly enjoys flying and her reaction makes him want to take her on a joy ride more often.

This makes an idea pop up in his head. He grips the reigns and y/n tighter and grumbles in her ear: "Hold on tight".

His deep voice sends shivers down y/n's spine. Her neck and stomach suddenly feel really hot. Before she can recover from this sensation, the dragon takes on speed. The wind makes her eyes water and she presses her legs into the saddle.

Suddenly, her sight turns and before she knows it, she's upside down in the air. It happened so fast, that she didn't even have time to scream. It's over just as fast again. Katsuki's booming laugh can be heard against the wind.

Y/n turns around to him and shoves his chest. "You asshole!", she yells half laughing. "Asshole, hm?", Katsuki repeats with a grin. He knows that's an insult. Y/n huffs. "Of course, you know that word.", she says sarcastically and twists around again.

Katsuki laughs again and pulls her closer to his chest. "You're naughty, eh.", he grins.

They fly only for a little while longer before Katsuki lands in a secured area. He leaves the dragon to rest and prepares for hunting. He secures his weapons and then gestures at y/n to come over to him. He gives her a hunting knife and a spear.

"Are we going hunting?", she asks him unsurely. She's pretty sure she will only stand in Katsuki's way but the man gestures to follow her. The dragon takes to the air and follows them as a small point above their heads.

Katsuki scouts the area looking for tracks. Y/n follows him trying to be as quiet as possible. Her father and mother took her hunting a few times and she learned that being quiet is essential to being successful. Once her father wanted to shoot a pheasant and y/n stepped on a branch scaring the bird away. While trying to conceal it, her father was really angry and she had to promise to gather vegetables for the entire family to make up for the lack of dinner.

She watches Katsuki closely. He crouches to the ground looking at the ground intently. Y/n knows what he's looking for. While she's not an expert at reading tracks, she knows how to identify tracks of certain animals: foxes, rabbits, deer, pheasants...

Wanting to help out, she looks around for tracks as well. It's hard for her untrained eyes to see more than leaves and dirt. She can hear Katsuki curse behind her.

Then, she finally sees something that might be interesting. An imprint of a hoof in the dirt.

"Katsuki, look!", she whispers excitedly and waves behind her. Katsuki stops his string of curses and walks over to her. Y/n points at the hoof print.

"Jackpot", he mumbles and gives y/n an appreciative pat on the head. His eyes follow the rest of the trail that y/n didn't notice. He gestures y/n to follow him which she does so on quick and light feet.

They follow the trail for a good half an hour. Eventually, y/n doubts that Katsuki even knows where they are going but every now and then she recognizes a hoof print in the dirt.

They arrive at the edge of a clearing. Katsuki gives her a hectic sign to get down and y/n quickly ducks behind a bush. Katsuki crouches next to her and readies his spear. Y/n lures over the edge of the bush and sees a flock of deer resting in the middle of the clearing. There's a mighty stag just in the middle of them.

Knowing Katsuki, that's probably what he'll aim for. Katsuki nudges her and gives her a sign to stay down and be quiet. Y/n nods and Katsuki gets in position.

The element of surprise is an essential part of the hunt, y/n knows that. She can see how Katsuki's brows furrow in concentration. He looks pretty like this, y/n thinks.

Then, he tenses his muscles getting ready to jump. Before y/n can blink, Katsuki's in the middle of the clearing. Even though y/n knew it was coming, his speed still surprised her. Y/n raises her head above the bush. Almost she gets run over by a fleeing deer.

Then she sees Katsuki ramming his spear into the stag and wrestling it to the ground. The stag tries to defend itself by throwing its antlers into Katsuki's direction but Katsuki throws himself onto the stag's side pushing its body and head down. Katsuki lets go of the spear and struggles to get his hunting knife out. When he has it secure in his hand, he expertly cuts the stag's throat.

Slowly, the stag's movements become heavier. Katsuki stays on top of it nonetheless. It seems as if he's whispering to the stag. Y/n gets up from her position at the edge of the clearing and walks closer as the stag takes its last breath. Katsuki puts his hand on the stag's head and mumbles in his language. To y/n, it seems as if he's saying a prayer. Katsuki closes the stag's eyes and gets up. He lowers his head in respect and y/n stays silent. This seems like a sacred ritual that y/n doesn't want to disturb.

When Katsuki raises his head again, his eyes meet hers. Y/n gulps. She doesn't really know how to behave in this situation. Katsuki removes the spear from the stag's side. He dips his thumb into the blood and draws a line on his forehead. He dips his thumb into the blood again and gestures for y/n to come over. He draws a similar line on her forehead.

"You're a successful hunter, too.", he tells her, "Without you, I wouldn't have found the flock."

Y/n looks up at him with those big, clueless eyes and Katsuki almost has to laugh again. He pats her head then turns to look at the sky. He whistles and the small point in the sky becomes bigger and bigger until the dragon lands at the clearing.

Katsuki drags the stag to the side into the shade. After that, they set up camp. The dragon is relieved of the weight it is carrying. Y/n and Katsuki stack the bags in a way that makes it easier to get ready to fly in the morning. When a bonfire is lit, y/n and Katsuki settle down to eat. They still have some leftovers from yesterday which they eat in silence.

The cold slowly creeps in once the sun has set. Y/n shivers and holds her hands towards the fire in an attempt to keep warm. Katsuki chews on a bit of meat as he watches y/n. Y/n rubs her arms. Katsuki swallows the last bite. Then, he grabs y/n's waist and pulls her over to him. Tucking her into his side, he drags his cape over y/n's body. Instinctively, y/n leans into his warmth and Katsuki puts his arm around her.

Unknown to her, Katsuki's heart starts pounding. Now's the chance to find out if she's interested in him like that, he thinks to himself. Slowly, he shifts and grabs her legs. Y/n is startled when she's suddenly pulled into Katsuki's lap.

Katsuki pulls her close and y/n's head rests on his chest. She can hear the beating of his heart and his raspy breath. Katsuki runs his hands up and down her arms and legs. Y/n's own heart starts to pick up. What is he doing?, she wonders.

When she looks up, his intense red eyes meet hers. There's a certain determination behind them that makes y/n swallow thickly. There's that warm feeling in her belly again.

Slowly, Katsuki drags his hand up her arm, along her shoulder, up her neck until it lies firmly against her cheek. Y/n's breath comes out heavy in anticipation. She knows exactly what is going to happen next. She'd be a fool not to notice how Katsuki's eyes flicker down to her lips.

Then, Katsuki pulls her face closer and presses his lips against hers. Electricity shoots down y/n's spine. It takes a second for y/n to react. Katsuki is just about to pull back in defeat when y/n jerks forward putting pressure behind her lips. She helplessly grabs onto the necklaces that hang around Katsuki's neck.

Relieve floods Katsuki's veins. His hand finds y/n's lower back and he pulls her closer, deepening the kiss. Y/n kisses him back more feverishly. Her arms snake around his neck and one of her hands find their way into his hair. Katsuki kisses back just as feverishly and he pulls her body flush against his.

He can feel the mounts of her breast against his chest and he feels blood rushing into all the wrong (or right?) places. He shifts y/n on top of him so she doesn't notice. It's not the right time for this.

He groans as he lets go of y/n. In all honesty, he didn't expect y/n to go all in like this. She did strike him as one of those shy, easily sexually intimidated girls. Seems like y/n hides a lot more behind her kind, soft eyes.

Y/n's cheeks are red and her breath comes out in slight puffs of air. Katsuki has to smirk at her disheveled appearance. He pulls her close once again giving her a quick, but deep kiss. When he lets go of her, she looks embarrassed.

"Seriously", y/n huffs, "what are you doing to me?".

Katsuki presses another kiss into her neck with a chuckle. He feels happy, triumphant even. This makes it easier on what comes next. He'll take her home and present her to his mother. Then, he'll take her as his mate.

He leans back stroking over her back as she leans into his chest. Bringing home a mighty stag and a woman to his people. How better can he prove himself worthy to be their leader? He's securing their future, no matter what comes.

~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~

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[Please comment if you'd like to be tagged in future chapters]

[kiwinatorwaffles]

two aroaces try to figure out dates 28 injured 3 dead

(image description in alt text and under cut)

Image description:

The first page of a three-paged comic. Panel 1: Edgeworth crosses his arms with an uncertain expression, saying, "miss maya, i hope you don't mind me requesting your help on such a short notice. Panel 2: Edgeworth lifts his hand to his chin, saying "i want to show wright appreciation by inviting him to a date, but i have no idea what to do. i was wondering if you had any advice or ideas from the perspective of someone who also doesn't experience romantic attraction. Panel 3: Maya grins and says, "oh yea, totes! i can help! lemme quickly just--" Panel 4: Maya pulls out her phone, scrolling through her Ao3 page titled "mayoinnaise." She says uncertainly, "um…. date ideas right… erm…. ok gimme a sec…."

The second page of a three-paged comic. Panel 1: Maya and Edgeworth have a back-and-forth conversation, starting with Maya's speech bubble. "how about going to the countryside and horseback riding and having a picnic?" "horseback…? the countryside is hours away…" "okay um… just a picnic then?" "i'm allergic to pollen." "sounds like you're just allergic to dates. "apologies…" Panel 2: Maya says, "wait i have a great idea!! you should get drinks and watch something on tv until he gets mega drunk and starts crying at you because you're so beautiful!!" Below Maya's speech bubble is a little bubble titled "Maya vision:" where Phoenix is blushing with his tie around his head, saying "miles i love you" with a bunch of "u's" stretching out. Panel 3: Edgeworth, unamused, says "…you know maybe i should've gone to larry". Panel 4: Offended, Maya replies, "hey!" in all caps and bolded italic text. "do you think LARRY would have better advice? he'd be all like," Her speech bubble cuts off here, switching to one that mimics Larry, indicated by a small Larry head beside the speech bubble and text saying "Larry voice". It reads, "edgey boy you should take him to your place and fuck him raw!" Panel 5: Edgeworth, looking sick, replies, "…good point. now excuse me while i go throw up."

The last page of a three-paged comic. Panel 1: Maya scrolling desperately with a speech bubble consisting entirely of ellipses. Text on the corner of the panel reads, "(on her 7th ao3 page)". Panel 2: Maya suddenly exclaims "dinner!" in italicized all-caps. "nothing bad ever happens with dinner!" Panel 3: Edgeworth closes his eyes and presses a finger against his temple, saying, "last time we had a dinner 'date,' wright ate his salad with a butter knife…" Dejected, Maya replies, "right. that time. post cancelled no dinner i guess". Panel 4: Maya looks back at her phone with one hand up in defeat and says, "man, i'm sorry… pretty much all i write is homoeroticism and angst! maybe we should ask larry…" Edgeworth's speech bubble reassures her, "i appreciate the help regardless…" Panel 5: A context box in the top-left of the panel reads, "meanwhile, phoenix:" Phoenix sits on the couch outside the office with a confused expression, thinking "wtf are they talking about". There is text in the bottom left corner that reads "(they kicked him out of the office)".

End ID.

[loulovingho]

Bucktommy prompt: Tommy is dealing with chronic pain and Buck helps him through it.

Part 3 of my injured Tommy fic

If Tommy were being honest, there were some positives to being paralyzed. The first time he'd told Evan as much, he'd stared back at him with eyebrows raised and a face that said, “I can't wait to see where this is going.”

So Tommy had gone through the list he'd made in his head.

1. He always got the best parking spots.

2. Little old ladies now helped him in the grocery store.

3. People were constantly opening doors for him.

4. He'd get to board first on a plane... as soon as he and Evan figured out where they were going to go for their honeymoon.

5. Sometimes people let him cut in line.

6. He'd learned how to do some sick ass wheelies!

Buck had laughed along with his list, even adding a few himself.

7. Bigger hotel rooms.

8. Tommy's biceps were larger than Buck thought humanly possible.

9. If Buck got tired of walking, he could just sit on Tommy's lap and get a free ride.

And while these things were all good and true, there were plenty of things that made Tommy's new life far more difficult.

One of which were the body spasms.

He'd been warned about them in the hospital. Had a few of them before he'd been discharged. Learned how to deal with them, for the most part, through physical therapy. He'd also been put on muscle relaxants, sleeping pills, and antidepressants.

Which really only caused more problems, because he spent the better part of a month feeling so doped up that he was asleep more than he was awake.

His doctors changed doses and moved around schedules, trying to find the perfect balance, but Tommy hated the pills no matter what.

They didn't only impact his day to day life, but also his ability and desire for sex.

And God, as his body recovered and he and Buck settled into their new normal, he really wanted to want to have sex.

Adjustments already had to be made do to the reduction of sensation he felt around his pelvis. Things got weaker and weaker from there, reduced to no feeling at all in his legs.

They'd had their quickie wedding at the courthouse in February, followed by a ceremony with family the next month, and started planning a honeymoon in the summer. And that's when Tommy decided he was going to cut back on some of his medications, and cut others out completely. He was not going to spend his honeymoon in a half daze, not caring whether or not his drop dead gorgeous husband was naked on top of him.

Buck had protested at first. He'd made it clear that sex didn't mean everything to him. The things they still did do were pretty damn great, and it wasn't worth Tommy being in pain.

But Tommy insisted.

So they'd met with his doctors and come up with a plan. He could go off the sleeping pills, taking them only when needed. They'd reduce the antidepressant in increments. And muscle relaxants could be used as needed as well.

For the most part, everything went fairly smoothly. His spasticity would rear its ugly head from time to time, but it wasn't anything unmanageable.

Until, one night, it was.

He should have known it was going to be a bad night. He'd been restless and uncomfortable all day long. He'd go from his wheelchair, to the couch, to the wheelchair, to the dining room chair, to the wheelchair, to the bed, then back to the wheelchair.

He'd tried wheeling around the neighborhood, usually enjoying using his arms to push himself around, but today he just felt stiff.

The muscle relaxants in the kitchen cabinet had been calling his name, but he'd resisted. Evan was coming off a forty-eight hour shift tonight, and he'd already texted Tommy a picture of himself all sweaty, no shirt on, telling him he was gonna get himself all cleaned up for Tommy.

And Tommy wanted nothing more than to give him everything he wanted, because he wanted it too. Which was a damn good feeling to have back.

He hoped that sex would help his body relax.

It didn't.

He'd gotten through it though, with a few little twinges of pain in his chest and back. Nothing too severe. And with Buck on top of him, his body flushed red, head tossed back and mouth hanging open, the pleasure overrode the pain.

It didn't get really bad until after Buck had fallen asleep. Tommy wasn't sure how long he laid there, trying to stay as still as possible so he didn't wake Evan.

Even as the pain started to radiate up his back, he clenched his teeth to keep himself from groaning.

Then it went to his chest, causing his breath to hitch. The spasm made his back arch off the bed. If it didn't hurt so bad, he would have made some sort of exorcist joke.

His hands gripped onto the fitted sheet and he could feel a vibration.

His legs were probably shaking. He couldn't feel it, but it always happened when he had these spasms, even the minor ones.

He couldn't hardly get a breath. Not while fighting to be quiet. Not while his back and chest felt like they were becoming harder than a rock.

Finally, he unclenched his jaw and let out a half-moan, half-gasp.

“Ev- Evan,” he huffed out, releasing his grip on the sheet to smack his hand down on the bed. Tommy couldn't quite reach out far enough to touch him. Not when everything was seizing up like this. “Evan!” he repeated, louder this time.

Even in his deep sleep, Buck must've realized something was wrong. One second he was dead to the world, and the next he was jumping up, tossing the covers off of them both.

“What? What's wrong?” he said, clumsily reaching over to the nightstand and turning on the lamp.

Tommy squeezed his eyes shut against the light. He didn't feel like seeing himself right now.

It took Buck's brain a few seconds to catch up to the sight in front of him. When he finally registered what was happening, he headed for the door. “I'm gonna get your meds.”

“No!” Tommy yelled, sucking in a breath. “D- Don't.”

“Tommy, you need your muscle relaxant.”

“I- I can't.” He managed to bring a hand to his throat, hoping Evan understood.

“You can't swallow right now,” Buck replied. It wasn't a question.

“Mhm. Just... Just-”

“Massage?” Buck guessed, getting to Tommy's side of the bed in record speed. “You think that would help this time?”

Figuring out the correct responses to these episodes was always a guessing game. Sometimes touch could make it worse. Tommy was pretty sure nothing could make it any worse right now.

“Mm... Mhm.” His jaw was getting so tight he could barely open his mouth.

“I'm gonna move you onto your side.” Very carefully, Buck turned Tommy's rigid body so he was facing away from him. It was an awkward angle, and he was having to do most of the work to keep Tommy on his side, but he managed to get into a position where he could start to dig the palm of his hand into Tommy's back.

At first, he was so tight Buck worried he was going to hurt him even more by massaging him. But, Tommy's breathing seemed to become a little fuller, and the groaning died down a bit.

So Buck continued. He'd alternate between using his palm, his fist, his thumb, to dig into the muscles and get them to loosen.

After a few minutes, Tommy had quieted down completely. His body relaxed into the bed as he flopped the rest of the way onto his stomach. The shaking in his legs subsided. He no longer felt like he was going to shatter into a million little pieces.

Still, Buck continued his massage. He worked up Tommy's neck, massaged his head, down to his shoulders, his back. He even massaged over his legs and feet, letting Tommy know what he was doing so he wouldn't think Buck had just left the room.

After about half an hour, Buck rested his hand at the center of Tommy's back. “Feel better?” he asked quietly, unsure if Tommy was even still awake at this point.

“Mhm. Thank you,” Tommy replied. He paused, blushing before starting to ask, “Did I... Do I need..?” He couldn't quite get the words out. Did I piss myself? Do I need to get up so we can change the sheets and clean me up?

It happened sometimes, when his body seized up. And while he nearly had full bladder control back, everything went haywire when it came to his spasms.

“No, you're good,” Buck answered, and Tommy thanked whoever might be listening that they were able to read each other's minds. “Think you can turn back over now?”

“Yeah. Yes, I- you'll have to help me though.”

“Of course.”

Once Tommy was resting comfortably on his back, head propped up under two pillows, Buck stared down at him. “You knew it was gonna happen today, didn't you?”

Tommy sighed. There was no point in lying. “Yeah. Not this bad though.”

“And you didn't take a pill earlier?”

“No.”

Buck sucked in a shaky breath as he nodded. He didn't answer. Didn't say a word. He simply turned and headed into the bathroom.

Tommy listened as he turned the sink on. It ran for a while, then Buck was back by his side. He ran a warm washcloth over Tommy's face, Tommy closing his eyes and melting into the touch.

Once Buck had finished wiping off his face, he started on his chest.

Tommy blinked his eyes back open, studying Buck.

He was tense, eyebrows knitted together as he focused on cleaning the sweat from Tommy's body.

Tommy's eyes drifted to Buck's hand, shaking ever so slightly.

He reached out and placed his hand over Buck's, gently gripping his wrist. Finally, Buck made eye contact with him.

“Please don't be mad,” Tommy said, knowing it was unfair even as he said it. Still, he hated to see Evan disappointed. Wasn't sure if he could handle it right now.

But as he looked further into Evan's eyes, he didn't see anger.

He saw fear, and sadness. Red-rimmed, wet with unshed tears that were threatening to spill over.

“M'not mad,” he replied, clearing his throat. “I- I'm upset. I don't like seeing you in pain, Tommy.”

“I know. I'm sorry.”

“You don't have to be sorry. Just don't do it again. I can't... I can't enjoy being with you- having sex with you,” he clarified, “if I think you're hurting yourself for it.”

“I know, Evan. I just... I just wanted to be with you tonight. Wanted to feel good. Wanted to make you feel good.”

Buck tossed the rag onto the nightstand, sitting down on the bed beside Tommy. “You know what makes me feel good?” he started, resting two fingers under Tommy's chin so he couldn't look away. “Seeing you comfortable makes me feel good. Us enjoying dinner together makes me feel good. Going for a walk in the evening, watching movies, going out for ice cream, you holding me in your arms, getting to hold you in mine, kissing you for hours and hours. All those things, plus like a million more, make me feel good. Sex is fun, and I'd be lying if I said I didn't enjoy it because damn you've got some moves,” he said, getting a smile out of Tommy, “but it's not everything to me. You are everything to me. I know we can't always prevent spasticity, but when we can, it would make me feel good if we did. Got it?”

Tommy nodded, giving himself a few seconds before verbally responding. “You can't just say stuff like that to me, you know,” he said, choked up. “I'm a softy now.”

Buck scoffed, rolling his eyes playfully. “You were always a softy,” he informed Tommy, leaning in for a kiss.

“I'm gonna go get your pills now, okay?”

“Okay.” Before Buck could get too far, Tommy reached out and grabbed at his hand. “Hey. Have I told you lately that I love you?”

Buck cocked his head, giving Tommy a glare. “If you start singing Rod Stewart to me, I will divorce you.”

“No, seriously, Baby,” Tommy said, keeping a straight face. “Have I told you there's no one else above you?”

“I already know a good attorney.”

“You fill my heart with gladness,” Tommy continued, grinning, “take away all my sadness.”

Buck wriggled his hand free of Tommy's grasp, heading out toward the kitchen. “If you hear the front door slam, I'll be back later for my things.”

Tommy's smile only widened as he yelled out, “You ease my troubles, that's what you do!”